Pioneer DJM-700-K, DJM-700-S User Manual 2

DJ MIXER

DJM-700-S
DJM-700-K

Operating Instructions

Thank you for buying this Pioneer product.
Please read through these operating instructions so you will know how to operate your model properly. After you have finished reading
the instructions, put them away in a safe place for future reference.
In some countries or regions, the shape of the power plug and power outlet may sometimes differ from that shown in the explanatory
drawings. However the method of connecting and operating the unit is the same.

IMPORTANT

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to
alert the user to the presence of uninsulated
"dangerous voltage" within the product's
enclosure that may be of sufficient
magnitude to constitute a risk of electric
shock to persons.

NOTE:

THE NO USER-SERVICEABLE PARTS COMPARTMENT WARNING IS LOCATED ON THE APPLIANCE BOTTOM.

1)

Read these instructions.

2)

Keep these instructions.

3)

Heed all warnings.

4)

Follow all instructions.

5)

Do not use this apparatus near water.

6)

Clean only with dry cloth.

7)

Do not block any ventilation openings.
Install in accordance with the

CAUTION:

TO PREVENT THE RISK OF ELECTRIC
SHOCK, DO NOT REMOVE COVER (OR
BACK). NO USER-SERVICEABLE PARTS
INSIDE. REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.

Only use attachments/accessories

11)
specified by the manufacturer.
Use only with the cart, stand, tripod,

12)
bracket, or table specified by the
manufacturer, or sold with the apparatus.
When a cart is used, use caution when
moving the cart/apparatus combination to
avoid injury from tip-over.

manufacturer’s instructions.

8)

Do not install near any heat sources such
as radiators, heat registers, stoves,
or other apparatus (including amplifiers)
that produce heat.

9)

Do not defeat the safety purpose of the
polarized or grounding-type plug.
A polarized plug has two blades with one
wider than the other. A grounding type
plug has two blades and a third grounding
prong. The wide blade or the third prong
are provided for your safety. If the provided
plug does not fit into your outlet, consult
an electrician for replacement of the
obsolete outlet.

10)

Protect the power cord from being walked
on or pinched particularly at plugs,
convenience receptacles, and the point
where they exit from the apparatus.

NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to
Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in
a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation. If this equipment does
cause harmful interference to radio or television reception, which can be determined by turning the equipment off
and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.

When using this product follow the instructions
written on the underside of the unit, which
concern rated voltage, etc.

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Unplug this apparatus during lightning

13)
storms or when unused for long periods of
time.
Refer all servicing to qualified service

14)
personnel. Servicing is required when the
apparatus has been damaged in any way,
such as power-supply cord or plug is
damaged, liquid has been spilled or
objects have fallen into the apparatus, the
apparatus has been exposed to rain or
moisture, does not operate normally, or
has been dropped.

CAUTION

The POWER switch on this unit will not completely
shut off all power from the AC outlet. Since the
power cord serves as the main disconnect device for
the unit, you will need to unplug it from the AC outlet
to shut down all power. Therefore, make sure the
unit has been installed so that the power cord can
be easily unplugged from the AC outlet in case of an
accident. To avoid fire hazard, the power cord should
also be unplugged from the AC outlet when left
unused for a long period of time (for example, when
on vacation).

The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the appliance.

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WARNING

This equipment is not waterproof. To prevent a fire
or shock hazard, do not place any container filed
with liquid near this equipment (such as a vase or
flower pot) or expose it to dripping, splashing, rain
or moisture.

IMPORTANT NOTICE

THIS EQUIPMENT IS LOCATED ON THE BOTTOM.
PLEASE WRITE THIS SERIAL NUMBER ON YOUR
ENCLOSED WARRANTY CARD AND KEEP IN A
SECURE AREA. THIS IS FOR YOUR SECURITY.

Information to User

Alteration or modifications carried out without
appropriate authorization may invalidate the user’s
right to operate the equipment.

CAUTION: This product satisfies FCC regulations
when shielded cables and connectors are used to
connect the unit to other equipment. To prevent
electromagnetic interference with electric appliances
such as radios and televisions, use shielded cables
and connectors for connections.

This Class B digital apparatus complies with
Canadian ICES-003.

Cet appareil numérique de la Classe B est conforme
à la norme NMB-003 du Canada.

CAUTION – PREVENT ELECTRIC SHOCK DO

RECEPTACLE OR OTHER OUTLET

ATTENTION –

WARNING: Handling the cord on this product or

cords associated with accessories sold with the
product will expose you to chemicals listed on
proposition 65 known to the State of California and
other governmental entities to cause cancer and
birth defect or other reproductive harm.

Wash hands after handling

WARNING

To prevent a fire hazard, do not place any naked
flame sources (such as a lighted candle) on the
equipment.

VENTILATION CAUTION

When installing this unit, make sure to leave space
around the unit for ventilation to improve heat
radiation (at least 5 cm at rear, and 3 cm at each
side).

WARNING

Slots and openings in the cabinet are provided for
ventilation to ensure reliable operation of the
product, and to protect it from overheating. To
prevent fire hazard, the openings should never be
blocked or covered with items (such as newspapers,
table-cloths, curtains) or by operating the
equipment on thick carpet or a bed.

POWER-CORD CAUTION

Handle the power cord by the plug. Do not pull out the
plug by tugging the cord and never touch the power
cord when your hands are wet as this could cause a
short circuit or electric shock. Do not place the unit, a
piece of furniture, etc., on the power cord, or pinch the
cord. Never make a knot in the cord or tie it with other
cords. The power cords should be routed such that they
are not likely to be stepped on. A damaged power cord
can cause a fire or give you an electrical shock. Check
the power cord once in a while. When you find it
damaged, ask your nearest PIONEER authorized
service center or your dealer for a replacement.

– THE SERIAL NUMBER FOR

NOT USE THIS (POLARIZED) PLUG
WITH AN EXTENSION CORD.

UNLESS THE BLADES CAN BE
FULLY INSERTED TO PREVENT
BLADE EXPOSURE.
POUR PREVENIR LES CHOCS
ELECTRIQUES NE PAS UTILISER
CETTE FICHE POLARISEE AVEC UN
PROLONGATEUR UNE PRISE DE
COURANT OU UNE AUTRE SORTIE
DE COURANT, SAUF SI LES LAMES
PEUVENT ETRE INSEREES A FOND
SANS EN LAISSER AUCUNE PARTIE
A DECOUVVERT.

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Selecting fine audio equipment such as the unit
you’ve just purchased is only the start of your
musical enjoyment. Now it’s time to consider how
you can maximize the fun and excitement your
equipment offers. This manufacturer and the
Electronic Industries Association’s Consumer
Electronics Group want you to get the most out of
your equipment by playing it at a safe level. One that
lets the sound come through loud and clear without
annoying blaring or distortion-and, most importantly,
without affecting your sensitive hearing.

Sound can be deceiving. Over time your hearing
“comfort level” adapts to higher volumes of sound.
So what sounds “normal” can actually be loud and
harmful to your hearing. Guard against this by
setting your equipment at a safe level BEFORE your
hearing adapts.

To establish a safe level:

• Start your volume control at a low setting.

• Slowly increase the sound until you can hear it

comfortably and clearly, and without distortion.

Once you have established a comfortable sound
level:

• Set the dial and leave it there.

Taking a minute to do this now will help to prevent
hearing damage or loss in the future. After all, we
want you listening for a lifetime.

We Want You Listening For A Lifetime

Used wisely, your new sound equipment will
provide a lifetime of fun and enjoyment. Since
hearing damage from loud noise is often
undetectable until it is too late, this manufacturer
and the Electronic Industries Association’s
Consumer Electronics Group recommend you avoid
prolonged exposure to excessive noise. This list of
sound levels is included for your protection.

Decibel
Level Example

30 Quiet library, soft whispers
40

Living room, refrigerator, bedroom away from traffic
50 Light traffic, normal conversation, quiet office
60 Air conditioner at 20 feet, sewing machine
70 Vacuum cleaner, hair dryer, noisy restaurant
80

Average city traffic, garbage disposals, alarm clock
at two feet.

THE FOLLOWING NOISES CAN BE DANGEROUS
UNDER CONSTANT EXPOSURE

Subway, motorcycle, truck traffic, lawn mower

90
100 Garbage truck, chain saw, pneumatic drill
120 Rock band concert in front of speakers,
thunderclap
140 Gunshot blast, jet plane
180 Rocket launching pad

Information courtesy of the Deafness Research Foundation.

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Operating Environment

Operating environment temperature and humidity:
+5 ºC – +35 ºC (+41 ºF – +95 ºF); less than 85 %RH
(cooling vents not blocked)
Do not install this unit in a poorly ventilated area, or in
locations exposed to high humidity or direct sunlight (or
strong artificial light)

WARNING

Before plugging in for the first time, read the following

section carefully.

The voltage of the available power supply differs
according to country or region. Be sure that the
power supply voltage of the area where this unit
will be used meets the required voltage (e.g., 230V
or 120V) written on the bottom panel.

If the AC plug of this unit does not match the AC
outlet you want to use, the plug must be removed
and appropriate one fitted. Replacement and
mounting of an AC plug on the power supply cord of
this unit should be performed only by qualified
service personnel. If connected to an AC outlet, the
cut-off plug can cause severe electrical shock. Make
sure it is properly disposed of after removal.
The equipment should be disconnected by removing
the mains plug from the wall socket when left
unused for a long period of time (for example, when
on vacation).

