How it Works
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DP90S
Assembly Guide
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Internal Demo Song List
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MIDI Implementation
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Specifications
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User Manual
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Table of contents
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Roland DP-90S MIDI Implementation

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MIDI Implementation
Model: DP90/DP90S
Date: Jun. 1. 2012
Version: 1.00

1. Receive Data

Channel Voice Messages
Note O
n = MIDI channel number: 0H–FH (ch.1–ch.16) kk = note number: 00H–7FH (0–127) vv = note o velocity: 00H–7FH (0–127)
* For Drum Parts, these messages are received when Rx. NOTE OFF = ON for each
Instrument.
Note On
n = MIDI channel number: 0H–FH (ch.1–ch.16) kk = note number: 00H–7FH (0–127) vv = note on velocity: 01H–7FH (1–127)
* Not received when Rx. NOTE MESSAGE = OFF. (Initial value is ON) * For Drum Parts, not received when Rx. NOTE ON = OFF for each Instrument.
Polyphonic Key Pressure
n = MIDI channel number: 0H–FH (ch.1–ch.16) kk = note number: 00H–7FH (0–127) vv = key pressure: 00H–7FH (0–127)
* Not received when Rx. POLY PRESSURE (PAf) = OFF. (Initial value is ON) * The resulting eect is determined by System Exclusive messages. With the initial
settings, there will be no eect.
* Bank Select processing will be suspended until a Program Change message is
received.
* The GS format “Variation number” is the value of the Bank Select MSB (Controller
number 0) expressed in decimal.
* Some other GS devices do not recognize the Bank Select LSB (Controller number
32).
Modulation (Controller Number 1)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Modulation depth: 00H–7FH (0–127)
* Not received when Rx. MODULATION = OFF. (Initial value is ON) * The resulting eect is determined by System Exclusive messages. With the initial
settings, this is Pitch Modulation Depth.
Portamento Time (Controller Number 5)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Portamento Time: 00H–7FH (0–127), Initial value = 00H (0)
* This adjusts the rate of pitch change when Portamento is ON or when using the
Portamento Control. A value of 0 results in the fastest change.
Data Entry (Controller Number 6, 38)
n = MIDI channel number: 0H–FH (ch.1–ch.16) mm, ll = the value of the parameter specied by RPN/NRPN mm = MSB, ll = LSB
Volume (Controller Number 7)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Volume: 00H–7FH (0–127), Initial Value = 64H (100)
* Volume messages are used to adjust the volume balance of each Part. * Not received when Rx. VOLUME = OFF. (Initial value is ON)
Control Change
* When Rx. CONTROL CHANGE = OFF, all control change messages except for
Channel Mode messages will be ignored.
* The value specied by a Control Change message will not be reset even by a
Program Change, etc.
Bank Select (Controller Number 0, 32)
n = MIDI channel number: 0H–FH (ch.1–ch.16) mm, ll = Bank number: 00H, 00H–7FH, 7FH (bank.1–bank.16384), Initial Value = 00 00H (bank.1)
* Not received when Rx. BANK SELECT = OFF. * “Rx. BANK SELECT” is set to OFF by “GM1 System On,” and Bank Select message will
be ignored. * “Rx. BANK SELECT” is set to ON by “GM2 System On.” * “Rx. BANK SELECT” is set to ON by power-on Reset or by receiving “GS RESET.” * When Rx. BANK SELECT LSB = OFF, Bank number LSB (llH) will be handled as 00H
regardless of the received value. However, when sending Bank Select messages,
you have to send both the MSB (mmH) and LSB (llH, the value should be 00H)
together.
1PS
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Copyright © 2012 ROLAND CORPORATION
Pan (Controller Number 10)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = pan: 00H–40H–7FH (Left–Center–Right), Initial Value = 40H (Center)
* For Rhythm Parts, this is a relative adjustment of each Instrument’s pan setting. * Some Tones are not capable of being panned all the way to the left or right. * Not received when Rx. PANPOT = OFF. (Initial value is ON)
Expression (Controller Number 11)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Expression: 00H–7FH (0–127), Initial Value = 7FH (127)
* This adjusts the volume of a Part. It can be used independently from Volume
messages. Expression messages are used for musical expression within a performance; e.g., expression pedal movements, crescendo and decrescendo.
* Not received when Rx. EXPRESSION = OFF. (Initial value is ON)
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MIDI Implementation
Hold 1 (Controller Number 64)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Control value: 00H–7FH (0–127)
* Not received when Rx. HOLD1 = OFF. (Initial value is ON)
Portamento (Controller Number 65)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Control value : 00H–7FH (0–127) 0–63 = OFF, 64–127 = ON
* Not received when Rx. PORTAMENTO = OFF. (Initial value is ON)
Sostenuto (Controller Number 66)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Control value: 00H–7FH (0–127) 0–63 = OFF, 64–127 = ON
* Not received when Rx. SOSTENUTO = OFF. (Initial value is ON)
Soft (Controller Number 67)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Control value: 00H–7FH (0–127)
* Not received when Rx. SOFT = OFF. (Initial value is ON) * Some Tones will not exhibit any change.
Filter Resonance (Controller Number 71)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv= Resonance value (relative change): 00H–7FH(-64–0–+63), Initial value = 40H (no change)
* Some Tones will not exhibit any change.
Release Time (Controller Number 72)
Cuto (Controller Number 74)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Cuto value (relative change): 00H–7FH(-64–0–+63), Initial value = 40H (no change)
* Some Tones will not exhibit any change.
Decay Time (Controller Number 75)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Decay Time value (relative change): 00H–7FH(-64–0–+63), Initial value = 40H (no change)
* Some Tones will not exhibit any change.
Vibrato Rate (Controller Number 76)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Vibrato Rate value (relative change): 00H–7FH(-64–0–+63), Initial value = 40H (no change)
* Some Tones will not exhibit any change.
Vibrato Depth (Controller Number 77)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Vibrato Depth Value (relative change): 00H–7FH(-64–0–+63), Initial Value = 40H (no change)
* Some Tones will not exhibit any change.
Vibrato Delay (Controller Number 78)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Vibrato Delay value (relative change): 00H–7FH(-64–0–+63), Initial value=40H (no change)
* Some Tones will not exhibit any change.
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Release Time value (relative change): 00H–7FH(-64 – 0 –+63), Initial value = 40H (no change)
* Some Tones will not exhibit any change.
