nord Stage 2 SW73 Compact User manual

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Page 1

User Manual

Nord Stage 2

OS Version 1.x

Part No. 50341 Copyright Clavia DMI AB 2011 Print Edition 1.1

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CAUTION - ATTENTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

RISQUE DE SHOCK ELECTRIQUE

NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK

DO NOT REMOVE COVER (OR BACK).

NO USER SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED PERSONNEL.

ATTENTION:POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE

PAS ENLEVER LE COUVERCLE.

AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L´USAGER.

CONFIER L´ENTRETIEN AU PERSONNEL QUALIFE.

AVIS: POUR EVITER LES RISQUES D´INCIDENTE OU D´ELECTROCUTION,

N´EXPOSEZ PAS CET ARTICLE A LA PLUIE OU L´HUMIDITET.

Instructions pertaining to a risk of re, electric shock or injury to persons.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

Warning - When using electric products, basic precautions should always be followed, including the following:

1) Read these instructions.

2) Keep these instructions.

3) Heed all warnings.

4) Follow all instructions.

5) Do not use this apparatus near water.

6) Clean only with dry cloth.

7) Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8) Do not install near any heat sources such as radiators, heat

registers, stoves, or other apparatus (including ampliers) that

produce heat.

9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong

are provided for your safety. If the provided plug does not t

into your outlet, consult an electrician for replacement of the obsolete outlet.

Additional Safety Information

No naked ame sources, such as lighted candles, should be placed on

the apparatus;

Do not use the apparatus in tropical climates.

WARNING: To reduce the risk of re or electric shock, do not expose

this apparatus to rain or moisture.

The apparatus shall not be exposed to dripping or splashing and that

no objects lled with liquids, such as vases, shall be placed on the

apparatus.

The maims plug is used as the disconnect device and shall remain readily operable.

The lightning ash with the arrowhead symbol within

an equilateral triangle is intended to alert the user to the presence of uninsulated voltage within the products en-

closure that may be of sufcient magnitude to constitute

a risk of electric shock to persons.

Le symbole éclair avec le point de èche à l´intérieur d´un triangle équilatéral est utilisé pour alerter l´utilisateur de la presence à l´intérieur du coffret de ”voltage dangereux” non isolé d´ampleur

sufsante pour constituer un risque d`éléctrocution.

The exclamation mark within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

Le point d´exclamation à l´intérieur d´un triangle équilatéral est employé pour alerter l´utilisateur de la présence d´instructions importantes pour le fonctionnement et l´entretien (service) dans le livret d´instructions accompagnant l´appareil.

10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11) Only use attachments/accessories specied by the manufacturer.

12) Use only with the cart, stand,

tripod, bracket, or table specied by the

manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13) Unplug this apparatus during lightning storms or when unused for long periods of time.

14) Refer all servicing to qualied service personnel. Servicing

is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

Il convient de ne pas placer sur l´appareil de sources de ammes nues,

telles que des bougies allumées;

L´appareil n’est pas destiné á étre utilisé sous un climat tropical.

L´appareil ne doit pas étre exposé á des égouttements d´eau ou des éclaboussures et de plus qu´aucun objet rempli de liquide tel que des vases ne doit étre placé sur l´appareil.

Lorsque la prise du résau d’alimentation est utilisée comme dispositif de déconnexion, ce dispositif doit demeuré aisément accessible.

Trademarks: The Nord logo is trademark of Clavia DMI AB. All other trademarks mentioned in this publication are the properties of their respective holders.

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Nord Stage 2 User Manual

Vibrato. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

1 Introduction

Thank you! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

About the User Manual. . . . . . . . . . . . . . . . . . . . . . . . . 5

Readin g the manua l in Adobe Ac robat Rea der. . . . . . . . . . . . 5

Nord on the Internet . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Restori ng the facto ry pres ets . . . . . . . . . . . . . . . . . . . . . . . . . 5

OS upgra des . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Free soun ds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Discla imer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

2 About the Nord Stage 2

The Organ section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Piano Librar y v5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Small, M edium & La rge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

String Resonance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Pedal Noise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

The Synth Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

3 Getting Started

Hook it up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Selec t a program. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Sort M ode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

