Roland HP107 Service Manual

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Page 1

HP107

MIDI IMPLEMENTATION

Version 1.00 Date:June10, 2004

1. Receive data

■Channel Voice Messages

●Note off

Status 2nd byte 3rd byte

8nH kkH vvH

9nH kkH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 00H-7FH (0-127)

vv = note off velocity: 00H-7FH (0-127)

●Note on

Status 2nd bytes 3rd byte

9nH kkH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 00H-7FH (0-127)

vv = note on velocity: 01H-7FH (1-127)

●Control Change

* The value specified by a Control Change message will not be reset even by a Program

Change, etc.

❍Bank Select (Controller number 0, 32)

Status 2nd bytes 3rd byte

BnH 00H mmH

BnH 20H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm, ll = Bank number: 00H, 00H-7FH, 7FH (bank.1-bank.16384)

* Bank Select processing will be suspended until a Program Change message is received.

❍Modulation (Controller number 1)

Status 2nd bytes 3rd byte

BnH 01H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Modulation depth: 00H-7FH (0-127)

❍Portamento Time (Controller number 5)

Status 2nd bytes 3rd byte

BnH 05H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Portamento Time: 00H-7FH (0-127), Initial value = 00H (0)

* This adjusts the rate of pitch change when Portamento is ON or when using the

Portamento Control. A value of 0 results in the fastest change.

❍Data Entry (Controller number 6, 38)

Status 2nd bytes 3rd byte

BnH 06H mmH

BnH 26H llH

n = MIDI channel number:0H-FH (ch.1-ch.16)

mm, ll = the value of the parameter specified by RPN

mm = MSB, ll = LSB

❍Volume (Controller number 7)

Status 2nd bytes 3rd byte

BnH 07H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Volume: 00H-7FH (0-127), Initial Value = 7FH (127)

❍Panpot (Controller number 10)

Status 2nd bytes 3rd byte

BnH 0AH vvH

n = MIDI channel number:0H-FH (ch.1-ch.16)

vv = pan: 00H-40H-7FH (Left-Center-Right), Initial Value = 40H (Center)

❍Expression (Controller number 11)

Status 2nd bytes 3rd byte

BnH 0BH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Expression: 00H-7FH (0-127), Initial Value = 7FH (127)

❍Hold 1 (Controller number 64)

Status 2nd bytes 3rd byte

BnH 40H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127)

❍Portamento (Controller number 65)

Status 2nd bytes 3rd byte

BnH 41H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON

❍Sostenuto (Controller number 66)

Status 2nd bytes 3rd byte

BnH 42H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON

❍Soft (Controller number 67)

Status 2nd bytes 3rd byte

BnH 43H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON

* Some Tones will not exhibit any change.

❍Portamento control (Controller number 84)

Status 2nd bytes 3rd byte

BnH 54H kkH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = source note number: 00H-7FH (0-127)

*A Note-on received immediately after a Portamento Control message will change

continuously in pitch, starting from the pitch of the Source Note Number.

* If a voice is already sounding for a note number identical to the Source Note Number,

this voice will continue sounding (i.e., legato) and will, when the next Note-on is

received, smoothly change to the pitch of that Note-on.

* The rate of the pitch change caused by Portamento Control is determined by the

Portamento Time value.

Example 1.

On MIDI Description Result

90 3C 40 Note on C4 C4 on

B0 54 3C Portamento Control from C4 no change (C4 voice still

sounding)

90 40 40 Note on E4 glide from C4 to E4

80 3C 40 Note off C4 no change

80 40 40 Note off E4 E4 off

Example 2.

On MIDI Description Result

B0 54 3C Portamento Control from C4 no change

90 40 40 Note on E4 E4 is played with glide

from C4 to E4

80 40 40 Note off E4 E4 off

❍Effect 1 (Reverb Send Level) (Controller number 91)

Status 2nd bytes 3rd byte

BnH 5BH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127), Initial Value = 00H (0)

* Some Tones are not capable of being panned all the way to the left or right.

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❍Effect 3 (Chorus Send Level) (Controller number 93)

Status 2nd bytes 3rd byte

BnH 5DH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127), Initial Value = 00H (0)

❍RPN MSB/LSB (Controller number 100, 101)

Status 2nd bytes 3rd byte

BnH 65H mmH

BnH 64H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm = upper byte (MSB) of parameter number specified by RPN

ll = lower byte (LSB) of parameter number specified by RPN

* The value specified by RPN will not be reset even by messages such as Program Change

or Reset All Controller.

