Pioneer DJM-700-K, DJM-700-S User Manual

DJ MIXER MESA DE MEZCLAS DJ

DJM-700-S DJM-700-K

Operating Instructions Manual de instrucciones

Thank you for buying this Pioneer product. Please read through these operating instructions so you will know how to operate your model properly. After you have finished reading the instructions, put them away in a safe place for future reference. In some countries or regions, the shape of the power plug and power outlet may sometimes differ from that shown in the explanatory drawings. However the method of connecting and operating the unit is the same.

IMPORTANT

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

Replacement and mounting of an AC plug on the power supply cord of this unit should be performed only by qualified service personnel.

IMPORTANT: THE MOULDED PLUG

This appliance is supplied with a moulded three pin mains plug for your safety and convenience. A 5 amp fuse is fitted in this plug. Should the fuse need to be replaced, please ensure that the replacement fuse has a rating of 5 amps and that it is approved by ASTA or BSI to BS1362.

Check for the ASTA mark or the BSI mark on the body of the fuse.

If the plug contains a removable fuse cover, you must ensure that it is refitted when the fuse is replaced. If you lose the fuse cover the plug must not be used until a replacement cover is obtained. A replacement fuse cover can be obtained from your local dealer.

If the fitted moulded plug is unsuitable for your socket outlet, then the fuse shall be removed and the plug cut off and disposed of safely. There is a danger of severe electrical shock if the cut off plug is inserted into any 13 amp socket.

If a new plug is to be fitted, please observe the wiring code as shown below. If in any doubt, please consult a qualified electrician.

IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:

As the colours of the wires in the mains lead of this appliance may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows ;

Blue : Neutral Brown : Live

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

How to replace the fuse: Open the fuse compartment with a screwdriver and replace the fuse.

CAUTION:

TO PREVENT THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

–Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.

CAUTION: This product satisfies FCC regulations when shielded cables and connectors are used to connect the unit to other equipment. To prevent electromagnetic interference with electric appliances such as radios and televisions, use shielded cables and connectors for connections.

Information to User

Alteration or modifications carried out without appropriate authorization may invalidate the user’s right to operate the equipment.

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When using this product follow the instructions written on the underside of the unit, which concern rated voltage, etc.

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The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

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If the AC plug of this unit does not match the AC outlet you want to use, the plug must be removed and appropriate one fitted. Replacement and mounting of an AC plug on the power supply cord of this unit should be performed only by qualified service personnel. If connected to an AC outlet, the cut-off plug can cause severe electrical shock. Make sure it is properly disposed of after removal. The equipment should be disconnected by removing the mains plug from the wall socket when left unused for a long period of time (for example, when on vacation).

CAUTION

The POWER switch on this unit will not completely shut off all power from the AC outlet. Since the power cord serves as the main disconnect device for the unit, you will need to unplug it from the AC outlet to shut down all power. Therefore, make sure the unit has been installed so that the power cord can be easily unplugged from the AC outlet in case of an accident. To avoid fire hazard, the power cord should also be unplugged from the AC outlet when left unused for a long period of time (for example, when on vacation).

WARNING

This equipment is not waterproof. To prevent a fire or shock hazard, do not place any container filed with liquid near this equipment (such as a vase or flower pot) or expose it to dripping, splashing, rain or moisture.

WARNING

Before plugging in for the first time, read the following section carefully.

The voltage of the available power supply differs according to country or region. Be sure that the power supply voltage of the area where this unit will be used meets the required voltage (e.g., 230V or 120V) written on the bottom panel.

WARNING

To p revent a fire hazard, do not place any naked flame sources (such as a lighted candle) on the equipment.

VENTILATION CAUTION

When installing this unit, make sure to leave space around the unit for ventilation to improve heat radiation (at least 5 cm at rear, and 3 cm at each side).

WARNING

Slots and openings in the cabinet are provided for ventilation to ensure reliable operation of the product, and to protect it from overheating. To prevent fire hazard, the openings should never be blocked or covered with items (such as newspapers, table-cloths, curtains) or by operating the equipment on thick carpet or a bed.

Operating Environment

Operating environment temperature and humidity: +5 ºC – +35 ºC (+41 ºF – +95 ºF); less than 85 %RH (cooling vents not blocked) Do not install this unit in a poorly ventilated area, or in locations exposed to high humidity or direct sunlight (or strong artificial light)

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POWER-CORD CAUTION

Handle the power cord by the plug. Do not pull out the plug by tugging the cord and never touch the power cord when your hands are wet as this could cause a short circuit or electric shock. Do not place the unit, a piece of furniture, etc., on the power cord, or pinch the cord. Never make a knot in the cord or tie it with other cords. The power cords should be routed such that they are not likely to be stepped on. A damaged power cord can cause a fire or give you an electrical shock. Check the power cord once in a while. When you find it damaged, ask your nearest PIONEER authorized service center or your dealer for a replacement.

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LINE VOLTAGE SELECTOR SWITCH

The line voltage selector switch is located on the side panel of this mixier.The factory setting for the voltage selector is 220-240V. Check that it is set properly before plugging the power cord into the outlet. If the voltage is not properly set or if you move to an area where the voltage requirements differ, adjust the selector switch as follows:

• Use a medium-sized (flat blade) screwdriver. Insert the tip of the screwdriver into the groove of the selector switch and set it so that the power voltage marking of your area points to the arrow.

110-120V 220-240V

VOLTAGE

SELECTOR

• For Taiwan, please set to 110-120V before using.

Contents

English

CONFIRM ACCESSORIES..............................................4

CAUTIONS REGARDING HANDLING............................4

Location.......................................................................................... 4

Cleaning the Unit........................................................................... 4

FEATURES ....................................................................4

CONNECTIONS .............................................................5

CONNECTION PANEL................................................................... 5

CONNECTING INPUTS.................................................................. 6

CONNECTING EXTERNAL EFFECTORS, OUTPUT

CONNECTORS ............................................................................... 7

ABOUT MIDI CONNECTORS........................................................ 8

CONNECTING MICROPHONE AND HEADPHONES ................. 8

CONNECTING THE POWER CORD.............................................. 8

NAMES AND FUNCTIONS OF PARTS ...........................9

MIXER OPERATIONS..................................................13

FADER START FUNCTION .......................................................... 14

EFFECT FUNCTIONS ...................................................16

PRODUCING BEAT EFFECTS...................................................... 18

MANUAL FILTER OPERATION.................................................... 19

EFFECT FREQUENCY FILTER OPERATION................................ 19

EFFECT PARAMETERS................................................................ 20

MIDI SETTINGS..........................................................21

SYNCHRONIZING AUDIO SIGNALS TO EXTERNAL SEQUENCER, OR USING DJM-700-S/DJM-700-K INFORMATION

TO OPERATE AN EXTERNAL SEQUENCER ..............................21

MIDI MESSAGES .........................................................................22

PROGRAM CHANGE................................................................... 24

SNAPSHOT................................................................................... 24

MIDI ON/OFF................................................................................ 24

TROUBLESHOOTING ..................................................25

SPECIFICATIONS........................................................26

CONFIRM

FEATURES

ACCESSORIES

Operating Instructions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1

CAUTIONS REGARDING

Designed for high sound quality

Analog signals are transmitted by the shortest circuitry and converted to digital format at 96 kHz sampling rate via a 24-bit high quality A/D converter. As a result, signals are passed to the digital mixing stage in the best possible state. Mixing is performed with a 32-bit DSP, totally eliminating any loss in fidelity, while the ideal level of filtering is introduced to produce optimum sound for DJ play. These features are housed in a high-rigidity chassis with highoutput power section and other features that carry on the highfidelity performance of the DJM-1000, thus ensuring the utmost in clear and powerful club sound.

