Pioneer DJM-2000nexus, DJM-2000NXS User Manual

DJ MIXER MESA DE MEZCLAS DJ

Ņŋ ెᏣ

Español ϜНEnglish

DJM

-2000NXS

DJM-2000nexus

http://pioneerdj.com/support/

The Pioneer DJ support site shown above offers FAQs, information on software and various other types of information and services to allow you to use your product in greater comfort.

El sitio de asistencia Pioneer DJ mostrado arriba ofrece las preguntas frecuentes, información del software y varios otros tipos de información y servicios que le permitirán usar su producto con mayor confort.

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http://rekordbox.com/

For various types of information and services regarding rekordbox™, see the Pioneer website above.

Para varios tipos de información y servicios acerca del rekordbox™, visite el sitio web de Pioneer indicado arriba.

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Operating Instructions Manual de instrucciones

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Thank you for buying this Pioneer product. Please read through these operating instructions so you will know how to operate your model properly. After you have finished reading the instructions, put them away in a safe place for future reference. In some countries or regions, the shape of the power plug and power outlet may sometimes differ from that shown in the explanatory drawings. However the method of connecting and operating the unit is the same.

IMPORTANT

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

CAUTION:

TO PREVENT THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

NOTE:

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: — Reorient or relocate the receiving antenna. — Increase the separation between the equipment and receiver. — Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. — Consult the dealer or an experienced radio/TV technician for help.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

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FEDERAL COMMUNICATIONS COMMISSION DECLARATION OF CONFORMITY

This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Product Name: DJ MIXER Model Number: DJM-2000NXS Responsible Party Name: PIONEER ELECTRONICS (USA) INC. SERVICE SUPPORT DIVISION Address: 1925 E. DOMINGUEZ ST. LONG BEACH, CA 90810-1003, U.S.A. Phone: 1-800-421-1404 URL: http://www.pioneerelectronics.com

D8-10-4*_C1_En

WARNING

This equipment is not waterproof. To prevent a fire or shock hazard, do not place any container filled with liquid near this equipment (such as a vase or flower

WARNING

To prevent a fire hazard, do not place any naked flame sources (such as a lighted candle) on the equipment.

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pot) or expose it to dripping, splashing, rain or moisture.

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Operating Environment

Operating environment temperature and humidity: +5 °C to +35 °C (+41 °F to +95 °F); less than 85 %RH

WARNING

Before plugging in for the first time, read the following section carefully.

The voltage of the available power supply differs according to country or region. Be sure that the

(cooling vents not blocked) Do not install this unit in a poorly ventilated area, or in locations exposed to high humidity or direct sunlight (or strong artificial light)

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power supply voltage of the area where this unit will be used meets the required voltage (e.g., 230 V or 120 V) written on the side panel.

D3-4-2-1-4*_A1_En

If the AC plug of this unit does not match the AC outlet you want to use, the plug must be removed and appropriate one fitted. Replacement and mounting of an AC plug on the power supply cord of this unit should be performed only by qualified service personnel. If connected to an AC outlet, the cut-off plug can cause severe electrical shock. Make sure it is properly disposed of after removal. The equipment should be disconnected by removing the mains plug from the wall socket when left unused for a long period of time (for example, when on vacation).

D3-4-2-2-1a_A1_En

CAUTION

The POWER switch on this unit will not completely shut off all power from the AC outlet. Since the power cord serves as the main disconnect device for the unit, you will need to unplug it from the AC outlet to shut down all power. Therefore, make sure the unit has been installed so that the power cord can be easily unplugged from the AC outlet in case of an accident. To avoid fire hazard, the power cord should also be unplugged from the AC outlet when left unused for a long period of time (for example, when on vacation).

D3-4-2-2-2a*_A1_En

POWER-CORD CAUTION

Handle the power cord by the plug. Do not pull out the plug by tugging the cord and never touch the power cord when your hands are wet as this could cause a short circuit or electric shock. Do not place the unit, a piece of furniture, etc., on the power cord, or pinch the cord. Never make a knot in the cord or tie it with other cords. The power cords should be routed such that they are not likely to be stepped on. A damaged power cord can cause a fire or give you an electrical shock. Check the power cord once in a while. When you find it damaged, ask your nearest PIONEER authorized service center or your dealer for a replacement.

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WARNING

Store small parts out of the reach of children and infants. If accidentally swallowed, contact a doctor immediately.

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VENTILATION CAUTION

When installing this unit, make sure to leave space around the unit for ventilation to improve heat radiation (at least 5 cm at rear, and 3 cm at each side).

WARNING

Slots and openings in the cabinet are provided for ventilation to ensure reliable operation of the product, and to protect it from overheating. To prevent fire hazard, the openings should never be blocked or covered with items (such as newspapers, table-cloths, curtains) or by operating the equipment on thick carpet or a bed.

D3-4-2-1-7b*_A1_En

Information to User

Alterations or modifications carried out without appropriate authorization may invalidate the user’s right to operate the equipment.

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For Taiwan exclusively

Taiwanese two pin flat-bladed plug

K056_A1_En

CAUTION

This product satisfies FCC regulations when shielded cables and connectors are used to connect the unit to other equipment. To prevent electromagnetic interference with electric appliances such as radios and televisions, use shielded cables and connectors for connections.

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Contents

How to read this manual

In this manual, names of channels and buttons indicated on the product, names of menus in the software, etc., are indicated within square brackets ([ ]). (e.g. [MASTER] channel, [ON/OFF], [File] menu)

Before start

Features ....................................................................................................... 5

What’s in the box ........................................................................................ 5

Connections

Rear panel ................................................................................................... 6

Connecting input terminals ....................................................................... 7

Connecting output terminals .................................................................... 7

Connecting to the control panel ................................................................ 8

Connecting a computer ............................................................................. 8

About the USB audio driver software ....................................................... 8

Operation

Control Panel ............................................................................................ 11

Basic Operation ........................................................................................ 12

Advanced Operations ............................................................................... 14

List of MIDI Messages .............................................................................. 20

Types of BEAT EFFECT .............................................................................. 25

Changing the settings

Setting preferences .................................................................................. 27

About the auto standby function ............................................................. 27

Additional information

Troubleshooting ........................................................................................ 28

About the liquid crystal display ............................................................... 29

About trademarks and registered trademarks ...................................... 29

Block Diagram .......................................................................................... 30

Specifications............................................................................................ 31

Before start

Features

This unit is a high-performance DJ mixer designed for professional DJs, which, in addition to its high sound quality design, is equipped with a multi-touch panel and various types of interface and effect functions enabling new styles of DJ performing.

PRO DJ LINK

When a Pioneer DJ player supporting PRO DJ LINK (e.g. CDJ-2000nexus, CDJ-2000, CDJ-900), a computer on which rekordbox is installed and this unit are connected by LAN cable, the PRO DJ LINK functions below can be used. For details, see About PRO DJ LINK on page 14.

 SD & USB Export

 rekordbox LINK Export

English

TOUCH PANEL EFFECT

This unit uses a large 5.8-inch LCD multi-touch panel. When used in combination with effect functions ([BEAT SLICE REMIX], [FREQUENCY MIX] and [SIDECHAIN REMIX]), operations can be performed intuitively while checking the effect by sight and sound.

 BEAT SLICE REMIX

The track for the specified channel can be sampled and looped. The track that is looping can be arranged by operating the touch panel, so new loop phrases can be created on the spot.

 FREQUENCY MIX

The track frequencies are divided into seven bands and displayed graphically. Fader control on the touch panel makes it easier to grasp the details and mix two channels or swap instruments (parts).

 SIDECHAIN REMIX

The sound of a specific channel can be used as the trigger to apply effects to the sound of other channels. Operation of the touch panel’s pad makes it possible to process sound dynamically.

INST FX

This unit is equipped with six types of effects (NOISE, ZIP, CRUSH, JET, HPF, LPF). Effects can be obtained simply by turning the [FILTER] con-

trols for the different channels for improvisational performances, and the desired effects can be achieved by adjusting the [PARAMETER] control.

BEAT EFFECT

The DJM series’ well-received BEAT EFFECT function has been carried over and further evolved. This unit is equipped with an [EFFECT FREQUENCY] function allowing the amount of the effect applied to be adjusted by frequency range, for even greater playing freedom than before.

 SYNC MASTER

 LIVE SAMPLER

 LINK MONITOR

 STATUS INFORMATION

SOUND CARD

This unit is equipped with sound card/USB audio interface allowing up to four audio sources from one computer to be assigned to the different channels and mixed. Furthermore, the master channel output signals can be output to the computer, a great convenience for example for recording the mixed sound.

CH FADER

Compared to the previous DJM-2000, this unit uses a high performance channel fader with improved endurance against deterioration due to dust or liquid getting on the fader. Smooth operation is maintained even in rough usage environments.

HIGH SOUND QUALITY

Measures have been taken to improve sound quality for both the digital and analog inputs and outputs. Sound processing with 96 kHz sampling, a 24-bit high sound quality A/D converter and a 32-bit high sound quality D/A converter achieves more powerful, higher grade sound. This unit supports 48 kHz 16 bit, 48 kHz 24 bit and 44.1 kHz 16 bit USB audio signals.

What’s in the box

! CD-ROM ! USB cable ! Power cord ! Operating instructions (this document)

Connections

Be sure to turn off the power and unplug the power cord from the power outlet whenever making or changing connections. Refer to the operating instructions for the component to be connected. Connect the power cord after all the connections between devices have been completed. Be sure to use the included power cord.

Rear panel

1 2 63 345 2345 a

7 85 6 3 759

DIGITAL

2HOT

3COLD

CH 3CH4

MASTER

ATT.

-6dB -3dB 0dB

CDLINE

CONTROL

CD DIGITAL

MASTER2

REC OUT

SIGNAL GND

PHONO

POWER

OFF ON

AC IN

MASTER1

1GND

1 POWER button (page 12)

Turns this unit’s power on and off.

2 PHONO terminals (page 7)

Connect to a phono level (MM cartridge) output device. Do not input line level signals.

3 CD terminals (page 7)

Connect to a DJ player or a line level output component.

4 SIGNAL GND terminal (page 7)

Connects an analog player’s ground wire here. This helps reduce noise when the analog player is connected.

5 CD, DIGITAL (page 12)

Selects the analog signal input terminals (CD) or the digital signal input terminals (DIGITAL IN).

6 LINE terminals (page 7)

Connect to a cassette deck or a line level output component.

7 CONTROL (page 7)

Connect using a control cord (included with Pioneer DJ players).

8 DIGITAL OUT terminal (page 7)

Outputs the master channel audio signals.

9 DIGITAL IN terminal (page 7)

Connect these to the digital coaxial output terminals on DJ players, etc. The sound may be momentarily interrupted when the output signal sampling frequency is switched.

a Kensington security slot

b USB (page 8)

Connect to a computer.

c MIDI OUT terminal (page 7)

Connects this to the MIDI IN terminal on an external MIDI sequencer.

d LINK terminal (page 7)

Connect these to the LINK terminals on Pioneer DJ players or the LAN ports of computers on which rekordbox is installed (PRO DJ LINK).

When connecting a LAN cable, be sure to use an STP (shielded) cable.

DIGITAL

OUT

BOOTH SENDRETURN

TRS

CH2CH3CH4CH1

RL(MONO) RL(MONO)

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e RETURN terminals (page 7)

Connect to the output terminal of an external effector. When the [L (MONO)] channel only is connected, the [L (MONO)] channel input is simultaneously input to the [R] channel.

f SEND terminals (page 7)

Connect to the input terminal of an external effector. When the [L (MONO)] channel only is connected, a monaural audio signal is

output.

g BOOTH terminals (page 7)

Output terminals for a booth monitor, compatible with balanced or unbalanced output for a TRS connector.

h REC OUT terminals (page 7)

These are output terminals for recording.

i MASTER2 terminals (page 7)

Connect to a power amplifier, etc.

j MASTER ATT.

Sets the attenuation level of the sound output from the [MASTER1] and [MASTER2] terminals.

k MASTER1 terminals (page 7)

Connect to a power amplifier, etc. Be sure to use these as balanced outputs. Be careful not to acci-

dentally insert the power cord of another unit.

l AC IN

Connects to a power outlet using the included power cord. Wait until all connections between the equipment are completed before connecting the power cord. Be sure to use the included power cord.

WARNING

The short-circuit pin plugs out of the reach of children and infants. If accidentally swallowed, contact a doctor immediately.

LINK

CONTROL

CD DIGITAL

CH 3

CH 1

CH 4CH 2

CH 1CH2

SIGNAL GND

PHONOCDLINE

DIGITAL

COMPUTER 1

COMPUTER 2

MIDI OUT

USB

Connecting input terminals

Analog player

English

Cassette deck, CD player, etc.

(line level output devices)

CH 3CH4

MASTER

ATT.

-6dB -3dB 0dB

CDLINE

MASTER2

CONTROL

CD DIGITAL

REC OUT

SIGNAL GND

PHONO

POWEROFF

AC IN

DIGITAL

MASTER1

1GND

2HOT

3COLD

OUT

BOOTH SENDRETURN

TRS

Digital audio output device

DIGITAL

RL(MONO) RL(MONO)

CH2CH3CH4 CH1

CONTROL

CD DIGITAL

CH 3

CH 1

LINK

CH 4 CH 2

PRO DJ LINK

PHONOCDLINE

COMPUTER 2

COMPUTER 1

CH 1CH2

SIGNAL GND

DIGITAL

MIDI OUT

USB

rekordbox rekordbox

To power outlet

Pioneer DJ players

1 For details on PRO DJ LINK, see About PRO DJ LINK on page 14. Be sure to use an STP (shielded) cable when connecting to a Pioneer DJ player. 2 To use the fader start function, connect a LAN cable or control cord (page 13).