Attack Time (Controller Number 73)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Attack time value (relative change): 00H–7FH(-64–0–+63), Initial value=40H (no change)
* Some Tones will not exhibit any change.
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MIDI Implementation
Portamento Control (Controller Number 84)
n = MIDI channel number: 0H–FH (ch.1–ch.16) kk = source note number: 00H–7FH (0–127)
* A Note-on received immediately after a Portamento Control message will change
continuously in pitch, starting from the pitch of the Source Note Number. * If a voice is already sounding for a note number identical to the Source Note
Number, this voice will continue sounding (i.e., legato) and will, when the next
Note-on is received, smoothly change to the pitch of that Note-on. * The rate of the pitch change caused by Portamento Control is determined by the
Portamento Time value.
Example 1. On MIDI Description Result 90 3C 40 Note on C4 C4 on B0 54 3C Portamento no change (C4 voice still sounding) Control from C4 90 40 40 Note on E4 glide from C4 to E4 80 3C 40 Note o C4 no change 80 40 40 Note o E4 E4 o
Example 2. On MIDI Description Result B0 54 3C Portamento no change Control from C4 90 40 40 Note on E4 E4 is played with glide from C4 to E4 80 40 40 Note o E4 E4 o
Eect 1 (Reverb Send Level) (Controller Number 91)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Control value : 00H–7FH (0–127), Initial Value = 28H (40)
* This message adjusts the Reverb Send Level of each Part.
Eect 3 (Chorus Send Level) (Controller Number 93)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Control value: 00H–7FH (0–127), Initial Value = 00H (0)
* This message adjusts the Chorus Send Level of each Part.
parameter. Refer to Section 4. Supplementary Material “Examples of actual MIDI messages” <Example 4>. On the GS devices, Data entry LSB (llH) of NRPN (contrpller number 38) is ignored, so it is no problem to send Data entry MSB (mmH) only without Data entry LSB (controller number 6).
On this instrument, NRPN can be used to modify the following parameters.
NRPN Data entry MSB LSB MSB Description 01H 08H mmH Vibrato Rate (relative change) mm: 0EH–40H–72H (-50–0–+50) 01H 09H mmH Vibrato Depth (relative change) mm: 0EH–40H–72H (-50–0–+50) 01H 0AH mmH Vibrato Delay (relative change) mm: 0EH–40H–72H (-50–0–+50) 01H 20H mmH TVF Cuto Frequency (relative change) mm: 0EH–40H–72H (-50–0–+50) 01H 21H mmH TVF Resonance (relative change) mm: 0EH–40H–72H (-50–0–+50) 01H 63H mmH TVF & TVA Envelope Attack Time (relative change) mm: 0EH–40H–72H (-50–0–+50) 01H 64H mmH TVF & TVA Envelope Decay Time (relative change) mm: 0EH–40H–72H (-50–0–+50) 01H 66H mmH TVF & TVA Envelope Release Time (relative change) mm: 0EH–40H–72H (-50–0–+50) 18H rrH mmH Drum Instrument Pitch Coarse (relative change) rr: key number of drum instrument mm: 00H–40H–7FH (-63–0–+63 semitone) 1AH rrH mmH Drum Instrument TVA Level (absolute change) rr: key number of drum instrument mm: 00H–7FH (zero–maximum) 1CH rrH mmH Drum Instrument Panpot (absolute change) rr: key number of drum instrument mm: 00H, 01H–40H–7FH (Random, Left–Center–Right) 1DH rrH mmH Drum Instrument Reverb Send Level (absolute change) rr: key number of drum instrument mm: 01H–7FH (zero–maximum) 1EH rrH mmH Drum Instrument Chorus Send Level (absolute change) rr: key number of drum instrument mm: 01H–7FH (zero–maximum)
NRPN MSB/LSB (Controller Number 98, 99)
n = MIDI channel number: 0H–FH (ch.1–ch.16) mm = upper byte (MSB) of the parameter number specied by NRPN ll = lower byte (LSB) of the parameter number specied by NRPN
* Rx. NRPN is set to OFF by power-on reset or by receiving “GM1 System On” or “GM2
System On,” and NRPN message will be ignored. NRPN message will be received
when Rx. NRPN = ON, or by receiving “GS RESET.” * The value set by NRPN will not be reset even if Program Change or Reset All
Controllers is received.
**NRPN** The NRPN (Non Registered Parameter Number) message allows an extended range of control changes to be used. To use these messages, you must rst use NRPN MSB and NRPN LSB messages to specify the parameter to be controlled, and then use Data Entry messages to specify the value of the specied parameter. Once an NRPN parameter has been specied, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have nished setting the value of the desired
* Parameters marked “relative change” will change relatively to the preset value(40H).
Even among dierent GS devices, “relative change” parameters may sometimes dier in the way the sound changes or in the range of change.
* Parameters marked “absolute change” will be set to the absolute value of the
parameter, regardless of the preset value.
* Data entry LSB (llH) is ignored.
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MIDI Implementation
RPN MSB/LSB (Controller Number 100, 101)
n = MIDI channel number: 0H–FH (ch.1–ch.16) mm = upper byte (MSB) of parameter number specied by RPN ll = lower byte (LSB) of parameter number specied by RPN
* Not received when Rx. RPN = OFF. (Initial value is ON) * The value specied by RPN will not be reset even by messages such as Program
Change or Reset All Controller.
**RPN** The RPN (Registered Parameter Number) messages are expanded control changes, and each function of an RPN is described by the MIDI Standard. To use these messages, you must rst use RPN MSB and RPN LSB messages to specify the parameter to be controlled, and then use Data Entry messages to specify the value of the specied parameter. Once an RPN parameter has been specied, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have nished setting the value of the desired parameter.Refer to Section 4. “Examples of actual MIDI messages” <Example 4>
On this instrument, RPN can be used to modify the following parameters.
