Roland 04672434, VB-99 User Manual

201a

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 2–3), and “IMPORTANT NOTES” (p. 4–5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Owner’s Manual

Thank you, and congratulations on your choice of the Roland VB-99.

202

Roland Website http://www.roland.com/

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

002c

• Do not open (or modify in any way) the unit or its AC adaptor.

...........................................................................................................

003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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004

• Never install the unit in any of the following locations.

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors);

or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Humid; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness.

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005

• This unit should be used only with a rack-mount adaptor (RAD-99) or stand (PDS-10) that is recommended by Roland. (p. 93)

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006

• When using the unit with a stand (PDS-10) recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

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The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

008c

• Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

..........................................................................................................

008d

• Connect only the specified device (FC-300) to the RRC2 IN connector (which provide a supply of power).

..........................................................................................................

008e

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

..........................................................................................................

009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012b

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor, the power-supply cord, or the plug

has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto

the unit; or

• The unit has been exposed to rain (or otherwise has

become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

..........................................................................................................

014

• Protect the unit from strong impact. (Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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023

• DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.

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101b

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

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101c

• This VB-99 for use only with Roland rack-mount adaptor RAD-99 or Stand PDS-10. Use with other rack-mount adaptors or stands are capable of resulting in instability causing possible injury.

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102c

• Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

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101f

• Please be sure to read and adhere to the cautionary notices contained in the instructions that came with this product. Please note that, depending on the manner in which performances are carried out, you may encounter situations where the unit falls off the stand or the stand topples over, even though you have followed all of the instructions and advice contained within the product’s manual. For this reason, you should always perform a safety check each time you use the stand.

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103b

• At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

..........................................................................................................

104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107c

• Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108d: Selection

• If you need to move the instrument, take note of the precautions listed below. It should be handled carefully, all the while keeping it level. Make sure to have a firm grip, to protect yourself from injury and the instrument from damage.

• Check to make sure the screws or the attached knob

bolts securing the unit to the stand have not become loose. Fasten them again securely whenever you notice any loosening.

• Disconnect the power cord.

• Disconnect all cords coming from external devices.

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109b

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 25).

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110b

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

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118c

• Keep any screws you may remove and the included knob bolts in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally ( p. 93, p. 94).

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IMPORTANT NOTES

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

360

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

IMPORTANT NOTES

561

• Use only the specified expression pedal (Roland EV-5, BOSS FV-500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4” phone); sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

562

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

563

• Use of the included CD-ROM for rental, lease, or the like without the permission of the copyright owner is prohibited. Unauthorized copying is also prohibited by law.

566b

• The sensitivity of the D Beam controller will change depending on the amount of light in the vicinity of the unit. If it does not function as you expect, adjust the sensitivity as appropriate for the brightness of your location.

801

• Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.

Printing Conventions and icons in This Manual

Text or numerals

enclosed in square

brackets [ ]

(p.**)

Indicate buttons.

[WRITE]

Indicates information that you

should be aware of when

using the VB-99.

Indicates supplementary

information about an

operation.

Indicates information about a

convenient operation.

Indicates a reference page.

WRITE button

Contents

Main Features ................................................................................................11

Names of Things and What They Do ...........................................................12

Top Panel................................................................................................................................... 12

Rear Panel ................................................................................................................................. 14

Signal Flow................................................................................................................................ 15

Chapter 1 Outputting Sounds.......................................................................16

Installing the Divided Pickup...................................................................................................16

Before Connecting.................................................................................................................... 16

Making the Connections ..........................................................................................................17

Turning On the Power .............................................................................................................. 19

About the Play Screen.................................................................................................................................... 20

About the Information in the Display (Basic Operation) ......................................................................... 20

Adjusting the Volume.................................................................................................................................... 20

Setting the Device (Amp) Connected to MAIN OUT (Output Select).................................................... 21

Inputting the Divided Pickup Settings (GK Settings) ............................................................ 21

Tuning the Bass (TUNER) ........................................................................................................ 23

Switching Tones (Patch) .......................................................................................................... 24

About the Patch Numbers............................................................................................................................. 24

Switching with the PATCH/VALUE Dial.................................................................................................. 25

Turning Off the Power .............................................................................................................. 25

Chapter 2 Creating Sounds ..........................................................................26

Setting the COSM BASS Tone................................................................................................. 26

One-touch Output of the Bass Direct Sound (BASS DIRECT) ............................................. 27

Applying the COSM Amps and Effects to Normal Pickup Sound ........................................ 27

Setting the COSM AMP Tone................................................................................................... 27

Setting the Effects .................................................................................................................... 28

POLY FX (Poly Effect).................................................................................................................................... 28

FX (Effects)....................................................................................................................................................... 28

Rearranging the Effect and Amp Connection Sequence (CHAIN) ....................................... 29

Specifying the tempo and key of the song to be played....................................................... 29

Setting the Tempo........................................................................................................................................... 29

Setting the Key ................................................................................................................................................ 30

Mixing the Normal Pickup Sound with the GK Input............................................................. 30

Setting the Volume Balance .......................................................................................................................... 30

Setting the Connection Locations for COSM Bass/Normal Pickup Sound........................................... 31

Mixing Channels A and B Together (MIXER) ......................................................................... 31

Setting the Volume and Panning for Each Channel.................................................................................. 31

Setting the Mix Balance.................................................................................................................................. 32

Setting the Delay and Reverb (DELAY/REVERB) .................................................................................... 32

Using Playing Dynamics to Control the Mix Between the Two Channels (DYNAMIC)..................... 32

Setting the Overall Patch Volume Level (V-BASS LEVEL) ...................................................................... 33

Adjusting the Overall Patch Tone (TOTAL EQ) ........................................................................................ 33

Setting the Output Signal and Level (OUTPUT) ....................................................................................... 33

Naming a Patch (PATCH NAME) ............................................................................................. 34

Saving a Patch (WRITE) ........................................................................................................... 34

Chapter 3 Global Device Settings (SYSTEM)..............................................35

Inputting the Divided Pickup Settings .................................................................................... 35

Selecting the Settings...................................................................................................................................... 35

Naming GK Settings (GK NAME) ............................................................................................................... 35

Selecting the Divided Pickup Type (GK PU TYPE)................................................................................... 36

Contents

Inputting the Bass’s Scale (BASS SCALE)................................................................................................... 36

Selecting the Position of the Divided Pickup (GK PU POS) .................................................................... 36

Matching the Divided Pickup and Normal Pickup Phase (GK PU PHASE)......................................... 37

Setting the Direction for the Installed Divided Pickup (GK PU DIRECTION)..................................... 37

Setting the DOWN/S1, UP/S2 Switch Arrangement (S1, S2 POS)......................................................... 37

Setting the Gap Between the Pickup and the Bridge (PICKUP↔BRIDGE)........................................... 38

Adjusting the Sensitivity for Each String (SENS) ...................................................................................... 38

Setting Whether or Not the Divided Pickup Is Used (GK CONNCT).................................................... 39

Using Different Bass Settings in Each Patch (SET MODE)....................................................................... 39

Determining the Function of the GK Volume Control and DOWN/S1, UP/S2 Switches (GK FUNC) .....39

Adjusting the Overall Tone According to the Environment (GLOBAL/OUTPUT SELECT)........ 40

Selecting the Settings...................................................................................................................................... 40

Naming the Settings....................................................................................................................................... 40

Setting the Types of Connected Devices (OUTPUT SELECT) ................................................................. 40

Adjusting the Overall Tone (GLOBAL EQ)................................................................................................ 41

