Peavey EVH Wolfgang User Manual

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SPECIAL
GUITAR
OPERATING
GUIDE
Contents:
Introduction ............................................................................ 3
Body........................................................................... 4
Electronics .................................................................. 4
Neck........................................................................... 4
Hardware.................................................................... 4
Construction............................................................................ 5
Body........................................................................... 5
Neck........................................................................... 5
Pickups....................................................................... 5
Pickup Selector Switch................................................ 5
Volume....................................................................... 6
Output Jack................................................................. 6
Adjustments............................................................................. 6
Torsion Rod................................................................ 6
Tremolo Bridge........................................................... 7
String Retainer Bar...................................................... 7
Locking Topnut ........................................................... 7
String Installation........................................................ 8
D-Tuner Operation/Adjustment................................... 8
Tremolo Bridge Height/Tension .................................. 9
Tremolo Arm ............................................................ 10
String Intonation ................................................................... 11
Care of Your Instrument ....................................................... 13
Temperature & Humidity.......................................... 13
Strings....................................................................... 13
Finish........................................................................ 13
Accessories............................................................... 13
5150®Stack/212 Combo Amps ............................................. 14
Warnings............................................................................... 15
Español ................................................................................. 14
Français................................................................................. 27
Deutsch................................................................................. 38
Warranty............................................................................... 53
2
Introduction
For as long as I’ve been playing guitar, I’ve always been searching for a certain feel and tone...I’ve experimented by tearing apart and reassem­bling hundreds of guitars in different ways searching for these qualities. Although I’ve ruined a lot of great guitars by having done this, I have learned what it takes to make a truly great guitar. The Wolfgang and error, (for me) is that guitar.
®
, after years of trial
Based on the familylike atmosphere, their commitment to quality and the camaraderie we established during the research and development process of the 5150®stack and combo amplifier projects, Peavey was my logical choice as the company to bring my ideas to life.
Our collective efforts in designing the Wolfgang guitar have resulted in a versatile, quality-crafted guitar that feels great, sounds great and is truly inspiring to play. I’ve already put mine to the test in the studio and on tour and now it’s your turn.
Stay Tuned,
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Thank you for buying a Peavey EVH Wolfgang Special guitar. This guitar was built by the most skilled craftsmen and made from the finest materials available. As with all of our musical equipment, we have built our guitars using a combination of leading-edge technology and traditional handcrafted methods. Ask your Peavey dealer for a full list of other Peavey musical equipment and accessories.
EVH Wolfgang Special Features
Body
Solid basswood construction
Unique offset cutaway design
Neck
Hardrock maple neck and fingerboard, oil-finished
Dual graphite reinforcements and adjustable torsion rod
25 1/2" scale length, 22 jumbo frets
15" fingerboard radius
Straight headstock with 3+3 tuning machine configuration
Bolt-on construction with contoured neck heel
Electronics
Two custom-wound Peavey humbucking pickups
Master volume control
Switchcraft®3-way toggle switch and output jack
Hardware
Precision die-cast tuning machines
Peavey/Floyd Rose®licensed, double-locking tremolo assembly
D-Tuner
Chrome-plated hardware finish
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Construction
Body
The body of this instrument is constructed of select basswood chosen specifically for tonal qualities as well as for weight characteristics. The offset, asymmetrical body design offers comfort, proper balance and maximum playing ease.
Neck
The select hardrock maple neck is crafted to provide unmatched rigidity and freedom from warpage. Additional strength is provided by the dual graphite reinforcement bars and an easy access, adjustable steel torsion rod. (See
ment instructions.)
Pickups
The two Peavey humbucking pickups, custom-wound to Edward's specifications, supply optimal output and tonal response. A two-step wax dipping process is used to pro­vide ultra-low noise operation and resistance to micro­phonic feedback. The pickups are mounted directly to the body, which further reduces feedback at high volume levels and offers enhanced tonal response.
Adjustments–Torsion Rod
for adjust-
Controls
Pickup Selector Switch (1)
This three-position switch allows selection of pickups in various combinations. The selection possibilities are as follows:
Up = Bridge pickup
Center = Both pickups
Down = Neck pickup
1
2
3
5
Volume (2)
The volume knob controls the total signal delivered from both pickups. Rotating clockwise will increase volume; rotating counterclockwise will reduce vol­ume.