**RPN**

The RPN (Registered Parameter Number) messages are expanded control changes, and each

function of an RPN is described by the MIDI Standard.

To use these messages, you must first use RPN MSB and RPN LSB messages to specify the

parameter to be controlled, and then use Data Entry messages to specify the value of the

specified parameter. Once an RPN parameter has been specified, all Data Entry messages

received on that channel will modify the value of that parameter. To prevent accidents, it is

recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished

setting the value of the desired parameter.Refer to “4. Examples of actual MIDI messages”

<Example 4>.

On this instrument, RPN can be used to modify the following parameters.

RPN Data entry

MSB LSB MSB LSB Explanation

00H 00H mmH --- Pitch Bend Sensitivity

mm: F00H-18H (0-24 semitones)

ll: ignored (processed as 00h)

specify up to 2 octaves in semitone steps

00H 01H mmH llH Master Fine Tuning

mm, ll: 00 00H - 40 00H - 7F 7FH

(-100 - 0 - +99.99 cents)

Refer to 4. Supplementary material,

“About tuning” (p. 6)

00H 02H mmH --- Master Coarse Tuning

mm: 28H - 40H - 58H (-24 - 0 - +24 semitones)

ll: ignored (processed as 00h)

00H 05H mmH llH Modulation Depth Range

mm: 00H - 04H (0 - 4 semitones)

ll: 00H - 7FH (0 - 100 cents)100/128 Cent/Value

7FH 7FH --- --- RPN null

Set condition where RPN and NRPN are

unspecified. The data entry messages after set

RPN null will be ignored. (No Data entry

messages are required after RPN null).

Settings already made will not change.

mm, ll: ignored

■Channel Mode Messages

●All Sounds Off (Controller number 120)

Status 2nd byte 3rd bytes

BnH 78H 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

*When this message is received, all currently-sounding notes on the corresponding

channel will be turned off immediately.

●Reset All Controllers (Controller number 121)

Status 2nd byte 3rd bytes

BnH 79H 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

*When this message is received, the following controllers will be set to their reset values.

Controller Reset value

Pitch Bend Change ±0 (Center)

Modulation 0 (off)

Expression 127 (max)

Hold 1 0 (off)

Portamento 0 (off)

Sostenuto 0 (off)

Soft 0 (off)

RPN unset; previously set data will not change

●Local Control (Controller number 122)

Status 2nd byte 3rd bytes

BnH 7AH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H, 7FH (0,127)

00H: Local Off

7FH: Local On

●All Notes Off (Controller number 123)

Status 2nd byte 3rd bytes

BnH 7BH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

*When All Notes Off is received, all notes on the corresponding channel will be turned

off. However if Hold 1 or Sostenuto is ON, the sound will be continued until these are

turned off.

●OMNI OFF (Controller number 124)

Status 2nd byte 3rd bytes

BnH 7CH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* The same processing will be carried out as when All Notes Off is received. *1

●Program Change

Status 2nd bytes

CnH ppH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

pp = Program number: 00H-64H (prog.1-prog.101)

* After a Program Change message is received, the sound will change beginning with the

next Note-on. Voices already sounding when the Program Change message was

received will not be affected.

●Pitch Bend Change

Status 2nd byte 3rd bytes

EnH llH mmH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

●OMNI ON (Controller number 125)

Status 2nd byte 3rd bytes

BnH 7DH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* The same processing will be carried out as when All Notes Off is received. *1

●MONO (Controller number 126)

Status 2nd byte 3rd bytes

BnH 7EH mmH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm = mono number: 00H-10H (0-16)

* The same processing will be carried out as when All Notes Off is received. *1

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Version 1.00 Date:June10, 2004

●POLY (Controller number 127)

Status 2nd byte 3rd bytes

BnH 7FH 00H

n = MIDI channel number: 0H-FH (ch.1-ch.16)

* The same processing will be carried out as when All Notes Off is received. *1

Note:

*1 The Mode doesn’t change (OMNI OFF, POLY remains).

