Roland SH-32 User Manual
OWNER’S MANUAL
Thank you, and congratulations on your choice of the Roland Synthesizer SH-32.
Before using this unit, carefully read the sections entitled: “USING THE UNIT
SAFELY” and “IMPORTANT NOTES” (p. 2; p. 4). These sections provide important
information concerning the proper operation of the unit. Additionally, in order to
feel assured that you have gained a good grasp of every feature provided by your
new unit, Owner’s Manual should be read in its entirety. The manual should be
saved and kept on hand as a convenient reference.
The SH-32’s
systems with insufficient low end, is set to ON at the factory. When using the SH-32 with
large speakers or a PA, we recommend turning this feature off. Use the following procedure.
1. While holding down [2/B], turn on the SH-32’s power.
2. Press [VALUE ▼] to switch the function to “ ” (Off).
3. Turn the power off, then on again.
Copyright © 2001 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without
the written permission of ROLAND CORPORATION.
Low Boost function
, which compensates for smaller speakers and other
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
NEUTRAL
LIVE
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
001
• Before using this unit, make sure to read the instructions
below, and the Owner’s Manual.
........................................................................................................................
002c
• Do not open (or modify in any way) the unit or its AC
adaptor.
........................................................................................................................
003
• Do not attempt to repair the unit, or replace parts within it
(except when this manual provides specific instructions
directing you to do so). Refer all servicing to your retailer,
the nearest Roland Service Center, or an authorized
Roland distributor, as listed on the “Information” page.
........................................................................................................................
004
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct sunlight
in an enclosed vehicle, near a heating duct, on top of
heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors); or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
........................................................................................................................
007
• Make sure you always have the unit placed so it is level
and sure to remain stable. Never place it on stands that
could wobble, or on inclined surfaces.
........................................................................................................................
008c
• Be sure to use only the AC adaptor supplied with the unit.
Also, make sure the line voltage at the installation matches
the input voltage specified on the AC adaptor’s body.
Other AC adaptors may use a different polarity, or be
designed for a different voltage, so their use could result
in damage, malfunction, or electric shock.
........................................................................................................................
009
• Do not excessively twist or bend the power cord, nor place
heavy objects on it. Doing so can damage the cord,
producing severed elements and short circuits. Damaged
cords are fire and shock hazards!
........................................................................................................................
010
• This unit, either alone or in combination with an amplifier
and headphones or speakers, may be capable of
producing sound levels that could cause permanent
hearing loss. Do not operate for a long period of time at a
high volume level, or at a level that is uncomfortable. If
you experience any hearing loss or ringing in the ears, you
should immediately stop using the unit, and consult an
audiologist.
........................................................................................................................
011
• Do not allow any objects (e.g., flammable material, coins,
pins); or liquids of any kind (water, soft drinks, etc.) to
penetrate the unit.
........................................................................................................................
2
USING THE UNIT SAFELY
012c
• Immediately turn the power off, remove the AC adaptor
from the outlet, and request servicing by your retailer, the
nearest Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” page when:
• The AC adaptor or the power-supply cord has been
damaged; or
• Objects have fallen into, or liquid has been spilled
onto the unit; or
• The unit has been exposed to rain (or otherwise has
become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
........................................................................................................................
013
• In households with small children, an adult should
provide supervision until the child is capable of following
all the rules essential for the safe operation of the unit.
........................................................................................................................
014
• Protect the unit from strong impact.
(Do not drop it!)
........................................................................................................................
015
• Do not force the unit’s power-supply cord to share an
outlet with an unreasonable number of other devices. Be
especially careful when using extension cords—the total
power used by all devices you have connected to the
extension cord’s outlet must never exceed the power
rating (watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat up and
eventually melt through.
........................................................................................................................
016
• Before using the unit in a foreign country, consult with
your retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the “Information” page.
........................................................................................................................
101b
• The unit and the AC adaptor should be located so their
location or position does not interfere with their proper
ventilation.
........................................................................................................................
102d
• Always grasp only the plug or the body of the AC adaptor
when plugging into, or unplugging from, an outlet or this
unit.
........................................................................................................................
103b
• Whenever the unit is to remain unused for an extended
period of time, disconnect the AC adaptor.
........................................................................................................................
104
• Try to prevent cords and cables from becoming entangled.
Also, all cords and cables should be placed so they are out
of the reach of children.
........................................................................................................................
106
• Never climb on top of, nor place heavy objects on the unit.
........................................................................................................................
107d
• Never handle the AC adaptor body, or its plugs, with wet
hands when plugging into, or unplugging from, an outlet
or this unit.
........................................................................................................................
108b
• Before moving the unit, disconnect the AC adaptor and all
cords coming from external devices.
........................................................................................................................
109b
• Before cleaning the unit, turn off the power and unplug
the AC adaptor from the outlet (p. 17).
........................................................................................................................
110b
• Whenever you suspect the possibility of lightning in your
area, disconnect the AC adaptor from the outlet.
........................................................................................................................
3
IMPORTANT NOTES
In addition to the items listed under “USING THE UNIT SAFELY” on page 2, please read and observe the following:
Power Supply
301
• Do not use this unit on the same power circuit with any device
that will generate line noise (such as an electric motor or variable
lighting system).
302
• The AC adaptor will begin to generate heat after long hours of
consecutive use. This is normal, and is not a cause for concern.
307
• Before connecting this unit to other devices, turn off the power to
all units. This will help prevent malfunctions and/or damage to
speakers or other devices.
Placement
352a
• This device may interfere with radio and television reception. Do
not use this device in the vicinity of such receivers.
352b
• Noise may be produced if wireless communications devices, such
as cell phones, are operated in the vicinity of this unit. Such noise
could occur when receiving or initiating a call, or while
conversing. Should you experience such problems, you should
relocate such wireless devices so they are at a greater distance
from this unit, or switch them off.
355
• To avoid possible breakdown, do not use the unit in a wet area,
such as an area exposed to rain or other moisture.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth or one
that has been slightly dampened with water. To remove stubborn
dirt, use a cloth impregnated with a mild, non-abrasive detergent.
Afterwards, be sure to wipe the unit thoroughly with a soft, dry
cloth.
402
• Never use benzine, thinners, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
Repairs and Data
452
• Please be aware that all data contained in the unit’s memory may
be lost when the unit is sent for repairs. Important data should
always be backed up in another MIDI device (e.g., a sequencer).
During repairs, due care is taken to avoid the loss of data.
However, in certain cases (such as when circuitry related to
memory itself is out of order), we regret that it may not be possible
to restore the data, and Roland assumes no liability concerning
such loss of data.
Memory Backup
501b
• This unit contains a battery which powers the unit’s memory
circuits while the main power is off. When this battery becomes
weak, the message shown below will appear in the display. Once
you see this message, have the battery replaced with a fresh one as
soon as possible to avoid the loss of all data in memory. To have
the battery replaced, consult with your retailer, the nearest Roland
Service Center, or an authorized Roland distributor, as listed on
the “Information” page.
Additional Precautions
551
• Please be aware that the contents of memory can be irretrievably
lost as a result of a malfunction, or the improper operation of the
unit. To protect yourself against the risk of loosing important data,
we recommend that you periodically save a backup copy of
important data you have stored in the unit’s memory in another
MIDI device (e.g., a sequencer).