HANDLING

Manual Filter

Location

Install the unit in a well-ventilated location where it will not be exposed to high temperatures or humidity.

• Do not install the unit in a location which is exposed to direct rays of the sun, or near stoves or radiators. Excessive heat can adversely affect the cabinet and internal components. Installation of the unit in a damp or dusty environment may also result in a malfunction or accident. (Avoid installation near cookers etc., where the unit may be exposed to oily smoke, steam or heat.)

• When the unit is used inside a carrying case or DJ booth, separate it from the walls or other equipment to improve heat radiation.

Cleaning the Unit

• Use a polishing cloth to wipe off dust and dirt.

• When the surfaces are very dirty, wipe with a soft cloth dipped in some neutral cleanser diluted five or six times with water and wrung out well, then wipe again with a dry cloth. Do not use furniture wax or cleaners.

• Never use thinners, benzene, insecticide sprays or other chemicals on or near this unit, since these will corrode the surfaces.

This unit features Manual Effecter for more intuitive setting of effects, thus expanding the potential range of DJ play. In addition, by combining this with “beat effects,” an even wider range of effects can be produced, allowing a tremendous variety of remix and DJ play.

Beat effects

The “beat effects” so popular on the DJM-600 are continued here. Effects can be applied in linkage to the BPM (Beats Per Minute) count, thus allowing the production of a variety of sounds. Equipped with a broad range of special effects, including delay, echo, trans, filter, flanger, phaser, reverb, robot, crush, roll, reverse roll, uproll, and downroll.

This unit features an “effect frequency filter” allowing the user to limit what frequency bands are subjected to effects, and which are not. This enhances the degree of audio expression compared to conventional effecters that are applied to the entire frequency range.

Digital OUT

The digital output connectors support sampling rates 96 kHz/24bit format and 48 kHz/24-bit format, making the unit even more convenient for cutting studio tracks or on other occasions when high sound fidelity is required. (Only linear PCM is supported.)

MIDI OUT

Virtually all the dial and switch information of the DJM-700-S/ DJM-700-K can be output in MIDI signal format, allowing a component supporting MIDI control to be controlled via MIDI.

Other functions

•A control cable can be used to connect the unit to a Pioneer DJ CD player, thus allowing playback to be linked to operation of the fader (“fader start play”).

• Built-in “3-band equalizer” supports level control within the range of +6 dB to –26 dB in each bandwidth.

• “Cross fader assignment” function allows each channel’s input to be assigned flexibly to a cross fader.

• “Talk over” function automatically lowers track volume during microphone input.

• “Fader curve adjustment” function allows modification of the cross fader and channel fader curves.

CONNECTIONS

CONNECTION PANEL

1 2 3 4 7 8 9

BOOTH REC

POWER

OFF

1 GND

3 COLD

2 HOT

MASTER1

1 POWER switch 2 BOOTH monitor output connectors

RCA-type booth monitor output jack. The sound level from these connectors is controlled independently

BOOTH MONITOR LEVEL

by the

MASTER LEVEL

the

dial.

dial, regardless of the position of

3 Recording output connectors (REC)

RCA type output connectors for recording.

4 PHONO input connectors

RCA type phono level (MM cartridge) input connectors. Do not use for inputting line level signals.

5 LINE input connectors

RCA type line level input connectors. Use to connect a cassette deck or other line level output component.

6CD input connectors

RCA type line level input connectors. Use to connect a DJ CD player or other line level output component.

7 CONTROL connectors

Ø3.5 mm mini-connector. Use to connect to the control connector of a Pioneer DJ CD player. When the connectors are connected, the DJM-700-S/DJM-700-K’s fader can be used to perform start/stop on the DJ CD player.

8 Two microphone input jacks (MIC 2)

Connect microphones equipped with phone-type plugs.

9 Signal grounding terminals (SIGNAL GND)

Reduces noise when connecting an analog turntable.

10 MIDI OUT connector

DIN type output connector. Use to connect to other MIDI component (see P. 21).

CH-4 CH-3 CH-2 CH-1

PHONO LINE

MASTER2

MASTER

-6dB -3dB 0dB

5 6

PHONO LINE PHONO

SIGNAL GND

SEND

ATT.

(MONO)

CONTROL

RETURN

(MONO)

LINE

DIGITAL OUT

fs(Hz)

48k 96k

MIC 2

CONTROL

MIDI OUT

101112151718 1316 14

11 DIGITAL OUT connector

RCA type digital coaxial output connector. Master audio digital output.

12 Sampling frequency selector switch (fs 48 k/96 k)

Use to set the sampling frequency of the digital output to 96 kHz/ 24-bit format or 48 kHz/24-bit format.

• Turn power off before changing this switch position.

13 RETURN connectors

Ø6.3 mm phone-type input connectors. Use to connect to the output connectors of external effectors or similar components. When the L channel only is connected, the L channel input is simultaneously input to the R channel.

14 SEND output connectors

Ø6.3 mm phone-type output connectors. Use to connect to the input connectors of external effectors or other similar components. When the L channel only is connected, a L+R monaural signal is output.

15 Master output attenuator switch (MASTER ATT)

Use to attenuate the level of the master 1 and master 2 outputs. Attenuation can be set to 0 dB, –3 dB, or –6 dB.

16 MASTER 2 output connectors

RCA type unbalanced output.

17 MASTER 1 output connectors

XLR type (male) balanced output.

• When using a cord with RCA-type plug, users are recommended

to connect the plug directly to the

MASTER 2

connectors

without using an XLR/RCA converter plug.

18 Power cord

Connect to ordinary AC outlet.

English

CONNECTIONS

Always turn off the power switch and disconnect the power plug from its outlet when making or changing connections.

CONNECTING INPUTS

Pioneer DJ CD players

The audio output connectors of a DJ-type CD player can be connected to the

LINE

input connectors (channel 1) of the DJM-700-S/DJM-700-K.

Connect the control cord to the selector switch to [

input connectors (channel 1 or 2), or to the

] or [

LINE

CONTROL

jack, and set the input

Analog turntable

To connect an analog turntable, connect the turntable’s audio output cable to one of the channel 2 to 4 connectors. Set the corresponding channel’s input selector switch to [

PHONO

]. The DJM-700-S/DJM-700-K’s

MM cartridges.

BOOTH REC

POWER

OFF

1 GND

2 HOT

3 COLD

MASTER1

PHONO

input

PHONO

inputs support

Input selector switch

CH-4 CH-3 CH-2 CH-1

PHONO LINE

MASTER2

PHONO LINE PHONO

MASTER

ATT.

-6dB -3dB 0dB

Connect the ground wire from an analog turntable to the

SIGNAL GND

• Note that no

terminal of the DJM-700-S/DJM-700-K.

PHONO

input connector is provided for channel 1.

Connecting other line level output devices

To use a cassette deck or ordinary CD player, connect its audio output connectors to one of the DJM-700-S/DJM-700-K’s input connectors (channel 1, 3, or 4) or to the (channel 1 or 2), and set the input selector switch to [

LINE

DIGITAL OUT

fs(Hz)

48k 96k

CONTROL

MIDI OUT

SIGNAL GND

SEND

(MONO)

CONTROL

RETURN

(MONO)

MIC 2

input connectors

LINE

CD player, etc.

Analog turntable Analog turntable DJ CD player DJ CD player Cassette deck, etc.