Connecting output terminals

CH 3CH 4

SIGNAL GND

PHONO

POWEROFF

AC IN

To power outlet Power amplifier

Power amplifier

DIGITAL

MASTER1

1GND

2HOT

3COLD

CDLINE

CONTROL

MASTER2

MASTER

-6dB -3dB 0dB

ATT.

Power amplifier

CD DIGITAL

REC OUT

OUT

BOOTHSENDRETURN

TRS

Cassette deck, etc.

(analog input recording device)

DIGITAL

RL(MONO) RL(MONO)

CH2CH3CH4CH1

Digital audio

input device

(for booth monitor)

1 Also connect the external effector to the [RETURN] terminal (input terminal). 2 Be sure to use the [MASTER1] terminals only for a balanced output (page 31). 3 Be careful not to accidentally insert the power cord of another unit to [MASTER1] terminal.

CONTROL

CH 3

LINK

CH 4CH 2

PHONOCDLINE

CD DIGITAL

CH 1

COMPUTER 1

COMPUTER 2

External effector

Computers

CH 1CH 2

SIGNAL GND

DIGITAL

MIDI OUT

USB

MIDI sequencer

Connecting to the control panel

HEADPHONES

CUE

MONO SPLIT STEREO

CUE

MASTER

PHONES

LEVEL

MIXING

THRU

CROSS FADER ASS

/DIGITALPHONO

USB 1/2

TRIM

MIC

OVER

- 1

- 2

- 3

- 5

- 7

ISO

EQ/

MID

LOW

-26/

-12

+12

OFFON OVER

TALK

MIC LEVEL

-12

+12

/DIGITAL

ISO

EQ/

-26

Microphones

Headphones

Connecting a computer

CH 1CH2

SIGNAL GND

CH 1

PHONOCDLINE

COMPUTER 1

COMPUTER 2

DIGITALCD DIGITAL

MIDI OUT

USB

CONTROL

CH 3

NO)

LINK

CH 4CH 2

Computer

Connect with the included USB cable.

About the USB audio driver software

This driver software is a proprietary program for inputting and outputting audio signals from the computer. To use this unit connected to a computer on which a Windows or Mac OS is installed, install the driver software on the computer beforehand.

Software end user license agreement

This Software End User License Agreement (“Agreement”) is between you (both the individual installing the Program and any single legal entity for which the individual is acting) (“You” or “Your”) and PIONEER CORPORATION (“Pioneer”). TAKING ANY STEP TO SET UP OR INSTALL THE PROGRAM MEANS THAT YOU ACCEPT ALL OF THE TERMS OF THIS LICENSE AGREEMENT. PERMISSION TO DOWNLOAD AND/OR USE THE PROGRAM IS EXPRESSLY CONDITIONED ON YOUR FOLLOWING THESE TERMS. WRITTEN OR ELECTRONIC APPROVAL IS NOT REQUIRED TO MAKE THIS AGREEMENT VALID AND ENFORCEABLE. IF YOU DO NOT AGREE TO ALL OF THE TERMS OF THIS AGREEMENT, YOU ARE NOT AUTHORIZED TO USE THE PROGRAM AND MUST STOP INSTALLING IT OR UNINSTALL IT, AS APPLICABLE.

1 DEFINITIONS

1 “Documentation” means written documentation, specifications

and help content made generally available by Pioneer to aid in installing and using the Program.

2 “Program” means all or any part of Pioneer’s software licensed to

You by Pioneer under this Agreement.

2 PROGRAM LICENSE

1 Limited License. Subject to this Agreement’s restrictions,

Pioneer grants to You a limited, non-exclusive, non-transferable, license (without the right to sublicense): a To install a single copy of the Program in Your computer or

mobile device, to use the Program only for Your personal purpose complying with this Agreement and the Documentation (“Authorized Use”);

b To use the Documentation in support of Your Authorized Use;

and

c To make one copy of the Program solely for backup pur-

poses, provided that all titles and trademark, copyright and restricted rights notices are reproduced on the copy.

2 Restrictions. You will not copy or use the Program or

Documentation except as expressly permitted by this Agreement. You will not transfer, sublicense, rent, lease or lend the Program, or use it for third-party training, commercial time-sharing or service bureau use. You will not Yourself or through any third party modify, reverse engineer, disassemble or decompile the Program, except to the extent expressly permitted by applicable law, and then only after You have notified Pioneer in writing of Your intended activities.

3 Ownership. Pioneer or its licensor retains all right, title and

interest in and to all patent, copyright, trademark, trade secret and other intellectual property rights in the Program and Documentation, and any derivative works thereof. You do not acquire any other rights, express or implied, beyond the limited license set forth in this Agreement.

4 No Support. Pioneer has no obligation to provide support,

maintenance, upgrades, modifications or new releases for the Program or Documentation under this Agreement.

3 WARRANTY DISCLAIMER

THE PROGRAM AND DOCUMENTATION ARE PROVIDED “AS IS” WITHOUT ANY REPRESENTATIONS OR WARRANTIES, AND YOU AGREE TO USE THEM AT YOUR SOLE RISK. TO THE FULLEST EXTENT PERMISSIBLE BY LAW, PIONEER EXPRESSLY DISCLAIMS ALL WARRANTIES OF ANY KIND WITH RESPECT TO THE PROGRAM AND DOCUMENTATION, WHETHER EXPRESS, IMPLIED, STATUTORY, OR ARISING OUT OF COURSE OF PERFORMANCE, COURSE OF DEALING OR USAGE OF TRADE, INCLUDING ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, SATISFACTORY QUALITY, ACCURACY, TITLE OR NON-INFRINGEMENT.

4 DAMAGES AND REMEDIES FOR BREACH

You agree that any breach of this Agreement’s restrictions would cause Pioneer irreparable harm for which money damages alone would be inadequate. In addition to damages and any other remedies to which Pioneer may be entitled, You agree that Pioneer may seek injunctive relief to prevent the actual, threatened or continued breach of this Agreement.

5 TERMINATION

Pioneer may terminate this Agreement at any time upon Your breach of any provision. If this Agreement is terminated, You will stop using the Program, permanently delete it from your computer or mobile device where it resides, and destroy all copies of the Program and Documentation in Your possession, confirming to Pioneer in writing that You have done so. Sections 2.2, 2.3, 2.4, 3, 4, 5 and 6 will continue in effect after this Agreement’s termination.

6 GENERAL TERMS

1 Limitation of Liability. In no event will Pioneer or its subsidiaries

be liable in connection with this Agreement or its subject matter, under any theory of liability, for any indirect, incidental, special, consequential or punitive damages, or damages for lost profits, revenue, business, savings, data, use, or cost of substitute procurement, even if advised of the possibility of such damages or if such damages are foreseeable. In no event will Pioneer’s liability for all damages exceed the amounts actually paid by You to Pioneer or its subsidiaries for the Program. The parties acknowledge that the liability limits and risk allocation in this Agreement are reflected in the Program price and are essential elements of the bargain between the parties, without which Pioneer would not have provided the Program or entered into this Agreement.

2 The limitations or exclusions of warranties and liability contained

in this Agreement do not affect or prejudice Your statutory rights as consumer and shall apply to You only to the extent such limitations or exclusions are permitted under the laws of the jurisdiction where You are located.

3 Severability and Waiver. If any provision of this Agreement is held

to be illegal, invalid or otherwise unenforceable, that provision will be enforced to the extent possible or, if incapable of enforcement, deemed to be severed and deleted from this Agreement, and the remainder will continue in full force and effect. The waiver by either party of any default or breach of this Agreement will not waive any other or subsequent default or breach.

4 No Assignment. You may not assign, sell, transfer, delegate or

otherwise dispose of this Agreement or any rights or obligations under it, whether voluntarily or involuntarily, by operation of law or otherwise, without Pioneer’s prior written consent. Any purported assignment, transfer or delegation by You will be null and void. Subject to the foregoing, this Agreement will be binding upon and will inure to the benefit of the parties and their respective successors and assigns.

5 Entire Agreement. This Agreement constitutes the entire agree-

ment between the parties and supersedes all prior or contemporaneous agreements or representations, whether written or oral, concerning its subject matter. This Agreement may not be modified or amended without Pioneer’s prior and express written consent, and no other act, document, usage or custom will be deemed to amend or modify this Agreement.

6 You agree that this Agreement shall be governed and construed

by and under the laws of Japan.

Cautions on Installation

! Before installing the driver software, be sure to turn off the power of

this unit and disconnect the USB cable from both this unit and your computer.

! If you connect this unit to your computer without installing the driver

software first, an error may occur on your computer depending on the system environment.

! If you have discontinued the installation process in progress, step

through the installation process again from the beginning according to the following procedure.

! Read Software end user license agreement carefully before installing

this unit’s proprietary driver software.

! Before installing the driver software, terminate all other programs

running on your computer.

! The driver software is compatible with the following OSs.

Supported operating systems

Mac OS X (10.3.9, 10.4, 10.5, 10.6, 10.7, 10.8)

7 Home Premium/Professional/

Windows Ultimate

Windows Vista Business/Ultimate

Windows or later)

Windows® XP Professional x64 Edition is not supported. ! The included CD-ROM includes installation programs in the follow-

ing 12 languages.

English, French, German, Italian, Dutch, Spanish, Portuguese,

Russian, Simplified Chinese, Traditional Chinese, Korean, and Japanese

When using operating systems in other languages, follow the

instructions on the screen to select [English (English)].

Home Basic/Home Premium/

XP Home Edition/Professional (SP2

32-bit version 64-bit version 32-bit version 64-bit version

32-bit version

Installing the driver software

 Installation Procedure (Windows)

Read Cautions on Installation carefully before installing the driver software. ! To install or uninstall the driver software, you need to be authorized

by the administrator of your computer. Log on as the administrator of your computer before proceeding with the installation.

1 Insert the included CD-ROM into the computer’s CD drive.

The CD-ROM folder appears. ! If the CD-ROM folder is not displayed after a CD-ROM is loaded,

open the CD drive from [Computer (or My Computer)] in the [Start] menu.

2 Double-click [DJM-2000_X.XXX.exe].

The driver installation screen appears.

3 When the language selection screen appears, select [English] and click [OK].

You can select one from multiple languages depending on the system environment of your computer.

4 Carefully read the Software end user license agreement and if you consent to the provisions, put a

check mark in [I agree.] and click [OK].

If you do not consent to the provisions of the Software end user license agreement, click [Cancel] and stop installation.

5 Proceed with installation according to the instructions on the screen.

If [Windows Security] appears on the screen while the installation is in progress, click [Install this driver software anyway] and continue with the installation. ! When installing on Windows XP If [Hardware Installation] appears on the screen while the installa-

tion is in progress, click [Continue Anyway] and continue with the installation.

! When the installation program is completed, a completion message

appears.

! When the installation of the driver software is completed, you need to

reboot your computer.

 Installation Procedure (Macintosh)

Read Cautions on Installation carefully before installing the driver software. ! To install or uninstall the driver software, you need to be authorized

by the administrator of your computer. Have the name and password of the administrator of your computer ready in advance.

English

1 Insert the included CD-ROM into the computer’s CD drive.

The CD-ROM folder appears. ! Double-click the CD icon on the desktop when folders are not dis-

played after a CD-ROM has been loaded.

2 Double-click [DJM-2000_M_X.X.X.dmg].

The [DJM-2000AudioDriver] menu screen appears.

3 Double-click [DJM-2000AudioDriver.pkg].

The driver installation screen appears.

4 Check the details on the screen and click [Continue Anyway].

5 When the Software Use Agreement screen appears, select [English], carefully read the Software end user license agreement and click [Continue Anyway].

You can select one from multiple languages depending on the system environment of your computer.

6 If you consent to the provisions of the Software end user license agreement, click [Agree].

If you do not consent to the provisions of the Software end user license agreement, click [I disagree] and stop installation.

7 Proceed with installation according to the instructions on the screen.

! Click [Cancel] to cancel installation after it has started. ! When the installation of the driver software is completed, you need to

reboot your computer.

Connecting this unit and computer

1 Connect this unit to your computer via a USB cable.

This unit functions as an audio device conforming to the ASIO standards. ! When using ASIO-compatible applications, [USB 1/2], [USB 3/4],

[USB 5/6] and [USB 7/8] can be used as inputs. Depending on the input/output setting, it is possible to use three of this unit’s sets of inputs.

! When using DirectX-compatible applications, only [USB 1/2] can be

used as the input.

! The computer’s recommended operating environment depends on

the DJ application. Be sure to check the recommended operating environment for the DJ application you are using.

! When another USB audio device is connected to the computer at the

same time, it may not operate or be recognized normally. We recommend only connecting the computer and this unit. ! When connecting the computer and this unit, we recommend con-

necting directly to this unit’s USB port.

2 Press [POWER] button.

Turn on the power of this unit. ! The message [Installing device driver software] may appear when

this unit is first connected to the computer or when it is connected to

a different USB port on the computer. Wait a while until the message

[Your devices are ready for use] appears. ! When installing on Windows XP

— [Can Windows connect to Windows Update to search for

software?] may appear while the installation is in progress.

Select [No, not this time], then click [Next] to continue installation.

— [What do you want the wizard to do?] may appear while

the installation is in progress. Select [Install the software automatically (Recommended)], then click [Next] to continue installation.

