• Znpù^TS eXaq>pà ttiv KaosToBriKti yia vakXeîosi.
> fia va apxiosi r) avanapaywYn. nièore to
TiArÎKTpo ◄.
> PuépioTE Tr|v Èvraor) TOU nxou ps to nAriKTpo
VOLUME.
> Av BèÂETS va aKOÙTE pôvo sasiq ouvôèots
aKouoTiKà 3.5 xiA. orriv unoôoxn O, onÔTS to
EvowpaTidpÈvo pEYÔtpuvo aiyei. Ensi5ri n
• Pia YPHYopo YÙpiopa Triq Kaaéraq, niÈors to
nÀHKTpo SEARCH •« n ►►. BAsnovraq tov
pETpr]Tf| ppioKETai EÙKoXa to oripsio TTiq
KoasTaq nou 0èAste va aKoùasTS.
• nièoTS TO nXnKTpo STOP ■ yia va
orapaTfioETE toypf\yopo yupiopa iriq
KaaÈTaq oro oripeio nou sniAè^aTe.
• napaKoXouBùvraq tov psTpirrii Ti]q KaaÈTaq,
niÈOTE Èva anò Ta nXfiKTpa SEARCH KOi aepfiOTS
TO oro oripelo nou 0èAete va aKoiioETS. H
avanapaywyn 6° -apxioEi anò to onpEÌo auTÒ.
• MnopsÌTE Enioriq va ppsiTS Èva ouyKSKpipÈvo
oripeio TTiq KaaÈTaq KaTÒ ttiv avanapaycoyn
pò^ovraq TOV SiaKÒnrr) TAPE SPEED oro + yia
avanapayMyn ps uqiriAn TaxinriTa, oro ) yia
avanapaywyfi ps kovovikiì TaxCiTtiTO Kai oro yia avanapaywyri ps xaPH^n TaxÙTiiTa.
• Ha aùvTopsq SioKonÈq onpcb^TS tov oiaKÒnrn
PAUSE II npoq TO nòvu. Ra va apxiosi n
avanapaywyfi nòAi, onpù^TS tov npoq Ta kòto).
• Ra va arapaTfiasi ii avanapaywyn niÈors to
nXfiKTpo STOP ■, ri ouaKEufi arf|VEi (OFF).
-DtovteAeküoei r| KooÈTO, TO iiAfiKTpo PLAY ◄
ans\su0spci)VETai auTopoTCoq koi r| auoKEufi
apfiVEi (OFF), SKTÔq sàv èxstë svspyonoitiaEi
TO nXRKTpo PAUSE II.
• To nAfiKTpo PAUSE II svEpysl snioriq Kat aav
ôiaKÔnrriq KÂsiôwpaToq tcüv nÂiÎKTpcüv 5iÔTi
av TO anpcü^TS npoq Ta nàvw Kai naTf|OETS
Èva nAfÎKTpo Tuxala 5ev svEpyonoisiTai.
FENIKEZ RAHPOOOPIEZ FIATHN EFTPACHH.
H auoKËufi auTii 5sv slvai KaTàAAiiAii yia
ËYYpaqjn KaaÈTUV TÙnou CHROME (IEC II) R
METAL (lECIV). RpÈnËi va xpriaiponoisÎTE
KaaÈTEq TÙnou NORMAL (IEC type I) (oi onoisq
5sv npoqjuAàoaovToi anô Eyypaqrri).
• H aWayn twv puBpiaswv VOLUME KaiTAPE
SPEED ÔËV snripËâÇsi ttiv syypaçri, SKTÔq
Eàv xpriaiponoiEÎTE to aùorripa VOICE
ACTIVATION KOI pu0piÇsTE-TTiv ÈVTOori tou
lixou (VOLUME).
pspoq aaq koionaors to KonoKi piq apiorepTiq
omiq B. in Eyypatpri ottiv TrAsupd auTR 0a
sivai aSuvaTT]. Av opcoq OKsndaETS ttivonfi pe
¿¡sXoTETin ri syypaepn 0a sivai 5uvaTT|.
ZuoTHpa VOICE ACTIVATION
To auoTTipa auTO KaSiord SuvoTfi ttjv syYpa9f|
pdvo OTav TO piKpdqicDvo Aappdvsi f|xo oe
npopuBpiopsvo snlnsSo. Av o f|Xoq arapaTRaei
li nsasi KdTO) and tt) puSpiapEvr) Evraor), ri
syypaqjfi SiaKonrsTai yia va pri yivETai Ksvii
syypaipii.To Koupni VOLUME svEpysl aav
puBpiorriq yia toaioBiynipio tou piKpoq)d)vou.
• BdXTE TOV SiaKOTtTTi VOICE ACT oro ON.
