Panasonic WR-DA7 User Manual

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Before attempting to connect or operate this product, please read these instructions completely.
The meter bridge shown in photo is one of the optional accessories.
Users’ Guide
Audio Mixer

WR-DA7

Table of Contents
Warning:
This equipment generates and uses radio frequency energy and if not installed and used properly, i.e., in strict accordance with the instruction manual, may cause harmful interference to radio communications. It has been tested and found to comply with the limits for a Class A computing device pursuant to Subpart J of Part 15 of FCC Rules, which are designed to provide reasonable protection against such interference when operated in a commercial environment.
We declare under our sole responsibility that the product to which this declaration relates is in conformity with the standards or other normative documents following the provisions of Directives EEC/73/23 and EEC/89/336.
Wir erklären in alleiniger Verantwortung, daß das Produkt, auf das sich diese Erklärung bezieht, mit der folgenden Normen oder nor­mativen Dokumenten übereinstimmt. Gemäß den Bestimmungen der Richtlinite 73/23/EEC und 89/336/EEC.
Nous déclarons sous notre seule responsabilité que le produit auquel se référe cette déclaration est conforme aux normes ou autres documents normatifs conformément aux dispositions de la directive 73/23/CEE et 89/336/CEE.
Nosotros declaramos bajo nuestra única responsabilidad que el producto a que hace referencia esta declaración està conforme con las normas u otros documentos normativos siguiendo las estipula­ciones de la directivas CEE/73/23 y CEE/89/336.
Noi dichiariamo sotto nostra esclusiva responsabilità che il prodotto a cui si riferisce la presente dichiarazione risulta conforme ai seguenti standard o altri documenti normativi conformi alle dispo­sizioni delle direttive CEE/73/23 e CEE/89/336.
Wij verklaren als enige aansprakelijke, dat het product waarop deze verklaring betrekking heeft, voldoet aan de volgende normen of andere normatiefve dokumenten, overeenkomstig de bepalingen van Richtlijnen 73/23/EEC en 89/336/EEC.
Vi erklærer os eneansvarlige for, at dette produkt, som denne dekla­ration omhandler, er i overensstemmelse med den følgende stan­darder eller andre normative dokumenter i følge bestemmelserne i direktivene 73/23/EEC og 89/336/EEC.
Vi deklarerar härmed värt fulla ansvar för att den produkt till vilken denna deklaration hänvisar är i överensstämmelse med standard­dokument, eller andra normativa dokument som framstölls i Direktiv 73/23/EEC och 89/336/EEC.
Ilmoitamme yksinomaisella vastuullamme, että tuote, jota tämä ilmoitus koskee, noudattaa seuraavia standardeja tai muita ohjeel­lisia asiakirjoja, jotka noudattavat direktiivien 73/23/EEC ia 89/336/EEC. säädöksiä.
Vi erklærer oss alene ansvarlige for at produktet som denne erklæringen gjelder for, er i overensstemmelse med følgende normer eller andre normgivende dokumenter som fælger bestem­melsene i direktiven 73/23/EEC og 89/336/EEC.
For U.S.A
Table of Contents
THIS APPARATUS MUST BE EARTHED.
To ensure safe operation the three-pin plug supplied must be inserted only into a standard three-pin power point which is effectively earthed through the normal household wiring. Extension cords used with the equipment must be three-core and be correctly wired to provide connection to earth. Wrongly wired extension cords are a major cause of fatalities. The fact that the equipment operates satisfactorily does not imply that the power point is earthed and that the installation is completely safe. For your safety, if in any doubt about the ef fective earthing of the power point, consult a qualified electrician.
For U.K
For Australia
FOR YOUR SAFETY PLEASE READ THE FOLLOWING TEXT CAREFULLY.
This appliance is supplied with a moulded three pin mains plug for your safety and convenience. A 5 amp fuse is fitted in this plug. Should the fuse need to be replaced please ensure that the replacement fuse has a rating of 5 amp and that it is approved by ASTA or BSI to BS1362. Check for the ASTA mark
H or the BSI mark G on the body of the fuse.
If the plug contains a removable fuse cover you must ensure that it is refitted when the fuse is replaced. If you lose the fuse cover the plug must not be used until a replacement cover is obtained. A replacement fuse cover can be purchased from your local Panasonic Dealer.
IF THE FITTED MOULDED PLUG IS UNSUITABLE FOR THE SOCKET OUTLET IN YOUR HOME THEN THE FUSE SHOULD BE REMOVED AND THE PLUG CUT OFF AND DISPOSED OF SAFELY. THERE IS A DANGER OF SEVERE ELECTRICAL SHOCK IF THE CUT OFF PLUG IS INSERTED INTO ANY 5 AMP SOCKET.
If a new plug is to be fitted please observe the wiring code as shown below. If in any doubt please consult a qualified electrician.
WARNING: This apparatus must be earthed.
IMPORTANT
The wires in this mains lead are coloured in accordance with the following code.
Green-and-yellow: Earth Blue: Neutral Brown: Live
As the colours of the wire in the mains lead of this appliance may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows.
The wire which is coloured green-and-yellow must be connected to the terminal in the plug which is marked with the letter E or by the earth symbol I or coloured green or green-and-yellow.
The wire which is coloured blue must be connected to the terminal in the plug which is marked with the letter N or coloured black.
The wire which is coloured brown must be connected to the terminal in the plug which is marked with the letter L or coloured red.
How to replace the fuse
Open the fuse compartment with a screwdriver and replace the fuse.
Caution:
Before attempting to connect or operate this product, please read the label on the rear panel.
The serial number of this product may be found on the rear of the unit. You should note the serial number of this unit in the space provided and retain this book as a permanent record of your purchase to aid identification in the event of theft.
Model No. Serial No.
WARNING:
TO PREVENT FIRE OR ELECTRIC SHOCK HAZARD, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.
Table of Contents