■System Realtime Message

●Active Sensing

Status

FEH

*When Active Sensing is received, the unit will begin monitoring the intervals of all

further messages. While monitoring, if the interval between messages exceeds 420 ms,

the same processing will be carried out as when All Sounds Off, All Notes Off and Reset

All Controllers are received, and message interval monitoring will be halted.

■System Exclusive Message

Status Data byte Status

F0H iiH, ddH, ......, eeH F7H

F0H: System Exclusive Message status

ii = ID number: an ID number (manufacturer ID) to indicate the manufacturer whose

Exclusive message this is. Roland’s manufacturer ID is 41H.

ID numbers 7EH and 7FH are extensions of the MIDI standard;

Universal Non-realtime Messages (7EH) and Universal Realtime

Messages (7FH).

dd,...,ee = data: 00H-7FH (0-127)

F7H: EOX (End Of Exclusive)

bbH Address: middle byte of the starting address of the transmitted data

ccH Address LSB: lower byte of the starting address of the transmitted

data

ddH Data: the actual data to be transmitted. Multiple bytes of data are

transmitted starting from the address.

eeH Data

sum Checksum

F7H EOX (End Of Exclusive)

* Regarding the Address please refer to “Parameter Address Map (Model ID = 00H 7EH)”

(p. 5).

* If “Data Set 1” is transmitted successively, there must be an interval of at least 40 ms

between packets.

* Regarding the checksum please refer to “Supplementary material” (p. 5).

The System Exclusive Messages received by this instrument are; Universal Non-realtime

System Exclusive messages and Data Set (DT1).

●Universal Non-realtime System Exclusive Messages

❍Identity Request Message

Status Data byte Status

F0H 7FH, 10H, 06H, 01H F7H

Byte

F0H Exclusive status

7FH ID number (universal realtime message)

10H Device ID

06H Sub ID#1 (General Information)

01H Sub ID#2 (Identity Request)

F7H EOX (End Of Exclusive)

* Device ID = 10H or 7FH

Explanation

●Data transmission

This instrument can receive parameters using System Exclusive messages.

The exclusive message of HP107 data has a model ID of 00 7EH and a device ID of 10H (17).

❍Data set 1DT1

This is the message that actually performs data transmission, and is used when you wish to

transmit the data.

Status

F0H 41H, 10H, 00H, 7EH, 12H, aaH, bbH, ccH, ddH, ... eeH, sum F7H

Byte Explanation

F0H Exclusive status

41H ID number (Roland)

10H Device ID

00H Model ID

7EH Model ID (HP107)

12H Command ID (DT1)

aaH Address MSB: upper byte of the starting address of the transmitted

Data byte Status

data

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Version 1.00 Date:June10, 2004

2. Transmit data

■Channel Voice Messages

●Note off

Status 2nd byte 3rd byte

8nH kkH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 00H-7FH (0-127)

vv = note off velocity: 00H-7FH (0-127)

●Note on

Status 2nd bytes 3rd byte

9nH kkH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

kk = note number: 00H-7FH (0-127)

vv = note on velocity: 01H-7FH (1-127)

●Control Change

❍Bank Select (Controller number 0, 32)

Status 2nd bytes 3rd byte

BnH 00H mmH

BnH 20H llH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

mm, ll = Bank number: 00H, 00H-7FH, 7FH (bank.1-bank.16384)

❍Volume (Controller number 7)

Status 2nd bytes 3rd byte

BnH 07H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Volume: 00H-7FH (0-127)

❍Expression (Controller number 11)

Status 2nd bytes 3rd byte

BnH 0BH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Expression: 00H-7FH (0-127)

●Program Change

Status 2nd bytes

CnH ppH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

pp = Program number: 00H-64H (prog.1-prog.101)

■System Realtime Message

●Active sensing

Status

FEH

* This will be transmitted constantly at intervals of approximately 250 ms.

■System exclusive messages

●Universal Non-realtime System Exclusive Messages

❍Identity Reply

Status Data byte Status

F0H 7EH, 10H, 06H, 02H, 41H, 7EH, 01H, 00H, 00H, F7H

F0H 00H, 01H, 00H, 00H

Byte Explanation

F0H Exclusive status

7EH ID number (universal non-realtime message)

10H Device ID (use the same as the device ID of Roland)

06H Sub ID#1 (General Information)

02H Sub ID#2 (Identity Reply)

41H ID number (Roland)

7EH Device family code (LSB)

01H Device family code (MSB)

00H Device family number code (LSB)

00H Device family number code (MSB)

00H Software revision level

01H Software revision level

00H Software revision level

F7H EOX (End of Exclusive)

*When Identity Request is received, Identity Reply message will be transmitted.

