Compact Size, Light Weight and Top Cinema Quality —
The Cinematic VariCam Look in Your Hands
2
The VariCam LT Debuts.
Say hello to the newest addition to Panasonic’s cinema camera line.
Tough and compact body
The Cinema VariCam LT features outstanding image quality that allows you to
achieve your “VISION”. The advanced grading tools, in-camera dailies and proxy
recording capabilities that are built into the VariCam LT are a "REVOLUTION" in
streamlining workflow.
The VariCam LT has a compact and lightweight magnesium body and offers
same picture quality specifications as the larger VariCam 35 cinema camera.
The super 35mm image sensor, which is the same imager as VariCam 35, features
wide dynamic range, an expansive color gamut, and high sensitivity for 4K image
acquisition. It has dual native ISO settings of 800 and 5000. The native 5000 ISO
allows for clean shooting in very low light situations. Its size and design facilitate a
wide array of shooting styles including comfortable ergonomic shoulder mounted
operation or use on gimbals and drones.
One new feature that has been added to the VariCam LT is the EF lens*1 mount
which offers a wide array of lens choices. The EF mount*1 can be removed by an
end user and replaced with a PL mount (optional). This allows for even greater
versatility in lens selection when shooting with the VariCam LT.
The VariCam LT workflow is very similar to that of the VariCam 35. Both cameras have
a dual codec recording function that allows the user to record a primary or “main”
codec as well as a smaller proxy file. In addition, each camera offers an in-camera
color grading function and support for AVC-Intra 4K and Apple ProRes*2 codecs.
Same imager as
VariCam 35
Exchangeable lens mount
for EF mount*1 (standard)
and PL mount (optional).
An expressP2 card slot
and an SD card slot
Standard HD SDI interface for EVF
Join the “REVOLUTION” and achieve your perfect “VISION”.
*1: Panasonic does not guarantee the compatibility or performance of all EF lenses.
For more details, to be updated on the Panasonic website.
*2: ProRes is licensed from Apple Inc. Apple ProRes codec is from Atomos under license.
The use of DCF Technologies is under license from Multi-Format, Inc.
Anton battery mount
Input/output terminals
Page 4
1
ACES
V-Gamut
ITU-R BT.2020
ITU-R BT.709
P3DCI
0.9
0.8
0.7
0.6
0.5
0.4
0.3
0.2
0.4
0
00.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8
‒0.1
The Cinematic VariCam Look,
3
Stunning Image Quality
Same Imager as VariCam 35
The VariCam LT is equipped with the super 35mm single-chip MOS
sensor developed especially for the VariCam 35. It offers 4K (4096 x
2160) and UHD (3840 x 2160) resolution, and boasts high sensitivity,
low noise, wide dynamic range and cinematic depth of field.
This sensor received The Hollywood Post Alliance Engineering
Excellence Award 2015.
14+ Stops of Wide Latitude
The VariCam LT has a latitude of 14+ stops. This wide dynamic range
assures accurate image rendering, particularly from the critical
shadow to highlight areas. The 14+ stops of dynamic range
generated by the super 35mm image sensor and advanced image
processing, record images by using V-Log gamma.
Dual Native ISO of 800/5000
The VariCam LT has two native ISO settings: 800 and 5000.
This means the VariCam LT achieves very high sensitivity while
maintaining a low noise level at 5000 ISO. The noise level at 5000
ISO is nearly identical to that seen at 800 ISO. In order to achieve this
function two dedicated analog circuits are implemented on every
pixel of the imager of the VariCam LT for each native ISO before gain
processing. This allows the camera to achieve much higher
sensitivity without increased noise.
Normally noise is introduced in the gain process of rating ISO in
digital cameras. This functionality is revolutionary for low light scene
shooting. Especially this ISO 5000 enables the camera to capture
with very low available light maintaining a realistic mood.
Expansive Color Gamut
The VariCam LT is equipped with "V-Gamut," giving it a wider color
gamut than that of film. V-Gamut also encompasses the entire
BT. 2020 color space.