Controlling the Overall Effect of the Noise Suppressor (Total NS) ........................................................ 41

Controlling the Overall Reverb Level (Total REVERB) ............................................................................ 42

Setting the Sounds Output from SUB OUT (SUB OUT LEVEL) ............................................................. 42

Setting the GK VOLUME Control and Switch and the Pedal Function

(SYSTEM CONTROL ASSIGN) ................................................................................................. 42

Having Values from an External Pedal, GK VOLUME Control, or Other Controller Carried

Over When Patches are Called Up (ASSIGN HOLD).............................................................. 43

Making System-wide Settings for the Features Controlled by the Function Knobs

(SYSTEM DIRECT EDIT) ........................................................................................................... 43

Limiting the Patches That Can Be Switched (PATCH EXTENT)........................................... 44

Adjusting the Screen’s Contrast ............................................................................................. 44

Setting the Output Signal and Level (SYSTEM OUTPUT) ..................................................... 45

Chapter 4 Using the VB-99 in Combination with an FC-300......................46

Connecting with the RRC2 IN Connector ............................................................................... 46

Settings Related to the FC-300................................................................................................ 46

Settings for Control of the FC-300................................................................................................................ 46

Setting the Operation When Patches Are Switched .................................................................................. 47

Activating the VB-99’s Tuner from the FC-300 (QUICK TUNER) .......................................... 47

Setting the FC-300 Amp Control ............................................................................................. 48

Chapter 5 Using MIDI ....................................................................................49

About MIDI................................................................................................................................. 49

What You Can Do Using MIDI..................................................................................................................... 49

Main Types of MIDI Messages Handled by the VB-99............................................................................. 50

About the MIDI Implementation ................................................................................................................. 51

Exchanging MIDI Messages.......................................................................................................................... 51

About MIDI Channels.................................................................................................................................... 51

Bank Select and Program Change................................................................................................................ 52

Setting the MIDI-Related Functions ........................................................................................ 52

Syncing to the MIDI Clock from an External Device.............................................................. 58

Playing an External Synthesizer Sound Module (BASS TO MIDI)........................................ 58

Setting the BASS TO MIDI Function (System Parameters) ...................................................................... 59

Setting the BASS TO MIDI Function (Patch Parameters) ......................................................................... 61

Chapter 6 Using the VB-99 Connected to a Computer Via USB................65

Before Using the USB Connection.......................................................................................... 65

Switching the Driver Mode........................................................................................................................... 66

Setting the USB Functions ...................................................................................................... 66

Setting the Digital Audio Signal Input and Output .................................................................................. 66

Setting the Direct Monitor............................................................................................................................. 67

Contents

Recording the VB-99’s Output with a Computer ................................................................... 68

Using the VB-99 to Add Effects to Audio Playback from a Computer................................. 69

Chapter 7 Other Functions ...........................................................................70

Changing the Tone in Real Time with the D Beam and Ribbon Controllers ....................... 70

Adjusting the D Beam (CALIBRATION) .................................................................................................... 70

Disabling the D Beam (DISABLE)................................................................................................................ 71

Controlling Sounds by Hand Motion or the Bass Neck (D Beam Controller)....................................... 71

Adjusting the Ribbon Controller (CALIBRATION) .................................................................................. 72

Controlling the Sounds with the Movement of Your Fingertip (Ribbon Controller)........................... 73

Holding Sounds for Extended Periods (FREEZE) ..................................................................................... 73

Changing the Pitch as with a Tremolo Arm (T-ARM) .............................................................................. 74

Adding Nuance to the Sound (FILTER)...................................................................................................... 75

Changing the Sounds with the Function Knobs as You Play (DIRECT EDIT) .................... 76

Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN) ......... 77

Activating the Virtual Expression Pedal at the Start of Operations (Internal Pedal System) ............. 81

One Touch Call Up of Favorite Patches (DIRECT PATCH) ................................................... 81

Setting DIRECT PATCH................................................................................................................................ 81

Managing the Patches.............................................................................................................. 82

Saving and Copying Patches (PATCH WRITE)......................................................................................... 82

Exchanging the Current Patch with a Different Patch (PATCH EXCHANGE).................................... 82

Initializing User Patches (PATCH INITIALIZE) ....................................................................................... 83

Copying Settings Between Channel A and Channel B (A/B COPY)...................................................... 83

Exchanging the Channel A and Channel B Settings (A/B EXCHANGE).............................................. 83

Partially Copying Parameters in a Different Patch (MODULE COPY).................................................. 84

Partially Initializing Patch Parameters (MODULE INITIALIZE) ........................................................... 84

Separating Patches into Groups (CATEGORY) ..................................................................... 85

Using CATEGORY to Call Up Patches........................................................................................................ 85

Assigning a Patch to a Category................................................................................................................... 85

Naming User Categories (CATEGORY NAME)........................................................................................ 86

Storing Your Preferred Settings Individually (FAVORITE SETTINGS) ................................ 86

What are Favorite Settings?........................................................................................................................... 86

Calling Up Favorite Settings ......................................................................................................................... 87

Changing Tone Settings................................................................................................................................. 87

Saving Changed Tones .................................................................................................................................. 88

Naming Favorite Settings (FAVORITE NAME) ........................................................................................89

Searching for Patches That Use the Same Favorite Settings..................................................................... 89

Controlling Video Images with Your Bass (V-LINK) .............................................................. 90

What is V-LINK?............................................................................................................................................. 90

Connecting the V-LINK Device.................................................................................................................... 90

Switching V-LINK On and Off ..................................................................................................................... 91

Setting V-LINK ............................................................................................................................................... 91

Using the VB-99 on a Stand..................................................................................................... 93

Using the VB-99 Mounted in a Rack ....................................................................................... 94

Restoring the VB-99 to its Original Factory Condition (FACTORY RESET)........................ 95

Chapter 8 Parameters Guide ........................................................................96

COSM BASS .............................................................................................................................. 96

E.BASS (Electric Bass) ..................................................................................................................... 98

AC BASS (Acoustic Bass) ................................................................................................................ 100

SYNTH (Synthesizer) ...................................................................................................................... 100

E.GTR (Electric Guitar) ................................................................................................................... 105

COSM BASS Common Parameters ............................................................................................... 105

POLY FX (Poly Effect) ............................................................................................................ 108

POLY COMP (Poly Compressor) .................................................................................................. 108

POLY LIMITR (Poly Limiter) ......................................................................................................... 108

Contents

POLY DEFRET (Poly Defretter) ..................................................................................................... 109

POLY DIST (Poly Distortion) ......................................................................................................... 109

POLY EQ (Poly Equalizer) ............................................................................................................. 109

POLY OCTAVE (Poly Octave) ....................................................................................................... 110

POLY RING (Poly Ring Modulator) ............................................................................................. 110

POLY SG (Poly Slow Gear) ............................................................................................................ 110

STRING MODLNG (String Modeling) ......................................................................................... 110

FX (Effects).............................................................................................................................. 111

COMP (Compressor) ....................................................................................................................... 111

OD/DS (Overdrive/Distortion) .................................................................................................... 112

EQ (Equalizer) .................................................................................................................................. 112

DELAY ............................................................................................................................................... 113

Using the HOLD (Hold Delay)................................................................................................................... 115

CHORUS ........................................................................................................................................... 115

MOD1, MOD2 .................................................................................................................................. 116

Creating Harmonist Scales (Voice Interval) ............................................................................................. 121

NS (Noise Suppressor) .................................................................................................................... 127