552
• Unfortunately, it may be impossible to restore the contents of data
that was stored in the unit’s memory, or other device (e.g., a
sequencer) once it has been lost. Roland Corporation assumes no
liability concerning such loss of data.
553
• Use a reasonable amount of care when using the unit’s buttons,
sliders, or other controls; and when using its jacks and connectors.
Rough handling can lead to malfunctions.
556
• When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing
shorts, or damage to the cable’s internal elements.
558a
• To avoid disturbing your neighbors, try to keep the unit’s volume
at reasonable levels. You may prefer to use headphones, so you do
not need to be concerned about those around you (especially
when it is late at night).
559a
• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise, you
will need to use equivalent packaging materials.
• In order to fully broaden the range of expression that is possible
from its sounds, the SH-32 makes it possible to make settings for a
wider range of parameters than those offered by an ordinary
sound module. When turning up the filter resonance, effect
feedback, or other parameters to extreme levels, reduce the
volume so as not to overload the equipment used for playback.
• Since some of the Preset Patches were designed with a specific
purpose in mind, they sound best if played within the appropriate
range, or with suitable phrases. Such sounds may get distorted
if played outside the intended range. When changing the
register or phrase being used, reset the parameters for your sound
so that such distortion is avoided.
• About reception of MIDI messages while the Arpeggiator is
functioning
• Internally, the SH-32 gives priority to the sound processing
that uses the Wave Acceleration method. Due to the limitations of the system, demands for the processing of large
amounts of data for additional functions other than those
related to the sound generation section (such as for the
Arpeggiator or certain kinds of MIDI messages) may
prevent the SH-32 from operating correctly.
• If a large volume of Control Change or Aftertouch messages
are transmitted while the Arpeggiator is being used, or
otherwise when numerous voices are sounding, processing for
the sound generator is given priority. As a result, the Arpeggiator may stop working correctly, or the tempo may not be
maintained. In particular, you should be careful with consecutive streams of densely packed MIDI messages, which is
what devices other than the SH-32 may sometimes be sending.
“” (Battery Low)
4
How To Use This Manual
This owner’s manual is organized as follows.
Quick Start
For those who are using the SH-32 for the first time, this section
provides a simple explanation of how to use and enjoy various
functions. Please read the “Quick Start” and follow along by actually
operating the SH-32. This will help you understand most of what
you need to know for basic operations. More advanced ways of
using the SH-32 or details of other operations are explained in the
“Advanced Use” section.
Advanced Use
The “Advanced Use” section is divided into 9 chapters. Before you
read this manual, you should read through the “Quick Start” manual
so you’re familiar with the basic operation of the unit.
Chapter 1. An Overview of the SH-32
This chapter explains how the SH-32 is organized, the available
memory locations, and the differences among settings depending on
the mode. Reading it is essential for understanding SH-32
operational procedures.
Chapter 2. Creating Your Own Sounds
This chapter explains how SH-32 sounds are created, together with a
description of how the parameters are organized. Comprehending
the information in the chapter is an essential prerequisite before
creating your own sounds.
Chapter 3. Applying Effects to the
Sound (INS-FX, REV/DELAY)
This chapter explains how to make settings for the SH-32’s onboard
effects. Be sure to read this when adding effects to Patches and
Performances.
Chapter 4. Playing the Rhythm Sets
This chapter explains how to play and create Rhythm Sets. Read this
chapter when using Rhythm Sets.
Chapter 7. Using the Chord Memory
Function (CHORD)
This chapter explains how to use and make settings for the Chord
Memory function. Read this chapter when using the Chord Memory
function.
Chapter 8. Using the SH-32 with
External MIDI Devices
This chapter provides a description of MIDI, and explains how to
use an external MIDI device to switch sounds, save settings onto
external devices, and carry out other tasks. Read this material as
necessary.
Chapter 9. Other Settings
This chapter explains how to set the system parameters, which
determine the SH-32’s operational environment, as well as the
parameter functions, how to restore the default factory settings, and
other related information. Read this material as necessary.
Appendices
This chapter contains a troubleshooting section for use when the SH32 is not functioning as expected. There is also a list of error
messages that you can refer to if an error message appears on the
display. This chapter also contains information such as Patch/
Rhythm Set/Performance lists, parameter lists and the MIDI
implementation chart.
Notation Used in This Owner’s Manual
To make operation procedures easy to understand, the following
notation system is adopted:
Characters and numbers in square brackets [ ] indicate knobs and
buttons on the front panel. For example, [CUTOFF] represents the
CUTOFF knob and [PREVIEW] stands for the PREVIEW button.
(p. **) refers to pages within the manual.
Below are the meanings of the symbols preceding certain sentences
in the text.
Chapter 5. Using in Performance Mode
This chapter explains how to play and create Performances. Read
this chapter when you wish to use Performances.
Chapter 6. Using Arpeggiator
(ARPEGGIATOR)
This chapter explains how to use and make settings for the
Arpeggiator, how to create Styles, and other related information.
Read this chapter when you wish to use the arpeggiator.
These are notes. Please be sure to read them.
These are reference memos. Read these as necessary.
These are hints for operating the SH-32. Read these as necessary.
These provide information from related reference pages. Read
these as necessary.
