Samson C-control Owner's Manual
MIX 2TK A
2TK
C
2TK
B
OL
+6
0
-6
-18
-30
L R
SPEAKER A SPEAKER C
MUTE
SPEAKER B
SU
B
DI
M
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVE
L
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MATRIX
SAMSON
SOURCE
DESTINATION
LEVEL
CONTROL ROOM
TALKBACK
A U D I O
CONTROL ROOM MATRIX
C C l a s s S i g n a l P ro c e s s o r s
Safety Instructions/Consignes de sécurité/Sicherheitsvorkehrungen/Instrucciones de seguridad
ACHTUNG:
Um die Gefahr eines Brandes oder Stromschlags zu verringern, sollten
Sie dieses Gerät weder Regen noch Feuchtigkeit aussetzen.Um die Gefahr eines
Stromschlags zu verringern, sollten Sie weder Deckel noch Rückwand des Geräts ent-
fernen. Im Innern befinden sich keine Teile, die vom Anwender gewartet werden kön-
nen. Überlassen Sie die Wartung
qualifiziertem Fachpersonal.
Der Blitz mit Pfeilspitze im
gleichseitigen Dreieck soll den Anwender vor nichtisolierter “gefährlicher Spannung”
im Geräteinnern warnen. Diese Spannung kann so hoch sein, dass die Gefahr eines
Stromschlags besteht. Das Ausrufezeichen im gleichseitigen Dreieck soll den Anwender
auf wichtige Bedienungs- und Wartungsan leitungen aufmerksam machen, die im mit-
gelieferten Informationsmaterial näher beschrieben werden.
Wichtige Sicherheitsvorkehrungen
facturers instructions.
for your safety. When the provided plug does not fit your outlet, consult an electri-
Pour éviter tout risque d’électrocution ou d’incendie, ne pas exposer
Pour éviter tout risque d’électrocution, ne pas
fiées. Si votre prise murale ne correspond pas au modèle fourni, consultez votre
jection liquide dans l’appareil, introduction d’un objet dans le boîtier, etc.).
15
18
70-71
37
Vorderseite 38
45-48
50
70-71
19
26-27
35
70-71
72
53
66
68
69
ENGLISH
your stereo line sources including mixers, hard-disk recorders, 2-tracks, along with multiple sets control room
ENGLISH
The Samson C•control headphone amplifier utilizes the latest technology in gain management design. Here are some of
MIX 2TK A
2TK
C
2TK
B
OL
+6
0
-6
-18
-30
L R
SPEAKER A SPEAKER C
MUTE
SPEAKER B
SU
B
DI
M
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVE
L
MI
C
TALK TO
2TK
TALK TO
CU
E
0 10
CONTROL ROOM
MATRIX
SAMSON
SOURCE
DESTINATION
LEVEL
CONTROL ROOM
TALKBACK
ENGLISH
MIX 2TK A
2TK C
2TK B
OL
+6
0
-6
-18
-30
L R
SPEAKER A SPEAKER C
MUTE
SPEAKER B
SUB
DI
M
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVEL
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MATRIX
SAMSON
SOURCE
DESTINATION
LEVEL
CONTROL ROOM
TALKBACK
1 2
3
4
5
6 7
8
9
10 11
12 13 14
15 16
17
18
19
- Used to assign the 2-track
- Adjusts the output level
- Master level control
- Used to adjust and balance
- When engaged, all of C control’s
- Used to control the output
- When pressed down, the internal
- Used to assign the 2-track
- Used to assign the 2-track
- Six segment LED bar VU meter
- When pressed, the switch
- Internal condenser
- When pressed down, the
- AC Mains power switch.
