Pinnacle Systems Pro Tools M-Powered - 7.3, Pro Tools HD - 7.3, Pro Tools LE - 7.3, Pro Tools - 7.3 User's Guide

Pro Tools

Menus Guide

Version 7.3

This guide is copyrighted ©2007 by Digidesign, a division of Avid Technology, Inc. (hereafter “Digidesign”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Digidesign.

AudioSuite, Avid, Avid DNA, AVoption, Digi 002, Digi 002 Rack, DigiDelivery, Digidesign, DigiTranslator, DV Toolkit, M-Audio, Mbox, Pro Tools, Pro Tools|HD, Pro Tools LE, and Pro Tools M-Powered are trademarks or registered trademarks of Digidesign and/or Avid Technology, Inc. All other trademarks are the property of their respective owners.

Product features, specifications, system requirements, and availability are subject to change without notice.

PN 9329-55988-00 REV A 1/07

Chapter 1. Introduction

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Chapter 2. Pro Tools Menu (Mac Only)

About Pro Tools

Preferences

Mac Application Management Commands

Quit Pro Tools

Chapter 3. File Menu

New Session

Open Session

Open Recent

Close Session

Save

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Save As

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Save Copy In

Revert to Saved

Send via DigiDelivery

Send to Sibelius

Bounce to Commands

Import

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Export

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Get Info

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Exit

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iii

Chapter 4. Edit Menu

Undo

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Redo

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Cut

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Copy

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Paste

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Clear

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Cut Special

Copy Special

Paste Special

Clear Special

Select All

Selection

Duplicate

Repeat

Shift

Insert Silence

Snap To

Trim Region

Separate Region

Heal Separation

Strip Silence

Consolidate

TCE Edit to Timeline Selection

Thin Automation

Automation

Fades

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Pro Tools Menus Guide

Chapter 5. View Menu

Narrow Mix

Mix Window

Edit Window

Rulers

Region

Automation

Sends A–E

Sends F–J

Track Number

Transport

System Usage

Disk Space

Main Counter

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Chapter 6. Track Menu

New Track

Group

Duplicate

Split into Mono

Make Inactive or Make Active

Delete

Write MIDI Real-Time Properties

Set Record Tracks to Input Only

Set Record Tracks to Auto Input

Auto Input Monitoring or Input Only Monitoring

Scroll To Track

Clear All Clip Indicators

Coalesce VCA Master Automation

Coalesce Trim Automation

Clear Trim Automation

Create Click Track

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Contents

Chapter 7. Region Menu

Mute/Unmute Region

Lock/Unlock Region

Send to Back

Bring To Front

Group

Ungroup

Ungroup All

Regroup

Loop

Unloop

Capture Region

Identify Sync Point and Remove Sync Point

Quantize to Grid

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Chapter 8. Event Menu

Time

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Tempo

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MIDI

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MIDI Event List

MIDI Track Offsets

MIDI Real-Time Properties

Remove Duplicate Notes

Add Key Change

Beat Detective

Identify Beat

Renumber Bars

All MIDI Notes Off

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Chapter 9. AudioSuite Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

EQ Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Dynamics Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Pitch Shift Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Reverb Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Delay Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Modulation Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Pro Tools Menus Guide

Harmonic Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Noise Reduction Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Instrument Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Other Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Chapter 10. Options Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Destructive Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Loop Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

QuickPunch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

TrackPunch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

DestructivePunch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Prepare DPE (DestructivePunch-Enabled) Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Transport Online . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Video Track Online . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Video Out FireWire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Scrub in Video Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Pre/Post-Roll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Loop Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Dynamic Transport Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Scrolling. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Link Timeline and Edit Selection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Link Track and Edit Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Mirror MIDI Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Automation Follows Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Click . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

MIDI Thru . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Mute Frees Assigned Voice. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Auto-Spot Regions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Pre-Fader Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Calibration Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Delay Compensation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Low Latency Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Contents vii

Chapter 11. Setup Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Hardware. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Playback Engine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Disk Allocation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Peripherals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Machine Track Arming Profiles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Video Sync Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Session . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Current Feet+Frames Position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Current Time Code Position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

External Time Code Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Click . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Chapter 12. Window Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Mix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Hiding All Floating Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Configurations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Task Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Browsers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Transport. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Big Counter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Memory Locations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Machine Track Arming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Universe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Color Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Undo History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Disk Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

System Usage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Pro Tools Menus Guideviii

Chapter 13. Help Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Chapter 14. Region List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Region List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Contents ix

Pro Tools Menus Guidex

chapter 1

Introduction

This guide summarizes the Pro Tools menus, windows, and their associated commands and options.