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Contents

CONFIRM ACCESSORIES..............................................4

CAUTIONS REGARDING HANDLING............................4

Location.......................................................................................... 4

Cleaning the Unit........................................................................... 4

FEATURES ....................................................................4

CONNECTIONS .............................................................5

CONNECTION PANEL................................................................... 5

CONNECTING INPUTS.................................................................. 6

CONNECTING EXTERNAL EFFECTORS, OUTPUT

CONNECTORS ............................................................................... 7

ABOUT MIDI CONNECTORS........................................................ 8

CONNECTING MICROPHONE AND HEADPHONES ................. 8

CONNECTING THE POWER CORD.............................................. 8

NAMES AND FUNCTIONS OF PARTS ...........................9

MIXER OPERATIONS..................................................13

FADER START FUNCTION .......................................................... 14

EFFECT FUNCTIONS ...................................................16

PRODUCING BEAT EFFECTS...................................................... 18

MANUAL FILTER OPERATION.................................................... 19

EFFECT FREQUENCY FILTER OPERATION................................ 19

EFFECT PARAMETERS................................................................20

MIDI SETTINGS..........................................................21

SYNCHRONIZING AUDIO SIGNALS TO EXTERNAL
SEQUENCER, OR USING DJM-700-S/DJM-700-K
INFORMATION TO OPERATE AN EXTERNAL

SEQUENCER................................................................................21

MIDI MESSAGES .........................................................................22

PROGRAM CHANGE...................................................................24

SNAPSHOT................................................................................... 24

MIDI ON/OFF................................................................................ 24

TROUBLESHOOTING ..................................................25

SPECIFICATIONS........................................................26

BLOCK DIAGRAM......................................................27

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CONFIRM ACCESSORIES / CAUTIONS REGARDING HANDLING / FEATURES

CONFIRM
ACCESSORIES

Operating Instructions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1

CAUTIONS REGARDING

FEATURES

Designed for high sound quality

Analog signals are transmitted by the shortest circuitry and
converted to digital format at 96 kHz sampling rate via a 24-bit high
quality A/D converter. As a result, signals are passed to the digital
mixing stage in the best possible state. Mixing is performed with a
32-bit DSP, totally eliminating any loss in fidelity, while the ideal
level of filtering is introduced to produce optimum sound for DJ
play.
These features are housed in a high-rigidity chassis with high­output power section and other features that carry on the high­fidelity performance of the DJM-1000, thus ensuring the utmost in
clear and powerful club sound.

HANDLING

Manual Filter

Location

Install the unit in a well-ventilated location where it will
not be exposed to high temperatures or humidity.

• Do not install the unit in a location which is exposed to direct
rays of the sun, or near stoves or radiators. Excessive heat
can adversely affect the cabinet and internal components.
Installation of the unit in a damp or dusty environment may
also result in a malfunction or accident. (Avoid installation
near cookers etc., where the unit may be exposed to oily
smoke, steam or heat.)

• When the unit is used inside a carrying case or DJ booth,
separate it from the walls or other equipment to improve
heat radiation.

Cleaning the Unit

• Use a polishing cloth to wipe off dust and dirt.

• When the surfaces are very dirty, wipe with a soft cloth
dipped in some neutral cleanser diluted five or six times with
water and wrung out well, then wipe again with a dry cloth.
Do not use furniture wax or cleaners.

• Never use thinners, benzene, insecticide sprays or other
chemicals on or near this unit, since these will corrode the
surfaces.

This unit features Manual Effecter for more intuitive setting of
effects, thus expanding the potential range of DJ play. In addition,
by combining this with “beat effects,” an even wider range of
effects can be produced, allowing a tremendous variety of remix
and DJ play.

Beat effects

The “beat effects” so popular on the DJM-600 are continued here.
Effects can be applied in linkage to the BPM (Beats Per Minute)
count, thus allowing the production of a variety of sounds.
Equipped with a broad range of special effects, including delay,
echo, trans, filter, flanger, phaser, reverb, robot, crush, roll, reverse
roll, uproll, and downroll.

This unit features an “effect frequency filter” allowing the user to
limit what frequency bands are subjected to effects, and which are
not. This enhances the degree of audio expression compared to
conventional effecters that are applied to the entire frequency
range.

Digital OUT

The digital output connectors support sampling rates 96 kHz/24­bit format and 48 kHz/24-bit format, making the unit even more
convenient for cutting studio tracks or on other occasions when
high sound fidelity is required. (Only linear PCM is supported.)

MIDI OUT

Virtually all the dial and switch information of the DJM-700-S/
DJM-700-K can be output in MIDI signal format, allowing a
component supporting MIDI control to be controlled via MIDI.

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Other functions

•A control cable can be used to connect the unit to a Pioneer DJ
CD player, thus allowing playback to be linked to operation of the
fader (“fader start play”).

• Built-in “3-band equalizer” supports level control within the
range of +6 dB to –26 dB in each bandwidth.

• “Cross fader assignment” function allows each channel’s input
to be assigned flexibly to a cross fader.

• “Talk over” function automatically lowers track volume during
microphone input.

• “Fader curve adjustment” function allows modification of the
cross fader and channel fader curves.

CONNECTIONS

CONNECTIONS

CONNECTION PANEL

1 2 3 4 7 8 9

CH-4 CH-3 CH-2 CH-1

PHONO LINE

L

R

MASTER2

RL

MASTER

-6dB -3dB 0dB

POWER

BOOTH REC

OFF

ON

1 GND

2 HOT

3 COLD

MASTER1

RL

L

R

1 POWER switch
2 BOOTH monitor output connectors

RCA-type booth monitor output jack.
The sound level from these connectors is controlled independently
by the

BOOTH MONITOR LEVEL

the

MASTER LEVEL

dial.

dial, regardless of the position of

3 Recording output connectors (REC)

RCA type output connectors for recording.

4 PHONO input connectors

RCA type phono level (MM cartridge) input connectors.
Do not use for inputting line level signals.

5 LINE input connectors

RCA type line level input connectors.
Use to connect a cassette deck or other line level output
component.

6CD input connectors

RCA type line level input connectors.
Use to connect a DJ CD player or other line level output
component.

7 CONTROL connectors

Ø3.5 mm mini-connector. Use to connect to the control connector
of a Pioneer DJ CD player.
When the connectors are connected, the DJM-700-S/DJM-700-K’s
fader can be used to perform start/stop on the DJ CD player.

8 Two microphone input jacks (MIC 2)

Connect microphones equipped with phone-type plugs.

9 Signal grounding terminals (SIGNAL GND)

Reduces noise when connecting an analog turntable.

10 MIDI OUT connector

DIN type output connector.
Use to connect to other MIDI component (see P. 21).

5 6

PHONO LINE PHONO

L

R

SIGNAL GND

SEND

ATT.

RL

(MONO)

CD

L

CONTROL

R

RETURN

(MONO)

RL

LINE

L

R

DIGITAL OUT

fs(Hz)

48k 96k

CD

MIC 2

CONTROL

MIDI OUT

101112151718 1316 14

11 DIGITAL OUT connector

RCA type digital coaxial output connector.
Master audio digital output.

12 Sampling frequency selector switch (fs 48 k/96 k)

Use to set the sampling frequency of the digital output to 96 kHz/
24-bit format or 48 kHz/24-bit format.

• Turn power off before changing this switch position.

13 RETURN connectors

Ø6.3 mm phone-type input connectors.
Use to connect to the output connectors of external effectors or
similar components.
When the L channel only is connected, the L channel input is
simultaneously input to the R channel.

14 SEND output connectors

Ø6.3 mm phone-type output connectors.
Use to connect to the input connectors of external effectors or
other similar components. When the L channel only is connected,
a L+R monaural signal is output.

15 Master output attenuator switch (MASTER ATT)

Use to attenuate the level of the master 1 and master 2 outputs.
Attenuation can be set to 0 dB, –3 dB, or –6 dB.

16 MASTER 2 output connectors

RCA type unbalanced output.

17 MASTER 1 output connectors

XLR type (male) balanced output.

• When using a cord with RCA-type plug, users are recommended

to connect the plug directly to the

MASTER 2

connectors

without using an XLR/RCA converter plug.

18 Power cord

Connect to ordinary AC outlet.

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CONNECTIONS

Always turn off the power switch and disconnect the power plug from its outlet when making or changing connections.

CONNECTING INPUTS

Pioneer DJ CD players

The audio output connectors of a DJ-type CD player can be
connected to the

LINE

input connectors (channel 1) of the DJM-700-S/DJM-700-K.

Connect the control cord to the
selector switch to [

CD

input connectors (channel 1 or 2), or to the

CD

] or [

LINE

CONTROL

].

jack, and set the input

Analog turntable

To connect an analog turntable, connect the turntable’s audio
output cable to one of the channel 2 to 4
connectors. Set the corresponding channel’s input selector switch
to [

PHONO

]. The DJM-700-S/DJM-700-K’s

MM cartridges.

BOOTH REC

POWER

OFF

ON

1 GND

2 HOT

3 COLD

MASTER1

RL

PHONO

input

PHONO

inputs support

Input selector switch

CH-4 CH-3 CH-2 CH-1

L

R

PHONO LINE

L

R

MASTER2

RL

PHONO LINE PHONO

L

R

MASTER

ATT.

-6dB -3dB 0dB

Connect the ground wire from an analog turntable to the

SIGNAL GND

• Note that no

terminal of the DJM-700-S/DJM-700-K.

PHONO

input connector is provided for channel 1.