FV (Foot Volume) ............................................................................................................................. 127

COSM AMP .............................................................................................................................. 128

Speaker Settings ............................................................................................................................... 129

MIXER ...................................................................................................................................... 131

MIXER ............................................................................................................................................... 131

DELAY/REVERB ............................................................................................................................. 133

DYNAMIC ........................................................................................................................................ 134

MASTER................................................................................................................................... 135

CONTROL ASSIGN ........................................................................................................................ 135

GK VOL (GK Volume)................................................................................................................................. 135

GK S1, S2 (DOWN/S1, UP/S2 Switch) ..................................................................................................... 135

PANEL CTL1/CTL2 (Control Button 1/2)............................................................................................... 136

D BEAM ......................................................................................................................................................... 136

RIBBON.......................................................................................................................................................... 138

EXP PEDAL (Expression Pedal)................................................................................................................. 139

CTL3, CTL4 (Control3, Control4)............................................................................................................... 139

FC-300 CONTROL........................................................................................................................................ 140

ASSIGN 1–16 ................................................................................................................................................. 140

DIRECT EDIT F1–F6 .................................................................................................................................... 141

NAME/KEY/BPM .......................................................................................................................... 142

V-BASS LEVEL ................................................................................................................................. 142

BASS TO MIDI ......................................................................................................................... 143

PATCH .............................................................................................................................................. 143

SYSTEM ............................................................................................................................................. 144

SYSTEM ................................................................................................................................... 145

LCD CONTRAST ............................................................................................................................. 145

DIRECT PATCH .............................................................................................................................. 145

GK SETTING .................................................................................................................................... 145

CTL (Control) ................................................................................................................................... 146

CONTROL ASSIGN ..................................................................................................................................... 146

Parameters That Can Be Assigned to Controllers.................................................................................... 147

CONTROL ..................................................................................................................................................... 148

FC-300 ................................................................................................................................................ 148

MIDI ................................................................................................................................................... 149

OUTPUT ............................................................................................................................................ 151

USB ..................................................................................................................................................... 152

BPM .................................................................................................................................................... 153

V-LINK .............................................................................................................................................. 153

V-LINK PATCH............................................................................................................................................ 153

V-LINK SYSTEM .......................................................................................................................................... 155

Contents

Checking the Package Contents

The VB-99 comes with the following items. After opening the package, please check all items. If any items are missing, please contact the

retailer from whom this product was purchased.

❏ VB-99

❏ AC adaptor (PSB-1U)

❏

CATEGORY NAME ........................................................................................................................ 156

D BEAM CALIB (D BEAM Calibration) ....................................................................................... 156

PATCH EXTENT ............................................................................................................................. 156

FACTORY RESET ............................................................................................................................ 156

GLOBAL................................................................................................................................... 157

TUNER ..................................................................................................................................... 158

Chapter 9 Appendices.................................................................................159

MIDI Implementation Chart .................................................................................................... 159

Specifications ......................................................................................................................... 163

VB-99 Software System Requirements................................................................................. 164

For Windows................................................................................................................................................. 164

For Mac OS .................................................................................................................................................... 164

Error Messages....................................................................................................................... 165

Troubleshooting ..................................................................................................................... 165

Problems with Sounds ................................................................................................................................. 165

Other Problems ............................................................................................................................................. 167

Index .............................................................................................................168

GK cable (5 m)

❏ USB cable

❏ RRC2 cable

❏ Knob bolt x 4

❏ VB-99 Software CD-ROM

❏ Owner’s Manual (this manual)

Main Features

Ultimate bass modeling system provides unlimited possibilities in creating sounds

The VB-99 is the culmination of Roland’s COSM technology-based

bass modeling systems. Featuring advanced software supported by

the very latest custom DSP chips, the instrument also offers a large-

sized high-contrast LCD, top-quality AD/DA converters, balanced

XLR output connectors, digital output connectors, USB connector,

and other features that all add up to a truly pro-spec system.

About COSM (Composite Object Sound Modeling)

Composite Object Sound Modeling—or “COSM” for short—is

BOSS/Roland’s innovative and powerful technology that’s

used to digitally recreate the sound of classic musical

instruments and effects. COSM analyzes the many factors that

make up the original sound—including its electrical and

physical characteristics—and creates a digital model that

accurately reproduces the original.

Two complete sound creation systems

Combine with the FC-300 to create the perfect live system

Connecting a Roland FC-300 MIDI Foot Controller (optional) to the

VB-99 allows you to switch tones and carry out other tasks using the

FC-300’s multiple foot pedals for easy hands-free operation. These

units also feature an RRC2 connector, allowing you to connect the

VB-99 and FC-300 with a single cable. This RRC2 function enables

two-way communications between the devices, while further acting

as a power supply to the FC-300, thus reducing the number of cables

used to connect the devices.

Includes pitch/MIDI conversion function

The VB-99 can convert and output bass performance data as MIDI

information, allowing you to connect a synthesizer sound module or

similar device and use the setup as a bass synthesizer.

Features V-LINK function

This function enables you to use performance data and pedal

operations in controlling video.

The VB-99 features two separate bass and COSM amp systems. You

can use two different types of modeled basses simultaneously and

create different amp sounds to use with each bass. What’s more, the

VB-99 comes equipped with two effects systems featuring a huge

selection of BOSS effects, including COSM effects. This all enables

you to achieve the perfect processing for each individual bass.

Equipped with D Beam, ribbon, and other new realtime controllers

The VB-99 now enables new and heretofore unimaginable forms of

musical expression, including new ways of using the bass’s neck and

your hands. Of course, you can still connect expression pedals and

control switches as well, just as with previous V-Bass systems.

Console style accommodates a variety of usage environments

The VB-99 can be set up in a number of different ways to suit the

needs of the user—as a desktop unit for recording or when using

computer input, attached to its stand (optional) and set up right by

the performer, or placed in a rack with the (optional) rack mount

adaptor.

V-LINK

V-LINK is a function that allows music and images to be

performed together. By using MIDI to connect two or more V-

LINK compatible devices, you can easily enjoy a wide range of

visual effects that are linked to the expressive elements of a

music performance.

Names of Things and What They Do

8 9

10 11 12

13 14

20 21 22

23 24

1 2

Top Panel

fig.00-020

D BEAM

Switches the D Beam on and off. You can add a variety of

effects to your sounds by moving your hand or the bass neck

within the range of the beam. (p. 71)

• PITCH Button

In addition to changing the pitch of the bass, this can be

used for the Freeze function, which continuously holds

the bass’s tone. (p. 73)

• FILTER Button

This changes the bass’s tone. (p. 75)

• ASSIGNABLE Button

Use this to assign different parameters and functions to

the D Beam and change the tone in real time. (p. 77)

LCD

Various information regarding the VB-99 is indicated here.

PATCH/VALUE Dial

Used to switch patches and change settings values.

CATEGORY Button

Used to select and change categories. (p. 85)

FUNCTION Knob F1–F6

Changes the value of the setting for the parameter indicated in

the LCD.

FUNCTION Buttons F1–F6

Used to select the parameters indicated in the LCD.

BASS DIRECT Button

This outputs only the normal pickup sound. (p. 27)

COSM BASS Buttons

These set the COSM bass type and tone. (p. 26)

POLY FX (Poly Effects) Buttons

These set the poly effects. (p. 28)

10.

FX (Effects) Buttons

These set the effects. (p. 28)

11.

COSM AMP Buttons

Used to make settings for the COSM amp. (p. 27)

12.

