Pass Point 8 Owner's Manual

PASS
TM
March, 2014
Point 8 Owner’s Manual
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READ ME FIRST
I fully realize that many, if not all, owners will rush to hook up the
amplier without reading this operating manual.
Heat and Ventilation - The X.8 and XA.8 ampliers consume quite a bit of power during operation and convert most of it into heat. Pick a location where the amplier can get some fresh air to remove the heat. Do not enclose the amplier in a closed cabinet. Give it lots of space.
CAUTION!
Before operating this amplier, verify that the voltage label near the AC input connector on the amplier indicates an operating voltage compatible with the voltage level of the electrical outlet you intend to use. In all instances the amplier requires a 50hz- 60hz supplied electrical service.
Do not defeat the safety purpose of the polarized or grounding type power plug supplied with this product. A grounding type plug has two blades and a third grounding prong. The grounding prong is provided for your safety. If the provided power cord plug does not t your outlet, consult an electrician for replacement of the obsolete outlet.
The mains power cord is intended to be the safety disconnect device for this apparatus and shall remain accessible and operable at all times.
Unplug this apparatus during lightening storms or when unused for long periods of time.
On the rear panel is a master switch and additionally a fuse holder on the smaller amps. The fuse holder accepts type 3AG (6.3mm x 32mm) 250 volt glass fuses of the slow blow variety.
Please consult the Pass Laboratories factory if you have any question on these fuses or need replacements. The larger amps do not have any user serviceable fuses. On these larger ampliers the rear panel switch is a thermal magnetic circuit breaker.
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Input Connection and Input Impedance
The ampliers take either a single-ended (RCA) or balanced (XLR) input connection. The input impedance is 50 Kohms single-ended and 100 Kohms balanced, and the input capacitance is just a few picofarads so anything will drive it. If you are using RCA inputs, then you want to use the gold input jumper to short the (-) input (pin 3) of the XLR connector to ground (pin 1) as shown:
Output Connection
You can hook this amplier up to any normal loudspeaker without danger of damage. Note, however that both the (+) Red output connection and the (-) Black output connection are live There is no ground reference at the speaker terminals. The black (-) speaker terminal must never be treated as ground.
This can be important when you are hooking up active sub-woofers to the output of the amp – if you need a signal ground connection then use the white ground terminal provided on the rear panel.
The white signal ground connection is not a safety ground. Safety ground is provided only by the detachable power cord. Never defeat the safety purpose of the power cord.
NOTE
The Audio outputs of this power amplier are considered class 2 (CL2) circuits in North America. This means the wire connected between the amplier and the speaker(s) shall be rated at minimum Class 2 (CL2) and shall be installed according to the U.S. National Electrical Code (NEC) Article 725 or Canadian Electrical Code (CEC) section 16.
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Operation
After proper connection you can turn the amplier on via the switch on the front panel or by placing a 12VDC voltage on the remote turn on terminals on the back panel; once the rear panel circuit breaker is on. The stand-by LED will light up, the meter will light up, and the meter will slowly move to near the center position of the dial. The ampliers take a while to fully warm up, usually about an hour or so.
Introduction
For many years there has been considerable faith that if we simply keep improving the measurements of components such as ampliers then they will sound better. Initially this was truly the case – equipment was sufciently awed from an objective standpoint that better measurements matched up with subjective experience.
At some level of objective quality there started to be a disconnect, and some audiophiles began to lose the faith. One of the responses to this was to examine more exotic sources of distortion in the equipment while some others simply worked to continue to reduce the aws that were already understood. There’s no doubt that some real progress resulted from these efforts, and now you can purchase products at reasonable prices which measure far better than the old stuff.
But the disconnect between the customer’s perceptions and the measurements persists, and there have been cases of state-of-the-art engineering resulting in economic failure, apparently because people didn’t care for the sound.
Well, of course you are dealing with people, and that will complicate any endeavor. The customer wants what the customer wants. I have heard arguments that audiophiles are irrational, that decisions are based on appearance or cost or advertising. Certainly there is plenty of that, and there have been plenty of blind tests that have demonstrated that “audiophiles can’t hear the difference”, at least in the context of that test.
But I don’t think that’s the whole story. My experience is that under the right conditions the customer can often hear the difference, and his observations are not to be ignored.
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