Output Jack (3)
The output jack accepts standard guitar patch cords. (We recommend high-quality Peavey “shielded” patch cords.)
Adjustments
Your instrument has been carefully adjusted at the Peavey factory for accurate intonation and playing ease. However, your playing style and requirements may necessitate addi­tional adjustments. These should be made by your autho­rized Peavey dealer; but with a little care and by closely adhering to the following instructions, you may attempt these adjustments yourself.
Please read the instructions thoroughly before attempting any adjustments
.
Torsion Rod (1)
All guitar necks have a slight amount of bow to keep the strings from “buzzing” on the frets. This instrument features an easy access torsion rod adjustment wheel located at the end of the neck. This wheel can be adjusted with a hex wrench or small screwdriv­er. Just insert the tool into the adjust­ment wheel and rotate accordingly.
1. Tune the instrument to standard (A-440) pitch.
2. Fret the sixth string (E) at the first and last frets.
3. Check for clearance between the string and the eighth fret.
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1
4. Clearance should be no less than .005" and no more than .015".
5. To increase clearance‚ loosen (counterclock­wise) the torsion rod adjustment wheel. Less clearance (straightening of the neck) is accomplished by tightening (clockwise) the torsion rod adjustment wheel.
6. Retune the instrument and repeat steps 1-5 until proper clearance has been achieved.
Tremolo Bridge
The Peavey/Floyd Rose®licensed, double-locking tremolo system features a locking topnut, locking bridge saddles and a steel bridge plate with a massive brass inertia block for maximum tuning stability, sustain and tonal response. This tremolo system has been carefully adjusted for accurate intonation, playing ease and pitch change. To adjust this unit properly, you must first understand the operating prin­ciple. The strings are clamped at the locking topnut and bridge areas, ensuring increased tuning stability during use.
Proper tremolo action is also a result of accurate balancing between string tension and tremolo spring tension. This instrument has been set up at the factory with high-quality Peavey EVH Wolfgang guitar strings. Should you desire a larger or smaller gauge of strings, the spring tension, as well as the intonation, must be adjusted. For string changes, and in case an adjustment needs to be made, read the instruc­tions carefully.
String Retainer Bar (1)
The string retainer bar is used to provide the proper amount of down­ward string pressure over the lock­ing topnut. This should be adjusted only low enough to keep the strings in contact with the surface of the locking topnut, which will prevent the strings from going sharp in pitch after tightening the locking topnut.
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Locking Topnut (2) (at headstock)
With the supplied 3mm hex wrench, loosen the three locking
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topnut screws to allow the strings to pass through the string slots. Tune to pitch and tighten locking topnut screws until snug. DO NOT OVERTIGHTEN SCREWS.
String Installation
After loosening topnut screws (at headstock), use tuning machines to remove string tension. Loosen string lock bolts at bridge approximately three turns using the 3mm hex wrench. Insert string end through tuning machines and locking topnut. Cut off excess string length approxi­mately one inch past string of lock bolts. Insert string end into bridge saddle (between saddle housing and lock block) and tighten until snug. DO NOT OVERTIGHTEN. Adjust fine tuning knobs to middle position. Stretch strings and tune to pitch. Tighten locking topnut, stretch string once more and fine-tune to pitch. (See
and Adjustment
below.
)
D-Tuner Operation
D-Tuner Operation and Adjustment
The D-Tuner is a unique pitch dropping device that offers instant “Drop-D” tun­ing by dropping the low-E string down to D. This is located on the low-E string lock bolt, and is actuated by simply sliding the mecha­nism in (for E) or out (for D). Please read the instructions carefully to understand the operation and adjustment of the D-Tuner.
