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SonicCell
Workshop
Expandable Synthesizer Module
and Audio Interface
Using SonicCell with Logic Pro
© 2008 Roland Corporation U.S.
All rights reserved. No part of this publication may be reproduced in any form without the
written permission of Roland Corporation U.S.
Apple™ and Logic Pro ™ are trademarks of Apple Inc.
Apple Inc. is not associated or aliated with Roland in any manner.
SCWS05
™
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About the Workshop Booklets
Understanding the Symbols in This Booklet
Roland’s SonicCell is designed for modern musicians. Using USB, It adds a
huge set of sounds to your digital audio workstation (or “DAW”) without
adding to your computer’s workload. It’s also an audio interface that can get
signals from mics, instruments, or other devices to DAW tracks for recording.
SonicCell’s Editor software allows you to program SonicCell from within your
DAW. Onstage, its compact size also makes SonicCell the ideal companion
for a laptop DAW, letting you perform and sing along with recorded tracks.
Or use it to play back sequences and audio files from a USB memory stick.
Each SonicCell Workshop booklet focuses on one SonicCell topic, and is
intended as a companion to the SonicCell Owner’s Manual. This booklet
requires SonicCell O.S. Version 1.11 or higher. You can download the latest
SonicCell O.S. for free from www.RolandUS.com.
About This Booklet
This booklet contains instructions for using SonicCell with Apple’s Logic Pro
8. (Much of what we cover also applies to Logic Pro 7.) First we’ll discuss
recording MIDI tracks in Logic Pro using SonicCell’s synth sounds. Next, we’ll
talk about SonicCell as as an audio interface, telling you how to record both
live audio and SonicCell’s synth sounds as audio tracks in Logic Pro.
Throughout this booklet, you’ll come across information that deserves
special attention—that’s the reason it’s labeled with one of the following
symbols.
A note is something that adds information about the topic at hand.
A tip offers suggestions for using the feature being discussed.
Warnings contain important information that can help you avoid
possible damage to your equipment, your data, or yourself.
Configuring Logic Pro to Work With SonicCell
Setting Up Logic Pro for SonicCell Audio
To configure Logic Pro so it’s using SonicCell for its inputs and outputs:
1
Click and hold down the Preferences button
in the Arrange window tool bar, and select
Audio... to open the Core Audio tab of the
Preferences window. (If you prefer, you can do
the same thing from the Logic Pro menu.)
We’ll assume you’ve installed and know how to operate Logic Pro—
otherwise, consult Logic Pro’s built-in documentation in its Help menu. We’ll
also assume you’ve read the Using SonicCell with a DAW and Using SonicCell
as an Audio Interface Workshop booklets, that SonicCell and your computer
are hooked up and turned on, and that you’re listening through SonicCell.
If this isn’t the pane
you see, click the
Core Audio tab.
2
If the Device popup menu doesn’t already show “Roland SonicCell 2
[SonicCell’s current sample rate], select Roland SonicCell [SonicCell’s
current sample rate] from the menu.
3
Click Apply Changes—Logic Pro configures itself to use SonicCell as
its audio interface.
To learn how to check and/or change SonicCell’s sample rate, see the
Using SonicCell with a DAW Workshop booklet.
Creating a SonicCell Editor Track
Turn Off Software Monitoring
Make sure 4 Software Monitoring is unchecked.
5
Close the Preferences window.
As we said in the Using SonicCell with a DAW and the Using SonicCell as
an Audio Interface Workshop booklets, you can listen through Logic Pro
if you want to hear its effects as you record. Since you may encounter
latency, though, we recommend listening directly through SonicCell.
If you do decide to listen through Logic Pro, once you’ve check-marked
Software Monitoring, you can hear your live input even before arming a
track for recording by lighting the track’s Input (I) button.
Setting the Sample Rate
Your Logic Pro project must be operating at the same sampling rate as
SonicCell to capture its audio. To change a project sample’s rate:
1
Click and hold down the Settings button in the
Arrange window tool bar, and select Audio... to
open the Project Settings window. (If you prefer,
you can do the same thing from the File menu’s
Project Settings sub-menu.)