❍Hold 1 (Controller number 64)

Status 2nd bytes 3rd byte

BnH 40H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127)

❍Sostenuto (Controller number 66)

Status 2nd bytes 3rd byte

BnH 42H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON

❍Soft (Controller number 67)

Status 2nd bytes 3rd byte

BnH 43H vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127)

❍Effect 1 (Reverb Send Level) (Controller number 91)

Status 2nd bytes 3rd byte

BnH 5BH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127)

❍Effect 3 (Chorus Send Level) (Controller number 93)

Status 2nd bytes 3rd byte

BnH 5DH vvH

n = MIDI channel number: 0H-FH (ch.1-ch.16)

vv = Control value: 00H-7FH (0-127)

●Data transmission

This instrument can receive parameters using System Exclusive messages.

The exclusive message of HP107 data has a model ID of 00 7EH and a device ID of 10H (17).

❍Data set 1DT1

This is the message that actually performs data transmission, and is used when you wish to

transmit the data.

Status Data byte Status

F0H 41H, 10H, 00H, 7EH, 12H, aaH, bbH, ccH, ddH, ... eeH, sum F7H

Byte Explanation

F0H Exclusive status

41H ID number (Roland)

10H Device ID

00H Model ID

7EH Model ID (HP107)

12H Command ID (DT1)

aaH Address MSB: upper byte of the starting address of the transmitted

data

bbH Address: middle byte of the starting address of the transmitted data

ccH Address LSB: lower byte of the starting address of the transmitted

data

ddH Data: the actual data to be transmitted. Multiple bytes of data are

transmitted starting from the address.

eeH Data

sum Checksum

F7H EOX (End Of Exclusive)

* Regarding the Address please refer to “Parameter Address Map (Model ID = 00H 7EH)”

(p. 5).

* Regarding the checksum please refer to “Supplementary material” (p. 5).

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3. Parameter Address Map (Model ID = 00H 7EH)

This instrument has 16 parts: each channel is 1-16.

If you use exclusive messages to set parameters, specify the address by Block number.

The relation between Part number and Block number is as follows.

x...BLOCK NUMBER (0-F), Part 1 (MIDI ch = 1) x = 1

All the numbers of address, size, and Data are indicated in 7-bit Hexadecimal-form.

Addresses marked at “#” cannot be used as starting addresses.

●Part Parameters

Parameters that can be set individually for each Part are called Part parameters.

If you use exclusive messages to set Part parameters, specify the address by Block number

rather than Part Number (normally the same number as the MIDI channel). The Block

number can be specified as one of 16 blocks, from 0 (H) to F (H).

The relation between Part number and Block number is as follows.

x...BLOCK NUMBER (0-F), Part 1 (MIDI ch = 1) x = 1

Address (H)

40 1x 40 00 00 0C 00-7F SCALE

40 1x 41# 00-7F SCALE

40 1x 42# 00-7F SCALE

40 1x 43# 00-7F SCALE

40 1x 44# 00-7F SCALE

40 1x 45# 00-7F SCALE

40 1x 46# 00-7F SCALE

40 1x 47# 00-7F SCALE

40 1x 48# 00-7F SCALE

40 1x 49# 00-7F SCALE

40 1x 4A# 00-7F SCALE

40 1x 4B# 00-7F SCALE

* SCALE TUNING is a function that allows fine adjustment to the pitch of each note in the

Size (H) Data

octave. The pitch of each identically-named note in all octaves will change

simultaneously. A setting of +/- 0 cent (40H) is equal temperament. Refer to

“Supplementary material” (p. 5).