5
Contents
IMPORTANT NOTES ...............................................................................4
How To Use This Manual........................................................................5
Notation Used in This Owner’s Manual...................................................................................... 5
Main Features........................................................................................11
Panel Descriptions................................................................................12
Front Panel.................................................................................................................................................12
Rear Panel.................................................................................................................................................. 15
Getting Ready........................................................................................16
Connecting External Devices.................................................................................................................. 16
Turning On the Power............................................................................................................................. 17
Turning Off the Power ................................................................................................................. 17
Restoring the Factory Settings (Factory Reset).....................................................................................17
Listening to the Demo Songs..................................................................................................................18
Quick Start...................................19
Producing Sound..................................................................................20
Getting Started.......................................................................................................................................... 20
About the Playing Modes of the SH-32 (PATCH/PERFORMANCE)..................................20
Switching Modes...........................................................................................................................20
Standalone Play of Sounds (PREVIEW)................................................................................................21
Playing a Sound with a MIDI Keyboard...............................................................................................22
Listening to the Preset Sounds ............................................................................................................... 23
Using the Effects....................................................................................................................................... 24
Playing a Rhythm Set............................................................................................................................... 25
Modifying the Sound ............................................................................26
Creating Sounds .......................................................................................................................................26
Easy Sound Editing.................................................................................................................................. 27
1. Selecting a Waveform (Oscillator).......................................................................................... 27
2. Working on Oscillator Waveforms (FILTER) .......................................................................29
3. Adding Changes in the Volume (AMP) ................................................................................31
4. Adding Modulation to the Sound (LFO)............................................................................... 32
5. Adding an Effect .......................................................................................................................34
Saving the Sound......................................................................................................................................35
Playing Arpeggio (Arpeggiator)...........................................................36
Turning On/Off the Arpeggiator...........................................................................................................36
Changing the Arpeggiator Tempo.........................................................................................................38
Playing the Arpeggio Together with a Rhythm Pattern.....................................................................39
Playing a Chord at the Touch of a Finger (Chord Memory)..............41
Using the Chord Memory Function.......................................................................................................41
Switching Chord Forms........................................................................................................................... 42
6
Contents
Advanced Use ..............................43
Chapter 1. An Overview of the SH-32..................................................44
How the SH-32 is Organized Internally................................................................................................44
MIDI Connectors...........................................................................................................................44
Sound Generator ........................................................................................................................... 44
Arpeggiator....................................................................................................................................44
Controller ....................................................................................................................................... 44
Patches, Rhythm Sets, and Performances.............................................................................................45
Patches (A11–D88) ........................................................................................................................ 45
Rhythm Sets (r1U, r2U, r3P, r4P)................................................................................................45
Performances (1-1–8-8)................................................................................................................. 46
How Characters and Numerals Are Displayed................................................................................... 46
About Memory..........................................................................................................................................47
Temporary Memory......................................................................................................................47
Rewritable Memory......................................................................................................................47
Non-Rewritable Memory............................................................................................................. 47
Main Setting Destinations............................................................................................................48
Objects of Settings That Change with the SH-32’s Mode...................................................................50
Chapter 2. Creating Your Own Sounds...............................................52
Creating Sounds that Reflect the Position of Sliders/Knobs (MANUAL).......................................52
Using Preview Function Hold to Continue Playing a Sound............................................................ 52
Determining the Basic Waveform and Pitch (OSC 1 & 2) .................................................................. 52
Oscillator ON/OFF and Mix Balance (OSC 1, OSC 2, BALANCE)....................................... 52
Selecting the Fundamental Waveform (WAVE, VARIATION) ............................................. 53
Determining the Pitch (OCTAVE, PITCH)................................................................................ 54
Creating a Fatter Sound by Adding Components One Octave Below the Sound
(SUB OSC)......................................................................................................................................54
Changing the Pitch Over Time (PITCH ENV, ENV DEPTH)................................................. 54
Changing the Pulse Width of a Square Wave Periodically (PWM).......................................55
Creating a Metallic Sound (OSC 1X2 RING)—Ring Modulator ............................................ 55
Creating an Assertive Solo Sound (OSC 1X2 SYNC)—Oscillator Sync ................................ 55
Changing the Characteristics of Sounds (FILTER).............................................................................. 56
Internal Filter Types and Functions (TYPE, SLOPE) ............................................................... 56
Setting the Cutoff Frequency (CUTOFF)................................................................................... 57
Using Resonance to Add Fullness to the Sound (RESONANCE).......................................... 57
Changing the Cutoff Over Time (A D S R, ENV DEPTH) ...................................................... 57
Changing the Filter According to the Keyboard Position (KEY FOLLOW)......................... 58
Changing the Volume (AMP).................................................................................................................58
Changing the Volume Over Time (A D S R, ENV DEPTH)....................................................58
Increasing and Decreasing the Rate of Change in Volume According to the Keyboard
Position (TIME KEY FOLLOW).................................................................................................. 59
Setting the Volume for Each Patch, Rhythm Set, or Performance.........................................59
Modulating the Sound (LFO 1 & 2) ....................................................................................................... 59
LFO Arrangement and Functions...............................................................................................59
Turning the LFO On and Off, and Switching Waveforms (LFO 1, LFO 2, FORM)............. 59
Adjusting the Rate of Modulation (RATE)................................................................................ 60
Adjusting the Modulation Depth (DESTINATION, DEPTH)................................................60
Synchronizing the Modulation to the Song Tempo (BPM SYNC, BEAT/CYCLE)............. 61
Other LFO Settings (FADE IN, KEY SYNC) ............................................................................. 61
7
Contents
Other Settings (settings that can be saved to Patches)........................................................................ 61
Settings for Use in Playing Monophonic Sounds (SOLO, LEGATO)....................................61
Layering Sounds for Greater Fatness (UNISON)..................................................................... 62
Applying the Portamento Function (PORTAMENTO, PORTA TIME)................................62
Applying Analog-Like Modulation to the Pitch (ANALOG FEEL)......................................62
Changing the Pan When Using Stereo Output (PAN) ............................................................ 63
Effect Settings ................................................................................................................................63
Saving the Sounds You Have Created (WRITE)..................................................................................63
Auditioning to a Patch at the Save Destination........................................................................63
Chapter 3. Applying Effects to the Sound (INS-FX, REV/DELAY) ....64
About the Onboard Effects .....................................................................................................................64
Ways of Connecting Effects (INS > REV SERIES).................................................................... 64
Using the Insertion Effects (INS-FX)......................................................................................................64
Turning the Insertion Effects On and Off..................................................................................64
Selecting the Insertion Effects Type (TYPE)..............................................................................64
Setting the Insertion Effects......................................................................................................... 65
Using the Reverb/Delay (REV/DELAY)..............................................................................................65
Turning the Reverb/Delay On and Off.....................................................................................65
Selecting the Reverb/Delay Type (TYPE).................................................................................65
Setting the Reverb/Delay ............................................................................................................ 66
Applying Effects in Performance Mode................................................................................................66
Selecting the Effect Settings Used in a Performance (Effect Source).....................................66
About Effect Settings in Performance Mode.............................................................................67
Chapter 4. Playing the Rhythm Sets ...................................................68
Selecting Rhythm Sets and Playing the Percussion Instruments ...................................................... 68
Editing a Rhythm Set...............................................................................................................................68
Making Settings for the Overall Rhythm Set ............................................................................ 68
Making Settings for Each Rhythm Tone (Percussion Instrument) ........................................69
Saving Changed Settings (WRITE)........................................................................................................70
Chapter 5. Using in Performance Mode..............................................71
Selecting a Performance and Playing the Patch for Each Part...........................................................71
Selecting the Patch for Each Part (Part Assign Mode).............................................................71