Connecting other line level output devices

To use a cassette deck or ordinary CD player, connect its audio
output connectors to one of the DJM-700-S/DJM-700-K’s
input connectors (channel 1, 3, or 4) or to the
(channel 1 or 2), and set the input selector switch to [

SIGNAL GND

SEND

(MONO)

RL

CD

L

R

RETURN

RL

CONTROL

(MONO)

LINE

L

R

DIGITAL OUT

fs(Hz)

48k 96k

CD

CONTROL

MIDI OUT

MIC 2

CD

input connectors

LINE

LINE

].

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CD player, etc.

Analog turntable Analog turntable DJ CD player DJ CD player Cassette deck, etc.

CONNECTIONS

CONNECTING EXTERNAL EFFECTORS, OUTPUT CONNECTORS

Master output

This unit is furnished with balanced output
XLR plugs), and unbalanced output
plugs).
Using the

MASTER ATT

switch, adjust the output level to match
the input sensitivity of the power amplifier used.
If the operating panel’s

MONO/STEREO

the master output will be a monaural combination of L+R
channels.

MASTER 1

MASTER 2

switch is set to [

(supporting

(supporting RCA

MONO

Booth monitor output

Unbalanced output supporting RCA-type plug. The sound volume
for this output is controlled by the

BOOTH MONITOR LEVEL

dial,

independently of the master output level setting.

Recording output

These are output connectors for recording, supporting RCA plugs.

Cassette deck

Power amplifier

(for booth monitor)

(analog input

recording device)

Digital output

This is a coaxial digital output connector, supporting RCA plugs.
The sampling frequency can be set to 96 kHz/24-bit format or
48 kHz/24-bit format to match the connected device.

• Turn power off before changing this switch position.

],

External effector

Use a cable with Ø6.3 mm phone plugs to connect the DJ mixer’s

SEND

connectors to the effector’s input connectors.
When using an effector with monaural inputs, connect only to the
DJ mixer’s L channel output. In this way, the mixed L+R audio
signal will be sent to the effector. In the same way, use a cable with
Ø6.3 mm phone plugs to connect the DJ mixer’s
connectors to the output connectors of the effector.
If the effector has only monaural output, connect to the DJ mixer’s
L channel input only. The signal from the effector will be input to
both L and R channels.
When using an external effector, set the effect selector to [

RTN

].

Power amplifier

Digital input AV amplifier

(RCA plug input

connectors)

recording device)

RETURN

(digital input

SND/

BOOTH REC

POWER

OFF

ON

1 GND

2 HOT

3 COLD

MASTER1

RL

Power amplifier

(XLR plug input connectors)

L

R

PHONO LINE

MASTER ATT switch

Sampling frequency
selector switch

CH-4 CH-3 CH-2 CH-1

L

R

MASTER2

RL

PHONO LINE PHONO

L

R

MASTER

ATT.

-6dB -3dB 0dB

SIGNAL GND

SEND

(MONO)

RL

CD

L

CONTROL

R

RETURN

(MONO)

RL

LINE

L

R

DIGITAL OUT

fs(Hz)

48k 96k

CD

MIC 2

CONTROL

MIDI OUT

External effector

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CONNECTIONS

d

1

7

4

2

1

0

–

–

–

–

–

–

–

–

ABOUT MIDI CONNECTORS

See P. 21 regarding the functions of MIDI connectors.

CONNECTING MICROPHONE AND HEADPHONES

Microphone

A microphone with XLR-type plug can be connected to the
connector on the Operation Panel (upper) .
The

MIC 2

microphone with Ø6.3 mm phone plugs.

• When using a microphone, set the operating panel’s

jack on the connection panel can be used to connect a

MIC

to [

ON

] or [

TALK OVER

], and adjust the

LEVEL

dial as
necessary.
When not using a microphone, it is recommended to set the

MIC

switch to [

counterclockwise to the [–

OFF

] and rotate the

∞

] side.

LEVEL

dial fully

Microphone 1

Microphone 2

MIC1 LEVEL

MIC 1

switch

MIC1

Headphones

The

PHONES

be used to connect headphones with a Ø6.3 mm stereo phone
plug.

OV

jack on the upper surface of the operating panel can

HEADPHONES

MONO SPLIT STEREO

MIXING

MASTERCUE

LEVEL

Headphones

PHONES

0

0

MIC2 LEVEL

0

MIC 2

MIDI OUT

CONNECTING THE POWER CORD

Connect the power cord last.

• After completing all other connections, connect the power plug to an ordinary AC outlet.

HI

+12-12

LOW

+12-12

MIC

TAL K

OVER

OFF ON

FADER START

CH-1 CH-2

EQ

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NAMES AND FUNCTIONS OF PARTS

NAMES AND FUNCTIONS OF PARTS

OPERATION PANEL

1

MIC1 LEVEL

2

MIC2 LEVEL

3

4

5

6

OFF ON

7

FADER START

CH-1 CH-2

17

HEADPHONES

MONO SPLIT STEREO

28

29

30

31

HI

LOW

MIC

MIXING

LEVEL

PHONES

33 34

MIDI

BEAT EFFECTS

BEAT

TAP

FREQUENCY

ROBOT

REVERB

DELAY

4

MIC

3
2

1

TIME

LEVEL/DEPTH

MIN

ON/OFF

HPFLPF

16

CRUSH ROLL

ROLL
REVERSE
UP
DOWN

SND/RTN

CF.A

CF.B

MASTER

MAX

POWER

44

35
36

37
38

39

40

41

42

43

DJM–700

MASTER

LEVEL

ON/OFF START/STOP

0

23

OVER

10

7

4

2

1

24 32

0

–1

23

–2

–3

AUTO

–5

–7

FILTER

–10

–15

–24

dBLR

MASTER EFFECTS

BALANCE

MONO STEREO

PHASER

FLANGER

25

FILTER

TRANS

ECHO

RL

26

BOOTH MONITOR

LEVEL

27

0

CH FADER

20

CROSS FADER

21

OVER

10

10

9
8
7
6
5
4
3
2
1
0

7

4

2

1

0

–1

–2

–3

–5

–7

–10

–15

–24

dB

PROFESSIONAL MIXIER

10

TRIM

11

+9

HI

12

+6-26

MID

13

+6-26

LOW

14

+6-26

15

16

MIC1

0

0

+12-12

+12-12

TALK

OVER

MASTERCUE

0

CH-1 CH-2 CH-3 CH-4

LINECD CD PHONO LINE PHONO LINE PHONO

8

TRIM

11

OVER

10

7

4

2

1

0

–1

–2

–3

–5

–7

EQ

–10

–15

–24

dB

16 16 16 16

10

9
8
7
6
5
4
3
2
1
0

OVER

+9

HI

12

+6-26

MID

EQ EQ EQ EQ

13

+6-26

LOW

14

+6-26

15

1234

18 19 18 19

A THRU B

9

TRIM

10

+9

7

HI

4

2

1

0

+6-26

–1

MID

–2

–3

–5

–7

+6-26

–10

LOW

–15

–24

dB

+6-26

15

10

9
8
7
6
5
4
3
2
1
0

11

12

13

14

TRIM

OVER

10

7

4

2

1

0

–1

–2

–3

–5

–7

–10

–15

–24

dB

15

10
9
8
7
6
5
4
3
2
1
0

18 19 18 19

A THRU B A THRU B A THRU B

CROSS FADER ASSIGN

AB

10
11

+9

HI

12

+6-26

MID

13

+6-26

LOW

14

+6-26

HEADPHONES CUE

22

1 Microphone 1 input jack (MIC 1)

Connect microphone with XLR-type plug.

2 Microphone 1 level control dial (MIC 1 LEVEL)

Use to adjust the volume of microphone 1. (adjustable range –∞ to
0 dB)

3 Microphone 2 level control dial (MIC 2 LEVEL)

Use to adjust the volume of microphone 2. (adjustable range –∞ to
0 dB)

4 Microphone equalizer high-range control dial (HI)

Use to adjust the treble (high-range) frequencies of microphones 1
and 2. (adjustable range –12 dB to +12 dB)

5 Microphone equalizer low-range control dial (LOW)

Use to adjust the bass (low-range) frequencies of microphones 1
and 2. (adjustable range –12 dB to +12 dB)

6 Microphone function indicator

Lights when microphone is ON; flashes when

TALK OVER

is ON.

7 Microphone function selector switch (MIC)

OFF:

No microphone sound is output.

ON:

Microphone sound is output normally.

TALK OVER:

Microphone sound is output; when sound is input to a connected
microphone, the TALK OVER function operates and all sound
other than that from the microphone is attenuated by 20 dB.

• When not using the TALK OVER function, it is recommended to
set the switch to the [

OFF

] or [ON] position.

8 Channel 1 input selector switch

CD:

Selects CD input (line level analog input).

LINE:

Use to select

input connectors.

LINE

9 Channel 2 input selector switch

CD:

Use to select CD input (line level analog input).

PHONO:

Use to select

PHONO

input connectors (analog turntable input).

10 Channel 3, 4 input selector switch

LINE:

Use to select

LINE

input (line level analog input).

PHONO:

Use to select

PHONO

input connectors (analog turntable input).

11 TRIM adjust dial

Use to adjust the input level for each channel. (adjustable range: –

∞

to +9 dB, mid-position is about 0 dB)

12 Channel equalizer high-range adjust dial (HI)

Use to adjust the treble (high-range) frequency sound for each
channel. (adjustable range: –26 dB to +6 dB)

En

9

NAMES AND FUNCTIONS OF PARTS

13 Channel equalizer mid-range adjust dial (MID)

Use to adjust the mid-range frequency sound for each channel.
(adjustable range: –26 dB to +6 dB)

14 Channel equalizer low-range adjust dial (LOW)

Use to adjust the bass (low-range) frequency sound for each
channel. (adjustable range: –26 dB to +6 dB)

15 Channel level indicator

Displays the current level for each channel, with two-second peak
hold.

