Roland SH-32 Implementation

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Page 1

MIDI Implementation

Model: SH-32 Date: Dec. 12, 2001 Version: 1.00

1. Receive Data

■Channel Voice Messages

●Note Off

Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n = MIDI channel number: 0H - FH (Ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note off velocity: 00H - 7FH (0 - 127)

●Note On

Status 2nd byte 3rd byte 9nH kkH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note on velocity: 01H - 7FH (1 - 127)

●Polyphonic Key Pressure

Status 2nd byte 3rd byte AnH kkH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = Polyphonic Key Pressure: 00H - 7FH (0 - 127)

●Control Change

❍Bank Select (Controller number 0, 32)

Status 2nd byte 3rd byte BnH 00H mmH BnH 20H llH n = MIDI channel number: 0H - FH (Ch.1 - 16) mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)

MSB LSB 085 000 Performance 086 000 User Rhythm 086 064 Preset Rhythm 087 000 User Patch 087 064 Preset Patch

❍Modulation (Controller number 1)

Status 2nd byte 3rd byte BnH 01H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Modulation depth: 00H - 7FH (0 - 127)

❍Portamento Time (Controller number 5)

Status 2nd byte 3rd byte BnH 05H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Portamento Time: 00H - 7FH (0 - 127)

* The Portamento Time parameter will change.

❍Data Entry (Controller number 6, 38)

Status 2nd byte 3rd byte BnH 06H mmH BnH 26H llH n = MIDI channel number: 0H - FH (Ch.1 - 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB

❍Volume (Controller number 7)

Status 2nd byte 3rd byte BnH 07H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Volume: 00H - 7FH (0 - 127)

* The Level parameter will change. * In Performance mode, the Part level parameter will change.

❍Balance (Controller number 8)

Status 2nd byte 3rd byte BnH 08H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Balance: 00H - 7FH (0 - 127)

* The Oscillator Balance parameter will change.

❍Panpot (Controller number 10)

Status 2nd byte 3rd byte BnH 0AH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Panpot: 00H - 40H - 7FH (Left - Center - Right)

* The Pan parameter will change. * In Performance mode the Part pan parameter will change.

❍Expression (Controller number 11)

Status 2nd byte 3rd byte BnH 0BH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Expression: 00H - 7FH (0 - 127)

❍Hold 1 (Controller number 64)

Status 2nd byte 3rd byte BnH 40H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON

❍Portamento (Controller number 65)

Status 2nd byte 3rd byte BnH 41H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

* The Portamento Switch parameter will change.

❍Sostenuto (Controller number 66)

Status 2nd byte 3rd byte BnH 42H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

❍Legato Foot Switch (Controller number 68)

Status 2nd byte 3rd byte BnH 44H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

* The Legato parameter will change.

❍Sound Variation (Controller number 70)

Status 2nd byte 3rd byte BnH 45H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127)

* The Unison Switch parameter will change.

❍Resonance (Controller number 71)

Status 2nd byte 3rd byte BnH 47H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv= Resonance value: 00H - 7FH (0 - 127)

* The Filter Resonance parameter will change.

❍Release Time (Controller number 72)

Status 2nd byte 3rd byte BnH 48H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Release Time value: 00H - 7FH (0 - 127)

* The Amp Release Time parameter will change.

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MIDI Implementation

❍Attack Time (Controller number 73)

Status 2nd byte 3rd byte BnH 49H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Attack time value: 00H - 7FH (0 - 127)

* The Amp Attack Time parameter will change.

❍Cutoff (Controller number 74)

Status 2nd byte 3rd byte BnH 4AH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Cutoff value: 00H - 7FH (0 - 127)

* The Filter Cutoff parameter will change.

❍Decay Time (Controller number 75)

Status 2nd byte 3rd byte BnH 4BH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Decay Time value: 00H - 7FH (0 - 127)

* The Amp Decay Time parameter will change.

❍Vibrato Rate (Controller number 76)

Status 2nd byte 3rd byte BnH 4CH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Vibrato Rate value: 00H - 40H - 7FH (-50 - 0 - +50)

* The Pitch Fine parameter of OSC2 will change.

❍Vibrato Depth (Controller number 77)

Status 2nd byte 3rd byte BnH 4DH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Vibrato Depth Value: 00H - 40H - 7FH (-50 - 0 - +50)

❍General Purpose Controller 8 (Controller number 83)

Status 2nd byte 3rd byte BnH 53H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127)

* The Filter Decay Time parameter will change.

❍Portamento Control (Controller number 84)

Status 2nd byte 3rd byte BnH 54H kkH n = MIDI channel number: 0H - FH (Ch.1 - 16) kk = source note number: 00H - 7FH (0 - 127)

*A Note-on received immediately after a Portamento Control message will change

continuously in pitch, starting from the pitch of the Source Note Number.

* If a voice is already sounding for a note number identical to the Source Note Number,

this voice will continue sounding (i.e., legato) and will, when the next Note-on is received, smoothly change to the pitch of that Note-on.

* The rate of the pitch change caused by Portamento Control is determined by the

Portamento Time value.

❍Effect 1 (Reverb Send Level) (Controller number 91)

Status 2nd byte 3rd byte BnH 5BH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Reverb Send Level: 00H - 7FH (0 - 127)

* In Performance mode the Part Reverb Send Level parameter will change.

❍Effect 3 (Chorus Send Level) (Controller number 93)

Status 2nd byte 3rd byte BnH 5DH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Chorus Send Level: 00H - 7FH (0 - 127)

* The Intensity parameter will change.

* The Pitch Fine parameter of OSC1 will change.

❍Vibrato Delay (Controller number 78)

Status 2nd byte 3rd byte BnH 4EH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Vibrato Delay value: 00H - 7FH (0 - 127)

* The PWM Depth parameter of OSC1 will change.

❍General Purpose Controller 5 (Controller number 80)

Status 2nd byte 3rd byte BnH 50H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 40H - 7FH (-64 - 0 - +63)

* The Amp Depth parameter of LFO1 will change.

❍General Purpose Controller 6 (Controller number 81)

Status 2nd byte 3rd byte BnH 51H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 40H - 7FH (-64 - 0 - +63)

* The Filter Envelope Depth parameter will change.

❍General Purpose Controller 7 (Controller number 82)

Status 2nd byte 3rd byte BnH 52H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127)

* The Filter Attack Time parameter will change.

❍Effect 4 (Celeste) (Controller number 94)

Status 2nd byte 3rd byte BnH 5EH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Celeste: 00H - 7FH (0 - 127)

* The Effect Level parameter of Reverb/Delay section will change.

❍Effect 5 (Phaser) (Controller number 95)

Status 2nd byte 3rd byte BnH 5FH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Phaser: 00H - 7FH (0 - 127)

* The Bias of Filter Env Depth parameter will change.

❍RPN MSB/LSB (Controller number 100, 101)

Status 2nd byte 3rd byte BnH 65H mmH BnH 64H llH n = MIDI channel number: 0H - FH (Ch.1 - 16) mm = upper byte (MSB) of parameter number specified by RPN ll = lower byte (LSB) of parameter number specified by RPN

<<< RPN >>> Control Changes include RPN (Registered Parameter Numbers), which are extended parameters whose function is defined in the MIDI specification. When using RPNs, first the RPN (Controller numbers 100 and 101; they can be sent in any order) is transmitted to specify the parameter you wish to control. Then, Data Entry messages (Controller number 6 and 38) are used to set the value of the specified parameter. Once a RPN parameter has been specified, all further Data Entry message on that channel are considered to apply to parameter. In order to prevents accidents, when the desired setting has been made for the parameter, it is recommended that RPN be set to Null.

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MIDI Implementation

This device receives the following RPNs.

RPN Data entry MSB, LSB MSB, LSB Notes 00H, 00H mmH, llH Pitch Bend Sensitivity

mm: 00H - 18H (0 - 24 semitones) ll: ignored (processed as 00H) Up to 2 octave can be specified in semitone steps.

00H, 01H mmH, llH Channel Fine Tuning

mm, ll: 20 00H - 40 00H - 60 00H (-8192 x 50 / 8192 - 0 - +8192 x 50 / 8192 cent) *In Performance mode, the Fine Tune parameter of

each Part (Performance parameter) will change.

00H, 02H mmH, llH Channel Coarse Tuning

mm: 10H - 40H - 70H (-48 - 0 - +48 semitones) ll: ignored (processed as 00H) *In Performance mode, the Coarse Tune parameter

of each Part (Performance parameter) will change.