Open the project you want to work on, or create a new one.1
Click the + button above the track list to open the New Tracks sheet.2
3 Set the window’s parameters to create one new software instrument,
set Output to No Output, and uncheck Open Library. When you’re
done, the New Tracks sheet should look like this:
Click Create—the new software instrument track appears in the 4
Arrange window, selected by Logic Pro.
5
In the Inspector pane to the left, click and hold on the
first I/O slot and select the stereo SonicCell Editor AU
plug-in from the AU Instruments > Roland submenu.
The SonicCell Editor opens and retrieves SonicCell’s
current settings.
Set the Sample Rate popup menu’s value to match SonicCell’s sample 2
rate.
Changes you make to SonicCell using the Editor affect SonicCell’s
current performance, or—if you’re in Patch mode—its current patch.
3
To close the Editor window at any time, click its Close button in the 6
upper left-hand corner. To re-open it, double-click the I/O slot—
which now says “SonicCell”—in the Inspector pane.
You’ll find detailed instructions for using the SonicCell Editor in its manual,
which you can display by clicking the Help button in the SonicCell Editor
window. What follows here are some quick instructions to get you started.
Naming a Track
To make it easier to get to the Editor, we recommend naming the track
something like “SonicCell Editor.” To display and change a track name:
1
Control-click on the track’s currenty displayed name and select
Configure Track Header....
2 Track Name, and click Done.
Set the Names popup to
This sheet provides lots of interesting track-header options, which are
explained in the Logic Pro documentation.
Command-double-click a track’s current name, type in the desired 3
name, and press return on your keyboard.
Using the SonicCell Editor
Part-selection area
Patch-selection area
Everything you set up in the SonicCell Editor is automatically saved
in your Logic Pro project. When you reload the project, the Editor
automatically sets up the current performance in SonicCell to match.
Selecting a Patch for a Part
You choose each patch you want to use in Logic Pro by selecting it for the
part that a Logic Pro MIDI track is configured to play. Here’s how:
1
Click the part’s number in the PARTS area of the Editor window.
Select a patch for the part using the controls in the patch-selection 2
area, circled in red to the left on this page. To select a patch by:
• click the PATCH NAME parameter’s popup
memory location—
arrow to reveal SonicCell’s patches organized by their memory
locations.
• click the CATEGORY parameter’s popup arrow to
category—
reveal SonicCell’s patches divided into categories.
You can select performances stored in SonicCell using the PERFORM
NAME popup located above the part-selection area.
Digging Deeper
Mode-selection buttons
The SonicCell Editor lets you change the current performance’s sounds in a
range of ways. The mode-selection buttons to the left of the Editor window
determine the parameters you see and can edit at any given time. They’re
divided into the following sections:
• The buttons in this area allow you to set SonicCell’s global
SYSTEM—
behavior, and also get quick access to its input effect, a handy thing
when you’re recording live audio through SonicCell.
• These buttons edit the performance’s effect setup.
PERFORM EFFECTS—
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PERFORM—• These parameters allow you to control the way each part
plays its patch, and lets you add effects to the patch.
• These parameters allow you to dig right inside a
PERFORM PATCH—
part’s patch in order to edit it down to its most basic characteristics.
Before using the PERFORM PATCH buttons, be sure to select the part
that plays the patch you want to edit. You do this by clicking the part’s
number in the part-selection area at the top of the window.
Sequencing with SonicCell Patches
In this section, we’ll assume
• using SonicCell’s PRST 01
you’re using SonicCell in Performance mode—
Seq: Template performance to start with.
• and turned
you’ve connected a MIDI controller to SonicCell’s MIDI IN jack—
on SonicCell’s USB-MIDI THRU System parameter.
1
Open the project you want to work on, or create a new one.
Click the + button above the track list to open the New Tracks sheet.2
Set the window’s parameters to create a new External MIDI instrument, 3
and check Open Library—the New Tracks sheet should look like this:
Here we’ve set our tracks to show their track names, so we see MIDI Program
Change numbers displayed next to the MIDI channels in the Library. What you
see here depends on how you’ve configured your track headers.
This is a case where Logic Pro 8 differs from Logic Pro 7. In Logic Pro 7,
go to the Environment and create a new multi-instrument. To assign a
track to a SonicCell part, select it from the track-header popup.