16 HEADPHONES CUE buttons/indicators

These buttons are used to select from 1 to 4,

EFFECTS

headphones. If multiple buttons are pressed simultaneously, the
selected audio sources are mixed. Press the button once more to
cancel the selected source. Unselected buttons glow darkly, while
selected source buttons light brightly.

17 Fader start button/indicator (FADER START CH-1, CH-2)

Enables the fader start/back cue function for the channel to which
a DJ CD player is connected. The button lights when set to ON.
When enabled, the operation differs depending on the setting of
the

• When the

• When the

18 Channel fader lever

Use to adjust sound volumes for each channel. (adjustable range:
–
Output is in accordance with the channel fader curve selected
with the

19 CROSS FADER ASSIGN switch

This switch assigns each channel’s output to either right or left
side of the cross fader (if multiple channels are assigned to the
same side, the result will be the combined sum of the channels).

A:

The selected channel is assigned to the cross fader’s A (left) side.

THRU:

The channel fader’s output is sent as is to the master output,
without being passed through the cross fader.

B:

The selected channel is assigned to the cross fader’s B (right) side.

20 Channel fader curve switch (CH FADER)

This switch allows the user to select from two types of channel
fader curve response. This setting is applied equally to channels
1 to 4.

• At the left setting, the curve operates to produce a rapid rise as

• At the right setting, the curve operates to produce an even,

, to allow you to monitor the desired source through

CROSS FADER ASSIGN

position, fader start button operation is linked to the operation of
the cross fader (and unlinked to channel fader).

position, fader start button operation is linked to the operation of
the channel fader (and unlinked to cross fader).

∞

to 0 dB)

the channel fader approaches its distant position.

neutral rise throughout the channel fader’s movement.

CROSS FADER ASSIGN

CROSS FADER ASSIGN

CH FADER

switch.

switch is set to the [A] or [B]

switch is set to the [

curve switch.

MASTER

, or

THRU

]

21 Cross fader curve switch (CROSS FADER)

This switch allows the user to select from three types of cross fader
curve response.

• At the left setting, the curve produces a rapid signal rise. (As
soon as the cross fader lever leaves the [
sound is produced.)

• At the right setting, the curve operates to produce an even,
neutral rise throughout the cross fader’s movement.

• At the middle setting, an intermediate curve is produced,
midway between the two curves noted above.

22 Cross fader lever

Outputs sound assigned to [A] and [B] sides in accordance with
setting of the
cross fader curve selected with the

23 Master output level dial (MASTER LEVEL)

Use to adjust the master output level. (adjustable range: –∞ to
0 dB)
The master output is the sum combination of the sound from
channels set to [
the signal passed through the cross fader; and the signals from
microphone 1 and microphone 2 (if the effect selector is set to
[

SND/RTN

24 Master level indicator (MASTER L, R)

These segment indicators display the output level from L and R
channels. The indicators have a two-second peak hold.

25 Master balance dial (BALANCE)

Use to adjust the L/R channel balance for master output, booth
monitor output, recording output, and digital output.

26 Master output MONO/STEREO selector switch

When set to the [
output, recording output, digital output are all produced in L+R
monaural.

27 BOOTH MONITOR LEVEL control dial

This dial is used to adjust the booth monitor output volume.
The volume can be adjusted independently of the master output
level. (adjustable range: –

28 Headphones output switch (MONO SPLIT/STEREO)

MONO SPLIT:

When
selected, the selected audio is output to the L channel. When

HEADPHONES CUE (MASTER

audio is output from the R channel.

STEREO:

The audio source selected with the
output in stereo.

29 Headphones mixing dial (MIXING)

When rotated clockwise (toward [
audio is produced at the headphones (only when [
been selected with the
counterclockwise (toward [
becomes the mixture of the effect monitor and the channel
selected with the

In the middle position, the audio from [
output.

30 Headphones level adjust dial (LEVEL)

Adjusts the output level of the headphones jack. (adjustable range:
–

∞

to 0 dB)

CROSS FADER ASSIGN

THRU

] with the

], the

RETURN

MONO

HEADPHONES CUE (1, 2, 3, 4

HEADPHONES CUE

HEADPHONES CUE

CROSS FADER ASSIGN

input is also added).

] position, master output, booth monitor

∞

to 0 dB)

) button is selected, the master

MASTER

CUE

]), the headphones output

A

] side, the [B] channel

switch, and subject to the

CROSS FADER

or

EFFECTS

HEADPHONES CUE

button.

MASTER

curve switch.

switch;

) button is

button is

]), the master output

MASTER

button); when rotated

] and [

CUE

] will be

] has

10

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NAMES AND FUNCTIONS OF PARTS

31 Headphones jack (PHONES)

Connect to headphones equipped with phone-type jack.

32 Beat select buttons ( BEAT )

(Beat up):Doubles the calculated BPM.



(Beat down):Halves the calculated BPM.



(P. 18)

“3/4”

• Some effects can be set for

.

With some effects, these are used for functions other than setting
the beat.

33 MIDI ON/OFF button

Sets MIDI output function (not including timing lock) to ON/OFF.
When power is first turned ON, automatically defaults to OFF.

34 MIDI start/stop button (MIDI START/STOP)

Outputs START/STOP signal for MIDI control function (see P. 21).
When this control is enabled, the [

MIDI START (STOP)

] message

appears for two seconds on the display.

MIDI SNAP SHOT:

When the

MIDI START/STOP

button is held depressed, a snapshot

is sent to the external MIDI component.

35 BPM measuring mode button (AUTO)

Switches between the BPM measuring modes AUTO and TAP.
When [

AUTO

] indicator on the display is lighted, the BPM will be

measured automatically.

36

TAP

button

The BPM is calculated from the intervals at which the
is struck. If the

TAP

button is pressed in the AUTO mode, the mode

TAP

button

automatically switches to the TAP mode (manual input).

37 MANUAL/EFFECT Frequency filter button

Use to switch between manual filter and effect frequency filter.
When power is first turned ON, defaults to effect frequency filter

and the button indicator lights. When manual filter is selected, the
button indicator does not light.

38 Manual filter adjust dial (FREQUENCY)

Use to adjust the cutoff frequency of the selected filter.

39 Effect selector (DELAY, ECHO, TRANS, FILTER, FLANGER,

PHASER, REVERB, ROBOT (ROBOT VOCODER), CRUSH, ROLL,
REVERSE (REVERSE ROLL), UP (UP ROLL), DOWN (DOWN
ROLL), SND/RTN (SEND/RETURN))

Use to select desired type of effect (P. 16).
When using an external effector connected to the

RETURN

connectors, set to the [

SND/RTN

] position.

SEND

and

40 Effect channel selector (1, 2, 3, 4, MIC, CF.A, CF.B, MASTER)

Use to select the channel to which effects are applied (P. 18).
When [

MIC

] is selected, effects are applied to both microphone 1

and microphone 2.

41 Effect parameter 1 dial [TIME (PARAMETER 1)]

Adjusts time parameter for selected effect (P. 18, 20) (With some
effects, this is used for adjustments other than time parameters.)

TIME

• If the

dial is rotated while depressing the

TAP

button,

direct BPM can be set manually.

TIME

• If the

AUTO/TAP

dial is rotated while holding the

buttons depressed, the BPM can be set in 0.1 units.

TAP

button and

42 Effect parameter 2 dial [LEVEL/DEPTH (PARAMETER 2)]

Adjusts quantitative parameters for selected effect (P. 18, 20).

43 Effect button/indicator (ON/OFF)

Sets selected effect ON/OFF (P. 18). When power is first turned
ON, defaults to effect OFF. When set to effect OFF, the button
indicator lights. When effects are enabled (ON), the button
flashes.

44 Display

See the following section for details.

DISPLAY SECTION

1

123 4

AUTO

TAP

A B M

MIDI
BPM

%

mS

1 Effects display section

Text display (7 characters) displays effect name as shown in
accompanying table. Also, when one of the change operations is
performed as noted in the table, the corresponding characters are
displayed for two seconds, after which the display returns to the
original effect name.

Switching Operation Display

At MIDI start START

At MIDI stop STOP

MIDI snapshot SNAP

When MIDI output function is ON MIDI On

When MIDI output function is OFF MIDIOff

2 Channel select display section

Lights position selected by effect channel selector.

3 Parameter display section

AUTO/TAP:

[

AUTO

] lights when the BPM measuring mode is set to AUTO, and

[

TAP

] lights when the BPM measuring mode is set to manual

(TAP).

BPM counter display

(3 digits)

:

In AUTO mode, displays the automatically detected BPM value. If
the BPM count cannot be detected automatically, the display will
flash at the previously detected value. In manual (TAP) mode,
displays the BPM value designated by TAP input, etc.

BPM:

Lights constantly.

MIDI:

Indicates status of MIDI output function ON/OFF.

• Lights when MIDI output function is ON.

• Not lighted when MIDI output function is OFF.

Parameter 1 display

(5 digits)

:

Displays parameters designated for each effect. When the beat
select buttons (

BEAT

, ) are pressed, the corresponding beat
multiple change is displayed for two seconds. If the beat select
buttons (

BEAT

, ) are used to designate a value outside the
parameter range, the current number will flash but will not
change.