MIXER Buttons

Used to make settings for the mixer. (p. 31)

13.

DELAY/REVERB Button

Used to make settings for the mixer section’s delay and

reverb. (p. 32)

14.

DYNAMIC Button

Used for setting the dynamics. (p. 32)

15.

When a button is lit, it indicates that the function for

that button is switched on.

* The corresponding DIRECT PATCH button (1–5) lights when

a Direct Patch (1–5) is selected.

About the Illumination of Buttons

BALANCE Knob

Sets the mix balance. (p. 32)

16.

CHAIN Button

Used to make settings for the effect and COSM bass/COSM

amp connection sequence. (p. 31)

17.

CONTROL ASSIGN Button

This sets the functions assigned to pedals and switches. (p. 76)

18.

NAME/KEY/BPM Button

Used to specify patch names (p. 34) and the tempo and key (p.

29) for songs to be played.

19.

V-BASS LEVEL Knob

Adjusts the volume of a patch. (p. 33)

20.

V-LINK Button

This switches the V-LINK function on and off. (p. 90)

21.

DIRECT PATCH Buttons

Use these to directly call up the patches you have assigned to

them. (p. 81)

Names of Things and What They Do

30.

RIBBON CONTROLLER

This allows you to change the tone by sliding your finger

along the ribbon.

You can switch a variety of effects on and off directly with the

three buttons. (p. 73)

• PITCH Button

Changes the bass’s pitch. (p. 74)

• FILTER Button

Alters the brightness of the sound. (p. 75)

• ASSIGNABLE Button

Use this to assign different parameters and functions to

the ribbon controller and change the tone in real time. (p.

77)

31.

GK IN Connector

Connect the GK cable here.

32.

POWER Switch

Switches the power on and off. (p. 19) (p. 25)

33.

OUTPUT LEVEL Knob

This adjusts the volume level for the MAIN OUT jacks and

headphone jack.

22.

CONTROL Buttons

You can assign and control a variety of different functions

with these buttons. (p. 77)

23.

EXIT Button

Used to return previous screens and to undo operations.

24.

WRITE Button

Use for storing settings in patches and executing operations.

(p. 34) (p. 82)

25.

PAGE Buttons

This switches the screens displayed in the LCD.

26.

BASS TO MIDI Button

This sets the BASS TO MIDI function (the function that

converts what is played on the bass into MIDI signals). (p. 58)

27.

SYSTEM Button

Used for making settings related to the VB-99’s operating

environment. (p. 35)

28.

GLOBAL Button

This sets the GLOBAL function (which affects the tone of all

patches). (p. 40)

29.

TUNER Button

This turns the tuning function on. (p. 23)

Names of Things and What They Do

Rear Panel

fig.00-030

7 8 9

10 11 12 13

Security Slot ( )

988

Connect a commercially available anti-theft security cable

here.

http://www.kensington.com/

BASS INPUT Jack

Use this jack when directly inputting a normal bass.

BASS OUTPUT Jack

This outputs sounds from normal basses connected to a GK-

3B and unaltered signals from the BASS INPUT jack.

SUB OUT Connectors L, R

These balanced output jacks use XLR type connectors.

* The SUB OUT L and R connectors are unaffected by the OUTPUT

LEVEL knob settings; output is constant at a fixed output level (+4

dBu).

GND LIFT Switch

You can disconnect the SUB OUT connectors’ No. 1 pin from

the VB-99’s ground.

Normally, this is set to GND. Switch to LIFT if a ground loop

or similar problem is causing the output of hum or noise.

MAIN OUT Jacks L/MONO, R

These are unbalanced phone jack outputs. Use these to

connect to amps, mixers, and similar equipment.

PHONES Jack

Connect headphones here.

10.

CTL3,4 (CONTROL 3,4) Jack

An optional footswitch (such as an FS-6) can be connected

here. (p. 17)

* The patch up/down function is assigned to this jack at the factory.

11.

USB Connector

Use a USB cable to connect a computer to this connector and

enable exchange of data between the VB-99 and the computer.

(p. 65)

12.

RRC2 IN Connector

Accepts connection of an FC-300 (optional).

This connector supplies power to the FC-300 and provides for

two-way communications with it. (p. 46)

* The RRC2 IN connector is for use exclusively with the FC-300. It

cannot be used with other devices.

13.

MIDI OUT, IN Connector

Connect an external MIDI device here to transmit and receive

MIDI messages to and from the device. (p. 52)

14.

DC IN (AC Adaptor) Jack

Connect the included AC adaptor here.

To prevent damaging the VB-99, please be sure not to use any

AC adaptor other than the one included with the VB-99.

15.

Cord Hook

Fasten the AC adaptor cord using this hook to prevent the

cord from being disconnected accidentally. (p. 18)

* Disconnecting the AC adaptor while the VB-99 is in use may result

in corruption of important data.

DIGITAL OUT Connector

Digital audio signals are output here. (p. 33)

EXP PEDAL (EXPRESSION PEDAL) Jack

Connect an optional expression pedal (such as a Roland EV-5)

here. (p. 17)

* The VB-99 is set at the factory so that the pedal is automatically

enabled to function as a foot volume.

Signal Flow

Digital Recorder

etc.

Computer

Audio Signal

Bass

GK-3B

Divided Pick up

Headphones

Bass Amp

Mixer

Bass Amp

BASS

OUT

PHONES

SUB OUT

DIGITAL OUT

BASS

CHAIN A

CHAIN B

USB

DIVIDED

POLYFX

D OUT

SUB OUT

MAIN OUT

DIRECT MON

MAIN OUT LEVEL

NORMAL

CONNCT

BASS A

POLY

BASS B

AMP A

AMP B

MAIN

SUB

DIGITAL

GLOBAL

SUB

GLOBAL

MAIN

OUTPUT

SELECT

SUB OUT LEVEL

D OUT LEVEL

USB OUTUSB IN

USB IN

LEVEL

USB OUT

LEVEL

MIXER

DELAY

A/B

BALANCE

LEVEL

PAN

DELAY

LEVEL

PAN

V-BASS

LEVEL

REVERB

SEND

DELAY

SEND

DELAY/REVERB

TOTAL

(OFF)

COSM BASS A

SUB OUT

NORMAL PU

COSM BASS B

MAIN OUT

MAIN & SUB

CH A

CH B

MIXER (DRY)

123

678

COSM BASS A

CH B

NORMAL PU

COSM BASS B

CH A

MIXER (DRY)

MAIN OUT

MIXER

SUB OUT

Audio OUT

Audio IN

COSM BASS A

CH B

NORMAL PU

COSM BASS B

CH A

MIXER (DRY)

MAIN OUT

SUB OUT

123

MAIN

OUT

OUTPUT

LEVEL

GLOBAL

SUBOUT

LEVEL

BASS

DIRECT

COSM BASS

BASS DIRECT

Names of Things and What They Do

Chapter 1 Outputting Sounds

Installing the Divided Pickup

First install the GK-3B divided pickup (optional) on the bass to be

used. For installation instructions, refer to the GK-3B Owner’s

Manual.

The GK-3B cannot be used with the following basses (the

pickup will not function properly even when installed).

• Basses with an unconventional string configuration, such as multi-stringed basses with seven or more strings, or double basses (acoustic string basses)

• Nylon-stringed or gut-stringed basses and basses using any non-steel strings

• Other basses whose construction does not provide adequate space to properly attach the GK-3B

About the GK-3B’s GK Volume Control

With the VB-99, you can assign various different functions to the

GK-3B’s GK volume control. (p. 77)

You may not be able to control the VB-99’s volume level with the GK

volume control when another parameter is assigned to the GK

volume control.

