PG Music Band in a Box - 2010.5 Macintosh User Guide

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PG Music Inc. License Agreement

CAREFULLY READ THE FOLLOWING TERMS AND CONDITIONS BEFORE COMPLETING THE INSTALLATION OF THIS SOFTWARE. USAGE OF THE SOFTWARE INDICATES YOUR ACCEPTANCE OF THE FOLLOWING TERMS AND CONDITIONS.

LICENSE

A. The program may only be used on a single machine. B. You may transfer the program and license to another party if the other party agrees to accept the terms of

this Agreement. If you transfer the program, you must either transfer all copies, whether in printed or machine readable form, to the same party, or, destroy all copies not transferred. This includes all modifications and/or portions of the program merged into other programs.

C. You may receive the program in more than one media. Regardless of the type or size of media you receive,

you may install or use the media on a single machine.

D. The program (including any images, “applets,” photographs, animations, video, audio, music, and text

incorporated into the program) is owned by PG Music Inc. or its suppliers, and is protected by international copyright laws and international treaty provisions.

You may not use, copy, or transfer the program, or any copy, modification or merged portion of the program, in whole or in part, except as expressly provided for in this license. If you transfer possession of any copy, modification or merged portion of the program to another party, your license is automatically terminated.

LIMITATION OF REMEDIES

PG Music Inc.’s entire liability and your exclusive remedy shall be:

A. The replacement of any media not meeting PG Music Inc.’s “Limited Warranty,” which are returned to PG

Music Inc., or an authorized PG Music Inc. dealer, with a copy of your receipt.

B. If PG Music Inc. or the authorized dealer is unable to deliver replacement media that is free of defects in

materials or workmanship, you may terminate this agreement, and your money will be refunded.

In no event will PG Music Inc. be liable to you for any damages, including but not limited to lost profits, lost savings, or other incidental or consequential damages arising out of the use or the inability to use such program, even if PG Music Inc. or an authorized PG Music Inc. dealer has been advised of the possibility of such damages, or for any claim by any other party.

TRADEMARKS

Band-in-a-Box®, CloudTracks™, CopyMe®, GuitarStar®, JazzU®, PG Music®, PowerTracks Pro®, RealBand®, RealDrums®, RealSolos®, and RealTracks® are either the trademarks or registered trademarks of PG Music Inc. in the United States, Canada, and other countries. Microsoft® and Windows® are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Apple®, the Apple logo, Leopard®, Macintosh®, Mac®, Panther®, Power Mac®, QuickTime®, Snow Leopard®, Tiger®, and TrueType® are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. IBM® is the registered trademark of International Business Machines Corporation. Roland® and “Roland” Logo, EDIROL® and “EDIROL” Logo, GS® and “GS” Logo, are registered trademarks and “MIDI2” Logo, EDIROL Virtual Sound Canvas Multi Pack, VSC-MP1™ are trademarks of Roland Corporation. ASIO is a trademark and software of Steinberg Media Technologies GmbH. VST is a trademark of Steinberg Media Technologies GmbH. Other brands and their products are trademarks or registered trademarks of their respective holders and should be noted as such.

PATENTS

Band-in-a-Box is protected under US Patent 5990407. The TC-Helicon Harmony feature in Band-in-a-Box and PowerTracks Pro Audio is protected under US Patents 5567901, 5641926, 5986198, 34583, 296.80.173.9, PI9603819.5, 0368046, 0750776, 6,046,395, and patents pending.

Printed in Canada

PG Music Inc. License Agreement

PG Music Inc. License Agreement.............................................................................................. 2

Table of Contents..........................................................................................................................

Chapter 1: Welcome to Band-in-a-Box! ..................................................................................... 6

What is Band-in-a-Box?.................................................................................................................................................... 6

System Requirements........................................................................................................................................................ 7

Installation ........................................................................................................................................................................7

Setup .................................................................................................................................................................................8

Chapter 2: QuickStart Tutorial................................................................................................. 13

Step 1 – Enter the Chords ............................................................................................................................................... 13

Step 2 – Choose a Style................................................................................................................................................... 15

Step 3 – Play your song! .................................................................................................................................................16

More fun with Band-in-a-Box......................................................................................................................................... 17

Chapter 3: Band-in-a-Box 2010.5 for Macintosh..................................................................... 18

Welcome to Band-in-a-Box 2010.5 ................................................................................................................................ 18

New Features in Band-in-a-Box 2010............................................................................................................................. 19

More New RealTracks .................................................................................................................................................... 20

QuickStart Tutorial ......................................................................................................................................................... 21

Quick Song Settings........................................................................................................................................................ 21

Save Default Mix............................................................................................................................................................ 21

Improved Audio Rendering............................................................................................................................................. 21

DAW Plug-in Mode........................................................................................................................................................ 22

Freeze Tracks.................................................................................................................................................................. 22

RealTracks Enhancements .............................................................................................................................................. 24

New Favorite Songs/Styles Dialog ................................................................................................................................. 28

Rendering Tracks............................................................................................................................................................ 29

StylePicker Enhancements.............................................................................................................................................. 29

New in the StyleMaker ................................................................................................................................................... 30

Chapter 4: The Main Screen.....................................................................................................

Main Screen Overview.................................................................................................................................................... 31

Status Bar........................................................................................................................................................................ 32

Synth Window / Piano Keyboard.................................................................................................................................... 32

Toolbars .......................................................................................................................................................................... 35

Title Window .................................................................................................................................................................. 38

Chordsheet Area.............................................................................................................................................................. 40

Chapter 5: Guided Tour of Band-in-a-Box..............................................................................

Loading and Playing Songs............................................................................................................................................. 43

View and Print Notation ................................................................................................................................................. 55

Play the Jukebox ............................................................................................................................................................. 59

Automatic Songs - “The Melodist”................................................................................................................................. 59

Make Your Own Songs................................................................................................................................................... 61

Chapter 6: Band-in-a-Box PowerGuide....................................................................................

RealTracks ...................................................................................................................................................................... 69

RealDrums ...................................................................................................................................................................... 78

Table of Contents

Song Settings .................................................................................................................................................................. 85

The Chordsheet............................................................................................................................................................... 89

Chord Preview/Builder ................................................................................................................................................. 101

MIDI file “Chord Wizard”............................................................................................................................................ 103

Applying Styles............................................................................................................................................................. 104

The StylePicker............................................................................................................................................................. 106

Playing, Pausing, and Stopping Songs .......................................................................................................................... 111

Changing Volume, Panning, Reverb, Chorus, Bank..................................................................................................... 112

Freeze Tracks................................................................................................................................................................ 113

Saving Songs................................................................................................................................................................. 115

Preferences – User Settings........................................................................................................................................... 117

Other Editing Features .................................................................................................................................................. 128

MIDI Setup ................................................................................................................................................................... 130

The JukeBox ................................................................................................................................................................. 135

Chapter 7: Notation and Printing ...........................................................................................

Notation ........................................................................................................................................................................ 137

Printing ......................................................................................................................................................................... 145

Printing ......................................................................................................................................................................... 147

137

Chapter 8: Automatic Music Features.................................................................................... 149

Automatic Songs - “The Melodist”............................................................................................................................... 149

Automatic Solo Generation – “The Soloist” ................................................................................................................. 155

Automatic Guitar Chord Solos – “The Guitarist” ......................................................................................................... 159

Melody Embellisher...................................................................................................................................................... 164

The Reharmonist........................................................................................................................................................... 169

Chapter 9: Recording Tracks.................................................................................................. 172

Real Time Recording .................................................................................................................................................... 172

Step Edit Notes ............................................................................................................................................................. 174

Entering Notes Manually in the Notation Window....................................................................................................... 175

Recording with the Wizard Feature .............................................................................................................................. 175

Importing Pre-Recorded MIDI Data ............................................................................................................................. 175

Record using The Melodist........................................................................................................................................... 176

Additional Options for Melody/Soloist Track............................................................................................................... 177

Chapter 10: Audio Features..................................................................................................... 179

RealTracks and RealDrums........................................................................................................................................... 179

Render MIDI Track to AIFF File.................................................................................................................................. 180

Rendering Audio Files .................................................................................................................................................. 180

Audio Reverb Control................................................................................................................................................... 181

Reverb Settings............................................................................................................................................................. 182

Chapter 11: Wizards, Tutors, and Fun...................................................................................

