RED Digital cinema EPIC/SCARLET Operation Guide

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EPIC/SCARLET

OPERATION GUIDE

EPIC | SCARLET

REDDRAGON | MYSTERIUM-X | MONOCHROME | V6.3

RED.COM

EPIC/SCARLET OPERATION GUIDE

Table of Contents 2

Disclaimer 4 Copyright Notice 4 Trademark Disclaimer 4 Compliance Statements 4 Safety Instructions 6 Battery Storage and Handling 8 Shipping Disclaimer 9

1 RED Product Introduction 10

Read Before You Shoot 11 R3D File Format and REDCODE 11 Shoot For Video and Stills 11 Post Production with REDCINE-X PRO 12 HDRX and MAGIC MOTION 12 Additional Resources 12

2 Camera System Components 13

Additional Resources 13 BRAIN 13 Media Modules 14 REDMAG and REDMINI-MAG Systems 17 Adaptor Modules 19 Power Modules 22 REDBatteries and Chargers 23 Other Modules 24 Displays and Electronic Viewfinders 26 LEMOAdaptors 31 Camera Control Modules 32 Lens Mounts 37 Interchangeable OLPFs 38 Rails, Mounts, Tactical Gear, and Cables 38

3 Basic Operations 39

Power Operations 39 Configure Your Camera 42 Interchangeable OLPF System 49 Verify Installed OLPF 53 Use a Tripod or Monopod 54 Video Monitor Outputs 55 Record 56

4 Basic Menus and Controls 58

GUI Menu Introduction 58

Upper Status Row (Basic Menu) 59 Live Action Area 63 Lower Status Row 65 Navigation Controls 71

5 Advanced Menus 82

Advanced Menus Overview 82 Access the Advanced Menus 82 Settings Menu 83 Media Menu 134 Playback Menu 135 Power Menu 139 HDRX Menu 140 Focus Menu 141 Exposure Assist Menu 146 Presets Menu 148

6 Record and Monitor Audio 151

Audio Overview 151 Audio Data Path 152 Set Up Audio 153 Audio Input (Source) Options 153 Audio Output Options 155 Control Headphone Volume (BRAIN) 155 Audio Meter (VU Meter) 157 Audio During Playback 158

7 REDMOTE Operation 159

REDMOTE Overview 159 REDMOTE Controls, Connectors, and LEDs 160 REDMOTE Basics 162 REDMOTE LCD Display Menu 165 Upgrade REDMOTE Firmware 166

8 Timecode, Genlock, Multi-Camera Setup 170

Timecode 170 Genlock 172 Master/Slave Operation 175 Set Up Stereo/3D Configuration 180 Camera Array 182 Set Up Motion Control (MoCo) 184 Compatible Timecode Devices 185 Compatible Genlock Devices 186

EPIC/SCARLET OPERATION GUIDE

9 Upgrade Camera Firmware 187

Verify Current Camera Firmware 187 Upgrade Camera Firmware 187

10 Camera System Maintenance 189

BRAIN and Accessory Exterior Surfaces 189 Clean the Camera Sensor or OLPF 189 Clean EVF Screen 190 Clean LCD Screens 191 Water Damage 192 Adjust Back Focus 192

11 Troubleshoot Your Camera 193

Perform a Stress Test 193 General Troubleshooting 194 Error Messages 200

A Technical Specifications 203

EPIC DRAGON Technical Specifications 203 SCARLET DRAGON Technical Specifications205 EPIC MYSTERIUM-X Technical

Specifications 207 SCARLET MYSTERIUM-X Technical

Specifications 209

B Mechanical Drawings 211

EPIC BRAIN 211 SCARLET BRAIN 217

C Input/Output Connectors 222

DSMC BRAIN 223 Record/Monitor Out Ports 224 Communication Ports 226 Audio Ports 230 Power Ports 231 SSD Module Connectors 231

D Lens Mounts and Lenses 232

Lens Mounts 232 Lenses 236

E Default Key Functions 248

Default Keys 248 Preset Default Key Functions 252

F Menu Map 253

EPIC/SCARLET OPERATION GUIDE

DISCLAIMER

RED® has made every effort to provide clear and accurate information in this document, which is provided solely for the user’s information. While thought to be accurate, the information in this document is provided strictly “as is” and RED will not be held responsible for issues arising from typographical errors or user’s interpretation of the language used herein that is different from that intended by RED. All safety and general information is subject to change as a result of changes in local, federal or other applicable laws.

RED reserves the right to revise this document and make changes from time to time in the content hereof without obligation to notify any person of such revisions or changes. In no event shall RED, its employees or authorized agents be liable to you for any damages or losses, direct or indirect, arising from the use of any technical or operational information contained in this document.

For comments or questions about content in this document, please send a detailed email to OpsGuides@red.com.

COPYRIGHT NOTICE

code, and product names used in association with the accompanying product are the copyrights, trademarks, or other intellectual property owned and controlled exclusively by RED.COM, INC. For a comprehensive list, please see www.red.com/trademarks.

TRADEMARK DISCLAIMER

All other company, brand, and product names are trademarks or registered trademarks of their respective holders. RED has no affiliation to, is not associated with or sponsored by, and has no express rights in third-party trademarks. Adobe and Adobe Premiere Pro are registered trademarks of Adobe Systems Incorporated. AJA is a registered trademark of AJA Video Systems, Inc. Cooke and S4/i are registered trademarks of Cooke Optics Limited. DaVinci is a registered trademark of Blackmagic Design in the U.S. and other countries. Distagon, Makro- Planar, and Otus are registered trademarks of Carl Zeiss AG. Fujinon is a registered trademark of FUJIFILM CORPORATION. HDMI is a registered trademark of HDMI Licensing LLC in the United States and other countries. Leica is a registered trademark of Leica Microsystems. Loctite is a registered trademark of Henkel AG & Company KGaA. Nikkor and Nikon are registered trademarks of Nikon Corporation. Canon is a registered trademark of Canon, U.S.A. Apple, Macintosh, Final Cut Pro, and QuickTime are registered trademarks of Apple Inc. in the U.S. and other countries. Windex is a registered trademark of S. C. Johnson & Son, Inc. Windows is a registered trademark of Microsoft Corporation. LEMO is a registered trademark of LEMO USA. Sony is a registered trademark of Sony Corporation. TORX is a registered trademark of Acument Intellectual Properties, LLC in the United States or other countries. IOS is a registered trademark of Cisco in the U.S. and other countries. Avid is a registered trademark of Avid Technology, Inc. DaVinci Resolve is a registered trademark of Blackmagic Design in the U.S. and other countries. EDIUS Pro is a registered trademark of Grass Valley. Vegas Pro is a registered trademark of Sony Creative Software. IDX is a registered trademark of IDX Company, Ltd.

COMPLIANCE STATEMENTS

INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS

This device complies with Industry Canada license- exempt RSS standards RSS 139 and RSS 210. Operation is subject to the following two conditions: (1) this device may not cause interference, and (2) this device must accept any interference, including interference that may cause undesired operation of the device.

This Class B digital apparatus complies with Canadian ICES-003. Le présent appareil est conforme aux CNR d’Industrie Canada

applicables aux appareils radio exempts de licence. L’exploitation est autorisée aux deux conditions suivantes : (1) l’appareil ne doit pas produire de brouillage, et (2) l’utilisateur de l’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d’en compromettre le fonctionnement.Cet appareil numérique de la classe B est conforme à la norme NMB- 003 du Canada.

FEDERAL COMMUNICATIONS COMMISSION (FCC) STATEMENTS

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This

equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from

that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for

help.

In order to maintain compliance with FCC regulations, shielded cables must be used with this equipment. Operation with non- approved equipment or unshielded cables is likely to result in interference to radio and TV reception. The user is cautioned that changes and modifications made to the equipment without the approval of manufacturer could void the users authority to operate this equipment.

NOTE: This device complies with Part 15 of the FCC Rules. Operations subjected to the following two conditions (1) this device

may not cause harmful interference, and (2) this device must accept any interference received, including that may cause undesirable interference.

CAUTION: Exposure to Radio Frequency Radiation.

EPIC/SCARLET OPERATION GUIDE

The device shall be used in such a manner that the potential for human contact is minimized

This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment. This equipment should be installed and operated with a minimum distance of 20 cm between the radiator and your body.

CAUTION: Regulations of the FCC and FAA prohibit airborne operation of radio- frequency wireless devices because there signals could interfere with critical aircraft instruments.

CAUTION: If the device is changed or modified without permission from RED, the user may void his or her authority to operate the equipment.

AUSTRALIA AND NEW ZEALAND STATEMENTS

RED declares that the radio equipment described in this document comply with the following international standards.

IEC 60065 - Product Safety ETSI EN 300 328 - Technical requirement for radio equipment

RED declares digital devices described in this document comply with the following Australian and New Zealand standards.

AS/NZS CISPR 22 – Electromagnetic Interference AS/NZS 61000.3.2 – Power Line Harmonics AS/NZS 61000.3.3 – Power Line Flicker

JAPAN STATEMENTS

This is a Class B product based on the standard of the Voluntary Control Council for Interference (VCCI) for information technology equipment. If this equipment is used near a radio or television receiver in a domestic environment, it may cause radio interference. Install and use the equipment

according to the instruction manual.

EUROPEAN UNION COMPLIANCE STATEMENTS

RED declares that the radio equipment described in this document comply with the R&TTE Directive (1999/5/EC) issued by the Commission of the

European Community. Compliance with this directive implies conformity to the following

European Norms (in brackets are the equivalent international standards).

EN 60065 (IEC 60065) – Product Safety ETSI EN 300 328 Technical requirement for radio equipment ETSI EN 301 489 General EMC requirements for radio

equipment.

INFORMATION

Products with the CE marking comply with the EMC Directive (2004/108/EC) and the Low Voltage Directive (2006/95/EC) issued by the Commission of the European Community. Compliance with these directives implies conformity to the following European Product Family Standards.

EN 55022 (CISPR 22) – Electromagnetic Interference EN 55024-1 (CISPR 24) – Electromagnetic Immunity EN 61000-3-2 (IEC610000-3-2) – Power Line Harmonics EN 61000-3-3 (IEC610000) – Power Line Flicker EN 60065 (IEC60065) – Product Safety

WASTE ELECTRICAL AND ELECTRONIC EQUIPMENT (WEEE)

The Waste Electrical and Electronic Equipment (WEEE) mark applies only to countries within the European Union (EU) and Norway. This symbol on the product and accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling, please take this product to designated collection points where it will be accepted free of charge. Alternatively, in some

countries you may be able to return your products to your local retailer upon purchase of an equivalent new product.

Disposing of this product correctly will help save valuable resources and prevent any potential negative effects on human health and the environment, which could otherwise arise from inappropriate waste handling. Please contact your local authority for further details of your nearest designated collection point. Penalties may be applicable for incorrect disposal of this waste, in accordance with you national legislation.

For business users in the European Union, if you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.

EPIC/SCARLET OPERATION GUIDE

USAGE RESTRICTIONS FOR PRODUCTS THAT INCORPORATE REDLINK

Products that fall into this category are denoted by inclusion of the Class 2 identifier symbol (exclamation mark in a circle) accompanying the CE Mark on the products regulatory label, example to the left.

FRANCE

Usage Restrictions - Geographic Area Where

Restriction Applies : France For mainland France

2.400 - 2.4835 GHz (Channels 1-16) authorized for indoor use

2.400 - 2.454 GHz (Channels 1-10) authorized for outdoor use

Restrictions d’utilisation - Zone géographique où les restrictions s’appliquent : France

Pour la France métropolitaine

2.400 - 2.4835 GHz (Canaux 1 à 16) autorisé en usage intérieur

2.400 - 2.454 GHz (canaux 1 à 10) autorisé en usage extérieur

NORWAY

This subsection does not apply for the geographical area within a radius of 20 km from the centre of Ny-Ålesund

Dette gjelder ikke for det geografiske området innenfor en radius av 20 km fra sentrum av Ny-Ålesund

RESPONSIBLE PARTY

RED Digital Cinema 34 Parker Irvine, CA 92618 USA

SAFETY INSTRUCTIONS

DO NOT use the camera or accessories near water. Avoid exposing your camera to moisture. The unit is not waterproof, so contact with water could cause permanent damage to the unit as well as electric shock and serious injury to the user. DO NOT use the camera in the rain or under other conditions with high moisture without appropriate protection, and immediately remove power source if camera or accessories are exposed to moisture.

WARNING: To reduce the risk of fire or electric shock, do not expose the camera to rain or moisture.

DO NOT expose the camera to laser beams, as laser beams may damage the sensor.

DO NOT expose your camera to excessive vibration or impact (shock). Be careful not to drop your camera. Internal mechanisms may be damaged by severe shock. Mechanical alignment of optical elements may be affected by excessive vibration.

ELECTROMAGNETIC INTERFERENCE: The use of devices using radio or other communication waves may result in the malfunction or interference with the unit and/or with audio and video signals.

Clean only using a dry cloth. When cleaning your camera, remember that it is not waterproof and moisture can damage electronic circuitry. DO NOT rinse or immerse any element of the camera, lens or other accessory, keep them dry at all times. DO NOT use soaps, detergents, ammonia, alkaline cleaners, and abrasive cleaning compounds or solvents. These substances may damage lens coatings and electronic circuitry.

Maintain sufficient ventilation—DO NOT block any ventilation openings or obstruct cooling fan airflow.

CAUTION: Proper camera ventilation requires a minimum 0.5" (1.25 cm) clearance between the camera ventilation openings and external surfaces. Verify that objects that can block the fan intake and exhaust ports do not impede airflow. Failure to permit adequate airflow may result in overheating of the camera, degraded operation and in extreme situations, damage to the camera.

EPIC/SCARLET OPERATION GUIDE

DO NOT operate or store near any heat sources such as radiators, heat registers, stoves, or any other apparatus that produce heat. Store in a protected, level and ventilated place. Avoid exposure to temperature extremes, damp, severe vibration, strong magnetic fields, direct sunlight or local heat sources during storage. Remove any batteries from the camera before storage. Recommended storage and usage temperatures for your camera, lenses and other accessories are:

Operating range: 0°C to 40°C (32°F to 104°F) Storage range: –20°C to 50°C (–4°F to 122°F)

If there are any performance issues with your camera or accessories when operating within this temperature range, please file a support ticket on https://support.red.com.

Modules and expanders, expanders, and lens mounts are NOT HOT SWAPPABLE, meaning you cannot remove or install these items while the camera is turned on. Before installing or removing these items, you MUST turn off the camera. Failure to do so may result in damage to the item or camera that is not covered under warranty.

DO NOT bypass the third prong of the grounding-type plug on the power cord of the DSMC AC Power Adaptor. A grounding-type plug has two blades and a third “grounding” prong. The third prong is provided for your safety. A grounding-type plug shall be connected to an outlet with a protective earthen connection. If the grounding-type plug does not fit into your outlet, do not attempt to modify the plug or outlet, consult a qualified electrician.

Protect all power cords from being pinched, walked on or driven over by a vehicle. Replace any power cords suspected of sustaining damage due to crushing or other forms physical damage.

WARNING: DO NOT expose the battery to excessive heat.

WARNING: Danger of explosion if an incorrect battery is charged with the RED Charger or is used to power the camera and accessories. Replace only with the same or equivalent type battery.

CAUTION: Refer all service and repair to qualified RED service personnel. To reduce the risk of electric shock, and damage to the camera or accessories, DO NOT attempt to perform any servicing other than any procedures that are recommended in the operating instructions.

INDOOR USE ONLY: Products marked with this symbol are designed for use indoors only.

Products marked with this symbol are class 2 devices. These devices are not provided with a grounding type plug.

CAUTION: The power cord plug for the DSMC AC Power Adaptor is used as the power disconnect. To disconnect all power from the DSMC AC Power Adaptor, unplug the power cord plug from the wall outlet. During use, the power cord plug should remain easily accessible at all times.

Lithium-ion batteries may be subject to special handling requirements pursuant to federal and local laws. Please refer to specific shipping instructions included with your battery regarding proper transport of your battery. Do not handle your battery if it is damaged or leaking. Disposal of batteries must be in accordance with local environmental regulations. For example, California law requires that all rechargeable batteries must be recycled by an authorized recycle center. Storing batteries fully charged or in high temperature conditions may permanently reduce the life of the battery. Available battery capacity may also be temporarily lessened after storage in low temperature conditions.

EPIC/SCARLET OPERATION GUIDE

BATTERY STORAGE AND HANDLING

WARNING: Failure to read, understand, and

follow these instructions may result in overheating, chemical leakage, smoke emission, fire, or other potentially harmful results.