— If [Windows Security] appears on the screen while the installa-

tion is in progress, click [Install this driver software anyway] and continue with the installation.

Switching the input/output setting

Use this procedure to switch the computer’s input/output setting when using the driver software. ! If applications using this unit as the default audio device (DJ applica-

tions, etc.) are running, quit those applications before switching the input/output setting.

! Some time is required after the input/output setting is switched for

the computer to be updated. The input/output setting cannot be switched while the computer is being updated.

! Sound may not be output if there are differences between the input/

output settings on this unit and on the computer. If this happens, turn this unit’s power on and reset the input/output settings with the USB cable connected.

! If the input/output setting is switched while using DirectX, the appli-

cation may not recognize the driver software.

! MIDI communications are interrupted if the input/output setting is

switched during MIDI communications.

 Switching procedure (Windows)

Click the Windows [Start] menu>[All Programs]>[Pioneer]>[DJM-2000]>[DJM-2000 Setting Utility].

Switch the computer’s input/output setting.

— ASIO 4 outputs 0 inputs 16 bits DirectX 1 output 0 inputs — ASIO 3 outputs 1 input 16 bits DirectX 1 output 1 input — ASIO 3 outputs 0 inputs 24 bits DirectX 1 output 0 inputs

 Switching procedure (Macintosh)

Click [Apple]>[System Preferences]>[Other]>[DJM-2000 Settings].

Switch the computer’s input/output setting.

— 8-channel output No input 16 bits — 6-channel output 2-channel input 16 bits — 6-channel output No input 24 bits

Adjusting the buffer size (Windows)

Use this procedure to adjust the computer’s buffer size when using ASIO driver software.

Click the Windows [Start] menu>[All Programs]>[Pioneer]>[DJM-2000]>[DJM-2000 Setting Utility].

If the buffer size is made large, drops in audio data (breaks in the sound) occur less easily, but the time lag due to the delay in the transfer of the audio data (latency) increases. ! If an application using this unit as the default audio device (DJ

software, etc.) is running, quit that application before adjusting the buffer size.

Checking the version of the driver software

 Procedure for checking (Windows)

Click the Windows [Start] menu>[All Programs]>[Pioneer]>[DJM-2000]>[DJM-2000 Version Display Utility].

The [Version] screen appears.

 Procedure for checking (Macintosh)

Click [Apple]>[About This Mac]>[More Info]>[Extensions]>[DJM-2000 USBAudio].

The [Version] screen appears.

Checking the latest information on the driver software

For the latest information on the driver software for exclusive use with this unit, visit our website shown below. http://pioneerdj.com/support/

Operation

Control Panel

MONO SPLIT STEREO

MIC

-12

OFF ON OVER

INST FX

NOISEJET

ZIPHPF

CRUSHLPF

PARAMETER

MIN

LINK

CUE

HEADPHONES

MIXING

CUE

LEVEL

PHONES

+12

TALK

MAX

MASTER

MIC LEVEL

LOW

/DIGITAL PHONO

e e ee

EQ/

ISO

TRIM

-26/

MID

-26/

LOW

-26/

FILTER

MIN MAX

CUE

THRU

CROSS FADER ASSIGN

USB 1/2

OVER

- 1

- 2

- 3

- 5

- 7

- 10

- 15

- 24

8 7

/DIGITAL LINE

TRIM

-26/

MID

EQ/

ISO

-26/

LOW

-26/

FILTER

MIN MAX

CUE

THRU

USB 3/4

MIC

j k

OVER

- 1

- 2

- 3

- 5

- 7

- 10

- 15

- 24

1 2 3 4

MULTI TAP

DELAY

ECHO

LOW

MIN MAX

1/8

TIME

CUE

ROLL

DELAY

EFFECT SELECT

SLIP

REVERB

ROLL

EFFECT FREQUENCY

MINMAXHIMINMAX

1/4 1/2 3/4 1/1 2/1 4/1

LEVEL/DEPTH

MIN

SELECT

A B M

REV

TRANS

ROLL

PHASER

FILTER

MID

MAX

RETURN

AUTO

/TAP

TAP

LIVE

SAMPLER

UTILITY

WAKE UP

CUE

GATE

SEND/

ON/OFF

MIX

REMIX

ON/OFF

/DIGITAL LINE

OVER

- 1

- 2

- 3

- 5

- 7

- 10

- 15

- 24

TRIM

-26/

MID

-26/

LOW

-26/

FILTER

MINMAX

CUE

THRU

CROSS FADER ASSIGN

USB 5/6

EQ/

ISO

/DIGITAL PHONO

OVER

- 1

- 2

- 3

- 5

- 7

- 10

- 15

- 24

8 7

TRIM

-26/

MID

-26/

LOW

-26/

FILTER

MINMAX

CUE

THRU

English

OFF

POWER

USB 7/8

MASTER

EQ/

ISO

BALANCE

MONO

OVER

- 1

- 2

- 3

- 5

- 7

- 10

- 15

- 24

CUE

STEREO

BOOTH MONITOR

MIDI

ON/OFF

START/STOP

CH EQ

SNAPSHOT

D E

CURVE SETTING

ISOLATOR

CH FADER

CROSS FADER

1 Microphone input jack (page 13)

2 MIC LEVEL control (page 13)

3 EQ (HI, LOW) controls (page 13)

4 OFF, ON, TALK OVER selector switch (page 13)

5 INST FX buttons (page 17)

6 PARAMETER control (page 17)

7 CUE button (page 12)

8 MONO SPLIT, STEREO selector switch (page 12)

9 MIXING control (page 12)

a LEVEL control (page 12)

b PHONES terminal (page 12)

c CD/DIGITAL, PHONO, LINE, USB */* selector switch

(page 12)

d TRIM control (page 12)

PROFESSIONAL MIXER

DJM-

2000 nexus

e EQ/ISO (HI, MID, LOW) controls (page 12)

f Channel Level Indicator (page 12)

g FILTER control (page 17)

h Channel Fader (page 12)

i CROSS FADER ASSIGN (A, THRU, B) selector switch

(page 12)

j CH SELECT buttons (page 18)

k EFFECT SELECT buttons (page 18)

l EFFECT FREQUENCY (HI, MID, LOW) controls (page 18)

m Beat buttons (page 18)

n TIME control (page 18)

o LEVEL/DEPTH control (page 18)

p AUTO/TAP button (page 18)

q TAP button (page 18)

r ON/OFF button (page 18)

s LIVE SAMPLER (UTILITY, WAKE UP) buttons (page 17,

page 27)

t SYNC MASTER/MIDI button (page 19)

u MIX button (page 15)

v REMIX button (page 16)

w ON/OFF button (TOUCH PANEL EFFECT) (page 15)

x Crossfader (page 12)

y MASTER control (page 12)

z Master Level Indicator (page 12)

A BALANCE control (page 14)

B MONO, STEREO selector switch (page 14)

C BOOTH MONITOR control (page 14)

D START/STOP (SNAPSHOT) button (page 19)

E ON/OFF (MIDI) button (page 19)

F CH EQ (ISOLATOR, EQ) selector switch (page 12)

G CH FADER (

H CROSS FADER (

Do not pull on the channel fader and crossfader knobs with excessive force. The knobs have a structure by which they cannot be pulled off easily. Pulling the knobs strongly may result in damaging the unit.

, ) selector switch (page 13)

, , ) selector switch (page 13)

Basic Operation

Outputting sound

1 Press [POWER] button.

Turn on the power of this unit.

2 Switching the [CD/DIGITAL, PHONO, LINE, USB */*] switch

Selects the input sources for the different channels from among the devices connected to this unit.

— [CD/DIGITAL]: Selects the DJ player connected to the [CD] termi-

nals. To select the DJ player connected to the [DIGITAL IN] terminal, set the [CD, DIGITAL] switch on the rear panel to [DIGITAL].

— [PHONO]: Selects the analog player connected to the [PHONO]

terminals.

— [LINE]: Selects the cassette deck or CD player connected to the

[LINE] terminals.

— [USB */*]: Selects the sound of the computer connected to the

[USB] port.

3 Turn the [TRIM] control.

Adjusts the level of audio signals input in each channel. The corresponding channel level indicator lights when audio signals are being properly input to that channel.

4 Move the channel fader away from you.

Adjusts the level of audio signals output in each channel.

5 Switch the [CROSS FADER ASSIGN (A, THRU, B)] switch.

Switches the output destination of each channel.

— [A]: Assigns to [A] (left) of the crossfader. — [B]: Assigns to [B] (right) of the crossfader. — [THRU]: Selects this when you do not want to use the crossfader.

(The signals do not pass through the crossfader.)

6 Set the crossfader.

This operation is not necessary when the [CROSS FADER ASSIGN (A, THRU, B)] selector switch is set to [THRU].

7 Turn the [MASTER] control.

Audio signals are output from the [MASTER1] and [MASTER2] terminals. The master level indicator lights.

Adjusting the sound quality

Turn the [EQ/ISO (HI, MID, LOW)] controls for the respective channels.

Refer to Specifications on page 31 for the range of sound that can be adjusted by each control.

 Switching the function of the [EQ/ISO (HI, MID,

LOW)] controls

Switch the [CH EQ (ISOLATOR, EQ)] selector switch.

— [ISOLATOR]: The isolator function is set. The indicator lights. — [EQ]: The equalizer function is set.

Monitoring sound with headphones

1 Connect headphones to the [PHONES] terminal.

2 Press the [CUE] button(s) for the channel(s) you want to monitor.

3 Switch the [MONO SPLIT, STEREO] selector switch.

— [MONO SPLIT]: The sound of the channels for which the [CUE]

button is pressed is output from the headphones output’s left channel, the [MASTER] channel sound is output from the right channel.

— [STEREO]: The sound of the channels for which the [CUE] button

is pressed is output from the headphones in stereo.

4 Turn the [MIXING] control.

This adjusts the monitor volume balance of the sound of channels for which the [CUE] button is pressed and the sound of the [MASTER] channel.

5 Turn the [LEVEL] control for [HEADPHONES].

The sound of the channels for which the [CUE] button is pressed is output from the headphones.

! When the [CUE] button is pressed again, monitoring is canceled. ! When [LIVE SAMPLER] is turned on, [CUE] button for the TOUCH

PANEL EFFECT and [CUE] button for the [LINK] cannot be pressed simultaneously.

Monitoring the sound of the computer

Check [Use “LINK MONITOR” of Pioneer DJ Mixers.] at [File] > [Preferences] > [Audio] in rekordbox beforehand. Also refer to the rekordbox operating instructions.

1 Connect headphones to the [PHONES] terminal.

2 Connect a computer on which rekordbox is installed.

For instructions on connections, see Connecting input terminals on page

3 Selecting the track to be monitored with rekordbox.

4 Press the [CUE] button for [LINK].

The track selected with rekordbox is output from the headphones.

! When the [CUE] button is pressed again, monitoring is canceled. ! The same operation as at Monitoring sound with headphones (steps 3

to 5) can be performed.

Switching the fader curve

 Select the channel fader curve characteristics.

Switch the [CH FADER (

— [ ]: The curve rises suddenly at the back side. — [ ]: The curve rises gradually (the sound gradually increases as

the channel fader is moved away from the front side).

, )] switch.

Starting playback on a DJ player using the fader (fader start)

When connected to a Pioneer DJ player by LAN cable or control cord (included with the DJ player), operations such as starting playback on the DJ player can be controlled with this unit’s fader. Connect this unit and Pioneer DJ player beforehand. For instructions on connections, see Connecting input terminals on page 7.

 Start playback using the channel fader

1 Set the [CROSS FADER ASSIGN (A, THRU, B)] selector switch to [THRU].

2 Set [FADER START] to [ON].

For instructions on setting, see Changing the settings on page 27.

3 Set the channel fader to the nearest position towards you.

4 Set the cue on the DJ player.

The DJ player pauses playback at the cue point.

5 Move the channel fader away from you.

Playback starts on the DJ player. ! If you set the channel fader back to the original position, the player

instantaneously returns to the cue point already set and pauses playback (back cue).

 Start playback using the crossfader

1 Set the [CROSS FADER ASSIGN (A, THRU, B)] selector switch to [A] or [B].

2 Set [FADER START] to [ON].

For instructions on setting, see Changing the settings on page 27.

3 Set the crossfader.

Set to the edge opposite the side on which the channel you want to use with the fader start function is set.

4 Set the cue on the DJ player.

The DJ player pauses playback at the cue point.

5 Set the crossfader.

Playback starts on the DJ player. ! If you set the crossfader back to the original position, the player

instantaneously returns to the cue point already set and pauses playback (back cue).

English

 Select the crossfader curve characteristics.

Switch the [CROSS FADER (

— [ ]: Makes a sharply increasing curve (if the crossfader is

moved away from the [A] side, audio signals are immediately output from the [B] side).

]: Makes a curve shaped between the two curves above and

— [

below.

— [ ]: Makes a gradually increasing curve (if the crossfader is

moved away from the [A] side, the sound on the [B] side gradually increases, while the sound on the [A] gradually decreases).

, , )] selector switch.

Using a microphone

1 Connect the microphone to the microphone input jack.

2 Set the [OFF, ON, TALK OVER] selector switch to [ON] or [TALK OVER].

— [ON]: The indicator lights. — [TALK OVER]: The indicator flashes.

! When set to [TALK OVER], the sound of channels other than the

[MIC] channel is attenuated by 18 dB (default) when a sound of –10 dB or greater is input to the microphone.

3 Turn the [MIC LEVEL] control.

Adjust the level of the sound output from the [MIC] channel.

