Pass Point 8 Owner's Manual

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PASS
TM
March, 2014
Point 8 Owner’s Manual
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READ ME FIRST
I fully realize that many, if not all, owners will rush to hook up the
amplier without reading this operating manual.
Heat and Ventilation - The X.8 and XA.8 ampliers consume quite a bit of power during operation and convert most of it into heat. Pick a location where the amplier can get some fresh air to remove the heat. Do not enclose the amplier in a closed cabinet. Give it lots of space.
CAUTION!
Before operating this amplier, verify that the voltage label near the AC input connector on the amplier indicates an operating voltage compatible with the voltage level of the electrical outlet you intend to use. In all instances the amplier requires a 50hz- 60hz supplied electrical service.
Do not defeat the safety purpose of the polarized or grounding type power plug supplied with this product. A grounding type plug has two blades and a third grounding prong. The grounding prong is provided for your safety. If the provided power cord plug does not t your outlet, consult an electrician for replacement of the obsolete outlet.
The mains power cord is intended to be the safety disconnect device for this apparatus and shall remain accessible and operable at all times.
Unplug this apparatus during lightening storms or when unused for long periods of time.
On the rear panel is a master switch and additionally a fuse holder on the smaller amps. The fuse holder accepts type 3AG (6.3mm x 32mm) 250 volt glass fuses of the slow blow variety.
Please consult the Pass Laboratories factory if you have any question on these fuses or need replacements. The larger amps do not have any user serviceable fuses. On these larger ampliers the rear panel switch is a thermal magnetic circuit breaker.
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Input Connection and Input Impedance
The ampliers take either a single-ended (RCA) or balanced (XLR) input connection. The input impedance is 50 Kohms single-ended and 100 Kohms balanced, and the input capacitance is just a few picofarads so anything will drive it. If you are using RCA inputs, then you want to use the gold input jumper to short the (-) input (pin 3) of the XLR connector to ground (pin 1) as shown:
Output Connection
You can hook this amplier up to any normal loudspeaker without danger of damage. Note, however that both the (+) Red output connection and the (-) Black output connection are live There is no ground reference at the speaker terminals. The black (-) speaker terminal must never be treated as ground.
This can be important when you are hooking up active sub-woofers to the output of the amp – if you need a signal ground connection then use the white ground terminal provided on the rear panel.
The white signal ground connection is not a safety ground. Safety ground is provided only by the detachable power cord. Never defeat the safety purpose of the power cord.
NOTE
The Audio outputs of this power amplier are considered class 2 (CL2) circuits in North America. This means the wire connected between the amplier and the speaker(s) shall be rated at minimum Class 2 (CL2) and shall be installed according to the U.S. National Electrical Code (NEC) Article 725 or Canadian Electrical Code (CEC) section 16.
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Operation
After proper connection you can turn the amplier on via the switch on the front panel or by placing a 12VDC voltage on the remote turn on terminals on the back panel; once the rear panel circuit breaker is on. The stand-by LED will light up, the meter will light up, and the meter will slowly move to near the center position of the dial. The ampliers take a while to fully warm up, usually about an hour or so.
Introduction
For many years there has been considerable faith that if we simply keep improving the measurements of components such as ampliers then they will sound better. Initially this was truly the case – equipment was sufciently awed from an objective standpoint that better measurements matched up with subjective experience.
At some level of objective quality there started to be a disconnect, and some audiophiles began to lose the faith. One of the responses to this was to examine more exotic sources of distortion in the equipment while some others simply worked to continue to reduce the aws that were already understood. There’s no doubt that some real progress resulted from these efforts, and now you can purchase products at reasonable prices which measure far better than the old stuff.
But the disconnect between the customer’s perceptions and the measurements persists, and there have been cases of state-of-the-art engineering resulting in economic failure, apparently because people didn’t care for the sound.
Well, of course you are dealing with people, and that will complicate any endeavor. The customer wants what the customer wants. I have heard arguments that audiophiles are irrational, that decisions are based on appearance or cost or advertising. Certainly there is plenty of that, and there have been plenty of blind tests that have demonstrated that “audiophiles can’t hear the difference”, at least in the context of that test.
But I don’t think that’s the whole story. My experience is that under the right conditions the customer can often hear the difference, and his observations are not to be ignored.
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First, it has to be acknowledged that the science of cognitive perception is still in its infancy, and the ear is not really a microphone and the brain is not a tape recorder. The data we do have on this subject is a little like quantum mechanics – we have to change our view to make sense of the illusions and paradoxes that accompany the interpretation of sensory input.
With regard to ampliers at least, I think we already have the measurement data in hand. The problem is in our failure to interpret it with respect to human perception.
