Pinnacle Systems AirSpeed 5000 - 2.5 Operator’s Guide

Avid® AirSpeed® 5000

Remote Console Operator’s Guide

Legal Notices

Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc.

This product is subject to the terms and conditions of a software license agreement provided with the software. The product may only be used in accordance with the license agreement.

This product may be protected by one or more U.S. and non-U.S patents. Details are available at www.avid.com/patents.

This document is protected under copyright law. An authorized licensee of AirSpeed 5000 may reproduce this publication for the licensee’s own use in learning how to use the software. This document may not be reproduced or distributed, in whole or in part, for commercial purposes, such as selling copies of this document or providing support or educational services to others. This document is supplied as a guide for AirSpeed 5000 Remote Console. Reasonable care has been taken in preparing the information it contains. However, this document may contain omissions, technical inaccuracies, or typographical errors. Avid Technology, Inc. does not accept responsibility of any kind for customers’ losses due to the use of this document. Product specifications are subject to change without notice.

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APPLE COMPUTER, INC. MAKES NO WARRANTIES WHATSOEVER, EITHER EXPRESS OR IMPLIED, REGARDING THIS PRODUCT, INCLUDING WARRANTIES WITH RESPECT TO ITS MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE.

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Permission to use, copy, modify, distribute, and sell this software [i.e., the TIFF library] and its documentation for any purpose is hereby granted without fee, provided that (i) the above copyright notices and this permission notice appear in all copies of the software and related documentation, and (ii) the names of Sam Leffler and Silicon Graphics may not be used in any adver tising or publicity relating to the software without the specific, prior written permission of Sam Leffler and Silicon Graphics.

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IN NO EVENT SHALL SAM LEFFLER OR SILICON GRAPHICS BE LIABLE FOR ANY SPECIAL, INCIDENTAL, INDIRECT OR CONSEQUENTIAL DAMAGES OF ANY KIND, OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER OR NOT ADVISED OF THE POSSIBILITY OF DAMAGE, AND ON ANY THEORY OF LIABILITY, ARISING OUT OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.

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This software is based in part on the work of the Independent JPEG Group.

This Software may contain components licensed under the following conditions:

Redistribution and use in source and binary forms are permitted provided that the above copyright notice and this paragraph are duplicated in all such forms and that any documentation, advertising materials, and other materials related to such distribution and use acknowledge that the software was developed by the University of California, Berkeley. The name of the University may not be used to endorse or promote products derived from this software without specific prior written permission. THIS SOFTWARE IS PROVIDED ``AS IS'' AND WITHOUT ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, WITHOUT LIMITATION, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.

Permission to use, copy, modify, and distribute this software and its documentation for any purpose and without fee is hereby granted, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission notice appear in supporting documentation. This software is provided "as is" without express or implied warranty.

Permission to use, copy, modify, distribute, and sell this software for any purpose is hereby granted without fee, provided that the above copyright notice appear in all copies and that both that copyright notice and this permission notice appear in supporting documentation, and that the name of Daniel Dardailler not be used in advertising or publicity pertaining to distribution of the software without specific, written prior permission. Daniel Dardailler makes no representations about the suitability of this software for any purpose. It is provided "as is" without express or implied warranty.

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THIS SOFTWARE IS BEING PROVIDED "AS IS", WITHOUT ANY EXPRESS OR IMPLIED WARRANTY. IN PARTICULAR, NEITHER THE AUTHOR NOR AT&T MAKES ANY REPRESENTATION OR WARRANTY OF ANY KIND CONCERNING THE MERCHANTABILITY OF THIS SOFTWARE OR ITS FITNESS FOR ANY PARTICULAR PURPOSE.

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Portions of this software licensed from Paradigm Matrix.

The following disclaimer is required by Ray Sauers Associates, Inc.:

“Install-It” is licensed from Ray Sauers Associates, Inc. End-User is prohibited from taking any action to derive a source code equivalent of “Install-It,” including by reverse assembly or reverse compilation, Ray Sauers Associates, Inc. shall in no event be liable for any damages resulting from reseller’s failure to perform reseller’s obligation; or any damages arising from use or operation of reseller’s products or the software; or any other damages, including but not limited to, incidental, direct, indirect, special or consequential Damages including lost profits, or damages resulting from loss of use or inability to use reseller’s products or the software for any reason including copyright or patent infringement, or lost data, even if Ray Sauers Associates has been advised, knew or should have known of the possibility of such damages.

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“This software contains V-LAN ver. 3.0 Command Protocols which communicate with V-LAN ver. 3.0 products developed by Videomedia, Inc. and V-LAN ver. 3.0 compatible products developed by third parties under license from Videomedia, Inc. Use of this software will allow “frame accurate” editing control of applicable videotape recorder decks, videodisc recorders/players and the like.”

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Certain real-time compositing capabilities are provided under a license of such technology from Ultimatte Corporation and are subject to copyright protection.

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The “Interplay” name is used with the permission of Interplay Entertainment Corp., which bears no responsibility for Avid products.

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This product may include the JCifs library, for which the following notice applies:

Avid Interplay contains components licensed from LavanTech. These components may only be used as part of and in connection with Avid Interplay.

