ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
F
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 3 HP305 only), “USING THE UNIT
SAFELY” (p. 8), and “IMPORTANT NOTES” (p. 11). These sections provide important information concerning the proper operation of the
unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s
manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
or the U.K.
BLUE:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
BROWN:
All rights reserved. No part of this publication may be reproduced in any form without the written permission of
Roland is registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.
Adding Reverberation to the Sound (Reverb)....... 29
Adjusting the Depth of the Reverb Effect.. 29
Adjusting the Keyboard Sensitivity (Key Touch)... 30
Performing with Two Layered Tones (Dual Play).. 31
Dividing the Keyboard for Two-person
Do not attempt to repair the unit, or replace parts
within it (except when this manual provides specific
instructions directing you to do so). Refer all servicing
to your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
“Information” page.
The symbol alerts the user to important instructions or
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be
carried out (are forbidden). The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
HP305
The unit should be connected to a power supply only
•
of the type described in the operating instructions, or
as marked on the rear panel of unit.
Be sure to use only the AC adaptor supplied with the
•
unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may use a
different polarity, or be designed for a different
voltage, so their use could result in damage,
malfunction, or electric shock.
•
amplifier and headphones or speakers, may be
capable of producing sound levels that could cause
permanent hearing loss. Do not operate for a long
period of time at a high volume level, or at a level that
is uncomfortable. If you experience any hearing loss
or ringing in the ears, you should immediately stop
using the unit, and consult an audiologist.
•
cord from the outlet, and request servicing by your
retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the
“Information” page when:
• The AC adaptor, the power-supply cord, or the
plug has been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been spilled
In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe operation
of the unit.
•At regular intervals, you should unplug the power
plug and clean it by using a dry cloth to wipe all dust
and other accumulations away from its prongs. Also,
disconnect the power plug from the power outlet
whenever the unit is to remain unused for an
extended period of time. Any accumulation of dust
between the power plug and the power outlet can
result in poor insulation and lead to fire.
Do not force the unit’s power-supply cord to share an
outlet with an unreasonable number of other devices.
Be especially careful when using extension cords—
the total power used by all devices you have
connected to the extension cord’s outlet must never
exceed the power rating (watts/amperes) for the
extension cord. Excessive loads can cause the
insulation on the cord to heat up and eventually melt
through.
Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service Center,
or an authorized Roland distributor, as listed on the
“Information” page.
DO NOT play a CD-ROM disc on a conventional audio
CD player. The resulting sound may be of a level that
could cause permanent hearing loss. Damage to
speakers or other system components may result.
Do not put anything that contains water (e.g., flower
vases) on this unit. Also, avoid the use of insecticides,
perfumes, alcohol, nail polish, spray cans, etc., near
the unit. Swiftly wipe away any liquid that spills on
the unit using a dry, soft cloth.
If you need to move the instrument, take note of the
•
precautions listed below. At least two persons are
required to safely lift and move the unit. It should be
handled carefully, all the while keeping it level. Make
sure to have a firm grip, to protect yourself from injury
and the instrument from damage.
• Check to make sure the screws securing the unit to
the stand have not become loose. Fasten them
again securely whenever you notice any loosening.
• Disconnect the power cord.
• Disconnect all cords coming from external devices.
Be careful when opening/closing the lid so you do
not get your fingers pinched (p. 20). Adult
supervision is recommended whenever small
children use the unit.
•Do not connect this unit to same electrical outlet that is being used
by an electrical appliance that is controlled by an inverter (such as a
refrigerator, washing machine, microwave oven, or air conditioner),
or that contains a motor. Depending on the way in which the
electrical appliance is used, power supply noise may cause this unit
to malfunction or may produce audible noise. If it is not practical to
use a separate electrical outlet, connect a power supply noise filter
between this unit and the electrical outlet.
•Before connecting this unit to other devices, turn off the power to all
units. This will help prevent malfunctions and/or damage to speakers
or other devices.
•Although the LCD and LEDs are switched off when the POWER switch
is switched off, this does not mean that the unit has been completely
disconnected from the source of power. If you need to turn off the
power completely, first turn off the POWER switch, then unplug the
power cord from the power outlet. For this reason, the outlet into
which you choose to connect the power cord’s plug should be one
that is within easy reach and readily accessible.
HP302
•The AC adaptor will begin to generate heat after long hours of
consecutive use. This is normal, and is not a cause for concern.
Placement
•Using the unit near power amplifiers (or other equipment containing
large power transformers) may induce hum. To alleviate the
problem, change the orientation of this unit; or move it farther away
from the source of interference.
•This device may interfere with radio and television reception. Do not
use this device in the vicinity of such receivers.
•Noise may be produced if wireless communications devices, such as
cell phones, are operated in the vicinity of this unit. Such noise could
occur when receiving or initiating a call, or while conversing. Should
you experience such problems, you should relocate such wireless
devices so they are at a greater distance from this unit, or switch
them off.
•Do not expose the unit to direct sunlight, place it near devices that
radiate heat, leave it inside an enclosed vehicle, or otherwise subject
it to temperature extremes. Also, do not allow lighting devices that
normally are used while their light source is very close to the unit
(such as a piano light), or powerful spotlights to shine upon the same
area of the unit for extended periods of time. Excessive heat can
deform or discolor the unit.
•When moved from one location to another where the temperature
and/or humidity is very different, water droplets (condensation) may
form inside the unit. Damage or malfunction may result if you
attempt to use the unit in this condition. Therefore, before using the
unit, you must allow it to stand for several hours, until the
condensation has completely evaporated.
•Do not allow rubber, vinyl, or similar materials to remain on the unit
for long periods of time. Such objects can discolor or otherwise
harmfully affect the finish.
•Do not allow objects to remain on top of the keyboard. This can be
the cause of malfunction, such as keys ceasing to produce sound.
•Do not paste stickers, decals, or the like to this instrument. Peeling
such matter off the instrument may damage the exterior finish.
Maintenance
•To clean the unit, use a dry, soft cloth; or one that is slightly
dampened. Try to wipe the entire surface using an equal amount of
strength, moving the cloth along with the grain of the wood.
Rubbing too hard in the same area can damage the finish.
•Never use benzine, thinners, alcohol or solvents of any kind, to avoid
the possibility of discoloration and/or deformation.
•The pedals of this unit are made of brass.
Brass eventually darkens as the result of the natural oxidization
process. If the brass becomes tarnished, polish it using commercially
available metal polisher.
•Since wood will expand and contract depending on how it is used
and the environment in which it is located, products made of wood
may experience a gradual loosening of the screws over time.
To ensure that your piano remains in safe, optimal condition, you
should regularly check the tightness of the screws in the locations
shown in the illustration. If you find that any screws are loose, use a
screwdriver to tighten them.
Maintenance (Polished-finish pianos)
•Since your piano has a polished finish that is as delicate as that found
on finely crafted wooden furniture, it needs careful, periodic care.
• For regular dusting, use a soft, clean cloth and/or a piano-use
feather duster. Be sure to wipe gently. Even tiny granules of grit
can damage the surface of the unit if you use too much pressure
when wiping.
• If the cabinet gets dirty, wipe it with a soft cloth that has been
soaked with water, then squeezed dry. Afterwards, wipe it again
with a soft dry cloth. Do not use any cleaners or detergents, since
they might deteriorate the surface of the cabinet, and produce
cracks. Do not use dusting cloths that contain chemicals.
• If the cabinet’s surface loses its luster, wipe it thoroughly with a
soft cloth dampened with a little of the piano polishing liquid.
•About piano polishing liquid
• Use polishing liquid as directed by the instructions for the
product.
• Use only polishing liquid that is intended for use on polished-
finish pianos. Using any other polishing liquid may cause
scratches, deformation, or discoloration. To purchase polishing
liquid, contact your nearby musical instrument dealer.
• Use the polishing liquid only on the polished surfaces of the
cabinet. Always wipe the surface with the grain using straight,
even strokes. Do not repeatedly wipe the same places using too
much pressure, since that might result in the loss of luster.
• Be sure to keep the polishing liquid out of the reach of small
children. If the polishing liquid is accidentally swallowed, first get
them to vomit, then take them to a doctor.
11
Page 10
IMPORTANT NOTES
Repairs and Data
•Please be aware that all data contained in the unit’s memory may be
lost when the unit is sent for repairs. Important data should always
be backed up on a USB memory, or written down on paper (when
possible). During repairs, due care is taken to avoid the loss of data.
However, in certain cases (such as when circuitry related to memory
itself is out of order), we regret that it may not be possible to restore
the data, and Roland assumes no liability concerning such loss of
data.
Additional Precautions
•Please be aware that the contents of memory can be irretrievably lost
as a result of a malfunction, or the improper operation of the unit. To
protect yourself against the risk of loosing important data, we
recommend that you periodically save a backup copy of important
data you have stored in the unit’s memory on a USB memory.
•Unfortunately, it may be impossible to restore the contents of data
that was stored on an Internal Memory, a USB Memory or an external
memory once it has been lost. Roland Corporation assumes no
liability concerning such loss of data.
•Use a reasonable amount of care when using the unit’s buttons,
sliders, or other controls; and when using its jacks and connectors.
Rough handling can lead to malfunctions.
•When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing
shorts, or damage to the cable’s internal elements.
•To avoid disturbing your neighbors, try to keep the unit’s volume at
reasonable levels. You may prefer to use headphones, so you do not
need to be concerned about those around you (especially when it is
late at night).
•When you need to transport the unit, pack it in shock-absorbent
material. Transporting the unit without doing so can cause it to
become scratched or damaged, and could lead to malfunction.
•Do not apply undue force to the music stand while it is in use.
•Some connection cables contain resistors. Do not use cables that
incorporate resistors for connecting to this unit. The use of such
cables can cause the sound level to be extremely low, or impossible
to hear. For information on cable specifications, contact the
manufacturer of the cable.
•Before opening or closing the keyboard lid, always make sure that no
pets or other small animals are located on top of the instrument (in
particular, they should be kept away from the keyboard and its lid).
Otherwise, due to the structural design of this instrument, small pets
or other animals could end up getting trapped inside it. If such a
situation is encountered, you must immediately switch off the power
and disconnect the power cord from the outlet. You should then
consult with the retailer from whom the instrument was purchased,
or contact the nearest Roland Service Center.
•A small amount of heat will radiate from the unit during normal
operation.
Handling the Floppy Disk Drive
(Using Optional Floppy Disk Drive)
•Never attempt to remove a floppy disk from the drive while the drive
is operating (the indicator is lit); damage could result to both the disk
and the drive.
Handling Floppy Disks
•Floppy disks contain a plastic disk with a thin coating of magnetic
storage medium. Microscopic precision is required to enable storage
of large amounts of data on such a small surface area. To preserve
their integrity, please observe the following when handling floppy
disks:
• Never touch the magnetic medium inside the disk.
• Do not use or store floppy disks in dirty or dusty areas.
• Do not subject floppy disks to temperature extremes (e.g., direct
sunlight in an enclosed vehicle). Recommended temperature
range: 10 to 50 degrees C (50 to 122 degrees F).
• Do not expose floppy disks to strong magnetic fields, such as
those generated by loudspeakers.
•Floppy disks have a “write protect” tab which can protect the disk
from accidental erasure. It is recommended that the tab be kept in
the PROTECT position, and moved to the WRITE position only when
you wish to write new data onto the disk.
Rear side of the disk
Write
(can write new data onto disk)
Write Protect Tab
•The identification label should be firmly affixed to the disk. Should
the label come loose while the disk is in the drive, it may be difficult
to remove the disk.
•Store all disks in a safe place to avoid damaging them, and to protect
them from dust, dirt, and other hazards. By using a dirty or dustridden disk, you risk damaging the disk, as well as causing the disk
drive to malfunction.
Protect
(prevents writing to disk)
Handling Using USB memory
(Using Optional USB memory)
•Do not connect or disconnect USB memory while it is being read
from, or written to (i.e., while the USB memory access indicator will
blink).
•Carefully insert the USB memory all the way in—until it is firmly in
place.
•Never touch the External Memory connector. Also, avoid getting the
terminals dirty.
•USB memories are constructed using precision components; handle
the USB memories carefully, paying particular note to the following.
• To prevent damage to the USB memories from static electricity, be
sure to discharge any static electricity from your own body before
handling the USB memories.
• Do not touch or allow metal to come into contact with the contact
portion of the USB memories.
• Do not bend, drop, or subject USB memories to strong shock or
vibration.
• Do not keep USB memories in direct sunlight, in closed vehicles,
or other such locations.
• Do not allow USB memories to become wet.
• Do not disassemble or modify the USB memories.
Handling CD-ROMs
(Using Optional CD-ROMs)
•Avoid touching or scratching the shiny underside (encoded surface)
of the disc. Damaged or dirty CD-ROM discs may not be read
properly. Keep your discs clean using a commercially available CD
cleaner.
12
Page 11
IMPORTANT NOTES
* GS (
* XGlite () is a registered trademark of Yamaha Corporation.
* MMP (Moore Microprocessor Portfolio) refers to a patent portfolio
concerned with microprocessor architecture, which was developed
by Technology Properties Limited (TPL). Roland has licensed this
technology from the TPL Group.
* All product names mentioned in this document are trademarks or
registered trademarks of their respective owners.
) is a registered trademark of Roland Corporation.
13
Page 12
Names of Things and What They Do (HP305)
1234
5
67
23
15
24
19202122
1
[Volume] slider
Adjusts the overall volume of the HP305 (p. 21).
2
[Reverb] button
Adds reverberation similar to what you would hear
when performing in a concert hall (p. 29).
3
[Transpose] button
Transposes the keyboard and/or song.
• Transposing the keyboard (p. 37).
• Transposing the song playback (p. 42).
4
[Twin Piano] button
• Divides the keyboard into two separate sections,
allowing two people to perform in the same
registers (p. 32).
• Allows you to perform with a split keyboard
(p. 34).
5
[Key Touch] button
• Used to adjust the touch sensitivity of the
keyboard (p. 30).
• Additionally, if you hold down this button while
you press the [Twin Piano] button, you will enter
Function mode, where you can make settings for
the sounds and make changes in a variety of the
instrument’s functions (p. 55).
14
6
Tone buttons
Here you can select the sound you’ll hear when you
play the keyboard (p. 25).
7
[Display] button
• Switches the content of the display.
• Displays the song number, the metronome’s
tempo or time signature (p. 26).
8
Indicators
These indicate the content shown in the display.
• Song indicator: The display shows the song
number.
• Tempo indicator: The display shows the tempo.
• Beat indicator: The display shows the time
signature.
9
Display
This shows the tone number, song number, tempo,
time signature, and the value of various settings.
10
[–] (
• Change the value of settings such as sounds or
functions.
• Select the sound to be played from the keyboard
(p. 25).
• Select a song (p. 39).
• Fast-forward/rewind a song (p. 39).
) [+] () buttons
Page 13
Names of Things and What They Do (HP305)
8
9
1011
12
1314
16
17
18
12
19
11
[Metronome] button
Turns the internal metronome on/off (p. 26).
[
] (Play/Stop) button
• Stops/starts playback of an internal song or a
recorded performance (p. 39).
• Starts/stops recording of your performance
(p. 43).
13
[
] (Rec) button
This lets you record your own performance into the
HP305 (p. 43).
14
Track buttons
• Allows you to play back your performance
separately for each hand (p. 40).
• Records your performance separately for each
hand (p. 50).
• Holding down the [Right] button will disable all
button operations (Panel Lock) (p. 38).
15
[Power] switch
Turns the power on/off (p. 21).