If you haven’t yet selected a patch on SonicCell to play from this track,
use the SonicCell Editor’s track to assign the desired patch to the
part you want to use. Once you’ve done that, return to the MIDI track
you’ve been setting up.
When you’re done, click Create.4
The new track is created and selected, and the Library pane opens on
the right side of the Arrange window.
5
In the Library pane, click SonicCell in the left-hand column—
SonicCell’s MIDI channels appear in the right-hand column.
6
Click the MIDI channel for the SonicCell part whose patch you want
to sequence.
In the following screenshot, we’ve selected MIDI Channel 1 because
we want to sequence with a patch being played by Part 1 in the
current SonicCell performance.
When you play your controller now, you should hear the desired 7
patch play in SonicCell.
8
Record your SonicCell track as you would any other Logic Pro track—
when you play it back, you’ll hear its SonicCell patch play.
9
Repeat Steps 2-8 for other SonicCell tracks you want to sequence.
At this point, your track is sequenced, and you’ll hear it each time you
play your project, including when you edit the track. However, the
sound is still coming from SonicCell itself—it hasn’t yet been recorded
as an audio track in Logic Pro. We’ll get to that in the next section.
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Recording Audio from SonicCell in Logic Pro
If you haven’t yet read the Using SonicCell as an Audio Interface
Workshop booklet, read it now before proceeding. SonicCell offers lots
of audio-interface options you’ll want to know about.
Selecting Audio to Record
Open the project you want to work on, or create a new one.1
Click the + button above the track list to open the New Tracks 2
window.
Set the window’s parameters to create a new audio track, and choose 3
the desired mono or stereo format for your track.
4 Select the desired SonicCell input from the Input menu. To record
•
a mic or instrument connected to SonicCell’s
Neutrik input jack—select Left Roland SonicCell
IN L.
•
a stereo device connected to SonicCell’s Neutrik
and (LINE) R input jacks—select Stereo Roland SonicCell IN L.
• select Stereo Roland SonicCell
a SonicCell synth patch in stereo—
IN L.
5
Click Create.
Before Recording: SonicCell Audio-Recording Strategy
Since SonicCell can simultaneously be the source of synth sounds and your
live audio, a little thought needs to be given to making sure you’re only
recording exactly what you intend to record on any given track.
When you want, for example, to record a single SonicCell synth sound on its
own track, you don’t want another synth sound or live audio to find its way
onto the track. Likewise, if you’re recording a vocal or other live audio, you
don’t want your synths recorded on that same track. Here’s what to do.
•
When you want to record a single synth track as a Logic Pro audio track
mute any other SonicCell synth tracks you have in the song by •
clicking their Mute (M) buttons to light them, or mute their parts
in the SonicCell Editor.
•
If you’ve connected a mic, instrument, or other device to one of
SonicCell’s inputs, disconnect it until you’re ready to record its
audio onto a Logic Pro track.
•
When you want to record live audio as a Logic Pro audio track, you can use
either of two methods:
• send
If you need to hear your SonicCell synth tracks as you record—
your live audio through SonicCell’s input effect, and then set the
TO COM parameter on the In/Out Routing screen to Input FX.
•
If you don’t need to hear SonicCell synth tracks as you record—
mute them in Logic Pro by clicking their Mute buttons to light
them, or mute their parts in the SonicCell Editor.
Once you’ve got your audio coming from SonicCell the way you want, record
your audio track as you would any other Logic Pro track.
If you already have a track you want to use, set its format and select
the desired SonicCell input in the Arrange window’s Inspector.
6
Troubleshooting
If you experience problems recording or playing back audio, Logic Pro’s builtin owner’s manual provides insights that can help you solve your problem.
Check out the “Configuring Your Audio Hardware” section of the “Setting Up
Your System” chapter. In addition to following these steps, raising the Audio
Buffer size in SonicCell’s control panel may also help, though it may also
increase latency if you’re working with soft synths in Logic Pro.
The End
We hope you’ve found this workshop helpful. Keep an eye out for other
SonicCell Workshop booklets available for downloading at www.RolandUS.
com.
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