The Wizard ................................................................................................................................................................... 185

Audio Chord Wizard (“Chords from MP4”)................................................................................................................. 186

MIDI File Chord Interpretation Wizard........................................................................................................................ 196

The Reharmonist........................................................................................................................................................... 202

Chord Breaks ................................................................................................................................................................ 204

The Guitarist ................................................................................................................................................................. 205

Guitar Tutor .................................................................................................................................................................. 208

Chord Substitution Wizard............................................................................................................................................ 209

185

Table of Contents

Chord Builder ............................................................................................................................................................... 213

Animated Drum Kit ...................................................................................................................................................... 213

Chapter 12: User Programmable Functions .......................................................................... 218

The StyleMaker............................................................................................................................................................. 218

The Harmony Maker..................................................................................................................................................... 240

The Soloist Maker......................................................................................................................................................... 243

The Melodist Maker...................................................................................................................................................... 245

The Guitarist Maker...................................................................................................................................................... 249

Chapter 13: CoreMIDI and Apple DLS Synth ......................................................................

CoreMIDI and Apple DLS Synth Tutorial.................................................................................................................... 253

Chapter 14: Reference..............................................................................................................

File Menu...................................................................................................................................................................... 259

Edit Menu ..................................................................................................................................................................... 262

Song Menu.................................................................................................................................................................... 264

Styles Menu .................................................................................................................................................................. 268

User Menu .................................................................................................................................................................... 269

Melody Menu................................................................................................................................................................ 271

Soloist Menu................................................................................................................................................................. 276

Harmony Menu............................................................................................................................................................. 280

MIDI Menu................................................................................................................................................................... 281

GS Menu....................................................................................................................................................................... 289

Windows Menu............................................................................................................................................................. 291

Help Menu .................................................................................................................................................................... 292

Keystroke Commands – “Hot Keys” ............................................................................................................................ 292

Chord List ..................................................................................................................................................................... 295

Files and Folders........................................................................................................................................................... 296

253

258

PG Music Inc............................................................................................................................. 299

Index........................................................................................................................................... 300

Registration Form..................................................................................................................... 307

How to Register ............................................................................................................................................................ 307

Chapter 1: Welcome to Band-in-a-Box!

Congratulations on your purchase of Band-in-a-Box 2010.5 for Macintosh, the favorite of musicians, students, and songwriters everywhere. Get ready to have fun!

What is Band-in-a-Box?

Band-in-a-Box is an intelligent automatic accompaniment program for your multimedia computer.

You can hear and play along to many song ideas and go from “nothing” to “something” in a very short period of time with Band-in-a-Box as your “on demand” backup band.

Band-in-a-Box is so easy to use!

Just type in the chords for any song using standard chord symbols (like C, Fm7, or C13b9), choose the style you’d like, and Band-in-a-Box does the rest, automatically generating a complete professional-quality arrangement of piano, bass, drums, guitar, and strings or horns in a wide variety of popular styles plus optional live audio tracks with RealDrums and RealTracks.

Band-in-a-Box 2010.5 for Macin t osh introduces exciting new features like RealDrums, RealTracks and the amazing Audio Chord Wizard!

First of all, this new version is designed for the MacIntel machines, not the older PowerPC Macs. This means that

the program is running directly on the Intel chip, instead of emulation mode, which speeds up operations.

We've added RealTracks - audio instruments that replace the MIDI track with actual recordings of top studio

Jazz/Rock/Country musicians! These are not “samples” of single instrument hits; they are full recordings, lasting from 1 to 8 bars at a time, playing along in perfect sync with the other Band-in-a-Box tracks. We have a huge library of over 170 RealTracks available, including lots of Jazz, Rock, Blues, Country, Folk and Bluegrass styles. Best of all, you use these instruments like regular styles.

By simply choosing a RealStyle, you will hear your new or existing songs played by real instruments, with a dramatic improvement in sound and musicality. For example, choose a Country MIDI style that includes

RealPedalSteel, and you will now hear a studio pedal steel player, exactly as if he was in the room with you. To hear the differences, listen to the audio demos of RealTracks at

Many of the RealTracks have RealCharts; this allows you to see notation and correct guitar tab/fretboard display, a

great help for learning to play from the masters performing on the RealTracks.

And we've added RealDrums - audio drum styles that replace the MIDI Drum track with actual recordings of top

studio Jazz/Rock/Country drummers! Again, these are not “samples” of single drum hits; they are full recordings, lasting from 1 to 8 bars at a time, playing along in perfect sync with the other Band-in-a-Box tracks. Hundreds of RealDrums styles are available.

And we've added an amazing “Chords from MP4” feature (Audio Chord Wizard). This amazing feature automatically figures out the chords from any AIFF, MP4, M4A, or other audio file, and displays them in Bandin-a-Box. Just load in any audio file and you’ll instantly see the chords in Band-in-a-Box. The Audio Wizard also figures out tempo, bar lines, key and fine-tuning from the audio file.

With the new Direct Render to Disk feature, you can save your files directly as audio files (AIFF, M4A, WAV),

for use in other programs (GarageBand, Cubase, etc.), or in Internet formats.

And much more …

People familiar with the previous versions of Band-in-a-Box will be pleased to know that we have kept the same functionality of our previous releases. The new features are optional and don't interfere with familiar methods of using the program. All songs, styles etc. are completely compatible with previous versions, so that you can upgrade without losing any of your existing work.

www.pgmusic.com.

Chapter 1: Welcome to Band-in-a-Box!

System Requirements

- Mac OS X 10.4 or later.

- Intel Processor.

- 512 MB RAM.

- About 2.5 GB free hard disk space if you wish to install and run the Band-in-a-Box program from your internal

hard drive. 40 GB if you wish to install all the RealTracks and RealDrums audio files as well.

- 1024x768 or higher screen resolution recommended.

- Hard drive versions require an available USB port.

Installation

Band-in-a-Box is available on discs (CD-R and DVD-ROM) and for Internet download. Premium versions are optionally available pre-installed on an external hard drive. The hard drive version includes installation files that can also be installed to the Macintosh HD.

The Band-in-a-Box program installs by default to its own Band-in-a-Box folder inside the /Applications folder. Unless there is an important reason to install it to a different location, we suggest that you accept the default location.

The /Band-in-a-Box folder has a clean look with only one application file in the folder - Band-in-a-Box. The rest of the files are in subfolders.

The folders include the Drums folder for RealDrums files and the RealTracks folder for RealTracks files. If either

of these folders is moved or the files are installed in a custom location, the new location must be entered in the

RealDrums Settings dialog or the RealTracks Settings dialog so that Band-in-a-Box knows where to find them. The Preferences you set in the program are saved in the Preferences folder, and this folder also has a file named

Intrface_X86.BBW with all the program settings including MIDI and audio driver setup. If this file is removed to

the trash the program will open like a new installation the next time it runs. It will prompt for all of the initial setup selections. This is useful as a “global reset” if there are system settings that have been changed by accident.

Chapter 1: Welcome to Band-in-a-Box!

Band-in-a-Box External USB Hard Drive

Band-in-a-Box, RealTracks, and RealDrums are pre-installed on the portable hard drive. You have three basic choices for how to run Band-in-a-Box.

