Panasonic GP-US522CUE, GP-US522HE, GP-US532HE User Manual

Page 1
3 CCD Colour Camera Head
GP-US522HE GP-US532HE
3 CCD Colour Camera CCU
GP-US522CUE
Lens : Purchased locally Cable: Option
Before attempting to connect or operate this product, please read these instructions completely
DEUTSCH
ENGLISH
Page 2
The serial number of this product may be found on the bottom of the unit. You should note the serial number of this unit in the space provided and retain this book as a permanent record of your purchase to aid identification in the event of theft.
Model No. Serial No.
The lightning flash with arrowhead sym­bol, within an equilateral triangle, is interned to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilat­eral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appli­ance.
WARNING:
TO PREVENT FIRE OR ELECTRIC SHOCK HAZARD, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOIS
TURE.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK), NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN

ENGLISH VERSION

CAUTION:
Before attempting to connect or operate this product, please read the label on the bottom.
We declare under our sole responsibility that the product to which this declaration relates is in conformity with the standards or other normative documents following the provisions of Directive EEC/89/336.
Nosotros declaramos bajo nuestra única responsabilidad que el producto a que hace referencia esta declaración està conforme con las normas u otros documentos normativos siguiendo las estipula­ciones de la directiva CEE/89/336.
Noi dichiariamo sotto nostra esclusiva responsabilità che il prodotto a cui si riferisce la presente dichiarazione risulta conforme ai seguenti standard o altri documenti normativi conformi alle dispo­sizioni della direttiva CEE/89/336.
Wij verklaren als enige aansprakelijke, dat het produkt waarop deze verklaring betrekking heeft, voldoet aan de normen of andere nor­matieve dokumenten, overeenkomstig de bepalingen van Richtlijn 89/336/EEC.
Vi erklærer os eneansvarlige for, at dette produkt, som denne deklaration omhandler, er i overensstemmelse med den følgende standarder eller andre normative dokumenter i følge bestem­melserne i direktiv 89/336/EEC.
Vi deklarerar härmed värt fulla ansvar för att den produkt till vilken denna deklaration hänvisar är i överensstämmelse med standard­dokument, eller andra normativa dokument som framstölls i Direktiv 89/336/EEC.
Ilmoitamme yksinomaisella vastuullamme, että tuote, jota tämä ilmoitus koskee, noudattaa seuraavia standardeja tai muita ohjeel­lisia asiakirjoja, jotka noudattavat direktiivin 89/336/EEC. säädöksiä.
Vi erklærer oss alene ansvarlige for at produktet som denne erklæringen gjelder for, er i overensstemmelse med følgende normer eller andre normgivende dokumenter som fælger bestem­melsene i direktiv 89/336/EEC.
Page 3

CONTENTS

PREFACE ......................................................................................................................................................................................... 2
FEATURES ....................................................................................................................................................................................... 2
PRECAUTIONS ................................................................................................................................................................................ 3
MAJOR OPERATING CONTROLS AND THEIR FUNCTIONS .......................................................................................................... 4
Camera Head ................................................................................................................................................................................ 4
Camera Control Unit ...................................................................................................................................................................... 4
CONNECTIONS ............................................................................................................................................................................... 8
SETUP .............................................................................................................................................................................................. 10
1. CAMERA SETUP MENU ............................................................................................................................................................ 10
2. SETUP OPERATION .................................................................................................................................................................. 10
SETTING PROCEDURES ................................................................................................................................................................. 12
PREVENTION OF BLOOMING AND SMEAR ................................................................................................................................... 21
SPECIFICATIONS ........................................................................................................................................................................... 22
OPTIONAL ACCESSORIES .............................................................................................................................................................. 23
ENGLISH
-1-
Page 4

PREF ACE

Panasonic's GP-US522/532 Industrial Digital Signal Processing Colour 3-CCD Camera overcomes space limitations that have complicated many video applica­tions. The GP-US522/532 incorporates three 440 000-pixel 752 (H) x 582 (V) Interline Transfer CCDs to give you a

FEATURES

1. High-performance micro prism optical system with three 1/2” IT CCDs
2. 800 lines of horizontal resolution for GP-US522 and 750 lines for GP-US532
3. Signal to noise ratio of 60 dB
4. Minimum scene illumination with + 18 dB gain of 5 lux at F2.8 for GP-US522 and 9 lux at F2.2 for GP­US532
5. Auto Tracing White Balance (ATW), Auto White Balance Control (AWC) or Manual White Balance Control are selectable
remarkable 800 lines (750 lines for GP-US532) of hori­zontal resolution and a S/N ratio of 60 dB. This means a colour picture with high visual information content for excellent image detail. Because it features digital signal processing, the GP­US522/532 provides an exceptionally stable picture.
6. Automatic Setting of Black Balance (ABC) or Manual Setting
7. Gen-Lock capability
8. EBU colour bar generator
9. Automatic Gain Control (AGC) and Electronic Light Control(ELC) are available
10. Automatic (AUTO), Step (STEP) and Manual (MANU) setting of electronic shutter modes are selectable
11. 12V DC operation
12. RGB and S-Video Outputs
13. Character Generator Input
14. 2 SCENE files are selectable
-2-
Page 5

PRECAUTIONS

1. Do not attempt to disassemble the camera or camera control unit.
To prevent electric shock, do not remove screws or covers. There are no user-serviceable parts inside. Ask a qualified service person for servicing.
2. Handle the camera and the camera control unit with care.
Do not abuse the camera and the camera control unit. Avoid striking, shaking, etc. The camera could be damaged by improper handling or storage.
3. Do not expose the camera or camera control unit to rain or moisture, or try to operate it in wet areas.
Turn the power off immediately and ask a qualified service person for servicing. Moisture can damage the camera and the camera control unit, and also create the danger of electric shock.
4. Do not drop anything inside the camera or camera control unit.
Dropping a metal part for example inside the cam­era and camera control unit could permanently damage the unit.
5. Do not crush or pinch the camera cable.
Avoid tight bends in the camera cable.
6. Never face the camera toward the sun.
Do not aim the camera at bright objects. Whether the camera is in use or not, never aim it at the sun or other extremely bright objects. Otherwise, bloom­ing or smear may be caused.
7. Do not use strong or abrasive detergents when cleaning the camera or the camera control unit body.
Use a dry cloth to clean the camera or the camera control unit when dirty. In case the dirt is hard to remove, use a mild deter­gent and wipe gently.
8. Clean the faceplate with care.
Do not clean the faceplate with strong or abrasive detergents. Use lens tissue or a cotton tipped appli­cator and ethanol.
9. Put the lens cap on the camera after using the camera.
After using the camera, turn the power of the cam­era control unit off, and put the lens cap on the camera head.
10. Do not connect units other than the camera head to the GP-US522CU camera control unit.
Other connections may result in improper operation.
11. Do not operate the camera and the camera control unit beyond the specified temperature, humidity, or power source ratings.
Use the camera and the camera control unit under conditions where temperature is between 0°C ­+45°C (32°F - 113°F), and humidity is below 90%. The input power resource is 12 V DC.
12. Ask a qualified service person for installation.
All necessary procedures with regard to installation of this product should be made by a qualified ser­vice person or system installer.
Cautions:
1. Connecting or disconnecting the camera cable to/from the camera control unit or camera head must be done after turning off the power of the camera control unit.
2. Use the GP-CA522/4 (4 m/13 ft) camera cable only for connection between the cam­era head and camera control unit. Do not extend the cable.
-3-
Page 6