About the GK-3B’s Select Switches

As the VB-99 allows you to set the balance between the COSM bass

and the normal bass volume in each individual patch, we

recommend that MIX be the basic function used for the select switch.

Also note that if a parameter other than volume is assigned as the

GK volume control function, the GK-3B’s select switch will stop

functioning normally.

Before Connecting

To perform with the VB-99, first set up the following devices.

• A bass on which the GK-3B has been installed or equipped with internal GK function

• Bass amp/speaker or headphones

Performing can be made even more convenient using the following

devices:

• MIDI foot controller (Roland FC-300; optional)

• Expression pedal (Roland EV-5 or BOSS FV-500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4” phone); optional)

• Pedal switch (BOSS FS-5U or FS-6; optional)

Making the Connections

Bass Amp

(for Normal Bass)

Stereo

Headphones

(Normal Bass)

Digital Recorder etc.

MIDI Foot Controller

FC-300

Mixer etc.

Footswitch

(BOSS FS-6 etc.)

EXP Pedal (EV-5 etc.)

Computer

RRC2 cable

MIDI Sequencer etc.

MIDI IN MIDI OUT

AC Adaptor PSB-1U

V-LINK Compatible Device (EDIROL P-10 etc.)

MIDI IN

Synthesizer (external sound module) etc.

To the Power Outlet

Top Panel

Chapter 1 Outputting Sounds

Chapter 1

Rear Panel

GK cable

Bass with GK-3B / GK-2B

Example of Connections When Using Effects Units

Example 1) Example 2)

MAIN

OUT

Bass Amp Effector VB-99Bass Amp Effector

VB-99

GK-IN

GK cable GK cable

MAIN

OUT

Bass with GK-3B / GK-2BBass with GK-3B / GK-2B

GK-IN

BASS INPUT

Effector

Chapter 1 Outputting Sounds

Indicator

AC Outlet

Power Cord

AC Adaptor

* The GK cable is a locking cable. When disconnecting the cable, do

not pull on it with undue force, but instead release the lock and

gently disconnect the cable. You can disconnect the cable simply and

easily by holding down the locking portion with your finger and

gently pulling on the plug.

Lock

921

* To prevent malfunction and/or damage to speakers or other devices,

always turn down the volume, and turn off the power on all devices

before making any connections.

932

* Place the AC adaptor so the side with the indicator (see illustration)

faces upwards and the side with textual information faces

downwards.

* The indicator will light when you plug the AC adaptor into an AC

outlet.

924

* To prevent the inadvertent disruption of power to your unit (should

the plug be pulled out accidentally), and to avoid applying undue

stress to the AC adaptor jack, anchor the power cord using the cord

hook, as shown in the illustration.

fig.CordHook.e.eps

* Wiring diagrams for CTL3, 4 jack is shown below. Make connections

after first checking the wiring diagrams of other equipment you

intend to connect.

fig.XLR/TRSJack.eps

* You cannot use COSM BASS or POLY FX with signals input via BASS IN. The GT-10B’s internal FX, COSM AMP, MIXER, and

The cord of the supplied AC Adaptor

Cord Hook

=CTL3 =CTL4

To the Power Outlet

922

* This instrument is equipped with balanced type jack (XLR=SUB

OUT). Wiring diagrams for this jacks is shown below. Make

connections after first checking the wiring diagrams of other

equipment you intend to connect.

fig.XLR/TRSJack.eps

925

* Use only the specified expression pedal (Roland EV-5, BOSS FS-

500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4”

phone); sold separately). By connecting any other expression pedals,

you risk causing malfunction and/or damage to the unit.

927

* Depending on the circumstances of a particular setup, you

may experience a discomforting sensation, or perceive that

the surface feels gritty to the touch when you touch this

device, microphones connected to it, or the metal portions of

other objects, such as basses. This is due to an infinitesimal

electrical charge, which is absolutely harmless. However, if

you are concerned about this, connect the ground terminal

(see figure) with an external ground. When the unit is

grounded, a slight hum may occur, depending on the

particulars of your installation. If you are unsure of the

connection method, contact the nearest Roland Service

Center, or an authorized Roland distributor, as listed on the

“Information” page.

Unsuitable places for connection

• Water pipes (may result in shock or electrocution)

• Gas pipes (may result in fire or explosion)

• Telephone-line ground or lightning rod (may be dangerous in the event of lightning)

926a

* When connection cables with resistors are used, the volume level of

equipment connected to the BASS INPUT may be low. If this

happens, use connection cables that do not contain resistors.

* Never connect anything other than the FC-300’s RRC2 OUT

connector to the VB-99’s RRC2 IN connector. Connecting to a LAN

or other devices that use modular jacks of the same size and shape

(RJ45) may result in damage to the VB-99 and/or the connected

device.

* If using a commercially available ethernet cable as the RRC2

connecting cable, be sure that the cable meets the following

specifications:

• Category 5 (Cat5) or above

• Maximum length of 15 meters

• Cable designed for straight-through connections

* Crossover cables cannot be used.

* Do not subject the RRC2 cable to stress or physical shock.

* Carefully connect the RRC2 cable all the way in–until it is firmly

connected to the RRC2 IN connector.

* When outputting in mono, connect a cable only to the MAIN OUT

L/MONO jack.

other settings can be used fully in two channels.

* When connecting an expression pedal to the EXP PEDAL jack, set

the pedal’s minimum level knob to the MIN position.

* When connecting an FS-6 footswitch (optional) to the CTL3/4 jack,

set the MODE switch and POLARITY switch as shown below.

fig.01-010

BOSS FS-6

* When connecting an FS-5U footswitch (optional) to the CTL3/4

jack, set the POLARITY switch as shown below.

fig.01-020

BOSS FS-5U

* You can connect two FS-5Us using the special Roland PCS-31

connection cable (optional).

* When an FS-6 is connected to the CTL3,4 jack with an optional

connection cable (stereo 1/4” phone – stereo 1/4” phone), pedal

switch B operates according to the CONTROL 3 settings, and pedal

switch A operates according to the CONTROL 4 settings.

fig.01-030

To CTL3,4 jack To CTL3,4 jack To CTL3,4 jack

Chapter 1 Outputting Sounds

Turning On the Power

941

Once the connections have been completed (p. 17), turn on power to

your various devices in the order specified. By turning on devices in

the wrong order, you risk causing malfunction and/or damage to

speakers and other devices.

942

* This unit is equipped with a protection circuit. A brief interval (a

few seconds) after power up is required before the unit will operate

normally.

943

* Always make sure to have the volume level turned down before

switching on power. Even with the volume all the way down, you

may still hear some sound when the power is switched on, but this is

normal, and does not indicate a malfunction.

* Turning on devices in the wrong sequence may result in

malfunction and/or damage to speakers and other devices.

Switch on the POWER switch on the VB-99’s top panel.

The display changes as described below, and after several

seconds the VB-99 is ready for normal performance.

This screen is called the “Play screen.”

fig.01-060d

Chapter 1

PCS-31 cable

White Red White Red

BOSS FS-5U

(CTL3)

BOSS FS-5U

(CTL4)

• When using the VB-99 with an expression pedal connected to the EXP PEDAL jack, make the settings described on “EXP PEDAL (Expression Pedal)” (p. 139).

• When using the VB-99 with a footswitch connected to the CTL3/4 jack, make the settings described on “CTL3, CTL4 (Control3, Control4)” (p. 139).