4. Supplementary material, “The Scale Tune Feature”(p. 6).

Part 2 (MIDI ch = 2) x = 2

: : :

Part 9 (MIDI ch = 9) x = 9

Part10 (MIDI ch = 10) x = 0

Part11 (MIDI ch = 11) x = A

Part12 (MIDI ch = 12) x = B

: : :

Part16 (MIDI ch = 16) x = F

Part 2 (MIDI ch = 2) x = 2

: : :

Part 9 (MIDI ch = 9) x = 9

Part10 (MIDI ch = 10) x = 0

Part11 (MIDI ch = 11) x = A

Part12 (MIDI ch = 12) x = B

: : :

Part16 (MIDI ch = 16) x = F

Parameter Description Default

(H)

TUNING C

TUNING C#

TUNING D

TUNING D#

TUNING E

TUNING F

TUNING F#

TUNING G

TUNING G#

TUNING A

TUNING A#

TUNING B

-64 - +63 [cent]

Value (H)

40 0 [cent]

Description

4. Supplementary material

●Decimal and Hexadecimal table

In MIDI documentation, data values and addresses/sizes of exclusive messages etc. are

expressed as hexadecimal values for each 7 bits.

The following table shows how these correspond to decimal numbers.

+——————+——————++——————+——————++——————+——————++——————+——————+ | Dec. | Hex. || Dec .| Hex. || Dec. | Hex. || Dec. | Hex. | +——————+——————++——————+——————++——————+——————++——————+——————+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +——————+——————++——————+——————++——————+——————++——————+——————+

* Decimal values such as MIDI channel, bank select, and program change are listed as one

(1) greater than the values given in the above table.

*A 7-bit byte can express data in the range of 128 steps. For data where greater precision

is required, we must use two or more bytes. For example, two hexadecimal numbers aa

bbH expressing two 7-bit bytes would indicate a value of aa x 128 + bb.

* In the case of values which have a +/- sign, 00H = -64, 40H = +/- 0, and 7FH = +63, so

that the decimal expression would be 64 less than the value given in the above chart. In

the case of two types, 00 00H = -8192, 40 00H = +/- 0, and 7F 7FH = +8191. For example if

aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128 + bb - 64 x

128.

* Data marked “nibbled” is expressed in hexadecimal in 4-bit units. A value expressed as a

2-byte nibble 0a 0bH has the value of a x 16 + b.

<Example1> What is the decimal expression of 5AH?

From the preceding table, 5AH = 90

<Example2> What is the decimal expression of the value 12 34H given as

hexadecimal for each 7 bits?

From the preceding table, since 12H = 18 and 34H = 52

18 x 128 + 52 = 2356

<Example3> What is the decimal expression of the nibbled value 0A 03 09

0D?

From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13

((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885

<Example4> What is the nibbled expression of the decimal value 1258?

16) 1258

16) 78 ... 10

16) 4 ... 14

0 ... 4

Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the answer is 00 04 0E

0AH.

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●Examples of actual MIDI messages

<Example1> 92 3E 5F

9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and

5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4),

and velocity 95.

<Example2> CE 35

CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and

35H = 53, this is a Program Change message with MIDI CH = 15, program number 54.

<Example3> EA 00 28

EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H

= 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed

number in which 40 00H (= 64 x 128 + 0 = 8192) is 0, so this Pitch Bend Value is

28 00H - 40 00H = 40 x 128 + 0 - (64 x 128 + 0) = 5120 - 8192 = -3072

If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to

change -200 cents, so in this case -200 x (-3072) / (-8192) = -75 cents of Pitch Bend is being

applied to MIDI channel 11.

<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F

BnH is the Control Change status, and n is the MIDI channel number. For Control Changes,

the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or

more messages consecutive messages have the same status, MIDI has a provision called

“running status” which allows the status byte of the second and following messages to be

omitted. Thus, the above messages have the following meaning.

B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H

(B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H

(B3) 06 0C (MIDI ch.4) upper byte of parameter value: 0CH

(B3) 26 00 (MIDI ch.4) lower byte of parameter value: 00H

(B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH

(B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH

In other words, the above messages specify a value of 0C 00H for RPN parameter number

00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.

RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates

semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to +/- 12

semitones (1 octave). (On HP107 the LSB of Pitch Bend Sensitivity is ignored, but the LSB

should be transmitted anyway (with a value of 0) so that operation will be correct on any

device.)

Once the parameter number has been specified for RPN, all Data Entry messages

transmitted on that same channel will be valid, so after the desired value has been

transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents.

This is the reason for the (B3) 64 7F (B3) 65 7F at the end.

It is not desirable for performance data (such as Standard MIDI File data) to contain many

events with running status as given in <Example 4>. This is because if playback is halted

during the song and then rewound or fast-forwarded, the sequencer may not be able to

transmit the correct status, and the sound source will then misinterpret the data. Take care

to give each event its own status.