CONNECTIONS

CONNECTING EXTERNAL EFFECTORS, OUTPUT CONNECTORS

Master output

This unit is furnished with balanced output XLR plugs), and unbalanced output plugs). Using the

MASTER ATT

switch, adjust the output level to match the input sensitivity of the power amplifier used. If the operating panel’s

MONO/STEREO

the master output will be a monaural combination of L+R channels.

MASTER 1

MASTER 2

switch is set to [

(supporting

(supporting RCA

MONO

Booth monitor output

Unbalanced output supporting RCA-type plug. The sound volume for this output is controlled by the independently of the master output level setting.

BOOTH MONITOR LEVEL

dial,

Recording output

These are output connectors for recording, supporting RCA plugs.

Cassette deck

Power amplifier

(for booth monitor)

(analog input

recording device)

Digital output

This is a coaxial digital output connector, supporting RCA plugs. The sampling frequency can be set to 96 kHz/24-bit format or 48 kHz/24-bit format to match the connected device.

• Turn power off before changing this switch position.

External effector

Use a cable with Ø6.3 mm phone plugs to connect the DJ mixer’s

SEND

connectors to the effector’s input connectors. When using an effector with monaural inputs, connect only to the DJ mixer’s L channel output. In this way, the mixed L+R audio signal will be sent to the effector. In the same way, use a cable with Ø6.3 mm phone plugs to connect the DJ mixer’s connectors to the output connectors of the effector. If the effector has only monaural output, connect to the DJ mixer’s L channel input only. The signal from the effector will be input to both L and R channels. When using an external effector, set the effect selector to [

RTN

Power amplifier

Digital input AV amplifier

(RCA plug input

connectors)

recording device)

RETURN

(digital input

English

SND/

BOOTH REC

POWER

OFF

1 GND

2 HOT

3 COLD

Power amplifier

(XLR plug input connectors)

MASTER1

CH-4 CH-3 CH-2 CH-1

PHONO LINE

MASTER2

PHONO LINE PHONO

MASTER

ATT.

-6dB -3dB 0dB

SIGNAL GND

SEND

(MONO)

CONTROL

RETURN

MASTER ATT switch

Sampling frequency selector switch

LINE

CONTROL

DIGITAL OUT

(MONO)

fs(Hz)

48k 96k

MIC 2

MIDI OUT

External effector

CONNECTIONS

–

ABOUT MIDI CONNECTORS

See P. 21 regarding the functions of MIDI connectors.

CONNECTING MICROPHONE AND HEADPHONES

Microphone

A microphone with XLR-type plug can be connected to the connector on the Operation Panel (upper) .

MIC 2

The microphone with Ø6.3 mm phone plugs.

• When using a microphone, set the operating panel’s

jack on the connection panel can be used to connect a

MIC

] or [

to [

TALK OVER

], and adjust the

LEVEL

dial as necessary. When not using a microphone, it is recommended to set the

MIC

switch to [

counterclockwise to the [–

OFF

] and rotate the

∞

] side.

LEVEL

dial fully

Microphone 1

Microphone 2

MIC1 LEVEL

MIC 1

switch

MIC1

Headphones

The

PHONES

be used to connect headphones with a Ø6.3 mm stereo phone plug.

jack on the upper surface of the operating panel can

HEADPHONES

MONO SPLIT STEREO

MIXING

MASTERCUE

LEVEL

Headphones

PHONES

MIC2 LEVEL

MIC 2

MIDI OUT

CONNECTING THE POWER CORD

Connect the power cord last.

• After completing all other connections, connect the power plug to an ordinary AC outlet.

+12-12

LOW

+12-12

MIC

TAL K

OVER

OFF ON

FADER START

CH-1 CH-2

NAMES AND FUNCTIONS OF PARTS

OPERATION PANEL

33 34

MIDI

BEAT EFFECTS

BEAT

TAP

FREQUENCY

ROBOT

REVERB

DELAY

MIC

3 2

TIME

LEVEL/DEPTH

MIN

ON/OFF

HPFLPF

CRUSH ROLL

ROLL REVERSE UP DOWN

SND/RTN

CF.A

CF.B

MASTER

MAX

POWER

35 36

37 38

MIC1 LEVEL

MIC2 LEVEL

5 6

OFF ON

FADER START

CH-1 CH-2

HEADPHONES

MONO SPLIT STEREO

LOW

MIC

MIXING

LEVEL

PHONES

DJM–700

MASTER

LEVEL

ON/OFF START/STOP

OVER

24 32

–1

–2

–3

AUTO

–5

–7

FILTER

–10

–15

–24

dBLR

MASTER EFFECTS

BALANCE

MONO STEREO

PHASER

FLANGER

FILTER

TRANS

ECHO

BOOTH MONITOR

LEVEL

CH FADER

CROSS FADER

OVER

–1

–2

–3

–5

–7

–10

–15

–24

10 9 8 7 6 5 4 3 2 1 0

PROFESSIONAL MIXIER

TRIM

+6-26

MID

+6-26

LOW

+6-26

MIC1

+12-12

TALK

OVER

MASTERCUE

CH-1 CH-2 CH-3 CH-4

LINECD CD PHONO LINE PHONO LINE PHONO

TRIM

OVER

–1

–2

–3

–5

–7

–10

–15

–24

16 16 16 16

9 8 7 6 5 4 3 2 1 0

OVER

+6-26

MID

EQ EQ EQ EQ

+6-26

LOW

+6-26

1234

18 19 18 19

A THRU B

TRIM

+6-26

–1

MID

–2

–3

–5

–7

+6-26

–10

LOW

–15

–24

+6-26

9 8 7 6 5 4 3 2 1 0

13 14

TRIM

OVER

–1

–2

–3

–5

–7

–10

–15

–24

10 9 8 7 6 5 4 3 2 1 0

18 19 18 19

A THRU B A THRU B A THRU B

CROSS FADER ASSIGN

10 11

+6-26

MID

+6-26

LOW

+6-26

HEADPHONES CUE

English

1 Microphone 1 input jack (MIC 1)

Connect microphone with XLR-type plug.

2 Microphone 1 level control dial (MIC 1 LEVEL)

Use to adjust the volume of microphone 1. (adjustable range –∞ to 0 dB)

3 Microphone 2 level control dial (MIC 2 LEVEL)

Use to adjust the volume of microphone 2. (adjustable range –∞ to 0 dB)

4 Microphone equalizer high-range control dial (HI)

Use to adjust the treble (high-range) frequencies of microphones 1 and 2. (adjustable range –12 dB to +12 dB)

5 Microphone equalizer low-range control dial (LOW)

Use to adjust the bass (low-range) frequencies of microphones 1 and 2. (adjustable range –12 dB to +12 dB)

6 Microphone function indicator

Lights when microphone is ON; flashes when

TALK OVER

is ON.

7 Microphone function selector switch (MIC)

OFF:

No microphone sound is output.

ON:

Microphone sound is output normally.

TALK OVER:

Microphone sound is output; when sound is input to a connected microphone, the TALK OVER function operates and all sound other than that from the microphone is attenuated by 20 dB.

• When not using the TALK OVER function, it is recommended to

OFF

set the switch to the [

] or [ON] position.

8 Channel 1 input selector switch

CD:

Selects CD input (line level analog input).

LINE:

Use to select

input connectors.

LINE

9 Channel 2 input selector switch

CD:

Selects CD input (line level analog input).

PHONO:

Use to select

PHONO

input connectors (analog turntable input).