! Pay attention that rotating to the extreme right position outputs a

very loud sound.

4 Input audio signals to the microphone.

 Adjusting the sound quality

Turn the [MIC] channels’ [EQ (HI, LOW)] controls.

Refer to Specifications on page 31 for the range of sound that can be adjusted by each control.

Switching between monaural and stereo audio

This switches the sound output from the [MASTER1], [MASTER2], [BOOTH], [REC OUT], [PHONES], [DIGITAL OUT] and [USB] terminals between monaural and stereo.

Switch the [MONO, STEREO] selector switch.

— [MONO]: Outputs monaural audio.

— [STEREO]: Outputs stereo audio.

 Adjusting the L/R balance of audio

The left/right balance of the sound output from the [MASTER1], [MASTER2], [BOOTH], [REC OUT], [PHONES], [DIGITAL OUT] and [USB] terminals can be adjusted.

1 Set the [MONO, STEREO] selector switch to [STEREO].

2 Turn the [BALANCE] control.

The sound’s left/right balance changes according to the direction in which the [BALANCE] control is turned and its position. ! Rotating to the rightmost position outputs only the right sound of

stereo audio. Rotating to the leftmost position outputs only the left

sound of stereo audio.

Audio is output from the [BOOTH] terminal

Turn the [BOOTH MONITOR] control.

Adjusts the level of audio signals output from the [BOOTH] terminal.

Advanced Operations

About PRO DJ LINK

When a PRO DJ LINK-compatible Pioneer DJ player (CDJ-2000, CDJ-900 etc.), a computer on which rekordbox is installed and this unit are connected by LAN cable, the PRO DJ LINK functions below can be used. For more details on the PRO DJ LINK function, also refer to the DJ player’s handling instructions and rekordbox’s operating instructions. For instructions on connections, see Connecting input terminals on page

7. ! Up to four DJ players can be connected. Up to two computers can be

connected.

! Connect the DJ players to the [LINK] terminal ([CH1] to [CH4]) with

the same number as the channel to which the audio cables are connected.

! Connect the computers to the [COMPUTER 1] or [COMPUTER 2]

terminal.

 SD & USB Export

rekordbox music files and management data on an SD memory card or USB device connected to a Pioneer DJ player supporting PRO DJ LINK (e.g. CDJ-2000nexus, CDJ-2000, CDJ-900) can be transferred between DJ players via this unit.

 rekordbox LINK Export

This function lets you transfer rekordbox music files and management data directly, eliminating the bother of exporting the data to an SD memory card/USB device.

 SYNC MASTER

The beats (tempos and beat positions) of CDJ-2000nexus tracks can be played in sync with this unit’s master clock for up to four units. The beats of the tracks can be managed collectively on the mixer, allowing you to concentrate on the performance (mixing, effects, etc.).

 LIVE SAMPLER

The sound input to the [MIC] terminal or output from the [MASTER] terminals can be sampled and played on a DJ player.

 LINK MONITOR

With this function, rekordbox music files stored on the computer can be quickly monitored over the headphones.

 STATUS INFORMATION

This function informs the DJ players of the connected channel status (on-air status, channel number, etc.).

 QUANTIZE function

Based on the GRID information of tracks that have been analyzed with rekordbox, effects can be added to the sound without getting out of tempo with the currently playing track.

QUANTIZE

Music files must be analyzed ahead of time with rekordbox in order to use the QUANTIZE function. For instructions on analyzing music files with rekordbox, see the rekordbox Operating Instructions. ! The QUANTIZE function cannot be used when [REVERB], [GATE] or

[SEND/RETURN] is selected.

! To use the QUANTIZE function, set the BPM measurement mode to

AUTO.

! Before using in combination with a CDJ-2000 or CDJ-900, update the

DJ player’s firmware to version 4.0 or later.

1 Press [LIVE SAMPLER (UTILITY, WAKE UP)] for at least 1 seconds.

The [USER SETUP] screen is displayed.

2 Press the settings item button and select [QUANTIZE].

The QUANTIZE function’s setting screen is displayed. ! [QUANTIZE] is added to the settings item button on the

[USER SET UP] screen.

3 Press [ON].

The QUANTIZE function turns on. The QUANTIZE indicator ([QTZ]) and GRID indicator ([GRID]) on the main unit display light or flash. ! Depending on the status of the DJ player (off air, scratching, reverse

playing, etc.), it may not be possible to receive the GRID information.

QUANTIZE indicator

GRID indicator

About the QUANTIZE indicator’s lighting status

[USER SET UP] screen >

QUANTIZE function status [QTZ]

[QUANTIZE]

QUANTIZE function activated (effects

[ON]

[OFF] Off

About the GRID indicator’s lighting status

synchronized to track’s tempo). QUANTIZE function not activated (effects

not synchronized to track’s tempo, or BPM measurement mode set to TAP).

Lit

Flashes

Status of reception of grid information from DJ player [GRID]

GRID information being received. Lit GRID information not being received. Off

4 Press the beat button, then press the [ON/ OFF] button of [BEAT EFFECT].

The effect is added to the sound on beat with the tempo of the currently playing track. The beat positions and BPMs of tracks being played on Pioneer DJ players supporting the beat sync function (e.g. CDJ-2000nexus, CDJ-2000, CDJ-900) can be synchronized.

STATUS INFORMATION

The display of the status of DJ players connected to the different channels and the beat sync information is concentrated here.

1 2 3 4 5

LINK

SYNC

MASTER

MASTER BPM

Indicates channels for which the fader start function is enabled.

Indicates channels for which DJ players are properly connected to the [LINK] terminal.

Indicates the sync function status of the DJ player connected to the [LINK] terminal.

Indicates the current beat sync master. Indicates the current master BPM.

FREQUENCY MIX

The currently playing sound is divided into seven frequency bands that are displayed graphically. Fader control on the touch panel makes it easier to grasp the details and mix two channels or swap instruments (parts).

1 2

Channel assign

buttons

Volume level

display

Touch fader

<< >>

These select the channels to be mixed.

The input volume level to this function is displayed in a light color, the output volume level from this function is displayed in a dark color.

These adjust the volume balance of the channels to be mixed for the separate frequency bands.

These move the touch fader immediately to the left or right edge.

 To mix [CH2] and [CH3]:

Prepare this unit in advance so that the sound of [CH3] is being output from the [MASTER] terminals.

1 Set the [CROSS FADER ASSIGN (A, THRU, B)] switches for [CH2] and [CH 3] to [THRU].

! Set the [CROSS FADER ASSIGN (A, THRU, B)] switches of the chan-

nels to be mixed to [THRU].

! When using the crossfader, it is recommended to set it to the center

position.

2 Press [MIX].

The [FREQUENCY MIX] screen appears on the touch panel.

3 Press the channel assign buttons to select [CH2] for the left side, [CH3] for the right side.

The volume levels for the individual frequency bands of the sound playing in [CH3] are displayed on the right half of the touch panel.

4 Press all the [ >> ] buttons.

All the touch faders move to the right edge.

5 Press the [ON/ OFF] button.

This turns the effect on. The [ON/ OFF] button flashes when the effect is on.

6 Move the channel fader for [CH2] to the back side.

The volume levels for the individual frequency bands of the sound playing in [CH2] are displayed on the left half of the touch panel.

7 Move the touch fader to the left side.

The sound of the frequency bands whose crossfaders have been moved is mixed and output.

! When the [ON/ OFF] button is pressed again, the effect turns off. ! To switch from the [FREQUENCY MIX] to the REMIX function, first

press [ON/OFF] to turn the effect off, then press [REMIX].

BEAT SLICE REMIX

When a track that has been analyzed with rekordbox is played, the sound is sampled in beat with the track, and once sampling is completed the sample is played in a loop. The sampled sound can be sliced into equal parts, and the order in which the sliced parts are played can be changed.

English

The changed order and timing can be played repeatedly in units of the length of the sampled sound (4 or 8 beats).

1 72 3 4

Channel select

SETTING

SEQ REC

MUTE

ROLL PAD

Sequence control

EXIT

OUTPUT CH select

SEQUENCE

LENGTH select

SYNC SOURCE

BPM setting

Used to select the channel to which the sound you want to sample is being input.

Displays the settings screen at which various settings are made.

Records the order and time at which the roll pad is pressed.

Inserts a silent section in the rolled sound. Rolls the sampled sound that has been sliced into 8

equal parts for the specified length. Displays the waveform of the sampled sound. Playback

can be started from the sound of that waveform by touching the waveform (cue).

Exits this screen, returning to the BEAT SLICE REMIX screen.

Selects the output channel for the beat slice remix function. ! SAME: Sets the input channel to the output

channel.

! CH1 – 4: Sets the selected channel as the output

channel.

Selects the length for sampling the sound.

! 4BEAT: Samples 4 beats of sound. ! 8BEAT: Samples 8 beats of sound.

Selects the beat information to serve as the basis for the operation. ! CHANNEL: Selects the audio input channel’s beat

information as the basis.

! SYNC MASTER: Selects the master BPM’s beat

information as the basis.

! MANUAL: Selects the BPM and beat position set

at the BPM setting as the basis.

When [MANUAL] is selected at SYNC SOURCE, specify the BPM and beat position to serve as the basis here.

! a/b: Increases or decreases the BPM value. ! BPM display: Displays the BPM value to serve as

the basis for the operation. If the beat information cannot be obtained, the display flashes.

! TAP: When this button is tapped 2 or more times,

the interval at which it was tapped is calculated and displayed in the BPM display area as the BPM value.

1 Press [REMIX].

The [BEAT SLICE REMIX] screen appears on the touch panel.

! The function switches between [BEAT SLICE REMIX] and

[SIDECHAIN REMIX] each time the [REMIX] button is pressed.

2 Press one of the buttons on the channel select menu.

Select the input channel.

3 Press the [ON/ OFF] button (TOUCH PANEL EFFECT).

Sampling of the sound starts. Once the sound is sampled for the number of beats specified at [SEQUENCE LENGTH], rolling of that sound starts. ! The sampled sound is sliced into equal parts based on the beat posi-

tion information obtained by PRO DJ LINK or the beat time calcu-

lated from the BPM value and the parts are assigned to the roll pad

for the respective beat lengths to be played.

4 Press the roll pad.

The assigned sound is played. If the roll pad is pressed and held for a time longer than the assigned sound, the assigned sound is played repeatedly.

SIDECHAIN REMIX

When this function is used, the sound of the specified frequency band for the specified channel can be used as the trigger to apply effects to the sounds of other channels.

2 3

HOLD

EFFECT

LEVEL/DEPTH

EXIT

TRIGGER (SAMPLING/

TRIGGER)

TRIGGER BAND

Control area Use this to change the effect’s parameters.

TRIGGER CH (SAMPLING/

TRIGGER CH)

Trigger indicators

This selects the channel to which the effect is applied. This holds the effect’s parameter information (the posi-

tion at which the control area was touched). This selects the type of effect. Use this to adjust the amount of the effect applied. Use this to close the [TRIGGER] menu.

Use this to open the [TRIGGER] menu.

Use these to select the frequency band to be used as the trigger.

This selects the channel to be used as the effect trigger.

These flash according to the automatically detected rhythm for the different frequency bands.

 To set the channel for sampling and triggering

to [CH3] and mix the sampled sound with the sound of [CH2] for output:

Prepare this unit in advance so that the sound of [CH2] is being output from the [MASTER] terminals.

1 Press [REMIX] twice.

The [SIDECHAIN REMIX] screen appears on the touch panel.

2 Press the [2] button in the [CH] section.

This selects the channel to which the effect is applied.

3 Press [EFFECT] and select [SAMPLER].

This selects the type of effect.

Effect Name Descriptions

NOISE HI-HAT CLAP SNARE

SAMPLER

PITCH

GATE

! It is not possible to select multiple effects simultaneously.

Sound is created inside this unit, mixed to the sound of the channel selected in the [CH] section, then output according to the [TRIGGER CH (SAMPLING/ TRIGGER CH)] trigger.

The sound of the channel selected at [TRIGGER CH (SAMPLING/TRIGGER CH)] is sampled, mixed to the sound of the channel selected in the [CH] section, then output according to the [TRIGGER CH (SAMPLING/TRIGGER CH)] trigger.

The pitch of the sound of the channel selected in the [CH] section is changed, mixed with the channel selected in the [CH] section, then output according to the [TRIGGER CH (SAMPLING/TRIGGER CH)] trigger.

The sound input at [CH] is output according to the [TRIGGER CH (SAMPLING/TRIGGER CH)] trigger.

4 Press [TRIGGER (SAMPLING/TRIGGER)].

The [TRIGGER] menu appears.

5 At [TRIGGER CH (SAMPLING/TRIGGER CH)], select [CH3].

This selects the channel to be used as the effect trigger. ! When [SAME] is pressed, the same channel as the one selected in

the [CH] section is selected as the trigger.

6 At [TRIGGER BAND], press [MID] and [HI].

This selects the frequency band set as the effect trigger. Only [LOW] (the bass sound) is selected.

7 Press the [ON/ OFF] button.

This turns the effect on. The [ON/ OFF] button flashes when the effect is on.

8 Touch the control area.

[ ] appears at the point at which the panel was touched. The [CH3] sound at the point in the control area that was touched is sampled. Triggered by the low frequency sound of [CH3], the sampled sound is mixed with the sound of [CH2] (which is continuing to play normally) and output from the [MASTER] terminals. The effect changes when the position touched in the control area is changed.

! When the [ON/ OFF] button is pressed again, the effect turns off. ! The sampled sound is only valid while the control area is being

touched.