• Ra va sXaTTuaeTE to sninsSo suaioBrioiaq
TOU lixou yupioTE TO Koupni VOLUME npoq to
apiOTEpd.
• Movo o lixoq Kovrd oro piKpoqiiovo 0a eyypaipei.
• Ra va au^iioETS to sninsSo euaioBrioiaq rxou
yupioTE TO Koupni VOLUME npoq to 5s^id.
-Oi paKpuvoi lixoi KOI oi 06pupoi
nepipdXAovToq 0a SYypayouv snioriq.
ZnpciuoT|: 'Otovti syypaqiii SiaKonreTai koi
• H EYYpaq)Ti EniTpÈnETai eçôaov 5sy ylvsTai
napapiaori ôiKaicopàTCüv nveupoTiKfiq
lôioKTTioiaq li àKKuiv SiKaïupàTcov TpÎTtoy.
• Ra va npotpuAâÇsTs ttiv KaaÈTa anô Tuxalo
oPnoipo, KpaTsioTE ttiv ps ttiv nAsupà nou
0èAëtë va npocpuAà^STS arpapÈvr) npoq to
_________________
snavaXappdvETai auTopdToiq,
oupipiova pe to npopuBpiopsvo
snineSo, ri apxn Tiiq syypaqiriq
pnopsi va xa0si Aoyu Tnq 5iaKonfiq
TTiq Eyypacpfiq ora aripsia svap^nq.
Page 7
EYYpatpn
I’r-
.1,
•s-
KaxaoToAri Oopiipou FlepipaAAovToq
(BACKGROUND NOISE SUPPRESSION (BNS)).
H AsiTOupY'ia auni BNS Sivsi sptpaari crrriv
neptoxn ouxvoTTiTQq piq av0p(bnivnq cptovriq
eAaTTMVOVTaq auyxpovcoq Tiq uipn^sc; kqi
Xapn^s<; auxvoTTiTeq, oi onoieq auvi]6<oq
nspiAapPdvouv 06pupo.
• BdAxE xouq diaKOTXXEq BNS Kai VOICE ACT
0X0 ON d OFF.
• Av 6ev 0eAexe va xPHOiponoinoexs xo
EvoMpaxiopsvo liiKpdcpcovo, ouv5eoxeE^wxEpiKo piKpdcpiovo oxr)v unoSoxn EXT
MIC, Kai axpsiiiXE xo npoq xxjv rixnxiKri nriYn.
Zripeiioon: HpEnsi xo EEwxepiKO piKpdipiovo va
Eivai paKpid and xx) ouoKEuri Yio va pr|
npoKaAouvxai piKpocpcoviopoi. BEPaiuqEixs 6xi
XpilOiponOlEiXEE^tOXSpiKO piKpOlpCOVO pE
KUKAocpopiq, dAAcooxs eivai napdvopo os noAAsq
Xcbpsq. AKopn Kai av xa aKouoxiKd eivai avoiicrou
xunou Yia va oaq enixpsnouv va aKoiixe
E^ioxepiKouq 0opuPouq, pn xa puSpiijexE oe
uijjnAd svxaon YW va pnopeixe va okouxe xi
ouppaivei xpiYupco oaq.ZYNTHPHZH
- Av auvdeoExe E^ioxEpiKO piKpdipuvo (EXT MIC),
xo svoupaxcopEVO piKpdcpwvo 6evAappdvEi x|X°-
• Av 0sAexe va aKouxE Kaxd xriv EWPa^Pn
ouvoEOXE aKouoxiKd oxriv unoSoxd P.
• Fia va apxioEXE xriv EYYpatpn. nisoxE xo
ixAriKxpo REC #.
Iripeicoori: MnopEixE snioriq va apxioEXE xriv
SYYpacpfi apsoioq Kaxd xriv avanapaYtOYd
niE^ovxaq xo xiAdKxpo REC •.
- Kaxd xriv EYYPatpd ovdpEi xo kokkivo(puxdKi
REC.
• Fia ouvxopEq SiaKonsq, onpu^xs xov diaKorrrri
PAUSE npoq xa ndvco. Fia va ouvexioxeI ri
s\Ypa(pf\ onptb^XE xov SiaKormi PAUSE npoq
xa Kdxw.
• Fia va axapaxdoEi ti EYYPa'PH nisoxs xo
TiAdKXpo STOP a, ri ouoKEud opdvEi (OFF).
-’Oxav xeAeicooei x| Kaosxa xa nAdKxpa
EYYpa'PHP ansAEuSEpibvovxai auxopdxcoq Kai
XI ouoKEud oPdvEi (OFF), EKxdq Edv exsxeEVEpYonoidoEi xov diaKonxri PAUSE IL
• O diaKOTTuriq PAUSE II EVspYEi Enioriq oav
SiaKdixxriq KAEiSupaxoq. Av xov onpM^EXE npoq
xa ndvco epno5ic;si xriv EVEpYonoiriori Evdq
nAdicrpou av xo niEOEXs xuxaia Kaxd xriv
EYYpatpd d oTav 5evxPHOiponoiEixe xri ouoKEud.