(CTL3) (CTL4)

(CTL4) (CTL3)

Unless special note is made otherwise, the operations

described in this manual are carried out with the Play screen

displayed.

* When the power to the VB-99 is turned on, the patch selected at the

time the power was last turned off is called up.

985

* The explanations in this manual include illustrations that depict

what should typically be shown by the display. Note, however, that

your unit may incorporate a newer, enhanced version of the system

(e.g., includes newer sounds), so what you actually see in the display

may not always match what appears in the manual.

Turn on the power to the bass amp or mixer.

* Raise amp volume levels only after turning on the power to all the

devices.

Chapter 1 Outputting Sounds

About the Play Screen

The VB-99 has a variety of Play screen variations, each providing

different information about the current state of the VB-99.

You can switch the information shown in the Play screen by pressing

PAGE [ ] [ ].

Screen 1:

The first nine characters of the patch name are displayed in large

type; also shown are icons for the basses and amps in both channels.

fig.01-060d

Screen 2:

All sixteen characters of the patch name are displayed.

About the Information in the Display (Basic Operation)

Some screens may contain parameters spanning multiple pages. The

page number is indicated at the upper right of the screen.

Use PAGE [ ] [ ] to switch pages.

Use [F1]–[F6] or the F1–F6 knobs to change the values.

Pressing a FUNCTION button while SET** appears in

the lower part of the screen sets the corresponding

function to the indicated value of **.

Screen 3:

The effects used, as well as their connection sequence (CHAIN) in

both channels are indicated.

Screen 4:

The screen shows level meters for the GK IN strings Hi C–Low B,

normal pickup, MAIN OUT, and SUB OUT levels.

By assigning parameters to the F1–F6 knobs, as

described in

Knobs as You Play (DIRECT EDIT)”

use them to control values while in the Play screen.

Additionally, you can display a popup for the assigned

parameters and their values by pressing the [F1]–[F6]

buttons.

“Changing the Sounds with the Function

(p. 76), you can

Adjusting the Volume

Turn the OUTPUT LEVEL knob to set the volume to a suitable level.

fig.01-070

* The output level from the SUB OUT connector (XLR type) cannot

be adjusted with the OUTPUT LEVEL knob.

* You can adjust the volume level by assigning this function to the

expression pedal or GK-3B GK volume control. For details, see

“Using the Switches, Pedals, and MIDI to Control the

Sounds (CONTROL ASSIGN)”

(p. 77).

Chapter 1 Outputting Sounds

5 6

7 9

10 11

Chapter 1

Setting the Device (Amp) Connected to MAIN OUT (Output Select)

Use this procedure to set the type of device connected to the MAIN

OUT jacks.

fig.01-071

Press [GLOBAL].

The Global screen is displayed.

fig.01-072d

Inputting the Divided Pickup Settings (GK Settings)

The VB-99’s sound characteristics vary greatly depending on how

the divided pickup is installed. To ensure consistent conditions for

optimal sound production, be sure to make the settings affecting the

divided pickup (the GK settings). With these settings appropriately

made, the VB-99 can then operate under optimal conditions.

* For information on parameters not described in this chapter, refer to

“GK SETTING”

When using more than one bass with the VB-99, you can

save the settings for each bass separately.

The GK settings are extremely important to getting

good tones from the VB-99. Be sure to input the

settings correctly.

fig.01-100

(p. 145).

Press PAGE [ ] to go to Page 1.

Press [F4] (SELECT) or turn the F4 knob to set the type of device to be connected to the MAIN OUT jacks.

Value

AMP WITH TWEETER

AMP NO TWEETER

LINE/PHONES

Press [EXIT] to return to the Play screen.

Explanation

Use this setting when connecting to a tweeter-equipped bass amp.

Use this setting when connecting to a bass amp that has no tweeter. The high-frequency range is adjusted.

Use this setting when using headphones or connecting directly to a PA system or multitrack recorder.

Press [SYSTEM].

The System screen is displayed

Press PAGE [ ] to go to Page 1.

Press [F3] (GK).

The GK Settings screen is displayed.

fig.01-060d

Press PAGE [ ] [ ] to go to Page 2.

Chapter 1 Outputting Sounds

6STR

4STR-24STR-1 4STR-3

5STR Lo2

5STR Lo1 5STR Hi25STR Hi1

For a 4-string bass:

For a 5-string bass:

For a 6-string bass:

string 1

string Hi C

string Low B

string 2 string 3 string 4

string 1

string Hi C

string Low B

string 2 string 3 string 4

string 1 string 2 string 3 string 4

string 1

string Hi C

string 2 string 3 string 4

Select the divided pickup type.

Use the F1 knob to set the type of divided pickup installed in

the bass you are using.

fig.01-060d

Select the position of the divided pickup.

Use the F5 knob to set the position of divided pickup installed

in the bass you are using.

Settings

GK-3B

GK-2B Specifies the GK-2B.

PIEZO

PIEZO G

PIEZO R

If you’re not sure which piezo type parameter is appropriate, choose the

parameter for the piezo type that sounds the most natural as you play.

* Piezo pickups are a type of pickup that are installed at the bass’s

bridge and use piezoelectric elements to determine the string

vibrations.

* Selecting PIEZO, PIEZO G or PIEZO R for GK PU TYPE lets you

further adjust the sound quality of the low and high frequency

ranges. For detailed information, refer to

Pickup Type (GK PU TYPE)”

Set the scale length.

Use the F4 knob to set the scale length (the distance from the

bridge to the nut) of the bass you are using. Then, specify the

value within 710-940 mm, or select one of the 4 presets listed

below.

Explanation

Specifies the GK-3B.

This is suited to piezo pickups that have a flat response.

This is suited to piezo pickups made by Graph Tech Guitar Labs.

This is suited to piezo pickups made by RMC Pickup Co.

“Selecting the Divided

(p. 36).

Press PAGE [ ] to go to Page 4.

Input the gap between the pickup and the bridge.

Set the clearance from the divided pickup to the bridge’s

saddle.

Settings

SHORT

MEDIUM

LONG JB/PB

EXTRA LONG

Scale Length

760mm

812mm

864mm

914mm

* This setting is not required when the GK PU TYPE is set to piezo

type parameter.

string Hi C

string 1 string 2 string 3 string 4

string Low B

String

BridgePickup

10.

Press PAGE [ ] to go to Page 5.

fig.01-060d

11.

Rotate the F1–F6 knobs to adjust the divided pickup sensitivity for each string.

First play the Low B string with the maximum force to be used

during actual performance, and as you play the string, set the

sensitivity with the F1 knob until the meter registers at a point

just before it crosses beyond the maximum level.

Set the sensitivity for the fifth through Hi C strings in the same

manner.

* If the level meter registers in excess of the maximum level, it means

the level is set too high. Lower the sensitivity setting.

* Depending on the bass you are using, the level meter may move to

the maximum level even when the sensitivity is set to the minimum

setting. If this occurs, adjust the clearance separating the divided

pickup and the strings so the distance is slightly greater than

specified.

12.

Check the volume balance of the six strings.

Play the Low B through Hi C strings with the normal amount

of force; if any string sounds particularly loud, lower the

sensitivity setting for that string, and keep adjusting until the

differences in the strings’ volume levels are minimal.

13.

Press [EXIT] several times to return to the Play screen.

* Making these settings is necessary whenever you install the divided

pickup on a new or different bass and when the divided pickup height

is changed. Once the settings are completed properly, they are saved

when the power is turned off. Afterwards, you need not make the

settings each time you play the instrument.