! To switch from the [SIDECHAIN REMIX] to the [FREQUENCY MIX]

mode, first press the [ON/OFF] button to turn the effect off, then press [MIX].

Slider

PRE-REC SAVE

REC (REC STOP)

PREVIEW (STOP)

The sound is played from the position at which the touch panel was touched. This is only displayed when previewing the sound.

The sound is sampled from a point 8 seconds before the button was pressed.

The sound is sampled for up to 8 seconds from the point at which the button is pressed.

Use this to preview the sampled sound over the headphones.

 Sampling the sound being played

1 Press [LIVE SAMPLER].

The [LIVE SAMPLER] screen appears on the touch panel.

2 Press [MIC] or [MASTER] in the [SOURCE SELECT].

This selects the channel to be sampled.

3 Press [REC (REC STOP)].

The sound of the channel selected at step 2 is sampled from the point at which [REC (REC STOP)] was pressed.

! Sampling is possible for up to 8 seconds. ! Sampling stops automatically once 8 seconds have elapsed after

[REC (REC STOP)] was pressed.

4 Press [REC (REC STOP)].

Sampling stops. The sample saving screen is displayed.

 Sampling the sound from the point 8 seconds

before

English

 Using [HOLD]

When [HOLD] is turned on, effect’s parameter information is held even if the effect is turned off. The parameter information is cleared when [HOLD] is turned off. ! The parameter information and sampled sound are cleared when the

effect is switched.

LIVE SAMPLER

The sound input to the [MIC] terminal or the sound output from the [MASTER] terminals can be sampled and played on a PRO DJ LINK– compatible Pioneer DJ player. Connect this unit and PRO DJ LINK-compatible Pioneer DJ player in advance. For instructions on connections, see Connecting input termi- nals on page 7.

5 6 7 8 9

SOURCE SELECT

REC VOLUME

Status indicator

Waveform display This displays the sound as a waveform.

Playing address

display

Select the source to be sampled here. Use these to adjust the volume for recording.

The volume can be adjusted in the range –9 dB to +9 dB.

This indicates this unit’s status and whether or not sampling data is available.

This displays the sound as a bar graph. This is only displayed when previewing the sound.

1 Press [LIVE SAMPLER].

The [LIVE SAMPLER] screen appears on the touch panel.

2 Press [MIC] or [MASTER] in the [SOURCE SELECT].

This selects the channel to be sampled.

3 Press [PRE-REC SAVE].

The sound for the channel selected in step 2 is sampled from the point 8 seconds before [PRE-REC SAVE] was pressed. ! Sampling is possible for up to 8 seconds.

 Previewing the sampled sound

1 Press the [CUE] button to the left of the touch panel.

2 Press [PREVIEW (STOP)].

The position being played is displayed at the playing address and slider displays. ! When the touch panel’s slider is touched, the sampled sound is

played from that position.

 Playing the sampled sound on the DJ player

Use PRO DJ LINK to access this unit from the DJ player. The sampled sound (audio file) can be loaded and played on the DJ player.

INST FX

This effect changes in association with the [FILTER] controls for the individual channels.

1 Press one of the [INST FX] buttons.

This selects the type of effect. The button that was pressed flashes.

! The same effect is set for [CH1] to [CH4].

2 Turn the [FILTER] control.

The effect is applied to the channel(s) for which the control(s) was (were) pressed.

Effect Name Descriptions

White noise generated inside this unit

NOISE

ZIP

CRUSH

JET

HPF

LPF

is mixed in to the sound of the channel via the filter and output.

Lowers the pitch of the channel’s sound for output.

Changes the channel’s sound to a crushed sound for output.

Adds a flanger effect for output.

Outputs the sound through the highpass filter.

Outputs the sound through the lowpass filter.

FILTER (parameter 1)

Sets the cut-off frequency for the filter through which the white noise passes.

Sets the amount of pitch shifting for lowering the pitch.

Sets the degree by which the input sound is crushed.

Sets the flanger effect.

Sets the filter’s cutoff frequency.

PARAMETER (parameter 2)

Sets the volume of the white noise.

Sets the balance between the original sound and the effect sound.

The further the control is turned clockwise, the more the effect is stressed.

 Adjusting the effect of the effect sound

Turn the [PARAMETER] control.

The further the control is turned clockwise, the more the effect is stressed. When turned all the way counterclockwise, the effect is minimum.

BEAT EFFECT

This function lets you instantaneously set various effects according to the tempo (BPM = Beats Per Minute) of the currently playing track.

2 Press one of the [CH SELECT] buttons.

This selects the channel to which the effect is applied.

— [1] – [4]: The effect is applied to the sound of the respective

channel.

— [MIC]: The effect is applied to the sound of [MIC] channel. — [A], [B]: The effect is applied to the sound of the crossfader’s [A]

(left) or [B] (right) side.

— [M]: The effect is applied to the sound of the [MASTER] channel.

3 Press one of the [EFFECT SELECT] buttons.

This selects the type of effect.

! For the types of effects, see Types of BEAT EFFECT on page 25. ! To use [SEND/RETURN], see Using the external effector below.

4 Press one of the beat buttons.

Set the beat fraction for synchronizing the effect sound. The effect time corresponding to the beat fraction is set automatically. ! The beat fraction can be changed by turning [TIME] while pressing

the beat button.

5 Press the [ON/ OFF] button.

The effect is applied to the sound. The effect’s time parameter can be adjusted by turning the [TIME] control. The effect’s quantitative parameter can be adjusted by turning the [LEVEL/DEPTH] control. The [ON/ OFF] button flashes when the effect is on. ! When the [ON/ OFF] button is pressed again, the effect turns off.

 Inputting the BPM manually

Tap the [TAP] button at least 2 times in rhythm with the beat (in quarter notes) of the sound being played.

The average value of the interval at which the [TAP] button was tapped by finger is set as the BPM. ! When the BPM is set using the [TAP] button, the beat fraction is set

to [1/1] and the time of one beat (quarter note) is set as the effect time.

! The BPM can be set manually by turning the [TIME] control while

pressing the [TAP] button.

! The BPM can be set manually by pressing the beat button while

pressing [TAP].

! The BPM can be set in units of 0.1 by turning the [TIME] control

while pressing the [TAP] and [AUTO/TAP] buttons.

 Adjusting the amount of effect applied for

different frequency bands

When in the auto mode, this displays the automatically

BPM value display

(3 digits)

AUTO (TAP)

BPM

% (ms)

detected BPM value. When the BPM cannot be detected, the previously detected BPM value is displayed and flashes. When in the manual input mode, this displays the BPM value that was input manually.

[AUTO] lights when the BPM measurement mode is set to the auto mode. [TAP] lights when in the manual input mode.

This is always lit. These light according to the units for the different

effects.

1 Press [AUTO/TAP] button.

Select the BPM measurement mode.

— [AUTO]: The BPM is measured automatically from the audio sig-

nal that is being input. The [AUTO] mode is set when this unit’s power is turned on.

— [TAP]: The BPM is input manually by tapping the [TAP] button

with a finger.

! The [AUTO] BPM measurement range is BPM = 70 to 180. With

some tracks it may not be possible to measure the BPM correctly. If

the BPM cannot be measured, the BPM value on the display flashes.

In such cases, use the [TAP] button to input the BPM manually.

Turn the [EFFECT FREQUENCY (HI, MID, LOW)] control.

See Types of BEAT EFFECT on page 25 for the parameters of the effects that can be adjusted with the different controls.

 Using the external effector

1 Connect this unit and external effector.

[SEND/RETURN] lights. For instructions on connections, see Connecting output terminals on page 7.

2 Press one of the [CH SELECT] buttons.

This selects the channel to which the effect is applied.

3 Press [SEND/RETURN].

[SEND/RETURN] flashes.

4 Press the [ON/ OFF] button.

The sound that has passed through the external effector is output from the [MASTER] channel. ! When the [ON/ OFF] button is pressed again, the effect turns off.

Controlling connected devices

 Using the SYNC MASTER function

The beat positions and BPMs of tracks being played on Pioneer DJ players supporting the beat sync function (CDJ-2000nexus) can be synchronized.

SYNC

MASTER

BPM setting

BPM display area

RELOAD

Sets synchronization to the master BPM of the players connected to channels 1 – 4.

Selects the sync master. Increases or decreases the BPM value displayed in the

BPM display area. Displays one of the two values below, depending on

this unit’s status. ! When this unit is the sync master: Displays the

master BPM value.

! When this unit is not the sync master: Displays the

master BPM that would be displayed if this unit were the sync master.

When this unit is not the sync master, the current master BPM value is displayed in the BPM display area.

1 Press the [SYNC MASTER/MIDI] button.

[SYNC MASTER] is displayed on the screen.

! The function switches each time the [SYNC MASTER/MIDI] button

is pressed.

2 Operate the player’s sync status.

[SYNC] button: The various players’ sync status can be changed by pressing PLAYER 1 – 4. The sync mode switches on and off each time the button is pressed. Buttons for channels to which no player supporting the beat sync function is connected cannot be operated.

3 Change the sync master.

Press the button for the player or mixer you want to set as the sync master. ! It is not possible to set multiple devices as the sync master

simultaneously.

4 Set this unit as the sync master.

Press the [RELOAD] button to display the current master BPM value. Press [a] or [b] to set the master BPM value. Press the [MIXER] button to set this unit as the sync master. ! When this unit is the sync master, the master BPM value can be

changed by pressing [a] or [b].

Using the MIDI function

 Operating the DJ software

The DJM-2000NXS also outputs the operating data for the buttons and dials in MIDI format. If you connect a computer with a built-in MIDIcompatible DJ software via a USB cable, you can operate the DJ software on this unit. Install the DJ software on your computer in advance. Also, adjust the audio and MIDI settings for the DJ software.

! For MIDI channel setting instructions, see Changing the settings on

page 27.

1 Connect this unit’s [USB] terminal to the computer.

For details about connections, see Connecting a computer on page 8.

2 Launch the DJ software.

3 Press [ON/OFF] in the [MIDI] section.

Turn the MIDI function on. Transmission of the MIDI messages begin. ! When the faders and controls are moved, messages are sent accord-

ing to the positions of the faders and controls. For messages output by this unit, see List of MIDI Messages on page 20.

! When the [START/STOP] button is pressed and held in for more than

2 seconds, a set of MIDI messages corresponding to the button, fader or control positions is sent (Snapshot).

! The MIDI timing clock (BPM information) is sent regardless of the

[ON/ OFF] button.

! When the [ON/ OFF] button for [MIDI] is pressed again, transmis-

sion of MIDI messages stops.

 Sending the MIDI start and MIDI stop messages

Press the [START/STOP] button for [MIDI].

! The MIDI start and MIDI stop messages are sent alternatively each

time the [START/STOP] button is pressed, regardless of whether the MIDI function is on or off.

Using the MIDI control screens

This unit is equipped with four types of MIDI control screens. Use them according to your DJ software.

1 Press the [SYNC MASTER/MIDI] button at the right side of the touch panel several times.

The [MIDI CONTROL] screen is displayed after the [SYNC MASTER] screen. ! The function switches each time the [SYNC MASTER/MIDI] button

is pressed.

2 Select a type, from [TYPE A] to [TYPE D].

This selects the type of MIDI control screen. ! When [PAGE1] or [PAGE2] is pressed, the page being displayed

switches.

3 Operate the touch panel buttons or faders.

Transmission of the MIDI messages begin. For messages output by this unit, see List of MIDI Messages on page 20.

Operating an external MIDI sequencer

This unit sends the tempo of the currently playing source (BPM information) as the MIDI timing clock. This can be used to synchronize an external MIDI sequencer with the tempo of the source. ! External MIDI sequencers not supporting MIDI timing clocks cannot

be synchronized.

! External MIDI sequencers cannot be synchronized for sources for

which the BPM cannot be measured stably.

! The MIDI timing clock is output even with BPM values input manu-

ally by tapping the [TAP] button with a finger. The MIDI timing clock output range is 40 BPM to 250 BPM.

1 Connect the [MIDI OUT] terminal to the external MIDI sequencer’s MIDI IN terminal using a commercially available MIDI cable.

2 Set the external MIDI sequencer’s sync mode to Slave.

3 Press [START/STOP].

The MIDI start message is sent.

4 Press [ON/OFF] in the [MIDI] section.

Transmission of the MIDI messages begin.