This product includes the Warlib library, for which the following notice applies:

warlib is copyright Jarle (jgaa) Aase 2000 - 2009

The warlib C++ Library is free software; you can redistribute it and/or modify it under the terms of the GNU Lesser General Public License as published by the Free Software Foundation; either version 3.0 of the License, or (at your option) any later version.

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U.S. GOVERNMENT RESTRICTED RIGHTS. This Software and its documentation are “commercial computer software” or “commercial computer software documentation.” In the event that such Software or documentation is acquired by or on behalf of a unit or agency of the U.S. Government, all rights with respect to this Software and documentation are subject to the terms of the License Agreement, pursuant to FAR §12.212(a) and/or DFARS §227.7202-1(a), as applicable.

Trademarks

003, 192 Digital I/O, 192 I/O, 96 I/O, 96i I/O, Adrenaline, AirSpeed, ALEX, Alienbrain, AME, AniMatte, Archive, Archive II, Assistant Station, AudioPages, AudioStation, AutoLoop, AutoSync, Avid, Avid Active, Avid Advanced Response, Avid DNA, Avid DNxcel, Avid DNxHD, Avid DS Assist Station, Avid Ignite, Avid Liquid, Avid Media Engine, Avid Media Processor, Avid MEDIArray, Avid Mojo, Avid Remote Response, Avid Unity, Avid Unity ISIS, Avid VideoRAID, AvidRAID, AvidShare, AVIDstripe, AVX, Beat Detective, Beauty Without The Bandwidth, Beyond Reality, BF Essentials, Bomb Factory, Bruno, C|24, CaptureManager, ChromaCurve, ChromaWheel, Cineractive Engine, Cineractive Player, Cineractive Viewer, Color Conductor, Command|24, Command|8, Control|24, Cosmonaut Voice, CountDown, d2, d3, DAE, D-Command, D-Control, Deko, DekoCast, D-Fi, D-fx, Digi 002, Digi 003, DigiBase, Digidesign, Digidesign Audio Engine, Digidesign Development Partners, Digidesign Intelligent Noise Reduction, Digidesign TDM Bus, DigiLink, DigiMeter, DigiPanner, DigiProNet, DigiRack, DigiSerial, DigiSnake, DigiSystem, Digital Choreography, Digital Nonlinear Accelerator, DigiTest, DigiTranslator, DigiWear, DINR, DNxchange, Do More, DPP-1, D-Show, DSP Manager, DS-StorageCalc, DV Toolkit, DVD Complete, D-Verb, Eleven, EM, Euphonix, EUCON, EveryPhase, Expander, ExpertRender, Fader Pack, Fairchild, FastBreak, Fast Track, Film Cutter, FilmScribe, Flexevent, FluidMotion, Frame Chase, FXDeko, HD Core, HD Process, HDpack, Home-to-Hollywood, HYBRID, HyperSPACE, HyperSPACE HDCAM, iKnowledge, Image Independence, Impact, Improv, iNEWS, iNEWS Assign, iNEWS ControlAir, InGame, Instantwrite, Instinct, Intelligent Content Management, Intelligent Digital Actor Technology, IntelliRender, Intelli-Sat, Intelli-sat Broadcasting Recording Manager, InterFX, Interplay, inTONE, Intraframe, iS Expander, iS9, iS18, iS23, iS36, ISIS, IsoSync, LaunchPad, LeaderPlus, LFX, Lightning, Link & Sync, ListSync, LKT-200, Lo-Fi, MachineControl, Magic Mask, Make Anything Hollywood, make manage move | media, Marquee, MassivePack, Massive Pack Pro, Maxim, Mbox, Media Composer, MediaFlow, MediaLog, MediaMix, Media Reader, Media Recorder, MEDIArray, MediaServer, MediaShare, MetaFuze, MetaSync, MIDI I/O, Mix Rack, Moviestar, MultiShell, NaturalMatch, NewsCutter, NewsView, NewsVision, Nitris, NL3D, NLP, NSDOS, NSWIN, OMF, OMF Interchange, OMM, OnDVD, Open Media Framework, Open Media Management, Painterly Effects, Palladium, Personal Q, PET, Podcast Factory, PowerSwap, PRE, ProControl, ProEncode, Profiler, Pro Tools, Pro Tools|HD, Pro Tools LE, Pro Tools M-Powered, Pro Transfer, QuickPunch, QuietDrive, Realtime Motion Synthesis, Recti-Fi, Reel Tape Delay, Reel Tape Flanger, Reel Tape Saturation, Reprise, Res Rocket Surfer, Reso, RetroLoop, Reverb One, ReVibe, Revolution, rS9, rS18, RTAS, Salesview, Sci-Fi, Scorch, ScriptSync, SecureProductionEnvironment, Serv|GT, Serv|LT, Shape-to-Shape, ShuttleCase, Sibelius, SimulPlay, SimulRecord, Slightly Rude Compressor, Smack!, Soft SampleCell, Soft-Clip Limiter, SoundReplacer, SPACE, SPACEShift, SpectraGraph, SpectraMatte, SteadyGlide, Streamfactory, Streamgenie, StreamRAID, SubCap, Sundance, Sundance Digital, SurroundScope, Symphony, SYNC

HD, SYNC I/O, Synchronic, SynchroScope, Syntax, TDM FlexCable, TechFlix, Tel-Ray, Thunder, TimeLiner, Titansync, Titan, TL Aggro, TL AutoPan, TL Drum Rehab, TL Everyphase, TL Fauxlder, TL In Tune, TL MasterMeter, TL Metro, TL Space, TL Utilities, tools for storytellers, Transit, TransJammer, Trillium Lane Labs, TruTouch, UnityRAID, Vari-Fi, Video the Web Way, VideoRAID, VideoSPACE, VTEM, Work-N-Play, Xdeck, X-Form, Xmon and XPAND! are either registered trademarks or trademarks of Avid Technology, Inc. in the United States and/or other countries.