1. Run Band-in-a-Box directly from hard drive.

You can run Band-in-a-Box directly from this hard drive, and not copy anything to your computer's internal hard drive. (0 GB disk space required.) To do this, first run the "Band-in-a-Box Setup" installer located on the root level of the hard drive. This will install the PG Music fonts on your computer, necessary for viewing the Notation Window. You don't need to select the option to install BIAB to your internal hard drive. You can use Band-in-a-Box simply by double-clicking on the Band-in-a-Box application in the

\Applications\Band-in-a-Box folder on this hard drive. You can make an alias for it (Command+L) or add it to

the dock if you wish.

2. Install only the Band-in-a-Box program to your computer.

You can install Band-in-a-Box on your computer's hard drive, but leave the RealTracks and RealDrums on the USB hard drive. (4 GB free disk space required.) To do this, run the "Band-in-a-Box Setup" installer located on the root level of the hard drive, and select the option to install BIAB to your internal hard drive. Band-in-a-Box will be installed to the /Applications/Bandin-a-Box folder. Note that you will need to specify a custom location in the RealTracks and RealDrums Settings dialogs within Band-in-a-Box - that is, point to the 'Drums' and 'RealTracks' folders in the Band-in-aBox folder on the USB drive. This choice is useful because it allows you to keep a backup of the factory Band-in-a-Box program files on the USB drive, but save space on your Macintosh hard drive by not copying the 'real files'.

3. Install the full program with RealTracks and RealDrums to your computer.

You can install Band-in-a-Box, RealTracks, and RealDrums on your computer's hard drive, and leave the USB hard drive entirely for backup. (About 80 GB free disk space required.) To do this, run the "Band-in-a-Box Setup" installer located on the root level of the hard drive, and select the option to install BIAB to your internal hard drive. Band-in-a-Box will be installed to the /Applications/Bandin-a-Box folder, like option #2. You'll then need to copy the 'RealTracks' and 'Drums' folders manually from the USB drive. They aren't installed automatically. Note that you only need to copy those two folders - 'Drums', and 'RealTracks' - nothing else. The Band-in-a-Box Setup installer will have taken care of all the other files.

Note that copying the RealDrums and RealTracks to your Macintosh hard drive may take 60 minutes or longer to complete, depending on how fast your computer is, and requires over 80 GB of free hard disk space.

Using the USB Hard Drive

When you plug the hard drive into a USB port, it should be mounted on your desktop automatically. Before disconnecting the drive, make sure to “eject” it first. To do this, either drag the icon to the trash, or click on it and

press Command+E.

The hard drive may have a “Y” cable with two USB connectors on one end. The large connector is the main data connector and needs to be plugged in. The smaller connector is for extra power, in case a single USB port on your computer doesn't supply enough power for the drive. If you are having trouble with the drive, and you have another empty USB port, plug that second cable in.

Setup

Band-in-a-Box automatically sets up to default settings that use the built-in Macintosh audio input and output, and the Apple DLS Music Device as the General MIDI synthesizer. For many users, these settings do not need to change.

For users with more elaborate setups and additional outboard audio or MIDI equipment, Band-in-a-Box offers the

ability to customize both audio and MIDI settings through the Apple Audio MIDI Setup dialog and through its own

dialogs.

MIDI and Audio Setup

The MIDI and audio settings for playing your music in Band-in-a-Box are made in the MIDI menu.

MIDI Settings

Chapter 1: Welcome to Band-in-a-Box!

The first item in this menu is MIDI Settings, but they may not require any changes. We suggest that you start with

the default settings, and see the MIDI Setup section if you find that changes to MIDI channels, patches, volume levels or effects levels are needed.

Apple Audio MIDI Setup

The MIDI | CoreMIDI Audio MIDI Setup menu item opens the Apple Audio MIDI Setup dialog, which controls the

system settings for audio and MIDI.

There are two separate windows for Audio Devices and MIDI Devices, selected by clicking on the one you want in the bar at the top of the dialog.

Each window has its own Apple Help topic, which opens by clicking on the [?] button.

Chapter 1: Welcome to Band-in-a-Box!

MIDI Drivers

Band-in-a-Box automatically detects the MIDI drivers installed in your system. The MIDI | **Select MIDI Driver or Apple DLS Synth menu command opens the MIDI Drivers dialog, which lists the drivers that have been detected.

Selecting “Apple DLS Synth” plays your MIDI tracks through the high quality built-in Apple DLS Music Device, or software synthesizer. No special configuration should be necessary.

“MacOS X CoreMIDI” lets you configure a custom setup with other software synths or external MIDI devices.

The CoreMIDI and Apple DLS Synth chapter gives detailed instructions for your MIDI setup.

Click on [MIDI Drivers Help] to go to the tutorial.

Select Ports / Instruments

When Mac OS X CoreMIDI has been selected in the MIDI Drivers dialog (MIDI | **Select MIDI Driver or Apple DLS Synth) the Select Ports/Instruments dialog opens for your assignments.

Chapter 1: Welcome to Band-in-a-Box!

Click on the [CoreMIDI Help] button for detailed instructions and see the tutorial in the CoreMIDI and Apple DLS Synth chapter.

When CoreMIDI has been selected as the MIDI driver the selections in the MIDI menu changes to provide access to

CoreMIDI features.

CoreMIDI Audio MIDI Setup launches the Apple Audio MIDI Setup dialog. **CoreMIDI (choose ports) opens the Select Ports/Instruments dialog. **Select MIDI Driver or Apple DLS Synth returns to the MIDI Drivers dialog.

And that’s not all...

Band-in-a-Box is a powerful and creative music composition tool for exploring and developing musical ideas with near-instantaneous feedback. Over the years, many powerful and practical features have been added to Band-in-aBox, earning it a reputation as the “one music program you can’t do without.” In addition to its basic ability to “think” like a musician, the musical intelligence of Band-in-a-Box has grown to include improvisation, harmonization, and even songwriting! Its musical content embraces literally thousand of musical idioms and styles, all taken to new levels of quality and professionalism with the addition of RealDrums and RealTracks - live recordings by top studio musicians that add the human element to Band-in-a-Box arrangements, bringing your work to life.

Chapter 1: Welcome to Band-in-a-Box!

As well as essential features like on-screen notation and professional lead sheet printouts, Band-in-a-Box supports your music making with unique and powerful features of its own. The Audio Chord Wizard has the amazing ability to analyze, extract, and show the chords from audio recordings on-screen for play along, and then write them to the Band-in-a-Box chordsheet. The MIDI Chord Wizard does the same thing for MIDI files. The DAW Plug-in Mode makes it easy to drag and drop tracks from Band-in-a-Box into your favorite sequencer (GarageBand, ProTools, Logic, Nuendo, Reaper and more).

Output your Band-in-a-Box songs in print or as a graphics file for web publication or to e-mail to a friend. And when you're ready to let others hear your composition, you can quickly and easily render your song to popular audio formats for burning to CD or uploading to the Internet.

There are many, many more features for song creation, practice, study, and fun waiting for you in the one-and-only Band-in-a-Box.

Let’s get started!

A note about this manual. This book is your everyday reference and guide to the program and its features. See Help|View Band- in-a-Box Manual for the full manual.

Chapter 1: Welcome to Band-in-a-Box!

Chapter 2: QuickStart Tutorial

Creating music with Band-in-a-Box is as easy as 1-2-3! In this tutorial, you’ll see just how easy it is to get Band-

in-a-Box making music for you.

Step 1 – Enter the Chords

There are numerous ways of entering chords into Band-in-a-Box. We’ll discuss five fast ways of entering chords:

1. Using the Computer Keyboard

2. Playing directly on a MIDI Controller Keyboard

3. Using the Chord Builder

4. Importing Chords from a MIDI file

5. Loading an Existing Band-in-a-Box Format Song

On the main screen of the program, you’ll see an area called the Chordsheet.