Digital Mixer WR-DA7

Users’ Guide
Version 1.10
Table of Contents
Limit of Liability/Disclaimer of Warranty: The author, Audio Video Systems Division of Matsushita Communication Industrial Co., Ltd has used its best efforts in preparing this book. However, Audio/Video Systems Division of Matsushita Communication Industrial Co., Ltd makes no representation or warranties with respect to the accuracy or completeness of the contents of this book and hereby specifically disclaims any implied warranties or merchantability or fitness for any particular purpose and shall in no event be liable for any loss of profit or any other commercial damage, including but not limited to special, incidental, consequential, or other damages.
TRADEMARKS
Audio Video Systems Division of Matsushita Communication Industrial Co., Ltd has made every effort to supply trademark information about company names, products, and services mentioned in this document. Trademarks indicated below were derived from various sources. All products or services not listed below are the trademarks, service marks, registered trademarks or registered service marks of the respective owners.
ADAT is a registered trademark of Alesis Corporation TDIF is copyrighted by TEAC Corporation and TASCAM is a registered trademark of TEAC Corporation IBM is a registered trademark of International Business Machines Corporation Mac is a registered trademark of Apple Computer, Inc.

Table of Contents

Table of Contents
Digital Mixer WR-DA7
Users’ Guide
Table of Contents
1. Introduction 1-1 1-1 A New Beginning 1-1 1-2 About This Manual 1-4 1-3 Making the DA7 Work For You 1-7
2. DA7 Tour 2-1 2-1 Overview 2-1 2-2 Top Panel 2-3 2-3 Display Bridge 2-20 2-4 Rear Panel 2-25
3. Quick Start 3-1 3-1 Module A, Getting Sound Out 3-3 3-2 Module B, Onboard Signal Processing 3-6 3-3 Module C, Outboard Processing 3-9 3-4 Module D, Monitoring 3-16 3-5 Module E, Tips, Shortcuts and Warnings 3-17
4. Cursor Control 4-1
5. Channel, Library, and Meter Windows 5-1 5-1 Overview 5-1 5-2 Channel Window 5-3 5-3 Library Windows 5-12 5-4 Meter Group Windows 5-17 5-5 Channel Window, Multi-Channel View 5-20
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Table of Contents
6. Fader Layers and Channel Strips 6-1 6-1 Fader Layers 6-1 6-2 Channel Strip 6-3
7. Equalizer 7-1 7-1 Overview 7-1 7-2 Equalizer Section 7-3 7-3 Equalizer Window 7-6 7-4 Equalizer Library Window 7-8 7-5 Equalizer Window, Multi-Channel View 7-10
8. Pan/Assign, Surround, Bus Assign 8-1 8-1 Pan/Bus Assign Controls 8-1 8-2 Surround Window 8-3 8-3 Surround Window, Multi-Channel View 8-12
9. Dynamics/Delay 9-1 9-1 Overview 9-1 9-2 Dynamics/Delay Section Controls 9-3 9-3 Dynamics Window 9-6 9-4 Dynamics Window, Multi-Channel View 9-13 9-5 Dynamics Library Window 9-15
10. AUX 10-1 10-1 Overview 10-1 10-2 AUX Section Controls 10-3 10-3 Fader Control Window 10-5
11. MIDI 11-1 11-1 MIDI, Setup Window 11-1 11-2 MIDI, PRG ASGN (Program Assign) Window 11-6 11-3 MIDI, CTRL ASGN (Control Assignment) Window 11-8 11-4 MIDI, BULK (Bulk Out) Window 11-10 11-5 MIDI, Remote Windows 11-14
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Table of Contents
12. D-I/O (Digital Input/Output) 12-1 12-1 D-I/O, Input Set Window 12-2 12-2 D-I/O, To Slot Window 12-10 12-3 D-I/O, Dither Window 12-14
13. Group 13-1 13-1 Overview 13-1 13-2 FADER GRP (Fader Group) Window 13-3 13-3 MUTE GRP (Mute Group) Windows 13-5 13-4 LINK/STR (Stereo) Window 13-7
14. Automation 14-1 14-1 Automation, Setup Window 14-2 14-2 Automation, Execute Window 14-5 14-3 Automation, EVT EDIT (Event Edit) Window 14-14 14-4 Automation Operation 14-19
15. Scene Memory 15-1 15-1 RD/WR (Read/Write) Window 15-1 15-2 XFade Time Window 15-5
16. Utility and Solo Monitor 16-1 16-1 Utility, Solo/Monitor (SOLO/MON) Window 16-2 16-2 Utility, Oscillator/Battery (OSC BATT) Window 16-6 16-3 Utility, Configuration (CONFIG) Window 16-9 16-4 Utility, User Custom (USER CSTM) Window 16-12
17. Options 17-1 17-1 ADAT Digital I/O Card, WR-ADAT 17-2 17-2 TDIF (TASCAM Digital Audio Interface) Card, WR-TDIF 17-5 17-3 AES/EBU & S/PDIF Card, WR-AESS 17-7 17-4. AD/DA Card, WR-ADDA 17-8 17-5 SMPTE Card, WR-SMPT 17-9 17-6 TANDEM Card, WR-TNDM 17-11 17-7 METER BRIDGE 17-16 17-8 MAX, Expansion Software 17-17
Appendixes
Appendix A, Setup Scenarios A-1 Appendix B, LCD Screen Displays B -1 Appendix C, Abbreviations and Acronyms C-1 Appendix D, Default Settings D -1 Appendix E, Cables and Connections E-1 Appendix F, Technical Specifications F-1 Appendix G, MIDI Implementation Chart G-1
Glossary Index
Table of Contents
Table of Contents
1-1
1
Introduction