English

List of MIDI Messages

Control Panel

Category SW Name SW Type

TRIM HI MID

CH1

LOW FILTER

Channel fader VR Bn 11 dd — — — — 0-127

CROSS FADER ASSIGN CUE TRIM HI MID

CH2

LOW FILTER

Channel fader VR Bn 12 dd — — — — 0-127

CROSS FADER ASSIGN CUE TRIM HI MID

CH3

LOW FILTER

Channel fader VR Bn 13 dd — — — — 0-127

CROSS FADER ASSIGN CUE TRIM HI MID

CH4

LOW FILTER

Channel fader VR Bn 14 dd — — — — 0-127

CROSS FADER ASSIGN CUE

Crossfader Crossfader VR Bn 0B dd — — — — 0-127

CH EQ (ISOLATOR, EQ) SW Bn 21 dd — — — — 0, 127

CURVE SETTING

CH FADER ( CROSS FADER (

, )

, , )

BALANCE

MASTER

MASTER level VR Bn 18 dd — — — — 0-127 CUE BOOTH MONITOR 1 2 3

CH SELECT

4 MIC A B M

TIME

BEAT EFFECT

ON/OFF BTN Bn 40 dd — — — Trigger/Toggle OFF=0, ON=127 AUTO/TAP CUE TAP LEVEL/DEPTH VR Bn 5B dd — — — — 0-127 DELAY MULTI TAP DELAY ROLL REV ROLL TRANS

EFFECT SELECT

GATE ECHO REVERB SLIP ROLL FILTER PHASER SEND/RETURN

VR Bn 01 dd — — — — 0-127 VR Bn 02 dd — — — — 0-127 VR Bn 03 dd — — — — 0-127 VR Bn 04 dd — — — — 0-127 VR Bn 05 dd — — — — 0-127

SW Bn 41 dd — — — — 0, 64, 127 BTN Bn 46 dd — — — Trigger/Toggle OFF=0, ON=127 VR Bn 06 dd — — — — 0-127 VR Bn 07 dd — — — — 0-127 VR Bn 08 dd — — — — 0-127 VR Bn 09 dd — — — — 0-127 VR Bn 0A dd — — — — 0-127

SW Bn 42 dd — — — — 0, 64, 127 BTN Bn 47 dd — — — Trigger/Toggle OFF=0, ON=127 VR Bn 0C dd — — — — 0-127 VR Bn 0E dd — — — — 0-127 VR Bn 0F dd — — — — 0-127 VR Bn 15 dd — — — — 0-127

VR Bn 16 dd — — — — 0-127

SW Bn 43 dd — — — — 0, 64, 127 BTN Bn 48 dd — — — Trigger/Toggle OFF=0, ON=127 VR Bn 50 dd — — — — 0-127 VR Bn 51 dd — — — — 0-127 VR Bn 5C dd — — — — 0-127 VR Bn 52 dd — — — — 0-127 VR Bn 53 dd — — — — 0-127

SW Bn 44 dd — — — — 0, 64, 127 BTN Bn 49 dd — — — Trigger/Toggle OFF=0, ON=127

SW Bn 5E dd — — — — 0, 127 SW Bn 5F dd — — — — 0, 64, 127 VR Bn 17 dd — — — — 0-127

BTN Bn 4A dd — — — Trigger/Toggle OFF=0, ON=127 VR Bn 19 dd — — — — 0-127 BTN Bn 22 dd — — — Trigger/Toggle BTN Bn 23 dd — — — Trigger/Toggle BTN Bn 24 dd — — — Trigger/Toggle BTN Bn 25 dd — — — Trigger/Toggle BTN Bn 26 dd — — — Trigger/Toggle BTN Bn 27 dd — — — Trigger/Toggle BTN Bn 28 dd — — — Trigger/Toggle BTN Bn 29 dd — — — Trigger/Toggle

VR Bn 0D MSB Bn 2D LSB —

BTN Bn 45 dd — — — Trigger/Toggle OFF=0, ON=127 BTN Bn 4B dd — — — Trigger/Toggle OFF=0, ON=127 BTN Bn 4E dd — — — Trigger/Trigger OFF=0, ON=127

BTN Bn 2A dd — — — Trigger/Toggle BTN Bn 2B dd — — — Trigger/Toggle BTN Bn 2E dd — — — Trigger/Toggle BTN Bn 2F dd — — — Trigger/Toggle BTN Bn 35 dd — — — Trigger/Toggle BTN Bn 3D dd — — — Trigger/Toggle BTN Bn 37 dd — — — Trigger/Toggle BTN Bn 36 dd — — — Trigger/Toggle BTN Bn 3A dd — — — Trigger/Toggle BTN Bn 3B dd — — — Trigger/Toggle BTN Bn 39 dd — — — Trigger/Toggle BTN Bn 3E dd — — — Trigger/Toggle

MIDI Messages

MSB LSB

Trigger/Toggle Notes

1 1 1 1 1 1 1 1

1 1 1 1 1 1 1 1 1 1 1 1

OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 TIME value (half the value when FILTER or

PHASER is selected for EFFECT SELECT)

OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127

Category SW Name SW Type

EFFECT FREQUENCY

INST FX

MIC

HEADPHONES

LINK CUE

Touch panel control

MIDI

1 When turning one button on switches another button from on to off, MIDI on and off messages are sent from the two buttons. When there is no button that switches off, only the MIDI on message is sent from the button that was pressed.

HI MID LOW NOISE ZIP CRUSH JET HPF LPF PARAMETER HI LOW LEVEL MIXING

CUE SYNC MASTER/MIDI MIX REMIX ON/OFF BTN Bn 72 dd — — — Trigger/Toggle OFF=0, ON=127 START STOP

VR Bn 66 dd — — — — 0-127 VR Bn 67 dd — — — — 0-127 VR Bn 68 dd — — — — 0-127 BTN Bn 55 dd — — — Trigger/Toggle BTN Bn 56 dd — — — Trigger/Toggle BTN Bn 57 dd — — — Trigger/Toggle BTN Bn 69 dd — — — Trigger/Toggle BTN Bn 6A dd — — — Trigger/Toggle BTN Bn 6B dd — — — Trigger/Toggle VR Bn 6C dd — — — — 0-127 VR Bn 1E dd — — — — 0-127 VR Bn 1F dd — — — — 0-127 VR Bn 1A dd — — — — 0-127 VR Bn 1B dd — — — — 0-127 BTN Bn 73 dd — — — Trigger/Toggle OFF=0, ON=127 BTN Bn 6E dd — — — Trigger/Toggle OFF=0, ON=127 BTN Bn 6F dd — — — Trigger/Toggle OFF=0, ON=127 BTN Bn 70 dd — — — Trigger/Toggle BTN Bn 71 dd — — — Trigger/Toggle

BTN FA — — — — — — — BTN FC — — — — — — —

MIDI Messages

MSB LSB

Touch panel

 FREQUENCY MIX, SIDECHAIN REMIX

Trigger/Toggle Notes

1 1 1 1 1 1

1 1

OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127 OFF=0, ON=127

OFF=0, ON=127 OFF=0, ON=127

English

Category SW Name SW Type

Touch fader 1 VR Bn 38 dd — — — —

Touch fader 2 VR Bn 4C dd — — — — 0-127

FREQUENCY MIX

SIDECHAIN REMIX

Touch fader 3 VR Bn 4D dd — — — — 0-127 Touch fader 4 VR Bn 74 dd — — — — 0-127 Touch fader 5 VR Bn 75 dd — — — — 0-127 Touch fader 6 VR Bn 76 dd — — — — 0-127

Touch fader 7 VR Bn 77 dd — — — —

X axis of control area VR Bn 1C dd — — — — 0-127 Y axis of control area VR Bn 3C dd — — — — 0-127

LEVEL/DEPTH VR Bn 31 dd — — — — 0-127

CH1

CH2

CH3

CH4 TRIGGER CH (SAMPLING/

TRIGGER CH) SAME TRIGGER CH (SAMPLING/

TRIGGER CH) CH1 TRIGGER CH (SAMPLING/

TRIGGER CH) CH2 TRIGGER CH (SAMPLING/

TRIGGER CH) CH3 TRIGGER CH (SAMPLING/

TRIGGER CH) CH4 TRIGGER BAND LOW BTN 9n 59 dd — — — Trigger/Toggle OFF=0, ON=127 TRIGGER BAND MID BTN 9n 5A dd — — — Trigger/Toggle OFF=0, ON=127 TRIGGER BAND HI BTN 9n 5B dd — — — Trigger/Toggle OFF=0, ON=127

BTN 9n 49 dd — — — Trigger/Toggle OFF=0, ON=127 BTN 9n 4A dd — — — Trigger/Toggle OFF=0, ON=127 BTN 9n 4B dd — — — Trigger/Toggle OFF=0, ON=127 BTN 9n 4C dd — — — Trigger/Toggle OFF=0, ON=127

BTN 9n 51 dd — — — Trigger/Toggle OFF=0, ON=127

BTN 9n 52 dd — — — Trigger/Toggle OFF=0, ON=127

BTN 9n 53 dd — — — Trigger/Toggle OFF=0, ON=127

BTN 9n 54 dd — — — Trigger/Toggle OFF=0, ON=127

BTN 9n 55 dd — — — Trigger/Toggle OFF=0, ON=127

MIDI Messages

MSB LSB

Trigger/Toggle Notes

0 - 127 (very top of screen)

0 - 127 (very bottom of screen)

 BEAT SLICE REMIX

Category

BEAT SLICE REMIX

3 4 6 75

8 9

13 14 16 1715

18 19 21 2220

23 24

29 31 3230

35 36

33 34

40 4138 39 42

11 12

Switch position

1 BTN 9n 5D dd — — — Trigger/Toggle OFF=0, ON=127 2 BTN 9n 5E dd — — — Trigger/Trigger OFF=0, ON=127 3 BTN 9n 41 dd — — — Trigger/Trigger OFF=0, ON=127 4 BTN 9n 60 dd — — — Trigger/Trigger OFF=0, ON=127 5 BTN 9n 61 dd — — — Trigger/Trigger OFF=0, ON=127 6 BTN 9n 62 dd — — — Trigger/Trigger OFF=0, ON=127 7 BTN 9n 63 dd — — — Trigger/Trigger OFF=0, ON=127 8 BTN 9n 42 dd — — — Trigger/Trigger OFF=0, ON=127 9 BTN 9n 64 dd — — — Trigger/Trigger OFF=0, ON=127 10 BTN 9n 65 dd — — — Trigger/Trigger OFF=0, ON=127 11 BTN 9n 66 dd — — — Trigger/Trigger OFF=0, ON=127 12 BTN 9n 67 dd — — — Trigger/Trigger OFF=0, ON=127 13 BTN 9n 43 dd — — — Trigger/Trigger OFF=0, ON=127 14 BTN 9n 68 dd — — — Trigger/Trigger OFF=0, ON=127 15 BTN 9n 69 dd — — — Trigger/Trigger OFF=0, ON=127 16 BTN 9n 6A dd — — — Trigger/Trigger OFF=0, ON=127

17 BTN 9n 6B dd — — — Trigger/Trigger OFF=0, ON=127 18 BTN 9n 44 dd — — — Trigger/Trigger OFF=0, ON=127 19 BTN 9n 6C dd — — — Trigger/Trigger OFF=0, ON=127 20 BTN 9n 6D dd — — — Trigger/Trigger OFF=0, ON=127 21 BTN 9n 6E dd — — — Trigger/Trigger OFF=0, ON=127 22 BTN 9n 6F dd — — — Trigger/Trigger OFF=0, ON=127 23 BTN 9n 45 dd — — — Trigger/Trigger OFF=0, ON=127

24 BTN 9n 70 dd — — — Trigger/Trigger OFF=0, ON=127 25 BTN 9n 71 dd — — — Trigger/Trigger OFF=0, ON=127 26 BTN 9n 72 dd — — — Trigger/Trigger OFF=0, ON=127

27 BTN 9n 73 dd — — — Trigger/Trigger OFF=0, ON=127 28 BTN 9n 46 dd — — — Trigger/Trigger OFF=0, ON=127 29 BTN 9n 74 dd — — — Trigger/Trigger OFF=0, ON=127 30 BTN 9n 75 dd — — — Trigger/Trigger OFF=0, ON=127 31 BTN 9n 76 dd — — — Trigger/Trigger OFF=0, ON=127 32 BTN 9n 77 dd — — — Trigger/Trigger OFF=0, ON=127 33 BTN 9n 47 dd — — — Trigger/Trigger OFF=0, ON=127 34 BTN 9n 78 dd — — — Trigger/Trigger OFF=0, ON=127 35 BTN 9n 79 dd — — — Trigger/Trigger OFF=0, ON=127 36 BTN 9n 7A dd — — — Trigger/Trigger OFF=0, ON=127 37 BTN 9n 7B dd — — — Trigger/Trigger OFF=0, ON=127 38 BTN 9n 48 dd — — — Trigger/Trigger OFF=0, ON=127 39 BTN 9n 7C dd — — — Trigger/Trigger OFF=0, ON=127 40 BTN 9n 7D dd — — — Trigger/Trigger 41 BTN 9n 7E dd — — — Trigger/Trigger OFF=0, ON=127 42 BTN 9n 7F dd — — — Trigger/Trigger OFF=0, ON=127

SW Type

MIDI Messages

MSB LSB

Trigger/Toggle Notes

OFF=0, ON=127

 MIDI CONTROL

Category Switch position SW Type

[PAGE1]–9 BTN 9n 5D dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–10 BTN 9n 5E dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–11 BTN 9n 5F dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–12 BTN 9n 60 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–13 BTN 9n 61 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–14 BTN 9n 62 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–15 BTN 9n 63 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–16 BTN 9n 64 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–5 BTN 9n 65 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–6 BTN 9n 66 dd — — — Trigger/Toggle OFF=0, ON=127