Each of the numbered cells on the Chordsheet represents a bar. In this example, you can see that there is an F6 chord in the first bar of this song. Similarly, one row down, you can see an F6 chord in bar 5, and later in the song, a G7 in bar 7.

Notice the box in the first half of bar 1. This is the highlight cell, and it represents the bar you are currently working on. You can move the highlight cell around using the cursor keys, or select a specific bar using the mouse.

Enter Chords Using the Computer Keyboard

To enter a specific chord, move the highlight cell to where you want to place the chord. For example, if you wanted to add (or change) a chord in bar 20, you would highlight bar 20 on the Chordsheet. Next, type in your chords. If

you want an F7 at bar 2, type F and 7 on your keyboard and press Return. Notice that when you use the Return

key, the highlight cell moves to the second half of the bar. You could then enter another chord at beat 3. Chords are commonly typed using standard chord symbols (like C or Fm7 or Bb7 or Bb13#9/E), but you can enter them in any of the supported chord symbol display formats like Roman Numerals, Nashville Notation, and Solfeggio.

Enter Chords Using a MIDI Controller Keyboard

If you have a MIDI controller keyboard, you can use it to enter chords into Band-in-a-Box. First, you must make sure that your cables are properly connected and you have the correct input drivers selected.

If you play a chord on your MIDI keyboard, and then press Ctrl+Enter, the chord will be entered into the

Chordsheet at the current highlight cell position.

Chapter 2: QuickStart Tutorial

Enter Chords Using the Chord Builder

Press the Chord Builder button to open the Chord Builder dialog with a list of chord roots and

extensions.

Chord Builder Dialog

To enter a chord at the current bar, select the chord root from the left pane, and then the extension on the right pane. Pressing [Enter Chord ___] enters the chord and advances the highlight cell to the next half bar.

Import Chords from a MIDI File

Band-in-a-Box can import chords from an existing MIDI file with the Chord Wizard.

Choose File | Import Chords from MIDI File on the File menu, or use the keystrokes Ctrl+Option+I, to open the Chord Wizard dialog.

When the Chord Wizard dialog opens, press the [Open (Change)…] button to choose the MIDI file that you want

Band-in-a-Box to interpret the chords from.

To help Band-in-a-Box interpret the chords better, you can choose a preset for the song. Choose from among such genres as Pop, Rock, or Jazz Standard.

Chapter 2: QuickStart Tutorial

Loading an existing Band-in-a-Box format song

Press the [song] button. The first time you use this button, Band-in-a-Box will offer to build a song

list for you. We’ve included many demo songs for you to use, and they are listed in the song list.

You could also load a pre-existing song by using the File | Open song… menu item, or by pressing the F3 function

key, which will launch the familiar Macintosh file dialog. Note that most songs will automatically load a “Style,” which we’ll learn about in the next section.

Going to the next step …

Now that you have chords on your chordsheet, you are ready to move on to Step 2 – Choosing a Style.

Step 2 – Choose a Style

Band-in-a-Box creates backing arrangements based on the chords you type in, applied to a particular Style.

What’s a Style?

A style is a set of rules that determine how Band-in-a-Box creates music using your chords. By adjusting the rules, we have created hundreds of styles that are appropriate for everything from Country to Bebop. Some style examples would be Jazz Swing, Blues Shuffle, Hip Hop, Country 4/4, Pop Ballad, Waltz and Medium Rock to name just a few. If you don’t find a pre-made style that suits your tastes, create one from scratch using the StyleMaker. Making custom styles with the StyleMaker is explained in detail in the full documentation.

Four Fast ways to Open a Style

Method 1: From Disk

To open a user style from disk, you can use the menu command User | Load Style From Disk or type Command+U. You will be presented with the Open Style dialog from which you can select a specific style from the Styles folder.

Method 2: The StylePicker

You can use the StylePicker window to select your style. Select the [Style] button above the

Chordsheet to open the Select Style window.

Selecting a Style using the StylePicker.

Chapter 2: QuickStart Tutorial

This window shows styles listed by categories. RealStyles are styles entirely made with RealTracks and RealDrums. Styles with RealTracks use a combination of RealTracks and MIDI instruments. MultiStyles are styles with more variations than the standard “a” and “b” substyles.

Select a Set or genre from the left pane, and choose the specific style on the right pane. There are memos and examples for each of the styles. Styles with a similar feel and tempo range to the current selection (prototype) are marked with an (*) asterisk. These styles are possible substitutes for the prototype. Styles marked with a (^) caret symbol are similar in feel but have a different tempo range.

You can audition a style by clicking on the [Preview] button to hear your song played with

the style that is currently highlighted in the list.

The style of your song can be changed at any bar by pressing the F5 key to launch the Edit Bar Settings dialog. Method 3: Recently Played Styles and Favorites Styles that you’ve used previously show up in the Recently Played Styles dialog. Choose this from the menu User |

Load Favorite Styles… or click on the [F] button to the left of the [Style] StylePicker button. You can either choose

from recently played styles or go to your saved list of Favorites. You can add to or edit the Favorites list.

Method 4: Quick Pick

You can choose from among the 24 “built-in” styles. This list provides a quick way to choose from among the most popular music genres.

Step 3 – Play your song!

Now that we’ve entered chords on the Chordsheet and chosen a style, it’s time to play the song! First we need to tell Band-in-a-Box how long our song is, in what key and how fast, and how many times we want the program to play through the chords, in what key, and how fast.

Chapter 2: QuickStart Tutorial

Framing the Song

To tell Band-in-a-Box where the start and end of the song is, look at the middle of the Band-in-a-Box main screen.

Locate the framing settings; there are three of them. The numbers (1-32) in brackets are the bar numbers for the beginning and the end of the Chorus. The number 3 to the right of the brackets is the number of times the Chorus repeats. In the example above, the Chorus starts at bar 1, ends on bar 32, and is going to play 3 times. You can change these settings to play more choruses, or make the Chorus start later, for example in the case where you want an intro to play.

Setting the Key

In the example shown, the key is set to C but you can choose any key by clicking on the key signature and choosing from a list. If you do change the key, Band-in-a-Box will offer to transpose the Chordsheet for you. If you’ve entered a progression that you intend for a particular key, and then choose the key afterward, you should say no when asked to transpose the Chordsheet.

Setting the Tempo

If you know the tempo value of your song, you can enter it in the tempo box. The song example above has a tempo of 120. There is an even faster way to enter a tempo. Locate the minus key [-] and the equals key [=] in the number row of your computer keyboard, they are usually next to each other. If you tap the [-] key 4 times at your tempo, Band-in-a-Box will set the tempo automatically for you. If you tap the [=] key four times, Band-in-a-Box will set the tempo and begin song playback!

Press Play

When you’re ready, just press the [Play] button or the F4 function key and Band-in-a-Box will immediately

generate and play a professional arrangement of your song using the settings and the style you selected. You can double click on any bar in the Chordsheet, including the tag or ending, to start playback from that bar.

More fun with Band-in-a-Box

Now you know how easy it is to start making music with Band-in-a-Box, but there are still many more powerful features for you to discover. For a start, you could add a human element to your arrangement with RealTracks and RealDrums.

Add RealTracks and RealDrums

RealDrums and RealTracks add accompaniment by top studio musicians to your songs. RealDrums replace the MIDI Drum track with real recordings of top studio Jazz, Rock, and Country drummers. These are not “samples,” but are full recordings, lasting from 1 to 8 bars at a time, and playing along in perfect sync with the other Band-in-aBox tracks.