7FH, 7FH ---, --- RPN null

RPN and NRPN will be set as “unspecified”. Once this setting has been made, subsequent Data Entry messages will be ignored. (It is not necessary to transmit Data Entry for RPN Null settings.) Parameter values that were previously set will not change. mm, ll: ignored

●Program Change

Status 2nd byte CnH ppH n = MIDI channel number: 0H - FH (Ch.1 - 16) pp = Program number: 00H - 7FH (prog.1 - prog.128)

●Channel Pressure

Status 2nd byte DnH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Channel Pressure: 00H - 7FH (0 - 127)

●All Notes Off (Controller number 123)

Status 2nd byte 3rd byte BnH 7BH 00H n = MIDI channel number: 0H - FH (Ch.1 - 16)

*When All Notes Off is received, all notes on the corresponding channel will be turned

off. However, if Hold 1 or Sostenuto is ON, the sound will be continued until these are turned off.

●OMNI OFF (Controller number 124)

Status 2nd byte 3rd byte BnH 7CH 00H n = MIDI channel number: 0H - FH (Ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received.

●MNI ON (Controller number 125)

Status 2nd byte 3rd byte BnH 7DH 00H n = MIDI channel number: 0H - FH (Ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received. OMNI ON

will not be turned on.

●MONO (Controller number 126)

Status 2nd byte 3rd byte BnH 7EH mmH n = MIDI channel number: 0H - FH (Ch.1 - 16) mm = mono number: 00H - 10H (0 - 16)

* The same processing will be carried out as when All Notes Off is received. * The Solo Switch parameter will On.

●POLY (Controller number 127)

Status 2nd byte 3rd byte BnH 7FH 00H n = MIDI channel number: 0H - FH (Ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received. * The Solo Switch parameter will Off.

●Pitch Bend Change

Status 2nd byte 3rd byte EnH llH mmH n = MIDI channel number: 0H - FH (Ch.1 - 16) mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

■Channel Mode Messages

●All Sounds Off (Controller number 120)

Status 2nd byte 3rd byte BnH 78H 00H n = MIDI channel number: 0H - FH (Ch.1 - 16)

*When this message is received, all notes currently sounding on the corresponding

channel will be turned off.

●Reset All Controllers (Controller number 121)

Status 2nd byte 3rd byte BnH 79H 00H n = MIDI channel number: 0H - FH (Ch.1 - 16)

*When this message is received, the following controllers will be set to their reset values.

Controller Reset value Pitch Bend Change +/-0 (center) Polyphonic Key Pressure 0 (off) Channel Pressure 0 (off) Modulation 0 (off) Expression 127 (max) Hold 1 0 (off) Sostenuto 0 (off) RPN unset; previously set data will not change NRPN unset; previously set data will not change

■System Realtime Message

●Timing Clock

Status F8H

* This message will be received if the Clock Source parameter is MIDI.

●Active Sensing

Status FEH

*When Active Sensing is received, the unit will begin monitoring the intervals of all

further messages. While monitoring, if the interval between messages exceeds 420 ms, the same processing will be carried out as when All Sounds Off, All Notes Off and Reset All Controllers are received, and message interval monitoring will be halted.

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MIDI Implementation

■System Exclusive Message

Status Data byte Status

F0H iiH, ddH, ......,eeH F7H

F0H: System Exclusive Message status ii = ID number: an ID number (manufacturer ID) to indicate the manufacturer whose

Exclusive message this is. Roland’s manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime

Messages (7FH). dd,...,ee = data: 00H - 7FH (0 - 127) F7H: EOX (End Of Exclusive)

Of the System Exclusive messages received by this device, the Universal Non-realtime messages and the Universal Realtime messages and the Data Request (RQ1) messages and the Data Set (DT1) messages will be set automatically.

●Universal Non-realtime System Exclusive Messages

❍Identity Request Message

Status Data byte Status F0H 7EH, dev, 06H, 01H F7H

Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) dev Device ID (dev: 00H - 1FH (1 - 32), the initial value is 10H (17).) 06H Sub ID#1 (General Information) 01H Sub ID#2 (Identity Request) F7H EOX (End Of Exclusive)

*When this message is received, Identity Reply message (p. 6) will be transmitted.

❍Data Set 1 DT1 (12H)

Status Data byte Status F0H 41H, dev, 00H, 4AH, 12H, aaH, bbH, F7H

ccH, ddH, eeH, ... ffH, sum

Byte Explanation F0H Exclusive status 41H ID number (Roland) dev Device ID (dev: 10H - 1FH, 7FH Initial value is 10H) 00H Model ID #1 (SH-32) 4AH Model ID #2 (SH-32) 12H Command ID (DT1) aaH Address MSB: upper byte of the starting address of the data to be sent bbH Address: upper middle byte of the starting address of the data to be sent ccH Address: lower middle byte of the starting address of the data to be sent ddH Address LSB: lower byte of the starting address of the data to be sent. eeH Data: the actual data to be sent. Multiple bytes of data are transmitted

in order starting from the address. :: ffH Data sum Checksum F7H EOX (End Of Exclusive)

* The amount of data that can be transmitted at one time depends on the type of data, and

data will be transmitted from the specified starting address and size. Refer to the Address and Size given in Section 3, “Parameter address map.

* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each

packet will be sent at an interval of about 20 ms.

* For the checksum, refer to (p. 12).

2. Data Transmission

●Data Transmission

This instrument can use exclusive messages to exchange many varieties of internal settings with other devices. The model ID of the exclusive messages used by this instrument is 00H 4AH.

❍Data Request 1 RQ1 (11H)

This message requests the other device to transmit data. The address and size indicate the type and amount of data that is requested. When a Data Request message is received, if the device is in a state in which it is able to transmit data, and if the address and size are appropriate, the requested data is transmitted as a Data Set 1 (DT1) message. If the conditions are not met, nothing is transmitted.

Status Data Byte Status F0H 41H, dev, 00H, 4AH, 11H, aaH, bbH, F7H

ccH, ddH, ssH, ttH, uuH, vvH, sum

Byte Remarks F0H Exclusive status 41H ID number (Roland) dev device ID (dev: 10H - 1FH, 7FH Initial value is 10H) 00H model ID #1 (SH-32) 4AH model ID #2 (SH-32) 11H command ID (RQ1) aaH address MSB bbH address ccH address ddH address LSB ssH size MSB ttH size uuH size vvH size LSB sum checksum F7H EOX (End Of Exclusive)

* The size of data that can be transmitted at one time is fixed for each type of data. And

data requests must be made with a fixed starting address and size. Refer to the address and size given in “Parameter Address Map” (p. 6).

* For the checksum, refer to (p. 12).

■Channel Voice Messages

●Note Off

Status 2nd byte 3rd byte 8nH kkH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note off velocity: 40H (64)

●Note On

Status 2nd byte 3rd byte 9nH kkH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note on velocity: 01H - 7FH (1 - 127)

●Control Change

❍Bank Select (Controller number 0, 32)

Status 2nd byte 3rd byte BnH 00H mmH BnH 20H llH n = MIDI channel number: 0H - FH (Ch.1 - 16) mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)

MSB LSB 085 000 Performance 086 000 User Rhythm 086 064 Preset Rhythm 087 000 User Patch 087 064 Preset Patch

❍Portamento Time (Controller number 5)

Status 2nd byte 3rd byte BnH 05H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Portamento Time: 00H - 7FH (0 - 127)

*When the Portamento Time parameter is changed, the corresponding value will be

transmitted.

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MIDI Implementation

❍Volume (Controller number 7)

Status 2nd byte 3rd byte BnH 07H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Volume: 00H - 7FH (0 - 127)

*When the Level parameter is changed, the corresponding value will be transmitted.

❍Balance (Controller number 8)

Status 2nd byte 3rd byte BnH 0AH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Panpot: 00H - 40H - 7FH (OSC2 - Center - OSC1)

*When the Oscillator Balance parameter is changed, the corresponding value will be

transmitted.

❍Panpot (Controller number 10)

Status 2nd byte 3rd byte BnH 0AH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Panpot: 00H - 40H - 7FH (Left - Center - Right)

*When the Pan parameter is changed, the corresponding value will be transmitted.

❍Portamento (Controller number 65)

Status 2nd byte 3rd byte BnH 41H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0 = OFF, 127 = ON

*When the Portamento Switch is turned on, the corresponding value will be transmitted.

❍Resonance (Controller number 71)

Status 2nd byte 3rd byte BnH 47H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv= Resonance value (relative change): 00H - 7FH (-64 - 0 - +63)

*When the Amp Decay Time parameter is changed, the corresponding value will be

transmitted.