Unit Display (%/ms):

Lights in accordance with the unit used for each effect.

2

3

4

11

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NAMES AND FUNCTIONS OF PARTS

4 Beat display section

Displays the location of parameter 1 relative to BPM (1/1 beat). The
lower row is lighted constantly. When the parameter 1 location
approaches a threshold value, the corresponding indicator is
lighted. When the parameter 1 is between threshold values, the

Effect

Effect

selector

DELAY DELAY 1 4 000 500 ms 1/8 1/4 1/2 3/4 1/1 2/1 4/1 8/1 16/1

ECHO ECHO 1 4 000 500 ms

TRANS TRANS 10 16 000 500 ms

FILTER FILTER 10 32 000 2 000 ms

FLANGER FLANGER 10 32 000 2 000 ms

PHASER PHASER 10 32 000 2 000 ms

REVERB REVERB 1 100 50 %

ROBOT ROBOT –100 100 0 %

display

Effect name

Minimum

value

Parameter display Beat display

Maximum

value

Default Unit

indicator flashes. Although the display includes seven actual
indicators, the values of the two ends can also be considered to
represent indicators, with the result that nine positions can be
logically assumed. When the values are at the two ends, no
indicators light.

➀➁➂➃➄➅➆➇

1/8 1/4 1/2 3/4 1/1 2/1 4/1 8/1 16/1

1/16 1/8 1/4 1/2 1/1 2/1 4/1 8/1 16/1

1/4 1/2 1/1 2/1 4/1 8/1 16/1 32/1 64/1

1/4 1/2 1/1 2/1 4/1 8/1 16/1 32/1 64/1

1/4 1/2 1/1 2/1 4/1 8/1 16/1 32/1 64/1

10 20 30 40 50 60 70 80 90

—

–100

–66 –50 0 26 50 100 —

➈

CRUSH CRUSH 10 32 000 2 000 ms

ROLL ROLL 10 4 000 500 ms

REV ROLL REVROLL 10 4 000 500 ms

UP ROLL UP ROLL 10 4 000 500 ms

DOWN ROLL DWNROLL 10 4 000 500 ms

SND/RTN SND/RTN

1/4 1/2 1/1 2/1 4/1 8/1 16/1 32/1 64/1

1/16 1/8 1/4 1/2 1/1 2/1 4/1 8/1 16/1

1/16 1/8 1/4 1/2 1/1 2/1 4/1 8/1 16/1

1/16 1/8 1/4 1/2 1/1 2/1 4/1 8/1 16/1

1/16 1/8 1/4 1/2 1/1 2/1 4/1 8/1 16/1

Shaded items are not displayed.

12

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MIXER OPERATIONS

MIXER OPERATIONS

BASIC OPERATIONS

POWER

1

2

3

TRIM

HI, MID, LOW

1 Set rear panel POWER switch to ON.
2 Set the input selector switch for the desired channel to

3 Use the TRIM dial to adjust the input level.
4 Use the channel equalizer dials (HI, MID, LOW) to adjust the

5 Use the channel fader lever to adjust the sound volume of

6 To use the cross fader on the selected channel, set the CROSS

7 Use the MASTER LEVEL dial to adjust the overall sound

8 Use the BALANCE dial to adjust the sound balance between

Microphone input Booth monitor output

4

5

6

choose the connected component.

• CH1: Set to [CD] or [
CH2: Set to [
CH3/4: Set to [

tone.

the selected channel.

FADER ASSIGN switch to either cross fader channel A or
channel B, and operate the cross fader lever.

• When not using the cross fader, set the

volume.

right and left.

ASSIGN

switch to [

CD

] or [

LINE

LINE
PHONO

] or [

THRU

].

].

PHONO

].

].

CROSS FADER

7

MASTER
LEVEL

8

BALANCE

[Selecting Stereo or Monaural]

When the
output becomes a monaural combination of L+R channels.

MONO/STEREO

switch is set to [

MONO

], the master

[Microphone Input]

1 To use a microphone, set the MIC switch to [ON] or [TALK

OVER].

• When the switch is set to [
over –15 dB is detected by the microphone, the output for all
sound sources other than the microphone are attenuated by
20 dB.

2 Use the MIC 1 LEVEL dial to adjust the sound volume of

MIC 1, and use the MIC 2 LEVEL dial to adjust the sound
volume of MIC 2.

3 Use the microphone equalizer dials (HI, LOW) to adjust the

tone of the microphone sound.

• The microphone equalizer function operates simultaneously
on microphone 1 and 2.

TALK OVER

], any time a sound of

[Booth Monitor Output]

1 Use the BOOTH MONITOR LEVEL dial to adjust the sound

volume.

• The

BOOTH MONITOR LEVEL

sound volume independently of the

dial can be used to adjust the

MASTER LEVEL

dial.

[Headphones Output]

1 Use the HEADPHONES CUE buttons (channels 1 to 4,

MASTER, EFFECTS) to select the source.

• The selected

2 Set the headphones (MONO SPLIT/STEREO) switch.

• When
selected, the selected audio is output to the L channel.
When
master audio is output from the R channel.

• When set to the [
corresponding to the selected
output in stereo.

3 When [MONO SPLIT] is selected, use the MIXING dial to

adjust the balance of sound between the left channel (sound
selected with the HEADPHONES CUE button), and the right
channel (the master sound – but only when the
HEADPHONES CUE button for the [MASTER] is ON).

• When the
[

MASTER

HEADPHONES CUE

increases; when rotated counterclockwise (toward [
the sound selected with the
output.

4 Use the LEVEL dial to adjust the headphones’ sound volume.

HEADPHONES CUE

HEADPHONES CUE (1, 2, 3, 4

HEADPHONES CUE

STEREO

MIXING

]), the master output (only when the

dial is rotated clockwise (toward

button for the [

button lights brightly.

or

(

MASTER

] position, the sound

) button is selected, the

HEADPHONES CUE

MASTER

HEADPHONES CUE

EFFECTS

] is ON)

) button is

button is

CUE

button is

]),

Headphones output Fader curve

MONO/

STEREO

13

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MIXER OPERATIONS

[Fader Curve Selection]

Select sound-volume curve corresponding to fader operation.

Use the CH FADER switch to select the desired channel fader
response curve.

• At the left setting, the curve operates to produce a rapid rise
as the channel fader approaches its distant position.

• At the right setting, the curve operates to produce an even,
neutral rise throughout the channel fader’s movement.

• This setting applies equally to channels 1 to 4.

Use the CROSS FADER curve switch to select the cross fader
curve response.

• At the left setting, the curve produces a rapid signal rise. (As
soon as the cross fader lever leaves the [
channel sound is produced.)

• At the right setting, the curve operates to produce an even,
neutral rise throughout the cross fader’s movement.

• At the middle setting, an intermediate curve is produced,
midway between the two curves noted above.

• This setting produces equal curve effects for both sides A
and B.

A

] side, the [B]

FADER START FUNCTION

By connecting the optional Pioneer DJ CD Player control cable,
the channel fader and cross fader can be used to start CD
playback.
When the mixer’s channel fader lever or cross fader lever are
moved, the CD player is released from the pause mode and
automatically –and instantly – begins playback of the selected
track. Also, when the fader lever is returned to its original position,
the CD player returns to its cue point (back cue), thus allowing
“sampler” type play.

Cross fader start play and back cue play

When the CD player assigned to cross fader channel A is set to
standby at a cue point, moving the cross fader lever from the right
(B) side toward the left (A) side automatically starts play on the
channel A CD player.
When the cross fader lever reaches the left (A) side, the CD player
assigned to channel B goes to back cue (returns to cue point).
Also, when the CD player assigned to channel B is set to standby
at a cue point, moving the cross fader lever from the left (A) side to
the right (B) side automatically starts playback on the channel B
CD player. When the cross fader lever reaches the right (B) side,
the CD player assigned to channel A goes to back cue (returns to
cue point).

• The back cue is performed even if the input selector switch is not
set to [

CD

] or [

LINE

].

[Using the Channel Fader to Start Playback]

FADER
START
1, 2

1 Press the FADER START button for the channel (1, 2)

connected to the CD player you wish to control.

• The button for the selected channel lights.

2 Set the channel fader lever to “0”.
3 Set the CD player to the desired cue point, and engage cue

point standby.

• If a cue point has already been set, it is not necessary to set
the CD player to standby at the cue point.

4 At the instant you wish to start playback, move the channel

fader lever.

• CD player begins playback.

• After playback has begun, if the channel fader lever is
returned to the [
point and re-enters standby mode (back cue).

• Playback control is possible with the channel fader only with the

CROSS FADER ASSIGN

1

2
4

0

] position, the CD player returns to the cue

switch is set to [

THRU

].

14

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MIXER OPERATIONS

[Using the Cross Fader to Start Playback]

FADER
START
1, 2

CROSS
FADER
ASSIGN
A / THRU / B

1 Press the FADER START button for the channel (1, 2)

connected to the CD player you wish to control.

• The button for the selected channel lights.

2 Set the CROSS FADER ASSIGN switch for the selected channel

to [A] or [B].

• Select [A] to assign to cross fader channel A (left side).

• Select [

3 Move the cross fader lever to the full opposite side away

from the CD player you wish to start.

4 Set the CD player to the desired cue point, and engage cue

point standby.

• If a cue point has already been set, it is not necessary to set
the CD player to standby at the cue point.

5 At the instant you wish to start playback, move the cross

fader lever.

• CD player begins playback.