1. Loosen the locking topnut screw for the low-E string.
2. Adjust the D-Tuner to the “D” position by pulling it back (away from the tremolo).
3. Turn the fine-tuning adjustment screw for the low-E string counterclockwise until it stops. Then, turn the fine-tuning adjustment screw clockwise approxi­mately one full turn. This will allow proper travel for the D-Tuner.
fine-tuning adjustment screw
“E” position
set screw
“D” position
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4. Using the tuning machine, stretch and retune the low-E string to “D.” Then, tighten the locking topnut screw and fine tune the “D” using the fine-tuning adjustment screw.
5. Slide the D-Tuner forward (toward the bridge) while applying slight downward pressure. The D-Tuner will now be in the “E” position. The fine-tuning screw will now be positioned on the top, flat surface of the D-Tuner.
6. Check the tuning of the low-E string.
7. If the low-E string is out of tune, use the supplied 1.5mm hex wrench to turn the set screw on the D-Tuner clock­wise if the pitch is flat, or counterclockwise if the pitch is sharp.
8. Pull the D-Tuner back to the “D” position and check tun­ing. Push it back to the “E” position, check tuning and readjust the set screw if necessary.
9. Once the set screw on the D-Tuner is correctly adjusted, use only the fine-tuning screw for tuning. (The fine-tun­ing screw will simultaneously tune both notes in either position.)
Note
ation. The saddle should be allowed to pivot up and down freely to ensure proper operation of the D-Tuner.
Changing string gauges or deviation from proper pitch (A-440) will necessitate readjustment of the D-Tuner.
It is recommended that the D-Tuner, fine-tuning adjustment screw and bridge saddle be cleaned and lubricated to ensure smooth oper-
Tremolo Bridge Height
Bridge height may be adjusted by means of the bridge pivot bolts. Turn the pivot bolts clockwise to reduce bridge height. Turn the pivot bolts counterclockwise to increase bridge height.
tremolo Bridge Tension
The tension of the tremolo bridge is set by adjusting the spring tension screws which hold the spring claw in place. To gain access to the spring tension screws and spring claw, remove the spring cover on the back of the guitar.
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Per Edward’s specification, the tremo­lo system is adjusted to rest on the body surface for maximum sustain and tonality. This will only allow th e strings to be dropped below pitch.
This also ensures tuning stability when using the D-Tuner or when a string breaks. The instrument is equipped with two springs, which allow proper tension for the string gauge supplied with the guitar. The extra spring is enclosed should you prefer to use a heavier string gauge.
Proper tremolo tension is achieved when the bottom of the tremolo bridge plate rests on the top surface of the guitar body without requiring excessive force to depress the tremolo arm.
The tremolo can be adjusted to operate as a floating style tremolo by loosening the spring tension. Turn the spring tension screws clockwise to increase the spring tension, and counterclockwise to decrease the spring tension.
This instrument should be tuned to proper pitch (A-440) before and after making adjustments.
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Note
sion that will affect the tuning of the other strings. An extra string lock bolt is enclosed in the case, should the D-Tuner be removed.
If the floating tremolo style is desired, it is recommended that you remove the D-Tuner, as its operation causes a change in string ten-
CAUTION: Loosen all string tension before installing or
removing tension springs. Tremolo springs are designed for high tension. Extreme care should be taken when installing and removing these springs.
Tremolo Arm
The tremolo arm is inserted and screwed into the tremolo arm socket on the bridge plate. This assembly can be adjusted to control the amount of torque required to rotate the tremolo arm. Some players prefer the tremolo arm to stay in place when used. This can be accomplished by using the supplied 12mm wrench to hold the top of the tremolo arm socket while screwing the tremolo arm firmly into place.
If you prefer to have the tremolo arm swing freely, loosen the nut on the bottom of the tremolo arm socket. This is accessible through the tremolo spring pocket. Edward prefers an extremely loose feel, allowing approximately one inch of play before the tremolo is actuated. This adjustment accommodates Edward’s particular playing style. It allows him to hold onto the tremolo arm while picking without moving the tremolo until needed.
String Intonation
Accurate string intonation settings ensure that your instru­ment will play in tune at any point on the neck. Although “perfect intonation” is an impossibility with a fretted instrument, the proper adjustments will maximize the accuracy of individual notes up and down the neck. Intonation is set by compar­ing the pitch of an open string to the pitch of the same string when played one octave higher at the 12th fret. The actual “vibrating length” of that string is varied until the notes are both at the correct pitch. The vibrating length of the string is altered by adjusting the individual saddles either forward or backward, depending on whether the fretted note is sharper or flatter in pitch than the open note.
