Pass XP-30 Owner's Manual

PASS
TM
Aug. 14, 2016
XP-30 Owner’s Manual
XP-30 Owner’s Manual
1
Introduction
In an area of electronics where it is often thought that everything that can improve the sound has already been done, where other designers are concentrating on mechanicals and eye-candy, we offer better sound.
The XP-30 is the best preamplier line stage ever made by Pass
Labs. By extension it is possibly the best line stage ever made. It is the result of several years effort by Wayne Colburn and staff at Pass Labs and has undergone numerous designs, redesigns, revisions, more revisions, adjustments and tweaks; more than any preamp product with the possible exception of the XP-25 phono stage.
Measurably the XP-30 generates less noise, less crosstalk, less distortion. It delivers greater dynamic range, gain, output voltage and output current. This is not why it is a breakthrough product.
We value technical excellence, but it is always the sound that is paramount. Many audio products have measured spectacularly well but have not gone down as classics because they have not delivered subjective qualities that keep listeners happy beyond the occasional initial excitement. With this uppermost in mind we set out to create
a new preamplier that simply invites you to listen. We want you to
anticipate listening to your entire record collection, again and again.
As part of the process in developing the XP-30 we began by uniformly upgrading the playback systems of our listening group. We do not do AB or ABX testing – our people live with prototypes as long as they like in their own system, and only one component gets changed at a time. This allows a close duplication of our customer’s experience and makes it easier to hear differences over extended time, with our focus remaining on the quality of the sound.
Several set of prototypes were evaluated and rened over a period of three years. This period also saw the nal development of the XP-
25, and its presence allowed us to work in as much synergy between
the components as possible. Several different power ampliers also participated, including XA.5 ampliers, prototype “Concept” ampliers, SITs, and even tubes.
In the end everyone agreed on the sound - music ows through the
XP-30 with greater ease, spatial development and dynamic contrast
than anything else we have heard. Wayne even managed to t in
a couple of my requested features – enhancements for bi-amping, and enough gain and voltage swing that the XP-30 can drive power
amplier output stages all by itself. Me, I wrote this introduction
because Wayne was too modest to. - Nelson Pass
XP-30 Owner’s Manual
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Description
The XP-30 is a modular preamplier consisting of one control /
power supply chassis and additional gain chassis, each containing the analog circuits of a single channel. The XP-30 is meant to typically be used as a two-channel product, but you can use the control chassis to serve up to six channels.
Each channel individually provides master and slave outputs. The relative level between the master and slave outputs of each channel is adjustable by a knob on the front panel of each individual gain chassis. If you have ever wanted to bi-amp your loudspeakers, you might appreciate that this feature allows easy use of different
types of ampliers for the low vs the high frequencies, adjusting
the relative levels as needed. If you need big power and control on the bottom but want the sweet character of tubes on the top, you may wonder how you ever got along without this. Or why other companies don’t offer it.
It is even useful when the same types of ampliers are used – typically without the full load on each amplier the subjective balance
still needs minor tweaking.
All connected gain chassis respond to the master level adjustment on the main control chassis through a completely new volume control covering a range of 100 dB in precise 1 dB steps.
Both outputs of each channel are offered as single-ended and balanced outputs having the same gain and impedance and both may be used simultaneously with no degradation.
There are ve (5) regular inputs, a special home theater bypass input
and tape input for those needing any side loops for recording or signal processing.
The control chassis also supports a mono function between the separate different analog stage chassis.
The power supply in the control chassis is large enough for
somebody else’s power amplier. It contains a pair of highly efcient, low-noise Plitron transformers in dual mono topologies, emi ltering, large capacitance reservoirs, and of course the isolation
that comes with being in a different chassis from the analog gain stages.
XP-30 Owner’s Manual
Something else that was on Nelson’s wish list – the ability to drive an
amplier output stage by itself: Do you require a preamplier deliver a fraction of a volt to the power amplier or peaks in excess of 50
3
volts to a balanced no-feedback follower output stage?
The XP-30 is fully capable of both tasks at once. The internal gain of each stage can be boosted another 16 dB via an internal jumper and the preamp can serve as the low source impedance front end to
the new generation of Class A power followers. Don’t laugh – they
already are for sale, and there are more coming your way. If you have an XP-30 you won’t have to buy a new preamp... The output impedance of each output is quite low and thus able to better drive long cable runs or cables with greater capacitance or
ampliers with low input impedances.
XP-30 volume control is totally new and sonically unique. It’s measured performance - distortion, bandwidth, noise, and resolution is beyond reproach. It preserves the dynamics and detail of the music passing through it, and scales this performance over its 100 dB attenuation range.
Wayne Colburn has further rened his thinking of how the active
circuit should serve the music. Like Nelson, Wayne looks at parts and sees not applications but potentials. The XP-30 uses a new and more advanced version of the gain modules that have been popular in Pass products for the last ten years. It has lower distortion and wider bandwidth than its predecessor and also features a dramatically higher input impedance. This improved version of our symmetric topology sounds so exquisite that that it has also been adopted in the
new “Dual Chassis Amplier” prototypes. Pass Labs has made large
purchases of discontinued Toshiba Jfets and Mosfets to support production of this new gain stage for the next ten years.
XP-30 Owner’s Manual
Each of these efforts have contributed to a preamp that is more resolving, dynamic, spatially accurate and closer to the real joy that is music.
To summarize:
The XP-30 is a time machine, offering a greater “look-back” at the
original musical performance and conveying additional insight to the artist’s creative intent. The XP-30 will help you rediscover the joy of your record collection.
It’s measured performance is our best yet.
It has some features that will help you get more out of your system – things that you may not yet appreciate.
The XP-30 is the preamplier that we built for ourselves.
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