RealTracks instruments include guitars, piano, bass, saxes, trumpet, trombone, pedal steel, fiddle, banjo, mandolin and many more. These tracks replace the MIDI track for that instrument, and can be controlled just like the MIDI instrument (volume changes, muting etc.). Best of all, they follow the chord progression that you have entered, so that you hear an authentic audio accompaniment to your song.

Any track can be converted from a MIDI track into a Real track from the

contextual menu on the main screen. Just right click (or Control+click or

double click) on the part name to open the menu and then select “Generate RealTrack” (or RealDrums).

You will then be shown a list of all the available instruments and styles to make your selection.

Now it’s time to make music with Band-in-a-Box…

Chapter 2: QuickStart Tutorial

Have Fun!

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

Welcome to Band-in-a-Box 2010.5

There were over 50 cool new features added in Band-in-a-Box 2010, and now version 2010.5 adds 30 more! These include user wish list requests and enhancements to existing features, plus some wish list requests of our own.

30 New Features!

- The StylePicker now has a filter to show/hide Real or MIDI styles. So if you only want to see MIDI styles, or if

you only want to see styles that use some/all RealTracks, you can set this.

- If you like the current mix (of volumes, panning, reverb), and you want this applied as a default for all songs, you

can now set this by right-clicking on the Combo radio control. Choose “Make Current Mix the Default,” “Load Default Mix,” or “Reset Mix (to factory defaults).”

- RealTracks naturally occurring pushes are enhanced in many styles. This requires updating the ST2/XT2 files,

and these are included in the 2010.5 update.

- When rendering, you can now add a dB amount to the whole mix, so that the mix will be louder or softer. There is

automatic peak-limiting added, so that the music will not distort if you set it too high.

- Styles can now be made that are set to use Half Time and Double-Time RealTracks. For example, you can make a

Jazz Ballad style (tempo 65) that uses a Sax Soloist at tempo 140 (playing double time).

- If Band-in-a-Box cannot find your RealTracks folder or your Drums folder, a yellow hint message appears at boot

up to alert you to that, and tells you how to fix it, “Note: You have RealTracks installed, but none are found in your RealTracks folder. You should point to your correct RealTracks folder in the RealTracks Settings.”

- RealTracks pushes are now played a little quieter (2 dB quieter), so that they don’t stand out as much.

- For RealTracks, many Jazz comping styles now play triads (instead of 7ths) when simple triads are entered,

instead of “jazzing them up” to 7ths chords (e.g. Guitar: Freddie, Wes. Piano: some Jazz, all Stride, Rehearsal). If you prefer this “the old way,” where triads are automatically “jazzed up” when comping using Jazz RealTracks, then you can set the RealTracks Settings option to force 7ths for triads.

- Enhancements for entering songs quickly: Typing special words, instead of chord names, will make these settings: begin <Enter> - sets the beginning of the chorus to the current bar end <Enter> - sets the end of the song to the current bar chorusend <Enter> - sets the end of the chorus to the current bar tkc <Enter> - sets key signature to C, tkbb would set it to Bb trc <Enter> - transposes song to key of C t125 <Enter> - sets tempo to 125

- Enhancements for playing songs from the Chordsheet

- <spacebar> or double click on ending bar (or a bar in the tag), and it will play from the ending (or tag). This

only applies to the Chordsheet, since notation windows always play from the ending or tag already.

- Right-click on the Chordsheet (or notation) to quickly set Chorus Begin, Chorus End, or Song Ending.

- RealDrums button now has a menu (like RealTracks picker button) to choose RealDrums Preferences or the

RealDrums Picker dialog. Ctrl+click to choose the Preferences or Shift+click to choose the Picker directly.

- The auto-generated song memo now says if RealDrums come from the song or style.

- A message now appears if a frozen track is loaded, but the required RealTracks or RealDrums folders do not exist.

- Frozen tracks now start playing faster if played again.

- In the RealTracks picker, the sort feature for the Set # and Holds # columns is improved.

- Important change: The default for the tempo swapping feature for RealTracks is now true. It used to be false.

Tempo swapping is a nice feature that will automatically substitute a similar RealTracks that is recorded at a tempo closer to the current tempo. For example, if you load a ballad style with a RealTracks piano at a tempo of 60, and then speed the song up to 200, BB’s tempo-swapping feature will choose a RealTracks piano that is closer to 200, likely one that is 190. Go to the RealTracks Settings (RealTracks Preferences) to disable this feature.

- Band-in-a-Box will keep on generating RealTracks even if some wav files are missing.

- Changed: File-New gets volumes of 127, instead of 90.

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

New Features in Band-in-a-Box 2010

Band-in-a-Box 2010 added over 50 cool new features!

These exciting new features were added in Band-in-a-Box 2010. There’s a new “Plug-in” mode, allowing you to simply drag and drop tracks between Band-in-a-Box and your favorite sequencer (GarageBand, ProTools, Logic, Nuendo, Reaper and more). RealTracks generate much faster now, typically 3X faster. RealTracks now support Shots, Holds, and Pushes. Time for generating MIDI arrangement is much faster - now “instantaneous” (less than 1 second). Endings are improved, and RealTracks endings are now 4 bars long, giving time for the natural decay of the instruments. Individual tracks (MIDI or Real) can be frozen now, so the arrangements can be saved and fixed, and will replay quickly without need for regeneration. Soloist RealTracks are now saved with the song. We’ve added Multiple Undo support, up to 999 levels of Undo. There are new Reverb and Bass/Treble controls for each track, allowing you to add these to individual RealTracks. All settings are now saved with each song. And many more!

The New Features in Band-in-a-Box 2010 for Macintosh are...

There is a “Plug-in” mode for your favorite sequencer (GarageBand, ProTools, Logic, Nuendo, Reaper and more). With the new plug-in mode, Band-in-a-Box is open as a small window, and acts as a plug-in for your favorite DAW/sequencer, so that you can Drag-n-Drop MIDI and audio (AIFF) tracks from B and -i n-a-Box to your favorite sequencer. Work in your favorite sequencer, type a progression in Band-in-a-Box, and then simply

drag the track from Band-in-a-Box to your sequencer's track at the desired track and bar location.

No more long waits for RealTracks to generate! RealTracks generate much faster, 3X faster on average. A

typical song with RealTracks that took 20 seconds to generate will now generate in about 5 seconds. And if you freeze some or all tracks in the song (see below), playback of RealTracks is almost instantaneous.

Time for generating MIDI arrangement is much faster - now “instantaneous” (less than 1 second)! Freezing (locking) MIDI tracks or RealTracks/RealDrums. Any track (MIDI or Real) can now be frozen. When

frozen, it won't be changed or re-generated. This saves time when replaying previous songs, and allows you to freeze an arrangement that you like. If you freeze the whole song, you don't have to wait at all for the song to regenerate. Next time you play, it is ready to go.

All Tracks can be Edited and Saved. MIDI tracks for bass, drums, piano, guitar and strings can now be edited,

and saved with the file. If you freeze a track, edits can still be made to it, because it is only frozen from Band-in-aBox making changes to it (you can still edit it), so that the MIDI track will be saved to the file. So you can customize the bass part to match a certain song, and save it with a frozen bass part, so Band-in-a-Box won’t overwrite your edits. This includes RealCharts – if you wanted to edit the notation of a RealTracks solo for example.

Soloist generated RealTracks are now saved with the song, so you will hear the RealTracks play the same solo

when you reload the song.

RealTracks now support new features, including Shots, Holds, and Pushes. Simply type in the chords as you

normally would, adding periods (…) for shots and holds, and the RealTracks will play them. Note for this, you need the installer that creates a LibraryM/Holds folder in your RealTracks folder.

RealTracks endings have been enhanced, and are now 4-bar endings instead of 2-bar, allowing time for a

natural decay of the instruments.