• After playback has begun, if the cross fader lever is moved
fully to the opposite side, the CD player assigned to the
opposite side channel will return to the cue point and enter
standby mode (back cue).

1

2

3 5

B

] to assign to cross fader channel B (right side).

15

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EFFECT FUNCTIONS

y

y

EFFECT FUNCTIONS

This unit can produce a total of 15 basic beat effects (including
SND/RTN) through beat effects linked to the BPM and manual
filters or effect frequency filters linked to the
Additionally, by adjusting the parameters for each effects, a wide
range of effects can be produced.

A wide variety of beat effects can be created by adjusting the
temporal parameter through the
as the quantitative parameter through the
(Parameter 2).

A low-pass filter effect or high-pass filter effect can be created with
the manual filter or effect frequency filter depending on the
positioning of the
beat effects with the manual filter or effect frequency filter, a wide
range of effects can be created.

FREQUENCY

TIME

dial. Additionally, by combining

FREQUENCY

dial (Parameter 1) as well

LEVEL/DEPTH

dial.

dial

3 Auto TRANS

In units of 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, or 16/1 beat, the
sound is automatically cut in synch with the rhythm.

Example

Cut

1 cycle =1/16 , 1/8, 1/4, 1/2, 1/1, 2/1 ,
4/1, 8/1, or 16/1 beat

Cut

Time

TYPES OF BEAT EFFECTS

1 DELAY (One repeat sound)

This function allows a delay sound with beat of 1/8, 1/4, 1/2, 3/4,
1/1, 2/1, 4/1, 8/1, or 16/1 to be added quickly and simply. For
example, When a 1/2 beat delay sound is added, four beats
become eight beats. Also, by adding a 3/4 beat delay sound, the
rhythm becomes syncopated.

Example

Example

Original

Original
(4 beats)

(4 beats)

1/2 delay

1/2 delay
(8 beats)

(8 beats)

2 ECHO (Multiple repeat sounds)

This function allows an echo sound with beat of 1/8, 1/4, 1/2,
3/4, 1/1, 2/1, 4/1, 8/1, or 16/1 to be added quickly and simply.
For example, when a 1/1 beat echo sound is used to cutoff the
input sound, a sound in synch with the beat is repeated
together with fadeout.
Also, by adding a 1/1 beat echo to the microphone, the
microphone sound repeats in synch with the music beat.
If a 1/1 beat echo is applied to the vocal portion of a track, the
song takes on an effect reminiscent of a “round”.

Example

4 FILTER

In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, the
filter frequency is moved, greatly changing the sound
coloration.

Example

Frequency

cle =1/4, 1/2 , 1/1, 2/1, 4/1, 8/1, 16/1 , 32/1, or 64/1 beat

1 c

5 FLANGER

In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat,
1 cycle of flanger effect is produced quickly and easily.

Example

Short delay

1 cycle =1/4, 1/2 , 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat

6 PHASER

In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat,
1 cycle of phaser effect is produced quickly and easily.

Example

16

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Phase shift

1 beat

Cuts input
sound

1 beat

cle = 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat

1 c

EFFECT FUNCTIONS

7 REVERB

Produces reverberation effect.

8 ROBOT

Generates sound effect resembling that produced by a robot.
When ROBOT is applied to microphone sound, a voice­changer effect is produced.

9 CRUSH

Allows rapid creation of cyclically changing “crush sound
effect” in beats of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1.

Example

Time

1 cycle = 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat

10 ROLL

Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1
beats and plays them repeatedly.

Example

Original

12 UP ROLL

Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1
beats, and plays them repeatedly while continuously raising
their pitch/key.

Example

Original

Effect ON

1/1 UP ROLL

Key rises and repeats

13 DOWN ROLL

Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1
beats, and plays them repeatedly while continuously lowering
their pitch/key.

Example

Effect ON

1/1 roll

Repeat

11 REVERSE ROLL

Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1
beats and repeats them but in reverse order.

Example

Original

Effect ON

1/1
reverse roll

Reversed repeat

Original

Effect ON

1/1 DOWN ROLL

Key lowers and repeats

14 SEND/RETURN

By connecting a sampler or effector, a wide variety of other
effects can be created.

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EFFECT FUNCTIONS

PRODUCING BEAT EFFECTS

Display example

Effect Name: DELAY

4

BEAT 2, 3

TAP

1

AUTO

2

3

TIME

LEVEL/DEPTH

5

ON/OFF

Beat effects allow the instant setting of effect times in synch with
the BPM (beats per minute), thus allowing the production of a
wide variety of effects in synch with the current rhythm, even
during live performances.

1 Set BPM measuring mode to AUTO to measure BPM (beats

per minute).

The BPM of the input music signal is detected automatically.
Whenever power is first turned ON, the function defaults to the
[

AUTO

] mode.

• In the event the track’s BPM cannot be detected
automatically, the display’s BPM counter will flash.

• Measurable range: BPM=70 to 180.

It may not be possible to measure some tracks
accurately.

In this case, press the

TAP

button and input the beat

manually.

[Using the TAP Button for Manual BPM Input]

If the

TAP

button is tapped two times or more in synch with
beat (1/4 notes), the BPM will be recorded as the average value
recorded during that interval.

• When BPM mode is set to [

], tapping the

TAP

button

AUTO

will cause the BPM mode to change to the TAP mode, and
the interval at which the

TAP

button is pressed will be

measured.

• When the BPM is set via the

becomes “

1/1

” (or “

4/1

TAP

button, the beat multiple

”, depending on the effect selected),
and the time for 1 beat (1/4 notes) or 4 beats will be set as
the effect time.

• If the

TIME

dial is rotated while depressing the

TAP

button,
direct BPM can be set manually.
If the

TIME

AUTO

dial is rotated while holding the

buttons depressed, the BPM can be set in 0.1 units.

TAP

button and

2 Set the effect selector to the desired effect.

• The display will show the name of the selected effect.

• See P. 16 to 17 for details regarding the various effects.

3 Set the effect channel selector to the channel you wish to

apply the effect to.

• The selected channel lights in the display’s channel name
area.

• If [

MIC

] is selected, the effect will be applied to both

microphone 1 and microphone 2.

1 2 34

AUTO

TAP

A BM

MIDI

BPM

%

mS

Effect Channel Select: CH 1

BPM value: 120 BPM

Parameter 1: 500 ms

Beat multiple: 1/1

4 Press the BEAT button (, ) to select the beat multiple to

which the effect is to be synchronized.

• When  is pressed, the beat count calculated from the BPM
is doubled, and when



is pressed, the beat count
calculated from the BPM is halved (some effects also allow
“

3/4

” setting).

• The multiple of the selected beat (parameter 1 position) is
displayed in seven sections on the display (see P. 12).

• The effect time corresponding to the beat’s multiple is set
automatically.

Example: When BPM = 120
1/1 = 500 ms
1/2 = 250 ms
2/1 = 1 000 ms

5 Set the ON/OFF button to ON to enable the effect.

• Each time the button is pressed, the effect alternates ON/
OFF (whenever power is first turned ON, the function
defaults to OFF).

• The

ON/OFF

button flashes when the effect is ON.

Parameter 1

Rotating the

TIME (PARAMETER 1

) dial adjusts the temporal
parameter (time) for the selected effect. (With some effects, this is
used for adjustments other than time parameters.)
See P. 20 for details regarding the effect on parameter 1 of rotating
the

TIME (PARAMETER 1

) dial.

Parameter 2

Rotating the

LEVEL/DEPTH (PARAMETER 2

) dial adjusts the
quantitative parameter for the selected effect.
See P. 20 for details regarding the effect on parameter 2 of rotating
the

LEVEL/DEPTH (PARAMETER 2

) dial.

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EFFECT FUNCTIONS

MANUAL FILTER OPERATION

1 MANUAL FILTER

The filter frequency is shifted, resulting in strong changes to
the tone.
Rotating the dial to the right produces high-pass filter effects,
while rotating the dial to the left produces low-pass filter
effects.

Low-pass filter

FREQUENCY

Frequency

High-pass filter

HPFLPF

Frequency

1

FILTER

3

FREQUENCY

2

EFFECT FREQUENCY FILTER OPERATION

1 Effect frequency filter

Sets the filter’s cutoff frequency, allowing the beat effect to be
applied to a desired frequency band alone.

Through

FREQUENCY

Frequency Frequency

Beat effect

HPFLPF

Through

FREQUENCY

Beat effect

2

FILTER

3

The manual effecter is linked to the

FREQUENCY

dial. The output
sounds of the manual effecter become the input sounds for the
beat effect.

• When the beat effect type is set to ROLL, REVERSE ROLL, UP

ROLL, or DOWN ROLL, the beat effect’s output sound becomes
the input sound for the manual effecter.

1 Press the FILTER button so that it flashes.

• Confirm that the

FILTER

button flashes steadily.

• When it lights, press the button so that it flashes. Each time
the button is pressed, it alternates between flashing and
lighting steadily.

• When power is first turned ON, defaults to steadily lighted.

2 Use the effect channel select switch to choose the channel to

which you wish to apply the effects.

• The name of the selected channel will appear in the display’s
channel name section.

• When [

MIC

] is selected, the effect will be applied to both

microphone 1 and microphone 2.

3 Use the FREQUENCY dial to adjust the filter’s cutoff

frequency.

• Rotate counterclockwise to apply a low-pass filter.

• Rotate clockwise to apply a high-pass filter.

The effect frequency filter is linked to the

FREQUENCY

dial. The

beat effect is applied only to the selected frequency band.

• The function is not supported when SEND/RETURN is selected
as the type of beat effect.