TYPE A

1 2 3 4

5 6 7 8

10 11 12

13 14 15 16

17 18 19

TYPE B

1 2 3 4

5 6 7 8

10 11 12

[PAGE1]–7 BTN 9n 67 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–8 BTN 9n 68 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–1 BTN 9n 69 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–2 BTN 9n 6A dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–3 BTN 9n 6B dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–4 BTN 9n 6C dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1], [PAGE2]–17 BTN 9n 7D dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1], [PAGE2]–18 BTN 9n 7E dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1], [PAGE2]–19 BTN 9n 7F dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–9 BTN 9n 6D dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–10 BTN 9n 6E dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–11 BTN 9n 6F dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–12 BTN 9n 70 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–13 BTN 9n 71 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–14 BTN 9n 72 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–15 BTN 9n 73 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–16 BTN 9n 74 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–5 BTN 9n 75 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–6 BTN 9n 76 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–7 BTN 9n 77 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–8 BTN 9n 78 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–1 BTN 9n 79 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–2 BTN 9n 7A dd — — [PAGE2]–3 BTN 9n 7B dd — [PAGE2]–4 BTN 9n 7C dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–9 VR Bn 01 dd — — — — 0-127 [PAGE1]–10 VR Bn 02 dd — — — — 0-127 [PAGE1]–11 VR Bn 03 dd — — — — 0-127 [PAGE1]–12 VR Bn 04 dd — — — — 0-127 [PAGE2]–9 VR Bn 05 dd — — — — 0-127 [PAGE2]–10 VR Bn 06 dd — — — — 0-127 [PAGE2]–11 VR Bn 07 dd — — — — 0-127 [PAGE2]–12 VR Bn 08 dd — — — — 0-127 [PAGE1]–1 BTN 9n 30 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–2 BTN 9n 31 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–3 BTN 9n 32 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–4 BTN 9n 33 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–5 BTN 9n 34 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–6 BTN 9n 35 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–7 BTN 9n 36 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–8 BTN 9n 37 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–1 BTN 9n 38 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–2 BTN 9n 39 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–3 BTN 9n 3A dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–4 BTN 9n 3B dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–5 BTN 9n 48 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–6 BTN 9n 49 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–7 BTN 9n 4A dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–8 BTN 9n 4B dd — — — Trigger/Toggle OFF=0, ON=127

MIDI Messages

MSB LSB

English

Trigger/Toggle Notes

— Trigger/Toggle OFF=0, ON=127

— — Trigger/Toggle OFF=0, ON=127

Category Switch position SW Type

[PAGE1]–1 BTN 9n 3C dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–2 BTN 9n 3D dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–3 BTN 9n 3E dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–4 BTN 9n 3F dd — — — Trigger/Toggle OFF=0, ON=127

TYPE C

1 2 3

4 5 6

7 8 9

10 11 12

TYPE D

1 2 3

[PAGE1]–5 BTN 9n 40 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–6 BTN 9n 41 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–7 BTN 9n 42 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–8 BTN 9n 43 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–9 BTN 9n 44 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–10 BTN 9n 45 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–11 BTN 9n 46 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–12 BTN 9n 47 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–1 BTN 9n 24 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–2 BTN 9n 25 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–3 BTN 9n 26 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–4 BTN 9n 27 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–5 BTN 9n 28 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–6 BTN 9n 29 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–7 BTN 9n 2A dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–8 BTN 9n 2B dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–9 BTN 9n 2C dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–10 BTN 9n 2D dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–11 BTN 9n 2E dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–12 BTN 9n 2F dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–1 BTN 9n 57 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–2 BTN 9n 58 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–3 BTN 9n 59 dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE1]–4 VR Bn 1C dd — — — — 0-127 [PAGE1]–5 VR Bn 3C dd — — — — 0-127 [PAGE2]–1 BTN 9n 5A dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–2 BTN 9n 5B dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–3 BTN 9n 5C dd — — — Trigger/Toggle OFF=0, ON=127 [PAGE2]–4 VR Bn 31 dd — — — — 0-127 [PAGE2]–5 VR Bn 32 dd — — — — 0-127

4 5

MIDI Messages

MSB LSB

Trigger/Toggle Notes

Types of BEAT EFFECT

1 beat

Use these to set the delay time from 1/8 to 4/1 with respect to 1 beat of BPM time.

Use this to set the delay time. 1 to 4000 (ms)

Use this to set the balance between the original sound and the delay sound.

Use these to set the balance between the original sound and the delay sound for the different bands.

Input sound turned off

Fade-out

Time

Use these to set the delay time from 1/8 to 4/1 with respect to 1 beat of BPM time.

Use this to set the delay time. 1 to 4000 (ms)

Use this to set the balance between the original sound and the echo sound.

Use these to set the balance between the original sound and the echo for the different bands.

DELAY

Original (4 beats)

1/2 delay (8 beats)

This function outputs a delay sound once according to the beat button’s fraction. When 1/2 beat delay sound is added, 4 beats become 8 beats.

Beat buttons (parameter 1)

TIME control (parameter 2)

LEVEL/DEPTH control

(parameter 3) EFFECT FREQUENCY

(parameter 4)

ECHO

This function outputs increasingly attenuated delay sounds several times according to the beat button’s fraction. With 1/1 beat echoes, the delay sounds are faded out according to the track’s tempo even after the input sound has been cut.

Beat buttons (parameter 1)

TIME control (parameter 2)

LEVEL/DEPTH control

(parameter 3) EFFECT FREQUENCY

(parameter 4)

Level

Direct sound

Early reflected sound

Reverberations

Time

REVERB

100%

This function adds a reverberation effect to the input sound.

Beat buttons (parameter 1) Set the reverberation effect and room size.

TIME control (parameter 2)

LEVEL/DEPTH control

(parameter 3) EFFECT FREQUENCY

(parameter 4)

ROLL

Original

Effect turned on

1/1 roll

Set the reverberation effect and room size to a number between 1 and 100 (%)

Sets the balance between the original sound and the effect sound.

Use these to set the balance between the original sound and the effect sound for the different bands.

Repeated

This function records the input sound at the point at which the [ON/OFF] button is pressed and repeats the recorded sound according to the beat button’s fraction.

Beat buttons (parameter 1)

TIME control (parameter 2)

LEVEL/DEPTH control

(parameter 3) EFFECT FREQUENCY

(parameter 4)

The effect time is set from 1/8 to 4/1 with respect to 1 beat of BPM time.

Use this to set the effect time. 10 to 4000 (ms)

Use this to set the balance between the original sound and ROLL.

Use these to set the balance between the original sound and the ROLL for the different bands.

English

1/1 beat

Time

MULTI TAP DELAY

MIN MAX

EFFECT FREQUENCY

1/4 beat

1/8 beat

This function outputs up to 7 delay sounds in 1/8 units, according to the beat button’s fraction. The volume of the delay sound can be adjusted with the [EFFECT FREQUENCY] controls. The volume of the odd delay sounds is adjusted from [MIN] to the center position, the volume of the even delay sounds is adjusted from the center position to [MAX].

Beat buttons (parameter 1)

TIME control (parameter 2)

LEVEL/DEPTH control

(parameter 3) EFFECT FREQUENCY

(parameter 4)

The effect time is set from 1/8 to 4/1 with respect to 1 beat of BPM time.

Use this to set the delay time. 10 to 4000 (ms)

Use this to set the balance between the original sound and the delay sound.

This sets the volume of the delay sound for the different bands.

SLIP ROLL

Original

Effect turned on

Roll

Changed from 1/2 to 1/1

1/1 repeat1/2 repeat

This function records the input sound at the point at which the [ON/OFF] button is pressed and repeats the recorded sound according to the beat button’s fraction. When the effect time changes, the input sound is recorded again.

Beat buttons (parameter 1)

TIME control (parameter 2)

LEVEL/DEPTH control

(parameter 3) EFFECT FREQUENCY

(parameter 4)

The effect time is set from 1/8 to 4/1 with respect to 1 beat of BPM time.

Use this to set the effect time. 10 to 4000 (ms)

Use this to set the balance between the original sound and ROLL.

Use these to set the balance between the original sound and the ROLL for the different bands.

REV ROLL

Phase shift

Original

1/1 reverse roll

Effect turned on

Reversed and repeated

This function records the input sound at the point at which the [ON/OFF] button is pressed, reverses the recorded sound and repeats it according to the beat button’s fraction.

Beat buttons (parameter 1)

TIME control (parameter 2)

LEVEL/DEPTH control

(parameter 3) EFFECT FREQUENCY

(parameter 4)

FILTER

The effect time is set from 1/8 to 4/1 with respect to 1 beat of BPM time.

Use this to set the effect time. 10 to 4000 (ms)

Use this to set the balance between the original sound and ROLL.

Use these to set the balance between the original sound and the ROLL for the different bands.

Frequency

This function changes the filter’s cut-off frequency according to the beat button’s fraction.

Beat buttons (parameter 1)

TIME control (parameter 2)

LEVEL/DEPTH control

(parameter 3)

EFFECT FREQUENCY (parameter 4)

TRANS

These set the cycle for moving the cut-off frequency from 1/8 to 4/1 with respect to 1 beat of BPM time.

Use this to set the cycle at which the cut-off frequency is moved. 10 to 32000 (ms)

The further the control is turned clockwise, the more the effect is stressed. The original sound is set when turned fully counterclockwise.

These set the balance between the original sound and the effect sound for the different bands.

PHASER

Time

Cycle

The phaser effect changes according to the beat button fraction.

Beat buttons (parameter 1)

TIME control (parameter 2)

LEVEL/DEPTH control

(parameter 3)

EFFECT FREQUENCY (parameter 4)

GATE

Level

MIN MAX

EFFECT FREQUENCY

These set the cycle for moving the phaser effect by 1/8 to 4/1 with respect to the time of one BPM beat.

This sets the cycle by which the phaser effect is moved. 10 to 32000 (ms)

The further the control is turned clockwise, the more the effect is stressed. When turned all the way counterclockwise, only the original sound is output.

Use these to set the balance between the original sound and the effect sound for the different bands.

Threshold

Time

Threshold

This function outputs the input sound that has a level above the threshold level, cutting the input sound that has a level below the threshold level. The threshold level can be changed at [EFFECT FREQUENCY].

Beat buttons (parameter 1) This sets the release time between 1 and 100 %.

TIME control (parameter 2)

LEVEL/DEPTH control

(parameter 3)

EFFECT FREQUENCY (parameter 4)

This sets the release time. 1 to 100 (%)

Sets the threshold level. The further the control is turned clockwise, the more the effect is stressed and the sound is cut.

Use these to set the threshold levels for the different bands.

MIN MAX

EFFECT FREQUENCY

1/1 beat

Cut

Cut Cut

Time

Cut

This function cuts the sound according to the beat button’s fraction. The amount of the sound to be cut can be changed at [EFFECT FREQUENCY].

Beat buttons (parameter 1)

TIME control (parameter 2)

LEVEL/DEPTH control

(parameter 3) EFFECT FREQUENCY

(parameter 4)

These set the 1/8 to 4/1 cut time with respect to 1 beat of BPM time.

Use this to set the effect time. 10 to 16000 (ms)

Sets the balance between the original sound and the effect sound.

This sets the amount of the original sound to be cut for the different bands.

SEND/RETURN

SEND

RETURN

Effector

DJM-2000NXS

Connect an external effector, etc., here. [EFFECT FREQUENCY] can be used as an isolator.

Beat buttons (parameter 1) —

TIME control (parameter 2) — LEVEL/DEPTH control

(parameter 3) EFFECT FREQUENCY

(parameter 4)

This adjusts the sound level input to the [RETURN] terminal.

This sets the audio output level of the RETURN sound for the different bands.

1 When “A”, “B” or “M” is selected with the [CH SELECT] buttons, the

effect sound cannot be monitored by pressing [CUE] (BEAT EFFECT) unless the sound for the channel you want to monitor is being output from [MASTER] channel.

2 When BEAT EFFECT is off, the effect sound cannot be monitored by

pressing [CUE] (BEAT EFFECT).

Changing the settings

1 Press [LIVE SAMPLER (UTILITY, WAKE UP)] for at least 1 seconds.

Setup item button

Setting preferences

Settings indicated in italics are the default settings set upon purchase.

Mode Options settings Selection item 1 Selection item 2 Selection item 3 Descriptions

ZONE11

MIDI

ZONE22

USER SETUP

FADER START

LCD BACK LIGHT VERSION No.

QUANTIZE QUANTIZE

SYSTEM

CLUB SETUP

1 Changes the MIDI settings of the buttons on the control panel, [FREQUENCY MIX] and [SIDECHAIN REMIX]. 2 Changes the MIDI settings for [TYPE A] to [TYPE D] on the MIDI control screen.

MIC

TOUCH PANEL

PEAK LIMITER PEAK LIMITER

FACTORY RESET

LINK

CONTROL

— — — Displays this unit’s software version.

DIGITAL OUT MAX LEVEL

DIGITAL SAMPLING RATE AUTO STANDBY OUTPUT TO BOOTH MONITOR

TALK OVER THRESHOLD LEVEL

TALK OVER LEVEL

— — —

YES, NO — — Restores all the settings to their factory defaults.

BUTTON ACTION

MIDI CHANNEL

BUTTON ACTION

MIDI CHANNEL

RESET

CH1 to CH4 ON, OFF

CH2, CH3 ON, OFF

1, 2, 3, 4, 5 — Adjusts the touch panel’s brightness.

ON, OFF —

–19 dB, –15 dB, –10 dB, –5 dB —

48 kHz, 96 kHz — Sets the digital signal’s sampling rate. ON, OFF — Turns the auto standby function on and off.

ON, OFF —

–25 dB, –20 dB, –15 dB, –10 dB

ON, OFF —

The [USER SETUP] mode setting screen is displayed. The [LIVE SAMPLER (UTILITY, WAKE UP)] indicator flashes. ! To display the [CLUB SETUP] screen, first turn this unit’s power

off, then press [POWER] while pressing [LIVE SAMPLER (UTILITY,

WAKE UP)].

2 Press the setup item button.

The selection items appear.

3 Select the setup item.

Select the item on the touch panel and enter it.

4 Change the item’s setting.

Select the item on the touch panel and enter it.

! Press [SAVE] to save the changes to the [CLUB SETUP] screen.

5 Press [EXIT].

Close the [USER SETUP] mode setting screen.