References to Pro Tools LE™ in this guide are usually interchangeable with Pro Tools M-Powered™ and Pro Tools Academic™, except as noted in the Pro Tools M-Powered and Pro Tools Academic Getting Started Guides.

For complete instructions, see the Pro Tools Reference Guide.

Chapter 1: Introduction 1

Pro Tools Menus Guide2

chapter 2

Pro Tools Menu (Mac Only)

The Pro Tools® Menu commands include links to Pro Tools Preferences, access to Mac OS X application management, and the Quit command.

Pro Tools menu

About Pro Tools

The About Pro Tools command launches the Pro Tools banner, which includes the version number of your Pro Tools software.

Mac Application Management Commands

(Services, Hide Pro Tools, Hide Others, Show All)

The Pro Tools menu also provides access to the following Mac OS X application management commands: Services, Hide Pro Tools, Hide Others, and Show All. For more information about these and other Mac OS X features, refer to your Apple Mac documentation.

Quit Pro Tools

The Quit Pro Tools command ends your Pro Tools session and closes the Pro Tools application.

Preferences

Pro Tools Preferences are available from both the Pro Tools Menu and the Setup menu. For more information, see “Preferences” on page 61.

Chapter 2: Pro Tools Menu (Mac Only) 3

Pro Tools Menus Guide4

chapter 3

File Menu

File menu commands are used to create and maintain Pro Tools sessions.

New Session

The New Session command creates a new Pro Tools session. Before the session is created, you must name the session and choose its Audio File type, Sample Rate, Bit Depth, and I/O Settings in the New Session dialog.

File menu

New Session dialog

Chapter 3: File Menu 5

Open Session

Save Copy In

The Open command opens a session previously created with Pro Tools. Only one session can be open at a time.

Open Recent

The Open Recent command lets you open any of the 10 most recently opened Pro Tools sessions

Close Session

The Close command closes the current session without quitting Pro Tools. Pro Tools prompts you to save changes before closing the session.

Save

The Save command saves changes made since the last time the session was saved. You cannot undo the Save command.

Save As

The Save As command lets you save a copy of the current session under a different name, or in a different location. Because the Save As command closes the current session and allows you to keep working on the renamed copy, it is useful for saving successive stages of the session.

The Save Copy In command lets you save a copy of the currently selected session under a different name or in a different location. Session media can be included in the copy that you save, with options to save the media at a different bit depth, sample rate, fader gain level, or file format type. Sessions can be saved in a variety of session formats for compatibility with older systems. This command is useful for archiving sessions.

Save Copy In dialog

Unlike the Save As command, Save Copy In does not close the original session, so subsequent edits are made to the original session. The saved copy becomes a backup copy, and gives you the option of returning to the earlier version.

When you Save Copy In with a lower bit rate, Pro Tools Dither with Noise Shaping will be applied. The Dither setting used for any conversion is the Digidesign Noise Shaping enabled.

Dither plug-in with

For information on sharing sessions between different platforms, Pro Tools systems, or Pro Tools software versions, see the Pro Tools Reference Guide.

Pro Tools Menus Guide6

The Items To Copy section of this dialog provides several options for copying a session along with its associated files.

All Audio Files When selected, all audio files are copied to the new location. Selecting All Non“file type” Audio Files copies all audio files ex- cept audio files of the specified audio file type. This option’s file type will always be the default audio file type of the session; so if the session’s default audio file type is WAV, the option will read All Non-WAV Audio Files. Selecting Don’t Copy Fade Files omits fade files from the copied data.

Session Plug-in Settings Folder When selected, the session’s Plug-in Settings Folder is copied to the new location. The references to these plugin settings in the session are redirected to the copied files.

Root Plug-in Settings Folder When selected, the contents of the root-level Plug-in Settings Folder are copied into a folder named Place in Root Set- tings Folder, indicating that these files will need to be moved to the root level plug-in settings folder on the destination system before you can use them. The references to these settings files in the session are not redirected to point to the copied files.

Preserve Folder Hierarchy When selected, the relative arrangement of session audio files located across different drives or folders is maintained. The main folder for the session copy will include subfolders for each drive or folder in the original session and the destination subfolders will use the same names as the source drives and folders.

