Pinnacle Systems Pro Tools M-Powered - 6.8 User Manual

M-Powered Basics Guide
Version 6.8 for M-Powered Systems on Windows or Macintosh
Digidesign
2001 Junipero Serra Boulevard
Daly City, CA 94014-3886 USA
tel: 650·731·6300
fax: 650·731·6399
tel: 650·731·6100
fax: 650·731·6384
Product Information (USA)
tel: 650·731·6102
tel: 800·333·2137
International Offices
Visit the Digidesign Web site
for contact information
Web Site
www.digidesign.com
Copyright
This guide is copyrighted ©2005 by Digidesign, a division of Avid Technology, Inc. (hereafter “Digidesign”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Digidesign.
DIGIDESIGN, AVID, M-Audio, and PRO TOOLS are trademarks or registered trademarks of Digidesign and/or Avid Technology, Inc. All other trademarks are the property of their respective owners.
Product features, specifications, system requirements and availability are subject to change without notice.
PN 9320-17065-00 REV A 4/05

Introduction

Welcome to the guide is designed to give new users specific methods for accomplishing common tasks with Digidesign-qualified M-Audio interfaces and Pro Tools M-Powered software.
Once you are familiar with basic M-Powered op­eration, we recommend that you read the “Working With Pro Tools” tutorial in the
ting Started with Pro Tools M-Powered Guide
the most complete resource for using Pro Tools software, please refer to the
Guide
.
M-Powered Basics Guide
Pro Tools Reference
. This
Get-
. For

Online Resources

Many resources for learning to use Pro Tools are also available online at the Digidesign Web site (www.digidesign.com
DiSK (Digidesign Sound Knowledge)
tional material about how to use Pro Tools, in­cluding DiSK Flix movies that show how to do a number of popular tasks using Pro Tools.
DigiZine
ers, providing all the latest product news, user stories, and hundreds of tips and ideas.
A magazine for and about Pro Tools us-
), including the following:
Instruc-

M-Powered Basics Requirements

Before proceeding, make sure you have:
• Connected the Digidesign-qualified M-Audio interface to your computer, as described in your M-Audio documentation.
– and –
• Installed Pro Tools M-Powered software and the pre-authorized iLok, as described in the appropriate Windows or Macintosh installa­tion chapter of the
Pro Tools M-Powered Guide.
Getting Started with
Introduction
1

Getting Sound In and Out of your M-Audio Interface

To hear audio recorded into a Pro Tools session, you will need to connect headphones or an ex­ternal sound system (such as powered monitors or a home stereo) to your M-Audio interface. Sound from your M-Audio interface cannot be played through your computer’s speakers or your computer’s sound output.

Connecting Headphones

Depending on which M-Audio interface you have, there will be one or more headphone jacks on the front or back of your interface. These can be either a 1/4-inch jack or a 1/8-inch mini plug jack.
1/4-inch Headphone jack
Headphone jacks on the front of a FireWire 1814
1/4-inch Headphone jack
To connect headphones:
• Connect headphones with a 1/4-inch stereo connector (or an adapter) to interfaces that have a 1/4-inch Headphone jack.
– or –
• Connect headphones with a 1/8-inch stereo mini connector (or an adapter) to interfaces that have a 1/8-inch Headphone jack.
Some M-Audio interfaces include a front panel Headphone control to adjust the vol­ume level of the Headphone jacks.

Connecting a Sound System

Depending on which M-Audio interface you have, the outputs will be 1/4-inch or RCA plugs, and the 1/4-inch connections can be balanced, TRS style connectors, or unbalanced. To listen to your Pro Tools session, these outputs can be connected to any amplification system: pow­ered speakers, home stereo system, or an audio mixer.
When connecting to a stereo system, connect the left channel (often the white plug) to the first output, and right channel (often the red plug) to the second output.
Headphone jack on the back of an Ozonic
2
M-Powered Basics Guide
Home stereo systems often use RCA connec­tors. You can use an adaptor or a special ca­ble to convert from the TRS or TS connectors (used on some M-Audio interfaces) to the RCA connectors on your home stereo.
Output 1
(left output)
Output 2
(right output)
1/4-inch stereo outputs on a FireWire 1814
Monitor Left (left output)
Monitor Right (right output)
1/4-inch stereo (monitor) outputs on an Audiophile 192

Connecting Audio Inputs

Depending on which M-Audio interface you have, the inputs will be 1/4-inch, RCA, or a 1/4­inch and XLR combination plug for micro­phones lower level (such as guitars).
For information about connecting specific au­dio sources, see “Attaching a Microphone to Your M-Audio Interface” on page 4, and “Con­necting Instruments to an M-Audio Interface” on page 6.
For stereo inputs, use the first input for the left input, and the second input for the right input. For additional stereo inputs, use subsequent in­put pairs, if available.
and
for instruments that usually have a
Analog Out 1 (left output)
Analog Out 2 (right output)
RCA stereo outputs on an Audiophile 2496
The first and second outputs play the audio that is routed to analog outputs 1 and 2 within Pro Tools.
Getting Sound In and Out of your M-Audio Interface
3

Connecting a Microphone

Attaching a Microphone to Your M-Audio Interface

There can be several ways to use an M-Audio in­terface with a microphone, depending on the type of microphone and cables that you use, and the type of M-Audio interface.
Some microphone cables use an XLR connector to attach a microphone to an input; other mi­crophones use a 1/4-inch connector. If you have a choice, use an XLR connector to connect the microphone to your M-Audio interface to yield better results.
XLR connector
Most
condenser
C3000) require phantom power to operate.
namic
microphones (such as a Shure SM57) do not require phantom power to operate, but are not harmed by it.
microphones (such as an AKG
Dy-
Although phantom power can be used safely with most microphones, it is possible to damage some ribbon microphones with it. Always turn off phantom power and wait at least ten seconds before connecting a ribbon microphone.
M-Audio interfaces can only supply power through a microphone cable with XLR connec­tors. If you are not sure about the phantom power requirements for your microphone, con­sult your microphone’s documentation or con­tact the manufacturer.
1/4-inch connector
XLR and 1/4-inch connectors

Phantom Power

Some microphones require power to operate. This power, called ther by a battery in the microphone, or through an audio interface (such as some M-Audio inter­faces) that can supply power through the micro­phone cable.
M-Audio interfaces that support phantom power can only provide phantom power when their “wall wart” power supply is used to power the interface. Check your M­Audio interface guide for details
4
M-Powered Basics Guide
phantom power
, is supplied ei-
To use a microphone that has an XLR connector:
1
Plug your microphone cable into one of the Mic (or Mic/Inst) inputs on your M-Audio inter­face.
Mic/Inst 1
XLR connector plugged into Mic/Inst input on a FireWire 1814
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