Roland ME 50B Service Manual

Owner’s Manual
Thank you, and congratulations on your choice of the BOSS ME-50B Bass Multiple Effects.
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (page 2–3) and
“IMPORTANT NOTES” (page 4) .
These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.
Main features
Simple Operation—Works Like a Compact Effects Processor
Each effect is controlled with a dedicated knob. Intuitive operation, similar to that of compact effects processors, lets you make changes to tones directly.
High-Quality Sounds Through COSM
With high-quality effects like Compressor/Limiter and Overdrive/Distortion, which make full use of COSM technology, you can perform with a variety of powerful effects, from classic vintage sounds to new and original sounds.
COSM (Composite Object Sound Modeling)
Composite Object Sound Modeling (COSM) is Roland’s innovative and powerful sound modeling technology. COSM analyzes the many factors that make up the original sound, such as the electrical and physical characteristics of the original, and then produces a digital model that can reproduce the same sound.
Multi-Function Expression Pedal
The ME-50B is equipped with an expression pedal that gives you control over six different specialized pedal effects. It can also be switched for use as a volume pedal.
Memory Function
You can store up to 24 original tones you have created. You can also use the pedals in “Memory mode” to call up stored tones instantly.
AUX IN Jack
The AUX IN jack makes it easy to practice along with CDs, MDs, and other input.
Battery-Powered Operation
The ME-50B can be powered in two ways, with (6) AA batteries or by using the AC adaptor (optional).
Copyright © 2003 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION.

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.
* Material damage refers to damage or
other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
001
• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.
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002c
• Do not open (or modify in any way) the unit or its AC adaptor.
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003
• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet.
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004
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors);
or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
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007
• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.
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008b
• Use only the specified AC adaptor (PSA series), and make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.
The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power­cord plug must be unplugged from the outlet.
009
• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!
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010
• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.
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011
• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.
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012c
• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet when:
• The AC adaptor or the power-supply cord has
been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
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2
013
• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.
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014
• Protect the unit from strong impact.
(Do not drop it!)
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015
• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.
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016
• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet.
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019
• Batteries must never be recharged, heated, taken apart, or thrown into fire or water.
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101b
• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.
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102d
• Always grasp only the output plug or the body of the AC adaptor when plugging into, or unplugging from, this unit or an outlet.
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103b
• At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.
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104
• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.
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106
• Never climb on top of, nor place heavy objects on the unit.
107d
• Never handle the AC adaptor body, or its output plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit.
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108b
• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.
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109b
• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet.
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110b
• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.
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111: Selection
• If used improperly, batteries may explode or leak and cause damage or injury. In the interest of safety, please read and observe the following precautions (p. 6).
1
• Carefully follow the installation instructions for
batteries, and make sure you observe the correct polarity.
2
• Avoid using new batteries together with used
ones. In addition, avoid mixing different types of batteries.
3
• Remove the batteries whenever the unit is to
remain unused for an extended period of time.
5
• If a battery has leaked, use a soft piece of cloth
or paper towel to wipe all remnants of the discharge from the battery compartment. Then install new batteries. To avoid inflammation of the skin, make sure that none of the battery discharge gets onto your hands or skin. Exercise the utmost caution so that none of the discharge gets near your eyes. Immediately rinse the affected area with running water if any of the discharge has entered the eyes.
6
• Never keep batteries together with metallic
objects such as ballpoint pens, necklaces, hairpins, etc.
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112
• Used batteries must be disposed of in compliance with whatever regulations for their safe disposal that may be observed in the region in which you live.
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3