When this option is not selected, the Save Copy In command copies all files of the same type, regardless of their location, into a single destination folder.

Revert to Saved

The Revert to Saved command restores the most recently saved version of a session, discarding all changes made since the last time you saved. Reverting to the last saved version of a session is like closing the session without saving changes and reopening it.

Movie/Video Files When selected, the session’s video files are copied to the new location, and the references in the session are redirected to the copied movie or video file.

Chapter 3: File Menu 7

Send via DigiDelivery

Bounce to Commands

DigiDelivery® is Digidesign’s system for efficient and reliable transfer of digital media files over the Internet. Send via DigiDelivery lets you send a Pro Tools session and all of its related files using DigiDelivery from within Pro Tools.

Anyone can send and receive files from a DigiDelivery system, even if they do not own a DigiDelivery network appliance, as follows:

◆ To send a delivery, senders must have an In-

ternet connection, an account on a DigiDelivery network appliance, and the DigiDelivery client application.

◆ To receive a delivery, recipients only need an

Internet connection and the DigiDelivery client application. An account on the network appliance is not needed.

For more information about DigiDelivery, see the DigiDelivery Guide.

Send to Sibelius

The Send To Sibelius command exports all MIDI and Instrument tracks to Sibelius or G7 notation software as a MIDI file. You can then further edit the notation in Sibelius (or G7) and print the score of your session.

The Bounce to commands let you mix tracks together into one file.

Bounce to Disk

The Bounce to Disk command allows you to mix together the outputs of all currently audible tracks routed to a common output path to create a new audio file. You can use the Bounce to Disk command to create a submix or to create a final mix in any of several audio file formats.

Bounce to Disk dialog

Bounce Source Selects the audio output path to bounce. Only audio routed to the selected path will be included in the bounce.

Enforce Avid Compatibility Creates frame-accurate edits, wraps the files as OMFI (unless File Type is MXF), and limits the sample rate options to 44.1 kHz or 48 kHz. Dithering without noise shaping will be applied to files being exported from 24-bit to 16-bit.

Pro Tools Menus Guide8

File Type Selects the audio file type. Choices on all systems are BWF (.WAV), AIFF, MPEG-1 Layer 3 (MP3), and QuickTime. Windows systems also include Windows Media (Windows). Mac systems also include SD II and Sound Resource. Systems with the DigiTranslator™ option also support MXF audio files.

Certain file types are restricted in regards to format, resolution, and sample rate.

Format Selects the channel format (number of channels). Choices are mono (summed), multiple mono, or interleaved.

Resolution Selects the bit depth. Choices are 24-bit, 16-bit, or 8-bit resolution.

Sample Rate Selects the sample rate.

Whenever a Bounce to Disk is configured to a different file type, file format, resolution, or sample rate, additional options become available to convert during or after the bounce. See “Additional Bounce Options” on page 9 for more information.

Import After Bounce Automatically imports the audio after it is bounced and adds it to the Region List so that it can be used in the session.

The Import After Bounce option is only available if the target file type and sample rate for the bounce are the same as the file type and sample rate of the current session, and the target resolution (bit rate) is the same or lower than the resolution of the session. In addition, tracks bounced to a Stereo Interleaved file cannot be imported after a bounce.

Additional Bounce Options

The following Bounce options are only available when bouncing to a different file type, format, resolution, or sample rate.

Conversion Quality Selects the quality, with option ranging from Low to Tweak Head, when bouncing to a new sample rate.

Use Squeezer Optimizes the dynamics of the bounced audio before conversion to 8-bit resolution.

Convert During Bounce Automatically performs file type, sample rate, and bit resolution conversion as the file is being bounced.

Convert After Bounce Automatically performs file type, sample rate, and bit resolution conversion after the file has been bounced.

Bounce to QuickTime Movie

This command lets you bounce the main video track (QuickTime or Avid video) and a mono or stereo mixdown of your session to a new QuickTime movie. Pro Tools will convert the audio tracks to the selected sample rate and bit resolution, then create a new flattened movie with the bounced audio. As a QuickTime file, the new movie is supported by all software applications that support QuickTime video.

Chapter 3: File Menu 9

Import

Pro Tools provides several menu commands to import files and regions into an open session.

Import Session Data

This command lets you import selected session data from an existing session into the current session. Options are provided for time code mapping, track offset options, sample rate conversion, and copying, converting, and referenc-

ing audio and video source files. The Import Session Data command also lets you import the Tempo Meter Map, and any Key Signature Maps, Markers/Memory Locations, and Window Configurations.