The Shi ft Butto n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

The Kno bs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

The But tons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Edit a program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Selec ting a new pia no sound . . . . . . . . . . . . . . . . . . . . . . . . .9

Turning the Memor y Protection Off . . . . . . . . . . 10

Storing a Program. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Live Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Activate an effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Activate a nother in strumen t . . . . . . . . . . . . . . . . . . . . . . . . . 11

The Slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Create a Sp lit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Set the Pia no to the Upp er zone . . . . . . . . . . . . . . . . . . . . . 11

Set the Sy nth to the Lower zo ne . . . . . . . . . . . . . . . . . . . . . . 11

Load a Synth sound. . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Create a La yer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

The Morph. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

The Synthesizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Arpeggio clinic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Master Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

4 Reference: Program Section

Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Slot Buttons A & B . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Mono Ou tput. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Dual KB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Shift / Exit button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Live Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Program Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

What is a pr ogram? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

System, S ound, MIDI, E xtern . . . . . . . . . . . . . . . . . . . . . . . . 16

Panic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Store, Store As….. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Storing a P rogram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Naming a p rogram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Categor ies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Value Dial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

MIDI Indicator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Program Bank buttons . . . . . . . . . . . . . . . . . . . . . . . . 18

Organ Pi ano Synth I nit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Organ Sp lit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Program Page buttons . . . . . . . . . . . . . . . . . . . . . . . . 18

Sort M ode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Cursor, Del, I ns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Mst Clk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

Morph Assign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Morph D estinati ons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Clear ing a Morph. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

KB Zones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

MIDI Inp ut Only . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

5 Reference: Common features

Master level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Instrument & Extern Controls . . . . . . . . . . . . . . . . . 20

Level encoders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

On/Off buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

KB Zone Se lect but tons . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Creatin g a split . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Settin g split po ints to chang e Zone rang es . . . . . . . . . . . . . 21

Layeri ng instru ments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Octave Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Note Rang e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

PStick & S ustPed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Output R outing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Dual Sl ot setups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

Using an e xterna l keyboard (D ual KB). . . . . . . . . . . . . . . . . . 22

Using mu ltiple key boards . . . . . . . . . . . . . . . . . . . . . . . . . . .22

MIDI Inp ut Only . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

6 Reference: Organ

Drawbars and buttons. . . . . . . . . . . . . . . . . . . . . . . . . 23

Selec ting The Or gan Mode l . . . . . . . . . . . . . . . . . . . . . . . . .23

The B3 Model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

B3 Drawbars . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Vibrato & Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Percussion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Key click c ontrol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Organ Preset I & II . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

The Vox Model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

Vox Drawbars. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Vibrato. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

The Farf Model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Farf Registers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Swell Co ntrol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Rotary Speaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

7 Reference: Piano

The Piano sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Piano Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Type. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Clavin et . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

Dynam ics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Acoustics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

String R esonan ce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Relea se . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Pedal No ise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Nord Triple Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Half pe dalling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Sustenu to . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Soft Ped al . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Slot Detune/Clav EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Clav EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Slot Detu ne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

8 Reference: Synth

Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Shape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Shape M od . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Wave selec tor butto n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Analo g style wave forms . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 0

Triangle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 0

Sawtoot h. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Pulse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Oscill ator Sync wav eforms . . . . . . . . . . . . . . . . . . . . . . . . . .30

Frequen cy Modul ation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

FM-Syn thesis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

FM Algor ithms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

The Waveta ble categ ory . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Sample s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Skip Sa mple Atta ck. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Load Sou nd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Filter Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Filter bu tton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Low Pass - LP 24 & LP12 . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

High Pas s - HP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Band Pas s - BP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Notch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Filter Fre quency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

KB Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Resona nce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

Freq Mod 1 - LF O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Freq Mod 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

The Envelopes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Mod Envel ope . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

Amp Envel ope . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

The LFO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Velocity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

Voices section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Mono mod e. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Legato mo de. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Glide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

Legato an d Glide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Unison . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 5

Vibrato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

Storing S ynth Soun ds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

Arpeggiator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

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4 | Nord Stage 2 USer MaNUal oS v1.X

9 Reference: Effects

Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

About m ono/stereo a nd effec t routing . . . . . . . . . . . . . . . . .36

The Slot effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

Activati ng Slot ef fects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Makin g setting s for Slot ef fects. . . . . . . . . . . . . . . . . . . . . . . 36