16
Output jacks (L/Mono, R)
You can connect an audio device or external
powered speakers here to reproduce the HP305’s
sound (p. 67).
17
Pedal connector
Connect the pedal cord of the dedicated stand to
this connector (p. 18).
18
AC In (AC Inlet)
Connect the included power cord here (p. 18).
Phones jacks
Here you can connect headphones (p. 23).
20
Input jacks (L/Mono, R)
Here you can connect an audio device or another
electronic musical instrument, and listen to the
connected device through the HP305’s speakers
(p. 67).
21
MIDI Out/In connectors
You can connect these to external MIDI devices to
transfer performance data (p. 69).
22
USB connector
You can connect this to your computer for
transferring performance data (p. 72).
23
Pedal
• These are used mainly when playing piano (p. 22).
• You can assign a variety of functions to the pedals
(p. 59).
24
External Memory connector
Here you can connect USB memory, a CD drive, or a
floppy disk drive, and use it to play or save songs
(p. 62).
15
Page 14
Names of Things and What They Do (HP302)
1234
5
67
23
24
25
15
1
[Volume] slider
Adjusts the overall volume of the HP302 (p. 21).
2
[Reverb] button
Adds reverberation similar to what you would hear
when performing in a concert hall (p. 29).
3
[Transpose] button
Transposes the keyboard and/or song.
• Transposing the keyboard (p. 37).
• Transposing the song playback (p. 42).
4
[Twin Piano] button
• Divides the keyboard into two separate sections,
allowing two people to perform in the same
registers (p. 32).
• Allows you to perform with a split keyboard
(p. 34).
5
[Key Touch] button
• Used to adjust the touch sensitivity of the
keyboard (p. 30).
• Additionally, if you hold down this button while
you press the [Twin Piano] button, you will enter
Function mode, where you can make settings for
the sounds and make changes in a variety of the
instrument’s functions (p. 55).
6
Tone buttons
Here you can select the sound you’ll hear when you
play the keyboard (p. 25).
7
[Display] button
• Switches the content of the display.
• Displays the song number, the metronome’s
tempo or time signature (p. 26).
8
Indicators
These indicate the content shown in the display.
• Song indicator: The display shows the song
number.
• Tempo indicator: The display shows the tempo.
• Beat indicator: The display shows the time
signature.
9
Display
This shows the sound number, song number, tempo,
time signature, and the value of various settings.
10
[–] (
• Change the value of settings such as sounds or
functions.
• Select the sound to be played from the keyboard
(p. 25).
• Select a song (p. 39).
• Fast-forward/rewind a song (p. 39)
) [+]() button
16
Page 15
Names of Things and What They Do (HP302)
8
9
1011
12
1314
19
16
1718
20
21
22
11
19
[Metronome] button
Turns the internal metronome on/off (p. 26).
12
[
• Stops/starts playback of an internal song or a
• Starts/stops recording of your performance
13
[] (Rec) button
This lets you record your own performance into the
HP302 (p. 43).
14
Track buttons
• Allows you to play back your performance
• Records your performance separately for each
• Holding down the [Right] button will disable all
15
[Power] switch
Turns the power on/off (p. 21).
16
Ground terminal
For added safety, you can connect this screw to a
grounding rod or a grounded earth wire (p. 19).
17
DC In jack (DC Inlet)
Connect the supplied AC adaptor here (p. 18).
18
Pedal connector
Connect the pedal cord of the dedicated stand to
this connector (p. 18).
] (Play/Stop) button
recorded performance (p. 39).
(p. 43).
separately for each hand (p. 40).
hand (p. 50).
button operations (Panel Lock) (p. 38).
USB connector
You can connect this to your computer for
transferring performance data (p. 72).
20
MIDI Out/In connectors
You can connect these to external MIDI devices to
transfer performance data (p. 69).
21
Input jacks (L/Mono, R)
Here you can connect an audio device or another
electronic musical instrument, and listen to the
connected device through the HP302’s speakers
(p. 67).
1622
Output jacks (L/Mono, R)
You can connect an audio device or external
powered speakers here to reproduce the HP302’s
sound (p. 67).
23
Phones jacks
Here you can connect headphones (p. 23).
24
Pedal
• These are used mainly when playing piano (p. 22).
• You can assign a variety of functions to the pedals
25
External Memory connector
Here you can connect USB memory, a CD drive, or a
floppy disk drive, and use it to play or save songs
(p. 62).
(p. 59).
17
Page 16
Before You Play
Pedal connector
Pedal cord
Getting Ready to Play
Connecting the Pedal Cord (HP305)
Plug the pedal cord extending from the stand into the Pedal
connector located at the rear of the HP305’s bottom panel.
Pedal connector
Pedal Cord
Connecting the Pedal Cord (HP302)
Plug the pedal cord extending from the stand into the Pedal
connector located at the rear of the HP302’s panel.
Connecting the Power Cord (HP305)
Check before you connect the power cord.
• Make sure that the [Power] switch is off (p. 21).
• Make sure that the [Volume] slider is minimized (p. 21).
AC Inlet
To AC Outlet
Power cord
1.
Connect the included power cord to the AC Inlet
located at the rear of the bottom panel.
Plug the other end of the power cord into an AC
2.
outlet.
You must use the power cord included with the HP305.
Connecting the AC Adaptor (HP302)
Check before you connect the AC Adaptor.
• Make sure that the [Power] switch is off (p. 21).
• Make sure that the [Volume] slider is minimized (p. 21).
Connect the supplied AC adaptor and power cord.
1.
AC Adaptor
Indicator
Place the AC adaptor so the side with the indicator (see
illustration) faces upwards and the side with textual
information faces downwards.
The indicator will light when you plug the AC adaptor
into an AC outlet.
Power Cord
AC Outlet
18
Page 17
2.
Push
Connect the AC adaptor to the DC In jack on the
rear panel.
Before You Play
Setting up the Music Rest (HP305)
Take care not to pull the cord with excessive force, or
strain it. Doing so may damage or break the cord.
Ground terminal
AC Adaptor cord
Plug the Power cord into a power outlet.
3.
Be sure to use only the AC adaptor supplied with the
unit. Also, make sure the line voltage at the installation
matches the input voltage specified on the AC
adaptor’s body. Other AC adaptors may use a different
polarity, or be designed for a different voltage, so their
use could result in damage, malfunction, or electric
shock
* Depending on the circumstances of a particular setup, you
may experience a discomforting sensation, or perceive that
the surface feels gritty to the touch when you touch this
device, microphones connected to it, or the metal portions
of other objects, such as guitars. This is due to an
infinitesimal electrical charge, which is absolutely harmless.
However, if you are concerned about this, connect the
ground terminal (see figure) with an external ground. When
the unit is grounded, a slight hum may occur, depending on
the particulars of your installation. If you are unsure of the
connection method, contact the nearest Roland Service
Center, or an authorized Roland distributor, as listed on the
“Information” page.
Unsuitable places for connection
• Water pipes (may result in shock or electrocution)
• Gas pipes (may result in fire or explosion)
• Telephone-line ground or lightning rod (may be
dangerous in the event of lightning)
Raising the music rest
1
2
1.
Gently raise the music rest.
2.
Fold down the latches to secure the music rest.
2
2
Folding down the music rest
Raise the latches located on the back of the music rest, then
gently fold down the music rest.
Using the music holders
You can use the holders to hold pages in place.
When not using the holders, leave them folded down.
19
Page 18
Before You Play
Setting up the Music Rest (HP302)
Attach the included music rest using the procedure
described below.
Insert the included music rest attachment screws
1.
into the screw holes on top of the HP302, and
tighten the screws slightly.
2.
Put the music rest between the screws and the
HP302’s body.
Using the music holders
You can use the holders to hold pages in place.
When not using the holders, leave them folded down.
Push
Opening/Closing the Lid
To open the lid, use both hands to lift it lightly, and slide it
away from yourself.
To close the lid, pull it gently toward yourself, and lower it
softly after it has been fully extended.
While supporting the music rest with one hand,
3.
secure it in place by turning the screws.
When attaching the music rest, support it firmly with one
hand to make sure that you don’t drop it. Be careful, so you
don’t get your fingers pinched.
To remove the music rest, support it with one hand
4.
while loosening the screws.
After removing the music rest, don’t forget to retighten the
screws.
Do not apply excessive force to the installed music rest.
Be sure to use the supplied screws for attaching the
music rest.
Before moving the piano, be sure to remove the music
rest to prevent accidents.
Be careful not to lose the screws used to fasten the
music rest, or allow small children to accidentally
swallow them.
When opening and closing the lid, be careful not to let
your fingers get caught. If small children will be using
the HP305/HP302, adult supervision should be
provided.
If you need to move the piano, make sure the lid is
closed first to prevent accidents.
Using the lid to conceal the buttons and
display (Classic Position)
You can use the lid to conceal the buttons and the display.
This allows you to concentrate on performing without being
distracted by the buttons or the display.
Lid
20
Page 19
Turning the Power On/Off
1
2
On
Off
Max
Min
Once the connections have been completed (p. 18), turn on power to your various devices in the order specified. By turning on
devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
Before You Play
Turning the Power On
1.
Move the [Volume] slider all the way to the left to
minimize the volume.
Press the [Power] switch.
2.
The power will turn on, and [Piano] button and [Reverb]
button will light.
After a brief interval, you’ll be able to produce sounds
by playing the keyboard.
* This unit is equipped with a protection circuit. A brief
interval (a few seconds) after power up is required before
the unit will operate normally.
* Always make sure to have the volume level turned down
before switching on power. Even with the volume all the
way down, you may still hear some sound when the
power is switched on, but this is normal, and does not
indicate a malfunction.
3.
Use the [Volume] slider to adjust the volume (p. 21).
Turning the Power Off
1.
Move the [Volume] slider all the way to the left to
minimize the volume.
Press the [Power] switch.
2.
The screen goes blank and the power is turned off.
If you need to turn off the power completely, first turn
off the [POWER] switch, then unplug the power cord
from the power outlet. Refer to “Connecting the Power
Cord (HP305)” (p. 18) or “Connecting the AC Adaptor
(HP302)” (p. 18).
Adjusting the Sound’s Volume
Here’s how to adjust the volume of your keyboard playing or the playback volume of an internal song or USB memory song.
If headphones are connected, use the [Volume] slider to adjust the headphone volume.
1.
Turn the [Volume] slider to adjust the overall volume.
Adjust the volume while you play the keyboard to produce sound.
Turning the knob toward the right will increase the volume, and turning it toward the left will decrease the volume.
21
Page 20
Before You Play
Using the Pedals
The pedals perform the following operations. You’ll use
them mainly when playing piano.
Soft Pedal
Sostenuto Pedal
Damper Pedal
Damper Pedal (right pedal)
Use this pedal to sustain the sound.
While this pedal is held down, notes will be sustained for an
extended time even if you release your fingers from the
keyboard.
The length of sustain will change subtly depending on how
deeply you press the pedal.
On an acoustic piano, holding down the damper pedal will
cause the strings for notes other than the ones you actually
play to vibrate in sympathy with what you’ve played,
producing a rich resonance. The HP305/HP302 simulates this
sympathetic vibration (damper resonance).
About the Adjuster
If you feel that the pedal is unstable (for example if you’ve
moved the HP305/HP302 to a different location), you can
adjust the adjuster located on the bottom of the pedals as
follows.
Adjuster
Turn the adjuster to lower it until the adjuster is in firm
contact with the floor. The pedal may be damaged if there is
a gap between the adjuster and the floor. In particular, when
you’ve placed the HP305/HP302 on carpet, you must turn
the adjuster until it is pressing firmly against the floor.
You can modify the sound of the sympathetic
vibration (p. 59).
Sostenuto Pedal (center pedal)
The notes you are pressing when this pedal is depressed will
be sustained.
Soft Pedal (left pedal)
This pedal is used to make the sound softer.
Playing with the soft pedal depressed produces a sound that
is not as strong as when otherwise played with the
equivalent strength. This is the same function as the left
pedal of an acoustic piano.
The softness of the tone can be varied subtly by the depth to
which you press the pedal.
You can switch the function of the sostenuto pedal
and the soft pedal (p. 59).
If you disconnect the pedal cord from the HP305/HP302
while the power is turned on, the pedal effect will
remain applied. You must connect or disconnect the
pedal cord while the HP305/HP302’s power is switched
off.
22
Page 21
Using the Headphones
HP305HP302
You can use headphones to enjoy the HP305/HP302 without disturbing those around you, such as at night.
Connecting the Headphones
The HP305/HP302 has two headphone jacks, two people can also use headphones simultaneously.
Before You Play
Plug the headphones into the Phone jack.
1.
If headphones are connected, no sound will be output from the HP305/HP302’s speakers.
Use the HP305/HP302’s [Volume] slider to adjust the headphone volume (p. 21).
2.
23
Page 22
Before You Play
HP305
HP302
Headphone hook
Wing nut
Wing nut
Headphone hook
Using the Headphone Hook
Attaching the Headphone Hook
Whenever you are not using the headphones, you can hang them on the headphone hook of the HP305/HP302.
Press and twist the headphone hook included with the HP305/HP302 into the hole in the bottom left of the
1.
HP305/HP302 (refer to the figure above).
2.
Turn the headphone hook wing nut to secure the headphone hook.
Do not hang anything other than headphones on the headphone hook. Doing so may damage the instrument or the hook.
Cautions when Using Headphones
• To prevent damage to the cord’s internal conductors, avoid rough handling. When using headphones, mainly try to handle
either the plug or the headset.
• Your headphones may be damaged if the volume of a device is already turned up when you plug them in. Minimize the
volume before you plug in the headphones.
• Excessive input will not only damage your hearing, but may also strain the headphones. Please enjoy music at an appropriate
volume.
• Use headphones that have a stereo 1/4” phone plug.
24
Page 23
Performing
2
1
About the tones you can select
* For some tones, there are keys that do not produce sound.
* For details on the tones, refer to “Tone List” (p. 78).
ButtonDescription
[Piano] buttonSelects a variety of instruments, including grand pianos, honky-tonk pianos, and historical instruments.
[E. Piano] button
Selects various electric piano sounds used in pop or rock, as well as the sound of instruments played using
mallets.
[Strings] button
Selects the sounds of string instruments such as violins, as well as other instruments used in orchestras,
which are appropriate when used for Dual play with a piano sound.
[Others] button
Selects a variety of sounds such as organ, bass, and GM2 sounds (p. 83).
* If you select a tone number from 35 through 43, the keyboard will act as a drum set.
* If you’ve selected a tone to which the Rotary effect is applied, pressing the [Others] button will change the
modulation speed of the Rotary effect.
Performing with Various Sounds
In addition to piano sounds, the HP305/HP302 lets you enjoy performing with many other sounds (over 300 types).
These sounds are called “Tones.” The Tones are divided into four groups, each of which is assigned to a different Tone
button.
Let’s start by performing with a piano tone.
When you turn on the power, the “Grand Piano1” Tone is selected.
fig.Panel
1.
Press the [Piano] button.
The currently selected tone number is shown.
Press the [-] or [+] button.
2.
A different tone is selected.
If you don’t perform any operation for a while, the indication in the display will change to
the following.
25
Page 24
Performing
21
Performing with the Metronome
You can sound the metronome while you perform.
The HP305/HP302 contains a versatile metronome feature. You can change the metronome’s volume and time signature, or
change the way in which it divides the beats.
While the song plays, the metronome will sound at the tempo and time signature of the song.
fig.Panel
1.
Press the [Metronome] button.
The [Metronome] button will blink, and the display will indicate “Tempo.”