MAJOR OPERATING CONTROLS AND THEIR FUNCTIONS

q e w
CAM
HIGH
ATW MANU
LOW OFF
BAR
R B
1 2
SCENE
ON OFF
ELC
LEVEL TITLE CAMERA
PAGE ITEM
(AWC) (ABC)
GAIN
DC POWER
ON
OFF
AWC

Camera Control Unit

GP-
US522
GAIN

Camera Head

1. Lens Mount
This is used to attach the special C-mount lens for GP-US522 and the C-mount lens for GP-US532.
2. Camera Cable Connector
This 24-pin connector is used to connect the optional camera cable GP-CA522/4 to the camera control unit.
3. Camera Mounting Screw Hole
This hole (1/4" - 20) is used to mount the camera onto a mounting bracket.
Camera Control Unit
[Front Panel]
4. Power ON/OFF Switch (DC POWER ON/OFF)
This switch turns the power of this unit and the power supply for the camera head on or off.
5. Power Indicator (POWER)
This indicator lights up red when the power switch is turned on.
6. Automatic/Manual Gain Selector Switch
AUTO LOW Maximum + 9 dB
MANU LOW + 9 dB (Fixed)
-4-
(GAIN HIGH/LOW/OFF)
This selector is used to select the gain of the video amplifier as follows. The mode can be selected in the SETUP menu. Refer to page 15.
MODE SW POSITION GAIN
HIGH Maximum +18 dB OFF 0 dB
HIGH +18 dB (Fixed) OFF 0 dB
Page 7
7. Camera/Colour Bar Selector (CAM/BAR)
This selector is used to select either the video sig­nal or the EBU colour bar signal which is output from the video output connector (VIDEO), YC (S­VIDEO) output connector or RGB (D-SUB, 9-pin) output connector.
CAM :The video signal from the camera is output. BAR : The EBU colour bar signal is output.
Set this switch to BAR when making video monitor adjustments and recording the colour bar signal.
8. White Balance Selector (ATW/AWC/MANU)
This selector is used to select one of the following white balance modes. ATW : In this mode, the colour temperature is mon-
itored continuously and thereby white balance is set automatically.
AWC : In this mode, accurate white balance is
obtained. The white balance settings are as follows:
1. Aim the camera at a white chart.
2. Press the ITEM (AWC) button on the front panel to set the white balance.
3. When the auto white balance is completed, the auto warning indicator first blinks and then goes off.
If the auto warning indicator remains lit, repeat the above procedure for setting the auto white balance.
MANU : The white balance can be adjusted manu-
ally with the red gain (R GAIN) and blue gain controls (B GAIN).
9. Auto Warning Indicator
This indicator blinks while the white balance or black balance is being automatically set. This indi­cator lights continuously when the white balance or black balance is set improperly. In this case, follow the auto white balance or black balance setting procedure.
12. Item Button (ITEM/AWC)
While the SETUP menu is displayed, this button is used to move the cursor downward. Normally, when the white balance selection switch (ATW/AWC/MANU) is set to AWC, this button is used to set the automatic white balance control (AWC).
13. Left Button (A/ABC)
While the SETUP menu is displayed, this button is used to move the cursor to the left. Normally, this button is used to set the automatic black balance control (ABC).
14. Right Button (B)
This button is used to move the cursor to the right in the SETUP menu.
15. Scene File Selector (SCENE)
This selector is used to select the scene files.
16. Electronic Light Control ON/OFF Selector (ELC ON/OFF)
This selector is used to select the electronic light control mode as follows: ON : Enables Electronic Light Control (ELC) mode
and disables Electronic Shutter Speed (SHUT­TER) mode.
OFF : Enables Electronic Shutter Speed (SHUT-
TER) mode and disables Electronic Light Control (ELC) mode.
Note :
Confirm the setting of the ELC and SHUTTER parameters on the SETUP menu.
17. Electronic Shutter Speed Control (LEVEL)
This control is used to set the target value of the Electronic Shutter Speed between 1/50 and 1/10 000 seconds together with the ELC ON/OFF switch.
10. Red and Blue Gain Controls (R GAIN/B GAIN)
These controls are used to manually adjust the white balance. These controls only work when the white balance selection switch (ATW/AWC/MANU) is set to MANU. Turn the controls clockwise to increase the red and blue signal levels, and counterclockwise to decrease.
11. Page Button (PAGE)
This button is used to display the SETUP menu by pressing it for 2 seconds or more, and to change the parameters in the SETUP menu.
18. Title Input Connector (TITLE)
This connector is used to connect the optional Character Generator WJ-KB30 or WJ-KB50.
Note :
The Black and White characters of the genera­tor are mixed with the video signal and are obtained at VIDEO OUT, S-VIDEO (Y/C) OUT and RGB/SYNC OUT connectors. Colourization of characters is not available.
-5-
Page 8
19. Camera Cable Connector (CAMERA)
VBS/HD VD
OFF
ON
75
S-VIDEO
OUT
1 2VIDEO
RS-232C
RGB/SYNC
DC 12V IN
1
2
5
6
10 1511
19
20
16
21221520
24 23
2
1
1617
101112
567
1819 1314
89 34
This 20-pin connector is used for connection with the camera head via the optional camera cable GP-CA522/4. Fasten the camera cable to this connector firmly. If not, noise may appear.
Caution:
Connecting or disconnecting the camera cable to/from the camera control unit or camera head must be done after turning off the Power of the camera control unit.
For Camera
For CCU
Camera Head Side Camera Control Unit Side
1 +15V Input 2 Ground (GND) 3 Chip Select Input 4 +25 Input 5 –9V Input 6 B Signal Output 7 RGB Ground (GND) 8 Serial Data Input
9 Serial Clock Input 10 CCD Select Output 11 G Signal Output 12 R Signal Output 13 VD Input 14 CPOB Output 15 HD Input 16 +9V Input 17 +5V Input 18 Not used 19 Not used 20 Not used
1 Ground (GND) 2 Not used 3 Not used 4 +9V Output 5 9V Output 6 28MHz Output 7 CPOB Input 8 RGB Ground (GND)
9 +5V Output 10 B Signal Input 11 Serial Clock Output 12 VD Output 13 Chip Select Output 14 +25 Output 15 R Signal Input 16 Serial Data Output 17 HD Output 18 G Signal Input 19 +15V Output 20 CCD Select Input
21 Not used 22 Not used 23 28 MHz Input 24 Not used
[Rear Panel]
20. Gen-lock Signal Input Connector (VBS/HD)
The colour video signal of the camera is automati­cally synchronized with the gen-lock signal
21. Gen-Lock Signal Input Connector (VD)
Supply the external vertical drive (VD) pulse to this
connector. (Composite Signal, Black Burst Signal or Video Sync) when either signal is supplied to this connec­tor. The gen-lock signal is used for system reference.
Caution :
If the gen-lock signal is jittery (as in the case of a VTR playback picture), the camera cannot be synchronized properly.
(External HD and VD Mode)
The horizontal and vertical pulse of the colour video signal is synchronized with the external HD fed to this connector and external VD fed to the VD input connector.
22. Gen-Lock Video 75 Termination ON/OFF Switch (75 ON/OFF)
When looping through the gen-lock video signal with a BNC “T” adapter, set this switch to OFF. When not looping through, set this switch to ON.
23. Video Output Connector (VIDEO 1,2)
A 1.0V[p-p]/75 Ω composite video signal is provid- ed at this connector.
-6-
Page 9
24. S-Video Output Connector (S-VIDEO OUT)
43
21
51
96
15
69
The luminance (Y) and chrominance (C) signals for VTR or monitor are provided at this connector.
26. RS-232C Connector (RS-232C)
S-VIDEO OUT (Mini-DIN,4-pin)
Pin No. Description 1 Y Ground 2 C Ground 3 Y Signal Output (0.7V[p-p](Y level)/75 Ω) 4 C Signal Output (0.3V[p-p](Burst Level)/75 Ω)
25. RGB/SYNC Output Connector (RGB/SYNC)
The red, green, blue, sync and composite video signals are provided at this connector.
RGB/SYNC (D-SUB,9-pin)
Pin No
1 2 3 4 5 6 7 8 9
Signal
RS-232C
Ground
TXD RXD DSR
Ground
DTR CTS RTS
Ground
Note: Refer this connection to a qualified service
parson or system installer.
27. 12V DC Input Terminals (12 V DC IN)
These terminals accept an external DC power source supplying nominal power of 12 V DC, 0.7A.
Pin No. Description 1 Ground( GND) 2 Ground (GND) 3 Red (R) Output (0.7V[p-p]/75 Ω) 4 Green (G) Output (0.7V[p-p]/75 Ω) 5 Blue (B) Output (0.7V[p-p]/75 Ω) 6 Composite Video Output (1.0V[p-p]/75 Ω) 7 Sync (SYNC) Output (4.0V[p-p] or 0.3V[p-p]/75 Ω) 8 Ground (GND) 9 Ground (GND)
Caution :
Connect to 12 V DC (11.5 V - 16 V) class 2 power supply only.
-7-
Page 10