The Focu s button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Mst Clk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Effect 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

A-Pan (Au to Pan). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Trem (Tremolo) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

RM (Ring m odulati on) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Wa-Wa. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

A-Wha 1 & 2 (Au to-Wah) . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Effect 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

Phaser 1 & 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

Flange r . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

Vibe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 8

Chorus 1 & 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Amp Sim/Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . .38

Amp mod el . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

EQ secti on. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Global Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Compre ssor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 9

Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

Rotary Speaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

About th e Rotary e ffect ’s signal rout ing . . . . . . . . . . . . . . . . 39

Rotar y paramete rs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

10 Extern Section

Extern section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Settin g up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Using the Extern section . . . . . . . . . . . . . . . . . . . . . .40

Activati ng. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Keyboar d Zones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Octave Sh ift. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Activati ng Pitch Sti ck/Sus tain Peda l messag es . . . . . . . . . . 40

Extern Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Prog Cha nge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

MIDI CC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Send On Lo ad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

11 Reference: Menus

System Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Master Cl ock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Fine Tune . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Output R outing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Organ Au dio Outpu t . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Piano Au dio A/B O utput . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Synth Au dio A/B O utput . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Organ Key board Trig Poi nt . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Sustai n Pedal Pola rity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Rotor Peda l Polarit y . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Rotor Peda l Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Ctrl Ped al Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Control P edal Use as S well . . . . . . . . . . . . . . . . . . . . . . . . . .43

Swell Ped al Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Swell Ped al Dest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Progra m Loading Mo de . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Memor y Protecti on . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Sound Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Rotar y Speaker A cceler ation . . . . . . . . . . . . . . . . . . . . . . . .4 3

Organ Key C lick Leve l B3 . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Organ Tonew heel Mod e . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Pedal No ise level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

String R esonan ce level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Synth Vi brato Rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Synth Dl y Vibrato A mount . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Delay Mo de . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

MIDI Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

MIDI Con trol Loca l . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44

MIDI Slot A /B Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

MIDI Org an A/B Ch annel . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

MIDI Pia no A/B Ch annel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

MIDI Syn th A/B Ch annel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

MIDI Dua l KB Chann el. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

MIDI Prog C hange Mo de. . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

MIDI Ctr l Change M ode . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Send MID I Ctrl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Extern menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Exter n MIDI Mod e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44

Exter n MIDI A/ B Channe l . . . . . . . . . . . . . . . . . . . . . . . . . . .4 4

Exter n MIDI A/ B Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Exter n MIDI A/ B Prog Cha nge . . . . . . . . . . . . . . . . . . . . . . .44

Exter n MIDI A/ B Bank Sel c c00 . . . . . . . . . . . . . . . . . . . . . .44

Exter n MIDI A/ B Bank Sel c c32 . . . . . . . . . . . . . . . . . . . . . .45

Exter n MIDI A/ B CC Value . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Exter n MIDI A/ B CC Numbe r . . . . . . . . . . . . . . . . . . . . . . . .45

Exter n MIDI A/ B Send Whe el . . . . . . . . . . . . . . . . . . . . . . . . 45

Exter n MIDI A/ B Send A.Touch . . . . . . . . . . . . . . . . . . . . . . .45

Exter n MIDI A/ B Send Ctr lPed . . . . . . . . . . . . . . . . . . . . . . . 45

Exter n MIDI A/ B Vel Curve . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Exter n MIDI Sen d on Load . . . . . . . . . . . . . . . . . . . . . . . . . .45

12 Nord Sound Manager

System re quireme nts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

USB Dri ver. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Sound Ma nager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

The Toolbar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

The Tabs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Parti tion Memo ry Indi cator . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Right-C licking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

File For mats. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

The Quick Tour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Transfer pia nos to the St age 2 . . . . . . . . . . . . . . . . . . . . . . .48

Deleti ng a piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Downlo ad a new soun d . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 8

Downlo ad Queue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Upload s ounds fro m the Nord St age 2 . . . . . . . . . . . . . . . . .48

Upload a c omplete pa rtitio n . . . . . . . . . . . . . . . . . . . . . . . . . 49

Downlo ad sounds to t he Nord Stag e 2. . . . . . . . . . . . . . . . . 49

Organi ze the progr am part ition . . . . . . . . . . . . . . . . . . . . . . .49