1-1 A New Beginning

The Digital Mixer WR-DA7 sets a new standard for affordable automated digital audio mixing and production. The DA7 has a number of features built into it that until recently, were the privilege of only high-end production facilities. Every feature is either directly controlled or just a window away. As a DA7 user, you’ve made the decision to become part of the future.
Now that you're here, please take some time to review the manual. Keep it near your DA7 and refer to it when you come across something you don't understand. Digital mixers offer substantially more features than regular analog mixers, and there will be a period of time before you are as comfortable with the DA7 as you are with other mixers.
Like most people, you'll want to play first and then look for those items in the manual that were unclear. But you should be aware that the DA7 has many advanced features that may not be immediately apparent to you, and if you don't read the manual, you could be missing out on features that can save you time and effort in a session.
It will help your understanding of the DA7 to read this Users' Guide from cover to cover, but we know you probably won't. It would be beneficial to you, however, to at least read Chapters 1, 2, 3, 4 and Appendix D, which will help you get familiar with the basic operations.
Chapter 1
Introduction
Functionality
Let's take a moment to preview some of the main features and benefits of the DA7.
The Fader Layer controls permits you to mix and monitor the 32 inputs, the
6 aux sends and the 6 aux returns, the 8 buses, and the unique CUSTOM/MIDI layer. By not tying up input channels for outboard effects the 6 dedicated aux return faders provide extra inputs, for a total of 38 audio inputs.
The DA7 is digitally controlled which allows you to automate all your mixer functions, from mixing and MIDI parameters, to dynamics and effects. Multiple LEDs provide instantaneous display of channel/bus/aux assignments, as well as automation recording status.
The DA7 comes with internal memory to store fifty EQ libraries, fifty Dynamics libraries, fifty Channel libraries, plus fifty different scene memories. Using optional software, you can store these memories in a computer and save an unlimited number of these memories.
5.1 surround sound mixing is built into the DA7 with multiple methods of
surround sound panning available on each channel. Option cards expand the capabilities of the DA7. For example, the ability to
synchronize to videotape, using the SMPTE interface option card, makes it easy to score or sweeten for film or television. There are other options that expand the capabilities of the DA7, including a Meter Bridge, Mixing Automation eXpansion software (MAX, for both Windows and Mac) and a Tandem card that connects two DA7's together.
Audio Input/Output option interface cards can be mixed and matched for a particular project. You can have any type of audio option card installed and transfer from one format to another without the need of outboard devices. For instance, you could have an ADAT card and an AES/EBU card and transfer from your Digital Audio Workstation to your ADAT, or vice versa.
There are four audio Input/Output option cards available: ADAT, TDIF, AES/EBU - S/PDIF and an Analog card. Any audio card works in any slot.
Chapter 1
1-2
1
Introduction
Simplicity
The DA7 is simple to operate, so you will spend less time as an engineer and more time as an artist. Engineered for ease of use, the Human-Machine Interface (HMI) provides a variety of ways to access and assign the channel parameters for your sources. Every channel parameter is displayed on the 320x240 backlit LCD screen, providing a quick visual reference of every aspect of the mixer setup.
To view the status of the console on a larger screen, use the optional software package. This software allows you to create custom views of the DA7 and control the DA7 from your computer. It acts as a library program for backing up data from the DA7 libraries, and expands the capabilities of the automation system of the console. See your dealer for more details.
MIDI devices and MIDI remote control for peripheral gear can be controlled from the DA7.
The Future is Now
The DA7 is ready for computer-controlled digital mixing right out of the box. Connect it, and start recording. Everyone, from home musician to professional artists and producers, can now operate in the “Digital Domain” and create multi-track masterpieces using the DA7.
Chapter 1
1-3
1
Introduction