Always follow proper battery handling and storage practices. Improper handling and/or failure to abide by proper storage instructions may cause permanent damage to batteries, or degrade battery charge holding capacity. Improper handling practices or failure to comply with instructions may also put you at risk.

Lithium-Ion batteries, like the REDVOLT®, REDVOLT XL, and RED BRICK®, self-discharge over time. When storing for long periods of time, store batteries separately from the camera or charger and remember to charge batteries to a capacity level of 40% to 60%. If batteries will be stored for long periods of time, RED recommends that you check the charge level at least once every six (6) months, and recharge batteries to a capacity level of 40% to 60%.

When not in use, remove the battery from the camera or charger and store the battery in a cool, dry place. Avoid extreme hot temperatures (such as inside a hot car), corrosive gas, and direct sunlight. The optimal storage temperature for batteries is between –20°C to 20°C (–4°F to 68°F).

WARNING: Batteries stored in a discharged state for long periods of time may self-discharge and lose the ability to hold a charge.

WARNING: If recharging operation fails to complete even when a specified recharging time has elapsed, immediately stop further recharging.

DO NOT store batteries in a fully charged state for extended DO NOT store batteries in a fully charged state for extended periods of time.

DO NOT store batteries in a fully discharged state for extended periods of time.

DO NOT store batteries in the camera, in a camera module, or in a charger for extended periods of time.

DO NOT use batteries for purposes other than their intended use. DO NOT store batteries in extreme hot or cold temperatures. DO NOT store batteries in direct sunlight. DO NOT use third-party chargers with your RED batteries. DO NOT disassemble or modify the battery. DO NOT overcharge batteries. Overcharging may increase

internal temperature beyond the recommended limits and cause permanent damage to the battery.

DO NOT connect the positive (+) and negative (–) terminals to a metal object such as a wire.

DO NOT transport or store the battery together with metal objects such as jewelry, hairpins, etc. as they may generate heat if they come into contact with the battery.

DO NOT discard the battery into fire or heat. DO NOT store, use, or recharge the battery near a heat source

such as a fire or a heater. DO NOT allow the battery to get wet. DO NOT pierce the battery with pointed or other sharp objects. DO NOT step on, throw, or strike the battery with a hammer. DO NOT use a battery that appears to be deformed or damaged. DO NOT directly solder the battery. DO NOT put the battery into a microwave oven or a pressurized

container. DO NOT use or subject the battery to intense sunlight or hot

temperatures such as in a car in hot weather. DO NOT use it in a location where static electricity may be

present. DO NOT exceed the recharging temperature range of 0˚C to 40˚C

(32˚F to 104˚F). RED recommends that you only use RED chargers to recharge

RED batteries. Store the battery in a location where children cannot reach it. If the battery leaks or gives off a bad odor, discontinue use

immediately. If the battery gives off an odor, generates heat, becomes

discolored or deformed, or in any way appears abnormal during use, recharging or storage, immediately remove it from the equipment or battery charger and discontinue use.

If electrolyte begins leaking from the battery and comes into contact with your skin or clothing, immediately wash it away with running water. Failure to do this may result in skin inflammation.

If the battery leaks and the electrolyte reaches the eyes, do not rub them. Instead, rinse the eyes with clean running water and immediately seek medical attention. Failure to do this may result in eye injury.

If you find discoloration, a bad odor due to leakage, overheating and/or other irregularities when using the battery for the first time, contact your Bomb Squad representative immediately.

NOTE: For more information regarding RED battery charging and instructions for care, please refer to our Terms and Conditions.

EPIC/SCARLET OPERATION GUIDE

SHIPPING DISCLAIMER

Shipment of Lithium Ion cells and batteries is subject to national and international shipping requirements. A Class 9 Certified shipper is required to transport these products within the United States. REDVOLT, REDVOLT XL, and RED BRICK batteries are considered Dangerous Goods. Other products such as REDVOLT AA and RED Li

7.2V batteries may also be classified as Dangerous Goods when purchased in bulk. Applicable laws prohibit the shipping of batteries that are physically damaged. We urge you to look into the formal rules and regulations of shipping Class 9 Dangerous Goods prior to preparing your shipment. For more information on these regulations, please visit www.iata.org and www.dot.gov.

For more information, see our FAQs for Dangerous Goods (Regulated

Items).

EPIC/SCARLET OPERATION GUIDE

RED PRODUCT

Figure: EPIC Camera and Accessories

The EPIC and SCARLET cameras are part of the RED® Digital Still and Motion Camera (DSMC®) system. The DSMC family includes EPIC, SCARLET®, WEAPON , RED EPIC-W™, SCARLET-W, and RED RAVEN® cameras. With an ultra-high megapixel count, high frame rate, significant processing power, high dynamic range, and the advantages of a raw file format, each camera offers the ability to simultaneously capture video and stills.

This guide is for EPIC and SCARLET only. This section introduces the imaging capabilities and advanced features of the EPIC and SCARLET system. For information about other cameras, go to RED Downloads at

www.red.com/downloads.

The EPIC and SCARLET system includes the following cameras (organized by sensor type):

INTRODUCTION

SENSOR TYPE CAMERA

REDDRAGON EPIC-M RED DRAGON (Carbon Fiber)

EPIC-M RED DRAGON EPIC-X RED DRAGON SCARLET DRAGON

MYSTERIUM-X EPIC-M MYSTERIUM-X

EPIC-X MYSTERIUM-X SCARLET-X® MYSTERIUM-X

Monochrome EPIC-M Monochrome

EPIC-X Monochrome

REDDRAGONMonochrome EPIC-M RED DRAGON Monochrome

EPIC/SCARLET OPERATION GUIDE

READ BEFORE YOU SHOOT

Read this operation guide carefully and in its entirety before assembling or operating your camera or other RED accessories. In addition to this document, RED offers the following operation guides for the camera system:

DSMC Power Operation Guide DSMC Media Operation Guide

To download RED operation guides, go to RED Downloads at www.red.com/downloads.

R3D FILE FORMAT AND REDCODE

All videos and frames are recorded to the R3D® file format. The R3D file format was developed by RED to provide an efficient and manageable RAW video data format that promotes advanced post production editing capabilities. In the R3D file format, the digital image received from the sensor is formatted as a pixel-defect corrected (but in all other aspects unprocessed) 16-bit per pixel RAW data frame. Each RAW frame, or sequence of RAW frames in a clip, is compressed using a proprietary wavelet based REDCODE® RAW compression, then stored to a RED MINI-MAG® or REDMAG™ 1.8" SSD.

RAW data is recorded independently of any RGB domain color processing such as ISO, White Balance, or other RGB color space settings. Instead, color parameters are saved as reference metadata; that is, color is not burned into the recorded RAW data. This recording technique promotes flexibility in RGB color processing, which can be deferred to post production or adjusted in the field, without affecting the recorded RAW data image quality or dynamic range.

REDCODE is a visually lossless, wavelet-based compression codec that reduces R3D RAW files into a manageable size, allowing longer recording times on media. The ability to compress RAW data is one of the significant technologies that RED has brought to the industry.

For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads. NOTE: REDCINE-X PRO® can create and export .RMD “Look” files which may then be imported as camera monitor

path color processing presets. This information is stored as reference metadata, so that these color processing choices can be the default values used in post production. For more information, go to "Looks" on page149.

SHOOT FOR VIDEO AND STILLS

High resolution video, such as the digital footage captured by the camera, has surpassed the detail necessary to produce professional full-sized prints. Because of the ability to record at high frame rates and resolution, the camera is ideally suited to capture video and still images, simultaneously.

The camera is equipped with a Stills mode that makes it easier to capture stunning images. With presets optimized for stills and Swipe-Up Shortcuts for the RED Touch display, switching from Motion mode to Stills mode is seamless. Using REDCINE-X PRO, or other editing applications supporting the RED SDK, you can pull full resolution still images from R3D files.

EPIC/SCARLET OPERATION GUIDE

POST PRODUCTION WITH REDCINE-X PRO

REDCINE-X PRO is a professional one-light coloring toolset, equipped with an integrated timeline and a post effects software collection that provides the ideal environment to review recorded footage, edit metadata, organize projects, and prepare your R3D files. Use either REDCINE-X PRO or a compatible third-party non-linear editing (NLE) application to edit R3D files.

RED TETHER, included in REDCINE-X PRO, allows you to record footage from your camera directly to a computer or an external drive. Using tethering bypasses the need to record to an SSD and offload to a computer later, saving you time. The latest version of REDCINE-X PRO and the REDCINE-X PROOperation Guide are available for download at

RED Downloads at www.red.com/downloads.

NOTE: RED TETHER is included in REDCINE-X PRO build 35 or later.

HDRX AND MAGIC MOTION

HDRX

HDRX® extends dynamic range up to six (6) stops by simultaneously capturing two (2) images of identical resolution and frame rate. The first image is a normally exposed track (A-track), while the second is an underexposed track (Xtrack) with an exposure value that reflects the additional stops of highlight protection. These tracks are “motionconjoined” during recording, leaving no time gap between the two (2) exposures. This is different from traditional alternating exposures, which have small gaps between tracks, producing unwanted motion tracks.

MAGIC MOTION

MAGIC MOTION is a post production method that combines two (2) HDRX tracks to create an image with both natural motion blur (from the A- track) and sharper reference (the X-track). MAGIC MOTION produces an image with an extraordinary dynamic range that is not available with any other motion capture camera.

Shooting at 24 fps with a 180° (1/48 sec) shutter on traditional film or digital cameras produces motion blur throughout, which is not the way the human eye observes motion. For example, ask someone to swing their arm. What you would observe in a traditional recording of this action is constant motion blur until the arm stops. However, what your eye sees is both motion blur and a sharper reference of the arm throughout the motion path. MAGIC MOTION creates an image that matches the natural motion observed by the human eye.

ADDITIONAL RESOURCES

The following resources offer additional information about RED, the DSMC® system, and the RED community:

RED.com: Check the official RED website for the latest information about RED products. RED Learn Articles: RED offers in-depth technical articles about RED cameras, post-production, and digital

cinematography. RED Downloads: Go to RED Downloads to download the latest firmware, operation guides, and post-production

software. DSMC Toolkit: Go to RED Downloads to find the DSMC Toolkit, which offers many helpful tools and resources to

customize and improve your camera workflow.

RED Support: Check the RED SUPPORT site for FAQs, or to file a support ticket. Bomb Squad Support: For more information, contact your Bomb Squad representative. In-Camera Help: Select the Help button on an in-camera screen to open up the help for that screen. REDUSER: Discuss all things RED on the REDUSER third-party forum.

EPIC/SCARLET OPERATION GUIDE

CAMERA SYSTEM

NOTE: Modules and lens mounts are NOT HOT SWAPPABLE, meaning you cannot remove or install these items while the camera is turned on. Before installing or removing these items, you MUST turn off the camera. Failure to do so may result in damage to the item or camera that is not covered under warranty.

NOTE: Availability of components listed in this chapter is subject to change at any time.

COMPONENTS

ADDITIONAL RESOURCES

For more information on power and media, see the following guides, available at www.red.com/downloads:

DSMC Power Operation Guide DSMC Media Operation Guide

BRAIN

Figure: EPICBRAIN

The DSMC BRAIN® is the image processing center of the camera system and supports power, media, and other modules.

EPIC/SCARLET OPERATION GUIDE

BRAIN CONTROL: PWR/REC KEY

Fully press and hold the PWR/REC key for two (2) seconds to turn on/off. When the camera is on, fully press and then release the PWR/REC key to toggle record start/stop.

BRAIN LEDS

This section describes the LED functions for the camera.

LED COLOR/FLASHING DESCRIPTION

Power Status LED (PWR) Off No power present

Green Power present; camera on

Amber flashing Power present; 5 to 10 min of battery time

available

Amber Power present; camera booting

Red flashing Power present; ≤ 5 min of battery time available

Red Power present; camera off

Record Status LED (REC) Off No media present

Green Ready to record

Amber Finalizing

Red flashing (slow) Media mounted with > 5% and ≤ 10% of media

space available

Red flashing (fast) Media mounted with 5% of media space

available

Red Recording

Power Status LED (PWR) and Record Status LED (REC)

Both green flashing Firmware update in progress

Both red flashing Firmware update error

MEDIA MODULES

This section describes the media modules. RED offers the following media modules:

ITEM PART NUMBER

DSMC 1.8" SSD Side Module 720-0013

DSMC 1.8" SSD Side Module (DRAGON)

N/A

Carbon Fiber DSMC 1.8" SSD Side Module (DRAGON)

RED MINI-MAG® Side SSD Module 720-0021

Carbon Fiber RED MINI-MAG Side SSD Module

N/A

EPIC/SCARLET OPERATION GUIDE

ITEM PART NUMBER

Rear SSD Module 720-0009

1. The DSMC 1.8" SSD Side Module (DRAGON) is only available with the purchase of a RED DRAGON sensor-based BRAIN.

2. Carbon fiber side SSD modules are only available with the purchase of a carbon fiber BRAIN.

SIDE SSD MODULES

Figure: DSMC Side SSD Module

Media modules attach to the camera to enable the use of RED MINI-MAG or REDMAG™ 1.8" SSD media. Both side SSD module systems have the same EVF/LCD LEMO® connector, user keys, and REC button.

For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads.

SIDE SSD MODULE CONNECTOR

CONNECTOR CONNECTOR TYPE CONNECTOR FUNCTION

EVF/LCD N/A Power and external monitoring support for an electronic viewfinder or display

SIDE SSD MODULE CONTROLS

# CONTROL DESCRIPTION

1 User Key 1 Programmable key

User Key 1 + 2 Press: Eject Media

2 REC button Programmable key

Full Press: Record Toggle Half Press: AF Start

3 User Key 2 Programmable key

User Key 1 + 2 Press: Eject Media

EPIC/SCARLET OPERATION GUIDE

SIDE SSD LED

# LED COLOR/FLASHING DESCRIPTION

1 Record Status LED

1. For more information on how to enable/disable this LED, go to "Indicator" on page116. If media is not mounted, this LED is off.

REAR SSD MODULE

Off Not recording, or media not mounted

Red Recording

Figure: Rear SSD Module

The Rear SSD Module secures to the back of a Module Adaptor or a +1 Adaptor Module to serve as a rear location for recording to a REDMAG 1.8" SSD.

For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads.

EPIC/SCARLET OPERATION GUIDE

REDMAG AND REDMINI-MAG SYSTEMS

Figure: RED MINI-MAG (120GB)

NOTE: For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads. REDMAG 1.8" SSDs and RED MINI-MAG® SSDs deliver fast and reliable recording options for your camera. A RED

STATION® enables you to connect media to your computer for offloading and editing.

REDMINI-MAG SSDS

RED offers the following RED MINI-MAG SSDs:

Item Part Number Required Firmware

RED MINI-MAG (120GB) 750-0075 v5.3.47 or later; or v6.0.40 or later

RED MINI-MAG (240GB) 725-0082 v5.1.47 or later

RED MINI-MAG (480GB) 750-0090 v6.3.75 or later

RED MINI-MAG (512GB) V4

RED MINI-MAG (512GB) V5

RED MINI-MAG (512GB) V6

RED MINI-MAG (960GB) 750-0087 v6.3.75 or later

RED MINI-MAG (1TB)2 725-0081 v5.3.34 or later

1. To see the Model number, go to Menu > Media > Device.

2. The RED MINI-MAG 1TB can take up to 20 seconds to mount to a computer or a camera.

725-0078 v5.1.34 or later

725-0078 v6.2.60 or later; or v6.3.17 or later

725-0078 v6.2.63 or later; or v6.3.27 or later

EPIC/SCARLET OPERATION GUIDE

REDMAG 1.8" SSDS

RED offers the following REDMAG 1.8" SSDs and compatible RED STATIONS:

ITEM PART NUMBER

REDMAG 1.8" SSD (48GB) 750-0044

REDMAG 1.8" SSD (64GB) 750-0025

REDMAG 1.8" SSD (128GB)

750-0021

REDMAG 1.8" SSD (240GB)

REDMAG 1.8" SSD (256GB)

REDMAG 1.8" SSD (512GB)

RED STATION REDMAG 1.8" 750-0006

RED STATION REDMAG 1.8" (MINI)–ESATA 750-0035

RED STATION REDMAG 1.8" (MINI)–USB 3.0 750-0036

RED STATION REDMAG 2.5" 750-0007

1. These REDMAG 1.8" SSDs are no longer available for purchase at red.com, but are still supported by RED.

2. The REDMAG 1.8" SSD (240GB) requires that your camera is on firmware v5.1.44 or later.

750-0061

750-0026

750-0037

EPIC/SCARLET OPERATION GUIDE

ADAPTOR MODULES

This section describes the adaptor modules.

