Page 1
IN 1
IN 2
IN 3
IN 4
RETURN
IN 3
IN 4
SEND
OUT A
OUT B
MLM 42S
LEFT LINE IN
RIGHT LINE IN
IN
OUT
EFFECTS BOX
AMPLIFIER OR
MAIN MIXER
MIC
1
MIC
2
MIC
3
MIC
4
OUT RIGHT
OUT LEFT
CD PLAYER
(OPTIONAL)
OR (OR)
OUT A
RCA
OUT B
LEFT LINE IN
RIGHT LINE IN
MIC IN
MAIN MIXER
OUT
XLR
IN 1
IN 2
IN 3
IN 4
SEND
MLM 42S
RECORDER
MIC
1
MIC
2
MIC
3
MIC
4
IN 1
IN 2
IN 3
IN 4
RETURN
SEND
MLM 42S
MIC
5
MIC
6
MIC
7
MIC
8
DATA SHEET
OFF
0
+6
OFF
0
+6
OFF
0
+6
OFF
0
+6
OFF
0
+6
OFF
0
+6
OFF
0
+6
OFF
0
+6
100
248
6
100
248
6
100
248
6
100
248
6
100
248
6
LOW HIGHMID LOW HIGHMID LOW HIGHMID LOW HIGHMID
OUTPUT
EFFECTS
LEVEL LEVEL LEVEL LEVEL LEVELOL OL OL OL OL
WET DRY
POWER
1234
MLM 42S
MIC/LINE MIXER
Description
e evolution of the entertainment industry has necessitated the
creation of an outboard mic/line device to compliment existing
mixing consoles. Whether you’re recording, mobile mixing, or
broadcasting, there are occasional needs to expand your existing
arrangement. Frustrations abounded when it came to adding
mics for interviews, karaoke, and live performances because
it was cost prohibitive. Now it’s quite inexpensive to enhance
your existing gear and expand the number of live mics for any
gig. e MLM 42S is unique. ese mic preamps give you the
studio-grade quality you need.
Applications are everywhere. e MLM 42S is designed to fit
into a variety of situations where cost is an issue and Rane quality is a must:
MLM 42S
MIC/LINE MIXER
Each input includes all the features you need:
• Input Level control with Overload indicator
• 15 Volt Phantom Power
• Dedicated mic and line input jacks
• 3-band Accelerated-Slope™, full-cut tone controls
• Four quality mic preamps, quiet to -126 dBu EIN
• Post-mix Eects loop includes Wet/Dry pan control
• RCA unbalanced; XLR & ¼" TRS balanced parallel outputs
• Balanced outputs Mic or Line selectable
• Live Sound
• Studio and Remote Radio & Television Broadcasting
• Professional Night Club
• Fixed Commercial Installations
• DJ Mixer (Mic) Expansion
• Karaoke
4 Mic Mixer, or 2 Mics and a CD Player Connecting 2 MLM 42S's for 8 Mic Inputs
Data Sheet-1
Page 2
MLM 42S
MIC/LINE MIXER
Parameter Specication Limit Units Conditions/Comments
Mic Inputs: Type Active balanced Burr-Brown INA 163
..........Connectors (Mic/Line) XLR / TRS Pin 2 = (+) hot / Tip-Ring-Sleeve
..........Input Imped. (Mic/Line) 836 / 3.32k 1% Ω each leg, 1 kHz
..........Gain Range (Mic/Line) 12 to 50 / 0 to 12 2 dB 1 kHz
..........Max Input (Mic/Line) +10 / +22 dBu min gain, 1 kHz
..........Max Input (Mic/Line) -28 / +10 dBu max gain, 1 kHz
..........Frequency Response 10 Hz-50 kHz +.5,-3 dB mic gain = 50 dB
..........Equivalent Input Noise -126 max dBu mic gain = 50 dB, Rs=150Ω 20-20 kHz
..........Common Mode Rejection 60 min dB 1 kHz, Rs = 150Ω
..........THD+N 0.01 typ % mic gain = 40 dB, +4 dBu, 20-20 kHz
..........Phantom Power 15 5% VDC disabled in line mode
Tone Controls: Type Accelerated-Slope 2nd-order Linkwitz-Riley
..........Boost/Cut Range +6 to full cut (off) typ dB
..........Lo/Mid and Mid/High 300 / 4k 5% Hz Separation frequencies
Effects Loop: Type Active unbalanced ¼" TS connector
..........Input Impedance 30.1k min Ω 1 kHz
..........Output Impedance 300 1% Ω 1 kHz
..........Maximum Output +20 min dBu load = 10 kΩ, 1 kHz
A/B unbalanced outputs: Type Active unbalanced; Mono RCA connectors; (same as A & B)
..........Output Impedance 300 1% Ω 1 kHz
..........Maximum Output +20 min dBu load = 10 kΩ, 1 kHz
Balanced Outputs: Type Active balanced ¼" TRS and XLR connectors
..........Output Imped. (Mic/Line) 51.1 / 150 1% Ω 1 kHz
..........Max. Output (Mic/Line) -16 / +24 min dBu load = 10 kΩ, 1 kHz
..........SN 90 typ dB 20-20 kHz, 1 Line Input, unity, +4 dBu
..........THD+N .0035 typ % 20-20 kHz, +4 dBu, Line Input, unity
..........Control Feed-through -80 typ dB all front panel level controls @ 1 kHz
Crosstalk -75 @ 1 kHz max dB re +4 dBu, any channel to any channel
Unit: Agency Listing UL/cUL/CE
Universal Line Voltage 100-240 VAC, 50/60 Hz VAC 7 watts