CONNECTIONS

Cautions :
1. Keep the DC POWER ON/OFF switch in the OFF position until all connections have been properly made.
2. Connect the camera head and camera control unit.

Internal Sync Operation

1. Connect the camera cable between the camera head and the camera control unit.
2. Connect the coaxial cable with BNC connectors between the video output connector of the camera control unit and the video monitor or VTR.
Coaxial Cable
Video Monitor
VIDEO
75 Hi-Z
IN OUT
VTR or Video Monitor
VIDEO
75 Hi-Z
IN OUT
CCU
75
S-VIDEO
VBS/HD VD
OUT
ON
OFF
1 2VIDEO
RGB/SYNC
3. Connect the power cable between the 12V DC input terminals and the 12V DC power supply unit (obtained locally).
RS-232C
DC 12V IN

Gen-lock Operation

1. Connect the camera cable between the camera head and the camera control unit.
2. Connect the coaxial cable with BNC connectors between the video output connector of the camera control unit and the video input connector of Special Effects Generator (SEG), and between the VBS/HD input connector of the camera control unit.
CCU
VBS/HD VD
VBS/HD In
S-VIDEO
OUT
ON
OFF
1 2VIDEO
RGB/SYNC
VIDEO Out
RS-232C
DC 12V IN
75
75 set to ON
CCU
75
Black Burst Out
S-VIDEO
VBS/HD VD
OUT
ON
OFF
VBS/HD In
Special Effects Generator
(SEG)
1 2VIDEO
RGB/SYNC
VIDEO Out
75 set to ON VIDEO In
RS-232C
DC 12V IN
• The maximum cable length between camera con­trol unit and power supply unit is calculated as fol­lows:
11.5 V DC < V
A - (R x 0.42 x L) < 16 V DC
L : Cable length (meters) R : Resistance of copper wire (/meter) V
A : DC output voltage of power supply unit
L standard = V L minimum = V L maximum = V
A - 12 / 0.42 x R (meters)
A - 16 / 0.42 x R (meters)
A - 11.5 / 0.42 x R (meters)
Caution :
Connect to 12 V DC (11.5 V - 16 V) class 2 power supply only.
3. Connect the power cable between the 12V DC input terminals and the 12 V DC power supply unit (obtained locally).
Caution :
Connect to 12 V DC (11.5 V - 16 V) class 2 power supply only.
-8-
Page 11