IMPORTANT NOTES

In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:
Power Supply: Use of Batteries
301
• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.
302
• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.
303a
• The use of an AC adaptor is recommended as the unit’s power consumption is relatively high. Should you prefer to use batteries, please use the alkaline type.
304a
• When installing or replacing batteries, always turn off the power on this unit and disconnect any other devices you may have connected. This way, you can prevent malfunction and/or damage to speakers or other devices.
306b
• Batteries are supplied with the unit. The life of these batteries may be limited, however, since their primary purpose was to enable testing.
307
• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
Placement
351
• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of inter­ference.
352a
• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
352b
• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initi­ating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.
354a
• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.
355b
• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Repairs and Data
452
• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.
Additional Precautions
551
• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that important data should always be written down on paper.
552
• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory once it has been lost. BOSS/Roland Corporation assumes no liability concerning such loss of data.
553
• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
556
• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.
558a
• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).
559a
• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
562
• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.
• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For infor­mation on cable specifications, contact the manufac­turer of the cable.
988
• Security Slot ( ) http://www.kensington.com/
220
• All product names mentioned in this document are trade­marks or registered trademarks of their respective owners.
4
Contents
USING THE UNIT SAFELY ................... 2
IMPORTANT NOTES .......................... 4
Playing Sounds ................................ 6
Installing Batteries .................................................... 6
Making the Connections........................................... 6
Turning on the Power ............................................... 7
Adjusting the Volume................................................. 7
Turning Off the Power .............................................. 7
Using the Effects ............................... 8
About the Effect Connection Sequence.................. 8
COMPRESSOR/LIMITER...........................................9
FILTER/TONE........................................................... 10
DRIVE/SYNTH .......................................................... 12
DELAY/MODULATION............................................. 14
Using the HOLD DLY Function.............................. 16
Using the .TAP DLY Function............................... 16
Adding a Delay
Synchronized to the Performance Tempo.............. 16
Adding a Modulation Effect
Synchronized to the Performance Tempo.............. 17
Pedal......................................................................... 18
Using the Pedal as a Volume Pedal ........................ 18
Using the Pedal as an Expression Pedal................. 18
Using the SOUND HOLD Function ....................... 19
Using the KICK DRUM Function............................ 19
MASTER ................................................................... 20
NOISE SUPPRESSOR ............................................. 20
A Note About Bypass ............................................. 20
Saving and Loading the Created Tones
(Memory Mode) ............................. 21
Switching Between Manual and Memory Mode
About the Patch....................................................... 21
Write Procedure ...................................................... 22
Calling Up and Using Stored Tones (Patch Change)
Switching Numbers................................................... 22
Switching Banks......................................................... 22
Notes When Using Memory Mode .........................23
About Tone Changes................................................. 23
About the Tempo Setting.......................................... 23
About the HOLD DLY .............................................. 23
About the .TAP DLY............................................... 23
Changing the Patch Settings (Patch Edit mode)
........... 21
... 22
.......... 24
Convenient Functions...................... 25
Tuning the Bass (Bypass/Tuner) ........................... 25
Using the Foot Switch ............................................ 26
Switching the Compressor/Limiter On and Off
Adding an Effect
Synchronized to the Performance Tempo.............. 26
Switching Banks......................................................... 27
Practicing Along with CDs and MDs (AUX IN)...... 27
........... 26
Appendices .................................... 28
Returning the ME-50B
to Its Factory Settings (Factory Reset) .................28
Adjusting the Expression Pedal ............................28
Troubleshooting...................................................... 29
Specifications.......................................................... 30
Patch List........................................ 31
Conversions Used in This Manual
Words in square brackets [ ] indicate panel buttons or knobs.
(Example)
[WRITE] : WRITE button
(p. **) indicates a reference page.
Factory Settings.............................. 32
Blank Chart.................................... 34
Index ............................................. 38
5

Playing Sounds

Installing Batteries

* Batteries are supplied with the unit. The life of these batteries
may be limited, however, since their primary purpose was to enable testing.
Insert the included batteries as shown in figure, being careful to orient the batteries correctly.
fig.0010