The metronome will sound.
The [Metronome] button will blink red and green according to the currently selected time signature;
red indicates the strong beats, and green indicates the weak beats.
You can press the [Metronome] button once again to stop the metronome.
Changing the Metronome’s Tempo
fig.Panel
Press the [Metronome] button.
1.
The metronome will sound.
Press the [-] or [+] button.
2.
Correspondence between beat and tempo display
26
Beat
Tempo
2/2
=5–250
0/4, 2/4, 3/4, 4/4, 5/4,
6/4, 7/4
=10–500=20–999=7–333
3/86/8, 9/8, 12/8
Page 25
Changing the Metronome’s Time Signature
3
2
1
Press the [Metronome] button.
1.
The metronome will sound.
Press the [Display] button.
2.
The Beat indicator will light, and the display will indicate the time signature.
Performing
Press the [-] or [+] button.
3.
If you specify “0/4” only the weak beats will sound.
If you record your performance, it will be recorded with the time signature you specify here.
When you play back a song, the metronome’s time signature will be set to the time signature of that song.
Indicate
* You can’t change the metronome’s time signature while a song is playing.
BeatIndicateBeat
2/2 6/4
0/4
(Only weak beats will be sounded.)
2/43/8
3/46/8
4/49/8
5/412/8
7/4
27
Page 26
Performing
21
Adjusting the Metronome’s Volume
fig.Panel
1.
While holding down the [Metronome] button, press the [-] or [+] button.
The display will indicate the metronome’s volume.
If you set the metronome’s volume to “0” the metronome will not sound.
Metronome volume range
0–10
Adding a Count-in to Synchronize Your Performance (Count-in)
A series of sounds rhythmically played to indicate the tempo before a song starts is called a “count-in.”
If you sound a count-in, it will be easier for you to synchronize your own performance to the tempo of the playback.
fig.Panel
Press the [Metronome] button.
1.
The metronome will sound.
Press the [
2.
A two-measure count sound will be produced before the song starts playing.
] button.
28
Page 27
Adding Reverberation to the Sound (Reverb)
What are Effects?
In addition to reverb, the HP305/HP302 provides a wide variety of other “effects” that can modify the sound in various
ways. An appropriate effect is selected for each different tone.
* Some tones do not have an effect.
You can add a pleasant reverberation to the sounds you play from the keyboard, producing the impression that you are
performing in a concert hall. This effect is called “Reverb.”
fig.Panel
1.
Press the [Reverb] button.
The [Reverb] button will light.
If you press the [Reverb] button once again, the button will go out and the reverb effect will be
eliminated.
Performing
Adjusting the Depth of the Reverb Effect
fig.Panel
While holding down the [Reverb] button, press the [-] or [+] button.
1.
The display will indicate the depth of the reverb effect values.
Reverb depth range
Higher values apply deeper reverb.
The adjusted setting will return to its previous value when you turn off the power. If you wish, you
can have this setting be retained even while the power is turned off (p. 21).
* You can’t specify the depth of the reverb effect independently for each sound. Reverb is applied at the same depth for each
sound.
* The depth of the reverb effect for the song that’s playing will not change.
* The reverb effect is not applied if Twin Piano mode (p. 33) is set to Individual.
1 –10
29
Page 28
Performing
2
1
Adjusting the Keyboard Sensitivity (Key Touch)
You can change the touch sensitivity, or response of the keys. You can adjust the keyboard touch as appropriate for the
playing strength of the person who is performing.
fig.Panel
Press the [Key Touch] button so it’s flash.
1.
2.
Press the [-] or [+] button to select the keyboard touch.
Indicate
Fixed
Extra Light
Light
Medium
Heavy
Extra Heavy
3.
Press the [Key Touch] button to return to selection of tones.
If a setting other than “-M-(Medium)“ is selected, the [Key Touch] button will be lit.
Description
The sound plays at one set volume, regardless of the force used to play the keys.
This setting produces the lightest keyboard touch.
You can achieve fortissimo (ff) play with a less forceful touch than “medium,” so the keyboard
feels lighter. This setting makes it easy to play, even for children.
This sets the standard keyboard touch. You can play with the most natural touch. This is the
closest to the touch of an acoustic piano.
You have to finger the keyboard more forcefully than “medium” in order to play fortissimo (ff),
so the keyboard touch feels heavier. Dynamic fingering adds even more feeling to what you
play.
This setting produces the heaviest keyboard touch.
You can use the Memory Backup function to store this setting in internal memory (p. 61).
30
Page 29
Performing with Two Layered Tones (Dual Play)
You can play two tones simultaneously from each note of the keyboard. This feature is called “Dual Play.”
As an example, here’s how to layer piano and strings tones.
fig.Panel
Hold down the [Piano] button and press the [Strings] button.
1.
Both buttons will light.
When you play the keyboard, you’ll hear both the piano and the strings tones.
About the tones
Performing
Tone name
Tone 1
Tone 2Right tone button
When you press any tone button, Dual play will be cancelled; you’ll hear only the tone of the button
you pressed.
You can change the pitch of tone 2 in steps of an octave (p. 57).
When you press a damper pedal while using Dual play, the effect will apply to both tone 1 and tone
2, but you may change this so that the effect applies to only one tone (p. 59).
You can change the volume balance of the two tones (p. 58).
* Dual play is not available if Split play or Twin Piano are turned on.
* For some combinations of sounds, the effect is not applied to tone 2, and this may affect how the tone sounds.
Corresponding buttonHow to select tones
Left tone buttonPress the [-] or [+] button.
Hold down the Tone button for Tone 2 (the rightmost of the lit Tone
buttons), and press the [-] or [+] button.
31
Page 30
Performing
Twin Piano
Grand Piano 1Grand Piano 1
The damper pedal
for the left area
The damper pedal
for the right area
Conventional
keyboard
C4C5C6C7C8C3C2C1
divide point
C4C5C6C3C4C5C3C6
Dividing the Keyboard for Two-person Performance (Twin Piano)
You can divide the keyboard into left and right zones so that two people can play the same range of pitches, just as though
there were two pianos.
This function is called “Twin Piano.”
For example, you could use Twin Piano to allow a student to play along with their teacher.
fig.Panel
1.
Press the [Twin Piano] button.
The [Twin Piano] button will light.
fig.Panel
When you turn Twin Piano on, the keyboard, the pedals, and the tone will change to the following settings.
When you press the [Twin Piano] button a number of times, the Twin Piano function will turn off
and the [Twin Piano] button will go out.
* Since some effects (p. 29) will no longer be applied if Twin Piano is turned on, this may change the sound of the tone.
32
Page 31
Changing the Way in Which the Sound is Heard (Twin Piano Mode)
fig.Panel
1.
Hold down the [Twin Piano] button and press the [-] or [+] button.
Performing
Value
1
(Pair)
2
(Individual)
Description
The sound of the right-hand keyboard zone will be heard more loudly from the right speaker than from the left speaker.
The sound of the left-hand keyboard zone will be heard more loudly from the left speaker than from the right speaker.
The sound of the right-hand keyboard zone will be heard only from the right speaker. The sound of the left-hand keyboard
zone will be heard only from the left speaker.
* The reverb effect will be turned off.
* For some tones, the sound may not be split between left and right.
For the HP305
* If you play in the left-hand keyboard zone, you won’t hear sound from the headphones that are connected to the right
Phones jack. Conversely, when you play in the right-hand keyboard zone, you won’t hear sound from the left headphones.
For the HP302
* If you play in the left-hand keyboard zone, the sound will not be heard in the headphones connected to the rear Phones
jack. Similarly, if you play in the right-hand keyboard zone, the sound will not be heard in the headphones connected to
the front Phones jack.
The settings you change will return to their original values when you turn off the power.
If you wish, you can have this setting be remembered even while the power is turned off (p. 61).
33
Page 32
Performing
Split Point (Power-up default: F 3)
C1 D1 E1 F1 G1 A1 B1A0 B0C2C3C4C5C8B7
…
Left-hand ToneRight-hand Tone
Playing Different Tones in the Left and Right Sides of the Keyboard
(Split Play)
You can play different tones in the left and right sides of the keyboard, divided at a certain key.
This feature is called “Split Play,” and the key at which the keyboard is divided is called the “Split Point.”
fig.Panel
Press the [Twin Piano] button a number of times so the Split screen will appear.
1.
fig.Panel
When Split is turned on, the keyboard settings will be as follows.
Press the [Twin Piano] button a number of times to turn off Split play; the [Twin Piano] button will
go out.
34
Page 33
Changing the Tones of the Left and Right Zones
2
1
1
2
Changing the right-hand tone
fig.Panel
1.
Press a tone button.
The number of the currently selected for the right-hand zone are shown.
Performing
2.
Press the [-] or [+] button.
A different tone is selected.
Changing the left-hand tone
fig.Panel
Hold down the [Twin Piano] button and press a tone button.
1.
The number of the tone currently selected for the left-hand zone are shown.
While holding down the [Twin Piano] button, press the [-] or [+] button.
2.
A different tone is selected.
You can change the pitch of the left-hand sounds in steps of an octave (p. 57).
35
Page 34
Performing
Factory default: F 3
The key belongs to the left-hand section
Split Point
Range in which you can specify the split point (B1–B6)
C1B1B6A0C2C3C4C5C6C7C8
How the Split Point is shown
When indicating the key that is the split point, the display shows the note name followed by a
number that signifies the octave.
DisplayNote nameDisplayNote name
CF
CG
DA
EA
EB
FB
Changing the Keyboard’s Split Point
fig.Panel
1.
Hold down the [Twin Piano] button and press the key that you want to be the new
split point.
The key you pressed becomes the new split point, and that key will be shown in the display.
When you release the [Twin Piano] button, the display will return to its previous indication.
Note name Octave
36
The changed setting will revert to its original state when you turn off the power.
If you wish, you can have this setting be remembered even while the power is turned off (p. 61).
Page 35
Transposing the Keyboard (Transpose)
If you play
C E G
It will sound
E G B
“Transpose” means to shift the pitches produced by the keyboard.
The Transpose function makes it easy to do the following.
• The pitch of your accompaniment can be adjusted to a singer’s vocal range without changing your
fingering (i.e., without changing the keys you play).
• A song written in a difficult key with numerous sharps ( ) or flats ( ) can be performed in a key that’s
easier for you to play.
Hold down the [Transpose] button and play the key that’s the tonic of the key into
1.
which you want to transpose.
The current transposition setting is shown while you hold down the [Transpose] button.
Performing
You can also change the transposition setting by using the [-] or [+] buttons while holding down the
[Transpose] button.
Transposition range
If a setting other than 0 is selected, the [Transpose] button will be lit.
To return to the original value (0), hold down the [Transpose] button and press both of the [-] or [+]
buttons simultaneously.
You can use the [Transpose] button to turn the Transpose function on/off (if the transposition
setting is other than “0”).
The HP305/HP302 allows you to transpose both the keyboard and the song, or just the keyboard, or
just the song (p. 57). With the factory settings, the keyboard and the song will be transposed
together.
* If the Transpose Mode (p. 57) is set to “SnG” (the song playback), the Transpose function will not affect the pitches of the
keyboard.
-6–0–5 (semitone units)
Example: Use C major fingering to play a song written in E major
1.
Hold down the [Transpose] button and press the E note (the tonic note for the key of E major).
Counting from C as a reference point, the tonic note for the key of E major is four chromatic steps higher, so the display
fig.Panel
indicates “4.”
The transposition value will return to “0” when you switch songs or turn off the power.
37
Page 36
Performing
Disabling the Buttons (Panel Lock)
The Panel Lock setting lets you disable all of the HP305/HP302’s buttons. In this state, the settings will not change even if
you inadvertently press a button while performing.
fig.Panel
Hold down the [Right] button for a while.
1.
Panel Lock will be activated.
To cancel Panel Lock, once again hold down the [Right] button for a while.
Panel Lock will also be cancelled when you turn off the power.
* If you activate Panel Lock while a song is playing or being recorded, playback or recording will stop.
* You can’t activate Panel Lock while in Function mode (p. 55).
38
Page 37
Listening to Songs
231
Fast-forward and rewind
OperationButton
To beginning of next songPress the [] button
To beginning of current songPress the [] button
Fast-forward the songHold down the [] button while the song is playing
Rewind the songHold down the [] button while the song is playing
Playing Back Songs
Here’s how to listen to the built-in songs. The HP305/HP302 provides 72 built-in piano songs.
You can also play back songs from a separately sold floppy disk drive, CD drive, or USB memory
fig.Panel
1.
Press the [Display] button a number of times so the Song indicator will light.
(p. 64).
2.
Press the [-] or [+] button to select a song.
3.
Press the [
When the song has played to its end, playback will stop.
To pause the playback, press the [] button once again.
The next time you press the [] button, playback will resume from where you paused.
For details on the names of the internal songs, refer to “Internal Song List” (p. 81).
] button.
39
Page 38
Listening to Songs
Performance parts and tracks
Each part is assigned to the track
buttons as shown in the illustration.
Muting
You can “mute” a specific part so that it
will not be heard.
* The [Accomp] button will not light if
you’ve selected a song that does not
contain an accompaniment.
2
Practicing the right-hand part by itself
1.Press the [Right] button.
The button will go out.
2.Press the [] button.
The HP305/HP302 will play the
left-hand part and
accompaniment part, allowing
you to practice the right-hand
part separately.
Playing Parts Individually
The parts of an internal song can be selected and played individually. This allows you to practice playing the left or righthand part of a song while listening to the other hand played automatically.
Track button
fig.Panel
Accompaniment part
1.
Play back a song (p. 39).
Press the track button for the part that you don’t want to be played.
2.
The light for the button you pressed will go out, and the selected part will not be heard.
When you press the track button once again so it’s lit, the part will be heard again.
You can change the volume of the muted part (p. 60).
Left-hand
part
Right-hand
part
By playing back a song with the accompaniment part muted, you can skip the introduction.
The mute setting will be cancelled when you switch songs.
40
Accompaniment part
HP305/HP302 will play
Left-hand
part
go out
Right-hand
part
Page 39
Playing All Songs Consecutively (All Songs Play)
You can have the HP305/HP302 play all internal songs (or all songs in internal memory, or all songs in USB memory)
repeatedly in succession.
This function is called “All Songs Play.”
fig.Panel
1.
Hold down the [Display] button and press the [
All Songs Play will be selected, and the display will indicate “ALL.“
* The All Songs Play function will turn off when you stop playback or turn off the power.
] button.
Listening to Songs
Adjusting the Volume of the Song Playback
You can adjust the volume at which the song plays.
This is helpful when you want to adjust the volume balance between your keyboard playing and the song playback; for example,
when you’re practicing along with a song.
fig.Panel
Hold down the [
1.
The volume of song playback is shown while you hold down the [
Song volume range
* The song playback volume is reset to “10” when you turn off the power.
] button and press the [-] or [+] button.
] button.
0–10
41
Page 40
Listening to Songs
2
1
Changing the Song’s Tempo
fig.Panel
You can change the tempo at which a song plays back.
When you’re practicing along with an internal song, this allows you to slow down the tempo of a difficult song in order to
play it more comfortably.
Press the [Display] button a number of times so the Tempo indicator will light.
1.
The Tempo indicator will light.
2.
Press the [-] or [+] button.
The tempo will change.
If desired, you can make the song play back at a fixed tempo without allowing its tempo to change
(p. 60).
Changing the Pitch of the Song (Playback Transpose)
You can change the key of a song’s playback. This is called the “Playback Transpose” function.
ig.Panel
1.
Play back the song (p. 39).