1-2 About This Manual

Document Notes
The first three chapters of the DA7 Users’ Guide provide an introduction to the system and basic information for the system.
Chapter 1, Introduction
• general information about the Users’ Guide and the system used to produce the document
• typical installation and usage scenarios for the DA7
Chapter 2, DA7 Tour
• Top Panel overview and a literal look at the Rear Panel connections setup
• illustrations that are referenced throughout the following chapters of the Users’ Guide
Chapter 3, Quick Start
• modules designed to familiarize you with a basic understanding of
the features incorporated in the DA7 mixer
Chapters 4-16 each discuss a primary function of the DA7. The information follows a basic operational sequence. Some of the chapters will be divided into sections which discuss specific capabilities and/or functions of the chapter subject.
The sections in Chapter 17, Options describe various system configurations. The Appendices provide general information groups and detail the mixer’s
technical specifications. A Glossary providing definitions for information associated with the DA7
precedes the index for this document.
Chapter 1
1-4
1
Introduction
Chapter 1
1-5
1
Introduction
Symbols and Conventions Used in this Guide
The DA7 Users’ Guide uses the icons and conventions listed below. Whenever possible, the way something appears in the Users’ Guide is as it appears on the DA7.
Numbers in a triangle indicate a sequential step in a process. Numbers in a circle indicate a list. Square bullets indicate alternative ways to perform similar tasks
or actions. Round bullets indicate items or elements in a group. Text written in bold letters indicates the name of a knob, fader,
button, or element on the Top Panel or the Rear Panel of the mixer. When panel labeling incorporates a background, the text will appear on a medium gray background.
Bold upper-case text contained in square brackets indicates the name of a window or a window area in the LCD.
Color terms presented in italics and parentheses denotes the literal color of an LED button for a particular action or condition.
In this document, cursor is used as both a noun and a verb. “Use
the ARROW buttons to move the cursor”, or “Cursor to the OFF button”.
Text presented on a black background or contained in a border indicates buttons or elements that perform a function and appear in the LCD.
This warning symbol alerts you to an action you may want to avoid or, at least, seriously contemplate before executing.
This tip symbol indicates an important fact, procedure, and/or other beneficial information for the mixer operation or performance.
[STEREO]
(color)
cursor
PST
PRE
GAIN
SUB
1
1
Chapter 1
1-6
1
Introduction
The term “area” refers to a window region in the LCD of the Display Bridge of the mixer.
The term “section” refers to a region on either the Top Panel or the Rear Panel of the mixer.
The term “soft knob” refers to a knob control in a window area in the LCD.
Chapter 1
1-7
1
Introduction