Figure: Module Adaptor (left) and +1 Adaptor Module (Right)

Adaptor modules enable you to connect other modules to the camera for expandable functionality. The +1 Adaptor Module provides an auxiliary power port for accessories and an additional EVF/LCD port for additional monitor viewing and output.

Both adaptor modules also offer additional 1/4-20 mounting points on top for configuration support. Most modules require a Module Adaptor or +1 Adaptor Module to attach to your camera.

For more information, go to "Configure Your Camera" on page42.

WARNING: The Module Adaptor is NOT compatible with the +1 Adaptor Module. WARNING: The +1 Adaptor Module IS NOT compatible with the Module Adaptor. WARNING: DO NOT use the EVF/LCD port if a Pro I/O Module is connected to the camera.

RED offers the following adaptor modules:

ITEM PART NUMBER

Module Adaptor 720-0008

+1 Adaptor Module

1. The +1 Adaptor Module requires that your camera is on firmware v4.08 or later.

720-0018

EPIC/SCARLET OPERATION GUIDE

+1 ADAPTOR MODULE CONNECTIONS

Figure: +1 Adaptor Module

# Connector Connector

Type

1 Mounting 1/4-20

mounting

2 EVF/LCD N/A Custom digital video and power interconnection between the camera and RED EVF

3 Auxiliary

power out (PWR)

4 REDMOTE®

dock connector

5 Dock

connector

WARNING: DO NOT use the EVF/LCD connector if a Pro I/O Module is connected to the camera. NOTE: The default auxiliary power output setting is on. To toggle the power setting on/off, go to Menu > Power >

Power Out > +1 PWR. The last power output setting is saved until a firmware upgrade or a factory reset.

4-pin 0B LEMO

8-point POGO connector

SEARAY connector

Connector Function

Supports bolt-on auxiliary equipment

or RED LCD; Pinout not published

Supplies unregulated (+) 11.5 to 17 V battery pass-through; Connect to 2-pin LEMO accessories with the RED 4-Pin to 2-Pin Adaptor Cable; Max sustained current is 2 A

Power and support for the REDMOTE

Supports power and communication with modules

EPIC/SCARLET OPERATION GUIDE

+1 ADAPTOR MODULE ACCESSORIES

For more information, as well as a full list of EVF/LCD cables and other accessory cables, go to the RED Store at

www.red.com.

Accessory Connector Type Connector Function Part

Number

4-Pin To 2-Pin Adaptor Cable

Micro HDMI-to-HDMI Adaptor

1. The 4-Pin to 2-Pin Adaptor Cable converts 4-pin power into a 2-pin female LEMO connection, enabling support for 2-pin based accessories from the +1 Adaptor Module or Pro I/O Module.

2. The Micro HDMI-to-HDMI Adaptor is field-replaceable.

4-pin 0B to 2-pin 0B LEMO

Micro HDMI to Standard HDMI

Power support for 2-pin based accessories 790-0334

HDMI video connection from the camera to support auxiliary EVF/LCD attachment

N/A

EPIC/SCARLET OPERATION GUIDE

POWER MODULES

Power modules attach to a Module Adaptor or +1 Adaptor Module to provide the camera with flexible power options for REDVOLT®, REDVOLT XL, and RED BRICK® batteries. When used in combination with a DSMC AC Power Adaptor or DSMC Side Handle, you can hot-swap batteries without interrupting recording.

RED offers the following power modules:

Item Part Number

Pro Battery Module (Dual) 720-0005

Pro Battery Module (Quad) 720-0006

REDVOLT XL Module

Quickplate Module 790-0343

Backpack Quickplate (Short) 790-0342

RED Quickplate 790-0008

1. The REDVOLT XL Module requires that your camera is on firmware v5.1.29 or later.

For more information, see the DSMC Power Operation Guide, available at www.red.com/downloads.

740-0031

EPIC/SCARLET OPERATION GUIDE

REDBATTERIES AND CHARGERS

This section describes the RED lithium-ion batteries and charger solutions.

Figure: REDVOLT XL(left) and REDVOLT (right)

The REDVOLT, REDVOLT XL, and RED BRICK are lightweight, rechargeable lithium-ion battery cells that provide sustained power to the camera. These batteries provide long-term mobile power and attach to the camera via a power module or other RED accessory, such as the DSMC Side Handle. RED chargers replenish lost capacity for REDVOLT, REDVOLT XL, and RED BRICK batteries.

RED offers the following batteries and chargers:

Item Part Number

REDVOLT 740-0020

REDVOLT XL 740-0021

RED BRICK 740-0002

REDVOLT Travel Charger 790-0134

REDVOLT Charger (Quad) 740-0015

RED CHARGER 740-0006

For more information, see the DSMC Power Operation Guide, available at www.red.com/downloads.

EPIC/SCARLET OPERATION GUIDE

OTHER MODULES

This section describes other modules. RED offers the following miscellaneous modules:

ITEM PART NUMBER

Pro I/O Module 720-0004

REDCAST Module

1. The REDCAST Module requires that your camera is on firmware v5.2.28 or later.

PRO I/O MODULE

720-0025

Figure: Pro I/O Module

The Pro I/O Module brings together the essential input and output (I/O) connections in one (1) module, providing a central hub for professional audio and video components. The Pro I/O Module offers the following features:

Centralized ports that make it easy to manage connections and cables. LCD/EVF port that allows you to connect an additional RED LCD or EVF. Customizable triggers that interface with third-party GPIO and RS232 control devices using Pro I/O cables. Mounting points for an additional module or a REDMOTE. Internal cooling system that maintains an appropriate operating temperature.

For more information, see the Pro I/O Module Operation Guide, available at www.red.com/downloads.

EPIC/SCARLET OPERATION GUIDE

REDCAST MODULE

Figure: REDCAST Module

The REDCAST® Module allows for live 4K streaming, enabling you to capture and view action in real-time. Compatible with both EPIC DRAGON and SCARLET DRAGON cameras, the REDCAST Module uses four (4) 3G-SDI output connections to broadcast 4K video at up to 60 frames per second. Five (5) 1/4-20 mounting holes are built into the top of the module, allowing for various mechanical peripherals to be attached.

For more information, see the REDCAST Module Operation Guide, available at www.red.com/downloads.

EPIC/SCARLET OPERATION GUIDE

DISPLAYS AND ELECTRONIC VIEWFINDERS

RED offers the following displays and electronic viewfinders (EVFs):

NOTE: RED offers multiple mounting solutions for each camera type.

Item Resolution Tilt

(Approximate)

DSMC2 RED Touch 7.0" LCD (Woven CF)

DSMC2 RED Touch 7.0" LCD (Aluminum)

DSMC2 RED Touch 4.7" LCD

RED Touch 5.0" LCD

RED Touch 7.0" LCD

RED Touch 9.0" LCD

RED PRO LCD 7"

2, 3

1920 x 1136 Total: 180°

Forward: 90° Backward: 90°

1920 x 1136 Total: 180°

Forward: 90° Backward: 90°

1280 x 720 Total: 240°

Forward: 90° Backward: 150°

800 x 400 Total: 270°

Forward: 180° Backward: 90°

1920 x 1136 Total: 180°

Forward: 90° Backward: 90°

1280 x 768 Total: 270°

Forward: 180° Backward: 90°

1024 x 600 No tilt No swivel 730-0009

Swivel (Approximate)

Total: 360° CW: 180° CCW: 180°

No swivel 730-0019

Total: 360° CW: 180° CCW: 180°

Part Number

730-0018

730-0024

730-0008

730-0007

730-0011

RED PRO Touch 7.0" LCD2 1920 × 1136 No tilt No swivel 730-0025

DSMC2 RED EVF (OLED)

BOMB EVF® (LCOS)

BOMB EVF (OLED)

1. Using this display with an EPIC or SCARLET camera requires a DSMC2 LEMO Adaptor B.

2. Using this display with a DSMC2 camera requires a DSMC2 LEMO Adaptor A.

3. The RED Touch 7.0" LCD requires that your camera is on firmware v5.2.38 or later.

For a full list of LCD and EVF user keys and default actions, go to "Default Key Functions" on page248.

1920 x 1080 N/A N/A 730-0021

1280 x 784 N/A N/A 730-0004

1280 x 1024 N/A N/A 730-0010

EPIC/SCARLET OPERATION GUIDE

RED LCDS

Figure: RED Touch 7.0" LCD

RED displays provide important camera parameters on the graphical user interface (GUI) and offer a variety of monitor viewing options. RED touchscreen displays enable you to use gestures to navigate menus and adjust camera parameters. RED displays feature 8-bit RGB, 4:4:4 progressive scan, providing up to 16.7 million colors and up to 70% NTSC color gamut.

LCD PRECAUTIONS

WARNING: DO NOT use a RED display as a handle to lift or carry the camera. Damage to a RED display or other

components of the camera system caused by using the display as a handle are not covered under warranty. WARNING: DO NOT use the threaded holes in the RED Touch LCD base to mount the display to the camera. Damage

to a RED display or other components of the camera system caused by using these threaded holes is not covered under warranty.

IMPORTANT: DO NOT try to turn an LCD past its tilt or swivel range. Damage to a RED display or other camera components caused by excessive force is not covered under warranty. For more information on the tilt and swivel range for each display, go to "Displays and Electronic Viewfinders" on the previous page.

EPIC/SCARLET OPERATION GUIDE

BOMB EVFS

Figure: BOMB EVF (OLED)

The BOMB EVF (LCOS) and BOMB EVF (OLED) deliver specialized viewing solutions for the camera. The BOMB EVF (LCOS) is a high-definition, lightweight, and low-profile viewfinder. The BOMB EVF (OLED) uses OLED technology, providing deeper blacks and more color accurate images.

Item Contrast Ratio Diopter Range

BOMB EVF (LCOS)

BOMB EVF (OLED)

1. Using these displays with a DSMC2 camera requires a DSMC2 LEMO Adaptor A.

WARNING: DO NOT point the BOMB EVF (OLED) eyepiece at direct sunlight. Continued exposure to direct sunlight may damage the EVF. Point the eyepiece away from sunlight when not in use. Damage to the BOMB EVF (OLED) caused by continued exposure to direct sunlight is not covered under warranty.

1000:1 typical 2.0 to –5.0.1

>10,000:1 typical 2.0 to –5.0.1

BOMB EVF FEATURES

# Feature Description

1 EVF

connector

2 EVF Tally

LED

3 Key 1 Programmable key

4 Key 2 Programmable key

Custom digital video and power interconnection between the camera and RED EVF; Pinout not published

When enabled, the LED illuminates red when recording; For more information, go to "Indicator" on

page116

Magnify: Toggle

Exposure Check: Toggle

5 Eyepiece

heater

The integrated eyepiece heater automatically heats the eyepiece when the EVF detects a low ambient temperature

EPIC/SCARLET OPERATION GUIDE

DSMC2 RED EVF

The DSMC2 RED EVF (OLED) is a high definition electronic viewfinder designed as the ideal single-viewer monitoring solution. Featuring the latest OLED technology, this EVF provides an unmatched personal viewing experience with a 1080p OLED micro-display, and improved color accuracy with 30-bit RGB color represenation. View and monitor your RED footage as it is intended with truer colors and deeper blacks in a larger field of view.

Engineered with OBSOLESCENCE OBSOLETE® in mind, the DSMC2 RED EVF (OLED) is perfect for use with WEAPON, SCARLET-W, RAVEN, EPIC, or SCARLET cameras. RED offers multiple mounting solutions for each camera type.

WARNING: DO NOT point the DSMC2 RED EVF (OLED) eyepiece at direct sunlight. Continued exposure to direct sunlight may damage the EVF. Point the eyepiece away from sunlight when not in use. Damage to the DSMC2 RED EVF (OLED) caused by continued exposure to direct sunlight is not covered under warranty.

EPIC/SCARLET OPERATION GUIDE

DSMC2 RED EVF FEATURES

Figure: DSMC2 RED EVF

# Feature Description

1 DSMC2 RED EVF

Mount

2 EVF connector

3 Key 1 Programmable key

4 Key 2 Programmable key

5 Mounting point Mounting point for the DSMC2 RED EVF Mounting Plate (Top)

6 DSMC2 RED EVF

Modular Optical Block

1. Not visible. Shown with the DSMC2 RED EVF Mount attached.

The DSMC2 RED EVF Mount

Custom digital video and power interconnection between the EVF and other RED devices; Pinout not published; compatible with standard RED EVF/LCD LEMO cables

Magnify: Toggle

Exposure Check: Toggle

Fully coated with a > 32° field of view

EPIC/SCARLET OPERATION GUIDE

LEMOADAPTORS

This section describes the DSMC2 LEMO Adaptor A and the DSMC2 LEMO Adaptor B. These adaptors enable you to use EPIC/SCARLET displays with your DSMC2 camera and use DSMC2 displays with your EPIC/SCARLET camera. For more information on available displays, go to "Displays and Electronic Viewfinders" on page26.

Item Part Number

DSMC2 LEMO Adaptor A 720-0037

DSMC2 LEMO Adaptor B 720-0038

LEMOADAPTOR A

Figure: DSMC2 LEMOAdaptor A

The DSMC2 LEMO Adaptor A makes your existing RED Touch, RED PRO, and REDPRO Touch displays, as well as RED EVFs, fully compatible with the DSMC2 camera system. The DSMC2 LEMO Adaptor A converts the pogo connection on the DSMC2 camera to a legacy EVF/LCD LEMO port. The DSMC2 LEMO Adaptor A is designed to attach to the primary (top), or the secondary (side) EVF/LCD port on the DSMC2 camera.

When used along with the DSMC2 LEMO Adaptor B, this adaptor enables you to mount a DSMC2 RED Touch LCD away from the camera—to a NOGA arm or other stable mounting point.

The DSMC2 LEMO Adaptor A is compatible with the BOMB EVF, (LCOS) and (OLED) models, or later.

LEMOADAPTOR B

Figure: DSMC2 LEMOAdaptor B

The DSMC2 LEMO Adaptor B enables you to use a DSMC2 RED Touch LCD with your existing EPIC or SCARLET camera. The DSMC2 LEMO Adaptor B converts the display signal from a pogo connection to a legacy EVF/LCD LEMO port. The DSMC2 LEMO Adaptor B is designed to mount to your EPIC or SCARLET camera using standard 1/4-20 mounting holes.

When used along with the DSMC2 LEMO Adaptor A, this adaptor enables you to mount a DSMC2 RED Touch LCD away from the camera—to a NOGA arm or other stable mounting point.

EPIC/SCARLET OPERATION GUIDE

CAMERA CONTROL MODULES

This section describes the camera control modules. These devices provide a wide array of programmable buttons, controls, and other features to interact with the camera. RED offers the following controls:

Item Part Number

DSMC Side Handle 720-0012

RED Switchblade-M

REDMOTE 770-0006

REDLINK® Bridge (REDLINK Development Kit) 720-0028

1. The RED Switchblade-M requires that your camera is on firmware v5.2.28 or later. Full functionality requires firmware v5.3 or later.

2. The REDLINK Bridge requires that your camera is on firmware v5.2.28 or later.

720-0026

EPIC/SCARLET OPERATION GUIDE

DSMC SIDE HANDLE

Figure: DSMC Side Handle

The DSMC Side Handle provides programmable menu controls and a battery compartment that holds one (1) REDVOLT battery. The DSMC Side Handle LCD display shows camera parameter values and illuminates for operation in dark environments. When a REDVOLT is installed in the DSMC Side Handle, batteries connected to other power modules may be hot-swapped, providing uninterrupted operation.

For a full list of DSMC Side Handle user keys and default actions, go to "Default Key Functions" on page248. NOTE: Upgrading your camera to v5.3 also upgrades the DSMC Side Handle. During the upgrade, you will be

instructed to shut down the camera twice so that the firmware upgrades successfully. Any DSMC Side Handle that is upgraded to v5.3 can only be used with cameras running v5.2 or later. To use a DSMC Side Handle with v5.1 after you have upgraded it to v5.3, first downgrade to v5.2, and then downgrade to v5.1.

EPIC/SCARLET OPERATION GUIDE

RED SWITCHBLADE-M

Figure: RED Switchblade-M

The RED Switchblade-M is a low-profile and lightweight interface solution that mounts to the side of the camera. With a 1.7” OLED display and full navigation controls, the RED Switchblade-M grants full access to menus while optimizing the size and weight of y our camera configuration.

For a full list of RED Switchblade-M user keys and default actions, go to "Default Key Functions" on page248. NOTE: The RED Switchblade-M requires camera firmware v5.2.28 or later. Full functionality requires camera firmware

v5.3 or later.