Scene Files and V-LOOK
The "V-Log" gamma curve offers 14+ stops of dynamic range and
facilitates advanced color grading adjustments in post production.
To reduce post production steps and increase the time available for
creative image production, the VariCam LT is also equipped with a
5-mode scene file function. The V-LOOK mode, in particular, maintains
14+ stops of dynamic range within the Rec 709 standards, and applies a
newly designed gamma curve to create cine-like images following
primary grading. Other modes include the V-709, which is ideal for
viewing on standard monitors, and "BC-LOOK," which creates a look
that mimics traditional TV broadcast images.
Monitoring Output Terminals
The VariCam LT provides down conversion to Full HD via two 3G-SDI
outputs and one VF output (BNC) while shooting in 4K. Your look with
in-camera color grading and information overlay can be applied to
each output.
The Hollywood Post Alliance Engineering Excellence Award 2015
Super 35 mm Imager and EF Lens Mount
14+ Stop Wide Latitude
Beautiful Skin Tone
Rear Side ConnectorsLarge Native Color Gamut (V-Gamut)
Dual Native ISO of 5000
Page 5
2K/240p Slow MotionDetachable Control Panel with Monitor
4
The New Shoulder Mount with a Base Plate.
V-LOOK
Advanced Shooting Functions
Native 4K/60p Shooting
The maximum frame rate when recording in 4K (4096 x 2160) or
UHD (3840x2160) resolution is 60p (60fps). This produces smooth,
high-resolution images when recording fast-moving action scenes.
2K/HD 240p Slow Motion
When shooting in 2K (2048 x 1080) and HD (1920x1080) resolution,
high-speed 240 fps recording can be used to produce an extreme
slow-motion effect. This is achieved by cropping the image sensor
recording area in order to achieve a faster scanning speed. Variable
frame rates are available from
1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in
AVC-Intra 2K-LT. The frame rate can be changed while recording.
Infrared Cinematography (IR)
The VariCam LT is equipped with a detachable IR cut filter. This
feature allows 4K infrared images to be acquired by replacing the
filter with an bundled IR glass for shooting, to capture subjects such
as nocturnal wildlife in extreme darkness. By using the IR filter to cut
visible light, the VariCam LT can also serve as a creative tool to
achieve unique image effects in daylight.
Detachable Control Panel with Monitor
The supplied control panel has a built-in 3.5 type LCD display panel.
It can be used for menu operation or as a live/preview monitor. The
keys and dials are laid out around the display for quick and accurate
operation. Frequently used settings can be accessed directly. This
detachable module allows operation up to 90cm in distance.
Standard HD SDI Interface for EVF
The VariCam LT has a regular BNC connector for the View Finder.
Users can select from various HD monitors or viewfinders in
addition to the new Panasonic View Finder (AU-VCVF10G). The DC
power and command control connectors for the Panasonic VF are
also provided.
shoulder-mounted shooting. The grip is equipped with a Rec
Button, two User Buttons, and a Dial for adjusting the iris
(EF lens) and audio input level.
IR Shooting in DaylightEVF Connections with HD SDI and DC Power
Page 6
PROXY
expressP2 card
In-Camera Color Grading
Remote operation by control panel or 3rd party software
Preview
PC/Mac
VariCam LT
SD memory card
4K/2K/HD
PROXY
V-Log
V-709
Grading
V-Log
V-709
Grading
Grading
and
Mastering
Offline
Editing
CDL/3D LUT
AVC-Intra
ProRes
AVC-Proxy
Non-Destructive Image
Baked-In Image
Main Recorder
Proxy Recorder
MASTER
Revolutionary Workflow — Multi-Codec and Dailies in Camera As of July 2016
5
Multiple Codec 4K/UHD/2K/HD Recording
AVC-Intra 4K is a 4K-compatible version of the AVC-Intra,
intra-frame compression codec that is suitable for cinema
production. Using this codec, the VariCam LT can record 4K
(4096 x 2160) or UHD (3840 x 2160) resolution. For 2K recording,
the VariCam LT supports AVC-Intra 2K444/2K422/2K-LT. For HD
recording, the VariCam LT supports AVC-Intra 444/422/100/LT and
Apple ProRes 4444/HQ. Using the 512 Gbyte expressP2 card, the
camera can record approximately 180 minutes of 23.98p 4K video
with AVC-Intra 4K422.
