Numark DXMPRO Quick Start Manual

Quick Start Owner’s Manual

BOX CONTENTS

• MIXER

• POWER SUPPLY

Manual de inicio rápido para el usuario

(ESPAÑOL)

CONTENIDOS DE LA CAJA

• MEZCLADOR

• FUENTE DE ALIMENTACIÓN

Kurzbedienungsanleitung

(DEUTSCH)

INHALT DER VERPACKUNG

• MISCHPULT

• STROMKABEL

Manuel d’utilisation du propriétaire

(FRANÇAIS)

CONTENU DE LA BOÎTE

• MIXER

• BLOC D’ALIMENTATION

Manuale rapido di utilizzazione

(ITALIANO)

CONTENUTO DELLA CONFEZIONE

• MIXER

• CAVI DI ALIMENTAZIONE

MIXER QUICK SETUP GUIDE (ENGLISH)

1. Make sure all items listed on the front of
this guide are included in the box.

2. READ SAFETY INSTRUCTION BOOKLET
BEFORE USING THE PRODUCT

3. Study this setup diagram.

4. Place mixer in an appropriate position for
operation.

5. Make sure all devices are turned off
and all faders are at “zero”

6. Connect all stereo input sources as
indicated in the diagram.

7. Connect the stereo outputs to th e power
amplifier(s), tape decks, and/or audio
sources.

8. Plug your mixer and other devices into AC
power.

9. Switch everything on in the following
order.

• audio input sources (i.e. turntables or
CD players)

• your mixer

• last, any amplifiers

10. When turning off, always reverse this
operation by,

• turning off amplifiers

• your mixer

• last, any input devices

11. Go to http://www.numark.com for product
registration.

FRONT PANEL FEATURES

Microphone - Auxiliary Input Controls

1. “MIC – AUX GAIN” (Microphone - Auxiliary
Gain): This knob adjusts the volume of both
the main microphone and auxiliary inputs.
The gain should be turned completely to off
when connecting and disconnecting
equipment. If both inputs are used
simultaneously the inputs will be mixed
together.

2. “Treble” (Microphone - Auxiliary High EQ):
This knob adjusts the high-tone input sound of
the microphone.

3. “Bass” (Microphone - Auxiliary Low EQ): This
knob adjusts the low-tone input sound of the
microphone.

4. “Microphone” (Quarter Inch Microphone
Input): One microphone can be connected to
this Quarter Inch input terminal.

Primary Mixing Channel Controls

5. “Gain Knob” (Input Level Trim): This rotary
control adjusts the pre-fader input signal
levels of the inputs. This level adjustment
should be used with the pre-fader meter to
match levels of both input channels.

6. EQ:

“Treble” (Input Level High EQ): This rotary control

adjusts the high-tone sound of the inputs.
Turning the knob completely to the right
increases the level, turning the knob
completely to the left decreases the level to

off. This music “KILL” control allows for
unique mixing styles.

“Middle” (Input Level Midrange EQ): This rotary

control adjusts the high-tone sound of the
inputs. Turning the knob completely to the
right increases the level, turning the knob
completely to the left decreases the level to
off. This music “KILL” control allows for
unique mixing styles.

“Bass” (Input Level Low EQ): This rotary control

adjusts the high-tone sound of the inputs.
Turning the knob completely to the right
increases the level, turning the knob
completely to the left decreases the level to
off. This music “KILL” control allows for
unique mixing styles.

7. “Phono(AUX)/Line Switch” (Input Selector
Switch): These three-position toggles select
what input source is engaged among the
connected units and a flash position to allow
rapid transforming effect. These toggles can
be rotated to suit your mixing preferences by
removing the top Mixer Panel and adjusting
their position.

8. “Input Level Slider” (VCA Fader): These slide
faders adjust the level for CH-1 or CH-2
respectively.

Note: This fader is user replaceable if it should ever

wear out. Simply remove the facepanel and
then remove the screws holding it in position.
Replace the fader with a quality authorized
replacement from your local Numark retailer.

9. “Slope Knob” (Input Fader Curve Style
Control): The position of this knob determines
the rate of volume level increase of the fader.
When turned to the left, the fader will
gradually fade in the volume as it is engaged.
When it is turned all the way to the right, a
very sharp fade of the volume will occur
immediately when the fader is engaged.

10. “Reverse Button” (Input Fader Reverse
Control): Activation of this switch can reverse
the fader direction.

Cueing / Monitor Controls

11. “Program/PFL Level Meter and Button”:

Press to alternate display modes.

a) When PROGRAM is indicated, this meter

displays the stereo output levels of your
mixed signal.

b) When CH1 CH2 is indicated the meter

shows the peak, “PFL”, Pre Fader levels of
channels 1 and 2. You can use the
channel “Gain” and “EQ” controls to
match the levels of input signals while
cueing

12. “Cue Gain Knob” (Headphone Level): This

rotary control adjusts the levels of the
headphones connected to the front panel
input.

13. “Cue Tone Knob” (Headphone Tone Control):

This rotary knob adjusts the tone of the
headphone output. The knob can be raised
and lowered to hide away by pressing it
down.

14.

“Channel Cue Slider”: Channels 1 and 2 can

be previewed using this mini-crossfader.
Sliding this to the left plays the left channel­1 and sliding to the right plays the right
channel-2.

15. “Cue Button” (MIC and MASTER Cue

Buttons): When pressed, the CUE button
illuminates green indicating that the source
is being cued to the headphones. When
you press Mic PFL it adds it to the cue mix.

When Master Cue is pressed only the master
output is heard.