Multiple Undo support. Up to 999 levels of undo (configurable). Always save all song settings. Now all settings are saved with songs, including patches, reverbs, volume, etc., so

that the song will play the same way each time, without having to set this in the Save With Patches dialog.

Reverb control added for individual tracks with RealTracks or RealDrums, so you can easily add reverb (0 to

127) for any RealTrack. Reverb type is also settable, and saved with the song.

Bass/Treble Tone Control added for individual tracks with RealTracks or RealDrums, so you can easily adjust

the bass/treble EQ for any RealTrack. Settings save with the song.

Band-in-a-Box window is now sizable, when size changes, chordsheet, notation, and other windows redraw in

proportion to the new size. This allows you to have Band-in-a-Box open as a small window on screen with other programs, and you still see a full chordsheet. The screen size is remembered between sessions.

New favorite songs/styles dialog, with separate lists of “recently played” and favorite songs or styles. The previous

“favorite” songs/styles dialog was a list of recently used songs/styles. Now there are 2 tabs in this dialog, showing

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

you both recently used songs/styles, and a new list of “favorites” that you select as a favorite songs or styles. You can add an unlimited number of favorites.

Double time and half time support for RealTracks added. Now you can play any RealTracks at half time or

double-time. This allows you, for example, in a ballad at a tempo of 70, to add a RealTracks Sax solo with tempo of 140, and play it as a double-time, which will match the ballad tempo of 70. So now all of your existing RealTracks can be used at 3 different tempos (normal time, half time, or double time).

Tempo swapping of similar RealTracks. You can use this feature either automatically or manually. If you set

“Auto RealTracks substitution based on tempo” to true in RealTracks Settings dialog or Additional Song Settings dialog, Band-in-a-Box will automatically choose the best one to use. For example, if you have a ballad loaded, with

an Acoustic Bass RealTracks at a tempo of 60, and you speed up the tempo to 140, and press the [Play] button,

Band-in-a-Box will automatically choose an Acoustic Bass RealTracks closer to the tempo of 140, if it is the same genre and feel. This means you can use a simple Jazz style, and play it at various tempos, without having to set the best RealTracks based on tempos. If you don’t want this feature to work automatically, then set “Auto RealTracks substitution based on tempo” to false. The RealTracks that support the Tempo Swapping are listed in the next to last column of the Assign RealTracks to Track dialog.

RealTracks Picker dialog enhanced:

- Opens up faster.

- New columns are added (tempo swappable, holds type).

RealDrums Picker dialog has been enhanced, with information about Artist name, Artist bio, and RealDrums Set number.

Rendering now has a Normalize option, to normalize individual tracks or the complete arrangement. Normalizing

boosts the volume to a maximum level without distortion. Most professional music tracks are normalized.

Songs that are “Saved-As” a different name now have the new name added to the Recently Played Song dialog. Support enhanced for non-concert instruments (Bb/Eb sax, trumpet etc.). Now when the Chordsheet is

transposed, you can type in chords in the transposed key, and they will show up as you have entered them, instead

of requiring you to enter the chords in the concert key.

More Soloists are now available, up to 2000. Many messages changed to “yellow alerts” at top right of screen, so you don’t have to respond to the message,

interrupting workflow.

Looped playback of any selected region. On the Chordsheet window (not the notation window), select a region of

bars, and press the [Loop] playback button on the toolbar. The selected region will loop. You can change the looped section during playback. Pressing [Loop] button again will turn off looping.

Mouse scroll wheel support added to the main window, notation window, and many dialogs. Ability to have endings use a “held chord,” (like C...). (RealTracks and MIDI) For songs with no ending, the last chord of the song can be a held chord (like C...). (RealTracks and MIDI)

More New RealTracks

There are one hundred and one sets of RealTracks available for Band-in-a-Box!

The basic Band-in-a-Box Pro package includes a basic set of RealCombos for Pop, Country, and Jazz. In addition, there are hundreds more RealTracks instruments available in one hundred and one different sets.

For a full listing with complete descriptions and demo songs, go to

http://www.pgmusic.com/products_realtracks.htm.

While you’re there, be sure to check for new releases.

www.pgmusic.com and see the RealTracks page,

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

QuickStart Tutorial

Using the New Features in Band-in-a-Box 2010 and 2010.5

Quick Song Settings

These are enhancements for entering songs quickly. Typing special words, instead of chord names, will make the following settings:

begin <Enter> - sets the beginning of the chorus to the current bar chorusend <Enter> - sets the end of the chorus to the current bar end <Enter> - sets the end of the song to the current bar tkc <Enter> - sets key signature to C, tkbb would set it to Bb trc <Enter> - transposes song to key of C t125 <Enter> - sets tempo to 125

Save Default Mix

If you like the current mix (of volumes, panning, reverb), and you want this applied as a default for all songs, you

can now set this by right-clicking on the Combo radio control and choosing Save Current Mix as Default.

Load Default Mix restores the default mix you have saved, and Reset Mix sets the mix back to “factory defaults.”

New Chordsheet Controls

In the Chordsheet window, press the <spacebar> or double click on the ending bar (or a bar in the tag), and the song

will play from the ending (or tag). This only applies to the Chordsheet, since notation windows always play from the ending or tag already.

You can right-click on a bar in the Chordsheet to set it as the beginning or end of the chorus or the end of the song

from the settings in the context menu. For example, these settings are available with a right-click on bar 16.

Improved Audio Rendering

When you click on the Audio button to render your song to audio files, there is now an option to boost all files by a certain number of dB. “Boost All Render Files by” adds a dB amount to the whole mix, so that the mix will be louder or softer. There is automatic peak limiting added, so that the music will not distort if you set it too high.

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

DAW Plug-in Mode

There is a “Plug-in” mode for your favorite sequencer (GarageBand, ProTools, Logic, Nuendo, Reaper and more). With the new plug-in mode, Band-in-a-Box is open as a small window, and acts as a plug-in for your favorite DAW sequencer, so you can Drag-n-Drop MIDI and audio (AIFF, M4A) tracks from Band-in-a-Box to your favorite sequencer. Work in your favorite sequencer, type a chord progression in Band-in-a-Box, drag the

track button to the drop station (blue rectangle) at top left of the screen, and then drag that to your sequencer's track at the desired track and the bar location.

The DAW Plug-in mode is a mode within the regular Band-in-a-Box program. This mode allows you to transfer tracks or parts of tracks, to other DAW sequencers or Finder.

You can enter and exit the DAW plug-in mode easily.

Press the [DAW Mode] button on the Toolbar, then choose the menu item “St art DAW Plug-i n mode” (or go to Windows menu and choose Plug-in Mode for Sequencer-DAW).

When you do this:

1. Window size of Band-in-a-Box changes to a small size (you can resize it to the size/position that you want, and it

will remember that).

You can now easily drag tracks from Band-in-a-Box to your DAW in 2-steps. First, drag the track button to the drop station (blue rectangle), and then when it turns green, drag that to your DAW’s track.

You can also drag files to other programs, besides DAW’s, if they accept a drop of audio files (AIFF, M4A) or MIDI files. For example, Finder allows this.

Please see the DAW Plug-In Mode chapter for a full tutorial.

Freeze Tracks

Freezing (locking) MIDI or RealTracks/RealDrums

Any track (MIDI or RealTrack) can now be frozen. When frozen, it won’t be changed or re-generated. This saves time when replaying previous songs, and allows you to freeze an arrangement that you like. If you freeze the whole song, you don’t have to wait at all for the song to regenerate. Next time you play, it is ready to go.

You can make tracks Frozen by pressing the Freeze button (snowflake) on the toolbar, and then choosing which tracks that you want to freeze or unfreeze.

There are a number of reasons that you would freeze a track.