Playing Sound in More Than One Part (Multitimbre)........................................................................ 71
Layering Patches for a Thicker Sound (Part Stack Function).............................................................72
Editing a Performance ............................................................................................................................. 72
Settings Affecting the Overall Performance..............................................................................72
Making Settings for Each Patch or Rhythm Set in the Parts...................................................73
Securing the Number of Oscillators in Each Part (Oscillator Reserve).................................73
Saving Changed Settings (WRITE)........................................................................................................73
Chapter 6. Using Arpeggiator (ARPEGGIATOR)................................74
About Arpeggiator................................................................................................................................... 74
Playing Arpeggios....................................................................................................................................74
Turning Arpeggiator On and Off ...............................................................................................74
Determining the Tempo for Arpeggio Performances..............................................................74
Selecting Styles for Arpeggio Performances (STYLE) .............................................................74
The Relationship Between Arpeggio Styles and Rhythm Styles............................................ 75
Changing the Beat and Shuffle (GRID)......................................................................................75
Applying Staccato and Tenuto (DURATION)..........................................................................76
Changing the Range of the Arpeggio (RANGE) ...................................................................... 76
Selecting Ascending/Descending Variations (Different Ways of Playing the Sounds)
(MOTIF).......................................................................................................................................... 76
8
Contents
Creating Your Own Styles.......................................................................................................................77
Creating Styles by Playing the Notes as They Are to Be Performed (REALTIME)............. 77
Creating Styles by Playing Sounds One At a Time (STEP).....................................................78
Creating Styles Using an External Sequencer........................................................................... 79
Saving the Styles You Have Created (STORE) ......................................................................... 79
Using Arpeggiator in Performance Mode ............................................................................................ 80
Selecting the Style .........................................................................................................................80
Specifying the Part Used to Play the Arpeggio ........................................................................ 80
Arpeggiator Parameter Settings..................................................................................................80
Creating Styles...............................................................................................................................80
Chapter 7. Using the Chord Memory Function (CHORD)..................81
About the Chord Memory Function......................................................................................................81
Performing with the Chord Memory Function.................................................................................... 81
Turning Chord Memory Function On and Off.........................................................................81
Selecting Chord Forms.................................................................................................................81
Creating Your Own Chord Forms.............................................................................................. 82
Using the Chord Memory Function in Performance Mode...............................................................82
Selecting the Chord Form ............................................................................................................ 82
Specifying the Part to Use the Chord Memory Function........................................................ 82
Chord Memory Parameter Settings............................................................................................ 83
Creating Chord Forms.................................................................................................................. 83
Chapter 8. Using the SH-32 with External MIDI Devices ...................84
About MIDI...............................................................................................................................................84
MIDI Connectors...........................................................................................................................84
About MIDI Channels..................................................................................................................84
Setting the MIDI Channel (MIDI CH)...................................................................................................84
Setting the Receive Channel in Patch Mode..............................................................................84
Setting the Receive Channel for Each Part ................................................................................ 84
Playing the SH-32 from an External MIDI Keyboard ......................................................................... 85
Changing the Sound with Modulation (MOD) ........................................................................85
Determining the Amount the Pitch is Changed with the Pitch Bender (P. BEND).............86
Changing the Sound with Aftertouch (AFTERTOUCH) ........................................................ 86
Changing the Sound According to the Force Used to Play the Keys (VELOCITY) ............ 87
Selecting SH-32 Sounds from an External MIDI Device..................................................................... 87
Synchronizing Arpeggiator and the LFO to an External MIDI Device............................................88
Saving SH-32 Settings on an External Sequencer (BULK DUMP) .................................................... 88
Restoring Saved Content to the SH-32.......................................................................................89
Chapter 9. Other Settings.....................................................................90
Settings Applied to the SH-32 Overall (System Settings)...................................................................90
Procedure for Making the System Settings ............................................................................... 90
What the System Settings Do/System Setting Functions .......................................................90
Switching the Low Boost Function On and Off........................................................................92
Selecting the Status to Use When the Power is Turned On....................................................93
Selecting the MIDI Messages Used to Transmit Panel Control Information ....................... 93
Changing the SH-32’s Device ID Number.................................................................................93
Restoring the Factory Settings (Factory Reset).....................................................................................94
9
Contents
Appendices ..................................95
Troubleshooting....................................................................................96
Error Message List................................................................................98
Patch List...............................................................................................99
Rhythm Set List...................................................................................100
Performance List.................................................................................101
Arpeggio Style List .............................................................................102
Rhythm Style List................................................................................103
Chord Form List..................................................................................104
Parameter List.....................................................................................105
Patch Parameters....................................................................................................................................105
Rhythm Set Parameters ......................................................................................................................... 106
Performance Parameters .......................................................................................................................106
System Parameters ................................................................................................................................. 106
Effects List...........................................................................................107
Insertion Effects Parameters ................................................................................................................. 107
Reverb/Delay Parameters..................................................................................................................... 113
MIDI Transmit/Receive Setting List...................................................115
MIDI Implementation Chart ................................................................116
Specifications......................................................................................117
Index.....................................................................................................118
Blank Chart..........................................................................................121
10
Main Features
PART 1
PART 2
PART 3
PART 4 / RHYTHM
FILTER AMP
LFO2
OSC 1
SUB OSC
OSC 2
SUB OSC
MIX/
RING/
SYNC
ENV
ENVENV
LFO1
ARPEGGIATOR
(PROGRAMMABLE)
BPM SYNC
PREVIEW
/CHORD MEMORY
INS-FX
2 x EFFECTS
REV/DELAY
TO ARPEGGIATOR
● Rich Sound with Full Synth Presence
Development of the SH-32 has involved a variety of approaches to
thoroughly analyze synthesizer sounds in order to realize the “fat,
sharp, clear sound” that is characteristic of analog synths.
To quantify these sound characteristics, various measurements and
blind tests using renowned vintage synths, analog modeling synths,
and other gear were carried out. The findings of such research
formed the basis for designing our new Wave Acceleration Sound
Generator(*), which is capable of the complete realization of the
sound variations and qualities of a synthesizer. This allows you to
produce vintage synth sounds and a wide variety of other
waveforms, all with this one instrument.
The SH-32 synthesizer offers not only the sounds being demanded
on today’s music scene, but also provides the convenient operation
that you get only with a digital unit.
* This is a new approach to sound generation that permits creation of a
wide variety of high-quality waveforms, while featuring numerous
oscillators, something impossible with simple DSP synths.
● Full Freedom to Create Your Own
Unique Sounds
With the architecture of the SH-32’s sound generator, you get two
oscillators, one filter, an amp, and two LFOs for each sound, all
controlled with an analog synth-like interface. The great freedom in
creating sounds presented by this synthesizer means that you are
likely to truly enjoy the sound creation process.
Each of the seven groups of waveforms, SAW, SQUARE, PULSE,
PWM, TRIANGLE/SINE, SPECTRUM and NOISE, which comprise
the foundation for creating sounds, also contains a number of
variation waveforms, each featuring a different character. With a
total of 67 different oscillator waveforms at your fingertips, the SH32 makes it possible for you to create sounds unlike any others.
The SH-32 also includes four Rhythm Sets (two Preset and two User)
that feature TR-909/808 and other drum waveforms. With 32
oscillators, far surpassing previous analog modeling synths, and
four-part multitimbral sound, you can create songs that combine
synth parts and rhythm part, all with one machine.
What’s more, the SH-32 is also packed with a variety of useful
features and functions for creating sounds, including a Suboscillator
with subsonic mode (which makes it easy to add more to the low
end), Oscillator Sync, a Ring Modulator, synchronization of the LFO
to the tempo using the TAP button, and more. Whether it be the
sounds of some of the most popular synthesizers, or sounds that
were once very difficult to create using conventional analog and DSP
synths, you can handle them all, since the sound creation potential
you now have at your fingertips is enormous.
● Built-In Effect Functions Help Create
a More Polished Sound
The SH-32 is equipped with internal effects processors that help
make this a complete synthesizer module. You can use effects from
two systems: 35 individual Insertion Effects, including distortion,
phaser, flanger, and other effects, and 10 different kinds of reverb
and delay (loop effects), allowing you to create an even greater
variety of sounds.
● Programmable Arpeggiator Brings
Out the Power in Your Performances
The SH-32 includes an Arpeggiator function, which allows the user
to program Styles. Styles can be input in steps or in real time. In
Performance mode, you can have arpeggios using the synth sounds
played along with rhythm patterns that use TR-909/808 and other
drum waveforms.
In addition, you can easily play a variety of complex chords, like
those used in Trance and Techno music, in parallel by using this
feature in combination with the Chord Memory function, which
allows you to perform prerecorded chords with the press of a single
button.
● Panel Designed for Intuitive
Operation
The SH-32 features an intuitive panel design that lets you
concentrate on creating sounds. For example, knobs are used for the
filter, and sliders for the envelope; in all cases, the most convenient
control for the purpose is used.
