PreSonus DigiTUBE User Manual

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DigiTUBE
Single-Channel Tube Mic-Preamplier
with S/PDIF Output
USER’S MANUAL 1.1
Copyright © 2001, PreSonus Audio Electronics, Inc.
ALL RIGHTS RESERVED
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TABLE OF CONTENTS
1 Overview..................................................................................1
1.1 Introduction ............................................................................... 1
1.2 Features .................................................................................... 2
2 Controls & Operation................................................................ 4
2.1 Front Panel................................................................................. 4
2.1.1 Tube Preamp Section................................................................... 4
2.1.2 Equalizer Section ........................................................................ 6
2.2 Back Panel ................................................................................. 9
2.2.1 Digital Section ............................................................................ 9
2.2.2 Analog Section............................................................................ 9
3 Technical Specications .........................................................12
4 PreSonus Limited Warranties ................................................. 14
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OVERVIEW 1
1.1 INTRODUCTION
Thank you for purchasing the PreSonus DigiTUBE Single-Channel Tube Mic­Preamplier with S/PDIF Output. This preamp was designed using state of the art components to deliver crystal clear audio for an indenate period of time. We believe the DigiTUBE to be an exceptional sounding unit and an exceptional value.
Please contact us at 1-800-750-0323 with your questions or comments regard­ing this product. PreSonus Audio Electronics, Inc. is committed to constant product improvement and believes the best way to accomplish this task is by listening to the experts on our gear, our valued customers. We appreciate the support you have shown us through the purchase of this product.
Please pay close attention to how you connect your DigiTUBE to your system. Improper grounding is the most common cause of noise problems found in studio or live sound systems. We urge you to scan this manual before hooking up your DigiTUBE to familiarize yourself with its features and applications.
Good luck and enjoy your DigiTUBE!
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1 OVERVIEW
1.2 FEATURES
The following is a summary of your DigiTUBE’s features:
Dual Servo Gain Stage
Your DigiTUBE contains a dual servo gain stage (no capacitors). This design provides ultra low noise performance and wide dynamic control. The DigiTUBE can boost the desirable signal without increasing unwanted background noise.
Mic/Instrument/Line Input
The DigiTUBE has a Neutrik™ combo (XLR & ”) connector. The XLR input can be used for microphone signals and phantom power is available for condenser mics when the 48V switch is engaged. The XLR will also accept line level signals when the PAD/LINE switch is engaged. The ” input will accept instrument level signals, only. The PAD/LINE switch has no effect on the ” input and it should be understood that the ” input is not designed to accept line level signals.
Pad/Line
A switch on the front panel may be used to engage a -20dB pad for mic level signals or change the XLR input operating level from mic to line. Using the ­20dB pad provides a more manageable signal from high output devices giving the operator greater control over the incoming signal and a much reduced chance of over-driving the input, thereby avoiding distortion.
48V
The DigiTUBE has 48V phantom power available. Phantom power assures optimum performance from your condenser microphone without the need of an external power supply. A 80Hz switch is provided on the front panel of the DigiTUBE that enables the user to insert an 80Hz lter. Often referred to as a rumble lter, this feature is useful for eliminating bothersome low-end sounds such as air conditioning noise without greatly altering the desired audio.
Parametric Equalizer
The equalizer section is equipped with three dual concentric potentiometers The outer control selects the frequency and the inner control boosts/cuts the selected frequency. The EQ controls are LOW, MID, HI from left to right. The bandwidths are broad enough and have enough overlap to allow a very effective contour of the incoming audio signal.
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OVERVIEW 1
Drive
The DigiTUBE is provided with a DRIVE potentiometer for controlling the amount of signal routed through the 12AX7 vacuum tube. This feature lets you control how much saturation of the signal occurs. Greater levels of tube saturation give the signal greater warmth and a richer sound. This feature works equally well on mics and instruments and is just what is needed to tame that ‘brittle’ sound encountered with different types of digital media.
Internal Clock
An internal clock is provided for 44.1 kHz or 48 kHz operation selectable by way of the switch on the back panel. An INTERNAL/EXTRERNAL selector and a BNC connector for external clock input can be found on the back panel as well as the S/PDIF connector for the DigiTUBE’s digital output.