Hold down the [Transpose] button and press the [-] or [+] button.
2.
The song’s key will change in semitone steps.
Transposition range
While you hold down the [Transpose] button, the Playback Transpose setting is displayed.
If the value is anything other than 0, the [Transpose] button will be lit.
The transposition setting will return to “0” when you select a different song.
-6–0–5 (semitone units)
42
If you hold down the [Transpose] button and press both of the [-] [+] buttons simultaneously,
the setting will return to its original value (0).
You can use the [Transpose] button to turn the Playback Transpose function on/off
(if the transposition setting is other than “0”).
The HP305/HP302 allows you to transpose both the keyboard and the song, or just the keyboard, or
just the song (p. 57). With the factory settings, the keyboard and the song will be transposed
together.
* The Playback Transpose function will not apply if “Transpose Mode” (p. 57) is set to “Kbd (Keyboard notes).”
Page 41
Recording Your Performance
2
1
4
Recording Your Keyboard Performance
It’s easy to record your own performances.
You can play back a recorded performance to check your playing, or perform along with a recorded performance.
Getting ready to record
fig.Panel
1.
Press the [Display] button a number of times so the Song indicator will light.
Press the [-] button a number of times so the display will indicate “USr.”
2.
Select the tone that you want to use for performing (p. 25).
3.
If desired, sound the metronome (p. 26).
4.
Press the [
The [
If you decide not to record, press the [] button once again.
] button will light, the [] button will blink, and the HP305/HP302 will enter recording-standby mode.
Starting/stopping recording
fig.Panel
1.
Press the [] button or play the keyboard.
A two-measure count will be heard (the measure number will be shown as “-2” then “-1” in the display), and then
recording will start.
When recording starts, the [] button and [] button will light.
] button.
Press the [
2.
Recording will stop.
A count sound will not sound if you initiated recording by playing the keyboard.
] button.
43
Page 42
Recording Your Performance
1
2
If the following indication appears
The confirmation message shown at right will appear if you attempt to select another song
while the previously recorded song has not yet been saved.
Please save your recorded performance to internal memory (p. 46) or USB memory (p. 66).
• If you decide to erase your recorded performance, press the [] button.
• If you don’t want to erase your recorded performance, press the [] button.
Listening to the recorded performance
fig.Panel
1.
Press the [
You will return to the beginning of the recorded performance.
] button.
Press the [
2.
The recorded performance will play.
Playback will stop when you press the [] button once again.
If you press the [
count (count-in) before playback begins.
] button.
] button while the metronome is sounding, there will be a two-measure
The recorded performance will be lost when you turn off the power. If you want to keep your recorded
performance, you must save it to internal memory (p. 46) or to USB memory (p. 66).
You won’t be able to play back another song if there is an unsaved performance. You’ll need to either
delete (p. 45) or save (p. 46) your performance before playing another song.
44
Page 43
Erasing Your Recorded Performance
1
2
Here’s how to erase your recorded performance.
fig.Panel
Recording Your Performance
Hold down the [Display] button and press the [
1.
A confirmation message will appear and the [
If you decide not to erase the performance, press the [] button.
2.
Press the [
The recorded performance will be erased.
] button.
If you hold down the [
will be erased.
A recorded performance will be erased when you turn off the power.
] button while pressing a track button, the performance of only that track
] button and [] button will blink.
] button.
45
Page 44
Recording Your Performance
4
1
2
Saving Your Recorded Performance
If you’ve recorded a performance, your recorded performance will be lost if you turn off the HP305/HP302’s power before saving the
song. If you want to keep your recorded performance, it is convenient to save it in internal memory. Songs saved in internal memory
will not be lost when you turn off the power.
fig.Panel
You can also save your recorded performances on USB memory (sold separately) or on a floppy disk
(sold separately) (p. 66).
If you want to save a song from internal (external) memory to external (internal) memory, select the
song that you want to save.
Getting ready to save
1.
Hold down the [Twin Piano] button and press the [Key Touch] button.
The display will indicate “Fnc,” and you’ll be in Function mode (p. 55).
Hold down the [Display] button and use the [-] buttons to make the display indicate
2.
“SAv.”
3.
When you take your finger off the [Display] button, the display will indicate “Int.”
If [Int] is not displayed, press the [-] button.
Press the [
4.
The screen will allow you to select the save-destination number.
] button.
46
Page 45
Selecting the save destination for the song
123
4
Lit if a song
has been saved
fig.Panel
1.
Press the [-] or [+] button to select the save destination.
If the dot in the lower right of the display is lit, a song has already been saved in that number.
Select a number at which no song has been saved.
If you want to erase an unwanted song and replace it with the newly saved song, select the
number of the unwanted song.
Recording Your Performance
Press the [
2.
The display will indicate “Sur,” and the [
If you decide not to save the song, press the [] button.
3.
Press the [
The song will be saved.
Press the [Twin Piano] button or the [Key Touch] button.
4.
You will exit Function mode.
* You can’t select another song if the recorded performance has not yet been saved. Either erase your recorded
performance, or save it (p. 44).
] button.
] button and [] button will blink.
] button.
Never turn off the power while the screen indicates “SAv.”
47
Page 46
Recording Your Performance
4
1
2
Deleting a Saved Song
Here’s how to delete a song that you saved to internal memory.
fig.Panel
If you want to delete all the songs that are saved in internal memory, initialize the memory (p. 63).
You can also delete songs from USB memory (sold separately) or a floppy disk (sold separately)
(p. 66).
Getting ready to delete
1.
Hold down the [Twin Piano] button and press the [Key Touch] button.
The display will indicate “Fnc,” and you’ll be in Function mode (p. 55).
Hold down the [Display] button and use the [-] button to make the display indicate
2.
“dEL.”
When you take your finger off the [Display] button, the display will indicate “Int.”
3.
If [Int] is not displayed, press the [-] button.
4.
Press the [
The screen will allow you to select the song number to be deleted.
] button.
48
Page 47
Choosing the song to delete
1
12
3
fig.Panel
1.
Press the [-] or [+] button to select the song that you want to delete.
Deleting the song
Recording Your Performance
fig.Panel
Press the [
1.
The display will indicate “Sur,” and the [
If you decide not to delete the song, press the [] button.
Press the [
2.
The selected song will be deleted.
3.
Press the [Twin Piano] button or the [Key Touch] button.
You will exit Function mode.
] button.
] button and [] button will blink.
] button.
Never turn off the power while the screen indicates “dEL.”
49
Page 48
Recording Your Performance
1
2
4
3
Recorded performances and the track buttons
The performances you record are assigned to the track buttons as follows.
Conventional performance (using the entire keyboard to play a single tone), Dual play
Twin Piano (p. 32), Split Play (p. 34)
Track buttonRecorded performance
Record with only a single button specifiedYour performance will be recorded on the specified track.
Record with multiple buttons specified
Your performance will be recorded on only one track
The priority order for recording will be: [Right] button → [Left] button → [Accomp]
button.
Track button
Recorded performance
Twin PianoSplit Play
[Right] buttonRightRight-hand tone
[Left] buttonLeftLeft-hand tone
Advanced Recording Methods
Recording Each Hand Separately
You can separately record your left-hand performance to the [Left] button and your right-hand performance to the [Right] button.
You can also separately re-record each hand afterward.
Getting ready to record
fig.Panel
1.
Press the [Display] button a number of times so the song indicator is lit.
The display will indicate the song number.
2.
Press the [-] button a number of times so the display will indicate “USr.”
3.
Press the [
The [
and the HP305/HP302 will enter recording-standby mode.
If you decide not to record, press the [] button once again.
4.
Press the button for any track that you don’t want to record, so it’s not lit.
] button.
] button will light, the [] button and the button of the track to be recorded will blink,
Your performance can be recorded separately to the relevant track buttons.
50
Page 49
Recording and stopping
1
4
5
3
2
fig.Panel
Recording Your Performance
1.
Press the [
You’ll hear a two-measure count, and then recording will begin.
Alternatively, you can start recording by playing the keyboard instead of pressing the [] button. In this case,
there will be no count-in.
When recording begins, the [] button and [] button will light.
2.
To stop recording, press the [
Additional recording
fig.Panel
] button.
During the count, “-2” then “-1” will be shown as the measure number in the screen.
] button.
1.
Press the [
You’ll return to the beginning of the recorded performance.
Press the [
2.
The [
HP305/HP302 will enter recording-standby mode.
If you decide not to record, press the [] button once again.
Press the button of the track that you want to record, so it’s blinking.
3.
If you decide not to record, press the [
] button will light, the [] button and the button of the track to be recorded will blink, and the
] button.
] button.
] button once again.
If you select a previously recorded track for recording, your new performance will be overwritten onto
that track, erasing the previously recorded performance.
51
Page 50
Recording Your Performance
When you re-record
If you re-record from the beginning, the previously recorded performance will be erased as the new recording proceeds.
If you want to record an entire performance, erase the previously recorded performance first (p. 46).
1
2
4.
Press the [] button.
You’ll hear a two-measure count, and then recording will begin.
Alternatively, you can start recording by playing the keyboard instead of pressing the [] button. In this case,
there will be no count-in.
When recording begins, the [] button and [] button will light.
* If you record additional material without erasing the previously recorded performance, the song’s tempo and time signature
will remain as they were when first recorded.
During the count, “-2” then “-1” will be shown as the measure number in the screen.
To stop recording, press the [
5.
1st Pass
2nd Pass
Listening to the recorded performance
fig.Panel
] button.
The first Performance is preserved
Press the [
1.
You’ll return to the beginning of the recorded performance.
Press the [
2.
The recorded performance will play back.
Press the [] button once again to stop playback.
You can’t play back another song if a recorded performance exists. Erase or save your recorded
performance, and then play back the desired song (p. 44).
] button.
] button.
Your recorded performance will be lost when you turn off the power. If you want to keep your recorded
performance, you must save it to internal memory (p. 46) or USB memory (p. 66).
By holding down one of the track buttons and pressing the [
performance of just that track. If you erase the performance from all tracks, the display will indicate
“USr.”
] button, you can erase the
52
Page 51
Recording Your Performance
2
1
Recorded performances and the track buttons
The performances you record are assigned to the track buttons as follows.
Track buttonPerformance part
[Right] buttonRight-hand part
[Left] buttonLeft-hand part
[Accomp] buttonOther performances
Recording a Performance You Play Along with a Song
Here’s how you can record a performance that you play along with an internal song or a song from internal memory.
The part you select using the track buttons will be recorded, replacing the previous content of that part.
During recording, you won’t hear the sound of the track whose button you selected.
* You can’t record along with a song from a music CD, or with a song that consists of audio data.
Getting ready to perform
Select the song that you want to play back (p. 39).
1.
2.
Select the tone that you want perform (p. 25).
Specify the tempo for recording (p. 26).
3.
* The tempo of your recorded performance will be the tempo of the song you selected for recording.
When you record a performance that you play along with a song, it will be recorded with the time signature of that
song.
Getting ready to record
fig.Panel
Press the [
1.
The [
If you decide to cancel recording, press the [] button once again.
2.
Press the track button of the part that you want to record, so it’s blinking.
With this setting, you will be listening to the selected song while you record.
] button.
] button will light, the [] button will blink, and the HP305/HP302 will enter recording-standby mode.
53
Page 52
Recording Your Performance
1
2
1
2
Recording and stopping
fig.Panel
Press the [
1.
You’ll hear a two-measure count, and then recording will begin.
Alternatively, you can start recording by playing the keyboard instead of pressing the [] button. In this case,
there will be no count-in.
When recording begins, the [] button and [] button will light.
During the count, “-2” then “-1” will be shown as the measure number in the screen.
2.
Press the [
Recording will stop.
] button.
] button.
Listening to the recorded performance
fig.Panel
54
1.
Press the [
You’ll return to the beginning of the recorded performance.
2.
Press the [
The recorded performance will play back.
Press the [] button once again to stop playback.
Your recorded performance will be lost when you turn off the power. If you don’t want to lose your
recorded performance, you must save it to internal memory (p. 46) or to USB memory (p. 66).
You can’t play back another song if a recorded performance exists. Erase or save your recorded
performance, and then play back the desired song (p. 44).
] button.
] button.
Page 53
Various Settings
Basic Operation in Function Mode
“Function mode” lets you make various settings for playback and recording.
Entering Function mode
fig.Panel
1
1.
Hold down the [Twin Piano] button and press the [Key Touch] button.
The [Twin Piano] button and [Key Touch] button will light. The display will indicate “Fnc” and you’ll be in Function mode.
fig.Screen
Selecting the setting that you want to edit
fig.Panel
While holding down one of the blinking buttons, press the [-] or [+] button to select the setting that you want to edit.
1.
The name of the setting is shown in the display while you hold down the button. When you release the button, the value of the setting will be
shown.
55
Page 54
Various Settings
Editing a setting
fig.Panel
3
1.
Press the [-] or [+] button to edit the setting.
By pressing the [-] [+] buttons simultaneously you can return the
setting to its factory-set value.
If you wish to change other settings, refer to step 1 under
2.
“Selecting the setting that you want to edit,” and select
the setting you want to change.
Press the [Twin Piano] button or the [Key Touch] button
3.
to exit Function mode.
The button indicators will return to their previous state.
Selecting the setting that you want to edit
Button
Reverb
Function Page
Brilliance
Transpose Mode
p. 57
p. 57
1
The edited settings will revert to their original value when you
turn off the power. For some settings, you can specify that they
retain their edited state even when you turn off the power (p.
61).
For details on the settings that can be saved in this way, refer
to “Parameters Stored in Memory Backup” (p. 82).
Button
E. Piano
Function Page
Damper Resonance
p. 59
String Resonance
p. 59
56
Transpose
Piano
Octave Shift
Dual Balance
Master Tuning
Stretch Tuning
Temperament
Temperament Key
p. 57
p. 58
p. 58
p. 58
p. 58
p. 58
Strings
Key Off Resonance
p. 59
Damper Pedal Part
p. 59
Center Pedal Function
p. 59
Left Pedal Function
p. 59
Page 55
Various Settings
Button
Others
Function Page
Tempo Mute
p. 60
Local Control
p. 71
MIDI Transmit Channel
p. 71
Composer MIDI Out
p. 71
V-LINK Transmit Channel
p. 73
Track Assign
p. 60
Recommended Tone
p. 65
Sounds Settings
Adjusting the Sound’s Brilliance (Brilliance)
Here’s how to adjust the brilliance of your keyboard playing or the
playback brilliance of an internal song or USB memory song.
Increasing the value will make the sound brighter.
Setting
-10 (Mellow)–10 (Bright)
Performing Settings
Specifying What the Key Transpose will
Affect (Transpose Mode)
This setting specifies what the key transpose will affect.
You can use the key transpose to change the pitch of both the song
and the keyboard, the pitch of only the song, or the pitch of only the
keyboard.
Display
Accomp
Left
Mute Volume
CD/Audio Type
Save a Song
Deleting a Song
Initializing the Memory
USB Driver
External Memory Mode
Memory Backup
p. 60
p. 60
p. 46
p. 48
p. 63
p. 72
p. 63
p. 61
SettingDescription
Keyboard notes
Transpose (p. 37)
Song playback
Playback Transpose (p. 42)
Keyboard notes and song playback
Changing the Pitch of the Tone in Octave
Steps (Octave Shift)
You can change the pitch of the Tone 2 in Dual play (p. 31) and
Lower tone in Split play (p. 34) an octave at a time.
Altering the pitch in one-octave units in this way is called “Octave
Shift.”
For example, you can raise the pitch of the Lower Tone to the same
pitch of the Upper Tone in Split play.