For more information on other parameters in the GK

Settings, refer to

“GK SETTING”

(p. 145).

Chapter 1 Outputting Sounds

Tuning the Bass (TUNER)

Tune the bass using the VB-99’s tuner function.

* To get the best tone quality from the VB-99, make sure the tuning is

accurate.

fig.01-190

Press [TUNER].

The tuner function is switched on.

Set the following with the PAGE [ ] [ ] buttons.

TUNER

MULTI MODE

SINGLE MODE

Press the function button ([F5], [F6]) corresponding to the function you want to set, then rotate the knobs to select the value for the setting.

If you do not want to change these settings, proceed to Step 4.

• [F5] (PITCH: 435 Hz–445 Hz)

This sets the reference pitch.

* With the factory settings, this is set to 440 Hz.

* The COSM bass PITCH SHIFT, HARMO, and BEND settings

controlled by the KEY parameter and the HARMONIST effect refer

to this reference pitch.

Explanation

You can play and tune six strings simultaneously.

You can play one individual string to tune that string.

Chapter 1

What is the Reference Pitch?

This is the frequency at A4 (the note played with the A key at

the middle of the piano keyboard) played by the instrument

(e.g., piano) used as the reference for tuning for performances.

Chapter 1 Outputting Sounds

Patch Number

Patch Name

• [F6] (MUTE OFF, MUTE ON)

This setting determines whether sounds from the output

jacks are output or not while tuning is in progress.

Switching Tones (Patch)

TUNER

MUTE OFF

MUTE ON

Play a single note, open, on the string being

Explanation

Sounds are output during tuning.

Sounds are not output during tuning.

* With the factory settings, this is set to

MUTE ON.

tuned.

Tune the string until the name of the string is shown in the display.

When you choose the MULTI MODE

fig.01-060d

When you choose the SINGLE MODE

fig.01-060d

What is a patch?

The VB-99 provides 400 memory locations where settings

determining the sound, including those for COSM basses,

COSM amps, and effects, as well as settings for a variety of

other parameters are stored.

Each one of these is called a patch.

Each time you switch a patch, you can instantly change to a

different tone.

About the Patch Numbers

Patch numbers and patch names are indicated in the Play screen as

shown below.

fig.01-060d

Keep checking the screen, tuning until the center indicator lights up.

Repeat Steps 3-5 to tune all the strings.

When you have finished tuning, press [TUNER] or [EXIT].

This completes the preparations for playing the instrument. Now try playing some sounds.

Patches are categorized into User patches and Preset patches.

User Patches

These include 200 preprogrammed patches. You can freely change

the tones and save the your changes.

Preset Patches

Included here are 200 preprogrammed patches. Although you can

make changes to these tones, you cannot save these changes in a

Preset Patch. If you want to save a changed tone, save it as a User

patch.

Chapter 1 Outputting Sounds

The message “NOW SHUTDOWN...” appears when

the power is switched off. The VB-99’s current

settings are saved to memory at this time. Do not

disconnect the AC adaptor until this message is no

longer displayed.

Chapter 1

Switching with the PATCH/ VALUE Dial

You can switch patches consecutively with the PATCH/VALUE

Dial.

Confirm that the Play screen is displayed.

If a screen other than the Play screen is shown, press [EXIT]

several times until the Play screen appears.

Rotate the PATCH/VALUE dial to switch the patches.

fig.01-190

Turn the dial to the right (clockwise) to switch to the next

patch number, or to the left (counterclockwise) to switch to the

previous patch number.

Turning Off the Power

Confirm the following before turning off the power.

• Are the volume levels for the VB-99 and connected amp and other devices turned down completely?

Turn off the power to the bass amp (power amp).

Press [POWER] to turn off the VB-99’s power.

fig.01-190

Chapter 2 Creating Sounds

First, let’s take a look at how the VB-99 is organized internally.

Setting the COSM BASS Tone

●

COSM Basses

You can use COSM modeling to create the tones of a variety of

different bass guitars. Available sounds include not just electric bass

and acoustic bass tones, but extend beyond to include the sounds of

synthesizers and electric guitars and even non-existent, imaginary

bass guitars. Since the created sounds are based on the signals sent

by the GK-3B for each individual string, the system allows you to

play these sounds while still retaining all the flavor created by the

unique playing techniques and picking nuances that the bass guitar

offers.

The VB-99 allows you to make settings for two different COSM bass

types at the same time, enabling you to instantly switch what

amounts to two actual bass guitars and create sounds in which two

bass guitars seem to be playing at the same time.

●

COSM Amps

Since this technology models the bass amp circuitry and speaker

characteristics, the modeled amps simulate exactly the behavior of

the actual amps, even in the way distortion is added and the way the

tone controls work.

You can configure preamps and speaker cabinets as you like—you

can even model the amp’s studio miking. The VB-99 produces two

independent COSM amp systems at the same time, which allows

you to process each of the two COSM basses through a different

amp.

Press [COSM BASS].

Press PAGE [ ] several times to display Page

Use [F1] (ON/OFF) or the F1 knob to switch the COSM BASS ON/OFF setting.

Use [F2] (SELECT) or the F2 knob to select the Modeling type.

Use [F3] (SELECT) or the F3 knob to select the COSM BASS type.

Press PAGE [ ].

●

Poly Effects

These are original VB effects that can be applied independently to

each string. You can choose which of the two COSM basses the

effects are applied to.

●

Effects

The VB-99 is equipped with two BOSS GT-10B class multi-effects

systems. You can apply effects separately to each of the two COSM

basses.

●

Mixer

In addition to having full freedom in mixing the sounds from the

two COSM basses, you can also output the two bass guitars

separately to MAIN OUT and SUB OUT. The Dynamic function

further allows you to use the force of your playing attack to switch

between the two bass sounds or many other functions. Furthermore,

the mixer section also includes delay/reverb and an equalizer,

enabling you to adjust the overall tone of the patches.

* Each press of PAGE [ ] takes you to the next screen in which

parameter settings are made.

Adjust the desired parameter with [F1]–[F6] or the F1–F6 knobs.

Adjust the parameters until you achieve the sound you want.

For detailed information about each of the parameters,

refer to

“COSM BASS”

(p. 96).

If you want to save the edited settings, perform the Write procedure (p. 34).

* If you do not want to save, press [EXIT] to return to the Play screen.

Chapter 2 Creating Sounds

One-touch Output of the Bass Direct Sound (BASS DIRECT)

Setting BASS DIRECT to “on” enables you to output the direct bass

sound at a single touch.

It's possible to create sounds like bass direct sound plus synthesizer

bass sound by combining the direct bass sound with COSM bass,

effect, or COSM amp sound.

Press [BASS DIRECT] to switch this off (unlit) or on (lit).

You can store the BASS DIRECT setting in memory for each

individual patch.

Bass with

GK-3B

Normal

Bass

DIVIDED PU

NORMAL PU

MAIN

SUB

MAIN OUT

PHONES SUB OUT

Applying the COSM Amps

Setting the COSM AMP Tone

Press [COSM AMP].

Press PAGE [ ] several times to display Page

Use [F1] (ON/OFF) or the F1 knob to switch the COSM AMP ON/OFF setting.

fig.01-060d

Use [F2] (SELECT) or the F2 knob to select the COSM AMP type.

Press PAGE [ ].

fig.01-060d

Chapter 2

and Effects to Normal Pickup Sound

Setting the COSM BASS switch to “NORMAL PU” lets you apply

COSM amps or effects using the normal pickup sound for the bass

instead of the COSM bass.