Footage

Arizona Images — KNTV Production — Courtesy of Granite Broadcasting, Inc., Editor/Producer Bryan Foote. Canyonlands — Courtesy of the National Park Service/Department of the Interior. Ice Island — Courtesy of Kurtis Productions, Ltd. Tornados + Belle Isle footage — Courtesy of KWTV News 9. WCAU Fire Story — Courtesy of NBC-10, Philadelphia, PA. Women in Sports – Paragliding — Courtesy of Legendary Entertainment, Inc.

News material provided by WFTV Television Inc.

Avid AirSpeed 5000 Remote Console Operator’s Guide v2.5 • 9320-65103-00 Rev C • March 2013 (03/21/13)

This document is distributed by Avid in online (electronic) form only, and is not available for purchase in printed form.

Using This Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Symbols and Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

If You Need Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Avid Training Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Chapter 1 Installing and Configuring the Remote Console . . . . . . . . . . . . . . . . . . . . . 14

Standalone Transfer Engine Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Configuration Requirements for AirSpeed 5000 Server . . . . . . . . . . . . . . . . . . . . . . 16

Standalone Software Requirements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Software Requirements for the Avid Editing Client . . . . . . . . . . . . . . . . . . . . . . 17

AirSpeed 5000 Installation and Configuration Checklist . . . . . . . . . . . . . . . . . . . . . . . . . 18

Installing the AirSpeed 5000 Remote Console Application . . . . . . . . . . . . . . . . . . . 19

Installing the Interplay Transfer Engine on the Avid Editor (Standalone Mode). . . . 20

Connecting to AirSpeed 5000 Servers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Configuring Transfers for AirSpeed 5000 Servers (Standalone Mode) . . . . . . . . . . 23

Manually Configuring the Interplay Transfer Engine for a Standalone Environment 24

Starting the Interplay Transfer Engine on the Avid Editor . . . . . . . . . . . . . . . . . . . . 31

Starting the AirSpeed 5000 Remote Console Application . . . . . . . . . . . . . . . . . . . . 31

Configuring the Standalone Settings for the Avid Editor . . . . . . . . . . . . . . . . . . . . . 33

Verifying your Remote Console is Configured Properly . . . . . . . . . . . . . . . . . . . . . . 34

Chapter 2 Getting Started with the Remote Console . . . . . . . . . . . . . . . . . . . . . . . . . . 35

User Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Main Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

File Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Options Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

View Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

About Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Channels Pane. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Transport Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Inventory Pane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Headframes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Clip Properties Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Filter Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Status Bar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

View Playlists Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Channel in Normal View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Channel in Advanced Transport View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Channel Status Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Timecode Displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Media Timeline (scrub bar) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Media Timeline Context Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Timescale Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Timescale Bar Context Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Media Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Subclip Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Channel in Mini-bar View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Playlist Information Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Proxy Viewer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Right-Click Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Chapter 3 Working with the Remote Console . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Working with Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Selecting Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Changing the Sort Order of Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Showing or Hiding Columns in the Inventory Pane . . . . . . . . . . . . . . . . . . . . . . . . . 81

Reordering Columns in the Inventory Pane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Filtering on a Clip Name or Video ID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Viewing Clip Properties and Modifying Clip Behavior . . . . . . . . . . . . . . . . . . . . . . . 85

Playing Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Cueing and Playing Clips Directly from the Current Video ID Field. . . . . . . . . . 86

Cueing and Taking Clips via the Next Video ID Field . . . . . . . . . . . . . . . . . . . . 87

Recording Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Crash Recording Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Cueing Clips for Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Recording Clips with Only a Video ID Specified (no Duration or Name) . . . . . . 88

Recording Clips with Both a Video ID and Duration Specified . . . . . . . . . . . . . 89

Recording Clips with Only a Name Specified (no Duration or Video ID) . . . . . . 89

Recording Clips with Only a Duration Specified (No Video ID or Name) . . . . . 89

Modifying In/Out Points for Clips in the Inventory Pane . . . . . . . . . . . . . . . . . . . . . . 90

Creating Subclips in Normal View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Working with Proxy Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Manually Creating Proxy Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Viewing Proxy Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Creating Subclips Using the Proxy Viewer . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Editing the In and Out Points of a Clip in the Proxy Viewer. . . . . . . . . . . . . . . . 94

Deleting Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Protecting or Unprotecting Clips from Deletion . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Transferring Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Transferring Clips to Shared Storage (Interplay Production and Team Modes) 96

Transferring Clips to an Avid Editor (Standalone Mode) . . . . . . . . . . . . . . . . . . 96

Transferring Clips to an Avid Editor (Team Mode) . . . . . . . . . . . . . . . . . . . . . . 97