In addition, the panel includes thirteen buttons that can be used for
note-entry, much like a keyboard. Using the Preview function, you
can check your sounds over a scale of notes, without having to
connect a MIDI keyboard.
On top of this, the SH-32’s compact desktop design means you can
always have it at hand, ready to use. Use it with PCs, workstations,
keyboards, groove gear and other equipment to bring out the full
potential of this synthesizer, regardless of the application.
SH-32 Block Diagram (Conceptual)
fig.SH-32 block
11
Panel Descriptions
5
6
Front Panel
fig.00-02
5 6
1
4
10
1
OSC 1 & 2 (Oscillator 1 & 2)
Section
Select the waveforms on which sounds are based, and adjust the
pitch and other components of the sound. In addition, you can
combine OSC 1 and OSC 2 to create a wide variety of sounds. → (p.
52)
2
FILTER Section
2
7
3
8
9
[INTENSITY]
Change the settings values of the Insertion Effects parameters. The
parameters that can be set vary according to the selected Insertion
Effects. → (p. 65)
[INS-FX]
Switches the Insertion Effects on and off. → (p. 64)
Change the type of filter used, and alter the characteristics of the
sound by making various changes to the output waveforms. → (p.
56)
[OUTPUT]
3
AMP (Amplifier) Section
Alter the sound by changing the volume and the way sounds are
output and muted. → (p. 58)
4
LFO 1 & 2 (Low Frequency
Adjusts the overall volume that is output from the rear panel
OUTPUT jacks and PHONES jack. → (p. 17)
Oscillator 1 & 2) Section
Use the LFO 1 and 2 waveforms to create cyclic changes in the pitch,
brightness, volume, and other aspects of the sounds produced by the
waveforms from OSC 1 and OSC 2. → (p. 59)
12
Panel Descriptions
10
7
FX/SYSTEM Knob
Selects the “INS-FX” (Insertion Effects) or “REV/DELAY” (Reverb/
Delay) parameters to be set. → (p. 65, p. 66)
When this is set to “SYSTEM,” you can make changes to the settings
that govern the SH-32’s overall behavior (system parameters). → (p.
90)
When you select a parameter for which you want to make
settings, the indicator on the left begins to blink, indicating that
the SH-32 is ready for changes in the settings.
8
MIDI Settings Knob
Selects the parameter to be set when modifying sounds as the result
of messages (Modulation, Pitch Bend, Aftertouch, Velocity) received
from an external MIDI device. → (p. 85)
When you select a parameter for which you want to make
settings, the indicator on the left begins to blink, indicating that
the SH-32 is ready for changes in the settings.
9
[ANALOG FEEL]/[INS > REV SERIES]
ANALOG FEEL: Press this button, causing the indicator to light, to
set the degree to which analog-like modulation is applied to the
pitch. → (p. 62)
INS > REV SERIES: Press this button, causing the indicator to blink,
to select the way the Insertion Effects and Reverb/Delay are
connected. → (p. 64)
[LEGATO]/[PORTA TIME]
LEGATO: Press this button, causing the indicator to light, to turn the
Legato function on and off. → (p. 61)
PORTA TIME: Press this button, causing the indicator to blink, to set
the time over which the pitch changes when playing portamento. →
(p. 62)
[LEVEL]/[PAN]
LEVEL: Press this button, causing the indicator to light, to set the
volume of the Patch or Performance. → (p. 59)
PAN: Press this button, causing the indicator to blink, to set the
panning. → (p. 63)
Additionally, when used simultaneously with [EXIT], this allows
you to listen to the demo songs. → (p. 18)
[WRITE (EXEC)]
This is pressed when saving (WRITE) tone, Arpeggiator, and other
settings, or when executing (EXEC) various functions.
[PATCH]/[PERFORM]
PATCH: Press this button, causing the indicator light to go off, to
switch to Patch mode. → (p. 20)
PERFORM: Press this button, causing the indicator to light, to
switch to Performance mode. When in Performance mode, hold
down [PERFORM] and press [EXIT] to switch to Part Assign mode.
→ (p. 20, p. 71)
[EXIT]
Pressed to cancel settings and other various operations.
Additionally, when used simultaneously with [LEVEL/PAN], this
allows you to listen to the demo songs. → (p. 18)
Display
A variety of information, including the number of the selected sound
and the values of various parameter settings, is displayed here.
[VALUE ▼/▲]
These change the various settings values.
To rapidly increase the value, hold down [▲] and press [▼].
To rapidly decrease the value, hold down [▼] and press [▲].
[PREVIEW]
Switches the Preview function on and off. → (p. 21)
[-OCT], [+OCT]
These shift the register played using the Preview function in octave
units. → (p. 21)
[HOLD]
Switches the Preview function’s Hold On and Hold Off. → (p. 21)
[MANUAL]
Switches the Manual function on and off. → (p. 52)
[BANK]
This is pressed when tone banks and numbers are switched. → (p.
23)
[CHORD]
Switches the Chord Memory function on and off. → (p. 81)
[SOLO]
Switches the Solo function on and off. → (p. 61)
[UNISON]
Switches the Unison function on and off. → (p. 62)
[PORTAMENTO]/[LEG. ONLY]
PORTAMENTO: Press this button, causing the indicator to light, and
portamento will be turned on. → (p. 62)
LEG. ONLY: Press this button, causing the indicator to blink, to use
portamento only when playing legato. → (p. 62)
13
Panel Descriptions
[RANGE]/[MOTIF]
RANGE: Press this button, causing the indicator to light, to set, in
octave units, the range in which arpeggios are played. → (p. 76)
MOTIF: Press this button, causing the indicator to blink, to select the
arpeggio variation to be played during arpeggio performances. → (p.
76)
[GRID]/[DURATION]
GRID: Press this button, causing the indicator to light, to select the
timing used to sound arpeggios during arpeggio performances. →
(p. 75)
DURATION: Press this button, causing the indicator to blink, to
select the note length used to play arpeggios during arpeggio
performances. → (p. 76)
[STYLE]/[STORE]
STYLE: Press this button, causing the indicator to light, to select the
basic style used to play arpeggios. → (p. 74)
STORE: Press this button, causing the indicator to blink, to save the
arpeggio styles you have created. → (p. 79)
About the Symbols on the Panel
The following symbols, which appear on the SH-32’s panel, are
meant to depict the illumination state of the indicators.
: Lit
: Blinking
: Off
[ON]
Switches the arpeggiator on/off. → (p. 74)
Hold down [ON] and press [▼ (REALTIME)] to input arpeggio
styles in real time. → (p. 77)
Hold down [ON] and press [▲ (STEP)] to input arpeggio styles in
steps. → (p. 78)
[1]–[4/R]/[TIE], [REST], [TO TOP], [BACK]
1–4/R: Selects the Parts that are to be played simultaneously in
Performance mode, or the Part for which settings are to be changed.
→ (p. 72, p. 73)
When you are inputting arpeggio styles in steps, these buttons
perform the following functions. → (p. 78)
TIE: Inputs a tie.
REST: Inputs a rest.
TO TOP: Returns you to the beginning grid line.
BACK: Deletes the last note or rest that has been input.
