QSC Audio RAVE 81, RAVE 160, RAVE 161, RAVE 188, RAVE 88 User Manual

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USER MANUAL
FPO
RAVE 80 Digital Audio Router (8 AES3 outputs)
RAVE 81 Digital Audio Router (8 AES3 inputs)
RAVE 88 Digital Audio Router (4 AES3 inputs + 4 AES3 outputs)
RAVE 161 Digital Audio Router (16 analog audio inputs)
RAVE 188 Digital Audio Router (8 analog audio ins + 8 analog audio outs)
Rev. A
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Table of Contents
RAVE Digital Audio Router User Manual
Warning Notices ................................................................................................................................................ 2
I. Introduction ................................................................................................................................................ 3
Glossary.......................................................................................................................................................... 4
How it works .................................................................................................................................................. 5
II. Network Design......................................................................................................................................... 6
Network topology examples ......................................................................................................................... 7
Longer distance through fiber.......................................................................................................................8
Network limitations ............................................................................................................ .........................10
III. Installation ............................................................................................................................................... 12
Pre-Installation preparation: analog signal levels (RAVE 160, 161, and 188 only) .................................. 1 2
Rack mounting (all models) ..................................................................................................... .................... 14
IV. Connections.............................................................................................................................................. 1 4
Ethernet connection (all models) ................................................................................................................14
Analog audio connections ...........................................................................................................................14
Digital audio connections............................................................................................................................15
AC power .....................................................................................................................................................16
Sync output .................................................................................................................................................. 16
Slave input ................................................................................................................................................... 17
RS232 port ................................................................................................................................................... 17
V. Operation ................................................................................................................................................... 18
Status indicators .......................................................................................................................................... 18
Channel signal indicators...................................................................................................... ...................... 19
Routing......................................................................................................................................................... 20
VI. FAQ: Frequently Asked Questions .......................................................................................................21
VII. Specifications ..........................................................................................................................................23
VIII. Appendix ................................................................................................................................................... 24
IX. Address & Telephone Information ...................................................................................................... 25
© Copyright 1997 QSC Audio Products, Inc. All rights reserved. “QSC” and the QSC logo are registered with the U.S. Patent and Trademark Office. RAVE™ is a trademark of QSC Audio Products, Inc. CobraNet™ is a trademark of Peak Audio, Inc.
1
EXPLANATION OF GRAPHICAL SYMBOLS
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to
alert the user to the presence of uninsulated
dangerous voltage within the products
enclosure that may be of sufficient magnitude
to constitute a risk of electric shock to
humans.
The exclamation point within an equilateral
triangle is intended to alert the users to the
presence of important operating and main-
tenance (servicing) instructions in the
literature accompanying the product.
EXPLICATION DES SYMBOLES GRAPHIQUES
Le symbole éclair avec point de flèche à
lintrérieur dun triangle équilatéral est utilisé
pour alerter lutilisateur de la presence à
lintérieur du coffret de voltage dangereux
non isolé dampleur suffisante pour constituer
un risque delétrocution.
Le point dexclamation à lintérieur dun tri-
angle équilatéral est employé pour alerter les
utilisateurs de la présence dinstructions
importantes pour le fonctionnement et
lentretien (service) dans le livret dinstruction
accompagnant lappareil.
ERKLÄRUNG DER GRAPHISCHEN SYMBOLE
Der Blitz nach unten zeigendem Pfeil in einem
gleichseitigen Dreieck weist den Benutzer auf
das Vorhandensein einer unisolierten,
gefährlichen Spannung im Gehäuse hin, die
stark sein kann, einer Person einen
elektrischen Schlag zu versetzen.
Das Ausrufzeichen in einem gleichseitigen
Dreieck weist den Benutzer auf wichtige
Betriebs- und Wartungs- vorschriften in den
beiliegenden Unterlagen des Gerätes hin.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: To reduce the risk of electric shock, do not remove
the cover. No user-serviceable parts inside. Refer servicing
to qualified service personnel.