RPN Data entry MSB LSB MSB LSB Explanation 00H 00H mmH --- Pitch Bend Sensitivity mm: 00H–18H (0–24 semitones), Initial Value = 02H (2 semitones) ll: ignored (processed as 00h) specify up to 2 octaves in semitone steps 00H 01H mmH llH Master Fine Tuning mm, ll: 00 00H–40 00H–7F 7FH (-100–0–+99.99 cents), Initial Value = 40 00H (0 cent) ll: ignored (processed as 00h) specify up to 2 octaves in semitone steps Refer to 4. Supplementary Material, “About Tuning” 00H 02H mmH --- Master Coarse Tuning mm: 28H–40H–58H (-24–0–+24 semitones), Initial Value = 40H (0 cent) ll: ignored (processed as 00h) 00H 05H mmH llH Modulation Depth Range mm: 00H–04H (0–4 semitones) ll: 00H–7FH (0–100 cents) 100/128 Cent/Value 7FH 7FH --- --- RPN null Set condition where RPN and NRPN are unspecied. The data entry messages after set RPN null will be ignored. (No Data entry messages are required after RPN null). Settings already made will not change. mm, ll: ignored
Channel Pressure
Status 2nd byte DnH vvH
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Channel Pressure : 00H–7FH (0–127)
* Not received when Rx. CH PRESSURE (CAf) = OFF. (Initial value is ON) * The resulting eect is determined by System Exclusive messages. With the initial
settings there will be no eect.
Pitch Bend Change
n = MIDI channel number: 0H–FH (ch.1–ch.16) mm, ll = Pitch Bend value: 00 00H–40 00H–7F 7FH (-8192–0–+8191)
* Not received when Rx. PITCH BEND = OFF. (Initial value is ON) * The resulting eect is determined by System Exclusive messages. With the initial
settings the eect is Pitch Bend.
Channel Mode Messages
All Sounds O (Controller Number 120)
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* When this message is received, all currently-sounding notes on the corresponding
channel will be turned o immediately.
Reset All Controllers (Controller Number 121)
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* When this message is received, the following controllers will be set to their reset
values.
Controller Reset value Pitch Bend Change ±0 (Center) Polyphonic Key Pressure 0 (o) Channel Pressure 0 (o ) Modulation 0 (o) Expression 127 (max) Hold 1 0 (o) Portamento 0 (o ) Sostenuto 0 (o) Soft 0 (o ) RPN unset; previously set data will not change NRPN unset; previously set data will not change
Program Change
Status 2nd byte CnH ppH
n = MIDI channel number: 0H–FH (ch.1–ch.16) pp = Program number: 00H–7FH (prog.1–prog.128)
* Not received when Rx. PROGRAM CHANGE = OFF. (Initial value is ON) * After a Program Change message is received, the sound will change beginning with
the next Note-on. Voices already sounding when the Program Change message was received will not be aected.
* For Drum Parts, Program Change messages will not be received on bank numbers
129–16384 (the value of Controller Number 0 is other than 0 (00H)).
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Local Control (Controller Number 122)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Control value: 00H, 7FH (0,127) 00H: Local O 7FH: Local On
MIDI Implementation
All Notes O (Controller Number 123)
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* When All Notes O is received, all notes on the corresponding channel will be
turned o. However if Hold 1 or Sostenuto is ON, the sound will be continued until
these are turned o.
OMNI OFF (Controller Number 124)
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* The same processing will be carried out as when All Notes O is received.
OMNI ON (Controller Number 125)
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* OMNI ON is only recognized as “All notes o”; the Mode doesn’t change (OMNI OFF
remains).
MONO (Controller Number 126)
n = MIDI channel number: 0H–FH (ch.1–ch.16) mm = mono number : 00H–10H (0–16)
System Exclusive Message
Status Data byte Status
F0H iiH, ddH, ......, eeH F7H
Byte Explanation F0H: System Exclusive Message status ii = ID number: An ID number (manufacturer ID) to indicate the manufacturer
whose Exclusive message this is. Roland’s manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal
Realtime Messages (7FH). dd,...,ee = data: 00H–7FH (0–127) F7H: EOX (End Of Exclusive)
The System Exclusive Messages received by this instrument are; messages related to mode settings, Universal Realtime System Exclusive messages, Universal Non­realtime System Exclusive messages and Data Set (DT1).
System Exclusive Messages Related to Mode Settings
These messages are used to initialize a device to GS or General MIDI mode, or change the operating mode. When creating performance data, a “GM1 System On” message should be inserted at the beginning of a General MIDI 1 score, a “GM2 System On” message at the beginning of a General MIDI 2 score, and a “GS Reset” message at the beginning of a GS music data. Each song should contain only one mode message as appropriate for the type of data. (Do not insert two or more mode setting messages in a single song.) “GM System On” uses Universal Non-realtime Message format. “GS Reset” uses Roland system Exclusive format “Data Set 1 (DT1).”
GM1 System On
This is a command message that resets the internal settings of the unit to the General MIDI initial state (General MIDI System-Level 1). After receiving this message, this instrument will automatically be set to the proper condition for correctly playing a GM score.
* The same processing will be carried out as when All Sounds O and All Notes O is
received, and the corresponding channel will be set to Mode 4 (M = 1) regardless of the value of “mono number.”
POLY (Controller Number 127)
n = MIDI channel number: 0H–FH (ch.1–ch.16)
* The same processing will be carried out as when All Sounds O and All Notes O is
received, and the corresponding channel will be set to Mode 3.
System Realtime Message
Active Sensing
Status FEH
* When Active Sensing is received, the unit will begin monitoring the intervals of
all further messages. While monitoring, if the interval between messages exceeds 420 ms, the same processing will be carried out as when All Sounds O, All Notes O and Reset All Controllers are received, and message interval monitoring will be halted.
Status Data byte Status F0H 7EH, 7FH, 09H, 01H F7H
Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 01H Sub ID#2 (General MIDI 1 On) F7H EOX (End Of Exclusive)
* When this message is received, Rx. BANK SELECT will be OFF and Rx. NRPN will be
OFF.
* There must be an interval of at least 50 ms between this message and the next.
GM2 System On
This is a command message that resets the internal settings of the unit to the General MIDI initial state (General MIDI System-Level 2). After receiving this message, this instrument will automatically be set to the proper condition for correctly playing a GM2 score.
Status Data byte Status F0H 7EH 7FH 09H 03H F7H
Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 03H Sub ID#2 (General MIDI 2 On) F7H EOX (End Of Exclusive)
* When this message is received, this instrument will be able to receive the messages
specied by General MIDI 2, and use the General MIDI 2 soundmap.
* There must be an interval of at least 50 ms between this message and the next.
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MIDI Implementation
GM System O
“GM System O” is a command message that resets the internal state of this instrument from the GM state to its native condition. This instrument will reset to the GS default state.