❍Vibrato Rate (Controller number 76)

Status 2nd byte 3rd byte BnH 4CH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Vibrato Rate value (relative change): 00H - 7FH (-64 - 0 - +63)

*When the Pitch Fine parameter of OSC2 is changed, the corresponding value will be

transmitted.

❍Vibrato Depth (Controller number 77)

Status 2nd byte 3rd byte BnH 4DH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Vibrato Depth Value (relative change): 00H - 7FH (-64 - 0 - +63)

*When the Pitch Fine parameter of OSC1 is changed, the corresponding value will be

transmitted.

❍Vibrato Delay (Controller number 78)

Status 2nd byte 3rd byte BnH 4EH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Vibrato Delay value (relative change): 00H - 7FH (-64 - 0 - +63)

*When the PWM Depth parameter of OSC1 is changed, the corresponding value will be

transmitted.

❍General Purpose Controller 5 (Controller number 80)

Status 2nd byte 3rd byte BnH 50H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 40H - 7FH (-64 - 0 - +63)

*When the Amp Depth parameter of LFO1 is changed, the corresponding value will be

transmitted.

*When the Filter Resonance parameter is changed, the corresponding value will be

transmitted.

❍Release Time (Controller number 72)

Status 2nd byte 3rd byte BnH 48H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Release Time value (relative change): 00H - 7FH (-64 - 0 - +63)

*When the Amp Release Time parameter is changed, the corresponding value will be

transmitted.

❍Attack Time (Controller number 73)

Status 2nd byte 3rd byte BnH 49H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Attack time value (relative change): 00H - 7FH (-64 - 0 - +63)

*When the Amp Attack Time parameter is changed, the corresponding value will be

transmitted.

❍Cutoff (Controller number 74)

Status 2nd byte 3rd byte BnH 4AH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Cutoff value (relative change): 00H - 7FH (-64 - 0 - +63)

*When the Filter Cutoff parameter is changed, the corresponding value will be

transmitted.

❍Decay Time (Controller number 75)

Status 2nd byte 3rd byte BnH 4BH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Decay Time value (relative change): 00H - 7FH (-64 - 0 - +63)

❍General Purpose Controller 6 (Controller number 81)

Status 2nd byte 3rd byte BnH 51H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 40H - 7FH (-64 - 0 - +63)

*When the Filter Envelope Depth parameter is changed, the corresponding value will be

transmitted.

❍General Purpose Controller 7 (Controller number 82)

Status 2nd byte 3rd byte BnH 52H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127)

*When the Filter Attack Time parameter is changed, the corresponding value will be

transmitted.

❍General Purpose Controller 8 (Controller number 83)

Status 2nd byte 3rd byte BnH 53H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127)

*When the Filter Decay Time parameter is changed, the corresponding value will be

transmitted.

❍Effect 1 (Reverb Send Level) (Controller number 91)

Status 2nd byte 3rd byte BnH 5BH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Reverb Send Level: 00H - 7FH (0 - 127)

* In Performance mode when the Part Reverb Send Level parameter is changed, the

corresponding value will be transmitted.

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MIDI Implementation

❍Effect 3 (Chorus Send Level) (Controller number 93)

Status 2nd byte 3rd byte BnH 5DH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Chorus Send Level: 00H - 7FH (0 - 127)

*When the Intensity parameter is changed, the corresponding value will be transmitted.

❍Effect 4 (Celeste) (Controller number 94)

Status 2nd byte 3rd byte BnH 5EH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv =Celeste: 00H - 7FH (0 - 127)

*When the Effect Level parameter of Reverb/Delay section is changed, the corresponding

value will be transmitted.

❍Effect 5 (Phaser) (Controller number 95)

Status 2nd byte 3rd byte BnH 5FH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv =Phaser: 00H - 7FH (0 - 127)

* This message is sent when the Arpeggio Duration parameter is set to “Flt1” or “Flt2.”

●Program Change

Status 2nd byte CnH ppH n = MIDI channel number: 0H - FH (Ch.1 - 16) pp = Program number: 00H - 7FH (prog.1 - prog.128)

■Channel Mode Messages

●MONO (Controller number 126)

Status 2nd byte 3rd byte BnH 7EH 01H n = MIDI channel number: 0H - FH (Ch.1 - 16)

*When the Solo Switch parameter is turned on, this message will be transmitted.

●POLY (Controller number 127)

Status 2nd byte 3rd byte BnH 7FH 00H n = MIDI channel number: 0H - FH (Ch.1 - 16)

*When the Solo Switch parameter is turned off, this message will be transmitted.

■System Exclusive Messages

Universal Non-realtime System Exclusive Message” and Data Set 1 (DT1) are the only System Exclusive messages transmitted by the SH-32.

●Universal Non-realtime System Exclusive Message

❍Identity Reply Message

Receiving Identity Request Message, the SH-32 send this message.

Status Data byte Status F0H 7EH, dev, 06H, 02H, 41H, 4AH, 01H, F7H

00H, 00H, 00H, 00H, 00H, 00H

Byte Explanation FOH Exclusive status 7EH ID number (Universal Non-realtime Message) dev Device ID (use the same as the device ID of Roland) 06H Sub ID#1 (General Information) 02H Sub ID#2 (Identity Reply) 41H ID number (Roland) 4AH 01H Device family code 00H 00H Device family number code 00H 00H 00H 00H Software revision level F7H EOX (End of Exclusive)

●Data Transmission

❍Data Set 1 DT1 (12H)

Status Data byte Status F0H 41H, dev, 00H, 4AH, 12H, aaH, bbH, F7H

Byte F0H Exclusive status 41H ID number (Roland) dev Device ID (dev: 00H - 1FH, Initial value is 10H) 00H Model ID #1 (SH-32) 4AH Model ID #2 (SH-32) 12H Command ID (DT1) aaH Address MSB: upper byte of the starting address of the data to be sent bbH Address: upper middle byte of the starting address of the data to be sent ccH Address: lower middle byte of the starting address of the data to be sent ddH Address LSB: lower byte of the starting address of the data to be sent. eeH Data: the actual data to be sent. Multiple bytes of data are transmitted

:: ffH Data sum Checksum F7H EOX (End Of Exclusive)

* The amount of data that can be transmitted at one time depends on the type of data, and

data will be transmitted from the specified starting address and size. Refer to the Address and Size given in Section 3, “Parameter Address Map.”

* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each

packet will be sent at an interval of about 20 ms.

* For the checksum, refer to (p. 12).

ccH, ddH, eeH, ... ffH, sum

Explanation

in order starting from the address.

3. Parameter Address Map

* Transmission of “#” marked address is divided to some packets. For example, ABH in

hexadecimal notation will be divided to 0AH and 0BH, and is sent/received in this order.

1. SH-32 (Model ID = 00H 4AH)

+——————————————————————————————————————————————————————————————————————————————+ | Start | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 00 | System | |—————————————+————————————————————————————————————————————————————————————————| | 10 00 00 00 | Temporary Performance | | 11 00 00 00 | Temporary Patch (Performance Mode Part 1) | | 11 20 00 00 | Temporary Patch (Performance Mode Part 2) | | 11 40 00 00 | Temporary Patch (Performance Mode Part 3) | | 11 60 00 00 | Temporary Patch/Rhythm (Performance Mode Part 4) | | 14 00 00 00 | Temporary Patch/Rhythm (Patch Mode) | | 15 00 00 00 | Temporary Arpeggio Style (Performance Mode) | | 16 00 00 00 | Temporary Rhythm Style (Performance Mode) | | 17 00 00 00 | Temporary Arpeggio/Rhythm Style (Patch Mode) | | 18 00 00 00 | Temporary Chord Form (Performance Mode) | | 19 00 00 00 | Temporary Chord Form (Patch Mode) | |—————————————+————————————————————————————————————————————————————————————————| | 20 00 00 00 | Performance (01 :1—1) | | 20 01 00 00 | Performance (02 :1—2) | | : | | | 20 3F 00 00 | Performance (64 :8—8) | |—————————————+————————————————————————————————————————————————————————————————| | 30 00 00 00 | Patch (001 :A11) | | 30 01 00 00 | Patch (002 :A12) | | : | | | 30 7F 00 00 | Patch (128 :B88) * c11 —— d88 ... read only | |—————————————+————————————————————————————————————————————————————————————————| | 40 00 00 00 | Rhythm Set (001 :r1U) | | 40 10 00 00 | Rhythm Set (002 :r1U) * r3P, r4P ... read only | |—————————————+————————————————————————————————————————————————————————————————| | 50 00 00 00 | Arpeggio Style (001 :11.a) | | 50 01 00 00 | Arpeggio Style (002 :12.a) | | : | | | 50 3F 00 00 | Arpeggio Style (064 :88.a) | | : +————————————————————————————————————————————————————————————————| | 50 40 00 00 | Rhythm Style (065 :11.r) | | 50 41 00 00 | Rhythm Style (067 :12.r) | | : | | | 50 7F 00 00 | Rhythm Style (128 :88.r) | |—————————————+————————————————————————————————————————————————————————————————| | 60 00 00 00 | Chord Form (001 :11.c) | | 60 00 02 00 | Chord Form (002 :12.c) | | : | | | 60 00 7E 00 | Chord Form (064 :88.c) | +——————————————————————————————————————————————————————————————————————————————+