Mounting the Lens

Caution :
Keep the POWER ON/OFF switch of the camera control unit in the OFF position throughout the installation.
Lens Mount
1. Remove the front cap of the camera head and con­firm that the surface of the optical filter of the cam­era head is clean. If the surface of the optical filter is dirty clean it with a blower brush sold for cleaning camera lenses (available at your local camera store).
2. Mount the C-mount lens by turning it clockwise onto the lens mount of the camera head.
Cautions :
• Do not use any lens which has more than 1/8” (3.5mm) of protrusion for lens mounting. (GP­US522)
• Do not open the lens iris wider than the F2.8 stops. (GP-US522)
• Do not open the lens iris wider than the F2.2 stops. (GP-US532)
Special C-mount: Less than 1/8”
(Less than 3.5mm)
-9-
Page 12

SETUP

1. CAMERA SETUP MENU

This camera utilizes a user setup menu that is dis­played on-screen. The setup menu contains various items that form a tree-type structure as shown below.
Camera
ID
ON/OFF
Camera
ID
Editing
FLD/FRM Light
Control
(ELC)
ON OFF
ELC
Area
Peak/Ave
AGC Area
Peak/Ave
Shutter
(Speed)MANU
Manual
Adjustment
It is described in the following section: “2. SETUP OPERATION”.
Note:
The SETUP menu is output from the VIDEO 1, 2 connectors, the S-VIDEO OUT connector, and the RGB/SYNC connector.
SETUP
Menu
Gain
AUTO/MANU
RGB Sync RGB Sync
SC-Coase
SC-Fine
SYNC
INT
VBS VS VD
EXT
HD VD
RGB Sync
Black
Balance
ABC MANU
R-Pedestal B-Pedestal
Scene File
PAGE 1
Camera
ID
Display
Position
Manual
Area
Setting

2. SETUP OPERATION

This camera utilizes a user setup menu (SETUP) that is displayed on the monitor. To set items on the SETUP menu, use the following buttons on the front panel of the camera control unit.
Page Button
Item Button
Left Button
Right Button
GAIN
HIGH LOW OFF
CAM BAR
ATW AWC MANU
PAGE ITEM
R B
GAIN
(AWC) (ABC)
1 2
SCENE
ON OFF
ELC
LEVEL
PAGE 2
Page Button (PAGE) :
This button is used to display the SETUP menu. Use this button to select an item.
Item Button (ITEM) :
This button is used to move the cursor downwards.
Left Button (A)
This button is used to move the cursor to the left. Use this button to select or adjust the parameters of the selected item. The parameter changes each time this button is pressed.
Right Button(B)
This button is used to move the cursor to the right. Use this button to select or adjust the parameters of the selected item. The parameter changes each time this button is pressed.
-10-
Page 13
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC *INT BLACK BAL ABC SCENE FILE *SCENE1
END
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC INT BLACK BAL ABC SCENE FILE *SCENE1
END
• Opening the SETUP menu
Press the PAGE button for a few seconds.
• Editing the SETUP menu
To edit the SETUP menu (change settings), press the ITEM button to move the cursor to an item, and press A and B to change its parameter. After completing all the settings, move the cursor to END at the bottom line, and press the PAGE button. The new values are stored in the EEPROM (Electric Erasable and Programmable Read Only memory). These values remain valid until new values are stored, even if the power of the camera control unit is off.
• All Reset Operation
All Reset allows you to reset all setup menu items to the factory settings if you are unsure about the correct settings. Proceed as follows:
1. Repeat the above procedures to display the SETUP menu.
2. Move the cursor to END at the bottom line.
3. Press both A and B for a few seconds. The SETUP menu disappears from the monitor screen and the auto warning indicator lights in red.
The All Reset operation resets all adjustments and parameters to the factory default settings. The auto warning indicator goes off if AWC or ABC is per­formed.
-11-
Page 14

SETTING PROCEDURES

** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC INT BLACK BAL ABC SCENE FILE *SCENE1
END

1. Camera Identification (CAMERA ID)

You can use the camera identification (CAMERA ID) to assign a name to the camera. The camera ID consists of up to 16 alphanumeric characters. You can select whether to have the camera ID displayed on the moni­tor screen or not.
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC *INT BLACK BAL ABC SCENE FILE *SCENE1
END
Editing the CAMERA ID
1. Move the cursor to the CAMERA ID parameter.
2. Press the PAGE button. The CAMERA ID menu appears. The cursor on the letter “A” starts blink­ing.
Character Cursor
ABCDEFGHIJKLM NOPQRSTUVWXYZ 0123456789 ().,'":;&#!?= +-*/%$ДЬЦЖСЕ
← →
SPACE
*POSI RET END RESET
Editing Cursor
................
3. Move the character cursor to a character you want to edit by pressing ITEM, A or B.
4. After selecting the character, press the PAGE but­ton. The selected character appears in the editing area. (The editing cursor in the editing area moves to the right automatically at this moment.)
5. Repeat the steps above until all characters are edited.
Entering a blank space in the CAMERA ID
Move the character cursor to SPACE and press the PAGE button.
Character Area
Command
Editing Area
Erasing all characters in the editing area
Move the character cursor to RESET and press the PAGE button. All characters in the editing area disap­pear.
Determining the display position of the CAMERA ID
1. Move the cursor to POSI, and press the PAGE but­ton. The display shown below appears and the CAMERA ID starts blinking.
Blinking
GP-US522
2. Move the CAMERA ID to the desired position by pressing A, B or the ITEM button.
3. Press the PAGE button to fix the position of the CAMERA ID. The mode returns to the previous CAMERA ID menu.
Notes:
• The CAMERA ID stops at the edges of the monitor screen.
• The CAMERA ID moves faster if any of A, B or the ITEM button is kept pressed for a second or longer.
Returning to the SETUP menu
Move the cursor to RET and press the PAGE button. The SETUP menu appears.
Displaying the CAMERA ID on the monitor screen
Move the cursor to CAMERA ID in the SETUP menu and select ON.