* ProRes is licensed from Apple Inc. Apple ProRes codec from Atomos under license.
Atomos is trademark and copyright of Atomos Global Pty. Ltd.
In-camera Color Grading
The VariCam LT features an in-camera color grading function
(3D LUT/CDL). This enables color tuning on set as well as in the
field when using the camera control panel or 3rd party software.
This means dailies which had been created after shooting can now
be produced on set with the camera. Grading information such as
3D LUT files and CDL files can be recorded together with the
image data, allowing you to provide the same vision that you
created on set to the editorial staff.
Main and Proxy Recording
In addition to the main codec recording the VariCam LT has the ability
to record files to an SD memory card. This feature lets you record an
ungraded 4K master with V-Log in the main expressP2 card recorder
while simultaneously recording graded HD files on the SD memory
card. The primary recording data is used to create deliverables while
the proxy recordings are used for viewing or off-line editing. The file
name and time code of each file will match exactly.
Wired/Wireless* LAN Connection
Wired remote operation is enabled with the optional AK-HRP200G
Remote Operation Panel via LAN connection (with limitations on
some functions). The wired/wireless LAN connection also uses
applicable onset and grading software (produced by a third party)
to enable in-camera color grading by wired/wireless remote
control. In addition, proxy file uploading is also possible.
*For a wireless LAN connection, the AJ-WM50 or AJ-WM30 Wireless Module is required.
RAW Output
RAW data can be output from the SDI output terminals.
This enables RAW acquisition from other-brand RAW recorders.
Equipped with two SDI output terminals, it allows 4K/60p output.
* Future support planned from September. 2016.
* Please see the home page for the RAW recorder manufacturer for compatibility details.
http://pro-av.panasonic.net/en/varicam/lt/index.html
https://www.convergent-design.com/plus
https://www.atomos.com/shogun/
Direct Adjustment of Audio Levels
The audio input level can be directly adjusted using the Dial on the
Grip Module (optional) or the Menu Dial on the side of the VariCam.
This is convenient for adjusting the audio level when shooting by
yourself, or when holding the camera recorder on your shoulder.
Flexible System Configuration
Handle
AJ-MC900G
Microphone
(optional)
AJ-MH800G
Microphone Holder
(optional)
AU-VMPL1G
PL Mount
(optional)
EF Mount*
(attached)
AU-VGRP1G
Grip Module
(optional)
AJ-WM30AJ-WM50
AJ-WM30
AJ-WM50
Wireless Module
*Not available in some areas.
(attached)
AJ-P2E030FG (30 GB)
AJ-P2E060FG (60 GB)
Memory Card
P2card F series*
*1: 2K/HD only.
1
*2: Exchanging AU-XPD1 hardware, free of charge, might be necessary when expressP2 Card B series used on AU-XPD1.
For details please visit Panasonic website. (http://pro-av.panasonic.net/). "Notes when using expressP2 card B series".
NEWNEWNEW
AU-XP0256BG (256 GB)
AU-XP0512BG (512 GB)
Memory Card
expressP2card B series*2
Control Panel
(included)
AU-V35LT1G
Memory Card
Camera Recorder
AU-VCVF10G
View Finder
(optional)
AU-VSHL1G
Shoulder Mount
(for ENG style, optional)
AU-VSHL2G
Shoulder Mount
(for cinema style, optional)
* Panasonic does not guarantee the compatibility or performance of all EF lenses.
AU-XPD1
Memory Card Drive
expressP2 drive*
For more details, to be updated on the Panasonic website.