EPIC/SCARLET OPERATION GUIDE

REDMOTE

Figure: REDMOTE

The REDMOTE is a remote camera control unit that attaches to the rear of the camera or rearmost expansion module. The REDMOTE may be detached from the camera or rearmost module and provide wireless remote control of the camera over the proprietary REDLINK protocol.

For a full list of REDMOTE user keys and default actions, go to "Default Key Functions" on page248. For more information, go to "REDMOTE Operation" on page159. IMPORTANT: To operate properly, upgrade both REDMOTE and camera firmware to the most recent version.

EPIC/SCARLET OPERATION GUIDE

REDLINK BRIDGE

Figure: REDLINK Bridge

The REDLINK Bridge is a wireless module that provides communication support for third-party app development. The REDLINK Bridge attaches to the rear of the camera or other compatible rear module. The REDLINK Bridge is part of the REDLINK Development Kit and uses the REDLINK Command Protocol (RCP) to communicate information between the camera and your application.

For more information, see the REDLINK Bridge Operation Guide, available at www.red.com/downloads. NOTE: The REDLINK Bridge requires camera firmware v5.2.8 or later.

EPIC/SCARLET OPERATION GUIDE

LENS MOUNTS

RED offers the following lens mounts:

Figure: DSMC Mg PL Mount 2.0

Item Part Number

DSMC Mg PL Mount 2.0

DSMC Ti PL Mount (Captive) 725-0022

DSMC Al Canon Mount (Captive) 725-0026

DSMC Ti Canon Mount (Captive) 725-0032

DSMC Al Nikon Mount 725-0006

DSMC Ti Nikon Mount 725-0007

DSMC Al Leica M Mount (Captive) 725-0029

DSMC MOTION MOUNT Ti PL

DSMC MOTION MOUNT Ti Canon (Captive)

1. For EPIC and SCARLET cameras, the DSMC Fan 2.0 (Bottom) and the DSMC Mg PL Mount 2.0 are not natively compatible with each other, since the fan grill prevents the lens mount locking ring from rotating. To use these devices together, remove the lower tabs from the locking ring using a T8 TORX® driver.

2. The DSMC RED MOTION MOUNT requires that your camera is on firmware v5.1.14 or later.

725-0024

725-0012

725-0038

EPIC/SCARLET OPERATION GUIDE

INTERCHANGEABLE OLPFS

This section describes the interchangeable optical low pass filter (OLPF) system and modular OLPFs. The camera system includes intelligent, modular OLPFs. The camera automatically recognizes the OLPF type installed,

eliminating the need to configure OLPF settings in the camera menu.

Figure: DSMC Interchangeable OLPF System

NOTE: The DSMC interchangeable OLPF system is only compatible with the DRAGON sensor. The DSMC interchangeable OLPF system is an upgrade to the optical low-pass filter (OLPF) in your EPIC DRAGON or

SCARLET DRAGON. The modular mounting system enables you to remove and replace OLPFs to achieve optimal color reproduction in any lighting and environment.

RED offers the following modular DSMC interchangeable OLPFs for EPIC DRAGON and SCARLET DRAGON:

Item Label

DSMC Skin Tone-Highlight OLPF S 790-0461 v5.2.28 or later

DSMC Low Light Optimized OLPF L 790-0462 v5.2.28 or later

DSMC H2O OLPF H 790-0472 v5.3.29 or later

DSMC Standard OLPF D 790-0517 v6.0.37 or later

DSMC IR Pass OLPF (Color) I 790-0473 v5.3.33 or later

DSMC Monochrome OLPF2 M 790-0481 v5.2.9 or later

DSMC IR Pass OLPF (Monochrome)

1. Visible on the top inside part of the OLPF assembly.

2. Monochrome OLPFs are for use with the DRAGON Monochrome sensor ONLY.

Part Number Required Firmware

I 790-0474 v5.3.33 or later

RAILS, MOUNTS, TACTICAL GEAR, AND CABLES

RED offers a wide variety of support gear, mounting platforms, cables, accessories, and other equipment. For more information, visit the RED Store at www.red.com/store.

EPIC/SCARLET OPERATION GUIDE

BASIC

OPERATIONS

POWER OPERATIONS

This section describes the basic power operations of the camera system. For more information, see the DSMC Power Operation Guide, available at www.red.com/downloads. NOTE: Modules and lens mounts are NOT HOT SWAPPABLE, meaning you cannot remove or install these items

while the camera is turned on. Before installing or removing these items, you MUST turn off the camera. Failure to do so may result in damage to the item or camera that is not covered under warranty.

WARNING: While third-party batteries may be mechanically compatible with the camera system, the manufacturer is responsible for the performance and stability of third-party options, not RED®. Damage to the camera system or thirdparty devices caused by using third-party power options is not covered under warranty. The camera may be unable to determine and display the voltage or remaining battery capacity of third-party power options.

EPIC/SCARLET OPERATION GUIDE

POWER INPUTS

Figure: SEARAY Connector (top) and DC IN Connector (bottom)

There are two (2) primary power inputs that provide power to the camera:

# POWER INPUT DESCRIPTION

1 SEARAY power

connector

2 DC IN connector Provides power to the camera using a DSMC Power Adaptor or certain battery modules,

NOTE: Additionally, one (1) REDVOLT battery may be used in conjunction with the DSMC Side Handle to provide short term power and support hot-swapping of other power sources.

Provides power to the camera from attached modules

such as the Backpack Quickplate

POWER PRIORITY

When multiple power sources are connected to the camera, power consumption is prioritized in this sequence: 1. DC power supply (DC IN connector) 2. Attached RED BRICK (Lowest state of charge first) 3. Battery module batteries (SEARAY connector; lowest state of charge first) 4. REDVOLT battery in an attached DSMC Side Handle

EPIC/SCARLET OPERATION GUIDE

POWER CONSUMPTION

The camera draws approximately 60 W when recording in 5K resolution, at 24 fps.

Under typical conditions batteries provide the following operating time:

REDVOLT: Powers the camera and accessories for approximately 30 minutes. REDVOLT XL: Powers the camera and accessories for approximately 90 minutes. RED BRICK: Powers the camera and accessories for approximately 120 minutes.

POWER STATUS

The power status of the current primary power source displays in the Lower Status Row of the graphical user interface

(GUI). Navigate to the Power In menu at Menu > Power > Power In for the status of all connected power sources.

For more information, go to "Power Menu" on page139.

APPROVED EXTERNAL DC POWER

The camera accepts input voltages of 11.5 V to 17 V DC, and can draw a maximum current of 12 A. The camera can

be powered continuously by connecting one (1) of the following to the DC IN port on the camera:

DSMC AC Power Adaptor RED BRICK Charger: Offers two (2) ways to connect to your camera:

Use a RED ONE DC Power Cable (P/N 790-0060) and 2B-to-1B Power Adaptor Cable (P/N 790-0138). Use a RED 2B-to-1B LEMO Power Cable (P/N 790-0556).

RED BRICK: Requires a Backpack Quickplate or Battery Belt Clip (DSMC). Also supported by a RED Quickplate or RED Cradle using a 2B-to-1B Power Adaptor Cable.

XLR DC power source: Requires an XLR Power Cable.

TURN ON THE CAMERA

NOTE: If you have just turned off the camera, wait at least three (3) seconds before turning the camera back on.

1. Attach a power source to the camera.

The Power Status LED illuminates red, indicating that an appropriate power source is connected.

2.

Press and release the PWR/REC key on the right side of the camera. The Power Status LED illuminates amber as the camera turns on. The Power Status LED then illuminates green to confirm that the camera is turned on and ready to use.

TURN OFF THE CAMERA

Use one of the following methods to turn off the camera:

Go to Menu > Power and select Shutdown. Press and hold PWR/REC until the Shutting Down... notification shows on the display.

NOTE: The camera turns off automatically if the supply voltage drops to 11.5 V.

EPIC/SCARLET OPERATION GUIDE

CONFIGURE YOUR CAMERA

This section describes common options for configuring your camera system.

DSMC SIDE HANDLE: INSTALL/REMOVE

INSTALL THE DSMC SIDE HANDLE

WARNING: Before installing or removing this item, you MUST turn off the camera.

REQUIRED TOOLS: T10 TORX® driver

1. Turn off the camera. 2. Use a T10 TORX driver to remove the single screw located at the bottom of the BRAIN side plate (if the side plate

is installed).

3. Rotate the BRAIN side plate upwards to disengage the lip at the top of the side plate from the camera, and

remove the BRAIN side plate. 4. Insert the lip on the DSMC Side Handle into the slot where the lip of the BRAIN side plate was installed. 5. Press the DSMC Side Handle down flush along the side of the camera. 6. Rotate the thumbscrew upward while applying steady pressure until tight.

REMOVE THE DSMC SIDE HANDLE

WARNING: Before installing or removing this item, you MUST turn off the camera. REQUIRED TOOLS: T10 TORX driver

1. Turn off the camera. 2. Rotate the thumbscrew downward until the DSMC Side Handle detaches from the camera body. 3. Disengage the tension lip on the DSMC Side Handle by pulling the bottom away from the camera. 4. Insert the tension lip on the BRAIN side plate into the recess on the side of the camera. 5. Install the appropriate screw at the bottom of the BRAIN side plate using a T10 TORX driver. DO NOT exceed 70

in-oz, or damage may occur.

EPIC side plate screw: M3x0.5 x 8 mm SCARLET side plate screw: M3x0.5 x 5.5 mm

WARNING: DO NOT OVERTIGHTEN.

EPIC/SCARLET OPERATION GUIDE

RED SWITCHBLADE-M: INSTALL/REMOVE

INSTALL THE RED SWITCHBLADE-M

WARNING: Before installing or removing this item, you MUST turn off the camera. REQUIRED TOOLS: T10 TORX driver

1. Turn off the camera. 2. Use a T10 TORX driver to remove the single screw located at the bottom of the BRAIN side plate (if the side plate

is installed). 3. Rotate the BRAIN side plate upwards to disengage the lip at the top of the side plate from the camera, and

remove the BRAIN side plate. 4. Insert the lip on the RED Switchblade-M into the slot where the lip of the BRAIN side plate was installed. 5. Press the Switchblade-M down flush along the side of the camera. 6. Tighten the thumbscrew until finger-tight, then engage the thumbscrew mechanism.

REMOVE THE RED SWITCHBLADE-M

WARNING: Before installing or removing this item, you MUST turn off the camera. REQUIRED TOOLS: T10 TORX driver

1. Turn off the camera. 2. Disengage the thumbscrew mechanism. 3. Loosen the thumbscrew until the Switchblade-M detaches from the camera. 4. Pull the bottom of the RED Switchblade-M away from the camera to disengage the tension lip. 5. Remove the RED Switchblade-M from the camera. 6. Insert the tension lip on the BRAIN side plate into the recess on the side of the camera. 7. Install the appropriate screw at the bottom of the BRAIN side plate using a T10 TORX driver. DO NOT exceed 70

in-oz, or damage may occur.

EPIC side plate screw: M3x0.5 x 8 mm SCARLET side plate screw: M3x0.5 x 5.5 mm

WARNING: DO NOT OVERTIGHTEN.

EPIC/SCARLET OPERATION GUIDE

MODULE ADAPTOR AND +1 ADAPTOR MODULE: INSTALL/REMOVE

INSTALL THE MODULE ADAPTOR

You must install an adaptor module on the back of the camera before you install a module.

REQUIRED TOOLS: T20 TORX driver 1. Turn off the camera. 2. Remove the REDMOTE, if attached. 3. Position the Module Adaptor over the V-mount on the rear of the camera.

Figure: Install +1 Adaptor Module

4. Apply pressure and tighten the four (4) captive screws in a cross pattern (“X” pattern) approximately two (2) turns

each using a T20 TORX driver. DO NOT FULLY TIGHTEN.

Figure: Insert HDMI Connector into the BRAIN

EPIC/SCARLET OPERATION GUIDE

5. Fully tighten the four (4) screws in a cross pattern (“X” pattern) using a T20 TORX driver.

Figure: Tighten Screws

WARNING: DO NOT OVERTIGHTEN.

REMOVE THE MODULE ADAPTOR

REQUIRED TOOLS: T20 TORX driver

1. Turn off the camera. 2. Use a T20 TORX driver to loosen the screws attaching the Module Adaptor to the camera. 3. Remove the Module Adaptor from the camera.

INSTALL THE +1 ADAPTOR MODULE

REQUIRED TOOLS: T20 TORX driver

1. Turn off the camera. 2. Remove the REDMOTE, if attached. 3. Position the +1 Adaptor Module over the V-mount on the rear of the camera. 4. Insert the HDMI connector into the HDMI port on the camera. 5. Apply pressure and tighten the four (4) captive screws in a cross pattern (“X” pattern) approximately two (2) turns

each using a T20 TORX driver. DO NOT FULLY TIGHTEN.

6. Fully tighten the four (4) screws in a cross pattern (“X” pattern) using a T20 TORX driver.

WARNING: DO NOT OVERTIGHTEN.

REMOVE THE +1 ADAPTOR MODULE

REQUIRED TOOLS: T20 TORX driver

1. Turn off the camera. 2. Loosen the four (4) captive mounting screws in a cross pattern (“X” pattern) using a a T20 TORX driver. 3. Disconnect the HDMI connector from the camera. 4. Remove the +1 Adaptor Module from the camera.

EPIC/SCARLET OPERATION GUIDE

MODULES: ATTACH/REMOVE

ATTACH A MODULE

REQUIRED TOOLS: T20 TORX driver

1. Turn off the camera. 2. Insert the lip at the top of the module into the recess at the top of the adaptor module.

Figure: Insert Module Lip

3. Rotate the module down flush with the rear of the adaptor module.

Figure: Press Module Flush

4. Apply pressure and use a T20 TORX driver to turn the lock on the bottom of the adaptor module clockwise into the

Lock position.

EPIC/SCARLET OPERATION GUIDE

REMOVE A MODULE

REQUIRED TOOLS: T20 TORX driver

1. Turn off the camera. 2. Use a T20 TORX driver to turn the lock on the adaptor module counter-clockwise to the Unlock position. 3. Rotate the module upwards and away from the adaptor module to disengage. 4. Remove the module.

EPIC/SCARLET OPERATION GUIDE

REPLACE THE HOOD SCOOP

REQUIRED TOOLS: T8 TORX driver

The hood scoop on some EPIC-X and EPIC-M models extends beyond the rear plane of the camera. RED offers

shorter hood scoops so that you can attach an LCD or other accessory to the mounting locations on the top of the +1

Adaptor Module.

Figure: Replace the Hood Scoop

To replace fan hood scoop, follow the instructions below: 1. Turn off the camera. 2. Remove the four (4) M3x0.5 x 6 mm screws holding the hood scoop using a T8 TORX driver. 3. Remove the hood scoop. 4. Position the replacement hood scoop on the camera. 5. Align the hood scoop screw holes with the threaded holes. 6. Insert and tighten the four (4) M3x0.5 x 6 mm screws in a cross pattern (“X” pattern) using a T8 TORX driver. DO

NOT FULLY TIGHTEN.

7. Fully tighten the four (4) M3x0.5 x 6 mm cap screws evenly in a cross pattern (“X” pattern). DO NOT exceed 30 in-

oz, or damage may occur. WARNING: DO NOT OVERTIGHTEN.

EPIC/SCARLET OPERATION GUIDE

INTERCHANGEABLE OLPF SYSTEM

WARNING: Read these instructions carefully and in their entirety before removing or installing an OLPF. Damage to

the OLPF module, camera, or sensor due to improper handling or use is not covered under warranty.

WARNING: Once an interchangeable OLPF is removed from the camera, the sensor is exposed. Improper handling of

the OLPF modules or camera during this procedure may compromise the installation or cause irreparable damage to

your camera or sensor.

WARNING: DO NOT allow any dirt or debris to enter the optical cavity.

WARNING: This procedure is ONLY applicable to DRAGON sensor cameras that are compatible with the DSMC

Interchangeable OLPF system.

WARNING: Use only DSMC OLPFs. DO NOT use DSMC2 OLPFs. For any questions about OLPF compatibility,

please contact your Bomb Squad representative.

SWAP AN INTERCHANGEABLE OLPF

REQUIRED TOOLS: T20 TORX driver, T6 TORX driver

1. Turn off the camera. 2. Remove any modules, cables, or other accessories that may interfere with operations. 3. Loosen and remove the four (4) M4x0.7 x 8 mm lens mount screws in a cross pattern (“X” pattern) using a T20

TORX driver.