❍System

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | System Common | +——————————————————————————————————————————————————————————————————————————————+

Page 7

MIDI Implementation

❍Temporary Patch/Rhythm Set

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Temporary Patch | | 10 00 00 | Temporary Rhythm Set | +——————————————————————————————————————————————————————————————————————————————+

❍Performance

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Performance Common | | 00 20 00 | Performance Part 1 | | 00 21 00 | Performance Part 2 | | 00 22 00 | Performance Part 3 | | 00 23 00 | Performance Part 4/R | +——————————————————————————————————————————————————————————————————————————————+

❍Patch

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Patch Common | | 00 02 00 | Patch INS—FX | | 00 04 00 | Patch REV/DELAY | | 00 10 00 | Patch Oscillator 1 | | 00 12 00 | Patch Oscillator 2 | +——————————————————————————————————————————————————————————————————————————————+

❍Rhythm Set

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Rhythm Set Common | | 00 02 00 | Rhythm Set INS—FX | | 00 04 00 | Rhythm Set REV/DELAY | | 00 10 00 | Rhythm Tone (Key # 21) | | 00 12 00 | Rhythm Tone (Key # 22) | | : | | | 01 3E 00 | Rhythm Tone (Key # 108) | +——————————————————————————————————————————————————————————————————————————————+

❍Arpeggio Style (Rhythm Style)

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Arpeggio Common | | 00 10 00 | Arpeggio Style (Note 1) | | 00 11 00 | Arpeggio Style (Note 2) | | : | | | 00 1F 00 | Arpeggio Style (Note 16) | +——————————————————————————————————————————————————————————————————————————————+

❍Chord Form

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Chord Form | +——————————————————————————————————————————————————————————————————————————————+

❍System Common

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 000a | Sound Mode (0 — 1) | | | | PERFORM, PATCH | |# 00 01 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Master Tune (0.0 = 440.0 Hz) (24 — 2024) | | | | —100.0 — 100.0 [cent]| | 00 05 | 00aa aaaa | Master Key Shift (40 — 88) | | | | —24 — +24 | | 00 06 | 0000 000a | (dummy) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 07 | 000a aaaa | Performance Control Channel (0 — 16) | | | | 1 — 16, OFF | | 00 08 | 0aaa aaaa | Performance Bank Select MSB (CC# 0) (0 — 127) | | 00 09 | 0aaa aaaa | Performance Bank Select LSB (CC# 32) (0 — 127) | | 00 0A | 0aaa aaaa | Performance Program Number (PC) (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0B | 0000 aaaa | Patch Receive Channel (0 — 15) | | | | 1 — 16 | | 00 0C | 0aaa aaaa | Patch Bank Select MSB (CC# 0) (0 — 127) | | 00 0D | 0aaa aaaa | Patch Bank Select LSB (CC# 32) (0 — 127) | | 00 0E | 0aaa aaaa | Patch Program Number (PC) (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0F | 0000 000a | System Clock (0 — 1) | | | | Internal, MIDI | |—————————————+———————————+————————————————————————————————————————————————————| | 00 10 | 0aaa aaaa | Foot Switch (0 — 10) | | | | P.UP (PROG), c.UP (CHORD), | | | | a.UP (ARP_STYLE), r.UP (RHY_STYLE), | | | | tAP (TAP), in.F (INS—FX), rE.d(REV), | | | | crd (CHORD—SW), Arp (ARP—SW), | | | | Por (PORTA—SW), SoL(SOLO—SW) | | 00 11 | 0aaa aaaa | (dummy) | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 12 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Performance Common

| | | 20.0 — 250.0 [BPM] | |—————————————+———————————+————————————————————————————————————————————————————| | 00 08 | 0000 000a | INS—FX Switch (0 — 1) | | | | OFF, ON | | 00 09 | 0000 000a | REV/DELAY Switch (0 — 1) | | | | OFF, ON | | 00 0A | 0000 00aa | INS—FX Parameter Source Part (0 — 3) | | | | 1 — 4 | | 00 0B | 0000 00aa | REV/DELAY Parameter Source Part (0 — 3) | | | | 1 — 4 | | 00 0C | 0000 000a | Performance INS > REV Series (0 — 1) | | | | SERIES, PARALLEL | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0D | 0000 000a | Performance Arpeggiator Switch (0 — 1) | | | | OFF, ON | | 00 0E | 0000 00aa | Arpeggio Part (0 — 3) | | | | 1 — 4 | | 00 0F | 0000 000a | Arpeggio Part Switch (0 — 1) | | | | OFF, ON | | 00 10 | 0aaa aaaa | Arpeggio Style (0 — 63) | | | | 11.a — 88.a | | 00 11 | 0000 000a | Rhythm Part Switch (0 — 1) | | | | OFF, ON | | 00 12 | 0aaa aaaa | Rhythm Style (64 — 127) | | | | 11.r — 88.r | | 00 13 | 0aaa aaaa | Grid Type (0 — 8) | | | | 04_, 08_, 08L, 08H, 08t, | | | | 16_, 16L, 16H, 16t | | 00 14 | 0aaa aaaa | Motif (0 — 9) | | | | UP.L, UP.H, UP._, dn.L, dn.H, | | | | dn._, Ud.L, Ud.H, Ud._, rn.L | | 00 15 | 0aaa aaaa | Duration (0 — 11) | | | | 30, 40, 50, 60, 70, 80, 90, | | | | 100, 120 [%], FUL, Ft1, Ft2 | | 00 16 | 0000 0aaa | Arpeggio Octave Range (61 — 67) | | | | —3 — +3 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 17 | 0000 000a | Chord Switch (0 — 1) | | | | OFF, ON | | 00 18 | 0000 00aa | Chord Part (0 — 3) | | | | 1 — 4 | | 00 19 | 00aa aaaa | Chord Form Select (0 — 63) | | | | 11.r — 88.r | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 1A | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Performance Part

❍Patch Common

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0aaa aaaa | Patch Level (0 — 127) | | 00 01 | 0aaa aaaa | Patch Pan (0 — 127) | | | | L64 — 63R | | 00 02 | 0aaa aaaa | Analog Feel (0 — 127) | | 00 03 | 0000 000a | Solo Switch (0 — 1) | | | | SOLO, POLY | | 00 04 | 0000 000a | Unison Switch (0 — 1) | | | | OFF, ON | | 00 05 | 0000 00aa | Legato Switch (0 — 2) | | | | OFF, ON, RETRIGER (trG) | | 00 06 | 0000 00aa | Portamento Switch (0 — 2) | | | | OFF, LEGATO ONLY, FULLTIME | | 00 07 | 0000 000a | Portamento Type (0 — 1) | | | | RATE, TIME | | 00 08 | 0aaa aaaa | Portamento Time (0 — 127) | |# 00 09 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | Patch Tempo (200 — 2500) | | | | 20.0 — 250.0 [BPM] | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0C | 0000 000a | Patch INS—FX Switch (0 — 1) | | | | OFF, ON | | 00 0D | 0000 000a | Patch REV/DELAY Switch (0 — 1) | | | | OFF, ON | | 00 0E | 0aaa aaaa | Patch REV/DELAY Send Level (0 — 127) | | 00 0F | 0000 000a | Patch INS > REV Series (0 — 1) | | | | SERIES, PARALLEL | |—————————————+———————————+————————————————————————————————————————————————————| | 00 10 | 0aaa aaaa | Oscillator 1:2 Balance (1 — 127) | | | | —63 — +63 | | 00 11 | 0000 00aa | Oscillator Switch (0 — 2) | | | | OSC1, OSC2, DUAL | | 00 12 | 0000 00aa | Oscillator 1x2 Mode (0 — 2) | | | | NORMAL, RING, SYNC | |—————————————+———————————+————————————————————————————————————————————————————| | 00 13 | 000a aaaa | MIDI Pitch Bend Range (0 — 24) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 14 | 0aaa aaaa | CC#1 LFO1 Pitch Mod Sens (1 — 127) | | | | —63 — +63 | | 00 15 | 0aaa aaaa | CC#1 LFO1 Filter Cutoff Mod Sens (1 — 127) | | | | —63 — +63 | | 00 16 | 0aaa aaaa | CC#1 LFO1 Amp Level Mod Sens (1 — 127) | | | | —63 — +63 | | 00 17 | 0aaa aaaa | CC#1 Filter Cutcoff Sens (1 — 127) | | | | —63 — +63 | | 00 18 | 0aaa aaaa | AFT Amp Level Sens (1 — 127) |