It is also necessary that the RPN parameter number setting and the value setting be done in

the proper order. On some sequencers, events occurring in the same (or consecutive) clock

may be transmitted in an order different than the order in which they were received. For

this reason it is a good idea to slightly skew the time of each event (about 1 tick for TPQN =

96, and about 5 ticks for TPQN = 480).

* TPQN: Ticks Per Quarter Note

●About tuning

To tune the HP107 via MIDI, transmit RPN #1 (Master Fine Tuning) over any MIDI channel.

(The tuning is adjusted for all of the parts, regardless of the MIDI channel over which the

message is received.)

HP107 is tuned by sending RPN #1 (Master Fine Tuning) to one of MIDI channels 1-16.

Tuning of all parts are set even if the message is received at one MIDI channel.

RPN #1 allows tuning to be specified in steps of approximately 0.012 cents (to be precise,

100/8192 cent). One cent is 1/100th of a semitone.

Frequently used tuning values are given in the following table for your reference. Values

are in hexadecimal (decimal in parentheses).

+————————+————————+——————————————+ |Hz in A4| cent | RPN #1 | +————————+————————+——————————————+ | 445.0 | +19.56 | 4C 43 (+1603)| | 444.0 | +15.67 | 4A 03 (+1283)| | 443.0 | +11.76 | 47 44 (+ 964)| | 442.0 | + 7.85 | 45 03 (+ 643)| | 441.0 | + 3.93 | 42 42 (+ 322)| | 440.0 | 0.00 | 40 00 ( 0)| | 439.0 | — 3.94 | 3D 3D (— 323)| | 438.0 | — 7.89 | 3A 7A (— 646)| +————————+————————+——————————————+

<Example> Set the tuning of MIDI channel 3 to A4 = 442.0 Hz

Send RPN#1 to MIDI channel 3. From the above table, the value is 45 03H.

B2 64 00 MIDI ch.3, lower byte of RPN parameter number: 00H

(B2) 65 01 (MIDI ch.3) upper byte of RPN parameter number: 01H

(B2) 06 45 (MIDI ch.3) upper byte of parameter value: 45H

(B2) 26 03 (MIDI ch.3) lower byte of parameter value: 03H

(B2) 64 7F (MIDI ch.3) lower byte of RPN parameter number: 7FH

(B2) 65 7F (MIDI ch.3) upper byte of RPN parameter number: 7FH

● Example of an Exclusive message and calculating a Checksum

Roland Exclusive messages are transmitted with a checksum at the end (before F7) to make

sure that the message was correctly received. The value of the checksum is determined by

the address and data (or size) of the transmitted exclusive message.

❍ How to calculate the checksum (hexadecimal numbers are indicated by

‘H’)

The checksum is a value derived by adding the address, size and checksum itself and

inverting the lower 7 bits.

Here’s an example of how the checksum is calculated. We will assume that in the exclusive

message we are transmitting, the address is aa bb ccH and the data or size is dd ee ffH.

aa + bb + cc + dd + ee + ff = sum

sum / 128 = quotient ... remainder

128 - remainder = checksum

●The Scale Tune Feature (address: 40 1x 40)

The scale Tune feature allows you to finely adjust the individual pitch of the notes from C

through B. Though the settings are made while working with one octave, the fine

adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can

obtain a complete variety of tuning methods other than equal temperament. As examples,

three possible types of scale setting are explained below.

❍Equal Temperament

This method of tuning divides the octave into 12 equal parts. It is currently the most widely

used form of tuning,

especially in occidental music. On this instrument, the default settings for the Scale Tune

feature produce equal temperament.

❍Just Temperament (Keytone C)

The three main chords resound much more beautifully than with equal temperament, but

this benefit can only be obtained in one key. If transposed, the chords tend to become

ambiguous. The example given involves settings for a key in which C is the keynote.

❍Arabian Scale

By altering the setting for Scale Tune, you can obtain a variety of other tunings suited for

ethnic music. For example, the settings introduced below will set the unit to use the Arabian

Scale.