With Pro Tools HD Toolkit™ 2, you can select specific session data (such as automation and routing) to import. You can also import main playlist options—either replacing existing options or overlaying elements onto existing tracks.

or Pro Tools LE™ with DV

Figure 1. Import Session Data dialog (Pro Tools HD shown)

Pro Tools Menus Guide10

Import Audio

This command lets you import audio files into the current session. Audio files can be imported into a new track (and the Region List), or the Region List only.

Import MIDI

Export

Pro Tools provides several menu commands to export session tracks or data as files.

Export Selected Tracks as AAF/OMF

(DigiTranslator Option Only)

The Import MIDI command imports all tracks from a Standard MIDI file into Pro Tools. MIDI files can be imported into a new track (and the Region List) or the Region List only.

Options are provided for importing the Session Start or Song Start Marker (if the marker is not located at the session start), importing tempo map data contained in the sequence, and removing existing Instrument or MIDI tracks.

Import Video

This command lets you import an Avid Video (Pro Tools|HD systems with an Avid video peripheral only) or QuickTime into the main video track (and the Region List), a new track (and the Region List), or the Region List only.

The Import Video command can also be used to extract (import) audio from a Quicktime Movie.

Import Region Groups

This command lets you import region groups into the current session. Region groups can be imported into a new track (and the Region List) or the Region List only.

The Export Selected Tracks as AAF/OMF command exports selected tracks in AAF and OMFI format. Advanced Authoring Format (AAF) and Open Media Framework Interchange (OMFI) are industry standard file formats that facilitate the transfer of digital media between applications (such as Pro Tools and Avid Video editing software). If the DigiTranslator option is not installed, the Export Selected Track as OMF command will be greyed out in the File menu.

For more information, see the DigiTranslator 2.0 Integrated Option Guide.

Export MIDI

This command lets you export your Pro Tools session or individual MIDI or Instruments tracks as a standard MIDI file. You can export the file as a Type 1 (multitrack) or Type 0 (merged) Standard MIDI file. The exported MIDI file includes meter and tempo information, and any key signatures in your Pro Tools session.

Muted MIDI tracks will not be exported.

This can be useful for storing libraries of your favorite MIDI sequences or SysEx data (such as bulk or individual patch dumps for your external MIDI devices), or for importing MIDI into notation applications other than Sibelius or G7.

Chapter 3: File Menu 11

Export Session Info as Text

(Pro Tools HD Only)

This command exports the current session as a tab-delimited text ﬁle that can contain region and ﬁle names, extended timestamp information, and information about crossfades.

You can export to any of several different text file formats (including Microsoft Word and Excel).

Get Info

This command lets you enter and save information about the session.

Left-column text fields are topic fields. Text entered there is saved with your Pro Tools Preferences and will appear in all sessions, allowing you to preset the field to topics that you commonly use.

Right-column text fields are information fields and are session specific and will be saved with the session.

Exit

(Windows Only)

The Exit command ends your Pro Tools session and closes the Pro Tools application.

Export Session Info as Text dialog (Pro Tools LE shown)

Pro Tools Menus Guide12

chapter 4

Edit Menu

Edit menu commands are used to edit and manipulate the current selection and affect data in the timeline or the clipboard.

Undo

The Undo command lets you sequentially undo up to 32 of your previous actions. Certain commands and actions (such as saving) are not undoable. The last command in the undo queue will appear in the menu (for example, “Undo Paste”).

If no actions are available to undo, the menu displays a grayed out Can’t Undo.

Redo

After undoing a command or action, you can redo it by choosing the Redo command. This is a good way to compare before and after states of edits.

Edit menu

If no actions are available to redo, the menu displays a grayed out Can’t Redo.

Cut

This command cuts a selection out of its current location and stores it in memory so that you can paste it elsewhere.

Chapter 4: Edit Menu 13

Copy

Cut Special

This command copies a selection (leaving the original intact) and stores it in memory so that you can paste it elsewhere.

Paste

This command inserts cut or copied data into a location specified with an Edit tool (such as the Selector tool).

Clear

This command removes the contents within a selection in the Edit window.

The Cut Special commands let you cut just automation data from the current selection (without associated audio, video, or MIDI notes) and place it in memory to paste elsewhere. Choices include:

All Automation Cuts all automation or MIDI controller data whether it is shown or not.