ENGLISH
POWER
AC IN
14
V
SAMSON
MADE IN CHINA
+
-
500mA
MIX IN
2TK
A2TK B2TK C2TK A2TK B2TK C
L
R
L
R
R
L
SPK AEXT CUE
TALK
REMOTE
SPK B
SPK C
BALANCEDBALANCED
BALANCE
DBALANCED
BALANCE
DBALANCED BALANCED
INPUT
OUTPU
T
A
B
C
D
E F
G
H I
J
K
L
M
- The included AC power supply brick is
REMOTE TALK
- Stereo output on two 1/4-inch
- Stereo RCA outputs for connecting
- Stereo RCA outputs for connecting a
- Stereo 1/4-inch balanced
- Stereo 1/4-inch bal-
J 2-TRACK C INPUT
- Stereo 1/4-inch bal-
- Stereo 1/4-inch bal-
- Stereo 1/4-inch balanced
ENGLISH
TALKBACK LEVEL - O
TALK TO CUE SWITCH - OUT (LED OFF)
TALK TO 2TK SWITCH - OUT (LED OFF)
MIX 2TK A
2TK C
2TK B
OL
+6
0
-6
-18
-30
L R
SPEAKER A SPEAKER C
MUT
E
SPEAKER B
SU
B
DIM
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVEL
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MA
TRIX
SAMSON
SOURCE
DESTINATION
LEVEL
CONTROL ROOM
TALKBACK
ENGLISH
Note:
POWER
AC IN
14 V
SAMSON
MADE IN CHINA
+
-
500mA
MIX IN
2TK
A2TK B2TK C2TK A2TK B2TK C
L
R
L
R
R
L
SPK AEXT CUE
TA
LK
REMOTE
SPK B
SPK C
BALANCEDBALANCED
BALANCEDBALANCED
BALANCE
DBALANCED BALANCED
INPUT
OUTPU
T
®
®
®
®
PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5155
0
30
5
-26
5
-26
60
+26
60
+26
CHANNEL 1CHANNEL 1 CHANNEL 2CHANNEL 2
CHANNEL 3/4CHANNEL 3/4 CHANNEL 5/6CHANNEL 5/6 LL RRMIXMIX
MONO
MONO OU
T
AUX OU
T
LINE IN
AUX RET
LEFT/MONO
RIGHT
CR OU
T
LEFT
RIGHT
MIX OU
T
LEFT
RIGHT
LINE IN
AUX RETURN
C/ROO
M
+PHONE
S
MIC/LINE 1 MIC/LINE 2 MIC/LINE 3/4 MIC/LINE 5/6
PHONES
LEFT RIGHT LEFT RIGHT
2T IN 2T OU
T
HD
R
MIX/2T
PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5155
0
30
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5155
0
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5155
0
5
0 10
5
0 10
2TK TO MIX
5
0 10
5
0 10
AUX
0 10
AUX
0 10
AUX
0 10
AUX
0 10
GAIN
CLIP
GAIN
CLIP
REC REC
RECREC
3/L
4/R
5/L
6/R
MASTER SECTIONMASTER SECTION
MASTER SECTION
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
151515
MA X I MU M DY NA MI C RA NG E
PEAK
+6
0
-6
-20
POWER
48V
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
LINE OUTPUTS
LINE INPUTS
MIX OUTPUTS
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
ENGLISH
The C control features four 2-track /Stereo inputs for connecting a variety of sounds sources including the
The MIX inputs are C control’s main Left and Right stereo inputs. These inputs are balanced, 1/4-inch, TRS (Tip/
The 2-Track A inputs are balanced, 1/4-inch, TRS (Tip/ Ring/
The inputs labeled 2-Track B are balanced 1/4 inch,TRS (Tip/Ring/Sleeve) connectors which accept +4dB line
The 2-Track C inputs are unbalanced, RCA connectors which accept -10dB line level sources. You can connect
MIX IN
2TK
A2TK B2TK C2TK A2TK B2TK C
R
L
BALANCEDBALANCED BALANCED
INPUT
1
2
1234
3
4
4
ENGLISH
The C control features three 2-track /Stereo outputs allowing you to connect the inputs of a variety of record-
The 2-Track A outputs are balanced, 1/4-inch, TRS (Tip/ Ring/ Sleeve) phone connectors which output a +4dB
The outputs labeled 2-Track B are balanced, 1/4 inch, TRS(Tip/Ring/Sleeve) connec-
The 2-Track C inputs are unbalanced, RCA connectors which accept -10dB line level
The C control provides three sets of line level outputs for connecting up to three pairs of studio monitors. The
MIX IN
2TK
A2TK B2TK C2TK A2TK B2TK C
L
R
R
L
BALANCEDBALANCED
BALANCEDBALANCED BALANCED
INPUT
OUTPUT
5
6
567
7
The Speaker A outputs are balanced, 1/4-inch, TRS (Tip/ Ring/ Sleeve) phone connectors which output a +4dB
In order to maintain the best gain structure and signal to noise ratio, we highly recom-
The Speaker B outputs are unbalanced, RCA connectors which output -10dB line level signal. You can connect