1 Press the FILTER button so that it lights.

• Confirm that the

FILTER

button lights steadily.

• When flashing, press the button so that it lights. Each time
the button is pressed, it alternates between flashing and
lighting steadily.

• When power is first turned ON, defaults to steadily lighted.

2 Operate the beat effect.

• For details, see page 18.

3 Use the FREQUENCY dial to select the frequency to which

you wish to apply the beat effect.

• Rotate counterclockwise to apply the effect to low-range
sounds only. High-frequency sounds are set to through.

• Rotate clockwise to apply the effect to high-range sounds
only. Low-frequency sounds are set to through.

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EFFECT FUNCTIONS

EFFECT PARAMETERS

Beat Effect (*1)

Name Beat Switch Parameter Parameter 1 (TIME dial) Parameter 2

Contents Setting Range (unit)

1 DELAY

2 ECHO (*2)

3 TRANS

4 FILTER

5 FLANGER

6 PHASER

7 REVERB (*2)

8 ROBOT

9 CRUSH

10 ROLL (*2)

11 REVERSE

ROLL (*2)

12 UP ROLL (*2)

13 DOWN ROLL

(*2)

14 SEND/

RETURN

(*1) When the effect channel selector is set to [
sound is not output to the master output, the effect sound will not be heard.

(*2) When effect is disabled (OFF), the effect sound will not be heard, even if monitor is set to effector.

Sets delay time of 1/8 to 16/1
per 1 beat of BPM time.

Sets delay time of 1/8 to 16/1
per 1 beat of BPM time.

Sets cut time of 1/16 to 16/1
per 1 beat of BPM time.

Cycle of cutoff frequency shift
is set in unit of 1/4 to 64/1
relative to 1 beat of BPM.

Cycle of flanger shift is set in
units of 1/4 to 64/1 relative to
1 beat of BPM.

Cycle of phaser effect shift is
set in units of 1/4 to 64/1
relative to 1 beat of BPM.

Amount of reverberation is set
from 1 % to 100 %.

Sets pitch of robot sound
effect within range of –100 %
to +100 %.

Cycle of crush effect
movement is set to 1/4 to 64/1
relative to a single beat of
BPM.

Effect time is set as 1/16 to 16/1
relative of 1 beat of BPM.

Effect time is set as 1/16 to 16/1
relative of 1 beat of BPM.

Effect time is set as 1/16 to 16/1
relative of 1 beat of BPM.

Effect time is set as 1/16 to 16/1
relative of 1 beat of BPM.

———Sets volume of RETURN input

Sets delay time. 1 to 4 000 (ms) Sets balance between original and

Sets delay time. 1 to 4 000 (ms) Sets balance between original sound

Sets effect time. 10 to 16 000 (ms) Sets balance between original sound

Sets cycle for cutoff
time shift.

Sets cycle for
flanger effect shift.

Sets cycle for phase
effect shift.

Sets amount of
reverberation effect.

Sets pitch of robot
sound effect.

Sets cycle for crush
effect shift.

Sets effect time. 1 to 4 000 (ms) Sets balance of original sound and

Sets effect time. 1 to 4 000 (ms) Sets balance of original sound and

Sets effect time. 1 to 4 000 (ms) Sets balance of original sound and

Sets effect time. 1 to 4 000 (ms) Sets balance of original sound and

CF.A

], [

CF.B

], or [

MASTER

10 to 32 000 (ms) Amount of effect increases when

10 to 32 000 (ms) Amount of effect increases when

10 to 32 000 (ms) Amount of effect increases when

1 to 100 (%) Sets balance between original sound

–100 to +100 (%) Amount of effect increases when

10 to 32 000 (ms) Amount of effect increases when

], even if the effect monitor is turned ON, if the selected channel’s

(LEVEL/DEPTH dial) contents

delay sound.

and echo sound.

and effect sound.

dial is turned clockwise.

dial is turned clockwise. When dial is
turned fully counterclockwise, only
original sound is output.

dial is turned clockwise. When dial is
turned fully counterclockwise, only
original sound is output.

and effect sound.

dial is turned clockwise.

dial is turned clockwise. When dial is
turned fully counterclockwise, only
original sound is output.

roll sound.

roll sound.

roll sound.

roll sound.

sound.

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MIDI SETTINGS

MIDI SETTINGS

MIDI is an acronym for “Musical Instrument Digital Interface” and
refers to a protocol developed for the exchange of data between
electronic instruments and computers.
A MIDI cable is used to connect components equipped with MIDI
connectors to enable the transmission and receipt of data.
The DJM-700-S/DJM-700-K uses the MIDI protocol for transmitting
data about component operation and BPM (timing clock).

DJ CD Player

MIDI sequencer

IN

MIDI OUT

Audio

OUT

IN

BPM
=120

BPM
=120

SYNCHRONIZING AUDIO SIGNALS TO
EXTERNAL SEQUENCER, OR USING
DJM-700-S/DJM-700-K INFORMATION TO
OPERATE AN EXTERNAL SEQUENCER

1 Use a commercially available MIDI cable to connect the

DJM-700-S/DJM-700-K’s MIDI OUT connector to the MIDI
sequencer’s MIDI IN connector.

• Set the MIDI sequencer’s synch mode to “Slave”.

• MIDI sequencers that do not support MIDI timing clock
cannot be synchronized.

• Synch may not be achieved if the track’s BPM cannot be
detected and measured stably.

• BPM values set with the TAP mode can also be used to
output the timing clock.

2 Press the MIDI START/STOP button.

• The MIDI timing clock output range is 40 to 250 BPM.

DJM-700-S/DJM-700-K

MIDI START
/STOP

TIME

[MIDI Channel Setting]

The MIDI channel (1 to 16) can be set and stored in memory.

1 While holding the MIDI START/STOP button depressed, set

the power switch to ON.

• The display will show [
MIDI setting mode.

2 Rotate the TIME dial to select the MIDI channel.
3 Press the MIDI START/STOP button.

• Records MIDI channel. During recording of channel, [
indicator flashes.

• When recording of channel is completed, [
displayed.

4 Set power to OFF.

CH SET

] and the unit will enter the

END

SAVE

] is

]

21

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MIDI SETTINGS

MIDI MESSAGES

Category Switch Name Switch Type

CH1 HI VR Bn 02 dd 0 to 127

MID VR Bn 03 dd 0 to 127

LOW VR Bn 04 dd 0 to 127

CUE BUTTON Bn 46 dd OFF=0, ON=127

FADER VR Bn 11 dd 0 to 127

CF ASSIGN SW Bn 41 dd 0, 64, 127

CH2 HI VR Bn 07 dd 0 to 127

MID VR Bn 08 dd 0 to 127

LOW VR Bn 09 dd 0 to 127

CUE BUTTON Bn 47 dd OFF=0, ON=127

FADER VR Bn 12 dd 0 to 127

CF ASSIGN SW Bn 42 dd 0, 64, 127

CH3 HI VR Bn 0E dd 0 to 127

MID VR Bn 0F dd 0 to 127

LOW VR Bn 15 dd 0 to 127

CUE BUTTON Bn 48 dd OFF=0, ON=127

FADER VR Bn 13 dd 0 to 127

CF ASSIGN SW Bn 43 dd 0, 64, 127

CH4 HI VR Bn 51 dd 0 to 127

MID VR Bn 5C dd 0 to 127

LOW VR Bn 52 dd 0 to 127

CUE BUTTON Bn 49 dd OFF=0, ON=127

FADER VR Bn 14 dd 0 to 127

CF ASSIGN SW Bn 44 dd 0, 64, 127

CROSS FADER CROSS FADER VR Bn 0B dd 0 to 127

FADER CURVE CH CURVE SW Bn 5E dd 0, 127

CROSS CURVE SW Bn 5F dd 0, 64, 127

MASTER MASTER LEVEL VR Bn 18 dd 0 to 127

BALANCE VR Bn 17 dd 0 to 127

CUE BUTTON Bn 4A dd OFF=0, ON=127

BOOTH MONITOR VR Bn 19 dd 0 to 127

FILTER FILTER BUTTON Bn 54 dd OFF=0, ON=127

FREQUENCY VR Bn 05 dd 0 to 127

MIDI Message

MSB LSB

Commnets

22

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MIDI SETTINGS

Category Switch Name Switch Type

EFFECT BEAT LEFT BUTTON Bn 4C dd OFF=0, ON=127

BEAT RIGHT BUTTON Bn 4D dd OFF=0, ON=127

AUTO/TAP BUTTON Bn 45 dd OFF=0, ON=127

TAP BUTTON Bn 4E dd OFF=0, ON=127

CUE BUTTON Bn 4B dd OFF=0, ON=127

EFFECT KIND SW Cn pc

CH SELECT SW Cn pc

TIME SW Bn 0D MSB Bn 2D LSB PARAMETER 1 value;

LEVEL/DEPTH VR Bn 5B dd 0 to 127

EFFECT ON/OFF BUTTON Bn 40 dd OFF=0, ON=127

MIC HI VR Bn 1E dd 0 to 127

LOW VR Bn 1F dd 0 to 127

(FADER START) FADER START 1 BUTTON Bn 58 dd OFF=0, ON=127

FADER START 2 BUTTON Bn 59 dd OFF=0, ON=127

(HEAD PHONES) MIXING VR Bn 1B dd 0 to 127

LEVEL VR Bn 1A dd 0 to 127

MIDI START BUTTON FA

STOP BUTTON FC

MIDI Message

MSB LSB

Commnets

See “PROGRAM CHANGE”
below.