1-3 Making the DA7 Work For You

Although the DA7 has some analog inputs, it should really be thought of as a digital mixer. Like most equipment, the DA7 comes set with factory defaults, some of which may or may not provide the kind of operational preferences you would like. Please refer to Appendix D, Default Settings for a complete listing of these presets. You can’t change the factory default presets, but when you have created mixer settings that you like, they can be saved by making a snapshot of the setup and recording it in SCENE MEMORY. See Chapter 15, Scene Memory for more information.
As with any new piece of equipment, it may take you a little time to figure it out. Here are a few things you WILL need to know about the DA7. Please take a few minutes now to read them. It could save you time in the long run.
BULK BACKUP
One of the first things to think about is saving data. If you’ve already started using the DA7 straight out of the box for a major recording session, all of the mixer data for your new million selling CD stored in the DA7 memory, BACK IT UP!
The [MIDI>BULK] window can be accessed by pressing the MIDI button on the Top Panel. In the [MIDI>BULK] window, you’ll find the [BULK I/O DATA SELECT] area. All of the information recorded in the system can be sent en masse to a Mac or IBM compatible computer. See Chapter 11, MIDI, page 11-2, for setting up the serial port output to a personal computer. Some previous background knowledge of MIDI and a personal computer would be helpful here. There is software on the market that readily captures bulk dump information. If you have questions, either visit a local music retailer, or visit one of a number of Web sites on the Internet for information.
MIDI>BULK Window
MASTER RESET
If you’ve already pushed as many buttons as possible after powering up the DA7 to see what it could do, or if you have accidentally changed any of the factory presets and cannot figure out what you have done, you need to know about the master reset command.
To reset the DA7, turn the power off, and then simultaneously press and hold the METER and CHANNEL buttons in the MASTER DISPLAY section of the Top Panel. While pressing these two buttons, turn the power on. Hold the buttons down until the Channel window is displayed. Doing this will reset the DA7 to the factory presets.
Also, there are a few windows on the LCD screen that you should acquaint yourself with, that contain most of the information you need to know about the current status of your mixer.
They are the [UTILITY>CONFIG], [SOLO/MON], [D-I/O>INPUT SET] and [MIDI>BULK] windows. Pressing the relevant Top Panel buttons for these features will display the windows in the LCD. Once you are in any window, you will find the window group selection buttons on the bottom of the screen. These buttons show all the windows within the window group. The window group you are in is indicated on the top line of the [taskbar]. See Chapter 2, page 2-20 for information on the LCD screen. Cursor to the bottom of the current window, choose a window selection button, and press the ENTER button to bring that window into the LCD. You can also access the selections by pressing the Top Panel button again to toggle through the selections.
Chapter 1
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1
Introduction
METER button
CHANNEL button
MASTER DISPLAY Section
CONFIGURATION
The [UTILITY>CONFIG] window can be accessed by pressing the UTILITY button on the Top Panel. This is where the [CONFIGURATION] selections are located. One of the features here is [AUTO CHANNEL SELECT]. When active, every time a fader is moved or a SELECT button is engaged, whatever window you are in will change to the [CHANNEL] window for that selected channel. If you are trying to set up parameters on different Channel Strips, it could get frustrating to have to go back and forth between windows. To render this feature inactive, make sure that the button is in the mode. OFF is the factory preset.
Another [CONFIGURATION] selection is [AUTO DISPLAY CHANGE]. When , whenever a parameter adjustment is made from the Top Panel, the LCD will change to that parameter window. If you tweek an EQUALIZER,
DYNAMICS/DELAY or PAN knob on the Top Panel, but want to stay in the [CHANNEL] window, for example, make sure that the [AUTO DISPLAY CHANGE] selection is . OFF is the factory preset.
Other items in the [CONFIGURATION] area are the [DYN RANGE DBFS] and [MOTOR FADER] buttons, which are set to as part of the DA7’s system default.
For more information, see Chapter 16, Utility and Solo Monitor, page 16-
9. Also, see Appendix D for a listing of all the factory default conditions.
ON
OFFONOFF
Chapter 1
1-9
1
Introduction
UTILITY>CONFIG Window
Chapter 1
1-10
1
Introduction
MONITOR SETUP
To customize the monitor setup of the DA7, access the [SOLO/MON] window by pressing the SOLO MONITOR button on the Top Panel.
The [MON A] area function mutes the MONITOR A speakers 20dB. When selected, the button will appear in inverse video, and the speakers will remain dimmed until the button is deactivated. The function can be accessed from the Top Panel by pressing the MMC/CURSOR button and
SOLO MONITOR button simultaneously. SOLO is set to [IN PLACE] and [SOLO] in the factory default. This allows
you to only SOLO one channel at a time, post-fader and post-pan. In a mix situation you may want the [SOLO MONITOR][POSITION] area set to [IN
PLACE], which is post-fader and post-pan, and the [SOLO MONITOR] [MODE] area set to [MIX], which allows multiple channels to be solo’d.
SOLO MUTE returns the monitor to normal, but leaves the selections of
solo’d channels intact. When SOLO MUTE is cleared, monitoring returns to the previously selected SOLO channels.
The [SURROUND MONITOR] area mode selection is important too. When the [SURROUND MONITOR] is in the [AUX] mode, it will send the surround bus 1 and 2 signals through MONITOR A L/R, while aux sends 3 through 6 route the surround bus 3 through 6 signals. In the [MON] mode, the surround signal path uses the MONITOR A L/R, MONITOR B L/R, and MASTER L/R outputs. If the [MON] mode is active, when trying to listen to another source in the system that is not assigned to the [SURROUND MONITOR], you will find nothing coming out of the monitor speakers. The same condition could occur by selecting [SURR] for a channel in the [CHANNEL] window [ASSIGN] area.
UTILITY>SOLO/MON Window
For more information on these windows, see Chapter 16, Utility and Solo Monitor, page 16-2. To find out about the 5.1 surround sound monitor
output, see page 16-3, and for more on the DA7s’ surround sound features, see Chapter 8, Pan/Assign, Surround, Bus Assign.
D-I/O INTERFACING
With all the different devices on the market these days, getting all that gear to speak to one another can be quite a challenge. The DA7 system wordclock is factory set to [INT 48K], with the option of setting it to [INT 44.1K] or to external. All digital devices attached to the DA7 must be set to the same wordclock sampling rate in order to operate properly. If the audio you are hearing does not sound right, first check to see if you are operating every device connected to the DA7 at the same sample rate.
Find the sample rate the devices all have in common and set the DA7 to that rate, be it 44.1, 48K or another acceptable sample rate frequency. To set the DA7s’ wordclock reference, press the D-I/O button on the Top Panel to display the [D-I/O>INPUT SET] window.
When using the DA7 as the master wordclock, there are two buttons in the
[SOURCE SELECT] area for setting the sample frequency, [INT 44.1K] and [INT 48K]. Cursor to the sample frequency that is common to your devices
and press the ENTER button on the Top Panel to engage the appropriate sample frequency.
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Introduction
D-I/O INPUT SET Window
Or, if you prefer to use an external wordclock reference as the master wordclock, the external wordclock master must output a sample frequency that is common to all devices. When you are referencing the DA7 to video, you should be very careful to set the DA7 up properly.
For additional information about sample frequency and setting the clock rate of the DA7, see Chapter 12, D-I/O, page 12-2.
The key to getting the most out of your DA7 is to learn it completely. We strongly recommend that you read at least Chapter 2, DA7 Tour, Chapter 3, Quick Start, Chapter 4, Cursor Control and become familiar with the factory default presets in Appendix D.
Chapter 1
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1
Introduction
2-1
2
DA7 Tour