The Speaker C outputs are unbalanced, RCA connectors,
The External Cue outputs are balanced, 1/4-inch, TRS
The C control’s TALKBACK microphone can be turned on and off from an external switch connected to the
TALK REMOTE input. The 1/4-inch phone jack is wired, “normally-open”, so a switch that shorts the TALK
The AC Inlet is where the C control receives it power from the included 18-volt AC power supply. Be sure to
POWER
AC IN
14 V
SAMSON
MADE IN CHINA
+
-
500mA
MIX IN
2TK
A2TK B2TK C2TK A2TK B2TK C
L
R
L
R
R
L
SPK AEXT CUE
TALK
REMOTE
SPK B
SPK
C
BALANCEDBALANCED
BALANCEDBALANCED
BALANCEDBALANCED BALANCED
INPUT
OUTPUT
8
ENGLISH
9
10
891011
13
11
12
13
12
you to monitor more than one stereo Source at the same time, therefore a Source assignment switch will stay
The MIX switch is used to assign the audio signal from the device connected to the
The C control’s master section includes an 6-segment LED LEVEL meter, which displays the
MIX 2TK A
2TK C
2TK B
OL
+6
0
-6
-18
-30
L R
SPEAKER A SPEAKER C
MUT
E
SPEAKER B
SU
B
DIM
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVEL
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MA
TRIX
SAMSON
SOURCE
DESTINATION
LEVEL
CONTROL ROOM
TALKBACK
2TK C
OL
+6
0
-6
-18
-30
L R
SPEAKER A SPEAKER C
MUT
E
SPEAKER B
SU
B
DIM
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVEL
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MA
TRIX
SAMSON
DESTINATION
LEVEL
CONTROL ROOM
TALKBACK
CONTROL ROOM
MA
TRIX
SAMSON
14
ENGLISH
14
15
16
17
18
19
15 16
17 18
19
ENGLISH
The C control includes an internal headphone amplifier for monitoring the mix and/or any of the assigned
Because the C control is capable of generating high volume levels, always start with the
The HEADPHONE VOLUME control is used to adjust the level of the headphones connected to
The C control’s HEADPHONE output accepts standard 1/4-inch, stereo TRS (Tip/ Ring/ Sleeve)
Volume
The C control’s VOLUME knob is the master control for the Control Room level. Use the VOLUME knob to adjust
The SPEAKER B volume control is used to adjust the level of the SPEAKER
To set the balance between the monitors connected to the SPEAKER A and SPEAKER B outputs, first turn the
SPEAKER A SPEAKER C
MUT
E
SPEAKER B
SU
B
DIM
MONO
VOLUME
SPK B
VOLUME
0 10
0 10
TALKBACK
LEVEL
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MA
TRIX
SAMSON
CONTROL ROOM
TALKBACK
SPEAKER A SPEAKER C
MUT
E
SPEAKER B
SU
B
DIM
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVEL
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MA
TRIX
SAMSON
CONTROL ROOM
TALKBACK
20
21
22
23
20
21
22 23
The Control Room VOLUME knob is used to adjust the level of the
The mute switch provides a convenient way to shut off any and all of
The C control offers a useful feature, DIM, allowing you to lower the overall Control Room level with the press
your mix in mono, simply press the MONO switch and the yellow LED will illuminate indicating all the outputs
The speaker A switch can operated in two different ways depending on the position of the Speaker B switch. If
The SPEAKER C/SUB switch is used to turn on the monitors or subwoofer connected to the SPEAKER C out-
SPEAKER A SPEAKER C
MUT
E
SPEAKER B
SU
B
DIM
MONO
VOLUME
SPK B
VOLUME
0 10
0 10
TALKBACK
LEVEL
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MA
TRIX
SAMSON
CONTROL ROOM
TALKBACK
24
25
26
24 25
ENGLISH
2627 28 29
27
28
29
The C control features an internal condenser microphone located on the front panel, which can be used to
The TALK TO 2-Track switch is used to assign the TALKBACK MIC to the 2-Track out-
Talk To Cue
The TALK TO CUE switch is used to assign the TALKBACK MIC to the EXTERNAL CUE