NOTE: Some lens mounts have captive screws that are not removable. NOTE: Screw removal may require a large handle T20 TORX driver and additional leverage.

4. Remove the lens mount.

Figure: Remove Lens Mount

5. Use a damp, lint-free cloth to gently wipe down the area around the lens mount and OLPF module. Remove as

much dust and debris as possible.

EPIC/SCARLET OPERATION GUIDE

6. Remove the four (4) M2x0.4 x 4 mm OLPF module screws (P/N 600-0224) in a cross pattern (“X” pattern) using a T6

TORX driver.

Figure: Remove OLPF Module Screws

7. Remove the OLPF module and place it in its protective case.

Figure: Remove the OLPF Module

EPIC/SCARLET OPERATION GUIDE

8. Use an LED light to ensure that the optical cavity is clean and free from dust or debris.

Figure: Ensure Optical Cavity Is Clean and Free of Debris

9. Ensure the new OLPF module is clean and free of debris.

10. Install the new OLPF module straight into the optical cavity, keeping the front face of the OLPF module parallel to

the front of the camera. NOTE: Inserting the OLPF module at an angle may cause it to not seat properly.

11. Replace and loosely tighten the four (4) M2x0.4 x 4 mm OLPF module screws (P/N 600-0224) in a cross pattern

(“X” pattern) using a T6 TORX driver. DO NOT FULLY TIGHTEN.

Figure: Replace the OLPF Module and Screws

12. Fully tighten the four (4) OLPF module screws in a cross pattern (“X” pattern) using a T6 TORX driver. DO NOT

exceed 30 in-oz, or damage may occur. WARNING: DO NOT OVERTIGHTEN.

13. Replace the lens mount.

EPIC/SCARLET OPERATION GUIDE

14. Replace and loosely tighten the four (4) M4x0.7 x 8 mm lens mount screws in a cross pattern (“X” pattern) using a

T20 TORX driver. DO NOT FULLY TIGHTEN. NOTE: Some lens mounts have captive screws that are not removable.

15. Fully tighten the four (4) lens mount screws in a cross pattern (“X” pattern) using a T20 TORX driver. DO NOT

exceed 350 in-oz, or damage may occur. WARNING: DO NOT OVERTIGHTEN.

Figure: Replace Lens Mount

16. Turn on the camera. 17.

Go to Menu > Settings > Maintenance > OLPF.

18.

Select the installed OLPF from the Type drop-down menu. IMPORTANT: Ensure the correct OLPF type is selected from the drop-down menu. Failure to select the correct

OLPF type will affect color accuracy. For more information, go to "OLPF" on page132.

Figure: OLPF Type Menu

EPIC/SCARLET OPERATION GUIDE

VERIFY INSTALLED OLPF

Figure: OLPF Type Labels

You can see which DSMC interchangeable OLPF is installed even when a lens mount is attached. The OLPF type is

labeled in two (2) locations on each DSMC interchangeable OLPF.

# LOCATION ON ASSEMBLY LABEL VISIBLE WITH

1 Top inside Identifier symbol, such as (S) PL mounts

2 Front bottom OLPF type All mounts

EPIC/SCARLET OPERATION GUIDE

USE A TRIPOD OR MONOPOD

This section describes the camera mounting points and mounting equipment for use with a tripod or monopod. The

camera is equipped with two (2) 3/8-16 mounting holes and one (1) 1/4-20 mounting hole on the bottom of the camera.

These mounting points are designed for use with a variety of mounting plates and hardware, to support tripods and

other support systems.

WARNING: Ensure that the tripod, monopod, or support system is designed and rated to handle the weight of your

camera configuration. RED is not responsible for any damage caused by using a tripod, monopod, mount, or support

system that does not provide sufficient support.

WARNING: DO NOT use excessive force to mount a support accessory, as this may damage the screw threading.

RED offers the following products for use with tripods and other support systems:

ITEM PART NUMBER

Mounting Plate (DSMC) 790-0094

DSMC Modular Assault Plate Pack 790-0224

DSMC Quick Release Platform Pack 790-0183

Quick Release Platform Pack (Bolt-On) 790-0078

Quick Release Platform (Dovetail) 790-0079

Quick Release Platform (Mini) 790-0390

Dovetail Mounting Plate (Long) 790-0083

Dovetail Mounting Plate (Short) 790-0084

For more information, visit the RED store at www.red.com/store.

EPIC/SCARLET OPERATION GUIDE

VIDEO MONITOR OUTPUTS

The monitoring path converts RAW sensor data to a white balanced 12-bit depth 1920 x 1080 pixel RGB 4:4:4 video

signal. The signal may be modified using ISO, White Balance, or other RGB color space adjustments. The signal is

then scaled and gamma-corrected to provide monitor outputs at 10-bit depth in 4:2:2 YCC or 8-bit depth in 4:4:4

RGB.

The camera offers the following monitor outputs:

EVF/LCD: Supports a RED EVF or LCD display. HD-SDI: Provides a 720p or 1080p output suitable for monitoring or recording to an external VTR or DDR device. It

may be configured for 10-bit LIN (VIDEO) or 10-bit LOG (FILM) encoded data.

HDMI: Provides a 480p, 720p, or 1080p output suitable for monitoring via a Windows® monitor or most HDTVs.

VIDEO MONITOR CATEGORIES

Video monitor outputs are separated into three (3) categories:

VIEWFINDER: The Upper Status Row, Live Action Area, and Lower Status Row display. Default output is the EVF/LCD connector located on the front face of the side SSD module. If an EVF or LCD is not connected, you can transfer the VIEWFINDER output to either the HDMI or 3G-SDI (HD-SDI) output from the camera.

PROGRAM/Clean: None of the graphic overlays display. PREVIEW: The Live Action Area and associated graphic overlays display.

For more information about changing the video monitor category of your monitor, go to "Monitor Control" on page87.

EPIC/SCARLET OPERATION GUIDE

RECORD

Perform one of the following actions to begin recording:

Press PWR/REC on the camera. Press REC on an attached side SSD module. Press REC on an attached DSMC Side Handle. Double-tap the right 25% on an attached touchscreen display (when enabled).

NOTE: To enable Double-Tap Right 25% to Record, go to Menu > Settings > Display > Monitor Control >

Advanced > Gestures.

RECORD VIA HD-SDI OR HDMI

NOTE: HD-SDI and HDMI ports are only available on select DSMC2 expanders. For more information, go to

"Input/Output Connectors" on page222.

NOTE: The secondary LCD/EVF port (on the side of the camera) and the HDMI port cannot be used at the same time.

For more information, go to "Advanced" on page91.

This section describes how to record via HD-SDI or HDMI through simultaneous record (recording to an SSD and an

external recorder at the same time) or external record only. For more information on how to enable default menus for a

external recorder, go to "Cannot Use Touchscreen or DSMC Side Handle" on page196.

SIMULTANEOUS RECORD

NOTE: HD-SDI and HDMI ports are only available on select DSMC2 expanders. For more information, go to

"Input/Output Connectors" on page222.

You can record simultaneously to an external recorder and a RED SSD. To record simultaneously, follow the

instructions below: 1. Connect the camera to an external recorder with an HD-SDI or HDMI cable. 2. Ensure an SSD is inserted in the camera and formatted. 3. Set up the HD-SDI or HDMI output:

A.

Go to Menu > Settings > Display > Monitor Control > Monitor Setup.

B.

Select HDMI or HDSDI from the drop-down menu at the top of the menu.

C.

Select Clean from the Mode drop-down menu (otherwise the external recorder records the overlay).

D.

Select the output resolution from the Resolution drop-down menu. NOTE: The HDMI and HD-SDI maximum resolution is 1080p. For more information, go to "Record/Monitor Out

Ports" on page224.

4. Disable all False Colors (otherwise the external recorder records the False Colors):

A.

Go to Menu > Settings > Display > Tools.

B.

Select Off from the False Color drop-down menu.

5. If monitoring audio via a third-party monitor that supports audio, set up the monitor mix:

A.

Go to Menu > Settings > Audio > Mix > Monitor Mix.

B. Adjust the input channels.

6.

Go to Menu > Settings > Recording > Mode.

7.

Select Local from the Storage drop-down menu.

8. Begin recording.

EPIC/SCARLET OPERATION GUIDE

EXTERNAL RECORD

You can record to an external recorder without recording to an SSD. To record to an external device only, follow the

instructions below: 1. Connect the camera to an external recorder with an HD-SDI or HDMI cable. 2. Ensure the SSD is ejected. 3. Set up the HD-SDI or HDMI output:

A.

Go to Menu > Settings > Display > Monitor Control > Monitor Setup.

B.

Select HDMI or HDSDI from the drop-down menu at the top of the menu.

C.

Select Clean from the Mode drop-down menu (otherwise the external recorder records the overlay).

D.

Select the output resolution from the Resolution drop-down menu. NOTE: The HDMI and HD-SDI maximum resolution is 1080p. For more information, go to "Record/Monitor Out

Ports" on page224.

4. Disable all False Colors (otherwise the external recorder records the False Colors):

A.

Go to Menu > Settings > Display > Tools.

B.

Select Off from the False Color drop-down menu.

5. If monitoring audio via a third-party monitor that supports audio, set up the monitor mix:

A.

Go to Menu > Settings > Audio > Mix > Monitor Mix.

B. Adjust the input channels.

6.

Go to Menu > Settings > Recording > Mode.

7.

Select External from the Storage drop-down menu.

8. Begin recording.

EPIC/SCARLET OPERATION GUIDE

BASIC MENUS

AND CONTROLS

GUI MENU INTRODUCTION

This section describes the structure and layout of the graphical user interface (GUI) that overlays the video monitor signal. Advanced GUI menu controls enable convenient access to menus, overlays, and other critical camera information. Functionality varies based on monitor output type and firmware version. The GUI menu is separated into three (3) main sections:

Figure: GUI Control Menu

# ITEM DESCRIPTION

1 Upper Status Row

(Basic Menu)

2 Live Action Area Live camera recording view, overlays, guides, and more. Go to "Live Action Area " on

3 Lower Status Row Critical camera parameters, record/playback modes, media and power status, and audio

Easy access to primary camera capture parameters. Go to "Upper Status Row (Basic

Menu) " on the next page.

page63.

meter. Go to "Lower Status Row" on page65.

EPIC/SCARLET OPERATION GUIDE

UPPER STATUS ROW (BASIC MENU)

The Upper Status Row displays basic project parameters. The currently selected parameter in the Upper Status Row

is underlined with a red bar. The Upper Status Row is also known as the Basic Menu.

Figure: Upper Status Row

The Upper Status Row includes the following GUI elements:

# ITEM DESCRIPTION FOR MORE INFORMATION, GO

TO...

1 Frame Rate (fps) Recording frame rate "Frame Rate" on page99

2 ISO Camera sensitivity "ISO" on page95

3 Aperture Lens aperture (F stop) information "Aperture" on page61

4 Exposure (Shutter) Integration time or shutter angle "Exposure" on page100

5 Color

Temperature

6 Resolution Record resolution "Format" on page102

7 REDCODE

8 Menu Access advanced settings "Advanced Menus" on page82

9 Cursor Indicates currently selected Upper Status Row

White balance and Tint "Color Temperature" on page98

REDCODE compression setting "REDCODE" on page62

N/A

element

EPIC/SCARLET OPERATION GUIDE

ACCESS ADVANCED MENUS

For every Upper Status Row item, you can select the Advanced... button to access the related menu in the Advanced

Menus.

For example, select Advanced... in the Frame Rate menu to open Menu > Settings > Project > Frame Rate.

For more information about Advanced Menus, go "Advanced Menus" on page82.

Figure: Select "Advanced..." Button

Figure: Advanced Menu

EPIC/SCARLET OPERATION GUIDE

FEATURE: EDIT LIST

Select the Edit List... button in the Upper Status Row menus to change the values that display for each setting. For

example, if you open the Frame Rate menu and select Edit List..., the camera lets you add or remove values.

Figure: Select "Edit List..." Button

APERTURE

The aperture (also known as the T stop or F stop) parameter displays when a compatible mount and lens are installed.

The aperture controls the depth of field of the image and, in combination with the shutter speed/angle setting, controls

the amount of light that reaches the sensor (exposure).

Increasing the aperture to a higher number increases the depth of field, but reduces the exposure (brightness). Decreasing the aperture to a lower number decreases the depth of field, but increases the exposure (brightness).

RED DSMC PL MOUNT INSTALLED

The current aperture of the attached lens displays when a DSMC® PL mount is installed and a supported lens

equipped with Cooke® S4/i® system is attached.

DSMC NIKON MOUNT AND CANON MOUNT INSTALLED

The Aperture menu is visible when a DSMC Nikon® Mount, DSMC Canon® Mount, or DSMC RED® MOTION MOUNT

Ti Canon is installed and a supported lens is attached. This enables you to adjust the aperture of the attached lens.

Select the Advanced... button to access the Menu > Settings > Setup > Lens screen. For more information, go to

"Lens" on page123.

EPIC/SCARLET OPERATION GUIDE

REDCODE

Select the target REDCODE compression ratio for your project.

If the camera is able to achieve the target compression ratio, the compression ratio displays in white. If the camera is

unable to achieve the target compression ratio, the compression ratio displays in yellow.

The current compression ratio is automatically recalculated when changes are made to the project resolution, aspect

ratio, anamorphic setting, frame rate, HDRX® mode, media, or the target REDCODE compression ratio.

The RECODE compression affects the overall quality of the footage. A lower compression (for example: 2:1) increases

the quality of the footage, while a higher compression (for example: 22:1) lowers the quality.

For more information, go to "R3D File Format and REDCODE" on page11.

MYSTERIUM-X: Range is 3:1 to 18:1. Default is 8:1. RED DRAGON: Range is 2:1 to 22:1. Default is 8:1.

For maximum available REDCODE values, see the DSMC Media Operation Guide at www.red.com/downloads.

EPIC/SCARLET OPERATION GUIDE

LIVE ACTION AREA

The Live Action Area contains the recorded image area plus Surround View look around area, plus overlays for Frame

Guides, Safe Action/Safe Title, Clip Name, and Timecode values. The color of each overlay can be customized to

maximize the contrast between the guide(s) and scene being captured.

Figure: Live Action Area

The Live Action Area includes the following GUI elements:

# ITEM DESCRIPTION FOR MORE

INFORMATION, GO TO...

1 Lens Information Lens information when using supported Canon, Nikon,

or Cooke lenses

2 AF Status Currently selected auto focus mode "Focus Menu" on page141

3 Center Crosshair and Spot

Focus Guide

4 Frame Guides Record or sensor projection area "Guides" on page94

5 Clip Filename Filename of the clip being recorded, or filename of the

6 Timecode Value Current timecode value "Timecode" on page170

Crosshair: Center of selected guide Reference guides: Safe Action/Safe Title, Picture

Center, Grid Overlay

next clip to be recorded

"Lens Information" on the next page

"General Tab" on page94

DSMC Media Operation Guide

EPIC/SCARLET OPERATION GUIDE

LENS INFORMATION

This section describes the lens information displays when a supported lens is attached.

PL LENSES

Displays the focal length and focal distance when a DSMC PL mount is installed and a lens with the Cooke S4/i

system (or equivalent) is attached. For more information, go to "Lens" on page123.

CANON AND NIKON LENSES

The camera displays the focal length and focal distance when a DSMC Canon Mount or a DSMC Nikon Mount is

installed and an electronically supported lens is attached. When AF is set to Manual or Confirm mode, the focal

distance displays as a pair of Near–Far distances. When in AF mode, an estimated focus distance displays. The focal

length and focal distance values and range vary depending on the attached lens. When the focal length of the lens

changes, the current values displays. For more information, go to "Lens" on page123.

EPIC/SCARLET OPERATION GUIDE

LOWER STATUS ROW

The Lower Status Row provides access to key system information and camera values.

Figure: Lower Status Row

The Lower Status Row in Motion mode provides key system information and camera values, including:

# ITEM SUB-ITEM/DESCRIPTION FOR MORE INFORMATION,

GO TO...

1 Camera

Mode

2 Histogram Histogram; tap to access the Tools menu "Histogram" on page68

Swipe up to toggle Motion/Stills/Playback modes "Camera Mode" on page67

EPIC/SCARLET OPERATION GUIDE

# ITEM SUB-ITEM/DESCRIPTION FOR MORE INFORMATION,

GO TO...