Making the Connections

The ME-50B is not equipped with any internal amplifier or speakers. To listen to sound with the ME-50B, connect it to a bass amp, stereo headphones, or other such sound equipment.
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power on all devices before making any connections.
fig.0020
Bass Guitar
Stereo
Headphones
AC Adaptor
(PSA series: optional)
CD/MD
Player, etc.
• When turning the unit upside-down, get a bunch of newspapers or magazines, and place them under the four corners or at both ends to prevent damage to the buttons and controls. Also, you should try to orient the unit so no buttons or controls get damaged.
• When turning the unit upside-down, handle with care to avoid dropping it, or allowing it to fall or tip over.
• Make sure the “+” and “-” ends of the batteries are oriented correctly.
•A “b” appears in the display when the batteries are nearly worn out. When this occurs, replace with new batteries.
• When replacing the batteries, use six AA type.
• Avoid using new batteries together with used ones. In addition, avoid mixing different types of batteries. Doing so can result in fluid leakage.
• Battery life can vary depending on battery type.
Continuous usage time under battery power is about 12 hours with alkaline batteries and about 3.5 hours with carbon batteries. (This may vary according to usage conditions.)
Bass Amp
If there are batteries in the unit while an AC adaptor is being used, normal operation will continue should the line voltage be interrupted (power blackout or power cord disconnection from the ME-50B).
To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.
fig.0040
When outputting monaurally, connect a cable only to the OUTPUT L (MONO) jack.
Do not use a cable containing a resistor to connect CD or MD players to the AUX IN jack. If a cable incorporating resistance is used, audio from CD and MD players may become inaudible.
6
Playing Sounds
2.
1.

Turning on the Power

Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
* If using the ME-50B with a CD or MD player, be sure to turn
on the power to the connected device first.
ME-50B
fig.0041
Bass Amp /Stereo, Multitrack Recorder, Etc.
* Turn up the volume on amps and other equipment only after
all connections are completed and the power for connected devices is turned on.
* This unit is equipped with a protection circuit. A brief interval
(several seconds) after power up is required before the unit will operate normally.
If There Is No Sound/If the Volume is Low
Are connections to other devices correctly made?
Check the connections once more.
Is the volume turned down?
Check the volume levels on any connected amp or mixer.
Can you hear sound through the headphones when headphones are connected?
If you can hear sounds, it may be that there is a short in
the cable used to connect the amp or other device, or
perhaps a mistake in an external device’s settings. Check
the connecting cables and external devices once more.
Has the level been lowered with the expression pedal?
Sounds are not output when the toe of the expression
pedal is in the raised position while the pedal is set to
function as a volume pedal (p. 18).
Is the ME-50B in Tuner mode (p. 25)?
In Tuner mode, the bypass sound is output, and the
expression pedal is used as a volume pedal.
When the expression pedal is used as a volume pedal,
sound output falls as you pull the pedal back, raising the
front of the pedal (p. 18).

Adjusting the Volume

Adjust the ME-50B’s volume with the MASTER LEVEL knob.
fig.0050
* Raising the MASTER LEVEL knob too much may result in
sound distortion.
* When the effects are all off, input and output are at the same
levels as when the MASTER LEVEL knob is at the center position.
* The setting of the MASTER LEVEL knob is stored in memory
for each patch (p. 21).
Is a cable containing a resistor being used to connect a CD or MD player to the AUX IN jack?
Using a cable containing a resistor may prevent sound
from CD and MD players from being audible.

Turning Off the Power

1. Turn down the volume of the ME-50B and any
connected device.
2. Turn off the power to Bass Amp / Stereo, Multitrack
Recorder, etc.
3. Turn the ME-50B’s power off.
7

Using the Effects

When the power is turned on, the FILTER/TONE, DRIVE/SYNTH, and DELAY/MODULATION are switched off. Also, the expression pedal will function as volume pedal.
* When the DELAY/MODULATION TYPE is set to HOLD DLY, the DELAY/MODULATION indicator goes on, the DELAY/MOD
pedal's indicator flashes at a fixed interval, indicating recording standby is enabled. (p. 16)
All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
Those companies are not affiliated with BOSS and have not licensed or authorized BOSS’s ME-50B. Their marks are used solely to identify the equipment whose sound is simulated by BOSS’s ME-50B.