OFF

DIVIDED PU

NORMAL PU

COSM BASS

To the FX, COSM AMP

* Each press of PAGE [ ] takes you to the next screen in which

parameter settings are made.

Adjust the desired parameter with [F1]–[F6] or the F1–F6 knobs.

Adjust the parameters until you achieve the sound you want.

For detailed information on all the parameters, refer to

“COSM AMP”

If you want to save the edited settings,

(p. 128).

perform the Write procedure (p. 34).

* If you do not need to save the settings, press [EXIT] to return to the

Play screen.

Chapter 2 Creating Sounds

Setting the Effects

POLY FX (Poly Effect)

* You can use POLY FX in only one channel at a time (A or B).

Press [POLY FX] for the channel, either A or B, in which you want to use it.

Press PAGE [ ] several times to display Page

fig.01-060d

Switch the function on or off with the [F1] (ON/ OFF) or the F1 knob.

Select the POLYFX TYPE with [F2] (SELECT) or the F2 knob.

FX (Effects)

Here’s how to make settings for the effects.

Press [FX].

fig.01-060d

Switch the individual effects on or off with the [F1]–[F6] (ON/OFF).

* Each press of PAGE [ ] [ ] takes you to another effect screen in

which parameter settings are made.

All effects that are on can be alternately switched off

(indicator unlit) and on (indicator lit) together by

pressing [FX].

Press [F1]–[F6] to select the effect you want to edit.

Using [F3] (A/B) or the F3 knob, switch the channel to the one in which POLY FX is to be used.

Press PAGE [ ].

fig.01-060d

* Each press of PAGE [ ] takes you to the settings screen for the

next parameter.

Set the desired parameter with [F1]–[F6] or with the F1–F6 knobs.

Adjust the parameters until you achieve the desired sound.

For detailed information on all the parameters, refer to

“POLY FX (Poly Effect)”

(p. 108).

Adjust the desired parameter with [F1]–[F6] or the F1–F6 knobs.

* Each press of PAGE [ ] takes you to the settings screen for the

next parameter.

Adjust the parameters until you achieve the sound you want.

For detailed information on all the parameters, refer to

“FX (Effects)”

If you want to save the edited settings,

(p. 111).

perform the Write procedure (p. 34).

* If you do not need to save the settings, press [EXIT] to return to the

Play screen.

If you want to save the edited settings, perform the Write procedure (p. 34).

* If not saving the values, press [EXIT] to return to the Play screen.

Chapter 2 Creating Sounds

Rearranging the Effect and Amp Connection Sequence (CHAIN)

You can freely set the order in which the effects and COSM amps are

connected.

Press [CHAIN].

The Chain screen is displayed.

* If the effects and COSM amps are off, OFF is indicated.

Select the channel for which you want to change the connection sequence with [F1] (A/B).

Press [F2] ( SEL) [F3] (SEL ) to select the effect, COSM bass, or COSM amp to be shifted in the sequence.

The output level for the selected effect is indicated in the

upper right of the screen.

Press [F4] (←MOVE) [F5] (MOVE→) to move to the position in the sequence you want the shifted item inserted.

Specifying the tempo and key of the song to be played

Here’s how to specify the tempo and key of a song you’ll be playing.

Set these when you want to specify a delay time or rate that suits a

song’s tempo (specifying it in terms of the note length) and when

using the HARMONY function.

Setting the Tempo

Press [NAME/KEY/BPM].

Press [F3] (BPM).

Tap [F1] (TAP) in time with the song tempo (quarter notes), or adjust the tempo with the F1 knob.

* If you want to control a patch parameter with the adjusted tempo, set

the corresponding effect parameter to BPM –BPM .

Chapter 2

To make any additional changes in the connection sequence, repeat Steps 2–4.

* You can also switch effects, COSM basses, and COSM amps on and

off while setting the connection sequence. Pressing [F6] while the

effect, COSM bass, or COSM amp is selected switches the function’s

ON/OFF setting.

Press [EXIT] to return to the Play screen.

If you want to save the edited settings, perform the Write procedure (p. 34).

BPM stands for “beats per minute,” and represents the

number of quarter notes played in one minute.

If you want to use the MIDI SYNC function, the SYNC

CLOCK parameter must be set to AUTO (USB), AUTO

(MIDI), or AUTO (RRC2). For detailed information, refer

“Syncing to the MIDI Clock from an External

Device”

To use Tap Input

(p. 58).

Press [F5] (TAP) at least two times, at quarter note intervals of

the desired tempo. The tempo will be calculated

automatically, and set to the interval at which you pressed the

button.

If you want to save the edited settings, perform the Write procedure (p. 34).

* If you do not want to save, press [EXIT] to return to the Play screen.

Chapter 2 Creating Sounds

Setting the Key

Press [NAME/KEY/BPM].

Press [F2] (KEY).

Set the song’s key with [F1] (SELECT) or the F1 knob.

* The COSM bass PITCH SHIFT, HARMO, and BEND settings and

the HARMONIST effect operate according to the key you set here.

If you want to save the edited settings, perform the Write procedure (p. 34).

* If you do not want to save, press [EXIT] to return to the Play screen.

Mixing the Normal Pickup Sound with the GK Input

It is possible to combine the sound of the COSM basses and the

normal bass pickups at the same time.

Setting the Volume Balance

Press [COSM BASS].

Set the COSM BASS SW to ON with [F1] or with the F1 knob.

The sounds from the normal pickup and COSM bass are not played when COSM BASS SW is set to OFF.

Press PAGE [ ] several times to move to the screen for setting the volume balance.

Use the F1 and F2 knobs to set the balance between the COSM bass sound and the normal pickup sound.

F1 Knob

Adjusts the COSM bass’s volume level. When POLY FX is set

to ON, it adjusts the volume level of the signal after it has

passed through POLY FX.

F2 Knob

This adjusts the volume of the normal pickup.

When the COSM bass is connected in CHAIN at a point other

than the beginning of the effects chain, you can adjust the

volume of the sounds that have passed though effects from

the beginning of the chain up to the point where the bass is

connected.

If you want to save the edited settings, perform the Write procedure (p. 34).

* If you do not want to save, press [EXIT] to return to the Play screen.

+ 154 hidden pages

Roland 04672434, VB-99 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

USING THE UNIT SAFELY

IMPORTANT NOTES

Main Features

Names of Things and What They Do

Top Panel

Rear Panel

Signal Flow

Chapter 1 Outputting Sounds

Installing the Divided Pickup

Before Connecting

Making the Connections

Turning On the Power

About the Play Screen

About the Information in the Display (Basic Operation)

Adjusting the Volume

Setting the Device (Amp) Connected to MAIN OUT (Output Select)

Inputting the Divided Pickup Settings (GK Settings)

Tuning the Bass (TUNER)

Switching Tones (Patch)

About the Patch Numbers

Switching with the PATCH/ VALUE Dial

Turning Off the Power

Chapter 2 Creating Sounds

Setting the COSM BASS Tone

One-touch Output of the Bass Direct Sound (BASS DIRECT)

Setting the COSM AMP Tone

Setting the Effects

POLY FX (Poly Effect)

FX (Effects)

Rearranging the Effect and Amp Connection Sequence (CHAIN)

Specifying the tempo and key of the song to be played

Setting the Tempo

Setting the Key

Mixing the Normal Pickup Sound with the GK Input

Setting the Volume Balance