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MIDI Implementation

| | | —63 — +63 | | 00 19 | 0aaa aaaa | AFT Filter Cutoff Sens (1 — 127) | | | | —63 — +63 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 1A | 0000 000a | Patch Arpeggiator Switch (0 — 1) | | | | OFF, ON | | 00 1B | 0aaa aaaa | Arpeggio Style (0 — 63) | | | | 11.a — 88.a | | 00 1C | 0aaa aaaa | Grid Type (0 — 8) | | | | 04_, 08_, 08L, 08H, 08t, | | | | 16_, 16L, 16H, 16t | | 00 1D | 0aaa aaaa | Motif (0 — 9) | | | | UP.L, UP.H, UP._, dn.L, dn.H, | | | | dn._, Ud.L, Ud.H, Ud._, rn.L | | 00 1E | 0aaa aaaa | Duration (0 — 11) | | | | 30, 40, 50, 60, 70, 80, 90, | | | | 100, 120, FUL, Ft1, Ft2 | | 00 1F | 0000 0aaa | Arpeggio Octave Range (61 — 67) | | | | —3 — +3 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 20 | 0000 000a | Chord Switch (0 — 1) | | | | OFF, ON | | 00 21 | 00aa aaaa | Chord Form (0 — 63) | | | | 11.c — 88.c | |—————————————+———————————+————————————————————————————————————————————————————| | 00 22 | 0aaa aaaa | Pitch Env Attack Time (0 — 127) | | 00 23 | 0aaa aaaa | Pitch Env Decay Time (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 24 | 0000 0aaa | Filter Type (0 — 4) | | | | OFF, LPF, BPF, HPF, PKG | | 00 25 | 0000 000a | Slope (0 — 1) | | | | —12, —24 [dB] | | 00 26 | 0aaa aaaa | Cutoff Frequency (0 — 127) | | 00 27 | 00aa aaaa | Cutoff Keyfollow (44 — 84) | | | | —200 — +200 | | 00 28 | 0aaa aaaa | Cutoff Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 29 | 0aaa aaaa | Resonance (0 — 127) | | 00 2A | 0aaa aaaa | Filter Env Depth (1 — 127) | | | | —63 — +63 | | 00 2B | 0aaa aaaa | Filter Env Attack Time Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 2C | 0aaa aaaa | Filter Env Attack Time (0 — 127) | | 00 2D | 0aaa aaaa | Filter Env Decay Time (0 — 127) | | 00 2E | 0aaa aaaa | Filter Env Sustain Level (0 — 127) | | 00 2F | 0aaa aaaa | Filter Env Release Time (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 30 | 0aaa aaaa | Amp Level Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 31 | 0aaa aaaa | Amp Env Attack Time Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 32 | 000a aaaa | Amp Env Time Keyfollow (54 — 74) | | | | —100 — +100 | | 00 33 | 0aaa aaaa | Amp Env Attack Time (0 — 127) | | 00 34 | 0aaa aaaa | Amp Env Decay Time (0 — 127) | | 00 35 | 0aaa aaaa | Amp Env Sustain Level (0 — 127) | | 00 36 | 0aaa aaaa | Amp Env Release Time (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 37 | 0000 000a | LFO1 Switch (0 — 1) | | | | OFF, ON | | 00 38 | 0000 0aaa | LFO1 Wave Form (0 — 6) | | | | TRI, SIN, SAW—UP, SQR, TRP, S&H, RND | | 00 39 | 0aaa aaaa | LFO1 Rate (0 — 127) | | 00 3A | 0000 000a | LFO1 BPM Sync (0 — 1) | | | | OFF, ON | | 00 3B | 0000 0aaa | LFO1 Sync Beat/Cycle (0 — 6) | | | | 8, 4, 2, 1, 1/2, 1/3, 1/4 | | 00 3C | 0aaa aaaa | LFO1 Fade Time (0 — 127) | | 00 3D | 0000 000a | LFO1 Key Sync (0 — 1) | | | | OFF, ON | | 00 3E | 0aaa aaaa | LFO1 Oscillator1 Depth (1 — 127) | | | | —63 — +63 | | 00 3F | 0aaa aaaa | LFO1 Oscillator2 Depth (1 — 127) | | | | —63 — +63 | | 00 40 | 0aaa aaaa | LFO1 Filter Depth (1 — 127) | | | | —63 — +63 | | 00 41 | 0aaa aaaa | LFO1 Amp Depth (1 — 127) | | | | —63 — +63 | | 00 42 | 0aaa aaaa | LFO1 Pan Depth (1 — 127) | | | | —63 — +63 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 43 | 0000 000a | LFO2 Switch (0 — 1) | | | | OFF, ON | | 00 44 | 0000 0aaa | LFO2 Wave Form (0 — 6) | | | | TRI, SIN, SAW—UP, SQR, TRP, S&H, RND | | 00 45 | 0aaa aaaa | LFO2 Rate (0 — 127) | | 00 46 | 0000 000a | LFO2 BPM Sync (0 — 1) | | | | OFF, ON | | 00 47 | 0000 0aaa | LFO2 Sync Beat/Cycle (0 — 6) | | | | 8, 4, 2, 1, 1/2, 1/3, 1/4 | | 00 48 | 0aaa aaaa | LFO2 Fade Time (0 — 127) | | 00 49 | 0000 000a | LFO2 Key Sync (0 — 1) | | | | OFF, ON | | 00 4A | 0aaa aaaa | LFO2 Oscillator1 Depth (1 — 127) | | | | —63 — +63 | | 00 4B | 0aaa aaaa | LFO2 Oscillator2 Depth (1 — 127) | | | | —63 — +63 | | 00 4C | 0aaa aaaa | LFO2 Filter Depth (1 — 127) | | | | —63 — +63 | | 00 4D | 0aaa aaaa | LFO2 Amp Depth (1 — 127) | | | | —63 — +63 | | 00 4E | 0aaa aaaa | LFO2 Pan Depth (1 — 127) | | | | —63 — +63 | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 4F | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Patch INS-FX

| | 0000 cccc | | | | 0000 dddd | LEVEL (32768 — 32895) | | | | 0 — 127 | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 12 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Patch REV/DELAY

❍Patch Oscillator 1 (2)

❍Rhythm Set Common

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0aaa aaaa | Rhythm Set Level (0 — 127) | |# 00 01 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | Rhythm Set Tempo (200 — 2500) | | | | 20.0 — 250.0 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 04 | 0000 000a | Rhythm Set INS—FX Switch (0 — 1) | | | | OFF, ON | | 00 05 | 0000 000a | Rhythm Set REV/DELAY Switch (0 — 1) | | | | OFF, ON | | 00 06 | 0000 000a | Rhythm Set INS > REV Series (0 — 1) | | | | SERIES, PARALLEL | |—————————————+———————————+————————————————————————————————————————————————————| | 00 07 | 0000 000a | Arpeggio Switch (0 — 1) | | | | OFF, ON | | 00 08 | 0aaa aaaa | Rhythm Style (64 — 127) | | 00 09 | 0aaa aaaa | Grid Type (0 — 8) | | | | 04_, 08_, 08L, 08H, 08t, | | | | 16_, 16L, 16H, 16t | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 0A | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Rhythm Set INS-FX

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MIDI Implementation

|# 00 0E | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | LEVEL (32768 — 32895) | | | | 0 — 127 | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 12 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Rhythm Set REV/DELAY