3 System

Status Indicators

4 Media

Status

Tap to access the System Status menu "System Status" on page130

Temperature: Camera sensor and core temperature, respectively "Sensor Calibration" on

page126

Cal: T/E "CAL: T/E Indicator" on page69

HDRX: Displays when HDRX mode is on "HDRX Menu" on page140

False Color Mode: Displays modes "False Color Modes" on

page83

Magnify: Tallies 1:1 if magnify is selected "Magnify" on page85

Timecode "Timecode" on page170

Genlock "GEN Indicator" on page69

Sync "SYNC Indicator" on page69

RM: Indicates link to REDMOTE "REDMOTE Operation" on

page159

LAN "LAN Indicator" on page70

RIG: Indicates 3D rig metadata is present N/A

Media location and remaining media capacity; tap to access the Media Menu

"Media Menu" on page134

5 Power

Status

6 Audio Meter Audio input selection and levels; tap to access the Audio menu "Audio Meter (VU Meter)" on

DC voltage in or % of remaining battery capacity; tap to access the Power menu

"Power Status" on page70

page157

EPIC/SCARLET OPERATION GUIDE

CAMERA MODE

The Camera Mode allows you to seamlessly toggle between Motion mode, Stills mode, and Playback. To select a

camera mode, select the Camera Mode icon in the Lower Status Bar, swipe up, and select a camera mode.

NOTE: Setting adjustments made in Stills mode do not affect the settings in Motion mode, and vice versa.

NOTE: You can also switch between Stills and Motion mode by using the Motion/Stills switch on the DSMC Side

Handle and REDMOTE.

You can select the following camera modes:

"Motion Mode" below "Stills Mode" below "Playback Menu" on page135

MOTION MODE

Motion mode optimizes your camera settings for capturing motion. This mode defaults the camera to Continuous

Record. Motion mode includes the following features:

Motion recording modes:

"Continuous Record" on page110 "Internal Timelapse Timer" on page110 "Frame Trigger" on page111 "Speed Ramp Mode" on page111 "REDCODE Burst" on page112

Swipe-Up Shortcuts

Camera Mode Tools Media Power

Default Motion Preset (RED)

NOTE: For more information, go to "Swipe-Up Menu" on page73 and "Default Key Functions" on page248.

STILLS MODE

Stills mode optimizes your camera settings for capturing stills. Stills mode includes the following features:

Stills recording modes:

"Multi-Shot" on page113 "Motion + Stills" on page114

Swipe-Up Shortcuts:

Auto Exposure Auto Focus Record Mode

Default Stills Preset (RED)

For more information, go to "Swipe-Up Menu" on page73 and "Default Key Functions" on page248.

EPIC/SCARLET OPERATION GUIDE

HISTOGRAM

This section describes the elements that comprise the Histogram section in the Lower Status Row. This section of the

GUI helps ensure that recorded footage is properly exposed.

Tap the Histogram in the Lower Status Row to access the Tools menu. For more information, go to "Tools" on

page83.

Figure: Histogram (Exposure)

# ITEM DESCRIPTION

1 RAW Level

Bar (left)

2 RAW Level

Bar (right)

3 RGB

Histogram

4 RAW Clip

Meter

1. The RAW Level Bars display the amount of pixels in the image that are noisy or clipped in relation to the total number of pixels in the image. For

example, if the left RAW Level Bar is 1/8 of the total height, that means that approximately 1/8 of the total pixels in the total image are at an

exposure level that is at risk of displaying noise when pushed to higher ISO or FLUT® values in post production.

Also known as a “goal post”. Displays the amount of pixels in the image that are underexposed

(noise)

Also known as a “goal post”. Displays the amount of pixels in the image that are overexposed

(clipping)

Provides a visual representation of exposure and sensor data levels for Red, Green, and Blue channels; meter is affected by White Balance, ISO, and VIEW/LOOK settings

Also known as “traffic lights”. Provides a visual representation of exposure and sensor data levels for Red, Green, and Blue channels; Circles (traffic lights) will light up when clipping occurs

EPIC/SCARLET OPERATION GUIDE

SYSTEM STATUS INDICATORS

This section describes the colors and behavior of the System Status indicators in the Lower Status Row. Tap the

System Status indicators in the Lower Status Row to access the System Status menu. For more information, go to

"System Status" on page130.

CAL: T/E INDICATOR

The CAL: T/E indicator shows changes to temperature (T) or exposure (E) in relation to the active calibration map. If the

temperature or exposure change significantly, black shade the camera at the desired temperature and exposure.

Failure to properly calibrate the sensor may reduce image quality.

Green: Sensor temperature or exposure are properly calibrated for current settings. Yellow: Slight change in sensor temperature or exposure. Red: Significant change in sensor temperature or exposure.

The – and + indicate whether the sensor temperature or exposure has decreased or increased, respectively.

NOTE: T and E indicators change colors independently of each other.

TC INDICATOR

The TC indicator shows the current timecode status.

Grey: No analog timecode is detected. Red: Analog timecode is detected but not enabled. Green: Analog timecode is used to jam the time of day timecode.

For more information, go to "Timecode, Genlock, Multi-Camera Setup" on page170.

GEN INDICATOR

The GEN indicator shows the current genlock status.

Grey: No genlock signal is detected, or the signal cannot cross-lock to project (24.00 fps vs. 23.98 fps). Red: During process of sync, or genlock is lost while recording. Green: A genlock signal matching the current HD-SDI monitor rate is locked. Yellow: Timing is cross-locked to compatible but not matching monitor rate. For example, genlock is 24.00 fps,

and HD-SDI monitor rate is 25.00 fps.

NOTE: When the GEN indicator is yellow, DO NOT perform 3D operation. This warns that genlock source settings and

camera settings are not aligned, so phasing of the sync between cameras is not guaranteed.

For more information, go to "Timecode, Genlock, Multi-Camera Setup" on page170.

SYNC INDICATOR

The SYNC indicator shows the current sensor sync status, based on genlock.

Grey: The sensor sync mode is not set to genlock. Red: The sensor sync mode is set to genlock, but is not locked to a genlock signal. This may occur if genlock or

sensor sync is lost while recording. Green: The sensor sync mode and HD-SDI monitor rate are locked to a compatible genlock signal.

For more information, go to "Timecode, Genlock, Multi-Camera Setup" on page170.

EPIC/SCARLET OPERATION GUIDE

LAN INDICATOR

The LAN indicator shows the current status of an external LAN connection through the Gig-E port.

Grey: External control of the camera is not enabled. Green: Ethernet is enabled. Yellow: If the LAN indicator is yellow, external camera control is not possible. For more information, go to "General

Troubleshooting" on page194.

NOTE: The Yellow LAN indicator only applies to EPIC-X MYSTERIUM and EPIC-M MYSTERIUM-X.

POWER STATUS

The Power Status element displays the current supply voltage or remaining battery capacity. Tap the Power Status

element to access the Power menu. For more information, go to "Power Menu" on page139.

DC IN SUPPLY VOLTAGE

When powering the camera via DC power, the current voltage displays. When powering the camera using batteries, the

remaining battery capacity displays. The remaining capacity is indicated by the following colors:

Green: 12.0 V and up Yellow: 11.8 V to 11.9 V Red: 11.6 V to 11.7 V

NOTE: The camera turns off automatically if the supply voltage drops to 11.5 V.

BATTERY TIME REMAINING

When using a REDVOLT or REDVOLT XL battery, the power status displays the location of the power source (example:

SH: DSMC Side Handle; RM: Rear Module) and the remaining battery capacity. When using a RED BRICK battery

connected to DC IN, the power status displays BRICK and the remaining battery capacity.

The color of the displayed battery capacity represents the amount of time remaining:

Green: >10 minutes Yellow: 5 to 10 minutes Red: <5 minutes

EPIC/SCARLET OPERATION GUIDE

NAVIGATION CONTROLS

This section describes basic controls for navigating the camera menus.

TOUCHSCREEN NAVIGATION

RED Touch displays offer intuitive menu control and four (4) programmable buttons.

Figure: DSMC2 RED Touch 7.0" LCD

# RED TOUCH BUTTON DESCRIPTION

1 User Key 1 Toggle 1:1 Magnify on/off

2 Up Button Increase display brightness

3 Down Button Decrease display brightness

4 User Key 2 Toggle Exposure Mode on/off

NOTE: RED Touch display keys are programmable. For more information, go to "Key Mapping" on page117.

EPIC/SCARLET OPERATION GUIDE

Navigate the menus using a touchscreen by using the following gestures:

Tap: Tap has many functions:

Tap to select a Basic Menu, submenu, or button. If a menu is open, tap anywhere outside the menu to save any changes and close the menu. Tap the right or left regions of the touchscreen to access the programmable soft keys.

Swipe: Swipe to select different values in spinners or drop-down menus. For more information, go to "Swipe-Up

Menu" on the next page.

Double-Tap: If the monitor is in Clean mode, changes to Overlay mode. Hold: Tap and hold an icon to bring up an advanced interface display. Pinch: Move two (2) fingers apart/together to increase/decrease the size of the image. By default, this gesture is

disabled.

For more information, go to "Gestures" on page91.

EPIC/SCARLET OPERATION GUIDE

SWIPE-UP MENU

The Swipe-Up Menu is available in the Lower Status Row on RED Touch displays and provides Swipe-Up Shortcuts

for Motion mode, Stills mode, and Playback.

For example, select the Camera Mode icon in the Lower Status Bar, swipe up, and select a Camera Mode.

Figure: Swipe Up to Select a Camera Mode

Figure: Stills Mode

# SWIPE-UP SHORTCUT DESCRIPTION

1 Camera Mode

2 Tools Set Horizon, RAW, Magnify, Zebras, and False Color

Select Playback, Motion, or Stills

3 Media View as Percentage or Time Remaining, eject media, view clip thumbnails

4 Power View as Percentage or Time Remaining

5 Auto Focus

6 Auto Exposure

Set Zone, Size, and Mode

Set Exp Comp, Speed, Metering, Priority, and Mode

EPIC/SCARLET OPERATION GUIDE

# SWIPE-UP SHORTCUT DESCRIPTION

7 Record Mode

1. For more information about Stills mode and Motion mode, go to "Camera Mode" on page67.

2. Shortcuts only available in Stills Mode.

Select Multi-Shot or Motion + Stills

EPIC/SCARLET OPERATION GUIDE

NAVIGATION GROUP

Figure: Navigation Group

The Navigation Group is the primary control interface on the DSMC Side Handle, RED Switchblade- M, and

REDMOTE.

# NAVIGATION GROUP ELEMENT DESCRIPTION

1 Scroll Wheel Select and adjust the value of a selected setting

2 ENTER key

3 Directional Keys (D-Pad) Navigate menus and menu items

Navigate the menus using the following controls:

Press ENTER to open the menu, then rotate the Scroll Wheel clockwise to move right, counterclockwise to move left to highlight the desired menu or parameter. Press ENTER to select.

Press the Up Navigation Key to open the related Advanced Settings menu, if one (1) is available.

For more information, go to "Default Key Functions" on page248.

For more information on the REDMOTE, go to "REDMOTE Operation" on page159.

Press ENTER to confirm a setting or access the selected menu

EPIC/SCARLET OPERATION GUIDE

DSMC SIDE HANDLE

This section describes the controls and display of the DSMC Side Handle.

Figure: DSMC Side Handle Controls

# CONTROL/ITEM DESCRIPTION

1 LCD Display Go to "DSMC Side Handle Display" on page78

2 User Keys (1–4)1User 1-4 keys are used to select a slot on the DSMC Side Handle Display. The front rotary

then adjusts the value of the selected slot.

3 Menu Button Access menus or exit currently selected menu

4 Rocker Switch Open (Up)/Close (Down) Iris

5 User Keys (5–7)

6 Thumbwheel Lock Install and remove the DSMC Side Handle

7 LCD Backlight

Button

8 Navigation Group Navigate menus and menu items; go to "Navigation Group" on the previous page

9 User Keys (A–D)

5: Toggle Exposure Mode on/off 6: Key Disabled 7: Eject Media

Toggles LCD backlight illumination

A: Cycle Auto-Focus Mode B: Auto White Balance C: Toggle 1:1 Magnify on/off D: Toggle Exposure Mode on/off

EPIC/SCARLET OPERATION GUIDE

# CONTROL/ITEM DESCRIPTION

10 Focus/Record

Button

11 Rotary Dial Adjust camera parameter values based on the underlined value on the DSMC Side Handle

12 Battery Door

Release

13 PC Sync Port Triggers external flashes or strobes

14 Stills/Motion

Mode Switch

1. Press User Keys 1 + 4 simultaneously to lock/unlock DSMC Side Handle buttons to prevent inadvertent menu changes.

NOTE: DSMC Side Handle keys are programmable. For more information, go to "Keys" on page117.

Half-press for auto-focus; full press to Start/Stop Record

LCD Display

Press to open the battery door

Toggles between Stills/Motion Mode, enabled in v6.0 firmware or later

EPIC/SCARLET OPERATION GUIDE

DSMC SIDE HANDLE DISPLAY

The DSMC Side Handle displays Basic Menu parameters and other system status information.

Figure: DSMC Side Handle Display

The DSMC Side Handle displays the following camera parameters:

# DISPLAY ITEM DESCRIPTION

1 Calibration Indicator of relative change in sensor temperature and exposure since last calibration

2 Recording Frame

Rate

3 White Balance Color temperature

4 ISO Camera sensor sensitivity

5 Lens Information Displays aperture when a supported Canon, Nikon, or Cooke lens is attached

6 Cursor User 1-4 keys are used to move the cursor to select a slot. The front rotary then adjusts the

7 Shutter Speed Integration time or shutter angle

8 REDCODE REDCODE compression setting

9 Media Status Displays media location and remaining media capacity

10 Power Status DC supply voltage or % of remaining battery capacity

11 Temperature Displays camera sensor and core temperature, respectively

12 Resolution Recording resolution

Current recording frame rate

value of the selected slot.

EPIC/SCARLET OPERATION GUIDE

RED SWITCHBLADE-M

This section describes the controls and display of the RED Switchblade-M.

Figure: RED Switchblade-M Controls

# CONTROL/ITEM DESCRIPTION

1 MENU Button

2 Navigation Group Navigate menus and menu items; Go to "Navigation Group" on page75

3 User Keys (A–D)

4 MODE Button Toggle RED Switchblade-M between Remote and Local Modes

5 Mounting Thumbscrew Install and remove the RED Switchblade-M

1. Press User Keys A + D simultaneously to lock/unlock RED Switchblade-M buttons to prevent inadvertent menu changes.

2. MODE Button functionality requires camera firmware v5.3 or later.

NOTE: RED Switchblade-M keys are programmable. For more information, go to "Key Mapping" on page117.

Access menus or exit currently selected menu

A: Cycle Auto-Focus Mode B: Auto White Balance C: Toggle 1:1 Magnify D: Toggle Exposure Mode

OPERATION MODES

The RED Switchblade-M OLED display reflects the currently selected mode. Use the Scroll Wheel and Directional

Keys to navigate menus. Press MENU to access the Advanced Menu.

Press MODE to toggle between the following modes:

EPIC/SCARLET OPERATION GUIDE

Remote Mode: Navigate with RED Switchblade-M controls, using an attached LCD, EVF, or other monitor as a reference. The RED Switchblade-M displays the primary control screen.

Local Mode: Navigate using the RED Switchblade-M controls and display. User Keys A-D are inactive.

KEY LOCK/UNLOCK

Lock the keys on the RED Switchblade-M to prevent inadvertent button presses and menu changes.

Lock: Press A + D simultaneously. Unlock: Press A + D simultaneously. Alternatively, press and hold ENTER while keys are locked.

EPIC/SCARLET OPERATION GUIDE

RED SWITCHBLADE-M DISPLAY

The RED Switchblade-M OLED display provides basic camera parameters during operation.

Figure: RED Switchblade-M OLED (Local Mode)

The RED Switchblade-M displays the following camera parameters:

# DISPLAY ITEM DESCRIPTION

1 Frame Rate Current Recording Frame Rate

2 Lens Information Displays aperture when a supported Canon, Nikon, or Cooke lens is attached

3 White Balance Color temperature

4 REDCODE REDCODE compression setting

5 Media Status Displays media location and remaining media capacity

6 Timecode Current timecode value

7 Power Status DC supply voltage or % of remaining battery capacity

8 Color and Gamma Space Currently selected RED color and gamma space settings

9 Resolution Recording resolution

10 Shutter Speed Integration time or shutter angle

11 ISO Camera sensor sensitivity

EPIC/SCARLET OPERATION GUIDE

ADVANCED

MENUS

ADVANCED MENUS OVERVIEW

The Advanced Menus include:

Advanced Menu

Settings Camera settings including: Display, Look, Project, Audio, Recording,

Media SSD operations including: format, eject, and more "Media Menu" on page134

Playback View clips recorded to the attached SSD "Playback Menu" on

Power Power sources, settings, status, and shutdown "Power Menu" on page139

HDRX HDRX mode and settings "HDRX Menu" on page140

Focus Focus modes, features, settings, and rack focus "Focus Menu" on page141

Description For more information, go

to...