2. Field/Frame Charging Mode Setting (FLD/FRM)

You can select the charging mode from FIELD or FRAME.
Editing a specific character in the CAMERA ID
1. Move the character cursor to or , then press the PAGE button to move the editing cursor to the character to be edited in the editing area.
2. Move the character cursor to the character area and select a new character.
3. Press the PAGE button to set the CAMERA ID.
-12-
Page 15
** ELC CONT ** AREA ALL
PEAK/AVE P....I....A
RET END
ON OFF
ELC
1. Move the cursor to the FLM/FRM parameter.
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *ON SHUTTER OFF GAIN AUTO SYNC *INT BLACK BAL ABC SCENE FILE *SCENE1
END
ALL MANU CENTER S CIRCLE (Small Circle)
M CIRCLE (Medium Circle) L CIRCLE (Large Circle)
Detection Area
ALL
Detection Area
50% Sensing Area
CENTER
Detection Area
S CIRCLE (Small Circle)
100% Sensing Area
2. Select FLM (field) or FRM (frame).
Note:
When FRM is selected, ELC is set to OFF auto­matically.

3. Electronic Light Control Setting (ELC)

The electronic light control function eliminates inter­ference by strong background lighting which makes the camera picture dark, such as a spot­light. In the ELC mode, more photometric weight is given to the desired point of the screen (where the important object is located).
3. Move the cursor to the AREA parameter and select the desired detection area. You can select the detection area as follows:
ALL: All areas on the monitor screen are detected. MANU: Detection areas are selectable manually.
See below for details.
CENTER: The photometric weight is given to the
centre of the monitor screen.
S CIRCLE (Small Circle): The photometric weight
is given to the area within a small circle in the centre of the monitor screen.
M CIRCLE (Medium Circle): The photometric weight
is given to the area within a medium large circle in the centre of the monitor screen.
L CIRCLE (Large Circle): The photometric weight
is given to the area within a large circle in the centre of the monitor screen.
Each time you press A or B, the parameter changes as follows.
3-1.ELC detection control area setting (ELC CONT)
1. Set the ELC ON/OFF selector on the front panel of the camera control unit to the ON position. Then confirm that the ELC parameter is ON.
2. Move the cursor to the ELC parameter and press the PAGE button. The ELC CONT menu appears.
-13-
Page 16
Note: Detection areas are not displayed on the
** ELC CONT ** AREA ALL
PEAK/AVE P....I....A
RET END
Detection Area
M CIRCLE
(Medium Circle)
Detection Area
L CIRCLE
(Large Circle)
Cursor (WHITE)
Masked Area (WHITE)
Masked Area (WHITE)
monitor.
4. Press the PAGE button to mask that area. The mask turns white. (When the cursor is moved on an area that has already been masked, the mask and cursor start blinking.)
Note: A masked area will be excluded from ELC
detection.
5. Repeat the steps 3 and 4 to complete masking. To cancel masking, move the cursor to that area and press the PAGE button.
3-1-1. Manual setting of the ELC detection control
area (MANU)
You can mask areas on the monitor screen to block the strong brightness manually. Follow the steps below:
Note:
The manual mask setting field is only displayed on VIDEO1, 2 and S-VIDEO OUT. It is not displayed on RGB/SYNC output.
1. Move the cursor to the AREA parameter on the ELC CONT menu.
2. Select MANU and press the PAGE button. The manual mask setting field appears.
3. Select the area where backlight is bright by press­ing A, B or the ITEM button.
6. After masking is completed, press the PAGE button for a second or more. The ELC CONT menu appears.
3-1-2. Peak and Average Weight Control
(PEAK/AVE)
1. Move the cursor to the PEAK/AVE parameter. The I cursor starts blinking.
2. Move the “I” cursor to set the detection value. When the “I” cursor is moved to the P (peak) side, the peak value is detected. When the “I” cursor is moved to the A (average) side, the average value is detected.
-14-
Page 17
ON OFF
ELC
3-2. AGC detection control area setting (AGC CONT)
** AGC CONT ** AREA ALL
PEAK/AVE P....I....A
RET END
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC INT BLACK BAL ABC SCENE FILE *SCENE1
END
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER *MANU GAIN AUTO SYNC INT BLACK BAL ABC SCENE FILE *SCENE1
END
** SHUTTER ** MANU SET 100/625
RET END
*MANU OFF (1/50) 1/120 1/250
1/500 1/1000 1/2000 1/4000 1/10000
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC INT BLACK BAL ABC SCENE FILE *SCENE1
END
1. Set the ELC ON/OFF selector on the front panel of the camera control unit to the OFF position. Then confirm that the ELC parameter is OFF.
2. Move the cursor to the ELC parameter and press the PAGE button. The AGC CONT menu appears.
1. Move the cursor to the SHUTTER parameter.
2. Select the shutter speed or MANU for manual set­ting from the following values:
3. If you have selected MANU, press the PAGE but­ton. The SHUTTER menu appears and the MANU SET parameter starts blinking.
Blinking
3. Follow step 3 descrebed for 3-1. ELC detection control area setting (ELC CONT) to select the desired detection area (AREA).
4. Follow steps 1 and 2 descrebed for 3-1-2. Peak and Average Weight Control (PEAK/AVE) to set the detection value.

4. Electronic Shutter Speed Setting (SHUTTER)

Note: When ON is selected for ELC on the SETUP
menu, this item is not available. To select the electronic shutter speed, select OFF for ELC on the SETUP menu.
You can select an electronic shutter speed of 1/120, 1/250, 1/500, 1/1 000, 1/2 000, 1/4 000 or 1/10 000 sec­onds. The shutter speed can also be set manually.
4. Select the desired electronic shutter speed by pressing A or B. The adjustable range is 1/625­311/625 lines.

5. Gain Control Setting (GAIN)

You can set the gain (brightness level portion of an image) to automatic level adjustment (AUTO) or manual level adjustment (MANU).
1. Move the cursor to the GAIN parameter.
2. Select AUTO or MANU. The gain of the video amplifier is changed according to the position of the automatic/manual gain selector (HIGH/LOW/OFF) on the front panel of the camera control unit.
-15-
Page 18
If you select AUTO, the gain of the amplifier changes as
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC *EXT(VBS) BLACK BAL ABC SCENE FILE *SCENE1
END
follows.
Position Gain HIGH Maximum +18 dB LOW Maximum +9 dB OFF 0 dB
If you select MANU, the gain of the amplifier changes as follows.
Position Gain HIGH +18 dB (Fixed) LOW +9 dB (Fixed) OFF 0 dB