2-1 Overview

Your tour of the DA7 begins with a brief description of the Human-Machine Interface (HMI) design concept, and then an introduction to the elements, functions, and features of the DA7. You may ask, “what is a Human-Machine Interface (HMI)?”
The HMI is an ergonomic design concept incorporated into most products, including the DA7 mixer. Literately, it is how you (the human) and the mixer (the machine) communicate with each other. Using this concept, the DA7 was designed to give you easy access to the hardware and software features built into the mixer, so that you can quickly learn to use your new DA7 in an intuitive manner. The layout of these features and how you interact with the information they give you is described in detail in this manual. This is why we recommend that you keep this document nearby to use as a reference tool if you run into any problems.
Shortcuts, unique features and alternative paths of operation are provided to make using the DA7 faster. They are described throughout this manual, and pointed out in Chapter 3, Section 3-5. Please read this section carefully. It will make using the DA7 a more pleasurable experience.
Chapter 2
DA7 Tour
Functions and features of the mixer are accessed via knobs, faders, and buttons on the Top Panel of the DA7. The LCD screen reflects any adjustments and/or selections you make on the Top Panel. The cursor controls
and the JogDial are both used to navigate the current window displayed or to make adjustments to the data fields. The LED indicators for the Channel Strips reflect the channel assignments, and their colors indicate the current mode.
We know you will develop your own personal style of operation. Once you become familiar with the proper operation and functions of the DA7,your level of confidence and ability to operate this digital mixer will surpass anything you have previously done on a traditional analog console.
Chapter 2
2-2
2
DA7 Tour