Reasons to Freeze a RealTracks track (audio):

- Frozen tracks will play back instantly, not requiring time to generate.

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

- They play back the same way each time, so if you like a solo, you can “freeze it.”

- If you send a song to a friend as “frozen,” they will hear the same performance.

- For the Soloist track, if you generate a solo, it can now be saved (by freezing the track).

Reasons to Freeze a MIDI track:

- You can edit the MIDI data, to customize the performance to match a certain song, and this will be saved. Use

the Notation window or Piano Roll to edit the track.

More reasons to freeze any track:

- Frozen tracks play back instantly, without requiring time to regenerate.

- They play back the same way each time.

- You can change the chord progression of the song, and have one part playing a different chord progression than

the rest of the band. For example, type a “blowing” chord progression, generate a solo, freeze the solo track, then type a normal chord progression and generate the rest of the instruments (bass, guitar etc.) that will play the normal changes.

- Have different instruments play different styles. For example, the Bass could be generated using Reggae, then

Frozen, and then the rest of the instruments generated using a Techno style.

Un-Freezing a Track(s)

This is also done by the Freeze button. Choose a frozen track to un-freeze it, or choose “Un-Freeze all tracks.”

Forcing Generation of a Song that is Frozen

Band-in-a-Box won’t touch tracks that are frozen. But if you want to change that, without having to Un-Freeze the tracks, you can do this easily.

Hold down the SHIFT key as you press the [Play] button (the fly-by hint will remind you of that), or go to the Song menu and choose Generate (even if tracks are frozen).

When you do this, the song will regenerate, the tracks will be rewritten, and the song will stay frozen. So if you’re freezing songs to get the instant playback with RealTracks, but get tired of the “same-old” frozen arrangement, just

press Shift+Play, generate a new arrangement, and press Save. Then the new “fresh-frozen” arrangement will play

instantly, even with many RealTracks.

A message appears if a frozen track is loaded, but the required RealTracks or RealDrums folders do not exist.

Tip: Obviously you wouldn’t use this feature to force regeneration of a frozen song if you have made custom edits to the song that

you don’t want to lose, unless you’ve saved the song and have a backup copy.

All Tracks can be Edited and Saved.

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

MIDI tracks for bass, drums, piano, guitar and strings can now be edited, and saved with the file. If you freeze a track, edits can still be made to it, because it is only frozen from Band-in-a-Box making changes to it (you can still edit it), so that the MIDI track will be saved to the file. So you can customize the bass part to match a certain song, and save it with a frozen bass part, so that Band-in-a-Box won’t overwrite your edits. This includes RealCharts – if you wanted to edit the notation of a RealTracks solo for example.

To edit a MIDI track (bass, drums, piano, guitar, strings), or the MIDI part of a RealTracks that has a RealChart (MIDI transcribed solo), simply open up the Notation window (or Piano Roll window), and click on

the track and edit it. Make sure to Freeze the track by pressing the Freeze button and choosing Freeze for that track, or right-clicking on the instrument at the top of the screen and choosing Freeze. Now your edited tracks will save with the song.

Multiple Undo Support.

Up to 999 levels of Undo are supported (configurable). The default number of undos is 99. If you need to change

this, it can be done in Preferences “Number of Levels

of Undo.” The range can be 5 to 999. You can also

choose Edit | Redo to redo an undo.

RealTracks Enhancements

No more long waits for RealTracks to generate!

RealTracks generate much faster, 3X faster on average. A typical song with RealTracks that took 20 seconds to

generate will now generate in about 6 seconds. And if you freeze some or all tracks in the song (see below), playback of RealTracks is almost instantaneous.

This “speedup” feature works “automatically;” you should just notice that generation of RealTracks is much faster. This feature uses CPU resources during playback. If you have a multi-core machine, you may not notice this at all, since it will use different cores than the main Band-in-a-Box thread. If you have an old machine, low on memory, slow hard drive etc., you can disable this “speedup” feature. This will insure that your machine is doing less CPU work during playback. This is done in RealTracks Settings dialog.

Optional Jazz Triads

For RealTracks, many Jazz comping styles now play triads (instead of 7ths) when simple triads are entered, instead of “jazzing them up” to 7ths chords (e.g. Guitar: Freddie, Wes Piano: some Jazz, all Stride, Rehearsal).

If you prefer this “the old way,” where triads are automatically “jazzed up” when comping using Jazz RealTracks, then you can set the Prefs-Realtracks settings option to force 7ths for triads.

Soloist generated RealTracks are now saved with the song, so you will hear the RealTracks play the same solo

when you reload the song.

When you generate a solo using RealTracks, Band-in-a-Box will remember this, and when you go to save the song, Band-in-a-Box will ask you if you want to save that solo (and thereby freeze the Soloist track). If you say yes, then the solo will play instantly the same way when the song is reloaded. Of course you can freeze the soloist track yourself at any time. Note that only one solo can be saved. You can’t generate a bunch of different segments of solos; only the last one will be saved.

Shots, Holds, and Pushes

RealTracks now support new features, including Shots, Holds, and Pushes. Simply type in the chords as you

normally would, adding periods (…) for shots and holds, and the RealTracks will play them.

Note: You need the installer that creates a LibraryM/Holds folder in your RealTracks folder.

The “H” column of the RealTracks Assign dialog tells whether the RealTrack styles supports Shots, Holds, and Pushes. If the column is blank, the selected RealTracks style has Holds, Shots, and Pushes available. If there is an “n,” holds are available from PG Music but not installed. If there is a “-,” no holds are available for this style.

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

Assuming that you have the Holds files for the RealTracks that you are generating, then you just use Band-in-a-Box as you would normally, and type chords with shots (e.g. C..), holds (C…) or pushes (^C or ^^C for 8

or 16th note push), or combinations of push and hold (^C…).

RealTracks naturally occurring pushes are enhanced in many styles. This requires updating the ST2/XT2 files, and these are included in the 2010.5 update. RealTracks Pushes are now played a little quieter (2 dB quieter), so that they don’t stand out as much.

4-bar Endings

RealTracks endings have been enhanced, and are now 4-bar endings instead of 2-bar, allowing time for a natural

decay of the instruments.

By “4-bar-endings” we are referring to a 2-bar ending that has two additional bars to allow for the natural decay of the audio instrument (instead of being quickly faded out). To add the 4-bar ending support, you need to have updated ST2 and XT2 files for the RealTracks. We are releasing many of these updated files with the 2010 release, and will have free patches for the older RealTracks as they become available.

4-bar-endings are on by default. So if any of the RealTracks have 4-bar endings, then the arrangement will play as a 4-bar ending.

You can disable 4-bar endings:

- either globally using RealTracks Settings dialog,

- or on a song-by-song basis, using Additional Song Settings dialog (Song | Additional Song Settings.

Currently, the only way to tell if a RealTracks has a 4-bar ending, is to either try it and see, or to look in the Select Soloist dialog (Soloist | Generate and Play a Solo), and see the name of the ST2 file (under the term database at the

top right). Then check the date of the ST2 file. If it is Nov. 2009 or newer, then it should have a 4-bar ending. Check our pgmusic.com web site, as we are releasing free upgrade patches to add 4-bar endings to most of the RealTracks styles.

Audio Reverb

Reverb control added for individual tracks with RealTracks or RealDrums, so you can easily add reverb (0 to

127) for any RealTrack. Reverb type is also settable, and saved with the song.

At the top of the screen, there is an “A.REV” (Audio Reverb) control. Click on an instrument radio button, and then set the Audio Reverb for it.

Note that this only applies to RealTracks, since MIDI tracks have MIDI Reverb, which is set via a “REV” control.

The Audio Reverb varies from 0 to 127. Adjust the value by clicking a key on the on-screen piano keyboard. Or

right-click (or control-click) the control to enter a value. See the RealTracks and RealDrums chapter for more

about this feature.