[1/A]–[8/R]
These switch the tone banks and numbers. → (p. 23)
Setting the FX/SYSTEM knob to “SYSTEM” allows for selection of
parameters with settings that affect the SH-32 as a whole (system
parameters). → (p. 90)
[TAP (BPM)]
Sets the tempo (BPM) for arpeggios. You can also set the tempo by
tapping this button at the desired rhythm. → (p. 74)
14
Rear Panel
fig.00-03
Panel Descriptions
1 2 4 6 7 8
3 5
1. Security Slot ( )
http://www.kensington.com/
2. PHONES Jack
This is the jack for connecting headphones (sold separately). → (p.
16)
3. OUTPUT Jacks (L (MONO), R)
These jacks output the audio signal to the connected mixer/amplifier
system in stereo. For mono output, use the L jack. → (p. 16)
4. FOOT SWITCH Jack
You can connect optional foot switch (BOSS FS-5U) or pedal switch
(DP-2) to this jack, you can use it to select or modify sound or
perform various other control. → (p. 16, p. 91)
5. MIDI Connectors (IN, OUT)
These connectors can be connected to other MIDI devices to receive
and transmit MIDI messages. → (p. 16, p. 84, p. 92)
6. Cord Hook
Anchor the supplied AC adaptor cord using the cord hook. → (p. 16)
7. DC IN Jack
Connect the supplied AC adaptor to this jack. → (p. 16)
8. POWER Switch
This turns the power on/off. → (p. 17)
15
Getting Ready
Connecting External Devices
The SH-32 does not contain an amp or speakers. In order to produce sound, you need to hook up audio
equipment such as a monitor speaker or a stereo set, or use headphones.
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn
off the power on all devices before making any connections.
1. Before you make connections, make sure that power is turned off for all devices.
2. Connect supplied AC adaptor to the DC IN jack, and plug the other end into an AC power outlet.
To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and
to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown
in the illustration.
3. Connect the SH-32 and the external device as shown in the figure.
fig.00-04.e
Stereo headphones
AC adaptor
PCS-31
Mixer etc.
Power amp
Use audio cables to connect audio equipment, such as an amp or speakers. Use MIDI cables to connect MIDI
keyboard. If you are using headphones, plug them into the PHONES jack. Connect foot switches or pedal
switches as necessary (p. 91).
Monitor speakers
(powered)
Foot switch (BOSS FS-5U)
or pedal switch (DP-2)
MIDI OUT
MIDI keyboard
16
In order to take full advantage of the SH-32’s performance, we
recommend using a stereo amp/speaker system, If you are using
a mono system, make you connections to the OUTPUT jack L
(MONO).
Audio cables, MIDI cables, headphones, foot switches, and pedal
switches are not included. These cables must be acquired
separately.
Getting Ready
Turning Off the Power
1. Before turning off the power, make sure of the following
point.
• Have the volume controls of the SH-32 and all connected audio
devices been turned to the minimum position?
• Have you saved the sounds or other data you’ve created?
2. Turn off the power of the connected audio devices.
3. Turn off the POWER switch of the SH-32.
Turning On the Power
Once the connections have been completed (p. 16), turn on
power to your various devices in the order specified. By turning
on devices in the wrong order, you risk causing malfunction
and/or damage to speakers and other devices.
1. Before you turn the power on, check to make sure that:
• Are peripheral devices connected correctly?
• Have the volume controls of the SH-32 and all connected audio
devices been turned to the minimum position?
2. Turn on the POWER switch located on the rear panel of the
SH-32.
fig.00-05
This unit is equipped with a protection circuit. A brief interval (a
few seconds) after power up is required before the unit will
operate normally.
3. Turn on the power of the connected audio equipment.
4. Play the SH-32 and gradually raise the volume controls of
the SH-32, or the connected audio equipment to an
appropriate volume level.
fig.00-06
Be careful not to raise the volume excessively. Excessive volume
may damage your amp/speaker system or could cause hearing
problems.
Restoring the Factory Settings (Factory Reset)
When using the SH-32 for the first time, start out by restoring the
settings programmed at the factory to ensure that the SH-32
functions correctly according to the procedures described in the
Owner’s Manual.
While you may already have created important data that you
want to keep, all such existing data is lost when Factory Reset
is carried out. If you do have data that you want to keep, save
the data to an external MIDI sequencer or similar device (p. 88).
1. First, turn off the power by pressing the POWER switch on
the rear panel.
2. While holding down [1/A], turn the power back on.
fig.00-07
[1/A] blinks; “ ” (Reset) appears in the display as long as
you continue to hold down [1/A].
3. Press [VALUE ▼/▲] to select “ ” (All Data).
4. Press [WRITE (EXEC)].
[WRITE (EXEC)] blinks, and the message “ ” (Sure?) blinks
in the display, prompting you to confirm that you want to carry
out a Factory Reset.
5. Press [WRITE (EXEC)] once more to have the Factory Reset
be carried out. To cancel the Factory Reset, press [EXIT].
All Patches, Rhythm Sets, Performances, Arpeggio Styles,
Rhythm Styles, Chord Forms, and system settings are returned
to the original factory-programmed settings.
6. When you have finished Factory Reset, turn the power off,
then on again.
You can also select the type of data you want to restore to the
original factory settings when carrying out Factory Reset with
the SH-32 (p. 94).
17
Getting Ready
Listening to the Demo Songs
The SH-32 comes with three prerecorded demonstration songs.
Playing back these demo songs is called Demo Play. Try starting out
by playing the demo songs, and enjoy listening to the SH-32’s
excellent tones and effects.
No. Song Name Composer Copyright
1 TRAVELER WALL5 2001 © Roland Corporation
2 SPANK SHIBUICHI ABE
(from PCM)
3 CompFusion Ken Suzuki 2001 © Roland Corporation
All rights reserved. Unauthorized use of this material for
purposes other than private, personal enjoyment is a violation of
applicable laws.
2001 © Roland Corporation
Unsaved settings changes may be lost when you start Demo
Play. Carry out the write procedure as required to save such
data before listening to the demo songs (p. 63, p. 70, p. 73).
1. Simultaneously press [LEVEL/PAN] and [EXIT].
This starts Demo Play.
fig.00-08
2. Press [VALUE ▼/▲] if you want to change the song to be
played back.
3. Press [EXIT] to stop Demo Play and return to the normal
operating mode.
• No data for the music that is played will be output from MIDI
OUT.
• The second demo song (spank) is intended to introduce you to
the expanded capabilities provided by the SH-32. Understand
that this demo uses extreme sounds that differ radically from
those used in ordinary demonstration songs.
18
Quick Start
Quick Start
19
Producing Sound
Getting Started
About the Playing Modes of the SH-32 (PATCH/PERFORMANCE)
SH-32 offers two modes, allowing you to choose the one that is best for the purpose
you have in mind. You can either work with single “Patches” (Patch mode), or use
four Patches (including a Rhythm Set) to play in combination with one another
(Performance mode).
All procedures described in this Quick Start Manual assume that you’re in the Patch
mode, unless stated otherwise. Before operating the SH-32, first be sure that the
Patch mode is selected.
Switching Modes
fig.030
20
1
Press [PATCH/PERFORM].
When [PATCH/PERFORM] is not lighted, you are in Patch mode; if it’s lighted,
you’re in Performance mode.