Performing an Edit While Capture (EWC) with Drag and Drop . . . . . . . . . . . . . 97

Performing an Edit While Capture (EWC) with Auto Transfer . . . . . . . . . . . . . . 99

Importing .AAF Files into the Avid Editor (Macintosh Team Mode). . . . . . . . . 102

Working with Playlists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Creating Playlists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Basic Playlist Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Opening Playlists. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Clearing Playlists. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Taking Control of a Playlist for a Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Setting Loop Behavior in the Playlist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Working with Clips in the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Reordering Clips within the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Modifying In/ Out Points for Clips in the Playlist . . . . . . . . . . . . . . . . . . . . . . . 109

Setting the Follow Behavior for Clips in the Playlist . . . . . . . . . . . . . . . . . . . . 109

Deleting Clips from the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Cueing a Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Cueing From a Specific Clip in the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Playing Clips in the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Pausing Clips in the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Stopping and Unloading Clips in the Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Showing All Media in the Advanced Transport View. . . . . . . . . . . . . . . . . . . . 111

Working in the Advanced Transport View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Playing Clips in the Advanced Transport View. . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Recording Clips in the Advanced Transport View . . . . . . . . . . . . . . . . . . . . . . . . . 115

Stepping Forward and Backward . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Going to a Specific Position in a Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Creating Subclips in the Advanced Transport View . . . . . . . . . . . . . . . . . . . . . . . . 118

Sub-clipping from Left or Right. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Appendix A Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Inventory Pane Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Channel Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Proxy Viewer Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Playlist Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Advanced Transport View Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

1 Using This Guide

Congratulations on your purchase of an Avid AirSpeed 5000 Remote Console.

The AirSpeed 5000 Remote Console is an application that is installed on a PC on your network. The AirSpeed 5000 Remote Console is able to connect to one or more AirSpeed 5000 or AirSpeed Multi Stream servers on your network. Once connected, you can see the channels and inventory on the server(s). Then you can use the AirSpeed 5000 Remote Console to do the following:

• Cue and play clips

• Cue and record clips

• Retransfer clips

• Manage clip inventory

• Create playlists and play the clips out on their associated channels

• Create subclips

• Preview clips via proxy media

This guide contains all the installation, configuration, and task-oriented instructions, conceptual information, and reference material you need to install, configure and use the Avid AirSpeed 5000 Remote Console.

This guide is intended for all users, from beginning to advanced.

The documentation describes the features and hardware of all models. Therefore, your system

might not contain certain features and hardware that are covered in the documentation.

Symbols and Conventions

Avid documentation uses the following symbols and conventions:

Symbol or Convention Meaning or Action

Symbols and Conventions

> This symbol indicates menu commands (and subcommands) in the

(Windows), (Windows only), (Macintosh), or (Macintosh only)

Bold font Bold font is primarily used in task instructions to identify user interface

Italic font Italic font is used to emphasize certain words and to indicate variables.

Courier Bold font

A note provides important related information, reminders, recommendations, and strong suggestions.

A caution means that a specific action you take could cause harm to your computer or cause you to lose data.

A warning describes an action that could cause you physical harm. Follow the guidelines in this document or on the unit itself when handling electrical equipment.

order you select them. For example, File > Import means to open the File menu and then select the Import command.

This symbol indicates a single-step procedure. Multiple arrows in a list indicate that you perform one of the actions listed.

This text indicates that the information applies only to the specified operating system, either Windows or Macintosh OS X.

items and keyboard sequences.

Courier Bold font identifies text that you type.

Ctrl+key or mouse action Press and hold the first key while you press the last key or perform the

mouse action. For example, Command+Option+C or Ctrl+drag.

If You Need Help

If you are having trouble using your Avid product:

1. Retry the action, carefully following the instructions given for that task in this guide. It is especially important to check each step of your workflow.

2. Check the latest information that might have become available after the documentation was published:

- If the latest information for your Avid product is provided as printed release notes, they

ship with your application and are also available online.

If the latest information for your Avid product is provided as a ReadMe file, it is supplied on your Avid installation CD or DVD as a PDF document (README_product.pdf) and is also available online.

You should always check online for the most up-to-date release notes or ReadMe because the online version is updated whenever new information becomes available. To

view these online versions, select ReadMe from the Help menu, or visit the Knowledge Base at www.avid.com/readme.

3. Check the documentation that came with your Avid application or your hardware for maintenance or hardware-related issues.

If You Need Help

4. Visit the online Knowledge Base at www.avid.com/onlinesupport. Online services are available 24 hours per day, 7 days per week. Search this online Knowledge Base to find answers, to view error messages, to access troubleshooting tips, to download updates, and to read or join online message-board discussions.

Avid Training Services

Avid makes lifelong learning, career advancement, and personal development easy and convenient. Avid understands that the knowledge you need to differentiate yourself is always changing, and Avid continually updates course content and offers new training delivery methods that accommodate your pressured and competitive work environment.

To learn about Avid's new online learning environment, Avid Learning Excellerator (ALEX), visit http://learn.avid.com.

For information on courses/schedules, training centers, certifications, courseware, and books, please visit www.avid.com/training or call Avid Sales at 800-949-AVID (800-949-2843).