16. “Headphone Jack” (Quarter Inch Output
Terminal): Your headphones can be
connected to this ¼” terminals. The
Volume should always be set at its lowest
setting while connecting and disconnecting
headphones to prevent damage to
headphones and/or your hearing.

Crossfader Controls

17. “Crossfader Slider” (Digital VCA Crossfader):
This slide fader blends audio between CH-1
and CH-2. Its action can be modified with
the “Mode” , “Slope”, and “Direction”
controls. This digital mixer uses digital VCA
technology to accurately determine slider
position. Both the VCA and Digital
technologies combined allow for some very
powerful effects.

Note: This fader is user replaceable if it
should ever wear out. Simply remove the
facepanel and then remove the screws

REAR PANEL FEATURES

holding it in position. Replace the fader with
a quality authorized replacement from your
local Numark retailer.

18. “Contour Knob” (Crossfader Rate/Slope
Control): The position of this switch
determines how quickly or intensely the
crossfader will act depending upon mode
setting.

19. “Direction Button” (Crossfader Reverse
Control): Activation of this switch reverses
the assignment of CH-1 and CH-2 on the
crossfader.

Output Controls

20. “Master Knob” (Main Output Level Control):
This rotary control adjusts the main output
volume.

21. “Booth Knob” (Master/Split Style Headphone
Cueing Switch): This rotary control adjusts
the auxiliary (AKA booth) output volume.

1. “AUX-SESSION INPUT” (Auxiliary Input): The line lev el i nput is used to connect the output from an external
mixers or additional CD players and other line level devices such as samplers, tape decks, keyboards, and line
output turntables. This input is mixed with any connected microphone.

2. “Phono/AUX Inputs” (Turntable Input Connection): The Phono input is used for connecting your turntables or
other devices. Input source is determined by the PHONO/LINE switch on the rear panel.

3. “Phono/Line source switch”: This switch activates and deactivates the sensitive RIAA phono preamplifiers. Only
turntables with phono level output should be assigned when the switch is in the phono position. Some
turntables offer line level output. To use these turntables and other line devices like CD players, switch the
input to Line.

4. “GND” (Grounding Lug): This screw connector should be used to secure any devices connected to the mixer
that need to be grounded. Many turntables that are connected to the mixer will need to have a ground wire
that is designed to connect to the mixer’s chassis to eliminate hum and excessive noise.

5. “Line Inputs” (CD player, Tape Deck, Sampler Input Connection): The line level input is used to connect CD
players and other line level devices such as samplers, tape decks, keyboards, and line output turntables.

6. “Booth Output” (Auxiliary Stereo Unbalanced Output): This RCA output is for connecting a secondary external
monitoring device such as a booth monitor or second stereo output. The level of the booth output signal will
increase as the “Booth” volume control is I ncreased.

7. “Master Unbalanced Output” (Main Stereo RCA Output): This RCA output is for connecting an external
monitoring device such as a PA system, powered monitors or a home stereo. The level of the master stereo
output signal increases as the “master” volume control is increased.

8. “Master Balance Output” (Balanced Quarter Inch Stereo Output): These ¼” outputs are for sending a balanced
level signal to a PA system or recording device. The level of the balanced output signal will also increase with
the “master” volume control. These outputs are durable, offer a better output signal, and are well suited for
long cable runs.

9. “Digital Output” (Optical): 48kHz, 24-bit S/PDIF output. The format is type 2, form 1, also known as S/PDIF
(Sony/Phillips Digital Interface Format). This output can be connected to compatible devices such as CD
Burners, Hard Drive recorders, or other digital mixers. Higher audio fidelity is maintained from these outputs.

10. “Digital Output” (Coax): 48kHz, 24-bit S/PDIF output. The format is type 2, form 1, also known as S/PDIF
(Sony/Phillips Digital Interface Format). This output can be connected to compatible devices such as CD
Burners, Hard Drive recorders, or other digital mixers.

11. AC In: This mixer is designed to work with the power supply assembly that comes with the unit. While the
power is switched off, plug the power supply into the mixer first, then plug it into the outlet.

12. Power Switch: Use this switch to turn on the mixer after all input devi ces are already connected to prevent

damage to your equipment. Turn the mixer on before you turn on amplifiers and turn of amplifiers before you
turn off the mixer

1. Asegúrese de que todos los artículos

incluidos al inicio de este manual están
incluidos en la caja.

2. LEA LAS INSTRUCCIONES DEL

FOLLETO DE SEGURIDAD ANTES DE
UTILIZAR EL PRODUCTO.

3. Estudie este diagrama de instalación.

4. Coloque el mezclador en una posición

adecuada para su funcionamiento.

5. Asegúrese de que todos los

dispositivos están apagados y de que
todos los faders están en “cero”.

6. Conecte todas las fuentes de entrada al

estéreo como se indica en el diagrama.

7. Conecte las salidas del estéreo a el/los

amplificador/es de alimentación,

MANUAL DE INICIO RÁPIDO PARA EL MEZCLADOR (ESPAÑOL)

unidades de cinta magnética y/o fuentes
de audio.

8. Enchufe su mezclador y otros
dispositivos a la toma de corriente
alterna.

9. Prenda todo en el siguiente orden:

• fuentes de entrada de audio (por ej.

giradiscos o reproductores de CD)

• su mezclador

• por último, cualquier amplificador

10. Al apagar, realice siempre esta operación
al contrario,

• apague los amplificadores

• su mezclador

• por último, cualquier dispositivo de

entrada

11. Visite http://www.numark.com para
registrar el producto.