Press the button to toggle between Patch mode and Performance mode.
1
Standalone Play of Sounds (PREVIEW)
b
b
b
b
Producing Sound
You can use the note-entry buttons on the unit to play notes (Preview function).
fig.001
12
1
Press [PREVIEW].
[PREVIEW] lights up in red, and the buttons you can use in the preview mode (noteentry buttons) light up in orange.
[OUTPUT]
Quick Start
You can raise or lower the
octave setting by pressing [OCT] or [+OCT] to the right of
[PREVIEW].
Each time you press [-OCT],
the octave goes down. Each
time you press [+OCT], the
octave goes up. You can shift
y up to four octaves in either
direction. You can check the
current octave through the
linking of the button. To
restore the original conditions,
press [-OCT] and [+OCT]
simultaneously.
2
Press any of the note-entry buttons to play a note.
You will hear the note assigned to the button you press.
fig.002
C# D# F# G# A#
C
D E F G A B C
To cancel the Preview function, press [PREVIEW] again to turn off the button.
If you press [HOLD] (lights up
in red), you can have the note
continue to play after you
release the note-entry button
(Hold function). When a note
is played using the Hold
function, the note-entry button
links in amber. To stop the
held note, press the note-entry
utton again.
To cancel the Hold function,
press [HOLD] again to turn off
the button.
How to Change the Volume
Turn [OUTPUT] to change the volume.
By holding down [PREVIEW]
and pressing [VALUE ▼/▲],
you can set the Velocity value
(000–127) for the notes played
with the note-entry buttons.
However, this setting is not
saved.
21
Producing Sound
Playing a Sound with a MIDI Keyboard
You can play the SH-32’s sounds using a MIDI keyboard. To do so, you need to
connect the MIDI OUT connector of your keyboard with the MIDI IN connector of
the SH-32 (p. 16).
fig.003
See “Chapter 8. Using the
SH-32 with External MIDI
Devices” (p. 84) for details on
MIDI settings.
Display
1
Set the channel of the MIDI keyboard.
Set the MIDI transmit channel of the keyboard to Channel 1 (refer to the manual that
came with your MIDI keyboard).
2
Set the MIDI channel of the SH-32.
Set the MIDI receive channel to Channel 1.
1. Turn the FX/SYSTEM knob to “SYSTEM.”
2. Press [6 (MIDI CH)].
[6 (MIDI CH)] blinks, and the MIDI channel number appears in the display.
3. Press [VALUE ▼/▲] to select MIDI channel number “1.”
The MIDI receive channel on the SH-32 is set to channel 1.
4. Press [EXIT].
3
Play something on the MIDI keyboard.
The SH-32 sounds the notes that have been played on the MIDI keyboard.
2
22
Listening to the Preset Sounds
b
Producing Sound
The SH-32 comes with 128 different Preset Patches, so you can immediately enjoy
having a wealth of sounds at your fingertips.
fig.004
Quick Start
See “Patches (A11–D88)” (p.
45) for detailed information
about the Patches.
“A11” through “B88” are User
Patches, “C11” through “D88”
are Preset Patches. When
shipped from the factory, the
User Patches are the same as
the Preset Patches.
12, 3
1
Press [BANK].
[BANK] lights up, and [1/A]–[4/D] and [8/R] blink.
2
Select a bank.
Press [1/A]–[4/D] to select a bank (“A” through “D”).
The selected bank is shown in the display.
fig.005
Bank Patch number
3
Select a Patch number.
Press [1/A]–[8/R] twice to select a Patch number (“11” through “88”). Press the first
button to enter the 2nd digit of the number. Then press another to enter the first digit
of the number.
The selected Patch number is shown in the display.
Display
In step 1, if all of the buttons
from [1/A] through [8/R] are
linking after you press
[BANK], you will need to press
[PATCH/PERFORM] to turn
them off, then press [BANK]
again (Patch mode p. 20).
In step 2, you can select a
Rhythm Set by pressing [8/R]
(p. 25).
When a Patch number is
shown in the display, you can
also press [VALUE ▼/▲] to
select a preset sound.
4
Use the Preview function (p. 21), or a MIDI keyboard to play some
sounds.
The selected sound will be heard.
23
Producing Sound
Using the Effects
The SH-32 comes with two independent effects processors; one of them provides
spatial effects such as reverb and delay (Reverb/Delay), while the other is used for
inserting distortion, phaser, tremolo, and various other effects (Insertion Effects).
Effects can be switched on or off at the touch of a button.
fig.006
See “Chapter 3. Applying
Effects to the Sound (INSFX, REV/DELAY)” (p. 64) for
details on effects.
1
1
Press [INS-FX] or [REV/DELAY].
When you press [INS-FX], the button lights up, and the Insertion Effects is turned on.
When you press [REV/DELAY], the button lights up, and the Reverb/Delay is
turned on.
The Insertion Effects and Reverb/Delay can be used at the same time.
How to Turn Off the Effects
Press [INS-FX] or [REV/DELAY] to turn them off.
24
You can set the type, intensity,
and other details (p. 34).
Playing a Rhythm Set
b
Producing Sound
Apart from general synthesizer sounds, the SH-32 also has four Rhythm Sets. By
using the onboard Arpeggiator (p. 36, p. 74), you can play a loop of simple rhythm
patterns.
fig.007
Quick Start
See “Rhythm Sets (r1U, r2U,
r3P, r4P)” (p. 45) for details on
Rhythm Sets.
13 2
1
Press [BANK].
[BANK] lights up, and [1/A]–[4/D], [8/R] blink.
2
Press [8/R].
You can select a Rhythm Set.
3
Press [1/A]–[4/D] to select a Rhythm Set number.
The selected Rhythm Set number is shown in the display.
r1U, r2U: User Rhythm Sets (can be overwritten)
r3P, r4P: Preset Rhythm Sets (cannot be overwritten)
4
Use the Preview function (p. 21), or a MIDI keyboard to play some
sounds.
The selected Rhythm Set will be heard.
Display
In step 1, if all of the buttons
from [1/A] through [8/R] are
linking after you press
[BANK], you will need to press
[PATCH/PERFORM] to turn
them off, then press [BANK]
again (Patch mode p. 20).
When a Rhythm Set number is
shown in the display, you can
also press [VALUE ▼/▲] to
select a Rhythm Set.
25
Modifying the Sound
Creating Sounds
The SH-32 creates sounds in much the same way as other analog type synthesizers,
as shown below.
fig.008
OSC 1
Filter
Amplifier Effects
See “Chapter 1. An Overview
of the SH-32” (p. 44) for
details of the SH-32’s structure.
Oscillators
OSC 2
MIX
FILTER
LFO 1, 2
AMP
applies effects
LFO
INS-FX
REV/DELAY
Output
OSC (Oscillators)
Generate the basic waveforms used as the sound source by the synthesizer (p. 27).
FILTER
Alters the tone color by cutting or boosting the harmonic content of the waveforms
created by the oscillators (p. 29).
AMP (Amplifier)
Produces changes in the amplitude of the sound, and creates the attack or decay
portions of a sound (p. 31).
LFO (Low Frequency Oscillator)
An extra slow-rate oscillator that controls the oscillators, filter and amp, creating
effects such as vibrato (p. 32).