1 Installing and Configuring the Remote

Console

The AirSpeed 5000 Remote Console is an application that can be installed on a PC on your network. Once on your network, a single instance of Remote Console from one PC can connect to any combination of up to ten AirSpeed Multi Stream and AirSpeed 5000 servers per channel.

FTP connections, Avid Interplay Capture, Avid Capture Manager and Avid iNEWS Command do

not count against the total connections to a single server.

There is a version of the AirSpeed 5000 Remote Console software included in the AirSpeed 5000

server installation. There is no need for additional installation of the AirSpeed 5000 Remote Console software on the AirSpeed 5000 server.

In Interplay Production mode, we support up to five (5) devices in the same Studio.

Once configured and connected to an AirSpeed 5000 server (or servers), you can see the channels and inventory on the server(s) you are connected to. Then, remotely from your PC, you can use the AirSpeed 5000 Remote Console application to do the following:

• Cue and play clips

• Cue and record clips

• Retransfer clips

• Manage clip inventory

• Create Playlists and play the clips out on their associated channels

• Create subclips

• Preview clips via proxy media

Standalone Transfer Engine Overview

This chapter describes how to install and configure the AirSpeed 5000 Remote Console for your environment.

The following topics are included:

• Standalone Transfer Engine Overview

• AirSpeed 5000 Installation and Configuration Checklist

Standalone Transfer Engine Overview

When AirSpeed 5000 is configured with a standalone Transfer Engine it operates in environments where you have local storage without Interplay. In a Standalone environment, the Transfer Engine (TM) application uses FTP functionality to act as the transfer agent between the Avid editors and the AirSpeed 5000 Remote Console application.

With a Standalone Transfer Engine configuration, AirSpeed 5000 uses only its own internal storage or local Avid editor storage for storing clips and supports playing out to air via drag and drop using the AirSpeed 5000 Remote Console.

In this configuration, clips are visible through the Remote Console inventory pane and can be used to drag and drop files directly to the editor bin for editing. The standalone configuration supports playout automation applications such as DNF controllers and other solutions using VDCP or AMSAPI.

Interplay Transfer Engine does not support Studio playout.

Standalone Transfer Engine Overview

Video servers configured with a Standalone Transfer Engine support the standard features of your video server model (AirSpeed 5000) with the exception of the features listed below:

• Avid Studio Playout

• Interplay Capture

• CaptureManager

• Frame Chase™ Editing

• Edit While Capture (EWC) functionality with Avid Editor systems

• H.264 media transfers to the Editor (not for Standalone or Team)

For more information, see the following topic:

• Standalone Software Requirements

Configuration Requirements for AirSpeed 5000 Server

Before configuring the AirSpeed 5000 Remote Console for standalone environment, each AirSpeed 5000 server that you want to connect to must have been configured with the following:

• Site-specific settings need to be applied for the AirSpeed 5000 to operate with a Standalone Transfer Engine.

• A site-specific host name/domain name must have been created for the AirSpeed 5000, including an IP address and mask for the network interface.

•The E: drive must be shared with at least Read Only privileges.

Once these requirements are met, and you have installed all of the necessary hardware and software for your site, you can configure the AirSpeed 5000 Remote Console for a Standalone environment. For more information on specific tasks involved when configuring your AirSpeed 5000 with a Standalone Transfer Engine, see “AirSpeed 5000 Installation and Configuration

Checklist” on page 18.

Prior to proceeding with AirSpeed 5000 configuration, ensure that your AirSpeed 5000 is

installed and connected as described in the AirSpeed 5000 Setup Guide, and in the AirSpeed 5000 Administrator’s Guide.

Standalone Software Requirements

For the AirSpeed 5000 system to function properly in a Standalone environment, it is necessary to configure a standalone Transfer Engine. Depending on the Editor software version of NewsCutter, Media Composer, or Symphony you are using, you must have a compatible Avid® Interplay™ Transfer Engine and Client software version.

The following table lists the minimum supported Editor and Interplay Transfer software versions.

System Requirements

Editor Version Interplay Transfer Software

NewsCutter v9.0.4 or later Avid Interplay Transfer Engine v2.5 or later

Standalone Transfer Engine Overview

Media Composer v5.0.4 or later

Symphony v5.0.4 or later Avid Interplay Transfer Engine v2.5 or later

Avid Interplay Transfer Engine v2.5 or later

To verify the latest supported software versions, search for the latest AirSpeed 5000 ReadMe on the Avid Knowledge Base.

All of the documentation for configuration is available on the Avid Knowledge Base. This documentation assists users in configuration of the Standalone Transfer Engine. The Avid Interplay Transfer Setup and User’s Guide, and the Avid Interplay Transfer v1.0 Readme are available at the top level of the Avid Interplay Transfer CD-ROM. For the latest versions of the documentation, see the Knowledge Base.

Software Requirements for the Avid Editing Client

In order for the Standalone AirSpeed 5000 Remote Console to work in a Standalone environment, each Avid Editing client must have the following software loaded:

• An Avid editing application (e.g., Media Composer, NewsCutter, or Symphony)

• A Standalone version of the AirSpeed 5000 Remote Console application

• Avid Interplay Transfer Engine

• Avid Interplay Transfer Client

AirSpeed 5000 Installation and Configuration Checklist

The following table provides a checklist of tasks that must be performed on the Avid Editor when configuring your Avid editing application in a Standalone Transfer Engine environment.