The TALKBACK LEVEL control is used to adjust the volume of the signal that is picked up from the internal
TALKBACK MICROPHONE. Keep in mind that there is more than likely someone monitoring the EXTERNAL
Talk to 2-track switch, adjust the level of the TALKBACK MICROPHONE by checking the connected 2-tracks
TALKBACK
LEVEL
MI
C
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MA
TRIX
SAMSON
TALKBACK
29
ENGLISH
30
31
3132
29 30
32
ENGLISH
POWER
AC IN
14
V
SAMSON
MADE IN CHINA
+
-
500mA
MIX IN
2TK
A2TK B2TK C2TK A2TK B2TK C
L
R
L
R
R
L
SPK
AEXT CUE
TALK
REMOTE
SPK
B
SPK
C
BALANCE
DBALANCED
BALANCEDBALANCE
D
BALANCEDBALANCED BALANCED
INPUT
OUTPUT
MAIN
INJECT
2 CH
STERE
O
SHAPE
OU
T
SHAPE
OU
T
0 10
0 10
CH 1
OL
0
-6
-12
-1
8
-24
OL
0
-6
-12
-18
-24
CH
1
CH 2
SHAPE
OU
T
SHAPE
OU
T
OL
0
-6
-12
-18
-24
CH 3 CH
4
4 CHANNEL
HEADPHONE AMP
CH 2
CH 3
CH 4
VOLUME
VOLUME VOLUME
VOLUME
VOLUME
0 1
0
BALANC
E
L R
0 1
0
0 1
0
0 1
0
0 10
®
®
®
®
PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
050
LF
80Hz
0
15
1010
5
15
5
0
30
5
-26
5
-2
6
60
+26
60
+2
6
CHANNEL 1CHANNEL 1 CHANNEL 2CHANNEL 2
CHANNEL 3/4CHANNEL 3/4 CHANNEL 5/6CHANNEL 5/6 LL RRMIXMIX
MONO
MONO OU
T
AUX OU
T
LINE IN
AUX RET
LEFT/MONO
RIGHT
CR OU
T
LEFT
RIGHT
MIX OU
T
LEFT
RIGH
T
LINE IN
AUX RETURN
C/ROO
M
+PHONE
S
MIC/LINE 1 MIC/LINE 2 MIC/LINE 3/4 MIC/LINE 5/6
PHONES
LEFT RIGHT LEFT RIGHT
2T IN 2T OU
T
HDR
MIX/2T
PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
050
LF
80Hz
0
15
1010
5
15
5
0
30
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
050
LF
80Hz
0
15
1010
5
15
5
0
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
050
LF
80Hz
0
15
1010
5
15
5
0
5
0 10
5
0 10
2TK TO MIX
5
0 10
5
0 10
AUX
0 10
AUX
0 10
AUX
0 10
AUX
0 10
GAIN
CLIP
GAIN
CLIP
REC REC
RECREC
3/L
4/R
5/
L
6/
R
MASTER SECTIONMASTER SECTION
MASTER SECTION
10
5
0105
20
30
40
10
5
0105
20
304015 15
10
5
0
10
5
20
30
40
10
5
0105
20
304015 15
10
5
0
10
5
20
30
40
10
5
0105
20
30
40
15 15
10
5
0
10
5
20
30
40
10
5
0105
20
30
40
15 15
10
5
0
105203040
10
5
0
10
5
20
30
40
10
5
0
10
5
203040
15
15
15
MA X I M U M D Y N A M I C R A N G E
PEAK
+6
0
-6
-2
0
POWER
48
V
___
___
_
_
___
___
_
_
___
___
_
_
___
___
_
_
___
___
_
_
___
___
_
_
LINE OUTPUTS
LINE INPUT
S
LINE INPUTS
MIX OUTPUTS
LINE OUTPUTS
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
SOUND CARD
INPUT
S
SOUND CARD
OUTPUT
S
The following diagram shows a typical studio set up with C control interfaced to a mixer, two sets of studio monitors with subwoofer, a DAT machine,
ENGLISH
your C control so that you can set the unit at a com-
TALK TO
2TK
TALK TO
CUE
CONTROL ROOM
MATRIX
SAMSON
When stacking
MIX 2TK A
2TK C
2TK B
OL
+6
0
-6
-1
8
-30
L R
SPEAKER A SPEAKER C
MUTE
SPEAKER B
SUB
DIM
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVEL
MIC
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MATRIX
SAMSON
SOURCE
DESTINATION
LEVEL
CONTROL ROOM
TALKBACK
MIX 2TK A
2TK C
2TK B
OL
+6
0
-6
-1
8
-30
L R
SPEAKER A SPEAKER C
MUTE
SPEAKER B
SUB
DIM
MONO
HEADPHONE
VOLUME
SPK B
VOLUME
HEADPHONE
VOLUME
0 10
0 10
0 10
TALKBACK
LEVEL
MIC
TALK TO
2TK
TALK TO
CUE
0 10
CONTROL ROOM
MATRIX
SAMSON
SOURCE
DESTINATION
LEVEL
CONTROL ROOM
TALKBACK
ENGLISH
There are several ways to interface the C control, depending on your exact monitoring set-up. Follow the cable dia-
ENGLISH
The C Class Dual Rack Adaptor is available as an accessory from an authorized Samson dealer or through our website:
FRANÇAIS
L’amplificateur de casque Samson C•control utilise les dernières technologies de gestion de gain. Voici quelques-unes de
ses fonctions :-
• Sélecteur d’enceintes et de source d’entrée offrant un point centralisé de distribution des sources vers différentes paires d’enceintes.