Unit: Construction All Steel
..........Size 1.75"H x 19"W x 5.3"D (1U) (4.4 cm x 48.3 cm x 13.3 cm)
..........Weight 4 lb (1.8 kg)
Shipping: Size 4.25" x 20.3" x 13.75" (11 cm x 52 cm x 35 cm)
..........Weight 8 lb (3.6 kg)
Note: 0 dBu=0.775 Vrms
Data Sheet-2
Page 3
MLM 42S
+1 5
OL
PHANTOM POWER
PHANTOM POWER
PHANTOM POWER
PHANTOM POWER
1
2
3
+
-
+6 dB TO OFF
LO MID HIGH
+6 dB TO OFF
LO MID HIGH
+6 dB TO OFF
LO MID HIGH
+6 dB TO OFF
LO MID HIGH
CH 1 INPUT
CH 2 INPUT
CH 3 INPUT
CH 4 INPUT
USE ONE INPUT ONLY
USE ONE INPUT ONLY
USE ONE INPUT ONLY
USE ONE INPUT ONLY
SEND
RETURN
EFFECTS
1
2
3
+
PAD
40 dB
A
B
+1 5
OL
1
2
3
+
-
OFF
OFF
OFF
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
+1 5
OL
1
2
3
+
-
+1 5
OL
1
2
3
+
-
+0
+0
+0
+0
+6 dB
OL
MIC GAIN 12 TO 56 dB
LINE GAIN 0 TO 12 dB
MIC GAIN 12 TO 56 dB
LINE GAIN 0 TO 12 dB
MIC GAIN 12 TO 56 dB
LINE GAIN 0 TO 12 dB
MIC GAIN 12 TO 56 dB
LINE GAIN 0 TO 12 dB
WET/DRY
PAN
UNBALANCED
OUTPUT
BALANCED
OUTPUT
LINE MIC
MIC
MASTER
LEVEL
CH 1
LEVEL
CH 2
LEVEL
CH 3
LEVEL
CH 4
LEVEL
3-BAND
TONE CONTROL
3-BAND
TONE CONTROL
3-BAND
TONE CONTROL
3-BAND
TONE CONTROL
AUDIO PRECISION AMPL (dBr) vs AMPL (dBr)
-40
-35
-30
-25
-20
-15
-10
-5
0
5
10
G
A
I
N
FREQUENCY
20 1001k10k 20
k
LOW–
MID–
HIGH–
LOW+
MID+
HIGH+
MIC/LINE MIXER
Block Diagram
Accelerated-Slope
Rane’s patented tone control technology produces steeper slopes
than normal, thus allowing boost/cut of high and low frequencies without disturbing the critical midband frequencies. e
MLM 42S features full-cut Tone Controls, allowing much
greater contouring than possible with regular controls.
TM
Tone Controls
Data Sheet-3
Page 4
MLM 42S
MLM 42S
41
EFFECTSOUTPUT INPUTS
SENDRETURN
B
UNBALANCEDBALANCED UNBALANCED
LINE MIC
MADE IN U.S.A. RANE CORP.
A
ON
MIC
BALANCED
LINE
OR
32
PHANTOM
POWER
GAIN
ON
MIC
BALANCED
LINE
OR
PHANTOM
POWER
GAIN
ON
MIC
BALANCED
LINE
OR
PHANTOM
POWER
GAIN
ON
MIC
BALANCED
LINE
OR
PHANTOM
POWER
GAIN
100-240 V
50/60 Hz 7 WATTS
COMMERCIAL
AUDIO
EQUIPMENT
24TJ
R
ACN 001 345 482
THIS DEVICE
COMPLIES WITH
PART 15 OF THE
FCC RULES FOR
A CLASS 'B'
COMPUTING
DEVICE.
MIC/LINE MIXER
Rear Panel
Architectural Specifications
e mixer shall be a high performance mic/line mixer featuring
four balanced, studio-grade microphone inputs. XLR connectors
shall be provided for mic-level input. TRS switching jacks shall
be provided for line-level input. Use of the TRS jacks shall automatically set the preamplifier gain structure for line-level input
and defeat phantom power. Each of the four inputs shall feature
input gain control, overload indicator, three-band AcceleratedSlope™ equalizer and a Level control. e mixer shall have a
post-mix effects loop with Wet/Dry pan control. A single master
Level control shall control two unbalanced and two balanced
outputs. Unbalanced output jacks shall be RCA type. Balanced
outputs shall employ one XLR and one ¼" TRS jack. Each balanced output shall provide an additional 6 dB of gain and deliver
a minimum signal level of +24 dBu into a 10k ohm load. e
balanced outputs shall be capable of operating at mic level with a
maximum output of –16 dBu.
XLR inputs shall operate in mic mode with a gain range of
+12 dB to +50 dB. Each microphone input shall operate with or
without 15 volt phantom power. ¼" TRS inputs shall operate
at line-level with a gain range of 0 to 12 dB. If the Line input is
inserted, phantom power shall be defeated.
e unit shall be capable of operation by means of its own
built-in universal power supply operating at 100-240 VAC and
meet CE requirements. e unit shall be UL and cUL listed. e
unit shall be entirely constructed from cold-rolled steel.
e unit shall be a Rane MLM 42S Mic/Line Mixer
Available Accessories
• SC 1.7 Single Space Security Cover
©Rane Corporation 10802 47th Ave. W., Mukilteo WA 98275-5098 USA TEL 425-355-6000 FAX 425-347-7757 WEB www.rane.com
Data Sheet-4
All features & specifications subject to change without notice. DOC 107609
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