Depending on your site’s configuration, some tasks are optional.

Install the AirSpeed 5000 Remote Console application, as described in “Installing the



AirSpeed 5000 Remote Console Application” on page 19.

Install the Interplay Transfer Engine, as described in “Installing the Interplay Transfer



Engine on the Avid Editor (Standalone Mode)” on page 20.

Connect to an AirSpeed 5000 server, as described in “Connecting to AirSpeed 5000



Servers” on page 21.

For Team and Interplay Production modes, after you connect to a server, you can begin using the Remote Console, as described in “Getting Started with the Remote Console” on

page 35

(Standalone only) There are two methods for configuring the AirSpeed 5000 and related



software when using a Standalone Transfer Engine (Interplay Transfer Engine). Select one of the following methods:

• The AirSpeed 5000 Remote Console (File > Configure Transfer Engine) “Automatic Configuration” method, as described in “Configuring Transfers for AirSpeed 5000

Servers (Standalone Mode)” on page 23.

• The “Manual Configuration” method to configure the Avid Interplay Transfer Engine Configuration window for a Standalone Transfer Engine, as described in “Manually

Configuring the Interplay Transfer Engine for a Standalone Environment” on page 24.

(Standalone only) Configure the Standalone settings for the Avid editor, as described in



“Configuring the Standalone Settings for the Avid Editor” on page 33.

(Standalone only) Start the Interplay Transfer Engine on the Avid editor, as described in



“Starting the Interplay Transfer Engine on the Avid Editor” on page 31.

(Standalone only) Start the Remote Console, as described in “Starting the AirSpeed 5000



Remote Console Application” on page 31.

Once started, verify that your Standalone configuration works by connecting to an AirSpeed 5000 server. for more information, see “Connecting to AirSpeed 5000 Servers”

on page 21.

AirSpeed 5000 Installation and Configuration Checklist

Installing the AirSpeed 5000 Remote Console Application

This topic contains information on how to install the AirSpeed 5000 Remote Console application for your environment.

To install the AirSpeed 5000 Remote Console application:

1. On the Avid editor, locate the AvidAirSpeed5000RemoteConsole.zip file, and un-compress it to your desktop.

2. Double-click Setup.exe to run the installer.

If you are upgrading your AirSpeed 5000 Remote Console from a previous version, the installer

will install the application for the same environment. If you want to change your environment, you must uninstall via Add/Remove Programs, and then reinstall the Remote console application.

3. Click Next when prompted.

The License Agreement dialog box opens.

4. Accept the terms of the license agreement, and click Next.

The Usage Type dialog box opens.

5. Select the option for your environment, and click Next.

The Editor Support dialog box opens.

6. Select the appropriate Editor support option for your environment, and click Next.

AirSpeed 5000 Installation and Configuration Checklist

7. Click Install.

The AirSpeed 5000 Remote Console application will automatically be installed on your Avid editor.

8. Depending on the environment for your site, do one of the following:

t If your site is configured in an Interplay or Team environment, your next step is to

launch the AirSpeed 5000 Remote Console. For more information, see “Starting the

AirSpeed 5000 Remote Console Application” on page 31.

t If your site is configured in a Standalone environment, your next step is to install the

Interplay Transfer Engine on the Avid Editor. For more information, see “Installing the

Interplay Transfer Engine on the Avid Editor (Standalone Mode)” on page 20.

Installing the Interplay Transfer Engine on the Avid Editor (Standalone Mode)

If your site is configured in a Standalone mode, the next step is to install the Interplay Transfer Engine on each Avid editor.

These instructions are only a subset of the instructions for installation and configuration of the

standalone Transfer Engine. See the Avid Interplay Transfer Setup and User’s Guide documentation for complete installation and configuration instructions.

To install the Interplay Transfer Engine on the Avid editor:

1. Insert the Avid Interplay Transfer CD-ROM and double-click the Launch.exe file.

The Main Menu page opens.

2. Click Avid Transfer Server.

The Welcome window opens.

3. Click Next.

Make sure that the FTP services get installed with the Interplay Transfer Engine.

4. Click the applicable country, and click Next.

5. Click Yes to accept the license agreement.

If you do not accept the license agreement, the Interplay Transfer Engine installation ends

without completing.

6. The next step is to start the AirSpeed 5000 Remote Console application, and connect to an AirSpeed 5000 server. For more information, see “Starting the AirSpeed 5000 Remote

Console Application” on page 31.

It is recommended that the XferMgrServer.exe is launched prior to launching the Avid editor to

avoid having to reconnect the Avid editor to the Standalone Interplay Transfer Engine.

If the XferMgrServer.exe is launched following launch of the Avid editor application, the User must select the “Transfer”, “Reconnect to server” menu option to reconnect the Avid editor to the standalone Interplay Transfer Engine Server.

Connecting to AirSpeed 5000 Servers

This topic contains information on how to connect to AirSpeed 5000 or AirSpeed Multi Stream servers from the AirSpeed 5000 Remote Console.

Depending on your environment (Standalone, Team, or Interplay Production), you will get different “Connect” dialog boxes.

Once you are connected to a server, you should be able to view Channel and Inventory information for that server.