• Triple sélecteur de signaux d’enceintes à niveau ligne permettant la commutation A/B ou A/B plus C.
• Trois entrées 2-pistes/stéréo peuvent être utilisées pour connecter vos DAT, CD, MINIDISK, pré-mélangeurs pour
vos appareils MIDI, ou toute autre source stéréo à niveau ligne.
• Quatre touches de source stéréo permettent le routage de n’importe laquelle des sources stéréo connectées aux
sorties moniteurs.
FRANÇAIS
• Sortie casque avec réglage du niveau d’écoute.
• Bouton de volume Control Room permettant de régler le niveau général des enceintes connectées.
• Le réglage de volume SPEAKER 2 vous permet d’adapter le niveau des enceintes SPEAKER 1 et SPEAKER 2.
• Micro d’ordre avec poussoir TALK et réglage de niveau permettant de communiquer les informations et les conversations de l’ingénieur du son et/ou du producteur aux musiciens par la sortie CUE.
• Touche TALK TO CUE permettant d’affecter le signal du micro d’ordre interne à la sortie CUE permettant à
l’ingénieur du son et/ou au producteur de communiquer avec les musiciens dans la cabine de prise.
• Touche TALK TO 2-TR permettant d’affecter le signal du micro d’ordre interne aux sorties 2-pistes permettant à
l’ingénieur du son et/ou au producteur d’enregistrer des commentaires pendant l’enre-gistrement final sur le
deux-pistes.
• Touche mono permettant de contrôler le mixage pour sa compatibilité mono et de placer toutes les sources
d’entrée en mono.
• Touche de Mute permettant de couper toutes les entrées et les sorties à l’aide d’une seule touche.
• Touche Dim permettant d’atténuer le niveau de toutes les sorties de 20 dB.
• Entrée stéréo principale Main Mix Stereo pour la connexion à la console de mixage principale.
• Trois sorties pour enceintes, une sortie ligne asymétrique en Jack stéréo 6,35 mm et deux sorties
asymétriques à niveau ligne en RCA.
• Quatre entrées 2-pistes/stéréo, trois au format Jack stéréo 6,35 mm symétriques et une entrée à niveau ligne
asymétrique en RCA.
• Protections en caoutchouc avec pieds d’inclinaison vous permettant d’empiler plusieurs C que 8, ou d’autres
produits Samson de la gamme C.
• Garantie étendue de 3 ans (variable selon le pays de distribution).
- Affecte l’entrée principale MIX IN
- Active les sorties d’enceintes
- Micro à condensateur
- Permet d’activer le signal
- Interrupteur secteur.
aux sorties SPEAKER, CUE et HEADPHONE du C
control.
- Affecte l’entrée 2-Track A aux
sorties SPEAKER, CUE et HEADPHONE du C control.
- Détermine le niveau de sortie
de l’amplificateur de casque interne.
FRANÇAIS
général de toutes les sorties d’enceintes.
l’équilibre de la sortie SPEAKER B.
- Permet de couper toutes les sor-
ties du C control.
- Permet d’atténuer le niveau de
la sortie Control Room de 20 dB.
- Détermine le niveau de sortie
du micro d’ordre.
- Active le micro interne et le signal
du micro d’ordre est affecté à la sortie CUE.
- Affecte l’entrée 2-Track B aux sorties
SPEAKER, CUE et HEADPHONE du C control.
- Affecte l’entrée 2-Track C aux sorties
SPEAKER, CUE et HEADPHONE du C control.
- Niveau de sortie
- Détermine le niveau et
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