Note
the untrained ear to determine when the open note and the fretted note are at precisely the same pitch. Some players find that comparing the 12th fret harmonic of the string (rather than the open note) to the fretted note is much easier.
This process should always be performed with new strings. Intonation problems can often result from worn strings. It is often difficult for
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A harmonic is played by plucking the string with the right hand while touching the string with the left index finger (as lightly as possible) directly above the 12th fret. The left fin­ger is drawn away as quickly as possible after the string is plucked, producing a ÒchimeÓ effect. This chimed note is then compared to the fretted note. For greater ease and accuracy, we recommend one of the many types of elec­tronic guitar tuners that are available from most music stores.
1. Ensure that the torsion rod and string-height settings are accurate and the strings are new.
2. Tune the instrument to standard (A-440) pitch.
3. Hold the instrument in a normal playing position or place the guitar on a clean, flat surface so that the body is in contact with the work surface. Any pressure on the neck will affect intonation settings.
4. Play the first (E) string open and compare it to the pitch of the same string when it is played at the 12th fret. These notes should sound the same (actually, there is an octave difference).
5. Using a 2.5mm hex wrench for the tremolo, adjust the string saddle so that both the fretted and open notes are the same. If the fretted note is sharper than the open note, the vibrating length of the string must be increased. Move the bridge saddle to the rear–away from the pickups. If the fretted note is flat, the vibrat­ing length must be shortened. Move the bridge saddle forward–toward the pickups–to shorten the length.
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Note
It will often be necessary to retune the open string to standard pitch after the bridge position is altered.
6. Repeat steps 4 and 5 for the remaining strings.
7. Repeat steps 1-6 until the intonation of all the strings is accurately adjusted.
Care of your Instrument
The EVH Wolfgang is a high-quality musical instrument constructed from the finest materials, using the most up­to-date production methods. With reasonable care, it should provide many years of service and outstanding playability.
Temperature and Humidity
It is important to protect your instrument from any extreme or sudden changes in temperature or humidity. You should store the instrument in its case when not using it.
Strings
Your instrument is equipped with high-quality Peavey EVH Wolfgang strings. String life may be greatly extended by frequent cleaning with string cleaner. Dirt and perspira­tion tend to build up on the underside of the strings, so it is often necessary to slide a rag between the strings and the fingerboard. Dirt-laden strings cause tuning and into­nation problems, as well as rust and corrosion.
For optimum performance, strings should be changed approximately once a month, or after about every twenty­four hours of playing. Some players prefer to change strings more often.
Finish
Your instrument has a polyester/urethane finish that is both durable and weather-resistant, but requires care. Regular cleaning with Peavey guitar polish is recommend­ed. Between polishes, the instrument should be wiped with a dry, soft cloth.
Accessories
Peavey offers a full line of accessories for your instru­ments. Cases, amplifiers, strings, polishes, straps and more are all available from a Peavey dealer near you.
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WARNINGS
All amplification accessories, microphones, mixers, etc., must be properly grounded and should be utilized with a 3-wire mains system in order to prevent electrical shock.
Do not come into contact with other electrical apparatus when playing (or touching) your instrument. The metal parts of this instrument are grounded according to proper and accepted industry practice, but it is possible to encounter an electrical shock when coming into contact with another electrical apparatus if it has improper grounding facilities.
Do not use improper or poorly designed guitar straps or other means of support. Possible injury could result if improper, inferior, ill-fitting, or worn out straps are used. The instrument could possibly fall, causing bodily injury or damage to the instrument or associated equipment if the holding devices fail for any reason.
Guitar strings are made from very strong steel alloys and are under considerable tension when tuned to pitch. Exercise extreme care when tuning (especially above concert pitch) or when employing string bending or "popping" playing techniques. The possibility of string breakage and personal injury exists under these conditions.
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Note
link for optimum performance. A high-quality, well-shielded cord should be used in this application.