AK-HRP200G
2
Remote Operation Panel
(ROP)
Page 7
VariCam LT Specications
6
As of July 2016
General Specification
Power: DC 12 V (11.0 V – 17.0 V)
Power Consumption: 47 W, with body only
77 W, with all optional accessories
connected and maximum power supplied
from each output terminal
Operating Temperature: 0 °C to 40 °C (32°F to 104°F)
Operating Humidity: 10% to 85% (relative humidity)
Storage Temperature: –20 °C to 60 °C (–4°F to 140°F)
Weight: Approx. 2.7 kg (6.0 lb), excluding handle
and accessories
Approx. 3.0kg (6.6 lb), including handle,
excluding accessories
Dimensions: 184.0 mm x 230.5 mm x 247.0 mm
(W x H x D) (7-1/4 inches x 9-3/32 inches x 9-3/4 inches)
Ensure that the total current taken from the DC OUT terminal, LENS/GRIP terminal,
DC OUT/RS terminal and USB HOST terminal does not exceed 30 W.
Body only, excluding protrusion and accessories
Camera Unit
Pickup Device: Super 35 mm, MOS sensor
Number of Pixels: Total pixels: Approx.10.3 million pixels,
Effective pixels: Approx. 8.9 million pixels
Gain setting: Native ISO: 800, 5000
800 Base: 200 to 4000
5000 Base: 1250 to 12800
[ISO] mode: ISO200 to ISO12800
[dB] mode: –12 dB to 14 dB (2 dB step)
Shutter Speed:
[sec] mode: 1/24 sec. to 1/250 sec. (for 24p)
Recording Format (Sub Recorder): AVC-LongG6Recording
Video Signal: 4096 x 2160/59.94p, 50p, 29.97p, 25p,
24p, 23.98p
3840 x 2160/59.94p, 50p, 29.97p,
25p, 23.98p
2048 x 1080/59.94p, 50p, 29.97p, 25p,
24p, 23.98p
1920 x 1080/59.94p, 50p, 29.97p,
25p, 23.98p, 59.94i, 50i
Recording Time*1: When using expressP2 card 512 GB
(Main Codec) and when [FREQUENCY]= [23.98p]
AVC-Intra4K422, 23.98 fps:
Approx. 180 min.
AVC-Intra4K422, VFR ON, 30 fps:
Approx. 146 min.
AVC-Intra4K-LT, VFR ON, 60 fps:
Approx. 128 min.
AVC-Intra422, VFR ON, 60 fps:
Approx. 260 min.
ProRes 422 HQ VFR ON, 60fps:
Approx. 134 min.
Recording Time*1: AVC-LongG6:
(Sub Codec) Approx. 655 min.
AVC-Intra100,
Digital Video
Quantizing: AVC-Intra2K444, AVC-Intra444: 12 bit
Others: 10 bit
Video Compression Format:
AVC-Intra4K422, AVC-Intra4K-LT,
AVC-Intra2K444, AVC-Intra2K422,
AVC-Intra2K-LT, AVC-Intra444,AVC-Intra422,
AVC-Intra-LT, AVC-Intra100:
MPEG-4 AVC/H.264 Intra Profile
ProRes 422 HQ, ProRes 4444:
Apple ProRes*
2
Digital Audio
Recording Audio Signal: 48 kHz/24 bit, 4 ch
Headroom: 18 dB/20 dB switchable menu
*1: Figures are for continuous recording as one clips. Depending on the number or clips, the overall recording time may be shorter than the above.
*2: ProRes is licensed from Apple Inc. Apple ProRes codec is under license from Atomos. Atomos is a trademark and copyright of Atomos Global Pty. Ltd.
*3: Reference value for continuous recording. The recording the may differ depending on the scene or the number of clips.
File Format: MOV
Video Compression Format:
MPEG-4 AVC/H.264 Intra Profile
Audio Compression Format:
AAC
Recording Time*3 Approx. 655 min.