"Settings Menu" on the next

Setup, and Maintenance

page

page135

Exposure Assist

Presets Adjust Looks, key mappings, I/O, and more "Presets Menu" on

Automatic exposure settings and controls "Exposure Assist Menu" on

page146

page148

ACCESS THE ADVANCED MENUS

Tap the Menu button on the DSMC® Side Handle or REDMOTE® . Tap the Menu icon on the touchscreen. Select the Advanced... button in any menu from the Upper Status Row.

EPIC/SCARLET OPERATION GUIDE

SETTINGS MENU

The Settings menu includes: Display, Look, Project, Audio, Recording, Setup, and Maintenance.

Figure: Settings Menu

DISPLAY

The Display menu includes: Tools, Zebra, Monitor Control, Modes, Guides, Test Signal , and REDCAST® (the

REDCAST menu is only accessible when a REDCAST Module is installed).

TOOLS

The Tools menu provides access to false color and display modes.

For more information, see the Exposure with RED Cameras: False Color & Zebra Tools article , available at

www.red.com/learn/red-101/exposure-false-color-zebra-tools.

FALSE COLOR MODES

False color modes include: Off, Exposure, Video, Focus, Edge, and Gio Scope.

NOTE: Only monitors with the Tools check box selected in the Monitor Control menu show the false colors. For more

information, go to "Monitor Control" on page87.

NOTE: False color modes affect video recorded through HDMI® or HD-SDI to an external recorder if the Tools check

box is selected in the Monitor Control menu. When recording through HDMI or HD-SDI, use false color modes only to

help configure project settings, and then disable the mode before recording.

OFF

Disables all false color modes.

EPIC/SCARLET OPERATION GUIDE

EXPOSURE

Displays color overlay on top of a desaturated image that allows you to check for proper exposure. When enabled,

the “E√” indicator displays in the Lower Status Row.

The Exposure meter colors indicate the following information:

Purple: Underexposed; indicates sensor exposure levels that may be noisy if gained up in post production. Green: IRE 41–48; based on the RGB levels of the video out signal and not the RAW data. Red: Overexposed; indicates sensor exposure levels that are clipping.

Purple (underexposure) and red (overexposure) are based on RAW data and show areas that are clipping or close to

clipping. The RGB settings (settings in the Look menu) DO NOT affect the Exposure indicators.

VIDEO

Displays a color overlay that indicates the video level of the RGB monitor path (calibrated to the SMPTE test signal).

When enabled, the “V√” indicator displays in the Lower Status Row.

Colors are based on the RGB levels of the video out signal (that is, the “cooked” look, and not RAW data). The RGB

settings (settings in the Look menu) affect the Video indicators.

The Video indicators represent the following IRE values (at all other values, the desaturated image represents the

luminance value of the ISO adjusted image):

Purple: IRE 0–4 Blue: IRE 5 Teal: IRE 10–12 Green: IRE 41–48 Pink: IRE 61–70 Straw: IRE 92–93 Yellow: IRE 94–95 Orange: IRE 96–98 Red: IRE 99–100

FOCUS

Emphasizes contrast and edges in the image without changing brightness or image content making it easier to judge

focus. Adjust zoom and focus to easily see which objects are coming into focus. When enabled, the “F√” indicator

displays in the Lower Status Row.

EDGE

Shows the edges/outlines of objects that are in focus. When enabled, the “F√” indicator displays in the Lower Status

Row.

NOTE: The Edge setting may interfere with recordings done via HDMI or HD-SDI in Clean mode.

EPIC/SCARLET OPERATION GUIDE

GIO SCOPE

Displays a color overlay on top of a desaturated image, identifying the 16 stops of light within the full dynamic range

of the RED DRAGON® sensor.

On cameras with the MYSTERIUM-X® sensor, you can still select up to 16 stops. However, the camera will not detect

the top and bottom stops.

When enabled, the “G√” indicator displays in the Lower Status Row. The Gio Scope indicators are based on RAW

data. The RGB settings (settings in the Look menu) DO NOT affect the indicators.

Each number indicates a different stop of light.

11: Represents mid-grey. 16: Represents the top stop, and is broken up into 1/8th increments to show highlight roll-off. Each 1/8th stop is

represented by a different shade of red, ranging from light red (less light) to dark red (most light).

DISPLAY MODES

Display mode options include: Magnify, RAW, and Horizon.

MAGNIFY

Displays the central region of the sensor in 1:1 pixel resolution. When enabled, the 1:1 text in the Lower Status Row

turns green, and the AF Window and the magnified region display. The AF Window determines the center point of the

magnified region. If the lens or lens mount is not capable of autofocus with the camera, use Confirm mode to turn on

the AF Window. Sharpening is disabled when 1:1 magnify is enabled. The camera automatically exits magnify mode

when recording begins.

The Magnify tool magnifies a 1920 x 1020 region, centered on a 1920 x 1080 display. If the resolution is lower than

1920 x 1020, the image border cannot be magnified. Use the following equations to determine the area of the image

border that will not be magnified:

Border width: (1920 – W) / 2 Border height: (1020 – H) / 2

NOTE: Frame rate and resolution cannot be modified in Magnify mode.

RAW

When enabled, the camera displays images unaffected by the RGB settings (settings in the Look menu). RAW affects

the video recorded via HDMI or HD-SDI to an external recorder. RAW image parameters DO NOT affect image

metadata; the parameters only affect the monitor output. The word RAW displays in the Histogram in the Lower Status

Row.

The RAW image parameters are:

Color Space: REDcolor2 Gamma Space: REDlogFilm White Balance: 5600K ISO: 800 ISO Tint: 0 Tint

NOTE: In RAW mode, the following controls are disabled on all cameras: color temperature, tint, saturation, RGB

gains, ISO, contrast, brightness, shadow, flut, exposure compensation, LGG controls, RGB curves, and luma curve.

EPIC/SCARLET OPERATION GUIDE

HORIZON

Displays an overlay that provides a reference to the position of the horizon. The Horizon overlay consists of two (2)

short side-bars that are always horizontally centered on the monitor, and a single longer horizon-line that adjusts to the

horizon based on the orientation of the camera.

The side-bars are green if the pitch is within +/– 1° of the calibrated zero position, otherwise they are red. The horizon-

line is green if the roll is within +/– 1° of the calibrated zero position, otherwise it is red.

To add numerical values for the pitch and roll to the Horizon overlay, follow the instructions below: 1.

Go to Menu > Settings > Display > Monitor Control > Overlay.

2.

Select Create..., Clone..., or Edit..., respectively, for the desired overlay action. 3. Select a location on the interface to add the numerical data for the Horizon overlay. 4.

Select Motion: Gyro Data (GYRO) from the Item drop-down menu. 5. Select the desired text size. 6.

Select Add. 7.

Select Save. 8.

Go to Menu > Settings > Display > Monitor Control > Monitor, and select the overlay from the Overlay drop-

down menu.

NOTE: The internal gyroscope and accelerometer must be calibrated for the Horizon overlay to function properly. For more information, go to "Gyroscope and Accelerometer Calibration" on page129.

ZEBRAS

Use Zebra mode to enable and adjust the upper and lower values for two (2) independent zebra indicators. Use Zebra 1 for highlight exposure, and use Zebra 2 for mid-tones or shadows. Zebras are visible in Magnify mode and are disabled by default.

The camera offers two (2) zebra types:

Video: IRE-based mode; evaluates based on the current ISO and Look settings, and not the RAW image. RAW: Evaluates based on the RAW image.

For more information, see the Exposure with RED Cameras: False Color & Zebra Tools article , available at

www.red.com/learn/red-101/exposure-false-color-zebra-tools.

ENABLE ZEBRA INDICATORS

1.

Go to Menu > Settings > Display > Zebra. 2.

Select a Zebra check box.

Zebra 1:

Video: Areas of the image exposed within the IRE range are indicated by red diagonal lines at –45°. Default

is 98 to 100 IRE. RAW: Areas of the image exposed within the range of stops are indicated by solid red. Default is 15.80 to

16.00 stops.

Zebra 2:

Video: Areas of the image exposed within the IRE range are indicated by green diagonal lines at 45°. Default

is 41 to 48 IRE. RAW: Areas of the image exposed within the range of stops are indicated by solid purple. Default is 0.00 to

4.00 stops.

EPIC/SCARLET OPERATION GUIDE

MONITOR CONTROL

Use the Monitor Control menu to configure monitor and overlay settings, control surface priorities, brightness, and gestures.

MONITOR

Select the monitor to configure from the drop-down menu at the top of the menu. The other settings on the menu are applicable to the selected monitor.

NOTE: Changes to Monitor Control settings take effect when you close the menu.

MODE

Determines the elements displayed on the monitor:

Clean: Only the video displays. The Upper Status Row, Lower Status Row, and overlays do not display. Overlay: The overlay displays. Overlays include the Upper Status Row and the Lower Status Row. Mirror: The monitor mirrors another screen at the same resolution. You cannot mirror a screen that is set to Clean.

The Mirror option is available based on the settings of the other attached monitors, and includes the name of the monitor that can be mirrored.

NOTE: You can set a maximum of four (4) monitors to Overlay at a time. To assign additional monitors to Overlay, mirror a monitor with the same resolution that is set to Overlay.

NOTE: When two (2) touchscreens are attached to the camera with the same resolution and one (1) is currently the control surface, set the other to mirror it and give the effect of having two (2) control surfaces.

OVERLAY

Select which overlay shows on top of the video. RED® provides preset overlays, which have “(RED)” in the overlay name. Create custom overlays in the Overlay tab. For more information, go to "Overlays" on the next page.

RESOLUTION

Select the output resolution for monitors (you cannot select a resolution for LCDs and EVFs, since the resolution is determined automatically). For more information about available HD-SDI and HDMI resolutions, go to "3G-SDI (HD-

SDI) Out" on page224 and "HDMI Out" on page225.

FREQUENCY

Determines the monitor frequency. Available frequencies depend on the selected monitor. The LCD resolution defaults to 60.00 Hz, which is the optimal refresh rate for the RED LCDs.

For HD-SDI monitors, the frequency depends on the project time base. For more information, go to to "3G-SDI (HD-

SDI) Out" on page224 and "HDMI Out" on page225.

HD-SDI Auto: Sets the frequency equal to the Project Time Base, except when the Project Time Base is 47.95/48 fps. When the Project Time Base is 47.95/48 fps, the frequency is half that rate (23.98/24 Hz).

TOOLS

Enables the false color modes on the monitor. For more information, go to "Tools" on page83.

UI FLIP/MIRROR

Flip the graphical user interface (GUI) vertically and mirror horizontally (not rotated). Use this setting when mounting a monitor upside down. This setting only affects the monitor, and does not affect captured footage.

EPIC/SCARLET OPERATION GUIDE

FLIP VIDEO NOTE: This setting is NOT available on the DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD, and RED

Touch 7.0" LCD. Flip footage horizontally, so that it is upside down. This setting only affects the monitor, and does not affect captured

footage.

FLIP/MIRROR NOTE: This setting is ONLY available on the DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD, RED Touch

7.0" LCD, and RED Pro Touch 7.0" LCD. Mirror and flip (invert) the graphical user interface (GUI) and footage, effectively rotating the entire displayed image

180°. Use this setting when mounting a monitor or the entire camera rig upside down. This setting only affects the monitor, and does not affect captured footage.

FRAMED OVERLAY

The video display is scaled down on the monitor so that the overlay items fit outside of the video area rather than over it. This setting only affects the monitor, and does not affect captured footage.

AUTO HIDE MENUS

Hides the Upper Status Row and Lower Status Row. When this option is disabled, the video is scaled so that the menus are not overlaid on the video. When this option is enabled, the video is not scaled. This option creates a control surface on a monitor without scaling the video. This setting only affects the monitor, and does not affect captured footage.

To toggle display/hide the menus when Auto Hide Menus is enabled, perform either of the following actions:

Press the Menu button on the DSMC Side Handle or RED Switchblade-M. Tap the touchscreen.

NOTE: Enabling this option on a non-control surface results in the menus never displaying on that monitor.

OVERLAYS

Create custom overlays that include specific items. Overlays can be stored on the camera or transferred to SSD to be shared with other cameras.

Camera: Overlays saved internally on the camera display in the Overlay drop-down menu on the Monitor Control > Monitor tab.

Media: Overlays saved to an SSD can be found at On Media: \overlays:.

EPIC/SCARLET OPERATION GUIDE

Figure: Overlay

NOTE: Overlays that end with (RED) are provided by default and cannot be edited, deleted, or exported.

OVERLAY ACTIONS

Create...: Create a new custom overlay using a blank overlay template in the Overlay Editor. Clone...: Create a new custom overlay using the selected camera overlay as a template in the Overlay Editor. Edit...: Edit the selected camera overlay in the Overlay Editor. Delete: Delete the selected camera overlay.

EXPORT AND IMPORT OVERLAYS

: Export selected overlay from camera to SSD.

All: Export all overlays from camera to SSD.

: Import selected overlay from SSD to camera.

All: Import all overlays from SSD to camera.

CREATE AND EDIT OVERLAYS

1.

Go to Menu > Settings > Display > Monitor Control > Overlay. 2.

Select Create, or select an existing overlay and select Clone or Edit. 3.

If creating a new overlay, enter a name for the overlay and select OK. 4. Select any of the following check boxes to add the corresponding guides to the overlay:

Frame Guide Action Guide Title Guide

5. Select a button on the matrix to add a user interface element to that position on the matrix.

By default, the Magnify indicator (MI) is on the top left, the Record indicator (REC) is on the top right, the Clip

Name (CLIP) is on the bottom left, and the Timecode (TC) is on the bottom right. 6. Selecting one (1) of the buttons opens a new dialog that lets you choose a user interface element. 7.

Select the Item that you want to add.

EPIC/SCARLET OPERATION GUIDE

8.

Select the Size of the item. 9.

If adding a Custom Label (LBL), enter the Custom Text for that item.

10.

Select Add to return to the previous screen.

11. Add all of the items to the overlay. 12.

Select Create or Save.

The new overlay displays in the Camera list.

NOTE: Except for the Custom Label (LBL), you can only add each element once. If you add an element you have

already added to the overlay, the element moves to the new position.

LUTS

The LUTs menu is only accessible when a REDCAST Module is installed. For more information, see the REDCAST

Module Operation Guide, available at www.red.com/downloads.

PRIORITY

Figure: Overlays

The camera can only have one (1) control monitor for interacting with camera settings. The Priority tab determines the order in which a monitor becomes the control monitor. If you plan on removing or adding monitors during a shoot, set up the priority list ahead of time.

For a monitor to become the control monitor, the following must occur:

The monitor must be set to Overlay mode in the Monitor Control menu. Each monitor that has higher priority on the list must be either detached or not set to Overlay mode.

EXAMPLE

By default, the monitor priority is: 1. BRAIN LCD 2. BRAIN EVF 3. BRAIN HDMI

If you remove an LCD when an EVF is attached, then the EVF becomes the control monitor. If you then remove the

EVF when an HDMI monitor is attached, the HDMI monitor becomes the control monitor. If you then re-attach the LCD,

then the LCD is the control monitor again.

EPIC/SCARLET OPERATION GUIDE

BRIGHTNESS

Control the brightness of each LCD and EVF. Move to the right for a brighter display; move to the left for a dimmer

display.

Side UI LCD controls the brightness of the Switchblade-M LCD.

NOTE: A rear LCD/EVF is an LCD/EVF that is plugged into any rear RED module, such as the +1 Adaptor Module or

the Pro I/O Module.

ADVANCED

Provides access to additional monitor settings.

Figure: Advanced Monitor Control

GESTURES

Pinch to Magnify: Move two (2) fingers apart or together to toggle 1:1 Magnify. For more information, go to

"Magnify" on page85.

Double-Tap Right 25% to Record: Double-tap the right 25% of the video area on the LCD to toggle record. Double-Tap Left 25% to Start AF: Double-tap the left 25% of the video area on the LCD to start autofocus when

compatible lenses are used.

OTHER

Lock Touch Screen: Touchscreen control is locked. To unlock, tap the screen and follow the on-screen

instructions.

Use Small Dialogs on 9" LCD: The dialogs on the RED Touch 9.0" LCD are smaller than the default dialogs.

GENLOCK OFFSET

Offset the video of the HDSDI out or REDCAST Module to align it with the genlock signal:

Negative offset: Advances the video, so the video reaches the switcher earlier than it would otherwise. Positive offset: Advances the video, so the video reaches the switcher later than it would otherwise.