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2 CONTROLS & OPERATION
GAIN (dB) LOW MID HIGH
EQ IN
MIC/INSTRUMENT
LINE
POWER
-42 -36 -30 -24 -18 -12 -6 -3 0 3 6 9 12 15 18 24
OUTPUT LEVEL (dBu)
2k
900 5k
120
30 1k
0
-12 +12
5k
3k 15k
0
-12 +12
DRIVE
TUBE PREAMP EQUALIZER
24
3 48
5
0 10
80Hz48V
PAD/ LINE
-12 +12
0
FREQLEVEL
5
0 10
M
O
R
E
2.1 FRONT PANEL
The front panel of the DigiTUBE contains:
The front panel of the DigiTUBE is divided into two sections: the tube preamp controls are located on the left hand side of the unit’s front panel and the equalizer section is on the right.
2.1.1 TUBE PREAMP SECTION
Neutrik™ Combo Microphone (XLR) / Instrument (”) Input Drive Control Pad/Line Switch Gain Control (3dB - 48dB) +48V Phantom Power Switch
Mic/Line/Instrument Input
The DigiTUBE has a Neutrik™ combo connector which provides both an XLR and a ” TS input. The XLR connector can accept microphones or by engaging the PAD/LINE switch, line level signals. The ” input is for instrument level signals only. If you wish to adapt a line level device with a ” connector, An XLR connector with pins 1 and 3 tied together for ground and the hot connected to pin 2 must be made. This adapts the unbalanced line level cable to input signal via the XLR input and the PAD/LINE switch to convert the input to accept a line level signal.
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Drive
The DRIVE potentiometer controls how much signal is routed through the 12AX7 vacuum tube. The effect achieved by this procedure can be subtle to extreme, depending on the setting being used. A ‘warming up’ of the sound can be noticed at lower settings. This effect can be used to compensate for the harsh­ness commonly encountered in digital signals with
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CONTROLS & OPERATION 2
24
3 48
M
O
R
E
the resulting sound possessing a ‘richer’ and ‘sweeter’ tone. If an overdriven signal is desired, this can be achieved by signicantly raising the level of the DRIVE control. Overdriving the tube is especially useful for direct electric guitar sounds. Setting the DRIVE control is a matter of taste; the amount of saturation needed to achieve a desired result depends upon the resulting sound you want to hear. Experiment!
Gain
This control is used to determine the amount that a signal being processed by the pre-amplier is increased in level at output. Dynamic mics and instruments without pre-amps may require more gain than con­denser mics and instruments that have a built-in pre-amp (care should be taken with instruments having
their own built-in pre-amp not to overdrive the ” input of the DigiTUBE). Line level signals can only be processed through the XLR input connector with the PAD/LINE switch in the LINE position. Attempt­ing to use the ” input for line level signals exceeds the design parameters of the DigiTUBE. The ” input of the Neutrik™ connector is designed to accept instrument level signals and attempting to use the ” input for line level will likely yield an unsatisfactory result. Activating the PAD/LINE switch reduces the incoming signal by 30dB. This is a very useful feature for rapidly reducing the level coming into the DigiTUBE to prevent the input signal from over-modulat­ing (distorting). This may occur due to a high output level from a microphone. Padding the mic input serves to provide increased ‘headroom’ for the operator and allow greater variance in adjusting the GAIN control. Placing the switch to the PAD/LINE position allows the XLR connector to accept line level signals. Line level signals can be used in the XLR input without overdriving the input. Keyboards and other line level devices can be inserted into the DigiTUBE XLR input by selecting the LINE position.
Note: the PAD/LINE switch does not affect the ” input of the Neutrik™ connector. The ” input is designed to accept instrument level signals ONLY!
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2 CONTROLS & OPERATION
120
30 1k
0
-12 +12
L
E
S
S
M
O
R
E
1 2
3
Input
Phantom power is available through the XLR input of the DigiTUBE. This 48V of phantom power is for condensor mics and/or any other devices that may require it via XLR inputs.