Setting
-2 – 0 – +2
Right
Factory Reset
p. 61
57
Page 56
Various Settings
Temperament Temperament key
Temperament Temperament key
Adjusting the Dual Play Volume Balance
(Dual Balance)
You can adjust the volume balance between the two tones (tone 1
and tone 2) used for Dual play.
Volume of
Tone 1
Setting
9-1 (tone 1 is louder)–9-9 (same volume)–1-9 (tone 2 is louder)
Volume of
Tone 2
Tuning Settings
Matching the Pitch with Other Instruments
(Master Tuning)
When playing ensemble with other instruments and in other such
instances, you can match the standard pitch to another instrument.
The standard pitch generally refers to the pitch of the note that’s
played when you finger the middle A key. For a cleaner ensemble
sound while performing with one or more other instruments, ensure
that each instrument’s standard pitch is in tune with that of the
other instruments. This tuning of all the instruments to a standard
pitch is called “Tuning.”
Setting
15.3–40.0–66.2415.3 Hz – 440.0 Hz – 466.2 Hz
When the instrument is shipped from the factory, this is set to
“440.0 Hz.”
Master tuning value
Adjusting the Tuning (Temperament)
You can play classical music such as baroque pieces using their
original tuning.
Most modern songs are composed and played with the assumption
that equal temperament (the most common tuning in use today)
will be used, but when classical music was composed, there were a
wide variety of other tuning systems in existence. Playing a
composition with its original tuning lets you enjoy the sonorities of
the chords that the composer originally intended.
Setting
1
2Just (Major)
3Just (Minor)
4ArabicThis tuning is suitable for the music of Arabia.
5Kirnberger
6Meantone
7Pythagorean
8Werckmeister
Temperament Qualities
In this tuning, each octave is divided into twelve
Equal
equal steps. Every interval produces about the
same amount of slight dissonance.
This tuning eliminates ambiguities in the fifths
and thirds. It is unsuited to playing melodies and
cannot be transposed, but is capable of
beautiful sonorities.
The Just tunings differ from major and minor
keys. You can get the same effect with the minor
scale as with the major scale.
This is an improvement of the Meantone and
Just tunings that provides a high degree of
freedom of modulation. Performances are
possible in all keys (
This scale makes some compromises in just
intonation, enabling transposition to other keys.
This tuning, devised by the philosopher
Pythagoras, eliminates dissonance in fourths
and fifths. Dissonance is produced by thirdinterval chords, but melodies are euphonious.
This temperament combines the Meantone and
Pythagorean tunings. Performances are
possible in all keys (first technique,
III
).
III
).
Using a Piano’s Unique Tuning
(Stretch Tuning)
Pianos are generally tuned so that the low range is flatter and the
high range is sharper than equal tempered pitches. This method of
tuning is unique to the piano, and is known as “stretched tuning.”
Setting
On
OFF
58
Description
This tuning curve expands the bass and treble ends
somewhat. It is suitable for performances such as
piano solos.
This is the standard tuning curve. This is suitable for
when using Dual play (p. 31) or when playing in an
ensemble with other instruments.
Specifying the Temperament Key
When playing with tuning other than equal temperament, you need
to specify the temperament key for tuning the song to be
performed (that is, the note that corresponds to C for a major key or
to A for a minor key). If you choose an equal temperament, there’s
no need to select a temperament key.
Display
Key
* When performing in ensemble with other instruments, be aware
that depending on the key, there may be some shifting of the pitch.
Tune the HP305/HP302 to the fundamental pitch of the other
instruments.
CCCCd
EEFFFFG
E_
D
E
G
A_
A
A
A
b_
b
B
B
Page 57
Various Settings
Piano Sound Settings
Producing Sympathetic Resonance When
You Press the Damper Pedal
(Damper Resonance)
You can change the volume of the damper pedal resonance. On an
acoustic piano, depressing the damper pedal makes the notes you
play resonate with other strings, adding rich reverberations and
fatness to the sound. The damper pedal on the HP302/HP305
recreates this resonance (Damper Resonance) when depressed.
Setting
OFF, 1–10
Producing the Resonance of the Strings
When the Keys Are Played
(String Resonance)
When you play the keys on an acoustic piano, the strings that are
already playing resonate as well. The function that reproduces this
effect is called “String Resonance.”
Setting
OFF, 1–10
Description
The resonance volume decreases as the value is
lowered, while raising the value increases the
volume of the Damper Resonance.
The Damper Resonance function is not active when
the value is set to “OFF.”
Description
The resonance level decreases as the value is
decreased, while increasing the value increases the
amount of resonance. The String Resonance
function is not active when the value is set to “OFF.”
Pedal Settings
Changing How the Pedal Effects Are
Applied (Damper Pedal Part)
When you press the Damper pedal during Dual play or Split play, the
pedal effect is normally applied to both tones, but you can also
select the part to which the effect is to be applied.
Setting
Right & Left
Right
Left
Changing How the Pedals Work
(Center/Left Pedal Function)
When you turn on the power, the left pedal functions as the soft
pedal, and the center pedal functions as the sostenuto pedal (p. 22).
You can change the function of the pedal to a variety of other
operations.
Function
Sostenuto
Description
All enabled
Applied only to the Tone 1 (in dual mode)/Righthand Tone (in split mode)
Applied only to the Tone 2 (in dual mode)/Left-hand
Tone (in split mode)
Description
Sets function to Sostenuto pedal.
* Selectable only for the center pedal.
Playing Sounds When the Keys Are
Released (Key Off Resonance)
You can play the “key off” sound (the subtle sound produced when
the keys are released) obtained when playing an acoustic piano.
.
SettingDescription
The volume of the Key Off sound decreases as
the value is lowered, while raising the value
OFF, 1–10
increases the volume of the Key Off sound.
The Key Off Resonance function is not active
when the value is set to “OFF.”
Soft pedal
Start/stop
Layer
Octave
* “Lyr (Layer)” and “Oct (Octave)” cannot be specified simultaneously
for the center and left pedals.
Sets function to soft pedal.
* Selectable only for the left pedal.
The pedal will have the same function as the
[
] button.
Pressing the pedal will layer on Tone 2, used for Dual
play.
* The Layer function can be applied only when
using Dual play.
Pressing the pedal will layer on a sound one octave
higher.
* The Octave function cannot be applied while
using Twin Piano, Dual play, or Split play.
59
Page 58
Various Settings
Other Settings
Playing Back at a Fixed Tempo
(Tempo Mute)
Some of the internal songs have a tempo that varies during the
song.
If desired, you can make these songs play at a fixed tempo.
SettingDescription
On
OFF
If Tempo Mute is turned on, the tempo indication in the screen will
be highlighted.
fig.d-EQ-Param.eps
Changing the Parts Assigned to the Track
Buttons During SMF Playback (Track Assign)
Tempo changes recorded in the song will be ignored, and the
song will play at a fixed tempo.
The song will play according to the tempo changes it
contains.
Lit if Tempo Mute is enabled
Using the Sound of a Specific Part as a
“Guide” (Mute Volume)
If desired, you can specify that the sound of a track will play at a
reduced volume rather than going completely silent when you
press a track button and turn off its indicator.
This setting lets you play a specific part at a reduced volume and use
it as a “guide” for your playing.
Setting
0 – 10
When you turn off the power, the track mute volume will be reset to
“0.”
Description
Increasing the value will make the sound louder.
Setting the Type of CD To be
Played Back (CD/Audio Type)
The HP305/HP302 may be unable to correctly recognize the type of
CD being used. In such instances, you can specify the type of CD
manually.
SettingDescription
Auto
The CD type is detected automatically
Ordinarily, when playing back SMF music files for Roland Piano
Digital instruments (p. 83), the left-hand part is assigned to the [Left]
button, and the right-hand part is assigned to the [Right] button.
However, right-hand and left-hand part assignments in certain SMF
music files may differ.
If these are set to “Auto,” and as a result you are unable to use the
track buttons to control the left- and right-hand parts properly,
change the setting to “2/1 Part” or “3/4 Part.”
* This setting can be used for SMF format songs other than the
internal preset songs. It will not affect internal preset songs.
Setting
After changing this setting, try selecting the song once again.
Description
The part assigned to each track will be determined
automatically, depending on the song file.
Assigns Part 1 to the [Right] button, Part 2 to the
[Left] button, and the remaining parts to the
[Accomp] button.
Assigns Part 4 to the [Right] button, Part 3 to the
[Left] button, and the remaining parts to the
[Accomp] button.
Type A
Type B
Stereo
* Note that some commercial player piano CDs cannot be played back
on the HP305/HP302.
General CDs for Player Piano contain audio and MIDI
data, and the data format may vary from one CD to
the next. If the CD’s data format does not match the
HP305/HP302’s settings, a “beep” will sound.
Certain general Piano player CDs may not be
playable on the HP305/HP302.
Commercial Audio CD
(CDs other than those designed for use with the
player piano)
60
Page 59
Various Settings
Storing Your Settings
(Memory Backup)
The settings you edit in Function mode will return to their factoryset values when you turn off the power, but the “Memory Backup”
function lets you store these settings so that they will not change
even when you turn off the power.
Enter Function mode, choose “buP” (p. 55).
1.
fig.d-Backup2.epsfig.d-EQ-Param.eps
2.
To save the settings, press the [
A confirmation message will appear.
fig.d-EQ-Param.eps
If you decide to cancel, press the [
3.
To execute the operation, press the [
When the memory backup has been completed, the display will
indicate “Fnc.”
fig.d-EQ-Param.eps
] button.
] button.
] button.
Restoring the Factory Settings
(Factory Reset)
When you execute the “Factory Reset” function, the settings you’ve
edited in Function mode will be restored to their factory-set state.
Execute this function when you want the settings you saved using
the Memory Backup function to be restored to the state they were
in when you purchased the HP305/HP302.
When you execute “Factory Reset,” all stored settings will be
erased and returned to the factory settings.
This function will not erase the songs from internal memory or
external memory such as separately sold USB memory.
If you want to erase internal memory or external memory such
as USB memory, refer to “Initializing the Memory” (p. 63).
1.
Enter Function mode, choose “Fct” (p. 55).
fig.d-EQ-Param.eps
2.
To execute Factory Reset, press the [
A confirmation message will appear.
fig.d-EQ-Param.eps
] button.
Never turn off the power while the settings are being saved.
For details on the items that are saved, refer to “Parameters
Stored in Memory Backup” (p. 82).
If you decide to cancel, press the [
3.
If you’re sure you want to execute, press the [
] button.
button.
The factory reset will be executed.
When the Factory Reset has been completed, the following display
will appear.
fig.d-EQ-Param.eps
Never turn off the power while the Factory Reset is being
executed.
Turn the power off, and then on again (p. 21).
4.
]
61
Page 60
Connecting to Other Devices
Connecting a Media
You will be able to accomplish the following once you've connected external media (CD drive, floppy disk drive, or USB memory).
Device
CD drive
Floppy disk drivePlay back SMF music files, and save performance data
USB memoryPlay back SMF music files, save performance data, and play back audio files
* If you’re using new USB memory, you’ll need to initialize (format) it on the HP305/HP302. For details, refer to “Initializing the Memory” (p. 63).
Installing the CD Drive
Attach the CD drive as shown the figure, using the mounting holes
on the HP305/HP302’s bottom panel.
* For details on installation and connections, refer to the owner’s
manual of the CD drive.
fig.aaa
What you can do
Play back music CDs, SMF music files, and songs from a VIMA CD-ROM (VIMA TUNES sold by Roland)
Installing the Floppy Disk Drive
Attach the floppy disk drive as shown the figure, using the
mounting holes on the HP305/HP302’s bottom panel.
* For details on installation and connections, refer to the owner’s
manual of the floppy disk drive.
fig.aaa
* Use a CD drive sold by Roland. We cannot guarantee operation if
any other CD drive is used.
Precautions Concerning Use of the CD
• You cannot play back CD-R/RW disks to which audio tracks
have been added or CDs containing both audio tracks and data
(CD Extra).
• The HP305/HP302 is capable of playing back only commercial
CDs that conform the official standards-those that carry the
“COMPACT DISC DIGITAL AUDIO” logo.
• The usability and sound quality of audio discs that incorporate
copyright protection technology and other non-standard CDs
cannot be guaranteed.
• For more detailed information on audio discs featuring
copyright protection technology and other non-standard CDs,
please consult the disc vendor.
• You cannot save songs and styles to CDs, and you cannot
delete songs or styles recorded to CDs. Furthermore, you
cannot format CDs.
* For the purposes of the explanation here, certain portions of the
stand have been left out.
* Use a floppy disk drive sold by Roland. We cannot guarantee
operation if any other floppy disk drive is used.
Connecting USB Memory
Connect the USB memory to the External Memory connector as
shown the figure.
fig.aaaa
* Carefully insert the USB Memory all the way in—until it is firmly in
place.
* Use a USB memory sold by Roland. We cannot guarantee operation
if any other USB memory is used.
62
Page 61
Connecting to Other Devices
Initializing the Memory
Here’s how you can completely erase all songs that were saved in
internal memory, USB memory (sold separately), or a floppy disk
(sold separately).
Once an initialization is performed, all songs that have been
saved in memory will be erased. The erased data cannot be
recovered, so we recommend that you check the contents of
memory before you proceed.
If you’re using new USB memory (sold separately) or floppy
disk with the HP305/HP302 for the first time, you’ll need to
initialize (format) the USB memory or floppy disk before using
it. The HP305/HP302 can’t use USB memory or floppy disk that
has not been initialized.
If you want to initialize USB memory or a floppy disk, make the
following preparations before you proceed.
• Connect your USB memory to the external memory connector.
• Connect your floppy disk drive to the external memory
connector, and insert a disk in the drive.
1.
Enter Function mode, choose “FMt.”
fig.aaaa
Caution when Initializing the Memory
FM
• Never turn off the power while “
• If the screen indicates “E,” please refer to “Error Messages” (p.
77).
• Initializing the HP305/HP302’s internal memory will not
initialize settings other than the contents of internal memory. If
you want to return settings other than the contents of internal
memory to their factory-set condition, execute the Factory
Reset operation (p. 61).
• Don’t disconnect the USB memory until USB memory
initialization has been completed.
• While a floppy disk is being initialized, do not eject the disk
from the floppy disk drive or disconnect the cable of the disk
drive.
t” is shown in the display.
Changing the External Memory Setting
(External Memory Mode)
In some cases, when USB memory is connected to the external
memory connector, it may take longer for data to be loaded, or data
may fail to be loaded successfully. If this occurs, you may be able to
solve the problem by changing the external memory setting
Press the [-] or [+] button to select the memory that you
2.
want to initialize.
Setting
Internal Memory
External Memory
3.
Press the [
A confirmation message will appear.
fig.aaaa
If you press the [
screen without initializing.
Press the [
4.
Initialization will begin.
The entire contents of the selected memory will be erased.
Once the memory has been initialized, the following screen will
appear.
Description
Internal memory
USB memory, Floppy disk
] button.
] button, you’ll return to the previous
] button.
Enter Function mode, choose “UMd.”
1.
fig.aaaa
2.
Press the [-] or [+] button to edit the setting.
Setting
3.
If you change this setting, turn on the power once again.
This setting is remembered even when the power is turned off.
Description
Mode1
Mode2
63
Page 62
Connecting to Other Devices
Selecting a song
Button operations
Order in which memories are selected
Select a song that’s inside a folder
1. Press the [Display] button a number of times so the “Song” indicator is
lit.
2. Press the [-] button.
If there are folders, they are indicated as shown at the right.