Search B ox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Auto Sele ct . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Sound Manager reference . . . . . . . . . . . . . . . . . . . . . 50

Toolbar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 0

Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Tabs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Piano – Pro gram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Search B ox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Loc - Locat ion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52

Name. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Categor y . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Ver – Versio n Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Footer Ar ea . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Parti tion Memo ry Indi cator . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Cancel B utton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Progres s Bars . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Messa ge/Text Ar ea . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Updates a nd piano s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

13 MIDI

About the MIDI implementation. . . . . . . . . . . . . . . 53

Nord Stage 2 with a sequencer . . . . . . . . . . . . . . . 53

Conne ctions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Local O n/Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

MIDI cha nnel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Control lers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Panic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

MIDI Controller list . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

MIDI Imp lementa tion Char t. . . . . . . . . . . . . . . . . . . . . . . . . . 55

I Appendix: Connections

Audio connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Headph ones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Audio Ou tputs 1-4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Monitor I n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

USB Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56

MIDI Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

MIDI In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56

MIDI Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 6

Music Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Connecting Pedals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

The Org an Swell in put. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Using a Roto r Speed pe dal . . . . . . . . . . . . . . . . . . . . . . . . . .57

Sustai n pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Nord Triple Pe dal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

II Appendix: Factory Presets

Factory Presets and OS . . . . . . . . . . . . . . . . . . . . . . . 58

Interna l memor y . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58

Factor y presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Restori ng the facto ry conte nt . . . . . . . . . . . . . . . . . . . . . . . . 58

OS upgra des . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

III Index

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Page 5

Chapter 1 INtrodUCtIoN | 5

Introduction

Thank you!

We’d ﬁrst like to thank you for purchasing the Nord Stage 2! Our goal when developing the Nord Stage 2 was to create a ﬂagship stage instrument encompassing the whole range of our company’s accumulated expertise. Building on the success of the original Nord Stage, the Nord Stage 2 incorporates the best emulations of electromechanical and acoustic keyboard instruments on the market as well as a synthesizer section designed for maximum ease of use, yet offering wide sonic possibilities.

The Nord Stage 2 features outstanding classic keyboard sounds with true feel, from natural keyboard response to authentic sound. A medium weighted hammer action 88/76 note keyboard, or a 73 note semi-weighted waterfall keyboard makes this instrument the biggest in the Nord range, yet it weighs only 18,5/16,5/9,7 kilos which is an achievement in itself.

Features

The Nord Stage 2 has the following main features:

• Organ section with faithful reproductions of three classic organ models; B3, Vox and Farf (Farﬁsa).

• Piano section with acoustic grand and upright pianos, tine-based electric pianos, Wurlitzer electric pianos, Clavinet, and Electric Grand. The memory capacity for the Piano section in the Stage 2 is approximately 500 megabytes.

• Synth section with sample playback, FM, analog-style and digital waveforms in a subtractive synthesis architecture.

• Comprehensive effects section.

• A medium weighted hammer action 88/76 note keyboard with aftertouch, or a 73 note semi-weighted waterfall keyboard with aftertouch.

• An Extern section for controlling external MIDI instruments.

• A powerful Morph feature for applying multiple parameter changes to a sound with controllers.

• Splits and layers are easily set up by assigning instruments to Keyboard Zones.

But that’s not all. There are two independent Slots “A” and “B”, each containing a full setup of the Stage 2 instruments. This means that you have access to six instrument sections and two independent effect sections! Amongst other things, this allows for “dual manual” B3 organ emulation, and easy setup of all kinds of instrument layering and splits.

About the User Manual

The manual is arranged mainly as a reference manual. In many cases you’ll get tips on how to practically use the functions, alone and also together with other functions.

Reading the manual in Adobe Acrobat Reader

This manual is also available in the digital PDF-ﬁle format. It can be downloaded, free of charge, from the Nord web site at www.nordkeyboards.com. With Adobe Acrobat Reader it is possible to use special navigation features like hyper links. This means that you can click with the mouse on a word or sentence and automatically get to the location indicated by the word/sentence.

Nord on the Internet

If you have access to the Internet, you’re very welcome to visit www.nordkeyboards.com. There you will ﬁnd the latest information about the Nord Stage 2 and other Nord products. You can also download new Nord Stage 2 sounds and software upgrades, free of charge.