Status Data byte Status F0H 7EH, 7FH, 09H, 02H F7H
Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub-ID#1 (General MIDI message) 02H Sub-ID#2 (General MIDI O ) F7H EOX (End of exclusive)
* There must be an interval of at least 50 ms between this message and the next.
GS Reset
GS Reset is a command message that resets the internal settings of a device to the GS initial state. This message will appear at the beginning of GS music data, and a GS device that receives this message will automatically be set to the proper state to correctly playback GS music data.
Status Data byte Status F0H 41H, 10H, 42H, 12H, 40H, F7H 00H, 7FH, 00H, 41H
Byte Explanation F0H Exclusive status 41H ID number (Roland) 10H Device ID (dev: 00H–1FH (1–32), Initial value is 10H (17)) 42H Model ID (GS) 12H Command ID (DT1) 40H Address MSB 00H Address 7FH Address LSB 00H Data (GS reset) 41H Checksum F7H EOX (End Of Exclusive)
Master Fine Tuning
Status Data byte Status F0H 7FH, 7FH, 04H, 03H, llH, mmH F7H
Byte Explanation F0H Exclusive status 7FH ID number (Universal Realtime Message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 03H Sub ID#2 (Master Fine Tuning) llH Master Fine Tuning LSB mmH Master Fine Tuning MSB F7H EOX (End Of Exclusive)
llH, mmH: 00 00H–40 00H–7F 7FH (-100–0–+99.9 [cents])
Master Coarse Tuning
Status Data byte Status F0H 7FH, 7FH, 04H, 04H, llH, mmH F7H
Byte Explanation F0H Exclusive status 7FH ID number (Universal Realtime Message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 04H Sub ID#2 (Master Coarse Tuning) llH Master Coarse Tuning LSB mmH Master Coarse Tuning MSB F7H EOX (End Of Exclusive)
llH: ignored (processed as 00H) mmH: 28H–40H–58H (-24–0–+24 [semitones])
Global Parameter Control
Parameters of the Global Parameter Control are newly provided for the General MIDI
2.
Reverb Parameters
Status Data byte Status F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H 01H, 01H, 01H, ppH, vvH
* When this message is received, Rx. NRPN will be ON. * There must be an interval of at least 50 ms between this message and the next.
Universal Realtime System Exclusive Messages
Master Volume
Status Data byte Status F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H
Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control messages) 01H Sub ID#2 (Master Volume) llH Master volume lower byte mmH Master volume upper byte F7H EOX (End Of Exclusive)
llH: ignored (processed as 00H) mmH: 00H–7FH 0–127
* The lower byte (llH) of Master Volume will be handled as 00H.
Byte Explanation F0H Exclusive status 7FH ID number (Universal Realtime Message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 05H Sub ID#2 (Global Parameter Control) 01H Slot path length 01H Parameter ID width 01H Value width 01H Slot path MSB 01H Slot path LSB (Eect 0101: Reverb) ppH Parameter to be controlled. vvH Value for the parameter. F7H EOX (End Of Exclusive)
pp=0 Reverb Type vv = 00H Small Room (Room1) vv = 01H Medium Room (Room2) vv = 02H Large Room (Room3) vv = 03H Medium Hall (Hall1) vv = 04H Large Hall (Hall2) vv = 08H Plate (Plate)
pp=1 Reverb Time vv = 00H–7FH 0–127
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MIDI Implementation
Chorus Parameters
Status Data byte Status F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H 01H, 01H, 02H, ppH, vvH
Byte Explanation F0H Exclusive status 7FH ID number (Universal Realtime Message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 05H Sub ID#2 (Global Parameter Control) 01H Slot path length 01H Parameter ID width 01H Value width 01H Slot path MSB 02H Slot path LSB (Eect 0102: Chorus) ppH Parameter to be controlled. vvH Value for the parameter. F7H EOX (End Of Exclusive)
pp=0 Chorus Type vv=0 Chorus1 vv=1 Chorus2 vv=2 Chorus3 vv=3 Chorus4 vv=4 FB Chorus vv=5 Flanger pp=1 Mod Rate vv= 00H–7FH 0–127 pp=2 Mod Depth vv = 00H–7FH 0–127 pp=3 Feedback vv = 00H–7FH 0–127 pp=4 Send To Reverb vv = 00H–7FH 0–127
Channel Pressure
Status Data byte Status F0H 7FH, 7FH, 09H, 01H, 0nH, ppH, rrH F7H
Byte Explanation F0H Exclusive status 7FH ID number (Universal Realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (Controller Destination Setting) 01H Sub ID#2 (Channel Pressure) 0nH MIDI Channel (00–0F) ppH Controlled parameter rrH Controlled range F7H EOX (End Of Exclusive)
pp=0 Pitch Control rr = 28H–58H -24–+24 [semitones] pp=1 Filter Cuto Control rr = 00H–7FH -9600–+9450 [cents] pp=2 Amplitude Control rr = 00H–7FH 0–200 [%] pp=3 LFO Pitch Depth rr = 00H–7FH 0–600 [cents] pp=4 LFO Filter Depth rr = 00H–7FH 0–2400 [cents] pp=5 LFO Amplitude Depth rr = 00H–7FH 0–100 [%]
Controller
Status Data byte Status F0H 7FH, 7FH, 09H, 03H, 0nH, ccH, F7H ppH, rrH
Byte Explanation F0H Exclusive status 7FH ID number (Universal Realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (Controller Destination Setting) 03H Sub ID#2 (Control Change) 0nH MIDI Channel (00–0F) ccH Controller number (01–1F, 40–5F) ppH Controlled parameter rrH Controlled range F7H EOX (End Of Exclusive)
pp=0 Pitch Control rr = 28H–58H -24–+24 [semitones] pp=1 Filter Cuto Control rr = 00H–7FH -9600–+9450 [cents] pp=2 Amplitude Control rr = 00H–7FH 0–200 [%] pp=3 LFO Pitch Depth rr = 00H–7FH 0–600 [cents] pp=4 LFO Filter Depth rr = 00H–7FH 0–2400 [cents] pp=5 LFO Amplitude Depth rr = 00H–7FH 0–100 [%]
Scale/Octave Tuning Adjust
Status Data byte Status F0H 7EH, 7FH, 08H, 08H, H, ggH, F7H hhH, ssH...
Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 08H Sub ID#1 (MIDI Tuning Standard) 08H Sub ID#2 (scale/octave tuning 1-byte form) H Channel/Option byte1 bits 0 to 1 = channel 15 to 16 bit 2 to 6 = Undened ggH Channel byte2 bits 0 to 6 = channel 8 to 14 hhH Channel byte3 bits 0 to 6 = channel 1 to 7 ssH 12 byte tuning oset of 12 semitones from C to B 00H = -64 [cents] 40H = 0 [cents] (equal temperament) 7FH = +63 [cents] F7H EOX (End Of Exclusive)
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MIDI Implementation
Key-Based Instrument Controllers
Status Data byte Status F0H 7FH, 7FH, 0AH, 01H, 0nH, F7H kkH, nnH, vvH...
Byte Explanation F0H Exclusive status 7FH ID number (Universal Realtime Message) 7FH Device ID (Broadcast) 0AH Sub ID#1 (Key-Based Instrument Control) 01H Sub ID#2 (Controller) 0nH MIDI Channel (00–0FH) kkH Key Number nnH Controller Number vvH Value F7H EOX (End Of Exclusive)
nn=07H Level vv = 00H–7FH 0–200 [%] (Relative) nn=0AH Pan vv = 00H–7FH Left–Right (Absolute) nn=5BH Reverb Send vv = 00H–7FH 0–127 (Absolute) nn=5DH Chorus Send vv = 00H–7FH 0–127 (Absolute)
* This parameter eects drum instruments only.
Universal Non-realtime System Exclusive Messages
Identity Request Message
Status Data byte Status F0H 7EH, 10H, 06H, 01H F7H
Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 10H Device ID 06H Sub ID#1 (General Information) 01H Sub ID#2 (Identity Request) F7H EOX (End Of Exclusive)
* Device ID = 10H or 7FH (broadcast)
Data transmission
This instrument can receive the various parameters using System Exclusive messages. The exclusive message of GS format data has a model ID of 42H and a device ID of 10H (17), and it is common to all the GS devices.
Data Set 1 (DT1)
This is the message that actually performs data transmission, and is used when you wish to transmit the data.
Status Data byte Status F0H 41H, 10H, 42H, 12H, aaH, bbH, F7H ccH, ddH, ... eeH, sum
Byte Explanation F0H Exclusive status 41H ID number (Roland) 10H Device ID 42H Model ID (GS) 12H Command ID (DT1) aaH Address MSB: upper byte of the starting address of the transmitted data bbH Address: middle byte of the starting address of the transmitted data ccH Address LSB: lower byte of the starting address of the transmitted data ddH Data: the actual data to be transmitted. Multiple bytes of data are transmitted starting from the address. : : eeH Data sum Checksum F7H EOX (End Of Exclusive)
* The amount of data that can be transmitted at one time depends on the type of
data, and data can be received only from the specied starting address and size. Refer to the Address and Size given in Section 3.
* Data larger than 128 bytes must be divided into packets of 128 bytes or less. If
“Data Set 1” is transmitted successively, there must be an interval of at least 40 ms between packets.
* Regarding the checksum please refer to section 4 .
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MIDI Implementation

2. Transmit Data

Channel Voice Messages
Note O
n = MIDI channel number: 0H–FH (ch.1–ch.16) kk = note number: 00H–7FH (0–127) vv = note o velocity: 00H–7FH (0–127)
Note On
n = MIDI channel number: 0H–FH (ch.1–ch.16) kk = note number: 00H–7FH (0–127) vv = note on velocity: 01H–7FH (1–127)
Control Change
Bank Select (Controller Number 0, 32)
n = MIDI channel number: 0H–FH (ch.1–ch.16) mm, ll = Bank number: 00H, 00H–7FH, 7FH (bank.1–bank.16384)
Hold 1 (Controller Number 64)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Control value: 00H–7FH (0–127)
Sostenuto (Controller Number 66)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Control value: 00H, 7FH (0, 127) 0 = OFF, 127 = ON
Soft (Controller Number 67)
System Realtime Message
Realtime Clock
Status F8H
Start
Status FAH
Continue
Status FBH
Stop
Status FCH
Active Sensing
Status FEH
* This will be transmitted constantly at intervals of approximately 250 ms.
System Exclusive Messages
Identity Reply
Status Data byte Status F0H 7EH, 10H, 06H, 02H, 41H, 42H, 00H, 00H, F7H 1EH, 04H, 01H, 00H, 00H Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 10H Device ID (use the same as the device ID of Roland) 06H Sub ID#1 (General Information) 02H Sub ID#2 (Identity Reply) 41H ID number (Roland) 42H Device family code (LSB) 00H Device family code (MSB) 00H Device family number code (LSB) 1EH Device family number code (MSB) 04H Software revision level 01H Software revision level 00H Software revision level 00H Software revision level F7H EOX (End of Exclusive)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Control value: 00H–7FH (0–127)
Eect 1 (Reverb Send Level) (Controller Number 91)
n = MIDI channel number: 0H–FH (ch.1–ch.16) vv = Control value: 00H–7FH (0–127)
Program Change
Status 2nd byte CnH ppH
n = MIDI channel number: 0H–FH (ch.1–ch.16) pp = Program number: 00H–7FH (prog.1–prog.128)
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MIDI Implementation

3. Parameter Address Map (Model ID = 42H)

This map indicates address, size, Data (range), Parameter, Description, and Default Value of parameters which can be transferred using and “Data set 1 (DT1).” All the numbers of address, size, Data, and Default Value are indicated in 7-bit Hexadecimal-form.
Address Block Map
An outlined address map of the Exclusive Communication is as follows;
+------------+------------------------------------+ | Address (H)| Block | +------------+------------------------------------+ | 40 00 00 | | | | SYSTEM PARAMETERS | Individual | 40 01 3F | | +------------+------------------------------------+ +------------+------------------------------------+ | 40 1x 00 | | | | PART PARAMETERS (x = 0–F) | Individual | 40 2x 5A | | +------------+------------------------------------+ +------------+------------------------------------+ | 41 m0 00 | | | | DRUM SETUP PARAMETERS (m = 0, 1) | Individual | 41 m8 7F | | +------------+------------------------------------+ +------------+------------------------------------+ | 48 00 00 | | | | SYSTEM PARAMETERS | Bulk | 48 1D 0F | | +------------+------------------------------------+ | 48 01 10 | | | | PART PARAMETERS | Bulk | 48 1D 0F | | +------------+------------------------------------+ +------------+------------------------------------+ | 49 m0 00 | | | | DRUM SETUP PARAMETERS (m = 0, 1) | Bulk | 49 mE 17 | | +------------+------------------------------------+
There are two ways in which GS data is transmitted: Individual Parameter Transmission in which individual parameters are transmitted one by one, and Bulk Dump Transmission in which a large amount of data is transmitted at once.