About the Effect Connection Sequence

The ME-50B automatically selects the optimum sequence for connecting the effects according to the effect settings.
fig.0060
DRIVE/SYNTH = SYNTH
SAW LEAD /
MILD FILTER /
DEEP FILTER /
SQUARE
(DRIVE / SYNTH)
+1 OCTAVE /
-1 OCTAVE
(EXPRESSION)
EQ
(MASTER)
DRIVE/SYNTH = Others
OCTAVE UP / SLOW GEAR / DEFRETTER /
ENHANCER /
BOTTOM BOOST /
MID SHAPE /
HOLLOW
(FILTER / TONE)
NOISE
SUPPRESSOR
COMPRESSOR /
LIMITER
(FILTER / TONE)
FOOT
VOLUME
DELAY/MOD = HOLD DLY
OCTAVE
DOWN
SOUND
HOLD
(EXPRESSION)
NATURAL /
BASS DRIVER /
OVER DRIVE / DISTORTION /
MUFF FUZZ /
METAL /
HI-BAND DRIVE
(DRIVE / SYNTH)
T. WAH DOWN /
(FILTER / TONE)
DELAY /
MODULATION
KICK DRUM
(EXPRESSION)
T. WAH UP /
T. WAH EDGE
DELAY/MOD = Others
WAH /
RESONANCE
(EXPRESSION)
LEVEL
(MASTER)
8

COMPRESSOR/LIMITER

Using the Effects
fig.0110
COMPRESSOR/LIMITER indicator
This comprises two effects, one that evens out the volume of the input signals to provide lengthy sustain (compressor), and one that prevents distortion by suppressing only the peaks in the sound (limiter).
TYPE knob
OFF
Turns off the compressor/limiter effect sound is bypassed.
* The COMPRESSOR/LIMITER indicator goes off when this is
set to OFF.
NATURAL
Provides natural-sounding performances with little thinning of the sound, even when pushing the effect. This is especially effective with slapping and hard picking.
THRESHOLD/SUSTAIN knob
Adjusts the depth of the effect.
When the TYPE is set to NATURAL, LIMITER, 160D SOFT, or 160D HARD, this functions as the THRESHOLD knob, which sets the level at which the limiter starts to take effect. The more the knob is turned to the left (counterclockwise), the lower the level at which the limiter effect is enabled.
When the TYPE is set to D-COMP, the knob functions as a SUSTAIN control, which adjusts how long sounds are sustained. Turn the knob to the right (clockwise) to get longer sustain times.
LEVEL knob
This adjusts the level when the compressor/limiter is on. Use this to balance the volume level so it is the same when the compressor/limiter is switched on and off.
You can use a foot switch to switch the compressor/
limiter on and off. For more detailed information, refer
to “Using the Foot Switch” (p. 26).
LIMITER
Prevents distortion by suppressing the input signal level when it exceeds the set value.
160D SOFT
Models the dbx 160 set to a lower compression ratio.
160D HARD
Models the dbx 160 set to a high compression ratio.
D-COMP
Models the MXR DynaComp.
9
Using the Effects