AirSpeed 5000 Installation and Configuration Checklist

To connect to an AirSpeed 5000 server:

1. On the AirSpeed 5000 Remote Console, select File > Connect... Depending on your AirSpeed 5000 environment, one of the following dialog boxes opens:

t For Standalone and Team environments, the Connect to Remote Server dialog box

opens. If you do not see a server, you must type the host name of the AirSpeed 5000 server that you want to connect to in the Server Host Name field, and click OK.

If you are configured in a Standalone mode, once you successfully connect to an AirSpeed 5000

server, its host name appears in the Server Host Name list. Therefore, if you ever want to connect to that (or any other previously connected to) AirSpeed 5000 server, you can simply select it from the list.

t For Interplay Production environments, the Select Servers dialog box opens. Select a

server and click OK.

AirSpeed 5000 Installation and Configuration Checklist

In order for servers to populate in the dialog box, you must have your user configured properly

in the User’s Page of the AirSpeed Management Console, as well as in Interplay. Once connected to a server, you can view Channel and Inventory information for that server.

If you are configured in an Interplay Production mode, the servers appearing in the Select

Servers list consist of the AirSpeed 5000 servers that are in the Interplay Workgroup that you are connected to.

Once connected, Channel and Inventory information for that AirSpeed 5000 server is loaded into the AirSpeed 5000 Remote Console with a Server tab just above the Inventory panel, showing the host name of that AirSpeed 5000 server.

2. (Option) Repeat Step 1 to connect to additional AirSpeed 5000 servers.

Channel and Inventory information for additional AirSpeed 5000 servers can be accessed by switching Server tabs.

A single instance of Remote Console from one PC can connect to any combination of up to ten

AirSpeed Multi Stream and AirSpeed 5000 servers.

An AirSpeed Multi Stream or AirSpeed 5000 server can accept connections from up to ten AMSAPI clients per channel. A connecting client will typically open one connection for each channel. This could include Remote Console clients, as well as 3rd-party products that use AMSAPI to communicate with the system. FTP connections, Avid Interplay Capture, Avid Capture Manager and Avid iNEWS Command do not count against the total connections to a single server.

AirSpeed 5000 Installation and Configuration Checklist

3. Your next step depends on what environment your site is configured for.

t For Standalone environments, your next step is to configure the Interplay Transfer

Engine for a Standalone environment. There are two methods for doing this:

- For information on configuring Standalone transfers using the AirSpeed 5000 Remote

Console application to automatically configure it for you, see “Configuring Transfers

for AirSpeed 5000 Servers (Standalone Mode)” on page 23.

- For information on configuring transfers manually using the Avid Interplay Transfer

Engine Configuration window, see “Manually Configuring the Interplay Transfer

Engine for a Standalone Environment” on page 24.

t For Interplay Production or Team environments, assuming you were able to connect to a

server, you are now ready to begin using the AirSpeed 5000 Remote Console application.

For more information, see “Getting Started with the Remote Console” on page 35.

Configuring Transfers for AirSpeed 5000 Servers (Standalone Mode)

Once the AirSpeed 5000 Remote Console has been launched, and connected to AirSpeed 5000 server(s), you must configure transfers for the AirSpeed 5000 Remote Console on the Avid editor to allow communication between it and the AirSpeed 5000 server.

For more information, see “Connecting to AirSpeed 5000 Servers” on page 21.

In the User’s Page of the Management Console, be sure that you defined the FTP password for

the user you plan on using on the Avid Editing client.

To configure transfers for AirSpeed 5000 servers in a Standalone environment:

1. After you have successfully connected your Remote Console to the AirSpeed 5000 server, select File > Configure Transfer Engine.

The Configure Transfer Engine dialog box opens.

AirSpeed 5000 Installation and Configuration Checklist

2. Select the AirSpeed 5000 server name that you want to configure from the Select Server list.

The Select Server list displays the servers that were most recently connected to.

3. Click Add to add the selected server to the Configured Servers list.

The Configured Servers list displays the AirSpeed 5000 servers that are configured for use by the Standalone Transfer Engine.

4. (Optional) To remove a server from the Configured Servers list, select the server you want to remove and click the Delete button.

5. (For MPEG-2 HD (XDCAM) capable systems) To enable Send to Playback (STP) of MPEG-2 HD clips, select the compression format you want to use for your transfers from the XDCAM STP Format list.

For all systems that are not capable of MPEG-2 HD (XDCAM) formats, you can leave this field

blank.

6. Click the Update button to save your changes.

You will be asked to restart the Transfer Engine. Click OK.

7. Manually stop and restart the Transfer Engine. For more information, see “Starting the

Interplay Transfer Engine on the Avid Editor” on page 31.

At this point, the server is configured for ingest and playback.

For MPEG-2 HD (XDCAM) servers, a profile is generated that allows you to send to playback MPEG-2, 720p or 1080i media. This will be denoted by the <AirSpeed5000servername>-HD in the Avid editor upon sending an MPEG-2 HD sequence to playback.

8. Next, you must configure the Standalone setting on the Avid Editor. For more information, see “Configuring the Standalone Settings for the Avid Editor” on page 33.