Individual Parameters
Individual Parameter Transmission transmits data (or requests data) for one parameter as one exclusive message (one packet of “F0 ..... F7”).
In Individual Parameter Transmission, you must use the Address and Size listed in the following “Parameter Address Map.” Addresses marked at “#” cannot be used as starting addresses.
System Parameters
Parameters related to the system of the device are called System Parameters.
Address (H) Size (H) Data (H) Parameter Description Default Value (H) Description 40 00 00 00 00 04 0018–07E8 MASTER TUNE -100.0–+100.0 [cent] 00 04 00 00 0 [cent] 40 00 01# Use nibblized data. 40 00 02# 40 00 03#
*Refer to section 4. Supplementary Material, “About Tuning.”
40 00 04 00 00 01 00–7F MASTER VOLUME 0–127 7F 127 (= F0 7F 7F 04 01 00 vv F7) 40 00 05 00 00 01 28–58 MASTER KEY-SHIFT -24–+24 [semitones] 40 0 [semitones] 40 00 06 00 00 01 01–7F MASTER PAN -63 (LEFT)–+63 (RIGHT ) 40 0 (CENTER) 40 00 7F 00 00 01 00, 7F MODE SET 00 = GS Reset, 127 = Exit GS mode (Rx. only)
* Refer to “System Exclusive Messages Related to Mode Settings”.
40 01 10 00 00 01 00-18 VOICE RESERVE Part1 00 0 40 01 11 00 00 01 00-18 VOICE RESERVE Part2 00 0 40 01 12 00 00 01 00-18 VOICE RESERVE Part3 00 0 40 01 13 00 00 01 00-18 VOICE RESERVE Part4 00 0 40 01 14 00 00 01 00-18 VOICE RESERVE Part5 00 0 40 01 15 00 00 01 00-18 VOICE RESERVE Part6 00 0 40 01 16 00 00 01 00-18 VOICE RESERVE Part7 00 0 40 01 17 00 00 01 00-18 VOICE RESERVE Part8 00 0 40 01 18 00 00 01 00-18 VOICE RESERVE Part9 00 0 40 01 19 00 00 01 00-18 VOICE RESERVE Part10 (Drum Part) 18 24 40 01 1A 00 00 01 00-18 VOICE RESERVE Part11 00 0 40 01 1B 00 00 01 00-18 VOICE RESERVE Part12 00 0 40 01 1C 00 00 01 00-18 VOICE RESERVE Part13 00 0
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MIDI Implementation
40 01 1D 00 00 01 00-18 VOICE RESERVE Part14 00 0 40 01 1E 00 00 01 00-18 VOICE RESERVE Part15 00 0 40 01 1F 00 00 01 00-18 VOICE RESERVE Part16 00 0
* The sum total of voices in the voice reserve function must be equal to or less than the 64. For compatibility with other GS models, it is recommended that the maximum
polyphony be equal or less than 24.
40 01 30 00 00 01 00–07 REVERB MACRO 00: Room 1 04 Hall 2 01: Room 2 02: Room 3 03: Hall 1 04: Hall 2 05: Plate 06: Delay 07: Panning Delay 40 01 31 00 00 01 00–07 REVERB CHARACTER 0–7 04 4 40 01 32 00 00 01 00–07 REVERB PRE-LPF 0–7 00 0 40 01 33 00 00 01 00–7F REVERB LEVEL 0–127 40 64 40 01 34 00 00 01 00–7F REVERB TIME 0–127 40 64 40 01 35 00 00 01 00–7F REVERB DELAY FEEDBACK 0–127 00 0
* REVERB MACRO is a macro parameter that allows global setting of reverb parameters. When you select the reverb type with REVERB MACRO, each reverb parameter will be set to
the most suitable value.
* REVERB CHARACTER is a parameter that changes the reverb algorithm. The value of REVERB CHARACTER corresponds to the REVERB MACRO of the same number.
40 01 38 00 00 01 00–07 CHORUS MACRO 00: Chorus 1 02 Chorus 3 01: Chorus 2 02: Chorus 3 03: Chorus 4 04: Feedback Chorus 05: Flanger 06: Short Delay 07: Short Delay (FB) 40 01 39 00 00 01 00–07 CHORUS PRE-LPF 0–7 00 0 40 01 3A 00 00 01 00–7F CHORUS LEVEL 0–127 40 64 40 01 3B 00 00 01 00–7F CHORUS FEEDBACK 0–127 08 8 40 01 3C 00 00 01 00–7F CHORUS DELAY 0–127 50 80 40 01 3D 00 00 01 00–7F CHORUS RATE 0–127 03 3 40 01 3E 00 00 01 00–7F CHORUS DEPTH 0–127 13 19 40 01 3F 00 00 01 00–7F CHORUS SEND LEVEL TO REVERB 0–127 00 0
* CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you use CHORUS MACRO to select the chorus type, each chorus parameter will be
set to the most suitable value.
40 03 00 00 00 02 00–7F EFX TYPE (MSB, LSB) 00 00–7F 7F 00 01 Thru
* Refer to EFX Type Table * This EFX Type is current EFX type of this system. When part EFX type is same to this EFX type, that part connect to EFX.
40 03 03 00 00 01 00–7F EFX Parameter 1 40 03 04 00 00 01 00–7F EFX Parameter 2 40 03 05 00 00 01 00–7F EFX Parameter 3 40 03 06 00 00 01 00–7F EFX Parameter 4 40 03 07 00 00 01 00–7F EFX Parameter 5 40 03 08 00 00 01 00–7F EFX Parameter 6 40 03 09 00 00 01 00–7F EFX Parameter 7 40 03 0A 00 00 01 00–7F EFX Parameter 8 40 03 0B 00 00 01 00–7F EFX Parameter 9 40 03 0C 00 00 01 00–7F EFX Parameter 10 40 03 0D 00 00 01 00–7F EFX Parameter 11 40 03 0E 00 00 01 00–7F EFX Parameter 12 40 03 0F 00 00 01 00–7F EFX Parameter 13 40 03 10 00 00 01 00–7F EFX Parameter 14 40 03 11 00 00 01 00–7F EFX Parameter 15 40 03 12 00 00 01 00–7F EFX Parameter 16 40 03 13 00 00 01 00–7F EFX Parameter 17 40 03 14 00 00 01 00–7F EFX Parameter 18 40 03 15 00 00 01 00–7F EFX Parameter 19 40 03 16 00 00 01 00–7F EFX Parameter 20
* Each parameter will be changed by EFX type. Refer to EFX Parameter Map.