FILTER/TONE

fig.0120
Pedal indicator
FILTER / TONE
pedal
FILTER / TONE indicator
T.WAH EDGE:
Gives a filter with a stronger effect.
SENS/BOTTOM knob
Adjusts the sensitivity when the filter is being altered.
DEPTH/TONE knob
Adjusts the reference frequency for the wah effect.
RESONANCE/E.LEVEL knob
Adjusts the amount of wah effect at frequencies near the reference frequency. Turning the knob to the left widens the range of frequencies in the vicinity of the reference frequency in which the wah effect is to be produced, while turning the knob to the right narrows this range.
OCTAVE UP/OCTAVE DOWN
This effect creates a fatter, thicker sound by adding to the input sound the same sound raised one octave (OCTAVE UP) or lower one octave (OCTAVE DOWN).
* This effect does not function correctly if two or more notes are
played simultaneously.
SENS/BOTTOM knob
Adjusts the volume of the direct sound.
Included here are eleven different effects that alter the particular characteristics of the bass sound itself. You can select and use any one of these effects at a time.
FILTER/TONE pedal
The filter tone is alternately switched on and off each time you press the pedal. The indicator lights up when the effect is on.
TYPE knob
Selects the effect to be used from the eleven different effects that are available.
T.WAH UP/T.WAH DOWN/T.WAH EDGE
This effect alters the wah effect in response to the level at the time the bass is played.
T.WAH UP:
The filter shifts to higher frequencies in response to the input.
DEPTH/TONE knob
Adjusts the tone of the octave sound. Turn the knob to the left for a milder sound or to the right for a sharper sound.
RESONANCE/E.LEVEL knob
Adjusts the volume of the octave sound.
SLOW GEAR
This produces a volume-swell effect (similar to how a violin is played.
SENS/BOTTOM knob
Adjusts the sensitivity of the slow gear effect. As the knob is turned more to the left, there is less response to weaker picking, so the effect is expressed only when strong picking is used.
DEPTH/TONE knob
This adjusts the time needed for the volume to reach its maximum from the moment you begin picking.
RESONANCE/E.LEVEL knob
Adjusts the volume of the effect sound.
T.WAH DOWN:
The filter shifts to lower frequencies in response to the input.
10
DEFRETTER
This effect allows you to use a conventional bass to simulate a fretless bass.
SENS/BOTTOM knob
Adjusts the amount of defretter effect applied in response to the input sound.
DEPTH/TONE knob
Adjusts the tone. Turn the knob to the left for a milder sound, or to the right for a sharper sound.
RESONANCE/E.LEVEL knob
Adjusts the volume of the defretter sound.
ENHANCER
This is an effect that clarifies the contour of the input sound by emphasizing the sound following changes in the input level.
SENS/BOTTOM knob
This adjusts the Enhancer sensitivity. The more the knob is turned to the right, the more softly you can play and still have the effect applied.
Using the Effects
DEPTH/TONE knob
Adjusts the frequency at which the enhancer will begin to be applied. The effect is applied at higher frequencies the more the knob is turned to the right.
RESONANCE/E.LEVEL knob
Adjusts the amount of enhanced sound added to the mix.
BOTTOM BOOST/MID SHAPE/HOLLOW
Alters the special characteristics of the bass sound.
BOTTOM BOOST:
Creates a tone with a boosted low end.
MID SHAPE:
Creates a tone with the midrange cut back.
HOLLOW:
Adds body resonance to create a tone resembling that of an acoustic-electric bass.
SENS/BOTTOM knob
Adjusts the tone of the lower range.
DEPTH/TONE knob
Adjusts the tone of the upper range.
RESONANCE/E.LEVEL knob
Adjusts the volume.
11
Using the Effects

DRIVE/SYNTH

fig.0130
DRIVE / SYNTH indicator
Pedal indicator
DRIVE / SYNTH
pedal
MUFF FUZZ
Models the Electro-Harmonix Big Muff π.
METAL
Wild, radical distortion sound.
HI-BAND DRIVE
With this effect, distortion is applied only to the high­frequency sounds, and not to the sounds in the low­frequency range.
SAW LEAD
A saw-wave synth-bass sound with a slight filter motion.
Using the effect in combination with the Expression (p. 18) type set to “RESONANCE” makes it even more effective.
MILD FILTER
A saw-wave synth-bass sound with relatively weak filter effect. A motion of the filter changes depending on the strength or the position, when playing the bass.
This distorts the sound, or create an effect like that of an analog synth.
DRIVE/SYNTH pedal
The DRIVE/SYNTH is alternately switched on and off each time you press the pedal. The indicator lights up when the effect is on.
TYPE knob
NATURAL
Overdrive that gives a more natural sounding distortion.
BASS DRIVER
Models the TECH21 SANSAMP BASS DRIVER DI.
OVER DRIVE
Models the BOSS ODB-3.
DISTORTION
Distortion tuned especially for use with basses.
DEEP FILTER
A saw-wave synth-bass sound with a strong filter effect. A motion of the filter changes depending on the strength or the position, when playing the bass.
SQUARE
A square-wave synth-bass sound. A motion of the filter changes depending on the strength or the position, when playing the bass.
* When SYNTH (SAW LEAD–SQUARE) is selected, this effect
does not function correctly if two or more notes are played simultaneously.
DRIVE/SENS knob
When DRIVE (NATURAL–HI-BAND DRIVE) is selected
Adjusts the amount of distortion applied. Turning the knob to the right boosts the distortion and increases the volume.
When SYNTH (SAW LEAD–SQUARE) is selected
Adjusts the amount of filtering applied.
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