WARNING: To prevent fire or electric shock, do not expose this
equipment to rain or moisture.
AVIS
RISQUE DE CHOC ÉLECTRIQUE
NE PAS OUVRIR
ATTENTION: Pour eviter les risques de choc électrique, ne pas
enlever le courvercle. Aucun entretien de pièces intérieures
par lusager. Confier lentretien au personnel qualifié.
AVIS: Pour eviter les risques dincendie ou délectrocution,
nexposez pas cet article à la pluie ou a lhumidité.
VORSICHT
GEFAHR EINES ELEKTRISCHEN
SCHLAGES. NICHT ÖFFNEN!
VORSICHT: Um das Risiko eines elektrischen Schlages zu
vermindern, Abdeckung nicht entfernen! Keine Benutzer
Wartungsteile im Innern. Wartung nur durch qualifiertes
Wartungspersonal.
WARNUNG: Zur vermeidung von Feuer oder elektrischen
Schlägen, das Gerät nicht mit Regen oder Feuchtigkeit in
Berührung bringen!
SAFEGUARDS
Electrical energy can perform many useful functions.
This unit has been engineered and manufactured to
assure your personal safety. Improper use can result in
potential electrical shock or fire hazards. In order not to
defeat the safeguards, observe the following instruc-
tions for its installation, use and servicing.
FEDERAL COMMUNICATIONS COMMISSION (FCC) INFORMATION
NOTE: This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a com­mercial installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harm­ful interference to radio com­munications. Operation of this equipment in a residential area is likely to cause harmful in­terference, in which case the user will be required to correct the interference at his or her own expense.
PRECAUTIONS
DECLARATION OF CONFORMITY
for all RAVE models
We declare as our sole responsibility that this
product is in compliance with the EMC Direc-
tive 89/336/EEC and conforms to the require-
ments of the Harmonized Product Standards
EN 55013 (Product Emissions), and EN 55020
(Product Immunity).
Lénergie électrique peut remplir de nombreuses fonctions
utiles. Cet appariel a été conçu et réalisé pour assurer
une sécurité personnelle entiére. Une utilisation impropre
peut entraîner des risques délectrocution ou dincendie.
Dans le but de ne pas rendre inutiles les mesures de
sécurité, bien observer les instructions suivantes pour
linstallation, lutilisation et lentretien de lappareil.
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I. Introduction
RAVE Digital Audio Router products provide a means of transporting audio signals over a data network. Using common Fast Ethernet as the physical medium, a RAVE system has a maximum capacity of 64 channels on a 100baseTX network. RAVE transports the audio signals over the network in a 48 kHz 20-bit digital format. Each unit has a female RJ-45 connector on its rear panel for connecting to a standard Ethernet twisted-pair cable. For economy and flexibility, you can use standard off-the-shelf Fast Ethernet devices such as hubs and fiber optic media converters with your RAVE system.
You need at least two RAVE devices—one to send and one to receive, or two to both send and receive—to route audio over an Ethernet. There are currently six RAVE models, with three basic send/receive configurations (16 channels send, 16 channels receive, or 8 channels send/8 channels receive), with either analog or digital AES3 (often called AES/EBU) ins and outs. The six models are numbered as follows:
RAVE 80 Digital Audio Router (8 AES3 outputs; 16 audio channels total) RAVE 81 Digital Audio Router (8 AES3 inputs; 16 audio channels total) RAVE 88 Digital Audio Router (4 AES3 inputs + 4 AES3 outputs; 8 audio channels total each way) RAVE 160 Digital Audio Router (16 analog audio outputs) RAVE 161 Digital Audio Router (16 analog audio inputs) RAVE 188 Digital Audio Router (8 analog audio inputs + 8 analog audio outputs)
A RAVE system handles routing in groups of 8 individual audio channels.
Power LED
Front view of a RAVE 161; other models are simliar
Network channel selector switches (behind cover)
Network status LEDs Audio signal level LEDs
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Rear views, from top: RAVE 160, RAVE 188, RAVE 161, RAVE 80, RAVE 88, and RAVE 81.