3. Press the [] button.
Playing Back Songs on External Media
You can play back songs from a CD, USB memory, or a floppy disk.
You can play back songs that are music data (p. 83) or audio files (p. 76).
1.
Prepare the external media that contains the song you
want to play.
Insert the floppy disk into the floppy disk drive, or the CD into the
CD drive.
2.
Press the [Display] button a number of times so the Song
indicator will light.
3.
Select the song that you want to play back.
Refer to “Selecting a song” below.
4.
Press the [
For details on operations during playback, refer to step 3 of “Playing
Back Songs” (p. 39)
] button.
Select a song
* Press the [-] or [+] button to select a song.
The song to be
newly recorded
Songs from CD, USB memory,
or floppy disk
* This cannot be selected if nothing
is connected to the external memory
connector.
Shown for audio files
Songs from internal memory
* This cannot be selected if there
are no songs.
Internal songs
The first song in the folder will be selected.
If the folder contains no songs, or if the first song is selected when you press the
[-]button, the right display will appear. Here you can press the [] button to
exit the folder.
* If a single folder contains more than 500 files or folders, some files or folders might
not be displayed.
64
Page 63
Connecting to Other Devices
Adjusting the Volume of an Audio File or
Music CD
You can adjust only the volume of an audio file or music CD.
1.
Play back the audio file or music CD (p. 64).
2.
Hold down the [
] button and press the [-] or [+]
button.
Setting
0 – 10
Changing the Tempo of an Audio File or
Music CD
You can change the tempo of an audio file or a song from a music
CD.
Press the [Display] button a number of times so the
1.
“Song” and “Tempo“ indicator is lit.
2.
Press the [-] or [+] button.
Setting
75 – 100 – 125 (%)
If you select a different song or turn off the power, the tempo
will revert to a setting of “100.”
Changing the Playback Pitch of a Song
(Playback Transpose)
You can also change the playback pitch for a music CD song or an
audio file (Playback Transpose; p. 42).
Minimizing the Sounds in the Center
(Center Cancel)
Sounds on a music CD or audio file that are heard from the center
(typically the vocal or melody instrument) can be minimized in the
playback.
Play back the audio file or music CD (p. 64).
1.
Press the [Right] button so its light is turned off.
2.
The volume of the melody or vocal will decrease.
* For some songs, the sound heard from the center may not
disappear completely.
To turn off the Center Cancel function, press the [Right] button.
The Center Cancel function will also be turned off when you
select a different song.
* For some songs, using Center Cancel may affect the tonal character.
You can connect a commercially available USB CD drive to the
HP305/HP302, and play back separately sold CD-ROMs created for
the VIMA (VIMA TUNES p. 83).
Songs on VIMA CD-ROM (VIMA TUNES) are programmed with
“recommended tones” suitable for each song.
When you select a song from a VIMA CD-ROM (VIMA TUNES),
recommended tones will be assigned to the HP305/HP302’s
[E. Piano], [Strings], and [Others] tone buttons, and these three
tone buttons will blink. When you press a flashing Tone button, the
recommended tone is then selected, enabling you to perform the
selected song using a tone matched to that song as it plays back.
You can set the HP305/HP302 so that the recommended tones are
automatically assigned or not assigned.
1.
Enter Function mode, choose “rtn” (p. 55).
Play back the audio file or music CD (p. 64).
1.
While holding down the [Transpose] button, press the [-]
2.
or [+] button.
Setting
-6 – 0 – 5 (semitone units)
* If you’ve selected a music CD song or audio file, using Playback
Transpose may affect the tonal character.
Press the [-] or [+] button to switch “On” or “OFF.”
2.
Setting
On
OFF
This is set to “On” at the factory.
Description
When you select a song from a VIMA CD-ROM (VIMA TUNES),
recommended tones will automatically be assigned to the
HP305/HP302’s [E. Piano], [Strings], and [Others] tone buttons.
The recommended tones are not used, and only the HP305/
HP302’s internal tones can be selected.
65
Page 64
Connecting to Other Devices
Saving Your Recorded Performance on
External Memory
Here’s how to save your recorded performance to USB memory or a
floppy disk.
Getting ready to save
1.
Enter Function mode, choose “SAv”(p. 55).
Selecting the Save destination for the Song
1.
Press the [-] or [+] button to choose “EXt“ (external
memory).
* If there is no song to save, the following screen will not appear.
fig.aaaa
2.
Press the [
A screen in which you can select the save-destination number will
appear
] button.
Deleting a Song from External Memory
Here’s how to delete a song that you saved on USB memory or a
floppy disk.
Getting ready to delete
Enter Function mode, choose “dEL”(p. 55).
1.
Selecting the song to delete
1.
Press the [-] or [+] button to choose “EXt“ (external
memory).
* If there is no song to delete, the following screen will not appear.
fig.aaaa
Press the [
2.
A screen in which you can select the delete-destination number will
appear
] button.
Press the [-] or [+] button to select the save destination.
3.
Select a number at which no song has been saved.
If the dot in the lower right of the display is lit, a song has already
been saved in that number.
If you want to erase an unwanted song and replace it with the newly
saved song, select the number of the unwanted song.
Lit if a song has been saved
Saving the Song
1.
Press the [
The display will indicate “Sur.”
If you decide not to save the song, press the [] button.
Press the [
2.
The song will be saved.
Never turn off the power while the display indicates “SAv”
] button.
] button.
3.
Press the [-] or [+] button to select the delete destination.
Deleting the song
Press the [
1.
The display will indicate “Sur.”
If you decide not to delete the song, press the [] button.
Press the [
2.
The selected song will be deleted.
Never turn off the power while the display indicates “dEL.”
* You can’t select another song if the recorded performance has not
been saved. Please save the recorded performance (p. 44).
] button.
] button.
* You can’t select another song if the recorded performance has not
been saved. Please save the recorded performance (p. 44).
66
Page 65
Connecting to Other Devices
Portable audio
player, etc.
Portable audio
player, etc.
Input jacks
Input jacks
HP305HP302
1/4” plug
RCA pin
Connecting to Audio Equipment
If you connect the HP305/HP302 to powered speakers or to an audio system that has line input jacks, you’ll be able to hear the HP305/HP302’s sound
from your powered speakers or audio system. If you connect your digital audio player or other audio playback device to the HP305/HP302’s, you’ll be
able to hear its sound via the HP305/HP302. Use audio cables (sold separately) to make connections.
Caution when making audio connections
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before
making any connections.
When connection cables with resistors are used, the volume level of equipment connected to the inputs jacks may be low. If this happens, use
connection cables that do not contain resistors.
Having Audio from an External Device be Sounded Through the HP305/HP302.
fig.aaaa
1.
Turn the volume all the way down on the HP305/HP302
and on the audio device you’re about to connect.
Turn off the power to the HP305/HP302 and audio
2.
device.
Use audio cables (sold separately) to make the
3.
connection.
Switch on the connected audio device.
4.
5.
6.
Switch on the HP305/HP302.
Adjust the volume level on the HP305/HP302 and the
connected audio device.
The sounds from the connected audio device are played by the
HP305/HP302.
Adjust the volume by using the controls of your audio device.
Turning Off the Power
1.
Turn the volume all the way down on the HP305/HP302
and on the audio device you’re about to connect.
2.
3.
Turn off the HP305/HP302.
Turn off the connected audio device.
67
Page 66
Connecting to Other Devices
Amplified Speakers,
Audio System, etc.
Input (Line In)
Output Jacks
Output Jacks
Input (Line In)
HP305HP302
1/4” plug
1/4” plug
Connecting Speakers to the HP305/HP302 and Outputting Sounds
fig.aaaa
Turn the volume all the way down on the HP305/HP302
1.
and on the device you’re about to connect.
Turn off the power to the HP305/HP302 and speakers.
2.
Use audio cables (sold separately) to make the
3.
connection.
Switch on the HP305/HP302.
4.
Switch on the connected speakers.
5.
Adjust the volume level on the HP305/HP302 and the
6.
connected speakers.
When you play the HP305/HP302’s keyboard, the sound is played
from the connected speakers.
Turning Off the Power
Turn the volume all the way down on the HP305/HP302
1.
and on the speakers you’re about to connect.
Turn off the connected speakers.
2.
Turn off the HP305/HP302.
3.
68
Page 67
Connecting to Other Devices
OUT
MIDI
IN
MIDI Sequencer
MIDI cable
MIDI Out/In connectors
MIDI Out/In connectors
OUT
MIDI
IN
MIDI Sequencer
MIDI cable
HP305HP302
Connecting to MIDI Devices
By connecting an external MIDI device and exchanging performance data, you can control one device from the other.
For instance, you can output sound from the other instrument or switch Tones on the other instrument.
What’s MIDI?
MIDI, short for “Musical Instrument Digital Interface,” was developed as a universal standard for the exchange of performance data between
electronic instruments and computers.
The HP305/HP302 is equipped with MIDI connectors to let it exchange performance data with external devices. These connectors can be used to
connect the HP305/HP302 to an external device for even greater versatility.
Connecting a MIDI Sequencer to the HP305/HP302
fig.aaaa
* When the HP305/HP302 is connected to a MIDI sequencer, set it to
“Local Off.” Refer to “Preventing Doubled Notes When Connected to
a Sequencer (Local Control)” (p. 71).
69
Page 68
Connecting to Other Devices
THRUOUT
MIDI
IN
MIDI Sound Module
MIDI cable
MIDI Out connector
MIDI Out connector
THRUOUT
MIDI
IN
MIDI Sound Module
MIDI cable
HP305HP302
Producing Sounds from a MIDI Sound Module by Playing the HP305/HP302
fig.aaaa
Making the Connection
Turn the volume all the way down on the HP305/HP302
1.
and on the MIDI device.
Switch off the power to the HP305/HP302 and the MIDI
2.
device.
Use a MIDI cables (sold separately) to connect the MIDI
3.
connectors to each other.
4.
Switch on the power to the HP305/HP302 and the
connected MIDI device.
5.
Adjust the volume level on the HP305/HP302 and the
connected MIDI device.
6.
You should also set the MIDI transmit channel as needed.
For details on the MIDI transmit channel, refer to “MIDI
Transmit Channel Settings (MIDI Transmit Channel)” (p. 71).
70
Page 69
Preventing Doubled Notes When
Local On
Sound is emitted
Sound Generator
Connected to a Sequencer (Local Control)
When you have a MIDI sequencer connected, set this parameter to
Local Off.
Since the Thru function of your sequencer will normally be turned
on, notes played on the keyboard or played back by the recorder
will be transmitted to the sound generator by the two routes (1) and
(2) shown in the illustration, causing notes
to be sounded in duplicate or to be cut off unnaturally. To prevent
this, the setting called “Local Off” is used to disconnect the route in
(1).
fig.aaaa
Local On:
fig.aaaa
Local On
(1)
Sound
Generator
Each note played is sounded twice
The keyboard and recorder are connected to the internal sound
generator.
MIDI
IN
MIDI
OUT
MIDI
OUT
MIDI
IN
Sequencer
Soft Thru On
(2)
Memory
Connecting to Other Devices
2.
Press the [-] or [+] button to switch “On” or “OFF.”
Setting
On
OFF
Description
The Local Control is set to On.
The keyboard and recorder are connected to the internal
sound generator.
The Local Control is set to Off.
The keyboard and recorder are not connected to the internal
sound generator. Playing the keyboard or playing back a song
will not produce sound.
This setting specifies the MIDI channel on which the HP305/HP302
will transmit. MIDI uses sixteen “MIDI channels,” which are
numbered 1 through 16. By connecting MIDI devices and specifying
the appropriate MIDI channel for each device, you can play or select
sounds on those devices.
The HP305/HP302 will receive all sixteen channels (1–16).
Enter Function mode, choose “Ch” (p. 55).
1.
Local Off:
The keyboard and recorder are not connected to the internal sound
generator. No sound will be produced by the keyboard when it is
played.
fig.aaaa
1.
Enter Function mode, choose “L. Ct”(p. 55).
No sound produced
Sound Generator
Local Off
2.
Press the [-] or [+] button to edit the setting.
Setting (Channel)
OFF, 1–16
When set to “OFF,” none of the data describing what you play
on the keyboard will be transmitted.
Sending Recorded Performance Data to a
MIDI Device (Composer MIDI Out)
When Composer MIDI Out is “On,” you can send performance data
recorded with the HP305/HP302 to a connected MIDI device or
computer.
1.
Enter Function mode, choose “Out”(p. 55).
Press the [-] or [+] button to switch “On” or “OFF.”
2.
Setting
On
OFFPerformance data is not transmitted.
Description
Performance data is transmitted.
71
Page 70
Connecting to Other Devices
USB connector
USB connector
USB cable
Computer
USB connector
USB connector
USB cable
Computer
HP305HP302
Connecting a Computer
The following become possible once you connect a USB cable (available separately) between the USB connector on the HP305’s left end of the bottom
panel or HP302’s rear panel and the USB connector of your computer.
• You can use the HP305/HP302 to play sounds from SMF music files played back with MIDI software.
• By exchanging MIDI data with sequencer software, you can save songs recorded with the HP305/HP302 to your computer, and enjoy a variety of
musical control and editing features.
fig.aaa
* Connect the HP305/HP302 to your computer as shown below.
Changing the USB Driver Settings (USB Driver)
Normally, you don’t need to install a driver in order to connect the HP305/HP302 to your computer. However, if some problem occurs, or if the
performance is poor, using the Roland original driver may solve the problem.
Specify the USB driver you want to use, and then install the driver.
1.
Enter Function mode, choose “USb” (p. 55).
2.
Press the [-] or [+] button to switch “GEn” or “OrG.”
Setting
Generic
Original
If you change this setting, turn on the power once again.
Description
Choose this if you want to use the standard USB
driver that was included with your computer.
Normally, you should use this mode.
Choose this if you want to use a USB driver
downloaded from the Roland website.
This setting is remembered even when the power is turned off.
For details on downloading and installing the Roland original
driver, refer to the Roland website.
Roland website
Here you can download the original driver, and view the
installation procedure and operating requirements.
Roland website: http://www.roland.com/
72
Page 71
Connecting to Other Devices
Using the V-LINK Function
Connecting the HP305/HP302 to a V-LINK compatible image device allows you to control the images with the HP305/HP302.
* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before
making any connections.
V-LINK
V-LINK () is a function that allows music and images to be performed together. By using MIDI to connect two or more V-LINK
compatible devices, you can easily enjoy performing a wide range of visual effects that are linked to the expressive elements of a music
performance.
fig.aaa
1.
Hold down the [Reverb] button and press the
[Transpose] button.
fig.aaa
When V-LINK is on, the bars at the bottom of the display will be lit.
You can control images using the twelve keys at the left end of the
keyboard.
fig.aaa
C1 D1 E1 F1 G1A0
B0
A0 – G#1
* While V-LINK is switched on, no sound is produced when you press
any of the twelve keys at the left end of the keyboard.
To cancel V-LINK, hold down the [Reverb] button and press the
[Transpose] button.
Specifying the V-LINK Transmit Channel
Here’s how to specify the channel on which messages used to
control video will be sent.
Enter Function mode, choose “vLn” (p. 55).
1.
Use the [-] or [+] button to edit the setting.
2.
Setting
1–16
73
Page 72
Troubleshooting
If you think there’s a problem, read this first.
Symptom
Power does not turn on
Pedal does not work, or is “stuck”
Unable to read from/write to USB memory
“Buzz” is heard from external devices
Device connected to the Input jacks have
insufficient volume
Cause/ActionPage
Is the power cord connected correctly?p. 18
Is the pedal connected correctly?