Manually Configuring the Interplay Transfer Engine for a Standalone Environment

After installing the Interplay Transfer Engine on the Avid editor, you can manually configure the Interplay Transfer Engine to operate in a Standalone environment.

To manually configure the Interplay Transfer Engine for a Standalone Environment:

1. On your Avid editor, do one of the following:

t Select Start > All Programs > Avid > Interplay Transfer Configuration.

t Select the Interplay Transfer Engine desktop shortcut

The Avid Interplay Transfer Engine Configuration window opens.

AirSpeed 5000 Installation and Configuration Checklist

2. In the Standalone Settings section, ensure that the AAF option is selected.

For more information on the Standalone Settings area, refer to the Avid Unity TransferManager Version 2.9.22 Release Notes.

3. Click the Browse button to navigate to the location on your local volume (e.g., C:\), in which the media will be transferred to. For example: C:\Avid MediaFiles\MXF\1.

If this directory does not exist, import any supported file into the editor. The directory will automatically be created, and then you can navigate to it, and copy and paste the path in the “Directory of incoming transfers” field.

4. In the System Settings area, in the Storage list, ensure that Standalone is already selected. If not, select it.

When Standalone is selected, it also sets the proper buffer size to 8MB.

AirSpeed 5000 Installation and Configuration Checklist

5. Select the Configure FTP Servers button.

The FTP Configuration dialog box opens.

6. Select the Add button.

The FTP Server dialog box opens.

AirSpeed 5000 Installation and Configuration Checklist

7. Complete the following fields as instructed (leave the default in the remaining fields):

a. In the Hostname field, type the name of the AirSpeed 5000 server.

b. In the Username field, type the name of the user.

c. In the Password field, type the password for the user you entered in the Username field.

d. In the Default Directory field, type the path /active/clips.

e. In the Server Type field, verify that GENERIC_FTP_PROFILE is selected.

f. Click OK.

8. (Option) If you are transferring MPEG-2 HD (XDCAM) clips, click the Add button again to create a second profile for XDCAM. Otherwise go to Step 10.

The FTP Server dialog box opens.

9. Complete the following fields for the MPEG-2 HD (XDCAM) profile as instructed (leave the default in the remaining fields):

a. In the Hostname field, type the name of the AirSpeed 5000 server.

b. In the Username field, type the name of the user.

c. In the Password field, type the password for the user you entered in the Username field.

d. In the Default Directory field, type the path /active/clips.

e. In the Server Type list box, select OP1A_EXPORT.

f. In the Playback Format list box, select the MPEG-2 HD format that you want to transfer.

g. Click OK.

AirSpeed 5000 Installation and Configuration Checklist

10. In the Playback area, add at least one Playback device for handling AVC-Intra, DNXHD, and SD clip transfers.

If you are transferring MPEG-2 HD (XDCAM) clips, you must add an additional Playback

device for HD.

11. To add a Playback device, do the following:

a. Verify that the Playback transfers enabled check box is selected.

b. Click the Add button.

The Playback Device dialog box opens.

AirSpeed 5000 Installation and Configuration Checklist

12. Do the following:

a. In the Device name field, type the name of the editor that you are using for FTP transfers

as follows:

- If you are transferring AVC-Intra, DNXHD, and SD formats, you must add a Playback device name for these formats, by typing it as follows:

[Name of editor]:6534/[Name of AirSpeed 5000]

- If you are transferring MPEG-2 HD (XDCAM) formats, you must add a second Playback device name for HD, by typing it as follows:

[Name of AirSpeed 5000]-HD

b. If you want to allow ancillary data tracks to be transferred, select the Allow Ancillary

Data Tracks check box.

c. Leave the Enable Playback Catalog Name check box deselected.

d. Click OK.

13. In the Ingest area, make sure that the Ingest Transfers enabled check box is selected.

AirSpeed 5000 Installation and Configuration Checklist

14. Click Add.

The Ingest Device dialog box opens.

15. In the Device Name field, type the name of the AirSpeed 5000 server that you are using to ingest media, and click OK.

Leave all of the other fields blank.

16. In the Dynamically Extensible Transfers (DET) area, do the following:

a. Make sure the DET enabled check box is selected.

b. Make sure the Max. DET push transfers: field is set to 1.

c. Make sure the Max. DET pull transfers: field is set to 0.

17. Click OK to save your changes.

You will get a message saying that “changes will not take effect until the Transfer Engine is restarted.”

18. Next, you should start the Interplay Transfer Engine on the Avid Editor.

For more information, see “Starting the Interplay Transfer Engine on the Avid Editor” on

page 31.

+ 96 hidden pages

Pinnacle Systems AirSpeed 5000 - 2.5 Operator’s Guide

Contents

1 Using This Guide

Symbols and Conventions

If You Need Help

Avid Training Services

Standalone Transfer Engine Overview

Configuration Requirements for AirSpeed 5000 Server

Standalone Software Requirements

Software Requirements for the Avid Editing Client

AirSpeed 5000 Installation and Configuration Checklist

Installing the AirSpeed 5000 Remote Console Application

Installing the Interplay Transfer Engine on the Avid Editor (Standalone Mode)

Connecting to AirSpeed 5000 Servers

Configuring Transfers for AirSpeed 5000 Servers (Standalone Mode)

Manually Configuring the Interplay Transfer Engine for a Standalone Environment