2-2 Top Panel

The illustrations on this page and the next depict the Top Panel of the DA7. The number assignments are reflected on the Top Panel cutaway view on page 2-4. Page 2-5, adjacent to the cutaway view, provides the explanation of the numbered sections of the Top Panel.
Chapter 2
2-3
2
DA7 Tour
/CURSOR
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
BUS 2 BUS 4
BUS 6
BUS 8
25 26 27 28 29 30 31 3217 18 19 20 21 22 23 24
MONITOR A
MONITOR B
SOLO
MONITOR
2TR A
L/R
MONITOR A
L/R
2TR B
AUX
AUX
MONO
LEVEL
PRE
ON / OFF
FADER
CONTROL
12
56
3
4
BUS ASSIGN
PAN
12
7
4
3
6
8
DIRECT
L/R
ON
ON
5
PAN /ASSIGN /
AUX
DYNAMICS / DELAY
EQUALIZERMASTER DISPLAY
H
HM
LM
ON
L
EQ
Q
FREQ
GAIN
R
L
+-
+-
+-
+-
+-
+-
ON
ON
PARAMETER SELECT
DYNAMICS
DELAY
BUS 1 BUS 3 BUS 5 BUS 7
MASTER
L/R
12345678910111213141516
AUX
SND 1
AUX
SND 2
AUX
SND 3
AUX
SND 4
AUX
SND 5 BUS 1 BUS 2 BUS 3 BUS 4
AUX
SND 6
AUX
RTN 1
AUX
RTN 2
AUX
RTN 3
AUX
RTN 4
AUX
RTN 5
AUX
RTN 6 BUS 6 BUS 7 BUS 8BUS 5
MASTER L/R
RATIO
ATK
RLS
GAIN
DLY
THL
INPUT 1-16
INPUT 17-32
AUX / BUS
CUSTOM / MIDI
SURROUND
SUB
SL
L
C
R
SR
AUTO­MATION
AUX
RED
GREEN
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
MMC
PLAY
REW
FF
STOP
REC
1
2
4
5
7
8
0
3
6
9
WRITE
UNDO/REDO
READ
STORE
RECALL
ABC DEF
JKLGHI MNO
TUV
PQRS WXYZ
UTILITY MIDI
D-I/O
GROUP
AUTOMATION
SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO
FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP
ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON
SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT SELECT
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INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT INPUT
MIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINEMIC/LINE
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
PEAK / SIGNAL
+10
-60
+10
-60
+10
-60
+10
-60
+10
-60
+10
-60
+10
-60
+10
-60
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-60
+10
-60
+10
-60
+10
-60
+10
-60
+10
-60
+10
-60
+10
-60
010
010
010
T. B. LEVEL
LIBRARY
SET UP
SHIFT
LOCATE
SET
REPLAY
LOOP
LOOP
SCENE MEMORY
PARAMETER
MONITOR B LEVEL
MONITOR A LEVEL
MIC
METER
CHANNEL
SLOT 1
SLOT 3 SLOT 2
Digital Mixer
WR - DA7
L
R
50
35
25
OL
20
15
10
8
6
4
2
MEMORY
MULTI-
CH VIEW
CONTRAST
CONSOLE
LOCK
SOLO
CURSOR
MODE
TALK BACK
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
ENTER
ON
-10+4-10+4-10+4-10+4-10+4-10+4-10+4-10+4-10+4-10+4-10+4-10+4-10+4-10+4-10+4-10
+4
DA7 Top Panel
Illustrated Guide
Explanations of the numbered sections begins on the next page.
Chapter 2
2-4
2
DA7 Tour
/CURSOR
15 16
BUS 2 BUS 4
BUS 6
BUS 8
31 32
MONITOR A
MONITOR B
SOLO
MONITOR
2TR A
L/R
MONITOR A
L/R
2TR B
AUX
AUX
MONO
LEVEL
PRE
ON / OFF
FADER
CONTROL
12
56
3
4
BUS ASSIGN
PAN
12
7
4
3
6
8
DIRECT
L/R
ON
ON
5
PAN /ASSIGN /
AUX
DYNAMICS / DELAY
EQUALIZERMASTER DISPLAY
H
HM
LM
ON
L
EQ
Q
FREQ
GAIN
R
L
+-
+-
+-
+-
+-
+-
ON
ON
PARAMETER SELECT
DYNAMICS
DELAY
BUS 1 BUS 3 BUS 5 BUS 7
MASTER
L/R
15 16
BUS 3 BUS 4 BUS 6 BUS 7 BUS 8BUS 5
MASTER L/R
RATIO
ATK
RLS
GAIN
DLY
THL
INPUT 1-16
INPUT 17-32
AUX / BUS
CUSTOM / MIDI
SURROUND
SUB
SL
L
C
R
SR
AUTO­MATION
AUX
RED
GREEN
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
AUX 1
MMC
PLAY
REW
FF
STOP
REC
1
2
4
5
7
8
0
3
6
9
WRITE
UNDO/REDO
READ
STORE
RECALL
ABC DEF
JKLGHI MNO
TUV
PQRS WXYZ
UTILITY MIDI
D-I/O
GROUP
AUTOMATION
SOLO SOLO SOLO SOLO SOLO SOLO
FLIP FLIP FLIP FLIP FLIP FLIP
ON ON ON ON ON ON ON
SELECT SELECT SELECT SELECT SELECT SELECT SELECT
0
10
10
40
30
20
0
10
10
40
30
20
0
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INPUT INPUT
MIC/LINEMIC/LINE
PEAK / SIGNAL
PEAK / SIGNAL
+10
-60
+10
-60
010
010
010
T. B. LEVEL
LIBRARY
SET UP
SHIFT
LOCATE
SET
REPLAY
LOOP
LOOP
SCENE MEMORY
PARAMETER
MONITOR B LEVEL
MONITOR A LEVEL
MIC
METER
CHANNEL
Digital Mixer
WR - DA7
L
R
50
35
25
OL
20
15
10
8
6
4
2
MEMORY
MULTI-
CH VIEW
CONTRAST
CONSOLE
LOCK
SOLO
CURSOR
MODE
TALK BACK
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
FADER
CH
EQ
PAN/SURR
LIBRARY
SEL/MAN
ENTER
ON
-10
+4
-10
+4
DA7 Top Panel
1
2
3
4 5 6
8
9
10
11
7
12
13
14
15
17
16
18
Chapter 2
2-5
2
DA7 Tour
Channel Strip – input gain controls with channel control and status indicators. Also called a Channel Fader Strip.
AUTOMATION/AUX LED button – selects the display mode of the Channel Strip LED field indicators, and arms the AUTOMATION system.
MASTER DISPLAY section – the METER and CHANNEL buttons are direct buttons to the respective LCD screen windows. These should be considered "home base" for the LCD display.
EQUALIZER section – controls for setting the equalization parameters for a selected channel.
PAN/ASSIGN/ , BUS ASSIGN section – controls for setting the pan and bus assignments for a selected channel.
DYNAMICS/DELAY section – controls for setting the onboard dynamics processing parameters for a selected channel.
AUX section – controls for routing channels to outboard sources and for defining the signal path as either pre-fader or post-fader.
Display Bridge – contains the LCD screen, L/R meter display, and primary mixer display status indicators.
BUS Fader Strip – controls for output BUSes. MASTER L/R Fader Strip – controls for L/R MASTER output. Fader Layer Controls section – selects the current fader layer to be
displayed.
MONITOR section – volume and selection controls for monitoring. SETUP section – mixer function, or display control buttons. SCENE MEMORY section – buttons for writing and reading the 50 mixer
scene memories. LIBRARY section – buttons for storing and recalling Channel, EQ and
Dynamics libraries.
Keypad – alphanumeric keys for entering numbers or text. Cursor Control section – buttons and controls for defining the cursor
actions. Headset Control section – the location of the headset connector and
the level control of the DA7 is immediately below the right front edge of the Top Panel.
10 11
12 13 14
15
16 17
18
1
2
3
4
5
6
7
8