This puts some emphasis back on listening tests - extensive long-term tests with reliable listeners and familiar equipment and environments. This is not a cheap and easy procedure. Even assuming that the listener(s) really can hear, we still have the vagaries of individual taste, and not a large population of qualied listeners and systems.
In the end, even if we can design around the perceptions of a small qualied listening panel, we are still inevitably aiming at a minority audience in the real world. That’s OK with me – One percent of this market is still a lot of ampliers.
The thing is, I don’t think the audiophile wants technical perfection. He wants to be happy.
Look at it this way: In the market there are rows of bottled drinking water. Some are contaminated with natural mineral content and carbonated, some have sugar-based substances added, some have been harvested from glaciers. They all appear to be more expensive than gasoline. Where is the pure distilled water? Probably on the bottom shelf, possibly even elsewhere in the store. It seems to be the least popular, even if it is cheaper than gasoline.
Since the release of the X.5 series seven years ago we began working on what has now become the X.8 ampliers. They embody everything we know, and while I can’t divulge all the details, I can tell you about some things which might interest you.
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More is More
There are times when “less is more”, particularly if you are building little “ea watt” ampliers, where simple Class A circuits sound exceptionally good when the loudspeaker is easy and the musical material isn’t too complex or dynamic. Arguably I pioneered the solid state genre with the 1994 single-stage “Zen Amp” and subsequent designs.
The X.8 series is intended to deliver some of the qualities qualities found in these little ampliers, but with dramatically more power and accuracy. The formula is simple: More hardware for more power with fewer stages and lower distortion with less feedback. In addition, The various elements of the ampliers have to be individually adjusted to operate in the harmony that delivers the musical experience.
More Class A
The redesigned output stages of the X.8 series takes the lessons learned from the Xs ampliers – bigger hardware biased more deeply into the Class A operating region. In turn, the Xs design was inspired by the successes of the X.5 series of ampliers from 2006.
Two important things emerged with the X.5 series, the rst being the value of a large push-pull Class A operating envelope for low distortion and good control of a loudspeaker. Even the Class AB models of the X.5’s had large Class A bias values, so that the performance enjoyed Class A operation at ordinary listening levels.
The second element is the higher level of single-ended Class A bias current applied to the output stage, allowing arbitrary control of the values and ratios of the second and third harmonic characteristic. The subtle qualities of this approach result in a sonic signature which is unique to the X.8 series, but goes back to character of previous ampliers which have had a particularly successful sound. These ampliers had good measurement specs – low distortion, wide bandwidth, high current, and so on, but were not “state of the art” in any particular category, simply a good balance of these qualities.
One thing they also had in common was that the distortion they did have was a balance of low order harmonics, dominantly second at low levels and dominantly third at high power.
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Are we deliberately creating distortion to achieve this? No. We are optimizing the remaining distortion character of an already low distortion amplier for a superior musical character.
More Heat Sink
Part of the “more and bigger hardware” is more metal. One of the rst things you will notice is that the smaller amplier models, the X150.8, X250.8, XA30.8, XA60.8 and XA100.8 have new and larger heat sinks (and also more output devices). This upgrade was essential to dissipate the energy of the larger bias currents.
More Front End
Some of the biggest improvements come from the design of the “front end” circuit which contains the rst two of the three stages of the amplier - the input stage and the voltage gain stage. In the X.5 series, all the ampliers had essentially the same front end circuit, usable interchangeably. This is not quite true of the X.8 series, where each model has subtle differences design to most perfectly complement the differences found in each output stage. Each amplier in the X.8 series has a individual characteristic depending on the number of devices, heat sinking, supply voltage and push-pull versus single-ended bias currents. The output stages of each model have individual transfer curves and its their favorite feedback gures which must be complemented by the front ends. This was accomplished by using measurements to set a baseline objective performance and then adjusting the circuitry through extensive listening on six different systems.
The front ends use a mix of four each of complementary Jfet, Mosfet, and Bipolar devices by Toshiba. These have been discontinued, but we had the wisdom to have a large inventory of these superior parts. We run these matched input Jfet devices undegenerated for the square-law character, followed by Bipolar cascodes and matched Common Source mode Mosfets.
We have carefully adjusted the bias and loading off the Drains of the gain devices, which selects the most appropriate load-line character and the feedback around the output stage.
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The voltage gain stages of the ampliers also sport much larger heat sinks for much higher bias currents, critical to low distortion and driving the large output stages.
The result is a front end with high stability, low distortion and noise. It has a very high input and is DC coupled. There are no compensation capacitors – in fact there are no capacitors in the amplier circuit except across the shunt bias regulators and (obviously) the power supply.