• Fia va eAeyxexs xriv EYYPacpd.
XPnoiponoisioxE xa xiAdKxpa SEARCH (PAsns
ANAnAPAFCFH KAIETA2).
pnopouv va avaKUKAcoSouv Kai va
Xpnoiponoin0ouv ndAi av anoouvappoAoYnSouv
and s^EiSiKEupevn exaipeia. FlapaKaAoupe
anoxav0eixs oxiq appddieq apxeq xnq nepioxdn
oaq Yia xnv napdSoon xnq noAidq oaq ouoKeudq
Yia avaKUKAcoon.
3 Mn nsxdxE xiq Kapevsq pnaxapieq crro KoAd0i
OKOunidicbv xou onixioii oaq, oAAd oxouq
Xcbpouq nou exouv opioxei and xiq apxeq.
Page 8
Page 9
'■V' '■.
NOTES
■A'’;
-••rK
' '5 '
. t‘.- - ■
NOTES
Page 10
NOTES
NOTES
Page 11
Recording
: ' -
'. ''
BACKGROUND NOISE SUPPRESSION
The BACKGROUND NOISE SUPPRESSION effecti
vely emphasizes the frequency range of the human
voice while reducing both the high and the low fre
quencies that usually comprise noise.
• Set the BNS (Background Noise Suppression)
switch to ON to achieve a clearer and better
defined voice recording in noisy surroundings.
-You can use VOICE ACT with the BNS
(Background Noise Suppression) during
recording.
STARTING AND STOPPING THE RECORDING
• Open the cassette holder and insert a suitable
cassette H.
• Press the cassette holder lightly to shut.
• Set the BNS (Background Noise Suppression) and
VOICE ACT controls to ON or OFF.
• If you do not wish to use the built-in flat mic,
connect an external microphone to the EXT MIC
socket and point to the sound source.
Note: Make sure you direct the external
microphone away from the set to avoid a
howling sound.
Make sure you use an external microphone
with a 3.5 mm diameter socket
__________
General information
GENERAL INFORMATION
• Do not expose the set and cassettes to rain,
moisture, sand, or to extreme heat from e.g.
heating equipment or in motor cars parked in the
sun.
• Check and tighten slack tape before use with a
pencil to avoid jamming the deck mechanism or
snapping the tape.
- Playing C-120 cassettes is not recommended as
they are very thin and easily damaged.
USE YOUR HEAD WHEN USING HEADPHONES
Hearing safety
• Do not play your headphones at a high volume.
Hearing experts advise that continuous use at
high volume can permanently damage hearing.
Traffic safety
• Do not use headphones while driving a vehicle. It
may create a traffic hazard and it is illegal in many
countries. Even if your headphones are an openair type designed to let you hear outside sounds,
do not turn up volume so high that you cannot
hear what is going on around you.
- Once the EXT MIC is connected, the built-in flat
mic will not pick up sound.
• Connect headphones to the O socket to monitor
the recording
• To start recording, press REC •.
Note: You can also start recording immediately in
playback mode by pressing REC •.
- During recording the red REC indicator will light
up.
• For brief interruptions, slide the PAUSE II switch
upwards. To deactivate PAUSE slide the switch
back dov/n
• To stop recording, press STOP ■ and the set is
switched off.
-At the end of a tape, the recording buttons are
automatically released and the set is switched
off, unless PAUSE II has been activated,
• PAUSE II also acts as a lock switch. Push the
switch upwards to prevent any button from
accidentally being pressed during recording, or
when you are not using the set.
• To check the recording, use the SEARCH buttons
(see CASSETTE PIVWBACK).
MAINTENANCE
• Clean the magnetic head after every 50 hours of
operation or, on average, once a month by playing
through a cleaning cassette.
• Use a soft, slightly dampened chamois leather to
clean the case. Do not use any strong or
corrosive cleaning agents such as thinner,
benzene, etc. as these will spoil your set w.
ENVIRONMENTAL NOTE
1 All redundant packaging material has been
omitted. We have done our utmost to make the
packaging easy to separate into two mono
materials:
-cardboard (box)
-polyethylene (bags, protective foam sheet)
Please observe the local regulations regarding the
disposal of these packaging materials.
2 Your set consists of materials which can be
recycled and reused if disassembled by a
specialized company. Please inquire about local
regulations on how to hand in your old set for
recycling.
3 Do not dispose of exhausted batteries with your
household waste.
Please inquire about how to dispose of batteries
according to local regulations.
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