9
Channel Fader Strip
There are sixteen Channel Fader Strips on the DA7. The functionality of each Channel Fader Strip is determined by which of the four Fader Layer controls selected: INPUT 1-16, INPUT 17-32, AUX/BUS, and a user CUSTOM/MIDI function.
The MIC/LINE INPUT knob varies the channel input gain volume and adjusts for either a mic or line-level input. Due to the high quality design of this circuit, there is no pad switch necessary; the input knob range sets the input level. This knob only affects the analog inputs 1-16.
The PEAK/SIGNAL LED indicates when an input signal is present (green),
and when the input signal level is too high (red). The LED field indicators reflect the auxiliary (AUX) routing assignments and
automation parameters. The LED color signifies the AUTOMATION/AUX button selection, AUX (green), or AUTOMATION (red).
The SOLO LED button toggles on (red) or off. When on, the channel output will be routed to the MONITOR A speakers (overriding the MONITOR A input), and to the headphones.
The FLIP LED button flips the control of the Channel Fader Strip from one input layer to the other. The LED color indicates the current input selection and matches the Fader Layer control LED button colors, INPUTS 1-16 (green) or INPUTS 17-32 (red).
Chapter 2
2-6
2
DA7 Tour
Fader
MIC/LINE INPUT knob
PEAK/SIGNAL LED
LED field indicators for AUX 1-6, and automation parameters, CH, EQ, PANASSIGN/SURR, LIBRARY and SEL/MAN
SOLO LED button FLIP LED button
SELECT LED button On LED button
Channel Fader Strip
Channel numbers
AUX/BUS Layer function
1
The SELECT LED button, when on (orange), identifies the channel as the current channel selected. Only one Fader Strip can be selected at a time (unless it’s in stereo or link mode).
For more detail, see Chapter 5, Channel, Library, and Meter Windows. The ON LED button toggles on (red) and off. When on, the channel output is
active. There are two channel numbers for each strip, indicating the INPUT
connections on the Rear Panel of the DA7. The AUX/BUS label at the bottom of a Channel Fader Strip indicates its
function when the AUX/BUS Fader Layer control is selected. See Chapter 6, Fader Layers and Channel Strips for additional information.
AUTOMATION/AUX LED Button
The AUTOMATION/AUX LED button toggles the display of the Channel Fader Strips LED field indicators. The LED color indicates the current
selection. See Chapter 14, Automation and Chapter 10, AUX for additional
information.
MASTER DISPLAY Section
Chapter 2
2-7
2
DA7 Tour
METER button
CHANNEL button
2
3
AUTOMATION/AUX LED Button
MASTER DISPLAY Section
Pressing the METER button will display the [METER] window group on the LCD screen in the Display Bridge. Pressing the METER button again will cycle the three window selections: [METER INPUTS 1-32], [BUS/AUX], [SLOT].
Pressing the CHANNEL button will display the [CHANNEL] window group on the LCD screen in the Display Bridge. The window displayed will show the current mixer strip selected.
See Chapter 5, Channel, Library, and Meter Windows for additional information.
EQUALIZER Section
There are three parameter knobs and four frequency range LED buttons in the EQUALIZER section, which are used to change the EQ settings of the currently selected channel. The EQ ON LED button toggles the EQUALIZER on (green) and off. When the controls are active, adjustments can be made to the currently selected channel.
The three knobs are labeled Q (quality), FREQ (frequency), and GAIN (gain). The additional labeling of (left), (surround left), and (surround subwoofer) indicate the surround sound parameters that are controlled by the knobs when the [SURROUND] mixing area is activated. Surround sound capabilities are discussed in Chapter 8.
The four frequency band LED buttons can be selected one at a time, and turn on (orange) to show which band is operating. They are labeled H (high), HM (high-mid), LM (low-mid), and L (low).
Pressing the GAIN knob displays the [EQUALIZER] window on the LCD screen. Once the [EQUALIZER] is displayed in the LCD window, these buttons perform other shortcut functions.
The EQUALIZER section is detailed in Chapter 7.
SUB
SL
L
Chapter 2
2-8
2
DA7 Tour
EQUALIZER
H
HM
LM
ON
L
EQ
Q
FREQ
GAIN
+-
+-
+-
SUB
SL
L
4
EQUALIZER Section
Q (quality) parameter knob or left surround sound attenuator
FREQ (frequency) parameter knob or surround left surround sound attenuator
GAIN parameter knob or subwoofer surround sound attenuator
Frequency band LED buttons
EQ ON LED button
Chapter 2
2-9
2
DA7 Tour
PAN/ASSIGN/ , BUS ASSIGN Section
Pan, bus assignment, and surround sound parameters for the selected channel is set within this area. The pan control is always active for the L/R bus, so you do not need to activate the ON button to pan across the Master L/R out. However, if you wish to pan between odd/even buses, you must push the ON button. Assignment to the DIRECT output is not affected by the pan control.
The additional labeling of (center) indicates the surround sound parameter that is controlled by the knob when the [SURROUND] mixing area is activated.
The L/R, the DIRECT, and the BUS ASSIGN LED buttons toggle on (green) and off. In addition to the eight bus selections, labeled 1 - 8, selections for L/R (master L/R) output and DIRECT output are available. The DIRECT output works in conjunction with the option cards installed in the DA7 Rear Panel, routing signals directly to the cards.
The DIRECT output is detailed in Chapter 12, D-I/O. Pressing the PAN knob displays the [SURROUND] window on the LCD
screen. The PAN/ASSIGN , BUS ASSIGN section of the Top Panel is
detailed in Chapter 8.
C
5
PAN/ASSIGN/ , BUS ASSIGN Section
PAN parameter knob or center surround sound attenuator
PAN ON LED button
MASTER L/R LED button
DIRECT LED button
BUS ASSIGN LED buttons
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