10 Channel 3, 4 input selector switch

LINE:

Selects

LINE

input (line level analog input).

PHONO:

Use to select

PHONO

input connectors (analog turntable input).

11 TRIM adjust dial

Use to adjust the input level for each channel. (adjustable range: –

∞

to +9 dB, mid-position is about 0 dB)

12 Channel equalizer high-range adjust dial (HI)

Use to adjust the treble (high-range) frequency sound for each channel. (adjustable range: –26 dB to +6 dB)

NAMES AND FUNCTIONS OF PARTS

13 Channel equalizer mid-range adjust dial (MID)

Use to adjust the mid-range frequency sound for each channel. (adjustable range: –26 dB to +6 dB)

14 Channel equalizer low-range adjust dial (LOW)

Use to adjust the bass (low-range) frequency sound for each channel. (adjustable range: –26 dB to +6 dB)

15 Channel level indicator

Displays the current level for each channel, with two-second peak hold.

16 HEADPHONES CUE buttons/indicators

These buttons are used to select from 1 to 4,

EFFECTS

headphones. If multiple buttons are pressed simultaneously, the selected audio sources are mixed. Press the button once more to cancel the selected source. Unselected buttons glow darkly, while selected source buttons light brightly.

17 Fader start button/indicator (FADER START CH-1, CH-2)

Enables the fader start/back cue function for the channel to which a DJ CD player is connected. The button lights when set to ON. When enabled, the operation differs depending on the setting of the

• When the

18 Channel fader lever

Use to adjust sound volumes for each channel. (adjustable range: – Output is in accordance with the channel fader curve selected with the

19 CROSS FADER ASSIGN switch

This switch assigns each channel’s output to either right or left side of the cross fader (if multiple channels are assigned to the same side, the result will be the combined sum of the channels).

The selected channel is assigned to the cross fader’s A (left) side.

THRU:

The channel fader’s output is sent as is to the master output, without being passed through the cross fader.

The selected channel is assigned to the cross fader’s B (right) side.

20 Channel fader curve switch (CH FADER)

This switch allows the user to select from two types of channel fader curve response. This setting is applied equally to channels 1 to 4.

• At the left setting, the curve operates to produce a rapid rise as

• At the right setting, the curve operates to produce an even,

, to allow you to monitor the desired source through

CROSS FADER ASSIGN

position, fader start button operation is linked to the operation of the cross fader (and unlinked to channel fader).

position, fader start button operation is linked to the operation of the channel fader (and unlinked to cross fader).

∞

to 0 dB)

the channel fader approaches its distant position.

neutral rise throughout the channel fader’s movement.

CROSS FADER ASSIGN

CH FADER

switch.

switch is set to the [A] or [B]

switch is set to the [

curve switch.

MASTER

, or

THRU

]

21 Cross fader curve switch (CROSS FADER)

This switch allows the user to select from three types of cross fader curve response.

• At the left setting, the curve produces a rapid signal rise. (As soon as the cross fader lever leaves the [ sound is produced.)

• At the right setting, the curve operates to produce an even, neutral rise throughout the cross fader’s movement.

• At the middle setting, an intermediate curve is produced, midway between the two curves noted above.

22 Cross fader lever

Outputs sound assigned to [A] and [B] sides in accordance with setting of the cross fader curve selected with the

23 Master output level dial (MASTER LEVEL)

Use to adjust the master output level. (adjustable range: –∞ to 0 dB) The master output is the sum combination of the sound from channels set to [ the signal passed through the cross fader; and the signals from microphone 1 and microphone 2 (if the effect selector is set to

SND/RTN

[

24 Master level indicator (MASTER L, R)

These segment indicators display the output level from L and R channels. The indicators have a two-second peak hold.

25 Master balance dial (BALANCE)

Use to adjust the L/R channel balance for master output, booth monitor output, recording output, and digital output.

26 Master output MONO/STEREO selector switch

When set to the [ output, recording output, digital output are all produced in L+R monaural.

27 BOOTH MONITOR LEVEL control dial

This dial is used to adjust the booth monitor output volume. The volume can be adjusted independently of the master output level. (adjustable range: –

28 Headphones output switch (MONO SPLIT/STEREO)

MONO SPLIT:

When selected, the selected audio is output to the L channel. When

HEADPHONES CUE (MASTER

audio is output from the R channel.

STEREO:

The audio source selected with the output in stereo.

29 Headphones mixing dial (MIXING)

When rotated clockwise (toward [ audio is produced at the headphones (only when [ been selected with the counterclockwise (toward [ becomes the mixture of the effect monitor and the channel selected with the

In the middle position, the audio from [ output.

30 Headphones level adjust dial (LEVEL)

Adjusts the output level of the headphones jack. (adjustable range:

∞

to 0 dB)

–

CROSS FADER ASSIGN

THRU

] with the

], the

RETURN

MONO

HEADPHONES CUE (1, 2, 3, 4

HEADPHONES CUE

CROSS FADER ASSIGN

input is also added).

] position, master output, booth monitor

∞

to 0 dB)

) button is selected, the master

MASTER

CUE

]), the headphones output

] side, the [B] channel

switch, and subject to the

CROSS FADER

EFFECTS

HEADPHONES CUE

button.

MASTER

curve switch.

switch;

) button is

button is

]), the master output

MASTER

button); when rotated

] and [

CUE

] will be

] has

NAMES AND FUNCTIONS OF PARTS

31 Headphones jack (PHONES)

Connect to headphones equipped with phone-type jack.

32 Beat select buttons ( BEAT )

(Beat up):Doubles the calculated BPM.



(Beat down):Halves the calculated BPM.



(P. 18)

“3/4”

• Some effects can be set for

With some effects, these are used for functions other than setting the beat.

33 MIDI ON/OFF button

Sets MIDI output function (not including timing lock) to ON/OFF. When power is first turned ON, automatically defaults to OFF.

34 MIDI start/stop button (MIDI START/STOP)

Outputs START/STOP signal for MIDI control function (see P. 21). When this control is enabled, the [

MIDI START (STOP)

] message

appears for two seconds on the display.

MIDI SNAP SHOT:

When the

MIDI START/STOP

button is held depressed, a snapshot

is sent to the external MIDI component.

35 BPM measuring mode button (AUTO)

Switches between the BPM measuring modes AUTO and TAP.

AUTO

When [

] indicator on the display is lighted, the BPM will be

measured automatically.

TAP

button

The BPM is calculated from the intervals at which the

TAP

is struck. If the

button is pressed in the AUTO mode, the mode

TAP

button

automatically switches to the TAP mode (manual input).

37 MANUAL/EFFECT Frequency filter button

Use to switch between manual filter and effect frequency filter. When power is first turned ON, defaults to effect frequency filter

and the button indicator lights. When manual filter is selected, the button indicator does not light.

38 Manual filter adjust dial (FREQUENCY)

Use to adjust the cutoff frequency of the selected filter.

39 Effect selector (DELAY, ECHO, TRANS, FILTER, FLANGER,

PHASER, REVERB, ROBOT (ROBOT VOCODER), CRUSH, ROLL, REVERSE (REVERSE ROLL), UP (UP ROLL), DOWN (DOWN ROLL), SND/RTN (SEND/RETURN))

Use to select desired type of effect (P. 16).

SEND

When using an external effector connected to the

RETURN

connectors, set to the [

SND/RTN

] position.

and

40 Effect channel selector (1, 2, 3, 4, MIC, CF.A, CF.B, MASTER)

Use to select the channel to which effects are applied (P. 18).