®
5150 Floyd Rose®is a registered trademark of Floyd Rose
Marketing, Inc. Switchcraft®is a registered trademark of Switchcraft, Inc.
The patch cord between the guitar and the amplifier is an extremely important
is a registered trademark of Edward Van Halen.
ESPAÑOL
Gracias por comprar una guitarra Wolfgang Special EVH de Peavey. Esta guitarra fue construida por los
artesanos más habilidosos y los mejores materiales disponibles. Al igual que todos nuestros equipos de música, hemos fabricado nuestras guitarras combinan­do una tecnología de vanguardia con métodos arte­sanales tradicionales. Solicite a su distribuidor Peavey una lista completa de los equipos de música y acceso­rios de Peavey.
Características de la guitarra Wolfgang Special EVH
Cuerpo
Construcción de madera maciza de tilo
Exclusivo diseño con recorte desplazado
Cuello
Cuello y diapasón de madera de arce de extrema dureza, brillantes
Refuerzos dobles de grafito y varilla de torsión regulable
Escala de 648 mm de longitud y 22 trastes
Radio del diapasón de 381 mm
Clavijero recto con configuración de dispositivo de sintonía de 3+3
Fabricación atornillada con talón del cuello contorneado
Componentes electrónicos
Dos fonocaptores antizumbido Peavey de devanado per sonalizado
Control maestro de volumen
Interruptor de conmutación Switchcraft®de 3 vías y enchufe hembra de salida
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Componentes mecánicos
Dispositivos de afinación fundidos de precisión
Conjunto de trémolo de doble bloqueo con la licencia de Peavey/Floyd Rose
Afinador D
Piezas mecánicas con acabado cromado
®
Construcción
Cuerpo
El cuerpo de este instrumento está construido con madera de tilo seleccionada, elegida específicamente por sus cualidades tonales así como por sus características de peso. El diseño del cuerpo recortado en forma asimétrica resulta confortable, equilibra el instrumento y ofrece una máxima facilidad de uso.
Cuello
El cuello de madera seleccionada de arce de máxima dureza está construido artesanalmente para darle una excepcional rigidez y evitar el alabeo. La rigidez adicional se logra medi­ante barras de refuerzo dobles de grafito y una varilla de tor­sión regulable de acero que resulta fácil de ajustar. (Encontrará las instrucciones de ajuste en la sección
Ajustes–Varilla de torsión
.)
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Fonocaptores
Los dos fonocaptores antizumbido, devanados especialmente según las especificaciones de Edward, proporcionan una sali­da y respuesta tonal óptimas. Se utiliza el proceso de bañado en cera de dos etapas para lograr un funcionamiento con nivel ultrabajo de ruidos y resistencia a la retroalimentación de los micrófonos. Los fonocaptores están montados directa­mente sobre el cuerpo, lo que permite reducir aún más la retroalimentación cuando se ejecuta con volumen muy alto y ofrecer mejor respuesta tonal.
Controles
Interruptor selector de fonocaptores (1)
Este interruptor de tres posiciones permite seleccionar las diferentes combinaciones de los fonocap­tores. Las posibilidades de selec­ción son las siguientes:
Hacia arriba = Fonocaptor del puente
En el centro = Ambos fonocaptores
Hacia abajo = Fonocaptor del cuello
1
Volumen (2)
La perilla de volumen controla el nivel total de las señales de ambos fonocaptores. Para aumentar el volumen se debe girar la perilla hacia la derecha y, para reducirlo, hacia la izquierda.
Enchufe hembra de salida (3)
El enchufe hembra de salida permite realizar conexiones temporales con guitarras convencionales. (Recomendamos emplear cables “blindados” Peavey de alta calidad para las conexiones temporales.)
2
3
Ajustes
Este instrumento ha sido ajustado cuidadosamente en la fábrica de Peavey para estar entonado con precisión y simpli­ficar el uso. Sin embargo, su manera personal de tocar y sus requerimientos quizás exijan realizar ajustes adicionales. El distribuidor autorizado Peavey puede realizar estos cambios, pero con un poco de cuidado y si cumple estrictamente las siguientes instrucciones, usted puede tratar de hacerlos por su cuenta.
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