GLOSSARY
Below are some terms used in this manual that RAVE users should be familiar with.
AES3—A technological specification for inter-device conveyance of a dual-channel (stereo) digital audio
signal. Also called AES/EBU.
Crossover cable—A type of twisted-pair Ethernet patch cable, but somewhat analogous in function to a
null modem cable. Unlike a normal patch cable, the transmit and receive wire pairs are swapped at one end, permitting a direct connection of two nodes without a hub in between. A crossover cable is also suitable for cascading hubs that don’t have an available uplink port. It also has nothing to do with an audio crossover.
Network channel—A RAVE network group of eight audio channels, with a channel number designated by
a switch on the sending unit. Don’t confuse this term with actual audio channels. A RAVE network multiplexes eight audio channels onto a single network channel and routes the entire network channel as a whole. A receiving RAVE unit set to a particular network channel will output all eight of the network channel’s audio signals.
Uplink port—A special port on a hub, used for cascading to another hub. Usually it’s offered in tandem with
a normal port so you can use one or the other, but not both. For example, a 5-port hub with an uplink allows you to connect to five nodes via the normal ports, or to four nodes via normal ports plus one hub via the uplink port.
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HOW IT WORKS
Ethernet networks are most often used for computer systems; a typical application would be in an office with servers, workstations, and shared printers. These devices use the Ethernet medium in an unregulated, non­deterministic way. This means that they transmit data messages (called “packets”) only when necessary, and the length of the messages may vary depending on the sending device and on the type and amount of data being sent. When it has a message to send on the network, a device, or node, waits until there is no traffic, then sends it. If two or more nodes try to send messages at the same time, a collision occurs; each node then waits a random length of time before trying again. In this type of application, reasonable latency (the length of time from when the transmitting node has a message ready to send, to when the receiving node actually receives it) is not a
problem, since a second or two delay in the transmission of a print job or an e-mail mes­sage won’t have any noticeable effect.
Audio signals (especially multi-channel), how­ever, generally can’t tolerate a delay of even a significant fraction of a second, or even worse, a varying, unpredictable delay. This would cause glitches, dropouts, noise, and other nasty and undesirable artifacts in the final audio signal.
Internal block diagram of a RAVE unit; chief difference among the different models is the audio I/O (below)
RAVE 80: 8 AES3 outs RAVE 81: 8 AES3 ins RAVE 88: 4 AES3 ins + 4
AES3 outs
RAVE 160: 16 analog outs RAVE 161: 16 analog ins RAVE 188: 8 analog ins + 8
analog outs
Therefore, the CobraNet™ technology used in a RAVE system employs a regulated, deterministic system of packet timing to ensure consistent and reliable transmission without dropouts or glitches. The RAVE devices on a common network will auto­matically negotiate the time slots among them­selves. For efficiency, the sample data from eight audio channels are grouped together in each packet.
RAVE units will synchronize themselves over the network, and they have BNC connectors on the rear panels for sending sync signals. This allows them to synchronize external digital audio equipment to the RAVE network.
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Channel routing
A RAVE network handles routing in groups of eight audio channels, and each group of eight transmitted on the network makes up one network channel. Each RAVE device handles two network channels—two sent, two received, or one of each. For example, a RAVE 161 unit, with 16 analog audio inputs, represents two transmitted groups, and thus two separate network channels; one comprises audio channels 1 through 8—the other, channels 9 through 16.
Similarly, a RAVE 80, with eight AES3 digital outputs, represents two receiving groups (each AES3 channel carries two audio channels). Either one can be configured to receive any network channel—even the same one, if you needed what would essentially be a digital “Y” cable.
A RAVE device that both sends and receives, such as the RAVE 188 (eight analog inputs and 8 analog outputs) or RAVE 88 (4 AES3 inputs and 4 AES3 outputs), transmits one network channel and can receive another. It can receive the same network channel that it transmits, but only if it is connected to a hub or another unit, on a valid network.