There is also a feature that automatically adds reverb to RealTracks, according to instrument type. (No Reverb is added to Bass for example, but most instruments get reverb.)

This feature defaults to on, but you can turn it off in RealTracks Settings or Reverb Settings dialog.

If you just want more or less added, you can adjust the “Strength %.” For example, the default adds a reverb of 40 to most tracks, but if you set the strength to 75%, then 30 will be added.

You can also set the type of reverb. The default is a “room” type of reverb.

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

To do this, press the Audio Reverb button, and adjust the various parameters.

You can then save your reverb types as presets, and the current settings will also be saved with the song. The presets all are saved to a PGReverbSettings.bin file in Band-in-a-Box/Preferences folder.

You can enable/disable Reverb. If you disable it, this will save some CPU cycles, so this might be advisable on an older/slower machine, if you hear that the audio is clicking or not keeping up.

Bass/Treble Tone Control has been added for individual tracks with RealTracks or RealDrums, so you can

easily adjust the bass/treble EQ for any RealTrack. The settings are saved with the song. Choose an instrument (bass/drums/piano/guitar/strings/melody) and then use the “TONE” control to adjust the tone from -18 (maximum bass) to +18 (maximum treble). Default is 0.

Double time and half time support for RealTracks

Now you can play any RealTracks at half time or double time. This allows you, for example, in a ballad at a tempo of 70, to add a RealTracks Sax solo with a tempo of 140, and play it as double time, which will match the ballad tempo of 70. So now all of your existing RealTracks can be used at 3 different tempos (Normal Time, Half Time, Double Time).

You can control when/how RealTracks would play. To do this, open the Assign RealTracks to Track dialog and

use the “Timebase” combo box.

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

Tempo swapping of similar RealTracks

You can use this feature either automatically or manually. If you set “Auto RealTracks substitution based on

tempo” to true in RealTracks Settings dialog or Additional Song Settings dialog, Band-in-a-Box will

automatically choose the best one to use.

The default for the tempo swapping feature for RealTracks is now true. It used to be false. Tempo swapping is a nice feature that automatically substitutes a similar RealTracks recorded at a tempo closer to the current tempo.

For example, if you have a ballad loaded, with an Acoustic Bass RealTracks at a tempo of 60, and you speed up the tempo to 140, and press the [Play] button, Band-in-a-Box will automatically choose an Acoustic Bass RealTracks closer to the tempo of 140, if it is the same genre and feel. This means you can use a simple Jazz style, and play it at various tempos, without having to select the best RealTracks based on tempos. The RealTracks that support the

Tempo Swapping are listed in the next to last column of the RealTracks Assign dialog.

For example, if we load in a Ballad Jazz style like _BALFRED.STY, we can see that the name of the Bass

RealTracks style has a tilde (~) symbol at the beginning. That indicates that it could be changed to a different

RealTracks at a higher tempo.

Now let’s increase the tempo of the song to a higher tempo, like 115.

We will see that the name of the RealTracks switches to a different RealTracks, suitable for tempo =110. So when you press the [Play] button, you’ll hear the RealTracks closest to your tempo, without having to do anything to make this happen.

If you don’t want this feature to happen automatically, then set “Auto RealTracks substitution based on tempo” to false. Then, if you have similar RealTracks available at different tempos, Band-in-a-Box will simply tell you there is a better one to choose.

The “T” column of the RealTracks Assign dialog shows which RealTracks are eligible for Tempo Swapping. The tempo swapping only occurs if you have the RealTracks in your installation.

RealTracks Picker dialog enhanced.

- Opens up faster.

- New columns are added (tempo swappable, holds type).

RealDrums Picker dialog has been enhanced with information about Artist name, Artist bio, and RealDrums Set

number.

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

The RealDrums button now has a menu (like the RealTracks button) to choose the RealDrums Picker Dialog,

Shift+click, or the RealDrums Preferences, Ctrl+click.

New Favorite Songs/Styles Dialog

There’s a new dialog for these favorites with separate lists of “Recently Played” and “Favorite” songs or styles. The previous Favorite Songs/Styles dialog was a list of recently used songs/styles. Now there are 2 tabs in this dialog, showing you both recently used songs/styles, and a new list of “favorites” that you select as favorite songs or styles. You can add an unlimited number of favorites.

The “F” button launches the Favorites / Recently Played dialog.

The “Favorites” and “Recently Played” Radio buttons toggle between a

list of your recently played songs (or styles), and your Favorite songs (or styles).

The favorites list will start off as an empty one, but you can add songs/styles as your

favorites, by clicking the [Add Favorite] button. (This button is also found in the StylePicker.)

Technical Note: The list of songs/style favorites is stored in a text file called SongFavorites.txt (or StyleFavorites.txt) in the Band-in-a-Box folder.

Always save all song settings.

Now all settings are saved with songs, including patches, reverbs, volume etc., so the song will play the same way

each time, without having to set this in the Save Patches and Harmonies with Song dialog.

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

If you keep the default setting of “Save all settings with Songs,” you will find that all settings are saved, and loaded with each song. You shouldn’t have to visit this dialog, unless you have some custom items that you want to not-save with the song.

Note that if you set a MIDI patch for one of the bass/drums/piano/guitar/strings parts, that if you load in another style, Band-in-a-Box will overwrite your patches with the style patches. If it didn’t do that, you would be stuck with

the same patches regardless of the style. So if you want a certain patch for a track, set it after you have loaded in the

style that you want.

Songs that are “Saved-As” with a different name now have the new name added to the Recently Played Song

dialog.

Rendering Tracks

Rendering now has a Normalize option, to normalize individual tracks or the complete arrangement. Normalizing

boosts the volume to a maximum level without distortion. Most professional music tracks are normalized.

To enable this, in the Render to Audio dialog, set the “Normalize Rendered

Files” option to true.

Rendering songs to audio is now much faster for songs with no MIDI, such as RealStyles.

StylePicker Enhancements

Favorites and Recent styles now appear in this dialog as separate lists. It now has the ability to add/remove styles

as favorites. A Favorite Style indication (F) shows up for each style. You can filter any list by only showing favorite styles. You can build up a list of favorite styles, and only show them when needed.

The favorite styles are the ones that you’ve identified as favorites, either by pressing the [Add Favorite] button in the Favorite Styles dialog, or the similar button in this StylePicker dialog. Note that an “F” appears beside the

name of any style that is a favorite.

You can make any style a favorite by clicking the [Add Favorite]

button. If you want to remove it, click the button again.

“Only Show favorites” will only show the favorite styles in any list that you have opened.

The StylePicker now has a filter to show/hide Real or MIDI styles. So if you only want to see MIDI styles, or if you only want to see styles that use some/all RealTracks, you can set this.

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

New in the StyleMaker

In the Misc. Style Settings dialog (User | Edit Existing User Style [Patch]) there is a new Timebase

option that allows styles to use Half Time and Double Time RealTracks.

For example, you can make a Jazz Ballad style (tempo 65) that uses a Sax Soloist at tempo 140 (playing double time).

And much more… Band-in-a-Box window is now sizable. When size changes, chordsheet, notation, and other windows redraw in

To resize the window, just use the sizing control at the bottom-right corner of the window. Hold down the mouse button while you drag the sizing control.

Support enhanced for non-concert instruments (Bb/Eb sax, trumpet etc.). Now when the Chordsheet is transposed, you can type in chords in the transposed key, and they will show up as

you have entered them, instead of requiring you to enter the chords in the concert key.

More Soloists are now available, up to 2000.

Many messages changed to “yellow alerts” at top right of screen, so you don’t have to respond to the message,

interrupting workflow.

Have fun!

Chapter 3: Band-in-a-Box 2010.5 for Macintosh

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