❍Rhythm Tone

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 000a | Assign Type (0 — 1) | | | | MULTI, SINGLE | | 00 01 | 000a aaaa | Mute Group (0 — 31) | | | | OFF, 1 — 31 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 02 | 0aaa aaaa | Rhythm Tone Level (0 — 127) | | 00 03 | 00aa aaaa | Coarse Tune (40 — 88) | | | | —24 — +24 | | 00 04 | 0aaa aaaa | Fine Tune (14 — 114) | | | | —50 — +50 | | 00 05 | 0aaa aaaa | Pan (0 — 127) | | | | L64 — 63R | | 00 06 | 000a aaaa | Pitch Bend Range (0 — 24) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 07 | 0000 000a | Rhythm Tone INS—FX Switch (0 — 1) | | | | OFF, ON | | 00 08 | 0000 000a | Rhythm Tone REV/DELAY Switch (0 — 1) | | | | OFF, ON | | 00 09 | 0aaa aaaa | Rhythm Tone REV/DELAY Send Level (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0A | 0aaa aaaa | Wave Number (0 — 63) | | | | OFF, 1 — 63 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0B | 0aaa aaaa | Pitch Env Attack Time (0 — 127) | | 00 0C | 0aaa aaaa | Pitch Env Decay Time (0 — 127) | | 00 0D | 0aaa aaaa | Pitch Env Depth (1 — 127) | | | | —63 — +63 | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0E | 0000 0aaa | Filter Type (0 — 4) | | | | OFF, LPF, BPF, HPF, PKG | | 00 0F | 0aaa aaaa | Filter Cutoff Frequency (0 — 127) | | 00 10 | 0aaa aaaa | Filter Cutoff Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 11 | 0aaa aaaa | Filter Resonance (0 — 127) | | 00 12 | 0aaa aaaa | Filter Env Depth (1 — 127) | | | | —63 — +63 | | 00 13 | 0aaa aaaa | Filter Env Attack Time Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 14 | 0aaa aaaa | Filter Env Attack Time (0 — 127) | | 00 15 | 0aaa aaaa | Filter Env Decay Time (0 — 127) | | 00 16 | 0aaa aaaa | Filter Env Sustain Level (0 — 127) | | 00 17 | 0aaa aaaa | Filter Env Release Time (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 18 | 0aaa aaaa | Amp Level Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 19 | 0aaa aaaa | Amp Env Attack Time Velocity Sens (1 — 127) | | | | —63 — +63 | | 00 1A | 0aaa aaaa | Amp Env Attack Time (0 — 127) | | 00 1B | 0aaa aaaa | Amp Env Decay Time (0 — 127) | | 00 1C | 0aaa aaaa | Amp Env Sustain Level (0 — 127) | | 00 1D | 0aaa aaaa | Amp Env Release Time (0 — 127) | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 1E | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Arpeggio Common

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| |# 00 00 | 0000 aaaa | | | | 0000 bbbb | Style Length (1 — 32) | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 02 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

❍Arpeggio Style (Rhythm Style)

❍Chord Pattern

Page 10

MIDI Implementation

| | | OFF, ON | | 00 12 | 0000 000a | Chord Note 18 (F#0) (0 — 1) | | | | OFF, ON | | 00 13 | 0000 000a | Chord Note 19 (G0) (0 — 1) | | | | OFF, ON | | 00 14 | 0000 000a | Chord Note 20 (G#0) (0 — 1) | | | | OFF, ON | | 00 15 | 0000 000a | Chord Note 21 (A0) (0 — 1) | | | | OFF, ON | | 00 16 | 0000 000a | Chord Note 22 (Bb0) (0 — 1) | | | | OFF, ON | | 00 17 | 0000 000a | Chord Note 23 (B0) (0 — 1) | | | | OFF, ON | | 00 18 | 0000 000a | Chord Note 24 (C1) (0 — 1) | | | | OFF, ON | | 00 19 | 0000 000a | Chord Note 25 (C#1) (0 — 1) | | | | OFF, ON | | 00 1A | 0000 000a | Chord Note 26 (D1) (0 — 1) | | | | OFF, ON | | 00 1B | 0000 000a | Chord Note 27 (Eb1) (0 — 1) | | | | OFF, ON | | 00 1C | 0000 000a | Chord Note 28 (E1) (0 — 1) | | | | OFF, ON | | 00 1D | 0000 000a | Chord Note 29 (F1) (0 — 1) | | | | OFF, ON | | 00 1E | 0000 000a | Chord Note 30 (F#1) (0 — 1) | | | | OFF, ON | | 00 1F | 0000 000a | Chord Note 31 (G1) (0 — 1) | | | | OFF, ON | | 00 20 | 0000 000a | Chord Note 32 (G#1) (0 — 1) | | | | OFF, ON | | 00 21 | 0000 000a | Chord Note 33 (A1) (0 — 1) | | | | OFF, ON | | 00 22 | 0000 000a | Chord Note 34 (Bb1) (0 — 1) | | | | OFF, ON | | 00 23 | 0000 000a | Chord Note 35 (B1) (0 — 1) | | | | OFF, ON | | 00 24 | 0000 000a | Chord Note 36 (C2) (0 — 1) | | | | OFF, ON | | 00 25 | 0000 000a | Chord Note 37 (C#2) (0 — 1) | | | | OFF, ON | | 00 26 | 0000 000a | Chord Note 38 (D2) (0 — 1) | | | | OFF, ON | | 00 27 | 0000 000a | Chord Note 39 (Eb2) (0 — 1) | | | | OFF, ON | | 00 28 | 0000 000a | Chord Note 40 (E2) (0 — 1) | | | | OFF, ON | | 00 29 | 0000 000a | Chord Note 41 (F2) (0 — 1) | | | | OFF, ON | | 00 2A | 0000 000a | Chord Note 42 (F#2) (0 — 1) | | | | OFF, ON | | 00 2B | 0000 000a | Chord Note 43 (G2) (0 — 1) | | | | OFF, ON | | 00 2C | 0000 000a | Chord Note 44 (G#2) (0 — 1) | | | | OFF, ON | | 00 2D | 0000 000a | Chord Note 45 (A2) (0 — 1) | | | | OFF, ON | | 00 2E | 0000 000a | Chord Note 46 (Bb2) (0 — 1) | | | | OFF, ON | | 00 2F | 0000 000a | Chord Note 47 (B2) (0 — 1) | | | | OFF, ON | | 00 30 | 0000 000a | Chord Note 48 (C3) (0 — 1) | | | | OFF, ON | | 00 31 | 0000 000a | Chord Note 49 (C#3) (0 — 1) | | | | OFF, ON | | 00 32 | 0000 000a | Chord Note 50 (D3) (0 — 1) | | | | OFF, ON | | 00 33 | 0000 000a | Chord Note 51 (Eb3) (0 — 1) | | | | OFF, ON | | 00 34 | 0000 000a | Chord Note 52 (E3) (0 — 1) | | | | OFF, ON | | 00 35 | 0000 000a | Chord Note 53 (F3) (0 — 1) | | | | OFF, ON | | 00 36 | 0000 000a | Chord Note 54 (F#3) (0 — 1) | | | | OFF, ON | | 00 37 | 0000 000a | Chord Note 55 (G3) (0 — 1) | | | | OFF, ON | | 00 38 | 0000 000a | Chord Note 56 (G#3) (0 — 1) | | | | OFF, ON | | 00 39 | 0000 000a | Chord Note 57 (A3) (0 — 1) | | | | OFF, ON | | 00 3A | 0000 000a | Chord Note 58 (Bb3) (0 — 1) | | | | OFF, ON | | 00 3B | 0000 000a | Chord Note 59 (B3) (0 — 1) | | | | OFF, ON | | 00 3C | 0000 000a | Chord Note 60 (C4) (0 — 1) | | | | OFF, ON | | 00 3D | 0000 000a | Chord Note 61 (C#4) (0 — 1) | | | | OFF, ON | | 00 3E | 0000 000a | Chord Note 62 (D4) (0 — 1) | | | | OFF, ON | | 00 3F | 0000 000a | Chord Note 63 (Eb4) (0 — 1) | | | | OFF, ON | | 00 40 | 0000 000a | Chord Note 64 (E4) (0 — 1) | | | | OFF, ON | | 00 41 | 0000 000a | Chord Note 65 (F4) (0 — 1) | | | | OFF, ON | | 00 42 | 0000 000a | Chord Note 66 (F#4) (0 — 1) | | | | OFF, ON | | 00 43 | 0000 000a | Chord Note 67 (G4) (0 — 1) | | | | OFF, ON | | 00 44 | 0000 000a | Chord Note 68 (G#4) (0 — 1) | | | | OFF, ON | | 00 45 | 0000 000a | Chord Note 69 (A4) (0 — 1) | | | | OFF, ON | | 00 46 | 0000 000a | Chord Note 70 (Bb4) (0 — 1) | | | | OFF, ON | | 00 47 | 0000 000a | Chord Note 71 (B4) (0 — 1) | | | | OFF, ON | | 00 48 | 0000 000a | Chord Note 72 (C5) (0 — 1) | | | | OFF, ON | | 00 49 | 0000 000a | Chord Note 73 (C#5) (0 — 1) | | | | OFF, ON | | 00 4A | 0000 000a | Chord Note 74 (D5) (0 — 1) | | | | OFF, ON | | 00 4B | 0000 000a | Chord Note 75 (Eb5) (0 — 1) | | | | OFF, ON | | 00 4C | 0000 000a | Chord Note 76 (E5) (0 — 1) | | | | OFF, ON | | 00 4D | 0000 000a | Chord Note 77 (F5) (0 — 1) | | | | OFF, ON | | 00 4E | 0000 000a | Chord Note 78 (F#5) (0 — 1) | | | | OFF, ON | | 00 4F | 0000 000a | Chord Note 79 (G5) (0 — 1) | | | | OFF, ON | | 00 50 | 0000 000a | Chord Note 80 (G#5) (0 — 1) | | | | OFF, ON | | 00 51 | 0000 000a | Chord Note 81 (A5) (0 — 1) | | | | OFF, ON | | 00 52 | 0000 000a | Chord Note 82 (Bb5) (0 — 1) | | | | OFF, ON | | 00 53 | 0000 000a | Chord Note 83 (B5) (0 — 1) | | | | OFF, ON | | 00 54 | 0000 000a | Chord Note 84 (C6) (0 — 1) | | | | OFF, ON | | 00 55 | 0000 000a | Chord Note 85 (C#6) (0 — 1) | | | | OFF, ON | | 00 56 | 0000 000a | Chord Note 86 (D6) (0 — 1) |