PIN 1 = GND
PIN 2 = + (+48V)
PIN 3 = - (+48V)
2.1.2 EQUALIZER SECTION
Low (30Hz - 1kHz) +/- 12dB Mid (900Hz - 5kHz) +/-12dB High (3kHz - 15kHz) +/-12dB 80Hz Switch EQ IN Switch
Low
The LOW control is a dual concentric potentiometer
with the outer ring allowing the selected frequency to
be boost or cut by as much as twelve decibels. The
straight up, twelve o’clock, position is labeled zero
(0). When the outer control knob is in this position,
no effect is exerted on the signal, regardless of what frequency is selected with the inner controller. Rotating the outer control knob to the left or counter-clockwise reduces the selected frequency. Rotating the outer controller to the right or clockwise increases the selected frequency. The inner control knob selects the frequency. The LOW EQ control goes from 30Hz to 1kHz. The control frequency is narrower to the fully counter-clockwise or left side. As the inner control is rotated clockwise, the frequency bandwidth is much more broadly dened.
For example, from the fully counter-clockwise position of 30Hz to the rst mark represents a difference of 10Hz - 15Hz whereas from fully clockwise or 1kHz to the rst marked position back represents as much as a 100Hz difference. The signicance of this to the operator is that a movement of the frequency selector from a fully counter-clockwise position to approximately the twelve o’clock position represents smaller incremental frequency changes compared to the fre­quency changes that occur when the selector travels clockwise past the twelve o’clock position and beyond.
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CONTROLS & OPERATION 2
2k
900 5k
-12 +12
0
L
E
S
S
M
O
R
E
5k
3k 15k
0
-12 +12
L
E
S
S
M
O
R
E
Mid
The dual concentric potentiometer labeled MID controls
the frequencies from 900Hz to 5kHz. The outer ring
provides boost or cut at the frequency selected by the
inner knob by plus or minus twelve decibels with the
straight-up noon position equal to zero or no boost or
cut. The inner control knob begins at 900Hz in the left or fully counter-clockwise position and continues to 5kHz in the right or fully clockwise position. This control behaves in the same manner as the LOW control with the frequency widths delineated by the knob’s markings becoming wider as the knob travels to the right or the clockwise direction.
High
The Equalizer dual concentric control labeled HIGH
operates in the same manner as the LOW and MID
controller. The inner HIGH control knob is used to
boost or cut frequencies ranging from 3kHz to 15kHz
by as much as 12dB by adjusting the outer ring of the
controller.
80Hz Switch
The DigiTUBE equalizer section contains a switch labeled 80Hz. Engaging this switch activates an 80Hz lter (often referred to as a rumble lter). This lter is useful for eliminating extraneous low-end sounds from the signal being ampli­ed. Frequencies from 80Hz and below are cut from the incoming signal. This will eliminate low-frequency noises such as air-conditioning hum or the sounds of nearby trafc or other vibrations that may be transmitted through the micro­phone stand into the microphone. It can also be useful for reducing the effect of electrical hum that may be the result of grounding problems.
EQ In
The EQ IN switch provides the ability to audition the effect that the equalizer is having on the signal being processed. Pushing the switch to the latched position inserts the equalizer into the signal path. Releasing the switch takes the EQ out of the signal path. You can quickly judge the effect your efforts at adjusting the equalization of the incoming signal are achieving and rapidly compare it to the un-equalized signal.
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2 CONTROLS & OPERATION
-42 -36 -30 -24 -18 -12 -6 -3 0 3 6 9 12 15 18 24
OUTPUT LEVEL (dBu)
Metering
The DigiTUBE has a 16 step LED meter to observe output level. The meter begins at -42dbu and goes to +24dbu (clip). A red LED is also provided on the front panel to indicate when the unit has power and is ready for operation.
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CONTROLS & OPERATION 2
DIGITUBE
Created, Designed and
Manufactured In The USA
by PreSonus Audio Electronics, Inc.
S/PDIF Insert Balanced Output
Sleeve = GND
Ring = Input Tip = Output
POWER 18 VAC
SyncClock
48
44.1
ext.
int.
Ext. Clock Input
Tip
Ring
Sleeve
Sleeve
Ring
Tip
1 2
3
2.2 BACK PANEL
The back panel of the DigiTUBE contains:
The back panel of the DigiTUBE is divided into a digital and an analog section.
2.2.1 DIGITAL SECTION
S/PDIF Digital Output (RCA) External Clock Input (BNC) Clock switch (44.1k and 48k) Sync switch (Internal and External)
2.2.2 ANALOG SECTION
TRS Insert
The ” TRS Insert connector operates at line level.