More Power Supply
The power supplies for the X.8 series are generally larger than their predecessors. The models X150.8, X250.8, XA30.8, XA60.8, and XA100.8 have a third more storage capacitance and some new CRC ltering to round out the edges of the supply ripple.
We have incorporated additional RF ltering in the AC primary circuits. The supplies still use paralleled fast/soft rectiers and very large toroidal transformers from Plitron. The power on/off switching is new, with a 400 amp Triac taking the inrush surge and then paralleled by a high current relay. The new system has a stand-by draw in conformance to 1 watt requirements.
The front end circuits of the ampliers have massively larger power supply decoupling – the ripple is now measured in microvolts. This coupled with interleaved layout techniques has reduced the output noise of the ampliers by another 10 dB. The range between peak output and average noise oor is greater than 130 dB.
Conclusion
So there you have it. Pass Laboratories celebrates its twenty-second year by presenting the some of the best ampliers we have ever made. If you have heard the qualities of the highly acclaimed Xs series of ampliers you will have had a taste of what we offer here – ampliers that bridge the gap between measured performance and subjective experience: Ampliers that invite you into the music.
2013 Nelson Pass
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Warranty Information
All Pass Laboratories products purchased new from an authorized Pass Laboratories dealer in North America are covered by a transferable, limited 3-year warranty.
This warranty includes parts and labor charges incurred at the repair facility.
Consequential damages are specically not covered and damage due to modication or physical abuse is also not covered.
The customer assumes responsibility for shipping and insurance to and from the
factory, or a factory specied repair facility.
Non-North American customers should consult with their original Pass Labs dealer or distributor for warranty repair instruction prior to contacting the factory or shipping product for repair. Non-North American product must be returned to the country of origin for warranty service. Foreign distributors are only required to offer warranty service on Pass Laboratories product that they have imported.
Conditions of warranty service and customer rights for product purchased outside the United States may vary depending upon the distributor and local laws. Please
check with your local distributor for specic information.
Any modications to Pass Laboratories products that have not received written factory approval nullify all claims and void the warranty. Should a modied
product be returned to the factory for repair the owner will be required to pay all necessary charges for the repair in addition to those charges required to return the
product to its original conguration.
In the case of safety issues, no product shall be returned to the customer without those safety issues being corrected to the most recent accepted standards.
Removal or alteration of original Pass Labs serial numbers voids the factory warranty. Product with altered or missing serial numbers will be suspected as counterfeit product. Pass Laboratories will not repair or in any way indemnify any counterfeit or cloned product.
Pass Laboratories does not offer products in voltages intended for international markets either to authorized Pass Labs dealers or to third parties located in the United States or Canada.
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For your protection please read the following:
Water and moisture: Electrical devices should not be used near water ( as per
example, near a bathtub, washbasin, kitchen sink, laundry tub, wet basement or swimming pool ). Care should be taken such that objects do not have the opportunity to fall, and that liquid is never spilled onto or into the device enclosure through openings.
Power Sources: An electrical device must be connected to a mains power source in strict accordance with the supplied product owner’s manual. Please verify that
the AC mains voltage specied in the product manual matches those requirements
indicated on the unit and the AC voltage provided to your location by the power company.
Grounding: Adequate precautions should be taken so that the grounding provisions built into an electrical product are never defeated.
Power Cords: Pass Laboratories provides a power supply cord that meets all legislated requirements for the market in which the product was originally sold. If you choose to substitute an after-market product we urge you to choose one that is fully safety rated by the necessary local authority.
Power Cord Protection: Power supply cords should be routed so that they are not likely to be walked on, abraded, or pinched by items placed on or against them, paying particular attention to cords where they enter plugs or exit from a device. Never under any circumstance insert a cut or damaged power cord into a mains power socket.
Power and Signal: Cables should never be connected / disconnected with equipment powered up. Failure to heed this warning may damage or destroy equipment.
Ventilation: Power-ampliers run hot, but you should be able to place your
hands on them without discomfort. You must allow for this heat in installation, by providing for free air circulation around the product. Electronics should not be subjected to sources of excessive radiant heat. Excessive heat can shorten the life of the product and may cause the electronics to self-protect and shut down.
Servicing: To reduce the risk of re, electrical shock or other injuries, the user
should not attempt to service the device beyond that which is described in the
operating instructions. All other servicing must be referred to qualied service
personnel.
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Pass Laboratories Inc.
13395 New Airport Rd.
Suite G
Auburn, CA 95602
tel: (530) 878-5350
fax: (530) 878-5358
www.passlabs.com
© 2014 Pass Laboratories Inc.
“PASS”, “Pass”, “Pass Labs”, “Pass Laboratories”,
“Supersymmetery”, “Aleph”, and “Zen” and are all registered trademarks of Pass
Laboratories, Inc., and all rights thereto are protected by law.
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