| | | OFF, ON | | 00 57 | 0000 000a | Chord Note 87 (Eb6) (0 — 1) | | | | OFF, ON | | 00 58 | 0000 000a | Chord Note 88 (E6) (0 — 1) | | | | OFF, ON | | 00 59 | 0000 000a | Chord Note 89 (F6) (0 — 1) | | | | OFF, ON | | 00 5A | 0000 000a | Chord Note 90 (F#6) (0 — 1) | | | | OFF, ON | | 00 5B | 0000 000a | Chord Note 91 (G6) (0 — 1) | | | | OFF, ON | | 00 5C | 0000 000a | Chord Note 92 (G#6) (0 — 1) | | | | OFF, ON | | 00 5D | 0000 000a | Chord Note 93 (A6) (0 — 1) | | | | OFF, ON | | 00 5E | 0000 000a | Chord Note 94 (Bb6) (0 — 1) | | | | OFF, ON | | 00 5F | 0000 000a | Chord Note 95 (B6) (0 — 1) | | | | OFF, ON | | 00 60 | 0000 000a | Chord Note 96 (C7) (0 — 1) | | | | OFF, ON | | 00 61 | 0000 000a | Chord Note 97 (C#7) (0 — 1) | | | | OFF, ON | | 00 62 | 0000 000a | Chord Note 98 (D7) (0 — 1) | | | | OFF, ON | | 00 63 | 0000 000a | Chord Note 99 (Eb7) (0 — 1) | | | | OFF, ON | | 00 64 | 0000 000a | Chord Note 100 (E7) (0 — 1) | | | | OFF, ON | | 00 65 | 0000 000a | Chord Note 101 (F7) (0 — 1) | | | | OFF, ON | | 00 66 | 0000 000a | Chord Note 102 (F#7) (0 — 1) | | | | OFF, ON | | 00 67 | 0000 000a | Chord Note 103 (G7) (0 — 1) | | | | OFF, ON | | 00 68 | 0000 000a | Chord Note 104 (G#7) (0 — 1) | | | | OFF, ON | | 00 69 | 0000 000a | Chord Note 105 (A7) (0 — 1) | | | | OFF, ON | | 00 6A | 0000 000a | Chord Note 106 (Bb7) (0 — 1) | | | | OFF, ON | | 00 6B | 0000 000a | Chord Note 107 (B7) (0 — 1) | | | | OFF, ON | | 00 6C | 0000 000a | Chord Note 108 (C8) (0 — 1) | | | | OFF, ON | | 00 6D | 0000 000a | Chord Note 109 (C#8) (0 — 1) | | | | OFF, ON | | 00 6E | 0000 000a | Chord Note 110 (D8) (0 — 1) | | | | OFF, ON | | 00 6F | 0000 000a | Chord Note 111 (Eb8) (0 — 1) | | | | OFF, ON | | 00 70 | 0000 000a | Chord Note 112 (E8) (0 — 1) | | | | OFF, ON | | 00 71 | 0000 000a | Chord Note 113 (F8) (0 — 1) | | | | OFF, ON | | 00 72 | 0000 000a | Chord Note 114 (F#8) (0 — 1) | | | | OFF, ON | | 00 73 | 0000 000a | Chord Note 115 (G8) (0 — 1) | | | | OFF, ON | | 00 74 | 0000 000a | Chord Note 116 (G#8) (0 — 1) | | | | OFF, ON | | 00 75 | 0000 000a | Chord Note 117 (A8) (0 — 1) | | | | OFF, ON | | 00 76 | 0000 000a | Chord Note 118 (Bb8) (0 — 1) | | | | OFF, ON | | 00 77 | 0000 000a | Chord Note 119 (B8) (0 — 1) | | | | OFF, ON | | 00 78 | 0000 000a | Chord Note 120 (C9) (0 — 1) | | | | OFF, ON | | 00 79 | 0000 000a | Chord Note 121 (C#9) (0 — 1) | | | | OFF, ON | | 00 7A | 0000 000a | Chord Note 122 (D9) (0 — 1) | | | | OFF, ON | | 00 7B | 0000 000a | Chord Note 123 (Eb9) (0 — 1) | | | | OFF, ON | | 00 7C | 0000 000a | Chord Note 124 (E9) (0 — 1) | | | | OFF, ON | | 00 7D | 0000 000a | Chord Note 125 (F9) (0 — 1) | | | | OFF, ON | | 00 7E | 0000 000a | Chord Note 126 (F#9) (0 — 1) | | | | OFF, ON | | 00 7F | 0000 000a | Chord Note 127 (G9) (0 — 1) | | | | OFF, ON | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 01 00 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

Page 11

MIDI Implementation

4. Supplementary Material

●Decimal and Hexadecimal Table

(An “H” is appended to the end of numbers in hexadecimal notation.)

In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are expressed as hexadecimal values for each 7 bits. The following table shows how these correspond to decimal numbers.

+——————+——————++——————+——————++——————+——————++——————+——————+ | D | H || D | H || D | H || D | H | +——————+——————++——————+——————++——————+——————++——————+——————+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +——————+——————++——————+——————++——————+——————++——————+——————+

D: decimal H: hexadecimal

* Decimal values such as MIDI channel, bank select, and program change are listed as one

greater than the values given in the above table.

*A 7-bit byte can express data in the range of 128 steps. For data where greater precision

is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of aa x 128+bb.

* In the case of values which have a +/- sign, 00H = -64, 40H = +/-0, and 7FH = +63, so

that the decimal expression would be 64 less than the value given in the above chart. In the case of two types, 00 00H = -8192, 40 00H = +/-0, and 7F 7FH = +8191. For example, if aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128+bb - 64 x

128.

* Data marked “Use nibbled data” is expressed in hexadecimal in 4-bit units. A value

expressed as a 2-byte nibble 0a 0bH has the value of a x 16+b.

<Example1> What is the decimal expression of 5AH?

From the preceding table, 5AH = 90

<Example2> What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits?

From the preceding table, since 12H = 18 and 34H = 52 18 x 128+52 = 2356

<Example3> What is the decimal expression of the nibbled value 0A 03 09 0D?

From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 ((10 x 16+3) x 16+9) x 16+13 = 41885

<Example4> What is the nibbled expression of the decimal value 1258?

●Examples of Actual MIDI Messages

<Example1> 92 3E 5F

9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95.

<Example2> CE 49

CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and 49H = 73, this is a Program Change message with MIDI CH = 15, program number 74 (Flute in GS).

<Example3> EA 00 28

EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H = 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed number in which 40 00H (= 64 x 12+80 = 8192) is 0, so this Pitch Bend Value is 28 00H - 40 00H = 40 x 12+80 - (64 x 12+80) = 5120 - 8192 = -3072

If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to change -200 cents, so in this case -200 x (-3072) ÷ (-8192) = -75 cents of Pitch Bend is being applied to MIDI channel 11.

<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F

BnH is the Control Change status, and n is the MIDI channel number. For Control Changes, the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or more messages consecutive messages have the same status, MIDI has a provision called “running status” which allows the status byte of the second and following messages to be omitted. Thus, the above messages have the following meaning.