Behind a removable cover on the front panel of a RAVE unit are four hexadecimal rotary switches for selecting the network channels of the device’s two groups. The two switches on the left set the address of the device’s first group (channels 1 through 8 on the RAVE 80, 81, 160, and 161; inputs 1 through 8 on the RAVE 88 and 188), while the two on the right set the address of the device’s second group (channels 8 through 16 on the RAVE 80, 81, 160, and 161; outputs 1 through 8 on the RAVE 88 and 188). Detailed instructions on setting network channel numbers follow later in the Operation chapter.
II. Network Design
There are several ways to configure a RAVE network, from very simple to relatively complex. The number of RAVE units in the network, where they are located, and your future expansion plans will determine what net topology would be best. The same techniques you would use in designing a conventional 100-Mbps Fast Ethernet will assist you in designing a RAVE network.
RAVE units can use unshielded twisted pair wiring, but it must be at least Category 5 (or CAT-5, for short) quality. Anything less may cause unreliable operation of the network, if it runs at all. Fortunately, most new Ethernet cable installations in buildings use Category 5 cable.
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NETWORK TOPOLOGY EXAMPLES
Two nodes with a direct cable connection
Advantages: very low cost; very high reliability; simple to implement Disadvantages: limited to 100 meters (328 feet) total network size; no expandability; uses non-standard
wiring of RJ-45 connectors on Ethernet cable
The simplest and most direct RAVE network comprises two RAVE units connected by a single crossover cable. This network has only one segment, so the 100-meter limit applies to the segment and thus to the entire net­work. There are no hardware costs other than
the RAVE units themselves and the cable for the interconnection. Also, there are few potential failure points. However, there is no way to connect additional RAVE units without resorting to adding a hub, and because a crossover cable isn’t usually an off-the-shelf item, you’ll probably have to wire it yourself.
Two nodes with a 100baseTX hub
Advantages: greater network size—up to 200 meters (656 feet); high reliability; readily expandable; uses
standard Ethernet patch cables
Disadvantages: higher cost
This network is similar to the previous one,
but with a hub in between, breaking up the
network into two segments which can each
be up to 100 meters long. Yes, there is the
added expense of a hub, and you are adding
the slight possibility of a hub failure, but the
net media can be simple off-the-shelf patch
cables, and you can easily expand the net­work by connecting additional nodes to the hub. Astute observers and those who read ahead in the manual will notice that this network configuration is really just a star topology with only two nodes.
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Star topology
Advantages: greater network size—up to 200 meters (656 feet); high reliability; readily expandable; uses
standard Ethernet patch cables
Disadvantages: higher cost
Add nodes—i.e., RAVE units—to the previ­ous net layout and you have the classic star topology. This name comes from the hub being at the center and the nodes radiating out from it like the points of a star. It doesn’t matter if the nodes are actually right next to one another while the hub is in another room—it’s still a star topology. You can connect as many RAVE units as there are ports on the hub.
Distributed star topology
Advantages: greater network size; high reliability; readily expandable; uses standard Ethernet patch
cables
Star network topology
Disadvantages: higher cost
What do you do when you have more RAVE units than available hub ports? Add more hubs, of course. Most Fast Ethernet hubs now are stackable, either through an uplink port that lets you connect an additional hub to one already in the network, or through a backplane connection. The resulting network topolgy is called a distributed star, because it is made up of interconnected multiple stars. The maximum UTP cable length from hub to hub, or from hub to RAVE unit, is 100 meters (328 feet).
The example shown on the following page uses three hubs. The maximum size of this particular CobraNet network would be 400 meters (1312 feet), allowing two 100-meter cable runs among the three hubs, plus 100-meter cable runs on the end hubs.
You can expand the distances even further by daisy-chaining more hubs and cable segments. There are technical and practical limits to this strategy; see the section on network limitations for further information.
LONGER DISTANCE THROUGH FIBER
Sometimes a network may span long distances without any practical need for hubs distributed along the way. The computer networking industry, on whom we’re already relying for an economical and rugged transport medium, has an answer to this need also: fiber optics.
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