MIC

When [

] is selected, effects are applied to both microphone 1

and microphone 2.

41 Effect parameter 1 dial [TIME (PARAMETER 1)]

Adjusts time parameter for selected effect (P. 18, 20) (With some effects, this is used for adjustments other than time parameters.)

TIME

• If the

dial is rotated while depressing the

TAP

button,

direct BPM can be set manually.

TIME

• If the

AUTO/TAP

dial is rotated while holding the

buttons depressed, the BPM can be set in 0.1 units.

TAP

button and

42 Effect parameter 2 dial [LEVEL/DEPTH (PARAMETER 2)]

Adjusts quantitative parameters for selected effect (P. 18, 20).

43 Effect button/indicator (ON/OFF)

Sets selected effect ON/OFF (P. 18). When power is first turned ON, defaults to effect OFF. When set to effect OFF, the button indicator lights. When effects are enabled (ON), the button flashes.

44 Display

See the following section for details.

DISPLAY SECTION

123 4

AUTO

TAP

A B M

MIDI BPM

1 Effects display section

Text display (7 characters) displays effect name as shown in accompanying table. Also, when one of the change operations is performed as noted in the table, the corresponding characters are displayed for two seconds, after which the display returns to the original effect name.

Switching Operation Display At MIDI start START At MIDI stop STOP MIDI snapshot SNAP When MIDI output function is ON MIDI On When MIDI output function is OFF MIDIOff

2 Channel select display section

Lights position selected by effect channel selector.

3 Parameter display section

AUTO/TAP:

[

AUTO

] lights when the BPM measuring mode is set to AUTO, and

TAP

] lights when the BPM measuring mode is set to manual

[ (TAP).

BPM counter display

(3 digits)

In AUTO mode, displays the automatically detected BPM value. If the BPM count cannot be detected automatically, the display will flash at the previously detected value. In manual (TAP) mode, displays the BPM value designated by TAP input, etc.

BPM:

Lights constantly.

MIDI:

Indicates status of MIDI output function ON/OFF.

• Lights when MIDI output function is ON.

• Not lighted when MIDI output function is OFF.

Parameter 1 display

(5 digits)

Displays parameters designated for each effect. When the beat

BEAT

select buttons (

, ) are pressed, the corresponding beat

multiple change is displayed for two seconds. If the beat select

BEAT

buttons (

, ) are used to designate a value outside the parameter range, the current number will flash but will not change.

Unit Display (%/ms):

Lights in accordance with the unit used for each effect.

English

NAMES AND FUNCTIONS OF PARTS

4 Beat display section

Displays the location of parameter 1 relative to BPM (1/1 beat). The lower row is lighted constantly. When the parameter 1 location approaches a threshold value, the corresponding indicator is lighted. When the parameter 1 is between threshold values, the

Effect

selector

DELAY DELAY 1 4 000 500 ms 1/8 1/4 1/2 3/4 1/1 2/1 4/1 8/1 16/1

ECHO ECHO 1 4 000 500 ms

TRANS TRANS 10 16 000 500 ms

FILTER FILTER 10 32 000 2 000 ms

FLANGER FLANGER 10 32 000 2 000 ms

PHASER PHASER 10 32 000 2 000 ms

REVERB REVERB 1 100 50 %

ROBOT ROBOT –100 100 0 %

display

Effect name

Minimum

value

Parameter display Beat display

Maximum

value

Default Unit

indicator flashes. Although the display includes seven actual indicators, the values of the two ends can also be considered to represent indicators, with the result that nine positions can be logically assumed. When the values are at the two ends, no indicators light.

➀➁➂➃➄➅➆➇

1/8 1/4 1/2 3/4 1/1 2/1 4/1 8/1 16/1

1/16 1/8 1/4 1/2 1/1 2/1 4/1 8/1 16/1

1/4 1/2 1/1 2/1 4/1 8/1 16/1 32/1 64/1

10 20 30 40 50 60 70 80 90

—

–100

–66 –50 0 26 50 100 —

➈

CRUSH CRUSH 10 32 000 2 000 ms

ROLL ROLL 10 4 000 500 ms

REV ROLL REVROLL 10 4 000 500 ms

UP ROLL UP ROLL 10 4 000 500 ms

DOWN ROLL DWNROLL 10 4 000 500 ms

SND/RTN SND/RTN

1/4 1/2 1/1 2/1 4/1 8/1 16/1 32/1 64/1

1/16 1/8 1/4 1/2 1/1 2/1 4/1 8/1 16/1

Shaded items are not displayed.

MIXER OPERATIONS

BASIC OPERATIONS

POWER

TRIM

HI, MID, LOW

1 Set rear panel POWER switch to ON. 2 Set the input selector switch for the desired channel to

3 Use the TRIM dial to adjust the input level. 4 Use the channel equalizer dials (HI, MID, LOW) to adjust the

5 Use the channel fader lever to adjust the sound volume of

6 To use the cross fader on the selected channel, set the CROSS

7 Use the MASTER LEVEL dial to adjust the overall sound

8 Use the BALANCE dial to adjust the sound balance between

Microphone input Booth monitor output

choose the connected component.

• CH1: Set to [CD] or [ CH2: Set to [ CH3/4: Set to [

tone.

the selected channel.

FADER ASSIGN switch to either cross fader channel A or channel B, and operate the cross fader lever.

• When not using the cross fader, set the

ASSIGN

switch to [

volume.

right and left.

] or [

LINE

LINE PHONO

] or [

THRU

PHONO

CROSS FADER

MASTER LEVEL

BALANCE

[Selecting Stereo or Monaural]

When the output becomes a monaural combination of L+R channels.

MONO/STEREO

switch is set to [

MONO

], the master

[Microphone Input]

1 To use a microphone, set the MIC switch to [ON] or [TALK

OVER].

• When the switch is set to [ over –15 dB is detected by the microphone, the output for all sound sources other than the microphone are attenuated by 20 dB.

2 Use the MIC 1 LEVEL dial to adjust the sound volume of

MIC 1, and use the MIC 2 LEVEL dial to adjust the sound volume of MIC 2.

3 Use the microphone equalizer dials (HI, LOW) to adjust the

tone of the microphone sound.

• The microphone equalizer function operates simultaneously on microphone 1 and 2.

TALK OVER

], any time a sound of

[Booth Monitor Output]

1 Use the BOOTH MONITOR LEVEL dial to adjust the sound

volume.

• The

BOOTH MONITOR LEVEL

sound volume independently of the

dial can be used to adjust the

MASTER LEVEL

dial.

[Headphones Output]

1 Use the HEADPHONES CUE buttons (channels 1 to 4,

MASTER, EFFECTS) to select the source.

• The selected

2 Set the headphones (MONO SPLIT/STEREO) switch.

• When selected, the selected audio is output to the L channel. When master audio is output from the R channel.

• When set to the [ corresponding to the selected output in stereo.

3 When [MONO SPLIT] is selected, use the MIXING dial to

adjust the balance of sound between the left channel (sound selected with the HEADPHONES CUE button), and the right channel (the master sound – but only when the HEADPHONES CUE button for the [MASTER] is ON).

• When the

MASTER

[

HEADPHONES CUE

increases; when rotated counterclockwise (toward [ the sound selected with the output.

4 Use the LEVEL dial to adjust the headphones’ sound volume.

HEADPHONES CUE

HEADPHONES CUE (1, 2, 3, 4

HEADPHONES CUE

STEREO

MIXING

dial is rotated clockwise (toward

]), the master output (only when the

button for the [

button lights brightly.