Plug the cable firmly into the pedal connector.
If you disconnect the pedal cord from the HP305/HP302 while the power is on, the pedal effect may remain
“stuck” in the On condition.
You must power-off the HP305/HP302 before connecting or disconnecting the pedal cord.
Could you have changed how the pedal effect is applied?
If the right pedal part is set to Right, the pedal will apply only to the right tone; if it is set to Left, the pedal will
apply only to the left tone.
Could Twin Piano be turned on?
If Twin Piano is on, the right pedal will affect only the right-hand keyboard zone and the left pedal will affect only
the left-hand keyboard zone.
Could you have changed the function of the pedal?
If you’ve switched the function of the soft pedal or sostenuto pedal, these pedals will not operate as the soft
pedal or sostenuto pedal.
Are you using (optional) Roland USB memory?
Reliable performance cannot be guaranteed if you use non-Roland USB memory products.
If you are unable to read or write USB memory successfully, change the External Memory setting.p. 63
Are the external devices connected to more than one AC power outlet?
If you connect external devices, be sure to connect them to the same AC outlet.
Could you be using a connection cable that contains a resistor?
Use a connection cable that does not contain a resistor.
p. 18
—
p. 59
p. 32
p. 59
—
—
—
No sound
No sound
No sound when you play back a song
No sound from the leftmost notes of the
keyboard
No sound (when a MIDI device is connected)
Could the HP305/HP302’s volume or the volume of the connected equipment be turned down?p. 21
Could headphones be connected?
Could there be a plug inserted in a headphone jack?
The speakers will not produce sound if headphones or plug are connected to the headphone jacks.
Has Local Control been set to “OFF”?
When Local Control is set to Off, no sound is produced by playing the keyboard. Set Local Control to On.
Could Twin Piano mode be set to “2(Individual)”?
If you connect headphones when Twin Piano is “on” and the mode setting is “2 (Individual),” you might not hear
any sound, depending on how the headphones are connected.
Has Local Control been set to “OFF”?
When Local Control is set to Off, no sound is produced by playing the song. Set Local Control to On.
Could the song volume be set to “0”?p. 41
Is V-LINK switched on?
When V-LINK is on, the lowest twelve notes of the keyboard are used to control the image, and will not produce
sound.
Are all devices powered on?—
Are the MIDI cables connected correctly?p. 69
Do the MIDI channels of the HP305/HP302 and the connected device match?p. 70
p. 23
p. 71
p. 33
p. 71
p. 73
74
Page 73
Troubleshooting
Symptom
Notes don’t sound right
Pitch of the keyboard or song is incorrect
Not all the notes you play are sounded
Sounds are heard twice (doubled) when the
keyboard is played
The wrong instrument is selected when you
press the [E. Piano], [Strings], or [Others]
button
Effect does not apply
Reverberation remains even if You defeat the
Reverb effect
Cause/ActionPage
Could you have made Transpose settings?p. 37
Is the Master Tune setting appropriate?p. 58
Is the setting for the Temperament correct?p. 58
Is the settings for the Stretch Tuning correct?p. 58
The maximum simultaneous polyphony is 128 voices. If you are playing along with a song and making heavy use
of the damper pedal, the number of notes the HP305/HP302 is attempting to produce may exceed the maximum
polyphony, meaning that some of the notes will drop out.
Is the HP305/HP302 in Dual play?p. 31
When the HP305/HP302 is connected to an external sequencer, set the Local Control to off. Alternatively, the
sequencer could be set so its Soft Thru feature is Off.
Tone buttons [E. Piano] [Strings] [Others] also operate as buttons that select “Recommended Tones.”
With the factory settings, connecting a commercially-available CD-ROM drive to the external memory connector
and selecting a song from a CD-ROM produced for the VIMA (VIMA TUNES) will automatically cause sounds
appropriate for that song to be assigned to the [E. Piano], [Strings], and [Others] Tone buttons, so that you can
select “recommended” sounds by pressing one of these buttons.
You can also make settings so that “recommended” sounds are not automatically assigned.
When you are using Dual play or Split play, and different effects are specified for the two selected tones, the
effect will not be applied to Tone 2 (when using Dual play) or the left-hand tone (when using Split play).
The HP305/HP302’s piano sound faithfully simulates the depth and resonance of an acoustic piano, and this may
give the impression of reverberation even if you’ve defeated the Reverb effect.
—
p. 71
p. 73
—
—
The sound of the higher notes suddenly
changes from a certain key
High-pitched ringing is heard
Low notes sound wrong, or are buzzy
Song does not play correctly
Song won’t play
On an acoustic piano, the approximately one and a half octaves of notes at the top of the keyboard will continue
sounding regardless of the damper pedal. These notes also have a somewhat different tonal character. HP305/
HP302 faithfully simulate this characteristic of acoustic pianos. On the HP305/HP302, the range that is unaffected
by the damper pedal will change according to the key transpose setting.
If you hear this in headphones:
Piano sounds that have a brilliant and crisp character contain substantial high-frequency components that may
sound as though a metallic ringing has been added. This is because the character of an actual piano is being
faithfully reproduced, and is not a malfunction. This ringing is more obtrusive if the reverb effect is applied
heavily, so you may be able to minimize it by decreasing the reverb.
If you don’t hear this in headphones:
It is likely that there is some other reason (such as resonances within the unit). Please contact your dealer or a
nearby Roland service center.
If you set the volume to the maximum setting, the sound may be distorted depending on how you perform.
If this occurs, turn down the volume.
If you don’t hear this in headphones:
Performing at high volumes may cause the speakers or objects near the HP305/HP302 to resonate. Fluorescent
lights or glass doors may also resonate sympathetically. In particular, this is more likely to occur for lower notes
and higher volumes. You can take the following measures to minimize resonances.
• Locate the speakers 10–15 cm away from walls or other surfaces.
• Keep the volume down.
• Move away from the objects that are resonating.
If you hear this in headphones:
It is likely that there is some other reason. Please contact your dealer or a nearby Roland service center.
Could the screen be indicating “dEL”?
You can’t play back an internal song if internal memory contains performance data you recorded. Erase the
performance data you recorded before you play back the song.
—
—
p. 21
—
p. 44
Only the sound of a particular instrument in a
song does not play
Sound is heard from a muted track
Could a track be muted?
If the button indicator is out, the music on that track is not heard. Press the track button so the indicator is
illuminated.
Could the mute volume be set to other than “0”?
If you set this to “0,” the sound of a muted track will be completely inaudible.
p. 40
p. 60
75
Page 74
Troubleshooting
Symptom
Song volume is low
Can’t play back a song saved in USB memory
Song tempo becomes unstable
Can’t record / play back
Can’t record
The recorded performance disappeared
Functions that cannot be used with audio file playback
• Reverb (p. 29)
• Saving to internal memory (p. 46)
• Playback (muting) of individual parts (p. 40)
Cause/ActionPage
Could the song volume be lowered?p. 41
Could the Audio files of the format be played?
Audio files of the following format can be played back.
• File extension “.WAV”
• 16-bit linear
• “44.1 kHz” sampling rate
Is the filename extension “MID”?
Files with other filename extensions cannot be handled as song data.
When playing a song from USB memory, the tempo may become unstable if there is an excessive amount of
performance data.
Has one of the track buttons for recording been selected?
You cannot record audio files.—
Your recorded performance will disappear if you switch off the HP305/HP302’s power or select a song.
There is no way to recover the lost performance. Before you turn off the power, save your recorded performance
in internal Memory.
—
—
—
p. 50
p. 53
p. 46
76
Page 75
Error Messages
Indication
Meaning
You can only read the music file. It can not be saved.
An error occurred during writing.
The external media’s protect tab may be in the “Protect” (writing prohibited) position, or the external media may not yet be initialized.
No external media is inserted. Insert the external media and try again.
There is not sufficient free memory in the save destination. Either insert other external media or delete unneeded files and try again.
An error occurred during reading. The external media may be corrupted.
Insert other external media and try again. Alternatively, you can initialize the external media.
The file is unreadable. The data format is not compatible with the HP305/HP302.
Data was not called up in time for playback of the song. After waiting several seconds, you may be able to play back the song by
pressing the [
This audio format is not supported.
Please use 44.1 kHz 16-bit linear WAV format audio files.
] button again.
The internal memory capacity of the HP305/HP302 is full.
The HP305/HP302 cannot deal with the excessive MIDI data sent from the external MIDI device. Reduce the amount of MIDI data sent
to the HP305/HP302.
A MIDI cable has been disconnected. Connect it properly and securely.
A MIDI transmission error has occurred. Check the MIDI cable and connected MIDI device.
There may be a problem with the system. Repeat the procedure from the beginning. If it is not solved after you have tried several times,
contact the Roland service center.
The External Memory connector was subjected to excessive current. Make sure that there is no problem with the external media, then
turn the power off, then on again.
The Panel Lock function is on (p. 38).
The Twin Piano function is on (p. 32).
If you record a performance, then select a song before you’ve saved your recording, “dEL” will appear, flashing, in the display (p. 44).
* External Media: USB memory, Floppy Disk, CD-ROM, etc.
77
Page 76
Tone List
Piano
No.
Name
Grand Piano1
1
2Piano + Str.
3Harpsichord
4Grand Piano2
5Piano + Pad
6Grand Piano3
7MagicalPiano
8Rock Piano
9Piano+Choir
10Honky-tonk
11Coupled Hps.
E. Piano
No.
Name
1
Pop E.Piano
2Vintage EP
3FM E.Piano
4Vibraphone
5EP Belle
6Celesta
7’60s E.Piano
8Clav.
9Mallet Isle
10Morning Lite
11Marimba
12Stage Phaser
13Ballad Bells
14’70s E.Piano
15E.Grand
Strings
No.Name
1
Rich Strings
2OrchestraStr
3Orchestra
4ChamberWinds
5Harp
6Violin
7Velo Strings
8Flute
9Cello
10OrchestraBrs
11PizzicatoStr
12DecayStrings*
* Tones indicated by “*” are suitable for
playing layered with a piano tone.
Others
No.
Name
ChurchOrgan1
1
2ChurchOrgan2
3Combo Jz.Org
4Ballad Organ
5Accordion
6Nason flt 8’
7Gospel Spin
8Full Stops
9Mellow Bars
10Light Organ
11Lower Organ
12’60s Organ
13Aerial Choir
14Jazz Scat
15Harpvox
16Glass Pad
17Angels Choir
18Beauty Vox
19Soft Pad
20Female Aahs
21Male Aahs
22Thum Voice
23Lunar Strngs
24Decay Choir *
25Dcy ChoirPad*
26Nylon-str.Gt
27Steel-str.Gt
28Jazz Guitar
29AcousticBass
30A.Bass+Cymbl
31FingeredBass
32BrassSection
33Alto Sax
34Tenor Sax
GM2
35
STANDARD Set
36ROOM Set
37POWER Set
38ELEC.Set
39ANALOG Set
40JAZZ Set
41BRUSH Set
42ORCH.Set
43SFX Set
* 035–043 are drum sets.
Name
No.
44
Piano 1
45Piano 1w
46Piano 1d
47Piano 2
48Piano 2w
49Piano 3
50Piano 3w
51Honky-tonk
52Honky-tonk w
53E.Piano 1
54Detuned EP 1
55Vintage EP
56’60s E.Piano
57E.Piano 2
58Detuned EP 2
59St.FM EP
60EP Legend
61EP Phase
62Harpsichord
63Coupled Hps.
64Harpsi.w
65Harpsi.o
66Clav.
67Pulse Clav.
68Celesta
69Glockenspiel
70Music Box
71Vibraphone
72Vibraphone w
73Marimba
74Marimba w
75Xylophone
76TubularBells
77Church Bell
78Carillon
79Santur
80Organ 1
81TremoloOrgan
82’60s Organ
83Organ 2
84Perc.Organ 1
85Chorus Organ
86Perc.Organ 2
87Rock Organ
88Church Org.1
89Church Org.2
78
Page 77
Tone List
Name
No.
90
Church Org.3
91Reed Organ
92Puff Organ
93Accordion 1
94Accordion 2
95Harmonica
96Bandoneon
97Nylon-str.Gt
98Ukulele
99Nylon Gt o
100Nylon Gt 2
101Steel-str.Gt
10212-str.Gt
103Mandolin
104Steel+Body
105Jazz Guitar
106Hawaiian Gt
107Clean Guitar
108Chorus Gt 1
109Mid Tone Gt
110Muted Guitar
111Funk Guitar1
112Funk Guitar2
113Chorus Gt 2
114Overdrive Gt
115Guitar Pinch
116DistortionGt
117Gt Feedback1
118Dist.Rtm Gt
119Gt Harmonics
120Gt Feedback2
121AcousticBass
122FingeredBass
123Finger Slap
124Picked Bass
125FretlessBass
126Slap Bass 1
127Slap Bass 2
128Synth Bass 1
129WarmSyn.Bass
130Synth Bass 3
131Clav.Bass
132Hammer
133Synth Bass 2
134Synth Bass 4
135RubberSyn.Bs
Name
No.
136
Attack Pulse
137Violin
138Slow Violin
139Viola
140Cello
141Contrabass
142Tremolo Str.
143PizzicatoStr
144Harp
145Yang Qin
146Timpani
147Strings
148Orchestra
149’60s Strings
150Slow Strings
151Syn.Strings1
152Syn.Strings3
153Syn.Strings2
154Choir 1
155Choir 2
156Voice
157Humming
158Synth Voice
159Analog Voice
160OrchestraHit
161Bass Hit
1626th Hit
163Euro Hit
164Trumpet
165Dark Trumpet
166Trombone 1
167Trombone 2
168Bright Tb
169Tuba
170MuteTrumpet1
171MuteTrumpet2
172French Horn1
173French Horn2
174Brass 1
175Brass 2
176Synth Brass1
177Synth Brass3
178AnalogBrass1
179Jump Brass
180Synth Brass2
181Synth Brass4
Name
No.
182
AnalogBrass2
183Soprano Sax
184Alto Sax
185Tenor Sax
186Baritone Sax
187Oboe
188English Horn
189Bassoon
190Clarinet
191Piccolo
192Flute
193Recorder
194Pan Flute
195Bottle Blow
196Shakuhachi
197Whistle
198Ocarina
199Square Lead1
200Square Lead2
201Sine Lead
202Saw Lead 1
203Saw Lead 2
204Doctor Solo
205Natural Lead
206SequencedSaw
207Syn.Calliope
208Chiffer Lead
209Charang
210Wire Lead
211Solo Vox
2125th Saw Lead
213Bass+Lead
214Delayed Lead
215Fantasia
216Warm Pad
217Sine Pad
218Polysynth
219Space Voice
220Itopia
221Bowed Glass
222Metallic Pad
223Halo Pad
224Sweep Pad
225Ice Rain
226Soundtrack
227Crystal
79
Page 78
Tone List
Name
No.
228
Synth Mallet
229Atmosphere
230Brightness
231Goblins
232Echo Drops
233Echo Bell
234Echo Pan
235Star Theme
236Sitar 1
237Sitar 2
238Banjo
239Shamisen
240Koto
241Taisho Koto
242Kalimba
243Bagpipe
244Fiddle
245Shanai
246Tinkle Bell
247Agogo
248Steel Drums
249Woodblock
250Castanets
251Taiko
252Concert BD
253Melodic Tom1
254Melodic Tom2
255Synth Drum
256TR-808 Tom
257Elec.Perc.
258Reverse Cym.