EPIC/SCARLET OPERATION GUIDE

ALLOW OPEN GATE

Open Gate allows the camera to preview images at a refresh rate that is twice the project time base. For example, if

the project time base is 23.98 FPS or 24.00 FPS, enabling Open Gate causes the LCD or EVF to have a refresh rate of

48 Hz (50 Hz).

You cannot use Open Gate when:

Varispeed is enabled. Speed Ramp mode is enabled. Genlock is enabled. The shutter angle is 180° or greater.

NOTE: When you disable Open Gate mode, the image on the EVF may be disrupted for up to three (3) seconds.

MODES

Use the Modes menu to determine how the following settings display:

Camera Lens

CAMERA TAB

Figure: Display Mode: Camera

EXPOSURE

Time (Absolute): Displays the exposure time in seconds (1/xx sec). When you change the frame rate in this mode,

the shutter time stays the same, but the shutter angle changes. Time (Absolute) is the default. Angle (Relative): Displays the exposure as an angle (1–360°). When you change the frame rate in this mode, the

shutter angle stays the same, but the exposure time changes.

POWER

Current Batt %: Displays the remaining percentage of active battery. (Default) Total Time: Displays the total run-time left of battery power, taking into account all available batteries.

EPIC/SCARLET OPERATION GUIDE

VU METER

Input: Displays levels of audio inputs (pre-mixer). (Default) Output: Displays levels of audio outputs (post-mixer).

HISTOGRAM

NOTE: The Histogram setting is not accessible on Monochrome cameras.

RGB: Displays red, green, and blue channels on histogram. (Default) Luma: Displays luma channel on histogram.

MEDIA

Percentage: Displays media space remaining as a percentage. (Default) Time Remaining: Displays media space remaining as time in hours and minutes (HHH:MM).

LENS TAB

Figure: Display Mode: Lens

APERTURE

1/4 F#: Aperture increments in 1/4 stops. 1/3 F#: Aperture increments in 1/3 stops. (Default)

FOCUS DISTANCE

Metric: Displays lens focus distances in meters. Imperial: Displays lens focus distances in feet and inches. (Default)

MOTION MOUNT ND AND MOTION MOUNT ISO PULL

Only applicable when using a DSMC RED MOTION MOUNT®. For more information, see the RED MOTION MOUNT

Operation Guide, available at www.red.com/downloads.

EPIC/SCARLET OPERATION GUIDE

RACK SHOW DISTANCE

On: Displays the focus distance of each rack point on the Live Action Area when rack focus is enabled. For more

information, go to "Set Up Rack Focus" on page144.

Off: Does not display the focus distance of rack points when rack focus is enabled. (Default)

GUIDES

Use the Guides menu to configure the Frame Guide, Action Guide, and Title Guide.

MODE

Off: Disable all guides. Full: Guide has the same aspect ratio as the record format. 4:3, 16:9, 1.85:1, 1.9:1, 2.4:1: Guide has the selected aspect ratio. User: Select an aspect ratio from the drop-down menu that displays when you select this option. Absolute: Guide is defined by absolute pixel dimensions rather than aspect ratio and scale. When you select

Absolute, the Width/Height fields replace the Scale field.

SCALE

Percentage to scale guide from its maximum possible size. Available range is 0–100%.

WIDTH/HEIGHT

The Width/Height fields replace the Scale field when you select Absolute from the Mode drop-down menu. Select the

values for the width and height of the guide in pixels.

OFFSET X/Y

Percentage to offset guide from its default centered position. Available range is 0–100%.

100%: Right-aligned (for X offset) and bottom-aligned (for Y offset).

-100%: Left-aligned (for X offset) and top-aligned (for Y offset).

APPEARANCE

Line Style: Select one of the following line styles: Solid, Dashed, or Bracket. Color: Select the color that has the highest contrast to the scene. The default is White. Opacity: Set the guide opacity. Available options are 0%, 25%, 50%, 75% and 100%.

RELATIVE TO FRAME GUIDE

Select the Relative to Frame Guide check box to size and position the guide relative to (and have it bounded by) the

Frame Guide instead of the record format.

NOTE: The Relative to Frame Guide check box is available on the Action Guide and Title Guide tabs.

GENERAL TAB

Enable/Disable and select the location (Relative To), color, and opacity of the following elements:

Center: The center crosshair. Grid: Rule-of-thirds grid. Shading: The shaded region outside of the area of interest.

EPIC/SCARLET OPERATION GUIDE

TEST SIGNAL

Use the Test Signal menu to replace the video monitor outputs with one of the following video test patterns:

Chip Chart SMPTE Bars Luma

To enable a test signal, select the test signal box. To exit, tap the touchscreen or press the Enter or Menu button on

the DSMC Side Handle or REDMOTE. If needed, enable an Audio Tone.

NOTE: Test signals are not recordable; they are provided to help align external HD-SDI and HDMI monitors.

REDCAST

The REDCAST menu is only accessible when a REDCAST Module is installed. For more information, see the

REDCAST Module Operation Guide, available at www.red.com/downloads.

LOOK

The Look menu includes: Color, Gain, ISO/FLUT, Sharpness, Curves, Video, Color Temperature, and LGG (Lift,

Gamma, Gain).

The Look settings affect the look of the monitor path, but do not affect the recorded RAW data.

COLOR

Saturation: Adjusts color saturation. Range is 0.0 (monochrome) to 4.0 (super color). Default is 1.0. Contrast: Adjusts the overall contrast of the image. Range is –1.0 (flat) to 1.0 (max contrast). Default is 0.0. Brightness: Adjusts brightness without crushing highlights. Available range is –10.0 to 10.0. Default is 0.0. Exp Comp: Adjusts exposure compensation. Available range is –7.0 to 7.0. Default is 0.0.

NOTE: Saturation is disabled on all Monochrome cameras.

GAIN

Adjust the Red channel, Blue channel, and Green channel individually. The range for each is 0.0 (none of the color) to

10.0, and the default for each is 1.0.

ISO/FLUT

Use the ISO/FLUT menu to adjust ISO, FLUT, and Shadow. For more information, see the following articles:

Exposure with RED Cameras: Strategy, available at www.red.com/learn/red-101/exposure-with-red-cameras ISO Speed Revisited, available at www.red.com/learn/red-101/iso-speed-revisited

ISO

Select the camera ISO rating. The sensitivity value increments in 1/3 stops. When the ISO rating is adjusted, the

camera logs the change as metadata and the monitor path reacts accordingly. Higher ISO values lead to brighter

images in the monitor path, and vice versa.

RED recommends setting the ISO to the default, then adjust the aperture, lighting, and ND filters to match. The ISO

can later be adjusted around one (1) stop for fine-tuning.

Range is ISO 250 to 12,800. Default is ISO 800.

NOTE: For Monochrome cameras, the default is ISO 2000.

EPIC/SCARLET OPERATION GUIDE

FLUT

Floating Point Lookup Table (FLUT) is an exposure control exclusive to RED. FLUT works like a traditional ISO

setting, but can be fine-tuned in post production to any level of exposure precision. FLUT automatically protects

highlights and shadows, even when changed substantially.

The FLUT setting is expressed in terms of relative exposure value (EV), where each unit represents a 1-stop change in

midtone exposure level. Range is –8.0 to 8.0. Default is 0.0.

SHADOW

Shadow adjusts the toe value of the FLUT (the tone near black). Increasing the Shadow value raises the video level of

near blacks. Lowering the Shadow value crushes the video level of near blacks. Range is –2.0 to 2.0. Default is 0.0.

SHARPNESS

Control the sharpness of each monitor output. Move to the left for a sharper image; move to the right for a less sharp

image.

CURVES

Define the individual curves for the Luma, Red, Green, and Blue channels. You can only adjust one (1) curve at a time.

Select Reset Curve to reset a curve.

NOTE: Luma is the only channel on Monochrome cameras.

VIDEO

Use the Video menus to adjust the color space and gamma space for the monitor outputs. All settings in the Video

menus affect metadata only, and can be changed in REDCINE-X PRO®.

NOTE: Selecting options in the Video menu may make the menu lighter or darker. The camera applies the color and

gamma spaces after rendering the user interface, so changing these settings affects the user interface.

NOTE: RED recommends using the most recently released Color Space and Graded Gamma settings. Use legacy

settings (such as REDcolor2) only if you need to record footage to match footage that you recorded with that legacy

setting.

VIDEO SOURCE

1.

Select a source from the Video Source drop-down menu:

Graded: Select this to choose a color space and graded gamma space. Graded (ACES): Select this to output a graded ACES proxy. Graded (ACEScc): Select this to output a graded ACEScc proxy. RLF: Select this to output REDLogFilm. Then choose a color space and graded gamma space. Selecting RLF

allows you to apply a neutral look to recorded files, while applying a graded look to monitors.

LOG3G12: Select this to output LOG3G12. Then choose a color space and graded gamma space. ACES: Select this to output a graded ACES proxy. Then choose a graded gamma space. Selecting ACES

allows you to apply a neutral look to recorded files, while applying a graded look to monitors. ACEScc: Select this to output a graded ACEScc proxy. Then choose a graded gamma space.

2.

Graded, RLF : Select a color space from the Color Space drop-down menu.

3.

Graded, RLF, ACES : Select a graded gamma space from the Graded Gamma Space drop-down menu.

EPIC/SCARLET OPERATION GUIDE

4.

IRLF, ACES: Set up the Monitor Configuration. For more information, go to "Monitor Config (Monitor

Configuration)" below.

Figure: Select Video Source

MONITOR CONFIG (MONITOR CONFIGURATION)

The Monitor Configu menu is available if the Video Source is set to RLF or ACES. For more information, go to "Video"

on the previous page.

Use the Monitor Config menu to apply curves to the monitor outputs. 1. Select the monitor to configure from the drop-down menu at the top of the menu. 2.

Select a curve from the Curve drop-down menu:

Neutral: The camera does not apply a graded gamma space to the monitor output. Graded: The camera applies a graded gamma space to the monitor output.

The Video Path displays the video source and graded gamma space applied to the monitor.

Figure: Monitor Config

EPIC/SCARLET OPERATION GUIDE

COLOR TEMPERATURE

Select a color temperature. The range is 1700 to 10,000 KELVIN, and the default is 5600 KELVIN.

NOTE: Color temperature is disabled on all Monochrome cameras.

TINT

Color temperature calculations assume a pure light source that may not be true in the specific scene the camera is

imaging. To compensate for any residual colorcast, the Tint parameter adjusts the RGB color balance with a

compensating magenta-green color component. Tint range is –100 to 100, with a default of 0.000.

The Tint value displays as a rounded number in the Upper Status Row.

NOTE: Selecting Auto White Balance calculates a new Tint value. The value does not change if you adjust the color

temperature manually. Selecting a preset resets Tint to 0.000.

NOTE: Tint is disabled on all Monochrome cameras.

PRESETS

Each preset has 0.000 Tint. Available preset options are:

Incandescent: 2800 K Tungsten: 3200 K Fluorescent: 4500 K Flash: 5500 K Daylight: 5600 K Cloudy: 7500 K Shade: 9000 K

AUTO WHITE BALANCE

Auto white balance analyzes the central 25% of the image visible in the monitor to calculate a color temperature that

will render a white object as white.

To use auto white balance, follow the instructions below: 1. Place a white or grey object under the ambient light. 2.

Go to Menu > Settings > Look > Color Temp.

3.

Select Auto White Balance.

LGG (LIFT, GAMMA, GAIN)

Adjust the lift, gamma, and gain for the Red channel, Blue channel, and Green channel individually.

EPIC/SCARLET OPERATION GUIDE

PROJECT

The Project menu includes: Frame Rate, Exposure, Timecode, Slate, Format, and Sensor.

FRAME RATE

RECORDING FRAME RATE

Select the recording frame rate (also referred to as the capture frame rate). The recording frame rate is the number of

frames per second (fps) that are recorded. The recording frame rate is different from the project time base, which is the

rate at which the footage will be played back.

The default recording frame rate is 23.98 fps. If you change the project time base, the recording frame rate

automatically changes its value to match the project time base.

The maximum frame rate for each format is determined by several factors, including project time base and

REDCODEproject time base, REDCODE, and Lookaround. For more information about the maximum REDCODE

settings for each common recording frame rate, see the DSMC Media Operation Guide , available at

www.red.com/downloads.

PROJECT TIME BASE

Select the project time base, which is the rate at which the footage will be played back. The project time base

displays in the lower left corner of the display.

The following project time bases are available:

23.98 fps (Default)

24.00 fps

25.00 fps

29.97 fps

47.95 fps

48.00 fps

50.00 fps

59.94 fps

VARISPEED

When a recording frame rate other than the current project time base is selected, the fps text turns yellow and the word

Varispeed replaces the Audio Meter in the lower right corner of the display.

Audio is not recorded in Varispeed mode.

EPIC/SCARLET OPERATION GUIDE

EXPOSURE

Select the exposure (shutter speed) of each frame. You can change exposure while recording.

Decreasing shutter speed increases the amount of time that light hits the sensor, which increases exposure and motion

blur of moving objects. Increasing shutter speed decreases the amount of time that light hits the sensor, which

decreases exposure and motion blur of moving objects.

The Upper Status Row displays the exposure as either shutter speed or shutter angle. For more information, go to

"Exposure" on page84.

If the camera is able to achieve the target exposure, the exposure value displays in white. If the camera is unable to

achieve the target exposure, the exposure value displays in yellow, and the camera uses the closest available

exposure.

NOTE: If using speed ramp mode, select an exposure that is valid for each ramp target frame rate. If the camera ramps

to a frame rate that is incompatible with the current exposure, the exposure changes to the longest exposure possible

for the frame rate. For more information, go to "Speed Ramp Mode" on page111.

NOTE: You cannot change the exposure when HDR is enabled.

INTEGRATION TIME

Enter the exposure value as a shutter speed (1/xx sec).

MYSTERIUM-X: Slowest speed is 1/recording frame rate. For 24 fps, the slowest speed is 1/24 sec. RED DRAGON: Slowest speed is 1/8 sec, regardless of the recording frame rate.

The fastest speed is 1/131,579 sec. Default is 1/48 sec.

SHUTTER ANGLE

Enter the exposure value as a shutter angle (xx°). Range is 1.000–360.000°. Default is 180.000°.

EXPOSURE CONVERSIONS

The table below lists common shutter speed and shutter angle equivalents.

SHUTTER SPEED (1/XX SEC) SHUTTER ANGLE (°) SHUTTER SPEED (1/XX SEC) SHUTTER ANGLE (°)

1/32 270 1/120 72

1/48 180 1/192 45

1/50 172.8 1/348 22.5

1/60 144 1/696 11

1/96 90 1/1000 8.6

CONVERT SHUTTER SPEED TO SHUTTER ANGLE

Shutter Angle = (Shutter Speed x Frame Rate x 360)

Example: (1/48 x 24 x 360) = 180

CONVERT SHUTTER ANGLE TO SHUTTER SPEED

Shutter Speed = 1/(Frame Rate x 360/Angle)

Example: 1/(24 x 360/180) = 1/48

RED Digital cinema EPIC/SCARLET Operation Guide

Specifications and Main Features

Frequently Asked Questions

User Manual

TABLE OF CONTENTS

DISCLAIMER

COPYRIGHT NOTICE

TRADEMARK DISCLAIMER

COMPLIANCE STATEMENTS

SAFETY INSTRUCTIONS

BATTERY STORAGE AND HANDLING

SHIPPING DISCLAIMER

READ BEFORE YOU SHOOT

R3D FILE FORMAT AND REDCODE

SHOOT FOR VIDEO AND STILLS

POST PRODUCTION WITH REDCINE-X PRO

HDRX AND MAGIC MOTION

ADDITIONAL RESOURCES

ADDITIONAL RESOURCES

BRAIN

MEDIA MODULES

ADAPTOR MODULES

POWER MODULES

OTHER MODULES

DISPLAYS AND ELECTRONIC VIEWFINDERS

CAMERA CONTROL MODULES

LENS MOUNTS

INTERCHANGEABLE OLPFS

RAILS, MOUNTS, TACTICAL GEAR, AND CABLES

POWER OPERATIONS

CONFIGURE YOUR CAMERA

INTERCHANGEABLE OLPF SYSTEM

VERIFY INSTALLED OLPF

USE A TRIPOD OR MONOPOD

VIDEO MONITOR OUTPUTS

RECORD

GUI MENU INTRODUCTION

UPPER STATUS ROW (BASIC MENU)

LIVE ACTION AREA

LOWER STATUS ROW

NAVIGATION CONTROLS