PIN 1 = GND
PIN 2 = High (+)
PIN 3 = Low (-)
TIP = Output RING = Input SLEEVE = GND
Cable Wiring Diagram for ” TRS Insert
XLR Output Jack
The output XLR connector is servo balanced and operates at 0 = 0dB. It should be noted that the output signal available on Channel 1 and Channel 2 are identical mono outputs, not stereo.
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2 CONTROLS & OPERATION
2.3 VACUUM TUBES
The DigiTUBE comes supplied with a 12AX7 vacuum tube that provides excel­lent performance characteristics. We encourage owners of the DigiTUBE to try different brands of 12AX7 vacuum tubes to investigate the various performance possibilities they might provide.
2.3.1 REPLACING THE VACUUM TUBE
1. Disconnect the DigiTUBE from it’s electrical outlet.
2. Remove the six screws that attach the top of the unit’s chassis. The vacuum tube is mounted in a horizontal fashion in the middle of the DigiTUBE’s body.
3. Carefully remove the vacuum tube from it’s receptacle. Be sure to hold the socket in place while gently wiggling the vacuum tube out.
4. Insert the replacement vacuum tube into the receptacle. Care should be taken to properly align the pins on the vacuum tube to the corresponding holes in the receptacle. (Caution should also be taken to not break the circuitboard.)
5. Replace the top of the DigiTUBE.
6. Restore power to the unit and resume operation.
Remember, tube life and performance are affected by how often a tube is used and by how ‘hard’ the tube is driven when in use. Signs of wear may be exhibited by poor performance or by the tube becoming ‘microphonic’. Periodic replacement of the vacuum tube is recommended. The time interval for tube replacement may vary greatly. If you notice deterioration in sound quality then it’s probably time to change the vacuum tube.
2.4 POWER SUPPLY
This unit is supplied with an external power supply designed to operate at the required voltage of the country where the retail sale occurred. Use of a power supply other than one supplied with the unit constitutes an infringement of the warranty and effectively voids it. Use of an improper power supply may damage the unit and could pose serious danger of electrical shock or re.
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CONTROLS & OPERATION 2
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4 TECHNICAL SPECIFICATIONS
Number of Channels ............................................................................ One
Performance
THD + Noise (Unweighted) ......................................................0.05% @ 0dB
Tube Drive..............................................................................10% @ 30dB
Noise Floor .....................................................................................-94dBu
Signal to Noise................................................................................ >90dB
Power Supply Rejection .................................................................... >98dB
Amplier Type ............................................................................Dual Servo
Input
Connectors ....................................................................... Neutrik™ Combo
Input Impedance, XLR .................................................................. 5k Ohms
Input Impedance, High Z ”...................................................... 1Meg Ohms
Output
Output Impedance, XLR Balanced ................................................... 51 Ohms
Output Impedance, ” TRS Insert ..................................................Tip = Out
Ring = In Sleeve = GND
Digital...................................................................... S/PDIF RCA Connector
Front Panel Controls
Tube Drive............................................................................ 0dB to +30dB
Gain .......................................................................... 0dB to +40dB - 20dB
Pad...........................................................................+ 48V Phantom Power
EQ..................................................................................... In/Out Selector
Low ........................................................................................30Hz - 1kHz
Mid....................................................................................... 900Hz - 5kHz
High ..................................................................................... 3kHz - 15kHz
Metering
8 Segment LED ............................................................... -28dBu to +18dBu
Power Indicator................................................................................... LED
Back Panel Controls
Sample Rate Selector..........................................................44.1kHz / 48kHz
Internal / External Clock............................................... 44.1kHz / 48kHz only
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TECHNICAL SPECIFICATIONS 4
Power Supply
Type ..................................................................................... Linear Supply
Input ................................................................................ 18 VAC/1000mA
Power ..........................................................................................15 Watts
Physical
Weight.............................................................................................. 8lbs.
Size............................................................................................Ω U Rack
Dimensions..........................................................................8” X 5” X 1.75”
Mounting..............................................................Universal Rack Tray Insert
Chassis .............................................................................................Steel
Front Panel.....................................................................Brushed Aluminum
As a commitment to constant improvement, PreSonus reserves the right to change any specication stated herein at any time in the future without prior notication.