FLANGER, PHASER, FILTER,
CRUSH changed to 1/2
value; minus values are
converted to positive.

23

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MIDI SETTINGS

PROGRAM CHANGE

MSB LSB

00EFFSEL2 EFFSEL1 EFFSEL0 EFFCH2 EFFCH1 EFFCH0

• EFFECT SEL BEAT
EFFSEL2 EFFSEL1 EFFSEL0

001DELAY

010ECHO

100TRANS

110FILTER

101FLANGER

111PHASER

011REVERB

———ROBOT

———CRUSH

———ROLL

———REV ROLL

———UP ROLL

———DWNROLL

———SND/RTN

0011

0102

0113

1004

101MIC

110CF.A

111CF.B

———MASTER

SNAPSHOT

Once the DJM-700-S/DJM-700-K is setup with parameters for a
given purpose, that set of parameters can be recorded as a
snapshot. When snapshot of the current status is recorded, all
messages for control change and program change are
transmitted. Hold the
the snapshot.

MIDI START/STOP

button depressed to send

MIDI ON/OFF

Use the
signal is generated. The default condition is MIDI OFF. Even when
MIDI OFF is selected, however, timing clock and snap shot
functions are supported.

24

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MIDI ON/OFF

button to control whether the MIDI control

TROUBLESHOOTING

TROUBLESHOOTING

Incorrect operations are often mistaken for trouble and malfunctions. If you think there is something wrong with this component, check
the points below. Sometimes the trouble may originate from another component. Thus, also check the other electrical appliances also in
use.
If the trouble cannot be rectified even after checking the following items, contact your dealer or nearest PIONEER service center.

Symptom Possible Cause Remedy

No power • The power cord has not been connected. • Connect to power outlet.
No sound, or sound volume is

too low.

No digital output. • The digital output sampling frequency (fs) does

Sound is distorted. • Master output level is too high.

Cross fader doesn’t work. •

Can’t perform fader start with
CD player.

Effects don’t work. • Effect channel selecter setting is incorrect.

External effector doesn’t work. • Effect selecter is not set to [

Sound from external effector is
distorted.

BPM can’t be measured.
Measured BPM value is

incorrect.

The measured BPM value is
different from the value
published with the CD.

MIDI sequencer can’t be
synchronized.

• Input selector is set incorrectly.

• Connection cables are connected incorrectly, or
connections are loose.

• Jacks or plugs are dirty.

• The rear panel master output attenuator switch

MASTER ATT

(

not match the specifications of the connected
component.

• Input level is too high.

CROSS FADER ASSIGN

[

THRU

FADER START

• The

• Rear panel
CD player.

• Only the rear panel
to the CD player.

• Effect parameter 2 adjust dial (
set to [

• Effector is not connected to rear panel

RETURN

• Effect channel selector is set to incorrectly.

• Input level from external effector is set too high. • Lower the output level of the external effector.

• Input level is too high, or too low.

• BPM may not be correctly measurable with
some tracks.

• Some differences may occur due to differences
in BPM detection methods.

• MIDI sequencer’s synch mode is not set to
“slave”.

• MIDI sequencer is not supported type.

) is set to –6 dB, etc.

], [B]) is incorrect.

button is set to OFF.

CONTROL

MIN

].

connector.

jack is not connected to

CONTROL

switch setting ([A],

jack is connected

LEVEL/DEPTH

SND/RTN

].

SEND/

• Set input selector to playback component.

• Connect correctly.

• Clean soiled jacks/plugs before connecting.

• Adjust rear panel master attenuator switch

MASTER ATT

(

• Set rear panel sampling frequency selector to
match the specifications of the connected
component.

• Adjust master output level (
dial or the rear panel master output attenuator
(

MASTER ATT

• Adjust the
approaches 0 dB on the channel level indicator.

• Correctly set the
for the desired channel.

• Set the

• Use a control cable to connect the
jacks of mixer and CD player.

• Connect both the
input connectors.

• Correctly select the channel on which you wish
to apply effects.

• Adjust the effect parameter 2 adjust dial

) is

LEVEL/DEPTH

(

• Set effect selector to [

• Connect effector to the rear panel

RETURN

• Use the effect channel selector to select the
audio source to which you wish to apply the
effects.

• Adjust the
approaches 0 dB in the channel level indicator.

• Adjust other channels as well so that the input
levels approach 0 dB in the channel level
indicator.

• Strike the

• No remedy is necessary.

• Set MIDI sequencer’s sync mode to “slave”.

• MIDI sequencers that do not support MIDI
timing clock cannot be synchronized.

).

MASTER LEVEL

) switch.

TRIM

dial so that the input level

CROSS FADER ASSIGN

FADER START

connectors.

TRIM

TAP

button to ON.

CONTROL

).

SND/RTN

dial so that the input level

button to set BPM manually.

CONTROL

jacks and analog

].

SEND/

)

switch

Static electricity or other external interference may cause the unit to malfunction. To restore normal operation, turn the power off and then
on again.

25

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SPECIFICATIONS

SPECIFICATIONS

1 General

Power source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 120 V, 60 Hz

Power consumption. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 W

Operating temperature . . . . +5 °C to +35 °C (+41 °F to +95 °F)

Operating humidity . . . . . . . . . 5 % to 85 % (without condensation)

Weight . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.6 kg (14.6 lb)

Maximum dimensions

. . . . . . . . . . . . . . . . . . . 320 mm (W) x 378.4 mm(D) x 107.9 mm (H)

2 Audio section

Sampling rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96 kHz

A/D, D/A converter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 bits

Frequency response

LINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Hz to 20 kHz

MIC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Hz to 20 kHz

PHONO . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Hz to 20 kHz (RIAA)

S/N ratio (at rated output)

LINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .104 dB

PHONO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .94 dB

MIC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82 dB

Distortion (LINE-MASTER 1) . . . . . . . . . . . . . . . . . . . . . . . . . .0.005 %

Standard input level/Input impedance

PHONO 2 to 4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . –52 dBu/47 k

MIC 1, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . –52 dBu/22 k

LINE, LINE/CD 1 to 4 . . . . . . . . . . . . . . . . . . . . . . . .–12 dBu/22 k

RETURN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . –12 dBu/47 k

Standard output level/Load impedance/Output impedance

MASTER 1 . . . . . . . . . . . . . . . . . . . . . . .+8 dBu/10 k

MASTER 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .+2 dBu/10 k

REC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . –8 dBu/10 k

BOOTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .+2 dBu/10 k

SEND. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . –12 dBu/10 kΩ/1 k

PHONES . . . . . . . . . . . . . . . . . . . . . . . +8.5 dBu/32

Rated output level/Load impedance

MASTER 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +25 dBu/10 k

MASTER 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +20 dBu/10 k

Crosstalk (LINE) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82 dB

Channel equalizer response

HI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . –26 dB to +6 dB (13 kHz)

MID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . –26 dB to +6 dB (1 kHz)

LOW. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .–26 dB to +6 dB (70 Hz)

Microphone equalizer response

HI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . –12 dB to +12 dB (10 kHz)

LOW. . . . . . . . . . . . . . . . . . . . . . . . . . . .–12 dB to +12 dB (100 Hz)

12.6 in (W) x 15.3 in (D) x 4.3 in (H)

Ω

/22 Ω or less

Ω

/22 Ω or less

3 Input/output connector systems

PHONO input connectors

RCA pin jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

CD input connectors

RCA pin jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

LINE input connectors

RCA pin jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

MIC input connectors

XLR connector. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Phone jack (Ø6.3 mm) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

RETURN input connectors

Phone jacks (Ø6.3 mm) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

MASTER output connectors

XLR connectors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

RCA pin jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

BOOTH output connectors

RCA pin jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

REC output connectors

RCA pin jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

SEND output connectors

Phone jacks (Ø6.3 mm) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

DIGITAL coaxial output connector

Ω
Ω
Ω
Ω

Ω

/10

Ω

Ω

/10

Ω

Ω

/22

Ω
Ω

RCA pin jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

MIDI OUT connector

5P DIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

PHONES output connector

Stereo phone jack (Ø6.3 mm) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

CONTROL connector

Mini phone jacks (Ø3.5 mm) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

4 Accessories

Operating Instructions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Warranty card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Specifications and appearance are subject to change without

Ω

notice.

Ω

26

En

BLOCK DIAGRAM

BLOCK DIAGRAM

27

En

To register your product, find the nearest authorized service location, to
purchase replacement parts, operating instructions, or accessories,
please go to one of following URLs :

Pour enregistrer votre produit, trouver le service après-vente agréé le plus
proche et pour acheter des pièces de rechange, des modes d’emploi ou
des accessoires, reportez-vous aux URL suivantes :

In the USA/Aux Etats-Unis

http://www.pioneerelectronics.com

In Canada/Aux Canada

http://www.pioneerelectronics.ca

S018_B1_EnFr

PIONEER CORPORATION

1-1, Shin-ogura, Saiwai-ku, Kawasaki-shi, Kanagawa 212-0031, Japan

PIONEER ELECTRONICS (USA) INC.

P.O. BOX 1540, Long Beach, California 90801-1540, U.S.A. TEL: [phone]

PIONEER ELECTRONICS OF CANADA, INC.

340 Ferrier Street, Unit 2, Markham, Ontario L3R 2Z5, Canada TEL: [phone]

K002_PSV_CU

Printed in Malaysia

Published by Pioneer Corporation.

Copyright © 2007 Pioneer Corporation.

All rights reserved.

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