(

MASTER

] position, the sound

) button is selected, the

HEADPHONES CUE

MASTER

HEADPHONES CUE

EFFECTS

] is ON)

) button is

button is

CUE

button is

]),

English

Headphones output Fader curve

MONO/

STEREO

MIXER OPERATIONS

[Fader Curve Selection]

Select sound-volume curve corresponding to fader operation.

Use the CH FADER switch to select the desired channel fader response curve.

• At the left setting, the curve operates to produce a rapid rise as the channel fader approaches its distant position.

• At the right setting, the curve operates to produce an even, neutral rise throughout the channel fader’s movement.

• This setting applies equally to channels 1 to 4.

Use the CROSS FADER curve switch to select the cross fader curve response.

• At the left setting, the curve produces a rapid signal rise. (As soon as the cross fader lever leaves the [ channel sound is produced.)

• At the right setting, the curve operates to produce an even, neutral rise throughout the cross fader’s movement.

• At the middle setting, an intermediate curve is produced, midway between the two curves noted above.

• This setting produces equal curve effects for both sides A and B.

] side, the [B]

FADER START FUNCTION

By connecting the optional Pioneer DJ CD Player control cable, the channel fader and cross fader can be used to start CD playback. When the mixer’s channel fader lever or cross fader lever are moved, the CD player is released from the pause mode and automatically –and instantly – begins playback of the selected track. Also, when the fader lever is returned to its original position, the CD player returns to its cue point (back cue), thus allowing “sampler” type play.

Cross fader start play and back cue play

When the CD player assigned to cross fader channel A is set to standby at a cue point, moving the cross fader lever from the right (B) side toward the left (A) side automatically starts play on the channel A CD player. When the cross fader lever reaches the left (A) side, the CD player assigned to channel B goes to back cue (returns to cue point). Also, when the CD player assigned to channel B is set to standby at a cue point, moving the cross fader lever from the left (A) side to the right (B) side automatically starts playback on the channel B CD player. When the cross fader lever reaches the right (B) side, the CD player assigned to channel A goes to back cue (returns to cue point).

• The back cue is performed even if the input selector switch is not set to [

] or [

LINE

[Using the Channel Fader to Start Playback]

FADER START 1, 2

1 Press the FADER START button for the channel (1, 2)

connected to the CD player you wish to control.

• The button for the selected channel lights.

2 Set the channel fader lever to “0”. 3 Set the CD player to the desired cue point, and engage cue

point standby.

• If a cue point has already been set, it is not necessary to set the CD player to standby at the cue point.

4 At the instant you wish to start playback, move the channel

fader lever.

• CD player begins playback.

• After playback has begun, if the channel fader lever is returned to the [ point and re-enters standby mode (back cue).

• Playback control is possible with the channel fader only with the

CROSS FADER ASSIGN

2 4

] position, the CD player returns to the cue

switch is set to [

THRU

MIXER OPERATIONS

[Using the Cross Fader to Start Playback]

English

FADER START 1, 2

CROSS FADER ASSIGN A / THRU / B

1 Press the FADER START button for the channel (1, 2)

connected to the CD player you wish to control.

• The button for the selected channel lights.

2 Set the CROSS FADER ASSIGN switch for the selected channel

to [A] or [B].

• Select [A] to assign to cross fader channel A (left side).

• Select [

3 Move the cross fader lever to the full opposite side away

from the CD player you wish to start.

4 Set the CD player to the desired cue point, and engage cue

point standby.

• If a cue point has already been set, it is not necessary to set the CD player to standby at the cue point.

5 At the instant you wish to start playback, move the cross

fader lever.

• CD player begins playback.

• After playback has begun, if the cross fader lever is moved fully to the opposite side, the CD player assigned to the opposite side channel will return to the cue point and enter standby mode (back cue).

3 5

] to assign to cross fader channel B (right side).

EFFECT FUNCTIONS

This unit can produce a total of 15 basic beat effects (including SND/RTN) through beat effects linked to the BPM and manual filters or effect frequency filters linked to the Additionally, by adjusting the parameters for each effects, a wide range of effects can be produced.

A wide variety of beat effects can be created by adjusting the temporal parameter through the as the quantitative parameter through the (Parameter 2).

A low-pass filter effect or high-pass filter effect can be created with the manual filter or effect frequency filter depending on the positioning of the beat effects with the manual filter or effect frequency filter, a wide range of effects can be created.

FREQUENCY

TIME

dial. Additionally, by combining

FREQUENCY

dial (Parameter 1) as well

LEVEL/DEPTH

dial.

dial

3 Auto TRANS

In units of 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, or 16/1 beat, the sound is automatically cut in synch with the rhythm.

Example

Cut

1 cycle =1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, or 16/1 beat

Cut

Time

TYPES OF BEAT EFFECTS

1 DELAY (One repeat sound)

This function allows a delay sound with beat of 1/8, 1/4, 1/2, 3/4, 1/1, 2/1, 4/1, 8/1, or 16/1 to be added quickly and simply. For example, When a 1/2 beat delay sound is added, four beats become eight beats. Also, by adding a 3/4 beat delay sound, the rhythm becomes syncopated.

Example

Original

Original (4 beats)

(4 beats)

1/2 delay

1/2 delay (8 beats)

(8 beats)

2 ECHO (Multiple repeat sounds)

This function allows an echo sound with beat of 1/8, 1/4, 1/2, 3/4, 1/1, 2/1, 4/1, 8/1, or 16/1 to be added quickly and simply. For example, when a 1/1 beat echo sound is used to cutoff the input sound, a sound in synch with the beat is repeated together with fadeout. Also, by adding a 1/1 beat echo to the microphone, the microphone sound repeats in synch with the music beat. If a 1/1 beat echo is applied to the vocal portion of a track, the song takes on an effect reminiscent of a “round”.

Example

4 FILTER

In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, the filter frequency is moved, greatly changing the sound coloration.

Example

Frequency

cle =1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat

1 c

5 FLANGER

In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, 1 cycle of flanger effect is produced quickly and easily.

Example

Short delay

1 cycle =1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat

6 PHASER

In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, 1 cycle of phaser effect is produced quickly and easily.

Example

Phase shift

1 beat

Cuts input sound

1 beat

1 c

cle = 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat

EFFECT FUNCTIONS

7 REVERB

Produces reverberation effect.

8 ROBOT

Generates sound effect resembling that produced by a robot. When ROBOT is applied to microphone sound, a voicechanger effect is produced.

9 CRUSH

Allows rapid creation of cyclically changing “crush sound effect” in beats of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1.

Example

Time

1 cycle = 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat

10 ROLL

Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1 beats and plays them repeatedly.

Example

Original

12 UP ROLL

Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1 beats, and plays them repeatedly while continuously raising their pitch/key.

Example

Original

Effect ON

1/1 UP ROLL

Key rises and repeats

13 DOWN ROLL

Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1 beats, and plays them repeatedly while continuously lowering their pitch/key.

Example

English

Effect ON

1/1 roll

Repeat

11 REVERSE ROLL

Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1 beats and repeats them but in reverse order.

Example

Original

Effect ON

1/1 reverse roll

Reversed repeat

Original

Effect ON

1/1 DOWN ROLL

Key lowers and repeats

14 SEND/RETURN

By connecting a sampler or effector, a wide variety of other effects can be created.

EFFECT FUNCTIONS

PRODUCING BEAT EFFECTS

Display example

Effect Name: DELAY

BEAT 2, 3

TAP

AUTO

2 3

TIME

LEVEL/DEPTH

ON/OFF

Beat effects allow the instant setting of effect times in synch with the BPM (beats per minute), thus allowing the production of a wide variety of effects in synch with the current rhythm, even during live performances.