! To close the [CLUB SETUP] mode setting screen, press the [POWER]

button to turn this unit’s power off.

TOGGLE

TRIGGER 1, 2, to 16 Sets the MIDI channel. TOGGLE

TRIGGER

1, 2, to 16 Sets the MIDI channel.

—

Select the MIDI signal sending method, [TOGGLE] or [TRIGGER].

Restores the [TYPE A] – [TYPE D] MIDI settings to the default values. [RESET] function is unique to [ZONE2]. Turns the fader start function on and off for all DJ players connected to the [LINK] terminals. Turns the fader start function of the DJ players connected to the [CONTROL] terminals on and off.

Turns use of the beat information obtained from the player on and off. Sets the maximum level of the sound output from the [DIGITAL OUT] terminals.

Sets whether or not to output the microphone’s audio signals from [BOOTH] terminals. Sets the talkover sensitivity. The talkover function is activated when a sound with a volume above the set volume is input to the microphone. Sets the attenuation level for the sound other than the microphone’s sound when the talkover function is activated. The touch panel’s calibration is adjusted by pressing [+] in order. Alleviates sudden, unpleasant digital clipping of the master output.

English

About the auto standby function

When [AUTO STANDBY] is set to [ON], the standby mode is set automatically if 4 hours pass with all of the conditions below met.

— That none of this unit’s buttons or controls are operated. — That no audio signals of –10 dB or greater are input to this unit’s input terminals. — That no PRO DJ LINK connections are made.

! The standby mode is canceled when [LIVE SAMPLER (UTILITY, WAKE UP)] is pressed.

Additional information

Troubleshooting

! Incorrect operation is often mistaken for trouble or malfunction. If you think that there is something wrong with this component, check the points

below. Sometimes the trouble may lie in another component. Inspect the other components and electrical appliances being used. If the trouble cannot be rectified after checking the items below, ask your nearest Pioneer authorized service center or your dealer to carry out repair work.

! The player may not operate properly due to static electricity or other external influences. In such cases, normal operation may be restored by

unplugging the power cord then plugging it back in.

Problem Check Remedy

The power is not turned on. Is the power cord properly connected? Plug in the power cord to an AC outlet. No sound or small sound. Is the [CD/DIGITAL, PHONO, LINE, USB */*]

Digital sound cannot be output. Is the digital audio output’s sampling frequency

Distorted sound. Is the sound level output from the [MASTER] chan-

Can’t crossfade. Are the CROSS FADER ASSIGN (A, THRU, B)

Can’t fader start a DJ player. Is [FADER START] set to [OFF]? At the [USER SETUP] screen, set [FADER START] to [ON]. (page 13)

BEAT EFFECT function does not work. Are the [CH SELECT] buttons properly set? Press the [CH SELECT] button(s) to select the channel(s) to which you want to

[INST FX] does not work. Is the [FILTER] control set to the proper position? Turn the [FILTER] control clockwise. (page 17) Can’t use an external effector. Is the [ON/ OFF] button for [BEAT EFFECT] set

Distorted sound from an external effector.

Tempo (BPM) cannot be measured or measurement value of tempo (BPM) is implausible.

Measured tempo (BPM) differs from tempo indicated on CD.

MIDI sequencer does not synchronize. Is the MIDI sequencer’s sync mode set to Slave? Set the MIDI sequencer’s sync mode to Slave.

MIDI control does not work. Is the MIDI channel turned on? Press the [ON/ OFF] button for [MIDI]. (page 19)

This unit is not recognized after it has been connected to a computer.

Sound of a computer cannot be output from this unit.

Nothing happens when touch panel is pressed.

Effect sound cannot be monitored even when the [CUE] button for [BEAT EFFECT] is pressed.

switch set to the proper position? Are the [CD, DIGITAL] switches on the rear panel

properly set? Are the connection cables properly connected? Connect the connection cables properly. (page 7) Are the terminals and plugs dirty? Clean the terminals and plugs before making connections. Is the [MASTER ATT.] switch on the rear panel set

to [–6 dB], etc.?

(fs) suited for the specifications of the connected device?

nel appropriately set?

Is the level of audio input to each channel properly set?

selector switches properly set?

Is the DJ player properly connected to the [CONTROL] terminal?

Is the DJ player properly connected to the [LINK] terminal?

Are the audio cables properly connected? Connect this unit’s audio input terminals and the DJ player’s audio output

to [ON]? Is the external effector properly connected to the

[SEND] or [RETURN] terminal? Is the external effector’s audio output level set to

an appropriate level? Is the audio input level too high or too low? Adjust the [TRIM] control so that the channel level indicator lights at about

— The values may differ slightly due to the different ways in which the BPM is

Does the MIDI sequencer you are using support MIDI timing clocks?

Are the MIDI settings properly set? To operate DJ software with this unit, this unit’s MIDI messages must be

Is the driver software properly installed on your computer?

Are this unit and computer properly connected? Connect this unit and computer using a USB cable. (page 8) Are the audio output device settings properly set? Select this unit with the audio output device settings. For instructions on making

Is this unit’s input selector switch properly set? Set the channel’s input selector switch to the [USB */*] position. (Page 12) Touch panel’s calibration is off. Adjust the touch panel with the [TOUCH PANEL] settings at the [CLUB SETUP]

— The circuit that generates the echo for the [ECHO], [REVERB], [ROLL],

Switch the [CD/DIGITAL, PHONO, LINE, USB */*] switch to the channel’s input source. (page 12)

Set the [CD, DIGITAL] switches according to the devices to be played. (Page 12)

Switch the [MASTER ATT.] switch. (page 6)

On the [CLUB SETUP] screen, set [DIGITAL SAMPLING RATE] according to the specifications of the connected equipment. (page 27)

Adjust the [MASTER] control so that the master channel level indicator lights at around [0 dB] at the peak level. (Page 12)

Set [MASTER ATT.] to [–3 dB] or [–6 dB]. (page 6) Adjust the [TRIM] control so that the channel level indicator lights at about

[0 dB] at the peak level. (Page 12) Set the [CROSS FADER ASSIGN (A, THRU, B)] selector switches for the different

channels properly. (Page 12)

Connect the [CONTROL] terminal and DJ player using a control cord. (page 7)

Connect the DJ player to the [LINK] terminal properly using a LAN cable. (page

terminals by audio cable. (page 7)

add the effect.

Press [ON/OFF] for the BEAT EFFECT to turn [SEND/RETURN] on. (page 18)

Connect the external effector to the [SEND] and [RETURN] terminals. (page 7)

Adjust the external effector’s audio output level.

[0 dB] at the peak level. (Page 12) For some tracks, it may not be possible to measure the tempo (BPM). Use the

[TAP] button to input the tempo manually. (page 18)

measured.

MIDI sequencers not supporting MIDI timing clocks cannot be synchronized.

assigned to the DJ software you are using. For instructions on assigning messages, see your DJ software’s operating instructions.

Install the driver software. If it is already installed, reinstall it. (page 8)

settings for your application, see your application’s operating instructions.

screen. (page 27)

[SLIP ROLL] and [REV ROLL] effect sounds is positioned after the effect circuit, so the effect sound cannot be monitored. This is not a malfunction.

About the liquid crystal display

! Small black or shining points may appear on the liquid crystal display. This is a phenomenon inherent to liquid crystal displays; this is not a

malfunction.

! When using in cold places, the liquid crystal display may be dark for a while after this unit’s power is turned on. It will reach the normal brightness

after a while.

! When the liquid crystal display is exposed to direct sunlight, the light will reflect off it, making it difficult to see. Block the direct sunlight.

About trademarks and registered trademarks

! Pioneer is a registered trademark of PIONEER CORPORATION. ! Microsoft®, Windows Vista®, and Windows® are either registered

trademarks or trademarks of Microsoft Corporation in the United States and/or other countries.

! Pentium is a registered trademark of Intel Corporation. ! Adobe and Reader are either registered trademarks or trademarks

of Adobe Systems Incorporated in the United States and/or other countries.

! Apple, Macintosh and Mac OS are trademarks of Apple Inc., regis-

tered in the U.S. and other countries.

! ASIO is a trademark of Steinberg Media Technologies GmbH. ! The names of companies and products mentioned herein are the

trademarks of their respective owners.

English

Block Diagram

CH1CH2CH3CH4

MIC

PHONO

DIGITAL IN

LINE

DIGITAL IN

PHONO

DIR

TRIM

SRC

ADC

USB AUDIO DATA

ADC

USB AUDIO DATA

ADC

MIC

CH1

CH2

CH3

CH4

DSP

PHONES

MASTER

REC

BOOTH

SEND

D_OUT

LAN IN

LAN OUT

DAC

SRC

CH4 DIGITAL/USB SELECT

CH3 DIGITAL/USB SELECT CH2 DIGITAL/USB SELECT CH1 DIGITAL/USB SELECT

SRC

con

I/F

SRC

PHONES

MASTER1

MASTER2MUTE

RECMUTE

BOOTHMUTE

SEND

MUTE

DIT

DIGITAL OUT

USB

Type B

USB IC

LAN×5

CH1-CH4 COMMON

CHn In 1-4

Digital Trim CHn Fader

Digital/USB in

Analog in

Phono

MIC1 In

Link In

- Browsing Monitor

- Live Sampler Monitor

Return In

PHONO

AMP CH1,4

2Band

Send Out

EFFECTS (SND/RTN)

[BEAT EFFECT (SND/RTN)]

EFFECT CH SELECT

CH1- 4 CF_A/B

MIC

Master

Return Level

Return In

BEAT EFFECT(その他)

EFFECT CH SELECT

CH1- 4 CF_A/B

MIC

Master

INST FX

MIC

BEAT

BPM

detect

CH sel1

Mix/Remix SW

MIC1

L/R

CUE SW

EFFECT CH SELECT

EFFECT処理

CH1- 4 In CH1- 4 Out

REMIX detect Trigger

MIC SW

Off On

TalkOver

3posi

Link/Live Sampler CUE

CH1- 4 CF_A/B

MIC

Master

No Cable

Cable Exist

CableCheck

MIX RATIO

INST FX処理

BEAT SLICE

REMIX CH sel3 REMIX CH sel2

REMIX

CUE

MIC Data1

MIC

Filter

Effect SW

3Band

INST FX

[ch1-4]

CH 1-4

Isolator

Switch

2posi

BPM

detect

[MIC]

MIC In

level

detect

Talk Over threshold

SEND Out

Effect Out

Effect CUE

Effect Out

Effect CUE

Assign A CH1- 4

BEAT

CUE

EFFECTS

Monitor

[CHx(pre)]

[CH1- 4]

Send

EFFECT

Return

CUE

[CHx]

[EFFECT]

*2, 3, 4

Ch1- 4 Level Meter

Master Balance

BEAT

EFFECTS

[MIC] Send

Return

[MIC]

*2, 4

Talk Over On/Off

*1: Same effect processing for channels 1 to 4. *2: Effect processing for setting selected with effect channel select switch. *3: *4: *5: Detects the BPM for the channel selected with the effect channel select switch.

[REMIX]

Trigger CH SELECT

SAME

CH1 CH2 CH3 CH4

Remix Effect CH

CH1 CH2 CH3 CH4

[MIX]

Assign X Assign X

CH1 CH2 CH3 CH4

THRU

CH1 CH2 CH3 CH4

THRU

BEAT EFFECTS [CHx(post)]

CH Fader Curve

3posi

MIC Data2

The effect input position is set to either before or after the fader, depending on the effect’s specifications. When SND/RTN is selected, the channel set with the effect channel select switch is sent/returned.

Mix processing

MIX

CH(x, y)

MIX

*2, 3

CUE

BPM

EFFECTS

detect

[Master]

Remix processing

CF Assign

Thru CF_A CF_B

3posi

Assign B CH1- 4

BEAT

Master

Mono<=>

Stereo

Send

Return

Talk Over On/Off MIC Data2

Talk Over Level

*2, 4

Master Balance

Mix CUE

BPM detect [CF_A]

BPM detect [CF_B]

Talk Over

Remix On/Off

Mix On/Off

*5 *4 *2, 3

Send

Return

CROSS

[CF_A]

Fader

Send

Return

[CF_B]

Remix CUE

Remix Effect CH

THRU

Assign YAssign Y

THRU

BEAT EFFECTS [CF_A(post)]

BEAT EFFECTS

Cross

[CF_B(post)]

Fader

*2, 3

Curve

3posi

Master CUE

CHｘ CUE

EFFECT CUE

Mix/Remix CUE

Link/Live Sampler CUE

Mic SW

MIC Data1 MIC Data2

Talk Over

[BEAT SLICE REMIX]

Input CH

CH1 CH2

CH1

CH3

CH2

CH4

CH3 CH4

[H.P. MIX]

CHx CUE

CH1 CH2 CH3

Effect CUE

CH4

CH1 CH2

CH3

Master CUE

CH4

CHx MIX Data

Master Data

Off On

Remix On/Off

CUE Balance

Master Balance

MIC Monitor SW

Master Level

Live Sampler Source Select

Mono Split

Stereo

Mono Split Stereo

L R

MIC Data2

Booth Level

Master Level Meter

Master

ATT

H.P. MIX

BEAT SLICE

Remix

processing

Master Limiter

Digital Level

H.P. Level

Rec Level

H.P.Level

Booth Out

Rec Out

Master Out1

Master Out2

Digital Out

H.P. Out

Link Out

- Live Sampler

Remix CUE

Output CH

CH1 CH2 CH3 CH4

Output CH

CH1 CH2 CH3 CH4

H.P. Out Lch

H.P. Out Rch

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