Pan Automation Cuts only pan automation or MIDI pan data whether it is shown or not.

Plug-in Automation Cuts only plug-in automation that is shown.

Copy Special

The Copy Special commands let you copy just automation data from the current selection (without associated audio, video, or MIDI notes) and place a copy of it in memory to paste elsewhere.

All Automation Copies all automation or MIDI controller data whether it is shown or not.

Pan Automation Copies only pan automation or MIDI pan data whether it is shown or not.

Plug-in Automation Copies only plug-in automation that is shown.

Pro Tools Menus Guide14

Paste Special

Clear Special

The Paste Special commands let you paste automation data into another region (without affecting associated audio, video, or MIDI notes) in the following ways:

Merge Pastes MIDI controller data from the clipboard to the selection and merges it with any current MIDI controller data in the selection. This can be useful for consolidating MIDI data from several tracks into a single MIDI track.

Repeat to Fill Selection Pastes multiple iterations of audio, video, or MIDI data from the Clipboard to fill the selection. If you select an area that is not an exact multiple of the copied region size, the remaining selection area is filled with a trimmed version of the original selection. This allows you to easily create drum loops and other repetitive effects. Before the data is pasted, Pro Tools prompts you to specify a crossfade to smooth transitions between regions.

To Current Automation Type Pastes the automation or MIDI controller data from the clipboard to the selection as the current type of automation or continuous MIDI data. This lets you copy one type of automation data to another, or one type of continuous MIDI date to another type of contiguous MIDI data.

The Clear Special commands let you clear just automation data from the current region. Choices are:

All Automation Clears all automation or MIDI controller data whether it is shown or not.

Pan Automation Clears only pan automation or MIDI pan data whether it is shown or not.

Plug-in Automation Clears only plug-in automation that is shown.

Select All

This command selects all audio and MIDI data in one or more tracks.

◆ To select all regions in a single track, select a

portion of the track, or click the Selector anywhere in a track and choose Select All.

◆ To select all regions on multiple tracks, Shift-

click a region on each track with the Selector or Grabber and choose Select All.

◆ To select all regions on all tracks, Select the

“All” Edit Group in the Groups List, click the Selector anywhere in a track, and choose Select All.

Chapter 4: Edit Menu 15

Selection

Shift

The Selection commands are for copying or playing Edit or Timeline selections.

Change Timeline to Match Edit When the Edit and Timeline selections are unlinked, this command copies the current Timeline selection to the an Edit selection.

Change Edit to Match Timeline When the Edit and Timeline selections are unlinked, this command copies the current Edit selection to the Timeline.

Play Edit This command plays an Edit selection

Play Timeline This command plays a Timeline

selection.

Duplicate

This command copies a selection and places it immediately after the end of that selection in a track.

Repeat

This command is similar to Duplicate, but allows you to specify the number of times the selected material is duplicated. To use this command, select the material you want to repeat, choose Repeat, then enter the number of repetitions.

This command moves track material earlier or later in time by a specified amount. To use this command, select the material you want to move, choose Shift, then enter the direction and time value.

Insert Silence

This command creates regions of silence. Make a selection on one or more tracks, choose Insert Silence, and precisely that amount of silence

will be inserted.

With Pro Tools 7.2, the Insert Silence command inserts video black into a video track.

Snap To

This command provides two options for “butt splicing” successive elements on a track.

Previous Snaps a region (or Edit selection containing whole regions) to the end of the preceding region

Next Snaps a region (or Edit selection containing whole regions) to the beginning of the next region in a track.

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Trim Region

Separate Region

This command provides several options for editing region boundaries (including looped regions).

To Selection This command removes data before and after a region or MIDI note selection, leaving only the selection. This command lets you quickly remove all data in a region (and in some instances the entire track) except for the current selection.

When trimming regions that include fades or are adjacent to fade boundaries, the fades from the source region are adjusted to the new region boundaries.

Start to Inser tion This command lets you trim a region or MIDI note by automatically removing the material between the Edit insertion point and the start point.

End to Insertion This command lets you trim a region or MIDI note by automatically removing the material between the Edit insertion point and the end point.

These commands separate a region from adjacent data in the track where it was created. By separating a region you will also create by-product regions from data on either side of the separation. The Separate Region commands automatically unloop and flatten looped regions before separating.

Separate Region includes the following commands:

At Selection This command creates new region boundaries at the selection start and end points.