1 Set BPM measuring mode to AUTO to measure BPM (beats

per minute).

The BPM of the input music signal is detected automatically. Whenever power is first turned ON, the function defaults to the

AUTO

] mode.

[

• In the event the track’s BPM cannot be detected automatically, the display’s BPM counter will flash.

• Measurable range: BPM=70 to 180.

It may not be possible to measure some tracks accurately.

In this case, press the

TAP

button and input the beat

manually.

[Using the TAP Button for Manual BPM Input]

If the

TAP

button is tapped two times or more in synch with beat (1/4 notes), the BPM will be recorded as the average value recorded during that interval.

• When BPM mode is set to [

], tapping the

TAP

button

AUTO

will cause the BPM mode to change to the TAP mode, and

TAP

the interval at which the

button is pressed will be

measured.

TAP

• When the BPM is set via the

1/1

” (or “

4/1

becomes “

”, depending on the effect selected),

button, the beat multiple

and the time for 1 beat (1/4 notes) or 4 beats will be set as the effect time.

TIME

• If the

dial is rotated while depressing the

TAP

button,

direct BPM can be set manually.

TIME

If the

AUTO

dial is rotated while holding the

buttons depressed, the BPM can be set in 0.1 units.

TAP

button and

2 Set the effect selector to the desired effect.

• The display will show the name of the selected effect.

• See P. 16 to 17 for details regarding the various effects.

3 Set the effect channel selector to the channel you wish to

apply the effect to.

• The selected channel lights in the display’s channel name

area.

MIC

• If [

] is selected, the effect will be applied to both

microphone 1 and microphone 2.

1 2 34

AUTO

TAP

A BM

MIDI

BPM

Effect Channel Select: CH 1

BPM value: 120 BPM

Parameter 1: 500 ms

Beat multiple: 1/1

4 Press the BEAT button (, ) to select the beat multiple to

which the effect is to be synchronized.

• When  is pressed, the beat count calculated from the BPM is doubled, and when



is pressed, the beat count

calculated from the BPM is halved (some effects also allow

3/4

” setting).

“

• The multiple of the selected beat (parameter 1 position) is displayed in seven sections on the display (see P. 12).

• The effect time corresponding to the beat’s multiple is set automatically.

Example: When BPM = 120 1/1 = 500 ms 1/2 = 250 ms 2/1 = 1 000 ms

5 Set the ON/OFF button to ON to enable the effect.

• Each time the button is pressed, the effect alternates ON/ OFF (whenever power is first turned ON, the function defaults to OFF).

• The

ON/OFF

button flashes when the effect is ON.

Parameter 1

Rotating the

TIME (PARAMETER 1

) dial adjusts the temporal parameter (time) for the selected effect. (With some effects, this is used for adjustments other than time parameters.) See P. 20 for details regarding the effect on parameter 1 of rotating

TIME (PARAMETER 1

the

) dial.

Parameter 2

Rotating the

LEVEL/DEPTH (PARAMETER 2

) dial adjusts the quantitative parameter for the selected effect. See P. 20 for details regarding the effect on parameter 2 of rotating

LEVEL/DEPTH (PARAMETER 2

the

) dial.

EFFECT FUNCTIONS

MANUAL FILTER OPERATION

1 MANUAL FILTER

The filter frequency is shifted, resulting in strong changes to the tone. Rotating the dial to the right produces high-pass filter effects, while rotating the dial to the left produces low-pass filter effects.

Low-pass filter

FREQUENCY

Frequency

High-pass filter

HPFLPF

Frequency

FILTER

FREQUENCY

EFFECT FREQUENCY FILTER OPERATION

1 Effect frequency filter

Sets the filter’s cutoff frequency, allowing the beat effect to be applied to a desired frequency band alone.

Through

FREQUENCY

Frequency Frequency

Beat effect

HPFLPF

Through

FREQUENCY

Beat effect

FILTER

English

The manual effecter is linked to the

FREQUENCY

dial. The output sounds of the manual effecter become the input sounds for the beat effect.

• When the beat effect type is set to ROLL, REVERSE ROLL, UP

ROLL, or DOWN ROLL, the beat effect’s output sound becomes the input sound for the manual effecter.

1 Press the FILTER button so that it flashes.

• Confirm that the

FILTER

button flashes steadily.

• When it lights, press the button so that it flashes. Each time the button is pressed, it alternates between flashing and lighting steadily.

• When power is first turned ON, defaults to steadily lighted.

2 Use the effect channel select switch to choose the channel to

which you wish to apply the effects.

• The name of the selected channel will appear in the display’s channel name section.

MIC

• When [

] is selected, the effect will be applied to both

microphone 1 and microphone 2.

3 Use the FREQUENCY dial to adjust the filter’s cutoff

frequency.

• Rotate counterclockwise to apply a low-pass filter.

• Rotate clockwise to apply a high-pass filter.

The effect frequency filter is linked to the

FREQUENCY

dial. The

beat effect is applied only to the selected frequency band.

• The function is not supported when SEND/RETURN is selected as the type of beat effect.

1 Press the FILTER button so that it lights.

• Confirm that the

FILTER

button lights steadily.

• When flashing, press the button so that it lights. Each time the button is pressed, it alternates between flashing and lighting steadily.

• When power is first turned ON, defaults to steadily lighted.

2 Operate the beat effect.

• For details, see page 18.

3 Use the FREQUENCY dial to select the frequency to which

you wish to apply the beat effect.

• Rotate counterclockwise to apply the effect to low-range sounds only. High-frequency sounds are set to through.

• Rotate clockwise to apply the effect to high-range sounds only. Low-frequency sounds are set to through.

EFFECT FUNCTIONS

EFFECT PARAMETERS

Beat Effect (*1)

Name Beat Switch Parameter Parameter 1 (TIME dial) Parameter 2

Contents Setting Range (unit)

1 DELAY

2 ECHO (*2)

3 TRANS

4 FILTER

5 FLANGER

6 PHASER

7 REVERB (*2)

8 ROBOT

9 CRUSH

10 ROLL (*2)

11 REVERSE

ROLL (*2)

12 UP ROLL (*2)

13 DOWN ROLL

(*2)

14 SEND/

RETURN

(*1) When the effect channel selector is set to [ sound is not output to the master output, the effect sound will not be heard.

(*2) When effect is disabled (OFF), the effect sound will not be heard, even if monitor is set to effector.

Sets delay time of 1/8 to 16/1 per 1 beat of BPM time.

Sets cut time of 1/16 to 16/1 per 1 beat of BPM time.

Cycle of cutoff frequency shift is set in unit of 1/4 to 64/1 relative to 1 beat of BPM.

Cycle of flanger shift is set in units of 1/4 to 64/1 relative to 1 beat of BPM.

Cycle of phaser effect shift is set in units of 1/4 to 64/1 relative to 1 beat of BPM.

Amount of reverberation is set from 1 % to 100 %.

Sets pitch of robot sound effect within range of –100 % to +100 %.

Cycle of crush effect movement is set to 1/4 to 64/1 relative to a single beat of BPM.

Effect time is set as 1/16 to 16/1 relative of 1 beat of BPM.

———Sets volume of RETURN input

Sets delay time. 1 to 4 000 (ms) Sets balance between original and

Sets delay time. 1 to 4 000 (ms) Sets balance between original sound

Sets effect time. 10 to 16 000 (ms) Sets balance between original sound

Sets cycle for cutoff time shift.