40 03 17 00 00 01 00–7F EFX Send Level to Reverb * Set to 0 when EFX type is changed.
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MIDI Implementation
40 03 18 00 00 01 00–7F EFX Send Level to Chorus * Set to 0 when EFX type is changed.
40 03 1A 00 00 01 00–7F EFX Depth Dry 100%–EFX 100% 7F
Part Parameters
This instrument has 16 parts. Parameters that can be set individually for each Part are called Part parameters. If you use exclusive messages to set Part parameters, specify the address by Block number rather than Part Number (normally the same number as the MIDI channel). The Block number can be specied as one of 16 blocks, from 0 (H) to F (H).
The relation between Part number and Block number is as follows.
x...BLOCK NUMBER (0–F), Part 1 (MIDI ch = 1) x = 1 Part 2 (MIDI ch = 2) x = 2 : : : Part 9 (MIDI ch = 9) x = 9 Part10 (MIDI ch = 10) x = 0 Part11 (MIDI ch = 11) x = A Part12 (MIDI ch = 12) x = B : : : Part16 (MIDI ch = 16) x = F
Address (H) Size (H) Data (H) Parameter Description Default Value (H) Description 40 1x 00 00 00 02 00–7F TONE NUMBER CC#00 0–127 00 0 40 1x 01# 00–7F P.C. VALUE 1–128 00 1 40 1x 02 00 00 01 00–10 Rx. CHANNEL 1–16, OFF Same as the Part Number 40 1x 03 00 00 01 00–01 Rx. PITCH BEND OFF/ON 01 ON 40 1x 04 00 00 01 00–01 Rx. CH PRESSURE (CAf ) OFF/ON 01 ON 40 1x 05 00 00 01 00–01 Rx. PROGRAM CHANGE OFF/ON 01 ON 40 1x 06 00 00 01 00–01 Rx. CONTROL CHANGE OFF/ON 01 ON 40 1x 07 00 00 01 00–01 Rx. POLY PRESSURE (PAf) OFF/ON 01 ON 40 1x 08 00 00 01 00–01 Rx. NOTE MESSAGE OFF/ON 01 ON 40 1x 09 00 00 01 00–01 Rx. RPN OFF/ON 01 ON 40 1x 0A 00 00 01 00–01 Rx. NRPN OFF/ON 00 (01*) OFF (ON*)
* When “GM1 System On” and “GM2 System On” are received, Rx. NRPN will be set OFF. When “GS Reset” is received, it will be set ON.
40 1x 0B 00 00 01 00–01 Rx. MODULATION OFF/ON 01 ON 40 1x 0C 00 00 01 00–01 Rx. VOLUME OFF/ON 01 ON 40 1x 0D 00 00 01 00–01 Rx. PANPOT OFF/ON 01 ON 40 1x 0E 00 00 01 00–01 Rx. EXPRESSION OFF/ON 01 ON 40 1x 0F 00 00 01 00–01 Rx. HOLD1 OFF/ON 01 ON 40 1x 10 00 00 01 00–01 Rx. PORTAMENTO OFF/ON 01 ON 40 1x 11 00 00 01 00–01 Rx. SOSTENUTO OFF/ON 01 ON 40 1x 12 00 00 01 00–01 Rx. SOFT OFF/ON 01 ON
40 1x 13 00 00 01 00–01 MONO/POLY MODE Mono/Poly 01 Poly (= CC# 126 01 / CC# 127 00)
40 1x 15 00 00 01 00–02 USE FOR RHY THM PART 0 = OFF 00 at x ≠0 OFF at x ≠0 1 = MAP1 01 at x = 0 MAP1 at x ≠0 2 = MAP2
* This parameter sets the Drum Map of the Part used as the Drum Part. This instrument can simultaneously (in dierent Parts) use up to two Drum Maps (MAP1, MAP2). With the
initial settings, Part10 (MIDI CH = 10, x = 0) is set to MAP1 (1), and other Parts are set to normal instrumental Parts (OFF (0)).
40 1x 16 00 00 01 28–58 PITCH KEY SHIFT -24–+24 [semitones] 40 0 [semitones] 40 1x 17 00 00 02 00 08–0F 08 PITCH OFFSET FINE -12.0–+12.0 [Hz] 08 00 (80) 0 [Hz] 40 1x 18# (08–F8) Use nibblized data.
* PITCH OFFSET FINE allows you to alter, by a specied frequency amount, the pitch at which notes will sound. This parameter diers from the conventional Fine Tuning (RPN #1)
parameter in that the amount of frequency alteration (in Hertz) will be identical no matter which note is played. When a multiple number of Parts, each of which has been given a dierent setting for PITCH OFFSET FINE, are sounded by means of an identical note number, you can obtain a Celeste eect.
40 1x 19 00 00 01 00–7F PART LEVEL 0–127 64 100 (= CC# 7) 40 1x 1A 00 00 01 00–7F VELOCITY SENSE DEPTH 0–127 40 64 40 1x 1B 00 00 01 00–7F VELOCITY SENSE OFFSET 0–127 40 64 40 1x 1C 00 00 01 00–7F PART PANPOT -64 (RANDOM) 40 0 (CENTER)
-63 (LEFT)–+63 (RIGHT) (= CC# 10, except RANDOM) 40 1x 1D 00 00 01 00–7F KEY RANGE LOW (C-1)–(G9) 00 C-1 40 1x 1E 00 00 01 00–7F KEY RANGE HIGH (C-1)–(G9) 7F G 9
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MIDI Implementation
40 1x 1F 00 00 01 00–5F CC1 CONTROLLER NUMBER 0–95 10 16 40 1x 20 00 00 01 00–5F CC2 CONTROLLER NUMBER 0–95 11 17 40 1x 21 00 00 01 00–7F CHORUS SEND LEVEL (= CC# 93) 0–127 00 0 40 1x 22 00 00 01 00–7F REVERB SEND LEVEL (= CC# 91) 0–127 28 40 40 1x 23 00 00 01 00–01 Rx. BANK SELEC T OFF/ON 01 (00*) ON (OFF*)
* “Rx. BANK SELECT” is set to OFF by “GM1 System On,” and Bank Select message will be ignored. * “Rx. BANK SELECT” is set to ON by “GM2 System On.” * “Rx. BANK SELECT” is set to ON by power-on Reset or by receiving “GS RESET.”