When separating regions that include fades, the status of the fade depends on the Preserve Fades when Editing preference.

On Grid This command constrains newly created regions to start and end on grid points.

At Transients This command automatically creates region boundaries on detected transients within a selection.

Start to Fill Selection This command lets you automatically reveal underlying material in the gaps between the region start and selection start points.

End to Fill Selection This command lets you automatically reveal underlying material in the gaps between the selection end and region end points.

To Fill Selection This command lets you automatically reveal underlying material in the gaps before and after the selection.

Heal Separation

This command repairs separated regions, provided that the regions are contiguous and their relative start and end points haven’t changed since they were originally separated. If you have trimmed or changed the start and end points of the two regions, or moved them away from each other, they cannot be repaired with the Heal Separation command.

Chapter 4: Edit Menu 17

Strip Silence

Thin Automation

This command opens the Strip Silence window. Use this window to remove areas of silence from a selection. Strip Silence automatically divides a selection into regions, which can be useful for quantizing audio to musical values or SMPTE locations.

Strip Silence window

Consolidate

This command consolidates multiple regions into a single region. When an audio track is consolidated, a new audio file is written that encompasses the selection range, including any blank space or fades.

TCE Edit to Timeline Selection

(Pro Tools HD and Pro Tools LE with DV Toolkit 2 Only)

(Pro Tools LE Only)

This command lets you selectively thin areas in a track where automation data is too dense and adversely affecting CPU performance. The amount of thinning performed is determined by the amount you have selected in the Automation page of the Preferences dialog. Avoid overthinning data or it may no longer accurately reflect the original automation.

Automation

Copy to Send

(Pro Tools HD Only)

This command lets you copy either the current values or automation of a selected track’s volume, pan, mute, or LFE automation to the corresponding playlist for the send. This is useful when you want a track’s send automation to mirror automation on the track itself.

This command uses the Time Compression/Expansion plug-in to fit an audio selection to a Timeline selection. This is only possible when the Edit and Timeline selections are unlinked.

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Copy to Send dialog

To copy a track’s current control settings to a send on that track, select Current Value. To copy the entire automation playlist for the track to a send, select Automation.

Thin Automation

(Pro Tools HD Only)

Trim to Current and Trim to All Enabled

(Pro Tools HD and Pro Tools LE with DV Toolkit 2 Only)

These commands let you use trim values as snapshots and apply the relative changes or delta values to the selected automation. This is similar to the Write Automation command, except that it writes delta values instead of absolute values to automation data. You can use trim values in writing snapshot automation to any automatable parameter.

Trim to Current Parameter

This command trims the current value only to the currently displayed automation parameter.

Write to Current and Write to All Enabled

(Pro Tools HD and Pro Tools LE with DV Toolkit 2 Only)

These commands let you write automation states for one or more parameters to specific session locations in a single step. This saves you the trouble of performing multiple automation passes for different parameters in real time, or having to graphically draw automation state changes on individual automation playlists.

Write to Current Parameters

This command writes the current value only to the currently displayed automation parameter.

Write to All Enabled Parameters

This command writes the current settings for all automation parameters enabled in the Automation Enable window.

Trim to All Enabled Parameters

This command trims the current settings for all automation parameters enabled in the Automation Enable window.

Glide to Current and Glide to All Enabled

(Pro Tools HD and Pro Tools LE with DV Toolkit 2 Only)

These commands let you manually create an automation transition (or glide) from an existing automation value to a new one, over a selected area.

Glide Automation can also be used for automating the Surround Panner.

Glide to Current Parameter

This command applies Glide Automation only to the currently displayed automation parameter.

Chapter 4: Edit Menu 19

Glide to All Enabled Parameters

This command applies the Glide Automation for all automation parameters enabled in the Automation Enable window.

Fades

These commands let you create (or delete) a crossfade between two adjacent audio regions, or a fade-in or fade-out of a single region. Crossfade duration, position, and shape are all selectable. A selection that crosses multiple regions will create crossfades for each of the region transitions. If a selection includes regions that already contain crossfades, the existing crossfades will be modified.

Fade to Start The Fade to Start command creates a fade-in from the current insertion point to a region’s start point.

Fade to End The Fade to End command creates a fade-out from the current insertion point to a region’s end point.

Fades dialog

Create The Create command produces a crossfade between adjacent regions according to parameters you specify with the Fades editor.

Delete The Delete command removes a crossfade between adjacent regions.

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