When using a 64 GB SDXC memory card
Video Input/Output
SDI OUT1/ SDI OUT2
VFSDI:HD(1.5G)/3G-SDI,0.8V[p-p],75Ω
: HD(1.5G)/3G-SDI,0.8V[p-p],75Ω
Audio Input/Output
INPUT 1/2: XLR x 1, 5-pin
INPUT 3/ INPUT 4: XLR x 2, 3-pin, Supports menu switching
to select LINE/MIC or enable/disable
the power supply of the microphone.
PHONES: Stereo mini jack
Speaker: 20 mm diameter, round x 1
Other Input/Output
GENLOCKIN:HD(1.5G)/3G-SDI,0.8V[p-p],75Ω
TC IN/OUT: BNC x 1, Input/Output switching
Input:0.5V[p-p]to8V[p-p],10kΩOutput: 2.0 V [p-p] ± 0.5 V[p-p], low impedance
DC IN:
DC OUT/RS: 4-pin, DC 12 V (DC 11.0 V – 17.0 V),
maximum output current 1.0 A
DC OUT: 2-pin, DC12 V (DC 11.0 V – 17.0 V),
maximum output current 1.0 A
LENS/GRIP: 12-pin
LAN: 100BASE-TX/10BASE-T
USB DEVICE: USB2.0 devices : Type B connector, 4-pin
USB HOST: USB2.0 host : Type A connector, 4-pin
CONTROL PANEL: 20-pin, control panel contact terminals
EF Mounting Contact: 8-pin
XLR x 1, 4-pin, DC 12 V (DC 11.0 V – 17.0 V)
Control Panel
Display Panel: LCD, 3.5-type QHD color monitor,
approx. 1.56 million dots
Page 8
VariCam Series4K Line-Up
CINEMA
This high-end model provides the highest level of picture
quality in the VariCam Series. Combining the 4K camera
module, featuring a PL lens mount and super 35mm image
sensor, with the recording module enables
4K Camera Recorder
AU-V35C1G/AU-VREC1G
AVC-Intra4K444/24p, 4K422/60p, 4K-LT/120p acquisition.
The Codex V-RAW recorder can also be used for
4K/120-fps uncompressed RAW Recording.
4K Camera Recorder
AG-DVX200
This 4K camera recorder with integrated lens offers
excellent mobility. Its large 4/3-type image sensor
produces superb bokeh effects, and a dynamic
range with 12 stops of latitude, and the 4K/24p,
UHD/60p, FHD/60p multi-codec renders high-quality
images. A built-in 13x zoom lens combines with a
high-speed, high-precision full-auto function and
professional manual function to provide levels of
operating ease and maneuverability that only a
camera with an integrated lens can do.
Digital Camera/Interface Unit
AG-GH4U
This digital single lens mirrorless camera excels in
4K video recording (Professional Interface Unit
Model). V-Log L*1 adds a dynamic range with 12
stops of latitude. The interface unit features a Quad
Link SDI output*2 that connects to professional 4K
recorders and 4K monitors, as well as 2 channels of
XLR audio input, and TC input.
*1: You may need to update the firmware. Please refer to
"service and support" on the Panasonic Website.
*2: Motion pictures cannot be recorded onto the memory
card in the camera when 4:2:2/10 bit output is selected.
2/3-type HD Camera Recorder
AU-V23HS1G with AU-VREC1G
SP-VARILTPE2 2K201607ZP-1 Printed in Japan
Equipped with a 2/3-type lens mount, the VariCam HS
enables HD acquisition with a high-speed frame rate of 240
fps max. The recorder module is the same as that of the
VariCam 35. By simply exchanging the camera module with
the AU-V23HS1G 2/3-type HD camera module, this model is
capable of high-speed captures.
This reference monitor is actively used in 4K, 2K,
and HD image production. BT-4LH310 offers 4K
(4096 x 2160), QFHD (3840 x 2160) resolution and a
DCI (P3) color gamut. An LUT (Look-up Table)
upload function also supports digital cinema color
management.
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