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5 PRESONUS LIMITED WARRANTY
IN THE UNITED STATES
PreSonus Audio Electronics Inc. warrants this product to be free of defects in material and workmanship for a period of one year from the date of original retail purchase. This warranty is enforceable only by the original retail purchaser. To be protected by this warranty, the purchaser must complete and return the enclosed warranty card within 14 days of purchase. During the warranty period PreSonus shall, at its sole and absolute option, to either repair or replace, free of charge, any product that proves to be defective on inspection by PreSonus or its authorized service representative. To obtain warranty service, the purchaser must rst call or write PreSonus at the address and telephone number printed below to obtain a Return Authorization Number and instructions of where to return the unit for service. All inquiries must be accompanied by a description of the problem. All authorized returns must be sent to the PreSonus repair facility postage prepaid, insured and properly packaged. PreSonus reserves the right to update any unit returned for repair. PreSonus reserves the right to change or improve the design of the product at any time without prior notice. This warranty does not cover claims for damage due to abuse, neglect, alteration or attempted repair by unauthorized personnel, and is limited to failures arising during normal use that are due to defects in material or workman­ship in the product. Any implied warranties, including implied warranties of merchantability and tness for a particular purpose, are limited in duration to the length of this limited warranty. Some states do not allow limitations on how long an implied warranty lasts, so the above limitation may not apply to you. In no event will PreSonus be liable for incidental, consequential or other damages resulting from the breach of any express or implied warranty, including, among other things, damage to property, damage based on inconvenience or on loss of use of the product, and, to the extent permitted by law, damages for personal injury. Some states do not allow the exclusion of limitation of incidental or consequential damages, so the above limitation or exclusion may not apply to you. This warranty gives you specic legal rights, and you may also have other rights, which vary form state to state. This warranty only applies to products sold and used in the United States of America. For warranty information in all other countries please refer to your local distributor.
PreSonus Audio Electronics, Inc. 7257 Florida Blvd. Baton Rouge, LA 70806 (225) 216-7887
Copyright © 2001, PreSonus Audio Electronics, Incorporated. All rights reserved.
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PRESONUS LIMITED WARRANTY 5
OUTSIDE OF THE UNITED STATES
PreSonus Audio Electronics products are warranted only in the country where originally purchased, through the authorized PreSonus distributor in the country of original purchase, against defects in material and workmanship. The specic period of this limited warranty shall be that which is described to the original retail purchaser by the authorized PreSonus dealer or distributor at the time of purchase. PreSonus does not, however, warrant its products against any and all defects: 1) arising Out of materials or workmanship not provided or furnished by PreSonus, or 2) resulting from abnormal use of the product or use in violation of instructions, or 3) in products repaired or serviced by other than authorized PreSonus repair facilities, or 4) in products with removed or defaced serial numbers, or 5) in components or parts or products expressly warranted by another manufacturer. PreSonus agrees, through the applicable authorized distributor in the country of original retail purchase, to repair or replace defects covered by this limited warranty with parts or products of original or improved design, at its option in each respect, if the defective product is shipped prior to the end of the warranty period to the designated authorized PreSonus warranty repair facility in the country where purchased, or to the PreSonus factory in the U.S., in the original packaging or a replacement supplied by PreSonus, with all transportation cost and full insurance paid each way by the purchaser or owner. All remedies and the measure of damages are limited to the above services. It is possible that economic loss or injury to person or property may result from the failure of the product; However, even if PreSonus has been advised of this possibility, this limited warranty does not cover any such consequential or incidental damages. Some states or countries do not allow the limitations or exclusion of incidental or consequential damages, so the above limitation may not apply to you. Any and all warranties, express or implied, arising by law, course of dealing, course of performance, usage of trade, or otherwise, including but not limited to implied warranties of merchantability and tness for a particular purpose, are limited to a period of two years from either the date of original retail purchase or, in the event no proof of purchase date is available, the date of manufacture. Some states or countries do not allow limitations on how long an implied warranty last, so the above limitations may not apply to you. This limited warranty gives you specic legal rights, and you may also have other rights which vary from state to state, country to country.
PreSonus Audio Electronics, Inc. 7257 Florida St. Baton Rouge, LA 70806 (225) 216-7887
Copyright © 2001, PreSonus Audio Electronics, Incorporated. All rights reserved.
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