Example Settings

Note name Equal Temperament Just Temperament

C 0 0 -6

C# 0 -8 +45

D 0 +4 -2

D# 0 +16 -12

E 0 -14 -51

F 0 -2 -8

F# 0 -10 +45

G 0 +2 -4

G# 0 +14 +47

A 0 -16 0

A# 0 +14 -10

B 0 -12 -49

(Keytone C)

Arabian Scale

Page 7

Version 1.00 Date:June10, 2004

The values in the table are given in cents. Refer to the explanation of Scale Tuning (p. 6) to

convert these values to hexadecimal, and transmit them as exclusive data.

<Example> Setting the tune (C-B) of the Part1 Arabian Scale

F0 41 10 00 7E 12 40 11 40 3A 6D 3E 34 0D 38 6D 3C 6F 40 36 0F ?? F7

-- -- -- ----- -- -------- ----------------------------------- -- --

(1) (2) (3) (4) (5) (6) (7) (8) (9)

(1) Exclusive Status, (2) ID (Roland), (3) Device ID (17), (4) Model ID (HP107),

(5) Command ID (DT1), (6) Address (MIDI CH = 1), (7) Data, (8) Checksum, (9) End of

Exclusive

Next we calculate the checksum.

40H + 11H + 40H + 3AH + 6DH + 3EH + 34H + 0DH + 38H + 6DH + 3CH + 6FH + 40H +

36H + 0FH =

64 + 17 + 64 + 58 + 109 + 62 + 52 + 13 + 56 + 109 + 60 + 111 + 64 + 54 + 15 = 908 (sum)

908 (sum) / 128 = 7 (quotient) ... 12 (remainder)

checksum = 128 - 12(remainder) = 116 = 74H

This means that F0 41 10 00 7E 12 40 11 40 3A 6D 3E 34 0D 38 6D 3C 6F 40 36 0F 74 F7 is the

message we transmit.

■Tone List

MSB: Bank Select MSB (Control Number 0)

LSB: Bank Select LSB (Control Number 32)

PC: Program Change

Variation MSB LSB PC Piano 1 Grand Piano 1 0 66 1 2 Mellow Piano 1 16 67 1 3 Honky-Tonk 0 64 4 4 Mellow Piano 2 16 69 1 5 Grand Piano 2 8 66 2 6 Detuned Piano 0 65 4 7 Rock Piano 0 70 3

E.Piano 1 Electric Piano 1 0 66 5 2 Electric Piano 2 0 66 6 3 Vibraphone 0 64 12 4 Morning Lite 0 68 99 5 Celesta 0 65 9 6 Electric Grand 0 69 3

Harpsichord 1 Harpsichord 1 0 66 7 2 Nylon Guitar 0 64 25 3 Harp 0 64 47 4 Coupled Harpsichord 8 66 7 5 Harpsichord 2 0 64 7

Organ 1 Church Organ 1 0 66 20 2 Rotary Organ 0 68 19 3 Theater Organ 16 64 20 4 Accordion 0 66 22 5 Church Organ 2 0 65 20 6 Nason Flute 8’ 16 66 20 7 Lower Organ 0 66 17

Strings 1 Strings 1 0 69 50 2 Jazz Scat 0 64 54 3 Orchestra 8 66 49 4 Choir 0 65 53 5 Strings 2 0 70 49 6 Voice Oohs 0 4 55 7 Glittery Pad 0 70 99 8 Acoustic Bass 0 71 33 9 Acoustic Bass + Cymbal 0 66 33 10 Fingered Bass 0 64 34 11 Vox Bass 0 66 54

Acoustic Layering Tones 1 Strings 1 64 50 2 Choir 1 64 53 3 Pad 1 64 51 4 Bell Pad 0 64 101

●About MIDI Transmission Channels

❍When performing using a single tone:

The performance data is transmitted over the MIDI channel specified in the settings.

❍With One Touch or Layer/Dual performances, or when the pedal

function is set to Layer or Octave:

Performance data is transmitted over Channel 5 (fixed) as well as the specified MIDI

channel.

❍When performing using Split Play:

The right-hand part is transmitted over the specified MIDI channel, and the left-hand part is

transmitted over Channel 3 (fixed).

When connecting to an external MIDI sequencer to record or play back HP107 One Touch or

Layer/Dual performances, performances using the layer or octave pedal, or Split

performances, select channels other than Channels 3 and 5 as the transmission channel. (The

instrument is set to Channel 1 when its power is turned on.)