Effects
Insert or create various effects such as reverb, delay, flanger, etc. (p. 34)
fig.009
26
OSC (Oscillator) FILTER AMP (Amplifier) LFO
Easy Sound Editing
Modifying the Sound
In the following, you will learn how to create a sound using the basic functions of the
SH-32.
When creating a sound, play sounds using the Preview function (p. 21), or using a
MIDI keyboard.
To present a generalized view of what you need to do to edit sounds, this Quick Start
Manual introduces the operation while using Preset Patch “D88.” So, before you
begin, be sure to select Preset Patch “D88” (p. 23).
First, you need to select a waveform for the sound source.
1. Selecting a Waveform (Oscillator)
Here you create the waveforms for the sound source of the synthesizer.
The SH-32 provides 2 oscillators, which can be used independently or mixed.
fig.010
12
Quick Start
When you select a preset
sound (p. 23), the position of
the sliders and knobs may not
always correspond to the
parameters (i.e., the sliders and
knobs do not match the
sound). However, if you press
[MANUAL] (lighting it), the
currently selected parameter
will be set to the values
indicated by the sliders and
knobs. For details, see
“Creating Sounds that
Reflect the Position of
Sliders/Knobs (MANUAL)”
(p. 52).
54 3
1
Press [OSC 1] or [OSC 2] to select the oscillator you want to work
with.
The button you’ve pressed blinks, indicating that it is ready to be manipulated.
When the button is illuminated, it indicates that the oscillator is turned on (when
turned off, the button is extinguished).
fig.012
blinking blinking lit blinking
OSC 2 off / OSC 1 on
You can control
OSC 1 parameters.
OSC 2 on / OSC 1 off
You can control
OSC 2 parameters.
OSC 2 on / OSC 1 on
You can control the parameters of
the OSC whose button is blinking.
See “Determining the Basic
Waveform and Pitch (OSC 1
& 2)” (p. 52) for details on the
oscillator.
The oscillator control panel
controls both OSC 1 and OSC
2. When you select OSC 2 after
setting OSC 1, the values of
settings may not match the
positions of the panel controls.
This happens because, even
after you select the other OSC,
the panel controls remain at
the same positions. Be careful
with the position of controls
when you are operating with
OSC 1 and OSC 2 at different
settings.
27
Modifying the Sound
b
2
Press [WAVE] to select a waveform group.
The indicator for the currently selected waveform lights. To select one of the lower
waveforms, get the two indicators above the waveform to light.
fig.011
The selected waveform
Here are some examples of waveform groups.
Saw Tooth waveform group
The waveforms of this group contain a fundamental sine wave and its integral
harmonics, at a fixed ratio. This produces a sharp and bright tone.
Each group of waveforms has
various waveform patterns,
which you can select by
pressing [VARIATION] (p. 53).
The selected waveform
See “Determining the Basic
Waveform and Pitch (OSC 1
& 2)” (p. 52) for details on
waveforms.
Square waveform group
The waveforms of this group contain a fundamental sine wave and its odd
numbered harmonics at a fixed ratio.
Triangle waveform group
This waveform group contains two types of sine waves and does not have any strong
harmonics.
Monitor the sound while you choose the preferred waveform group.
3
Slide [PITCH COARSE] and [PITCH FINE] to set the sound’s pitch.
Slide [PITCH COARSE] to change the pitch extensively. Slide [PITCH FINE] to finetune the pitch.
4
Slide [ENV DEPTH] and [PITCH ENV] to change the pitch over time.
Slide [ENV DEPTH] to adjust the depth of the pitch envelope.
Slide [PITCH ENV/A] to set the time required for the pitch change to reach its
maximum. Slide [PITCH ENV/D] to set the time required for the pitch change to
drop from the maximum to its original state. Both oscillators use [PITCH ENV A/D]
in common.
You can easily shift the octave
up or down by pressing
[OCTAVE] (one octave up or
down) (p. 54).
Using [SUB OSC] (p. 54), you
can also add portions an
octave lower to create a deep
ass sound.
5
Using [BALANCE], adjust the balance between oscillators 1 and 2.
When [OSC 1] or [OSC 2] is illuminated and its counterpart is blinking (when both
are not off), set the balance between the both.
With this, the waveform upon which your sound is to be based is now ready. Next,
we’ll refine the sound by applying a filter to the waveform.
You can also synchronize the
oscillator 1 waveform to the
oscillator 2 pitch (p. 55).
28
Modifying the Sound
2. Working on Oscillator Waveforms (FILTER)
The filter alters the tone color by cutting or boosting the harmonics of the waveforms
created by the oscillator.
fig.013
213
See “Changing the
Characteristics of Sounds
(FILTER)” (p. 56) for details on
the Filter.
Quick Start
4
1
Press [TYPE] to select a filter type.
The indicator of the selected filter type lights up. To select a filter type on the lower
row, get the two indicators above the name to light.
fig.014
The selected filter
The selected filter
LPF (Low Pass Filter)
Passes lower frequencies and blocks high frequencies. With this filter you can soften
sharp sounds.
BPF (Band Pass Filter)
Passes specific frequencies and blocks other high and low frequencies. With this
filter you can enhance the midrange frequencies of the sound.
HPF (High Pass Filter)
Passes high frequencies and blocks low frequencies. With this filter you can keep the
upper sound portions, while eliminating the lower sound portions.
PKG (Peaking Filter)
Boosts the frequencies near the cutoff frequency. You can create a wah effect by
adding a constant change to the cutoff frequencies with the LFO (p. 32).
See “Internal Filter Types and
Functions (TYPE, SLOPE)”
(p. 56) for details on filter
types.
29
Modifying the Sound
2
Turn [CUTOFF] to set the frequency you want to cut off (Cutoff Point).
Here you determine the Cutoff Point of the filter you selected in step 1. Turn the
knob clockwise to raise the Cutoff Point, and turn it counterclockwise to lower it.
3
Turn [RESONANCE] to enhance the frequency near the Cutoff Point
set in step 2.
The further clockwise you turn the knob, the more the sound takes on a unique
character.
4
To set the filter effect according to time lapse, use the Envelope
sliders and [ENV DEPTH].
Slide [ENV DEPTH] to set the depth of the filter effect (either to + or -), and the
Envelope sliders to set the time characteristics.
fig.015
If you turn [CUTOFF] too
much, all of the audible
frequencies could get
eliminated, and you may hear
no sound.
By operating the [CUTOFF]
and [RESONANCE] knobs you
used in steps 2 and 3 while
playing, you can also create a
special effect.
Attack time slider
Decay time slider
[A]: Attack Time
Sets the time required for the filter’s effect to reach its peak. This time increases as
you raise the slider.
[D]: Decay Time
Determines the time required for the transition from the peak to the sustain level. If
the sustain level is at its maximum, this will have no effect.
[S]: Sustain Level
Determines the level that is to be maintained after the peak has been reached. While
you continue to press a note-entry button (or the key of a MIDI keyboard) it will be
maintained at this level.
[R]: Release Time
Sets the time that is to pass before returning to the original cutoff value, after you
release your finger from a note-entry button (or the key of a MIDI keyboard).
Sustain level slider
Release time slider
You can also change the filter
Cutoff Point by the key range
of the note-entry buttons or
MIDI keyboard (KEY
FOLLOW) (p. 58).
30
Next, let’s make the volume-related settings.
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