B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H (B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H (B3) 06 0C (MIDI ch.4) upper byte of parameter value: 0CH (B3) 26 00 (MIDI ch.4) lower byte of parameter value: 00H (B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH (B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH

In other words, the above messages specify a value of 0C 00H for RPN parameter number 00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.

RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to +/-12 semitones (1 octave). (On GS sound generators the LSB of Pitch Bend Sensitivity is ignored, but the LSB should be transmitted anyway (with a value of 0) so that operation will be correct on any device.)

Once the parameter number has been specified for RPN or NRPN, all Data Entry messages transmitted on that same channel will be valid, so after the desired value has been transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents. This is the reason for the (B3) 64 7F (B3) 65 7F at the end.

It is not desirable for performance data (such as Standard MIDI File data) to contain many events with running status as given in <Example 4>. This is because if playback is halted during the song and then rewound or fast-forwarded, the sequencer may not be able to transmit the correct status, and the sound generator will then misinterpret the data. Take care to give each event its own status.

It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in the proper order. On some sequencers, events occurring in the same (or consecutive) clock may be transmitted in an order different than the order in which they were received. For this reason it is a good idea to slightly skew the time of each event (about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480).

16) 1258

16) 78 ... 10

16) 4 ... 14 0 ... 4

Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the result is: 00 04 0E 0AH.

* TPQN: Ticks Per Quarter Note

Page 12

MIDI Implementation

●Example of an Exclusive Message and Calculating a

Checksum

Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted Exclusive message.

❍How to Calculate the Checksum

(hexadecimal numbers are indicated by “H”)

The checksum is a value derived by adding the address, size, and checksum itself and inverting the lower 7 bits. Here’s an example of how the checksum is calculated. We will assume that in the Exclusive message we are transmitting, the address is aa bb cc ddH and the data or size is ee ffH.

aa + bb + cc + dd + ee + ff = sum sum ÷ 128 = quotient ... remainder 128 - remainder = checksum

<Example1> Setting FILTER TYPE of Temporary Patch Data to BPF (DT1)

According to the “Parameter Address Map” (p. 6), the start address of Temporary Patch is 14 00 00 00H, the offset address of Patch Common 00 00 00H, and the offset address of FILTER TYPE is 00 24H. Therefore the address of FILTER TYPE of Temporary Patch is;

14 00 00 00H 00 00 00H +) 00 24H 14 00 00 24H

BPF has the value of 02H. So the system exclusive message should be sent is;

F0 41 10 00 4A 12 14 00 00 24 02 ?? F7 (1) (2) (3) (4) (5) address data checksum (6)

(1) Exclusive Status (2) ID (Roland) (3) Device ID (17) (4) Model ID (SH-32) (5) Command ID (DT1) (6) End of Exclusive

Then calculate the checksum.

14H + 00H + 00H + 24H + 02H = 20 + 0 + 0 + 36 + 2 = 58 (sum) 58 (sum) ÷ 128 = 0 (quotient) ... 58 (remainder) checksum = 128 - 58 (remainder) = 70 = 46H

This means that F0 41 10 00 4A 12 14 00 00 24 02 46 F7 is the message should be sent.

<Example2> Getting the data (RQ1) of Patch “A11”

According to the “Parameter Address Map” (p. 6), the start address of Patch “A11” is 30 08 00 00H,

The offset address of Rhythm is also assigned as follows;

00 00 00 Patch Common 00 02 00 Patch INS-FX 00 04 00 Patch REV/DELAY 00 10 00 Patch Oscillator (Oscillator 1) 00 12 00 Patch Oscillator (Oscillator 2)

This means that F0 41 10 00 4A 11 30 08 00 00 00 00 12 0D 29 F7 is the message should be sent.

<Example3> Getting data (RQ1) at once;

Temporary Performance data, Temporary Patch data of whole part in Performance mode, Temporary Rhythm data of whole part in Performance mode.

According to the “Parameter Address Map” (p. 6), the start address of the above all parameters is assigned as following:

10 00 00 00H Temporary Performance 11 00 00 00H Temporary Patch/Rhythm (Performance Mode Part 1)

11 60 00 00H Temporary Patch/Rhythm (Performance Mode Part 4)

The offset address of Patch is also assigned as follows:

00 00 00 Temporary Patch 10 00 00 Temporary Rhythm

The offset address of Rhythm Set is also assigned as follows:

00 00 00 Rhythm Common 00 02 00 Rhythm INS-FX 00 04 00 Rhythm REV/DELAY 00 10 00 Rhythm Wave (Key # 21) 00 12 00 Rhythm Wave (Key # 22)

01 3E 00 Rhythm Wave (Key # 108)

As the data size of Rhythm Wave is 00 00 00 1EH, summation of the size, the start address of Part 4 at Temporary Patch/Rhythm in Performance mode, the offset address of Temporary Rhythm and the offset address of Rhythm Wave (Key # 108) will be;

11 60 00 00H 10 00 00H 01 3E 00H +) 00 00 00 1EH 11 71 3E 1EH

And the size that have to be got should be;

11 71 3E 1EH

-) 10 00 00 00H 01 71 3E 1EH

Therefore the system exclusive message should be sent is;

F0 41 10 00 4A 11 10 00 00 00 01 71 3E 1E 22 F7 (1) (2) (3) (4) (5) address data checksum (6)

(1) Exclusive Status (2) ID (Roland) (3) Device ID (17) (4) Model ID (SH-32) (5) Command ID (RQ1) (6) End of Exclusive

As the data size of Patch Oscillator is 00 00 00 0DH, summation of the size, the offset address of Patch Oscillator (Oscillator 2) will be;

00 12 00H +)00 00 00 0DH 00 00 12 0DH

As the size of Patch is 00 00 12 0DH, the system exclusive message should be sent is;

F0 41 10 00 4A 11 30 08 00 00 00 00 12 0D ?? F7 (1) (2) (3) (4) (5) address data checksum (6)

(1) Exclusive Status (2) ID (Roland) (3) Device ID (17) (4) Model ID (SH-32) (5) Command ID (RQ1) (6) End of Exclusive

Then calculate the checksum.

30H + 08H + 00H + 00H + 00H + 00H + 12H + 0DH = 48 + 8 + 0 + 0 + 0 + 0 + 18 + 13 = 87 (sum) 87 (sum) ÷ 128 = 0 (quotient) ... 87 (remainder) checksum = 128 - 87 (remainder) = 41 = 29H

Page 13

SYNTHESIZER MODULE

Date : Oct. 30, 2001

Model SH-32

Function...

Basic Channel

Mode

Note Number :

Velocity

After Touch

Pitch Bend

Control Change

Default Changed

Default Messages Altered

True Voice Note On

Note Off Key's

Channel's

0, 32

6, 38

15–31, 33–94

100, 101

MIDI Implementation Chart

Transmitted Recognized

1 5

8 10 11 64 65 66 68 70 71 72 73 74 75 76 77 78 80 81 82 83 84 91 93 94 95

1–16 1–16

X X

**************

0–127

**************

O X

X X

O X O X O O O X X X X X O O O O O O O O O O O O O X O O O O O X

*3 *1

1–16 1–16

Mode 3, 4 Mode 3, 4 (M = 1)

0–127 0–127

O O

O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O

Version : 1.00

Remarks

* 2

Bank select Modulation Portamento time Data entry Volume Balance Panpot Expression Hold 1 Portamento Sostenuto Legato Foot Switch Sound Controller 1 Sound Controller 2 Sound Controller 3 Sound Controller 4 Sound Controller 5 Sound Controller 6 Sound Controller 7 Sound Controller 8 Sound Controller 9 General Purpose Controller 5 General Purpose Controller 6 General Purpose Controller 7 General Purpose Controller 8 Portamento control General purpose effects 1 General purpose effects 3 General purpose effects 4

General purpose effects 5 RPN LSB, MSB

Program Change

: True Number

System Exclusive

System Common

System Real Time

Aux Messages

: Song Position : Song Select : Tune Request

: Clock : Commands

: All Sound Off : Reset All Controllers : Local On/Off : All Notes Off : Active Sensing : System Reset

Notes

Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY

**************

O X

X X

X X X X O X

* 1 O X is selectable. * 2 Recognized as M=1 even if M≠1. * 3 When the arpeggio duration is set to Ft1 or Ft2

* For more on the corresponding MIDI messages, carry out these procedures while referring to the “MIDI Transmit/Receive Setting List” (p. 115).

Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO

O 0–127

O X

X X

O *1 X

O O X O (123–127) O X

Program No. 1–128

O : Yes X : No

Roland SH-32 Implementation

Specifications and Main Features

Frequently Asked Questions

User Manual