6. Synchronization Setting (SYNC)

This model accepts the VBS signal (colour com­posite video or blackburst signal) and VS signal (B/W composite video or composite sync signal ) for gen-lock operation. It also accepts the combined vertical (VD) and hori­zontal (HD) drive pulse, and the vertical drive pulse (VD) only.
The VS gen-lock mode has its own menu for hori­zontal and subcarrier phase adjustments. When the cable length of the video output or the gen-lock input is changed, the horizontal phase must be re­adjusted.
When the HD/VD or VD pulse is to be used, supply them to the VBS/HD connector and the VD connec­tor on the rear panel of the camera control unit.
6-1. Internal Sync Mode (INT)
RGB Sync Output Level Adjustment (RGB SYNC)
1. Move the cursor to the SYNC parameter.
2. Press the PAGE button. The SYNC menu appears on the monitor screen.
** SYNC ** RGB SYNC 0.3V
RET END
3. Move the cursor to the RGB SYNC parameter.
4. Select 4.0V or 0.3V according to the RGB monitor input level.
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC *INT BLACK BAL ABC SCENE FILE *SCENE1
END
Imporant Notices:
The sync mode priority is as follows:
1. Colour composite video signal (VBS)
2. B/W composite video signal (VS)
3. HD/VD signal
4. VD signal
5. Internal sync (INT)
When the internal sync (INT) mode is to be used, no gen-lock input signal should be supplied to the gen-lock input connector on the rear panel of the camera control unit.
When the VBS or VS gen-lock mode is to be used, supply the gen-lock input signal to the gen-lock input connector on the rear panel of the camera control unit.
The VBS gen-lock mode has its own menu for hori­zontal and subcarrier phase adjustments. When the cable length of the video output or the gen-lock input is changed, horizontal and subcarrier phase must be readjusted.
6-2. VBS Gen-lock Mode (EXT(VBS))
1. Move the cursor to the SYNC parameter.
2. Connect the coaxial cable for the blackburst or composite colour video signal to the gen-lock input connector.
3. Confirm that the INT parameter changed to EXT(VBS) on the menu. Caution: The gen-lock input signal should meet the
CCIR specifications and should not contain jit­ter, such as a VTR playback signal, as it could disturb synchronization.
-16-
Page 19
1 (1 - - 4): 0 degrees 2 (1 - - 4): 90 degrees 3 (1 - - 4): 180 degrees 4 (1 - - 4): 270 degrees
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC *EXT(VS) BLACK BAL ABC SCENE FILE *SCENE1
END
** SYNC ** RGB SYNC 0.3V
H PHASE -....I....+
RET END
** SYNC ** RGB SYNC 0.3V
H PHASE -....I....+
SC COARSE 1(1--4)
SC FINE -I........+
RET END
4. After confirming that the cursor is on EXT(VBS), press the PAGE button. The SYNC menu appears on the monitor screen.
5. Move the cursor to the RGB SYNC parameter.
6. Select 4.0V or 0.3V according to the RGB monitor input level.
Horizontal Phase Adjustment (H PHASE)
1. Move the cursor to H PHASE. The cursor starts blinking.
2. Supply the video output signal of the camera to be adjusted and the reference gen-lock input signal to a dual-trace oscilloscope.
3. Set the oscilloscope to the horizontal sync portion on the oscilloscope.
4. Adjust the horizontal phase by pressing A or B. The adjustable range is 0-1.5 µs. Note: To reset H PHASE to the values preset at the
factory, press A and B simultaneously. The H PHASE is reset to the factory setting.
Notes:
When the I cursor reaches the + end, it jumps back to “–”. At the same time, SC COARSE is incre­mented by one step to enable a continuous adjust­ment. The reverse takes place when the “I” cursor reaches the “–” end. For more accurate adjustment, supply both the original camera video output signal and the effect output video signal (program output video signal) of the special effects generator (SEG) to a vec­torscope and compare the chroma phase of both signals.
To reset SC FINE to the values preset at the facto­ry, press A and B simultaneously. The SC FINE is reset to the factory setting.
6-3. VS Gen-lock Mode (EXT(VS))
1. Move the cursor to the SYNC parameter.
2. Connect the coaxial cable for the composite sync or composite B/W video signal to the gen-lock input connector.
3. Confirm that the INT parameter changed to EXT(VS) on the menu. Caution: The gen-lock input signal should meet the
CCIR specifications and should not contain jit­ter, such as a VTR playback signal, as it could disturb synchronization.
Subcarrier Coarse Phase Adjustment (SC COARSE)
1. Move the cursor to the SC COARSE parameter on the SYNC menu. The cursor starts blinking.
2. Press A or B to match the colour of the camera's video signal, when observed at the output of the Special Effects Generator (SEG) or Switcher, as closely as possible to the colour of the original scene. (The SC COARSE adjustment can be incre­mented in steps of 90 degrees (4 steps) by press­ing A or B.)
Note:
After the fourth step, the adjustment returns to the first step.
Subcarrier Fine Phase Adjustment (SC FINE)
1. Move the cursor to SC FINE on the SYNC menu. The cursor starts blinking.
2. Press A or B to match the colour of the camera's video signal, when observed at the output of the Special Effects Generator (SEG) or Switcher, as closely as possible to the colour of the original scene. The SC FINE adjustment has a range of 90 degrees of colour shift.
4. After confirming that the cursor is on EXT (VS), press the PAGE button. The phase adjustment menu appears on the monitor screen.
5. Move the cursor to the RGB SYNC parameter.
6. Select 4.0V or 0.3V according to the RGB monitor input level.
7. Move the cursor to H PHASE. The cursor starts blinking.
-17-
Page 20
8. Supply the video output signal of the camera to be
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC *EXT(H/V) BLACK BAL ABC SCENE FILE *SCENE1
END
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC *EXT(VD) BLACK BAL ABC SCENE FILE *SCENE1
END
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC INT BLACK BAL ABC SCENE FILE *SCENE1
END
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC INT BLACK BAL *MANU SCENE FILE *SCENE1
END
adjusted and the reference gen-lock input signal to a dual-trace oscilloscope.
9. Set the oscilloscope to the horizontal rate and expand the horizontal sync portion on the oscillo­scope.
10. Adjust the horizontal phase by pressing A or B. The adjustable range is 0-1.5 µs.
6-4. External HD/VD Mode (HD/VD)
1. Move the cursor to the SYNC parameter.
2. Connect the coaxial cable for the external HD and VD signal to the gen-lock input connector and the VD input connector respectively.
3. Confirm that the INT parameter changed to EXT (H/V) on the menu.
4. Move the cursor to the RGB SYNC parameter.
5. Select 4.0V or 0.3V according to the RGB monitor input level.