40 1x 24 00 00 01 00–01 Rx. BANK SELEC T LSB OFF/ON 00 OFF
* This instrument can be recognized Bank Select LSB (40H–43H) even if this message is OFF.
40 1x 25 00 00 01 00–01 TONE REMAIN OFF/ON 01 ON 40 1x 28 00 00 03 00–7F Bank Select LSB Range LSB (from) 40 40H 40 1x 29# LSB (to) 43 43H
40 1x 30 00 00 01 0E–72 TONE MODIFY 1 -50–+50 40 0 Vibrato rate (= NRPN# 8) 40 1x 31 00 00 01 0E–72 TONE MODIFY 2 -50–+50 40 0 Vibrato depth (= NRPN# 9) 40 1x 32 00 00 01 0E–72 TONE MODIFY 3 -50–+50 40 0 TVF cuto frequency (= NRPN# 32) 40 1x 33 00 00 01 0E–72 TONE MODIFY 4 -50–+50 40 0 TVF resonance (= NRPN# 33) 40 1x 34 00 00 01 0E–72 TONE MODIFY 5 -50–+50 40 0 TVF & TVA Env.attack (= NRPN# 99) 40 1x 35 00 00 01 0E–72 TONE MODIFY 6 -50–+50 40 0 TVF & TVA Env.decay (= NRPN# 100) 40 1x 36 00 00 01 0E–72 TONE MODIFY 7 -50–+50 40 0 TVF & TVA Env.release (= NRPN# 102) 40 1x 37 00 00 01 0E–72 TONE MODIFY 8 -50–+50 40 0 Vibrato delay (= NRPN# 10)
40 1x 40 00 00 0C 00–7F SCALE TUNING C -64–+63 [cent] 40 0 [cent] 40 1x 41# 00–7F SCALE TUNING C# -64–+63 [cent] 40 0 [cent] 40 1x 42# 00–7F SCALE TUNING D -64–+63 [cent] 40 0 [cent] 40 1x 43# 00–7F SCALE TUNING D# -64–+63 [cent] 40 0 [cent] 40 1x 44# 00–7F SCALE TUNING E -64–+63 [cent] 40 0 [cent] 40 1x 45# 00–7F SCALE TUNING F -64–+63 [cent] 40 0 [cent] 40 1x 46# 00–7F SCALE TUNING F# -64–+63 [cent] 40 0 [cent] 40 1x 47# 00–7F SCALE TUNING G -64–+63 [cent] 40 0 [cent] 40 1x 48# 00–7F SCALE TUNING G# -64–+63 [cent] 40 0 [cent] 40 1x 49# 00–7F SCALE TUNING A -64–+63 [cent] 40 0 [cent] 40 1x 4A# 00–7F SCALE TUNING A# -64–+63 [cent] 40 0 [cent] 40 1x 4B# 00–7F SCALE TUNING B -64–+63 [cent] 40 0 [cent]
* SCALE TUNING is a function that allows ne adjustment to the pitch of each note in the octave. The pitch of each identically-named note in all octaves will change
simultaneously. A setting of ± 0 cent (40H) is equal temperament. Refer to section 4. Supplementary Material, “ The Scale Tune Feature.”
40 2x 00 00 00 01 28–58 MOD PITCH CONTROL -24–+24 [semitone] 40 0 [semitones] 40 2x 01 00 00 01 00–7F MOD TVF CUTOFF CONTROL -9600–+9600 [cent] 40 0 [cent] 40 2x 02 00 00 01 00–7F MOD AMPLITUDE CONTROL -100.0–+100.0 [%] 40 0 [%] 40 2x 03 00 00 01 00–7F MOD LFO1 RATE CONTROL -10.0–+10.0 [Hz] 40 0 [Hz] 40 2x 04 00 00 01 00–7F MOD LFO1 PITCH DEPTH 0–600 [cent] 0A 47 [cent] 40 2x 05 00 00 01 00–7F MOD LFO1 TVF DEPTH 0–2400 [cent] 00 0 [cent] 40 2x 06 00 00 01 00–7F MOD LFO1 TVA DEPTH 0–100 [%] 0 000 [%] 40 2x 07 00 00 01 00–7F MOD LFO2 RATE CONTROL -10.0–+10.0 [Hz] 40 0 [Hz] 40 2x 08 00 00 01 00–7F MOD LFO2 PITCH DEPTH 0–600 [cent] 00 0 [cent] 40 2x 09 00 00 01 00–7F MOD LFO2 TVF DEPTH 0–2400 [cent] 00 0 [cent] 40 2x 0A 00 00 01 00–7F MOD LFO2 TVA DEPTH 0–100.0 [%] 00 0 [%]
40 2x 10 00 00 01 40–58 BEND PITCH CONTROL 0–24 [semitone] 42 2 [semitones] 40 2x 11 00 00 01 00–7F BEND TVF CUTOFF CONTROL -9600–+9600 [cent] 40 0 [cent] 40 2x 12 00 00 01 00–7F BEND AMPLITUDE CONTROL -100.0–+100.0 [%] 40 0 [%] 40 2x 13 00 00 01 00–7F BEND LFO1 RATE CONTROL -10.0–+10.0 [Hz] 40 0 [Hz] 40 2x 14 00 00 01 00–7F BEND LFO1 PITCH DEPTH 0–600 [cent] 00 0 [cent] 40 2x 15 00 00 01 00–7F BEND LFO1 TVF DEPTH 0–2400 [cent] 00 0 [cent] 40 2x 16 00 00 01 00–7F BEND LFO1 TVA DEPTH 0–100.0 [%] 00 0 [%] 40 2x 17 00 00 01 00–7F BEND LFO2 RATE CONTROL -10.0–+10.0 [Hz] 40 0 [Hz] 40 2x 18 00 00 01 00–7F BEND LFO2 PITCH DEPTH 0–600 [cent] 00 0 [cent] 40 2x 19 00 00 01 00–7F BEND LFO2 TVF DEPTH 0–2400 [cent] 00 0 [cent]
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