Sets cycle for flanger effect shift.

Sets cycle for phase effect shift.

Sets amount of reverberation effect.

Sets pitch of robot sound effect.

Sets cycle for crush effect shift.

Sets effect time. 1 to 4 000 (ms) Sets balance of original sound and

CF.A

], [

CF.B

], or [

MASTER

10 to 32 000 (ms) Amount of effect increases when

1 to 100 (%) Sets balance between original sound

–100 to +100 (%) Amount of effect increases when

10 to 32 000 (ms) Amount of effect increases when

], even if the effect monitor is turned ON, if the selected channel’s

(LEVEL/DEPTH dial) contents

delay sound.

and echo sound.

and effect sound.

dial is turned clockwise.

dial is turned clockwise. When dial is turned fully counterclockwise, only original sound is output.

and effect sound.

dial is turned clockwise.

dial is turned clockwise. When dial is turned fully counterclockwise, only original sound is output.

roll sound.

sound.

MIDI SETTINGS

MIDI is an acronym for “Musical Instrument Digital Interface” and refers to a protocol developed for the exchange of data between electronic instruments and computers. A MIDI cable is used to connect components equipped with MIDI connectors to enable the transmission and receipt of data. The DJM-700-S/DJM-700-K uses the MIDI protocol for transmitting data about component operation and BPM (timing clock).

DJ CD Player

MIDI sequencer

MIDI OUT

Audio

OUT

BPM =120

SYNCHRONIZING AUDIO SIGNALS TO EXTERNAL SEQUENCER, OR USING DJM-700-S/DJM-700-K INFORMATION TO OPERATE AN EXTERNAL SEQUENCER

1 Use a commercially available MIDI cable to connect the

DJM-700-S/DJM-700-K’s MIDI OUT connector to the MIDI sequencer’s MIDI IN connector.

• Set the MIDI sequencer’s synch mode to “Slave”.

• MIDI sequencers that do not support MIDI timing clock cannot be synchronized.

• Synch may not be achieved if the track’s BPM cannot be detected and measured stably.

• BPM values set with the TAP mode can also be used to output the timing clock.

2 Press the MIDI START/STOP button.

• The MIDI timing clock output range is 40 to 250 BPM.

English

DJM-700-S/DJM-700-K

MIDI START /STOP

TIME

[MIDI Channel Setting]

The MIDI channel (1 to 16) can be set and stored in memory.

1 While holding the MIDI START/STOP button depressed, set

the power switch to ON.

• The display will show [ MIDI setting mode.

2 Rotate the TIME dial to select the MIDI channel. 3 Press the MIDI START/STOP button.

• Records MIDI channel. During recording of channel, [ indicator flashes.

• When recording of channel is completed, [ displayed.

4 Set power to OFF.

CH SET

] and the unit will enter the

END

SAVE

] is

]

MIDI SETTINGS

MIDI MESSAGES

Category Switch Name Switch Type

CH1 HI VR Bn 02 dd 0 to 127

MID VR Bn 03 dd 0 to 127 LOW VR Bn 04 dd 0 to 127 CUE BUTTON Bn 46 dd OFF=0, ON=127 FADER VR Bn 11 dd 0 to 127 CF ASSIGN SW Bn 41 dd 0, 64, 127

CH2 HI VR Bn 07 dd 0 to 127

MID VR Bn 08 dd 0 to 127 LOW VR Bn 09 dd 0 to 127 CUE BUTTON Bn 47 dd OFF=0, ON=127 FADER VR Bn 12 dd 0 to 127 CF ASSIGN SW Bn 42 dd 0, 64, 127

CH3 HI VR Bn 0E dd 0 to 127

MID VR Bn 0F dd 0 to 127 LOW VR Bn 15 dd 0 to 127 CUE BUTTON Bn 48 dd OFF=0, ON=127 FADER VR Bn 13 dd 0 to 127 CF ASSIGN SW Bn 43 dd 0, 64, 127

CH4 HI VR Bn 51 dd 0 to 127

MID VR Bn 5C dd 0 to 127 LOW VR Bn 52 dd 0 to 127 CUE BUTTON Bn 49 dd OFF=0, ON=127 FADER VR Bn 14 dd 0 to 127

CF ASSIGN SW Bn 44 dd 0, 64, 127 CROSS FADER CROSS FADER VR Bn 0B dd 0 to 127 FADER CURVE CH CURVE SW Bn 5E dd 0, 127

CROSS CURVE SW Bn 5F dd 0, 64, 127 MASTER MASTER LEVEL VR Bn 18 dd 0 to 127

BALANCE VR Bn 17 dd 0 to 127

CUE BUTTON Bn 4A dd OFF=0, ON=127 BOOTH MONITOR VR Bn 19 dd 0 to 127 FILTER FILTER BUTTON Bn 54 dd OFF=0, ON=127

FREQUENCY VR Bn 05 dd 0 to 127

MIDI Message

MSB LSB

Commnets

MIDI SETTINGS

Category Switch Name Switch Type

EFFECT BEAT LEFT BUTTON Bn 4C dd OFF=0, ON=127

BEAT RIGHT BUTTON Bn 4D dd OFF=0, ON=127 AUTO/TAP BUTTON Bn 45 dd OFF=0, ON=127 TAP BUTTON Bn 4E dd OFF=0, ON=127 CUE BUTTON Bn 4B dd OFF=0, ON=127 EFFECT KIND SW Cn pc CH SELECT SW Cn pc TIME SW Bn 0D MSB Bn 2D LSB PARAMETER 1 value;

LEVEL/DEPTH VR Bn 5B dd 0 to 127 EFFECT ON/OFF BUTTON Bn 40 dd OFF=0, ON=127

MIC HI VR Bn 1E dd 0 to 127

LOW VR Bn 1F dd 0 to 127

(FADER START) FADER START 1 BUTTON Bn 58 dd OFF=0, ON=127

FADER START 2 BUTTON Bn 59 dd OFF=0, ON=127

(HEAD PHONES) MIXING VR Bn 1B dd 0 to 127

LEVEL VR Bn 1A dd 0 to 127

MIDI START BUTTON FA

STOP BUTTON FC

MIDI Message

MSB LSB

Commnets

See “PROGRAM CHANGE” below.

FLANGER, PHASER, FILTER, CRUSH changed to 1/2 value; minus values are converted to positive.

English

MIDI SETTINGS

PROGRAM CHANGE

MSB LSB

00EFFSEL2 EFFSEL1 EFFSEL0 EFFCH2 EFFCH1 EFFCH0

• EFFECT SEL BEAT EFFSEL2 EFFSEL1 EFFSEL0

001DELAY 010ECHO 100TRANS 110FILTER 101FLANGER 111PHASER

011REVERB ———ROBOT ———CRUSH ———ROLL ———REV ROLL ———UP ROLL ———DWNROLL ———SND/RTN

0011

0102

0113

1004

101MIC

110CF.A

111CF.B ———MASTER

SNAPSHOT

Once the DJM-700-S/DJM-700-K is setup with parameters for a given purpose, that set of parameters can be recorded as a snapshot. When snapshot of the current status is recorded, all messages for control change and program change are transmitted. Hold the the snapshot.

MIDI START/STOP

button depressed to send

MIDI ON/OFF

Use the

MIDI ON/OFF

signal is generated. The default condition is MIDI OFF. Even when MIDI OFF is selected, however, timing clock and snap shot functions are supported.

button to control whether the MIDI control

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