7. Black Balance Setting (BLACK BAL)

Under low light conditions, correct setting of the black balance is required for producing correct colours. Once the black balance has been set correctly, the setting is maintained in memory. This setting will not be lost even if the camera con­trol unit is turned off. However, for best results, it is recommended that the black balance adjustment be carried out when the camera has not been used for a long period of time. There are two black balance control mode. Auto black balance control (ABC) can be selected on the front panel and manual control (MANU) on this menu.
7-1. Auto Black Balance Setting (BLACK BAL)
1. Move the cursor to the BLACK BAL parameter and select ABC.
6-5. External VD Mode (VD)
1. Move the cursor to the SYNC parameter and select INT.
2. Connect the coaxial cable for the external VD sig­nal to the VD input connector.
3. Confirm that the INT parameter changed to EXT (VD) on the menu.
4. Move the cursor to the RGB SYNC parameter.
5. Select 4.0V or 0.3V according to the RGB monitor input level.
2. Attach the lens cap on the camera lens.
3. Move the cursor to END and press the PAGE but­ton to close the SETUP menu.
4. Press the A (ABC) button on the front panel of the camera control unit. The auto black balance setting is performed.
5. When the auto black balance is completed, the auto warning indicator first blinks and then goes off. If the indicator remains lit, repeat the above procedure for setting the auto black balance (ABC).
7-2. Manual Black Balance Control Setting(MANU)
1. Move the cursor to the BLACK BAL parameter and select MANU.
-18-
Page 21
2. Press the PAGE button. The BLACK BAL menu
** BLACK BAL **
R-PED -....I....+
B-PED -....I....+
RET END
** SET UP ** CAMERA ID *OFF
FLD/FRM FLD ELC *OFF SHUTTER OFF GAIN AUTO SYNC INT BLACK BAL ABC SCENE FILE *SCENE1
END
** SCENE FILE 1 ** P1
GAMMA -....I....+
AUTO KNEE ON
TOTAL-PED -....I....+
CHROMA GAIN -....I....+
DTL BAND - .I.....+
HDTL GAIN -....I....+
VDTL GAIN -....I....+
RED DTL OFF NEXT RET END
** SCENE FILE 1 ** P2 CLEAN DNR OFF
2D LPF OFF
MATRIX R-G -....I....+
MATRIX R-B -....I....+
MATRIX G-R -....I....+
MATRIX G-B -....I....+
MATRIX B-R -....I....+
MATRIX B-G -....I....+
NEXT RET END
(manual black balance setting menu) appears.
3. Move the cursor to R-PED. The cursor starts blink­ing.
4. Attach the lens cap on the camera lens.
5. While observing the vector scope or waveform monitor, adjust the red pedestal level (R-PED) for minimum carrier by pressing A or B.
6. Move the cursor to B-PED. The cursor starts blink­ing.
7. While observing the vector scope or waveform monitor, adjust the blue pedestal level (B-PED) for minimum carrier by pressing A or B. Note: To reset the pedestal level to the factory set-
ting, move the cursor to R-PED or B-PED and press the A and B button simultaneously for a second or more. The R-PED or B-PED level value is reset to the factory setting.

8. Scene File Setting (SCENE FILE)

This menu allows for you to adjust and set 16 items for the video signal of the camera to meet your requirments. You can store two sets of values in two different scene files. Use the Scene File Selector on the front panel of the camera control unit to select SCENE FILE 1 or SCENE FILE 2.
1. Move the cursor to the SCENE FILE parameter and select SCENE 1.
2. Press the PAGE button. The SCENE FILE menu appears.
There are 2 pages for SCENE FILE (P1 and P2). On page 1 (P1), you can set the following items:
Gamma Correction (GAMMA)
Auto Knee ON/OFF (AUTO KNEE)
Total Pedestal Level Control (TOTAL-PED)
Chrominance Level Control (CHROMA GAIN)
Detail Band Control (DTL BAND)
Horizontal Detail Gain Control (HDTL GAIN)
Vertical Detail Gain Control (VDTL GAIN)
On page 2 (P2), you can set the following items:
Red Detail ON/OFF (RED DTL)
Clear Digital Noise Reduction Control (CLEAN
DNR)
2 Dimension Low Pass Filter (2D LPF)
6 Chroma Matrix Controls
(MATRIX R-G) (MATRIX R-B) (MATRIX G-R) (MATRIX G-B) (MATRIX B-R) (MATRIX B-G)
Turning the page
Move the cursor to NEXT and press the PAGE button.
Returning to the SETUP menu
Move the cursor to RET and press the PAGE button.
-19-
Page 22
8-1. Gamma Correction (GAMMA)
1. Move the cursor to the GAMMA parameter. The “I” cursor starts blinking.
2. While observing the waveform monitor or the colour video monitor, adjust the gamma level. When the “I” cursor is at the end of the “+” side, gamma correction is set to OFF. When the “I” cursor is at the end of the side, black strech (BLACK STRET) is set.
8-2. Auto Knee ON/OFF (AUTO KNEE)
1. Move the cursor to the AUTO KNEE parameter.
2. Select ON or OFF for the auto knee mode.
8-3. Total Pedestal Level Control (TOTAL-PED)
1. Move the cursor to the TOTAL-PED parameter. The I cursor starts blinking.
2. While observing the waveform monitor or the colour video monitor, adjust the total pedestal level (black level). Move the “I” cursor to the “+” side to make the image brighter. Move the “I” cursor to the side to make the image darker.
8-4. Chrominance Level Control (CHROMA GAIN)
1. Move the cursor to the CHROMA GAIN parameter. The “I” cursor starts blinking.
2. While observing the waveform monitor or the colour video monitor, adjust the chroma level.
8-5. Detail Band Control (DTL BAND)
1. Move the cursor to the DTL BAND parameter. The I cursor starts blinking.
2. While observing the colour video monitor, adjust the aperture level. Move the “I” cursor to the “+” side to raise the fre­quency. Move the “I” cursor to the side to lower the fre­quency.
8-6. Horizontal Detail Gain Control (HDTL GAIN)
1. Move the cursor to the HDTL GAIN parameter. The I cursor starts blinking.
2. While observing the colour video monitor, adjust the aperture level. Move the “I” cursor to the “+” side to make the image sharper. Move the “I” cursor to the side to make the image softer. When the “I” cursor is at the end of the side, the horizontal detail level is set to OFF.
8-7. Vertical Detail Gain Control (VDTL GAIN)
1. Move the cursor to the VDTL GAIN parameter. The I cursor starts blinking.
2. While observing the colour video monitor, adjust the aperture level. Move the “I” cursor to the “+” side to make the image sharper. Move the “I” cursor to the side to make the image softer. When the “I” cursor is at the end of the side, the vertical detail level is set to OFF.
8-8. Red Detail ON/OFF (RED DTL)
1. Move the cursor to the RED DTL parameter.
2. Select ON or OFF for the RED DTL mode. When ON is selected, the red detail is enhanced.
8-9. Clear Digital Noise Reduction Control
(CLEAN DNR)
1. Move the cursor to the CLEAN DNR parameter.
2. Select OFF, LOW or HI for the CLEAN DNR mode.
8-10. 2 Dimension Low Pass Filter (2D LPF)
1. Move the cursor to the 2D LPF parameter.
2. Select ON or OFF for the 2D LPF mode.
8-11. 6 Chroma Matrix Controls
(MATRIX R-G) (MATRIX R-B) (MATRIX G-R) (MATRIX G-B) (MATRIX B-R) (MATRIX B-G)
1. Move the cursor to the desired matrix item. The “I” cursor starts blinking.
2. While observing the vectorscope or the colour video monitor, adjust the matrix level.
Resetting to the factory settings
Any of the above settings except AUTO KNEE, RED DTL, CLEAN DNR and 2D LPF, can be reset to the fac­tory settings. Move the cursor to the desired item and press A and B simultaneously for a second or more.
-20-
Page 23
;
;
;;;
;;