259Gt FretNoise
260Gt Cut Noise
261BsStringSlap
262Breath Noise
263Fl.Key Click
264Seashore
265Rain
266Thunder
267Wind
268Stream
269Bubble
270Bird 1
271Dog
272Horse Gallop
273Bird 2
Name
No.
274
Telephone 1
275Telephone 2
276DoorCreaking
277Door
278Scratch
279Wind Chimes
280Helicopter
281Car Engine
282Car Stop
283Car Pass
284Car Crash
285Siren
286Train
287Jetplane
288Starship
289Burst Noise
290Applause
291Laughing
292Screaming
293Punch
294Heart Beat
295Footsteps
296Gun Shot
297Machine Gun
298Laser Gun
299Explosion
* In the tone group “Others” when you
hold down the [-] or [+] button to
switch tone in succession, the tones
will stop changing at number 35 and
number 44.
To select the next sound, release the
[-] or [+] button, then press it again.
80
Page 79
Internal Song List
k
Song NameComposer
No.
1
Polonaise op.53Fryderyk Franciszek Chopin
2Valse, op.34-1Fryderyk Franciszek Chopin
3Nocturne No.20Fryderyk Franciszek Chopin
4My Pleasure (*)Masashi Hirashita
5La Fille aux Cheveux de LinClaude Achille Debussy
6La CampanellaFranz Liszt
7Trio Grande (*)John Maul
8Scherzo No.2Fryderyk Franciszek Chopin
9Étude, op.10-12Fryderyk Franciszek Chopin
10Sonate No.15Wolfgang Amadeus Mozart
11Liebesträume 3Franz Liszt
12Étude, op.10-3 Fryderyk Franciszek Chopin
13Je te veuxErik Satie
14Valse, op.64-1Fryderyk Franciszek Chopin
15Golliwog’s CakewalkClaude Achille Debussy
16Fantaisie-ImpromptuFryderyk Franciszek Chopin
17Arabesque 1Claude Achille Debussy
18An der schönen, blauen DonauJohann Strauss, Sohn
19Auf Flügeln des GesangesFelix Mendelsshon
20Mazurka No.5Fryderyk Franciszek Chopin
21Gymnopédie 1Erik Satie
22Étude, op.25-1Fryderyk Franciszek Chopin
23Clair de LuneClaude Achille Debussy
24Étude, op.10-5Fryderyk Franciszek Chopin
25Dr. Gradus ad ParnassumClaude Achille Debussy
26Grande Valse BrillanteFryderyk Franciszek Chopin
27La prière d’une ViergeTekla Badarzewska
28Course en TroïkaPeter Ilyich Tchaikovsky
29To The SpringEdvard Hagerup Grieg
30Valse, op.64-2Fryderyk Franciszek Chopin
31Radetzky MarschJohann Baptist Strauss
32TräumereiRobert Alexander Schumann
33Moments Musicaux 3Franz Peter Schubert
34Prèlude, op.28-15Fryderyk Franciszek Chopin
35Harmonious BlacksmithGeorg Friedrich Händel
36Ungarische Tänze 5Johannes Brahms
37Türkischer MarschLudwig van Beethoven
38Nocturne No.2Fryderyk Franciszek Chopin
39FrühlingsliedFelix Mendelsshon
40PräludiumJohann Sebastian Bach
41JägerliedFelix Mendelsshon
42Menuet AntiqueMaurice Ravel
43Für EliseLudwig van Beethoven
44Türkischer MarschWolfgang Amadeus Mozart
45StändchenFranz Peter Schubert
Song NameComposer
No.
46Humoreske
47BlumenliedGustav Lange
48AlpenglöckchenTheodor Oesten
49Menuett G durLudwig van Beethoven
50Venezianisches GondelliedFelix Mendelsshon
51AlpenabendröteTheodor Oesten
52Farewell to the PianoLudwig van Beethoven
53BrautchorWilhelm Richard Wagner
54Battle of WaterlooWilma Anderson-Gilman
55Wiener MarschCarl Czerny
56Le CoucouLouis Claude Daquin
57Menuett G durJohann Sebastian Bach
58SpinnerliedAlbert Ellmenreich
59GavotteFrançois Joseph Gossec
60HeidenrösleinGustav Lange
61Zigeuner TanzHeinrich Lichner
62La CinquantaineGabriel Marie
63Csikos PostHermann Necke
64Dolly’s Dreaming AwakeningTheodor Oesten
65La VioletteLouis Streabbog
66Fröhlicher LandmannRobert Alexander Schumann
67Sonatine op.36-1Muzio Clementi
68Sonatine op.20-1Friedrich Kuhlau
69Sonatine No.5Ludwig van Beethoven
70Late Night Chopin (*)John Maul
71Fly Free (*)John Maul
72L’éveil de l’amour (*)Masashi Hirashita
Antonín Dvořá
* Songs marked by an asterisk (*) are original songs composed for
the Roland Corporation. The copyrights to these songs are owned
by the Roland Corporation.
* All rights reserved. Unauthorized use of this material for purposes
other than private, personal enjoyment is a violation of applicable
laws.
81
Page 80
Parameters Stored in Memory Backup
Items
Brilliance
Transpose Modep. 57
Dual Balancep. 58
Master Tuningp. 58
Stretch Tuningp. 58
Temperament (Temperament, Temperament Key)p. 58
Damper Resonancep. 59
String Resonancep. 59
Key Off Resonancep. 59
Damper Pedal Partp. 59
MIDI Transmit Channelp. 71
V-LINK Transmit Channelp. 73
Track Assignp. 60
CD/Audio Typep. 60
Reverb (On/Off, Depth)p. 29
Split Pointp. 36
Twin Piano Modep. 33
Key Touchp. 30
Settings stored immediately, whenever a change is made (Memory Backup procedure not needed)
USB Driver Setting
External Memory Modep. 63
Page
p. 57
p. 72
82
Page 81
Music Files That the HP305/HP302 Can Use
What Are Music Files?
Music files contains musical information such as how long the key for a corresponding pitch is played, the force applied to the key played, and other
such information. When the performance data (music file) is sent by the USB memory or CD-ROM, the song will be played exactly as specified by the
data. This is different than an audio CD, since the music file does not contain a recording of the sound itself. This makes it possible to change tempos
and keys freely, allowing you to use it in many different ways.
Regarding Copyright
Use of the song data supplied with the CD-ROM for any purpose other than private, personal enjoyment without the permission of the copyright
holder is prohibited by law. Additionally, this data must not be copied, nor used in a secondary copyrighted work without the permission of the
copyright holder.
Please be aware that if you create derivative works that are based on existing copyrighted material, such as commercially available SMF music files,
such works may violate copyright law if used for any purpose other than personal enjoyment. Roland takes no responsibility for any copyright
violation you may commit by creating such works.
The HP305/HP302 Allows You To Use the Following Music Files
VIMA TUNES
VIMA TUNES is a Roland specification for music files that contains
image and lyric data, allowing you to enjoy songs with lyrics and
images simultaneously. When data bearing the “VIMA TUNES” logo
is played back on a device that bears the same logo, lyrics can be
shown on the screen of a connected external display or television,
letting you enjoy karaoke or watch a slide show.
* This instrument (HP305/HP302) is not able to play back VIMA TUNES
images.
* You can specify whether the recommended tones will be assigned
automatically (p. 65).
SMF Music Files
SMFs (Standard MIDI Files) use a standard format for music file that
was formulated so that files containing music file could be widely
compatible, regardless of the manufacturer of the listening device.
An enormous variety of music is available, whether it be for
listening, for practicing musical instruments, for Karaoke, etc.
General MIDI
The General MIDI is a set of recommendations which seeks to
provide a way to go beyond the limitations of proprietary designs,
and standardize the MIDI capabilities of sound generating devices.
Sound generating devices and music files that meets the General
MIDI standard bears the General MIDI logo. Music files bearing the
General MIDI logo can be played back using any General MIDI sound
generating unit to produce essentially the same musical
performance.
General MIDI 2
The upwardly compatible General MIDI 2 recommendations pick up
where the original General MIDI left off, offering enhanced
expressive capabilities, and even greater compatibility. Issues that
were not covered by the original General MIDI recommendations,
such as how sounds are to be edited, and how effects should be
handled, have now been precisely defined. Moreover, the available
sounds have been expanded. General MIDI 2 compliant sound
generators are capable of reliably playing back music files that carry
either the General MIDI or General MIDI 2 logo.
In some cases, the conventional form of General MIDI, which does
not include the new enhancements, is referred to as “General MIDI
1” as a way of distinguishing it from General MIDI 2.
GS Format
The GS Format is Roland’s set of specifications for standardizing the
performance of sound generating devices. In addition to including
support for everything defined by the General MIDI, the highly
compatible GS Format additionally offers an expanded number of
sounds, provides for the editing of sounds, and spells out many
details for a wide range of extra features, including effects such as
reverb and chorus. Designed with the future in mind, the GS Format
can readily include new sounds and support new hardware features
when they arrive. Since it is upwardly compatible with the General
MIDI, Roland’s GS Format is capable of reliably playing back GM
Scores equally as well as it performs GS music files (music files that
have been created with the GS Format in mind).
XGlite
XG is a tone generator format of YAMAHA Corporation, that defines
the ways in which voices are expanded or edited and the structure
and type of effects, in addition to the General MIDI 1 specification.
XGlite is a simplified version of XG tone generation format. You can
play back any XG music files using an XGlite tone generator.
However, keep in mind that some music files may play back
differently compared to the original files, due to the reduced set of
control parameters and effects.
83
Page 82
MIDI Implementation Chart
Function...
Basic
Channel
Mode
Note
Number :
Velocity
After
Touch
Pitch Bend
Control
Change
Prog
Change
System Exclusive
System
Common
System
Real Time
Aux
Message
Notes
TransmittedRecognizedRemarks
Default
Changed
Default
Messages
Altered
True Voice
Note ON
Note OFF
Key’s
Ch’s
0, 32
1
5
6, 38
7
10
11
64
65
66
67
84
91
93
98, 99
100, 101
: True #
: Song Pos
: Song Sel
: Tune
: Clock
: Commands
: All sound off
:
Reset all controllers
: Local Control
: All Notes OFF
: Active Sense
: Reset
1
1
–16
Mode 3
x
O
O
15–113
x
x
x
O
x
x
x
x
x
O
O
x
O
O
x
O
x
x
x
O
O
O
O
O
O
O
O
O
O
O
O
O (Reverb)
O (Chorus)
O
O
0–127
**************
O
x
x
x
O
O
x
x
x
x
O
x
1–16
1–16
Mode 3
Mode 3, 4 (M=1)
O
O
0–127
0–127
O
O
O
O
0–127
O
x
x
x
x
x
O (120, 126, 127)
O
O
O (123–125)
O
x
Bank select
Modulation
Portamento time
Data entry
Volume
Panpot
Expression
Hold 1
Portamento
Sostenuto
Soft
Portamento control
Effect1 depth
Effect3 depth
NRPN LSB, MSB
RPN LSB, MSB
* 1 O x is selectable by Sys Ex.
* 2 Recognized as M=1 even if M=1.
**************
**************
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
* 2
Program number 1–128
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
DIGITAL PIANO
Model HP305/302
Date : Sep. 1, 2009
Version : 1.00
84
Page 83
Main Specifications
HP305/HP302: Digital Piano
<Keyboard>
Keyboard
Touch Sensitivity
Keyboard Mode
HP305: 88 keys (PHA II ivory feel Keyboard with Escapement)
HP302: 88 keys (PHA II Keyboard with Escapement)
Touch: 5 levels / Fixed Touch
Whole, Dual (volume balance adjustable), Split (split point adjustable), Twin piano
<Sound Generator> Conforms to GM2/GS/XGlite
Piano Sound
Max. Polyphony
Tones
Temperament
Stretched Tuning
Master Tuning
Transpose
Effects
SuperNATURAL Piano Sound
128 voices
337 tones (including 8 drum sets, 1 SFX set)
8 types, selectable temperament Key
On, Off
415.3–466.2 Hz (adjustable in increments of 0.1 Hz)
Transpose: -6–+5 (in semitones)
Playback Transpose (with Audio CD/Audio File): -6–+5 (in semitones)
Reverb (Off, 1–10),
Rotary Speaker Effect (only for organ tones, Slow/Fast),
Damper Resonance (Off, 1–10), String Resonance (Off, 1–10), Key Off Resonance (Off, 1–10)
<Recorder>
Tracks
Songs
Note Storage
Control
Tempo
Resolution
Metronome
3 tracks
Recorder section: 1 song
Internal Memory: Max. 99 songs
Approx. 30,000 notes
Song Select, Play/Stop, Rec, Rewinding, Fast-forwarding, Track Mute, Mute Volume, Tempo, Tempo Mute, All Songs Play,
Count-in, Song Volume
Center Cancel (only for audio playback)
Quarter note = 10 to 500, Audio Playback Speed: 75–125%
USB Memory
Floppy Disk (when using an optional floppy disk drive)
Standard MIDI Files (Format 0/1)
Roland Original Format (i-Format)
Audio File (WAV 44.1 kHz / 16-bit Linear Format)
Audio CDs (CD-DA) (when using a CD drive)
72 songs
HP305: 30 W x 2
HP302: 12W x 2
HP305: 12 cm x 2, 5 cm x 2
HP302: 12 cm x 2
7 segments, 3 characters, LED
Volume
Damper (capable of continuous detection), Soft (capable of continuous detection, function assignable),
Sostenuto (function assignable)
Other Function
Connectors
Power Consumption
Dimensions
Weight
Accessories
Panel Lock, Classic Position, V-LINK
AC inlet, Input jacks (L/Mono, R), Output jacks (L/Mono, R), USB connector, MIDI connectors (In, Out),
Phones jack (Stereo) x 2, External Memory connector
HP305: 85 W
HP302: 24 W
HP305
1387 (W) x 421 (D) x 1039 (H) mm (with Music Rest)
54-5/8 (W) x 16-5/8 (D) x 40-15/16 (H) inches
1387 (W) x 448 (D) x 867 (H) mm (without Music Rest)
54-5/8 (W) x 17-11/16 (D) x 34-3/16 (H) inches
HP302
1387 (W) x 424 (D) x 1036 (H) mm (with Music Rest)
54-5/8 (W) x 16-3/4 (D) x 40-13/16 (H) inches
1387 (W) x 424 (D) x 860 (H) mm (without Music Rest)
54-5/8 (W) x 16-3/4 (D) x 33-7/8(H) inches
HP305: 57.5 kg / 126 lbs 13 oz
58.5 kg / 129 lbs (Polished-finish pianos)
HP302: 53 kg / 116 lbs 14 oz
Owner’s Manual, Power Cord, AC adaptor (HP302), Music book, Headphones Hook,
Music Rest(HP302), Music Rest attachment screws(HP302)
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
86
Page 85
Index
A
AC Adaptor ..................................................................................... 18
AC In (AC Inlet) .............................................................................. 15
XG lite ............................................................................................... 83
88
Page 87
MEMO
Page 88
MEMO
Page 89
MEMO
Page 90
This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC. (HP305)
This product complies with the requirements of EMC Directive 2004/108/EC. (HP302)
For EU Countries
For Canada
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
NOTICE
AVIS
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
WARNING
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.
For C.A. US (Proposition 65
)
Model Name :
Type of Equipment :
Responsible Party :
Address :
Telephone :
HP305, HP302
Digital Piano
Roland Corporation U.S.
5100 S.Eastern Avenue, Los Angeles, CA 90040-2938
(323) 890-3700
DECLARATION OF CONFORMITY
Compliance Information Statement
For the USA
Page 91
For EU Countries
For China
Page 92
Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.