PREVENTION OF BLOOMING AND SMEAR

When the camera is aimed towards spotlights or other bright lights or light reflecting objects, smear or bloom­ing may appear. Therefore the camera should be operated carefully in the vicinity of extremely bright objects to avoid smear or blooming. If the camera is aimed at the sun or very bright light, such as a laser beam, for a long period of time, the CCD image sensor may be burned in and blemishes(white or black dots) appears on the monitor screen
Smear
Bright object
Ring type flare
-21-
Page 24

SPECIFICATIONS

Pick-up System: Micro prism system Image Sensor: Three 1/2" interline transfer (IT) super high sensitivity CCDs (GP-US522)
Three 1/3" interline transfer (IT) super high sensitivity CCDs (GP-US532) Pixels: 752 (Horizontal) x 582 (Vertical) Scanning Standard: 625 lines, 50 fields, 25 frames Synchronizing System: Internal or External (Gen-Lock), automatically switchable
Internal: CCIR standard
External (Gen-Lock) Input: VBS/VS/HD/VD is selectable
SC Phase for Gen-Lock (VBS): Free adjustable over 360° H Phase for Gen-Lock (VS): Adjustable
Video Outputs: Video Output: BNC Connector x 2
1.0V[p-p] PAL composite/75
Y/C (S-VIDEO) Output: S-VIDEO Connector x 1
0.7V[p-p] Luminance level (Y)/75 (S-VIDEO connector)
0.3V[p-p] Burst Level (C)/75 (S-VIDEO connector) RGB/SYNC Output: D-SUB 9-pin Connector x 1 R/G/B: 0.7V[p-p] each/75 SYNC: 4V[p-p]/75 or 0.3V[p-p]/75 selectable VIDEO: PAL composite/75
Required Illumination: 2 000 lx at F11.0, 3 200 K (GP-US522)
2 000 lx at F8.0, 3 200 K (GP-US532)
Minimum Illumination: 5 lx (0.5 foot candle) at F2.8 with +18 dB gain, 30 IRE level (GP-US522)
9 lx (0.9 foot candle) at F2.2 with +18 dB gain, 30 IRE level (GP-US532)
Signal-to-Noise Ratio: 60 dB (Typical, Luminance) without aperture and gamma Horizontal Resolution: 800 lines at centre (Y signal) (GP-US522)
750 lines at centre (Y signal) (GP-US532)
White Balance: ATW (Automatic Tracing White Balance Control), AWC (Automatic White
Balance Control) and Manual
Black Balance: ABC (Automatic Black Balance) and Manual Colour Bar: EBU colour bar with 0% set-up Electronic Shutter: AUTO: Adjustable between 1/50 - 1/10 000s
STEP: Selectable between 1/50(OFF),1/120, 1/250, 1/500, 1/1 000, 1/2 000,
1/4 000 and 1/10 000s
SYNCHRO SCAN: Selectable between 1/625 and 311/625 lines
Gain Selection: AGC and Gain Up (Selectable) Switches: Power On/Off (POWER), Camera/Colour Bar Selection (CAM/BAR),
Gain Up Selection (OFF/LOW/HIGH (0/+9/+18 dB)), White Balance Selection (ATW/AWC/MANU), ELC (Electronic Light Control) On/Off, PAGE, ITEM (AWC), A (ABC) and B
Controls: R Gain, B Gain and ELC LEVEL Computer Interface RS-232C : D-SUB 9-pin Connector x 1 Lens Mount: Special C Mount (GP-US522)
C Mount (GP-US532)
Power Source: 12 V DC Power Consumption: 8.4 W Ambient Operating Temperature: 32°F - 113°F (0°C - +45°C) Ambient Operating Humidity: 30 % - 90 % Dimensions
Camera Head: 34 (W) x 44 (H) x 52 (D) mm (Excluding Mounting Adapter) [1-5/16" (W) x 1-11/16" (H) x 2" (D)] CCU: (206.5 (W) x 44 (H) x 250 (D) mm) (
Excluding Rubber Feet and Connector
Weights
Camera Head: 110 g (0.24 lbs) CCU: 1.7 kg (3.74 lbs)
) [8-1/8" (W) x 1-11/16" (H) x 9-1/2" (D)]
Dimensions and weights indicated are approximate. Specifications are subject to change without notice.
-22-
Page 25

OPTIONAL ACCESSORIES

Camera Cable .............................................................. GP-CA522/4
Character Generators ...................................... WJ-KB30, WJ-KB50
-23-
Page 26
Matsushita Electric Industrial Co., Ltd.
Central P.O. Box 288, Osaka 530-91, Japan
N1197-1117 YWV8QA4820BN Printed in Japan
N 30 Gedruckt in Japan
Imprimé au Japon
Loading...