Restoring the factory presets

The factory programs, samples and pianos are available as Nord Sound Manager backup ﬁles for download at the Nord web site at www.nordkeyboards.com or on the included Nord DVD.

OS upgrades

The latest OS version for Nord Stage 2 is available for download at the www.nordkeyboards.com website. Please visit our website from time to time, to make sure you have the latest version in your unit.

Free sounds

Since the Nord Stage 2 is designed as an open system, each and every piano and sample in the Nord Stage 2 can be replaced by you. This is done using the Nord Sound Manager application.

The Nord Stage 2 is compatible with the continuously expanding Nord Piano Library and the Nord Sample Library. These sounds are included on the DVD that accompanies the Stage 2. When new sounds become available, you can download these for free from the www.nordkeyboards.com website.

Disclaimer

Any trademarks and brand names mentioned in this manual are the property of their respective owners and are not afﬁliated or associated with Clavia. These trademarks and brand names are only mentioned to describe the types of sounds reproduced by Nord Stage 2.

Page 6

6 | Nord Stage 2 USer MaNUal oS v1.X

About the Nord Stage 2

Great sounds and maximum expressiveness are two essential features in the Nord Stage 2. To make a great tool we believe that you have to put all the focus on a few important things and that is exactly what we have tried to achieve.

Let’s look at some of the key features:

The Organ section

It’s over ten years since we made our ﬁrst digital model of a tonewheel organ. The Stage 2’s dedicated organ section now uses our third generation B3 Organ model as found in the acclaimed Nord C2.

Considered by many the most accurate emulation of the B3 ever, the Stage 2’s organ model is based on the analysis of the signals from each of the 91 spinning discs inside several original instruments and painstaking work on understanding exactly how all the components interact with each other. The virtual circuitry reacts not only to the settings on the panel but also during the real time performance. The Stage 2 will faithfully reproduce the important foldback and energy robbing characteristics; the latter will produce the gentle compression effect that makes those lovely smears absolutely wonderful. There are 4 tonewheel modes that allow you to switch from a clean, factory spec’d instrument to a worn and battered workhorse with some 40 years worth of touring.

Small, Medium & Large

All three sizes share the same amount of velocity layers, and the same number of zones that are mapped across the keyboard. This means that you can rely on a consistent quality in regards to the playability and expressiveness in the basic sound of every piano, no matter what size you choose to install into your Nord Stage 2 (or any other Nord Piano Library compatible unit).

Sml is the version that uses the least amount of space in the piano memory, but still carry a big and powerful punch. This version does not contain any String Resonance samples at all. If an Sml piano is selected in the Nord Stage 2, the String Resonance feature will be disabled.

The Medium versions have pedal-down String Resonance samples in the important middle region of the range, but omit these in the lowest and the highest areas. This gives you a good ratio of functionality and size.

The Large versions have the pedal-down String Resonance samples all across the keyboard, providing you with the fullest of sounds, but also the largest size.

String Resonance

We also created carefully modelled emulations of two of the most famous transistor organs from the 1960’s, the Vox Continental and the Farﬁsa Compact. Alongside the organ’s themselves, the Stage 2 features our very latest rotary speaker simulation derived from the C2. Incorporating the acoustic variations that occur as a physical rotating spreads the sound around in a room, they bring the Stage 2’s organs to life with remarkable realism In terms of control, “Draw buttons” and LED bar graphs have replaced the original mechanical drawbars. This gives you the advantage of always having the correct drawbar settings after changing preset.

Piano Library v5

The Nord Stage 2 is compatible with version 5 of the Nord Piano Library. We have spent a lot of time and effort in creating our best piano sounds ever, to match the features available in the Nord Stage 2.

The piano sounds are included on the DVD and are organized in categories and in some cases available in various sizes (for the acoustic grand pianos and uprights). New sounds will be available free of charge on the www.nordkeyboards.com website.

String resonance is the acoustic phenomenon which occurs inside every acoustic piano when strings, or parts of strings, resonate at their fundamental or harmonic frequencies when other strings are played. When playing any of the medium or large v5 pianos in your Stage 2 with this functionality is turned on, all notes you play will affect each other to reproduce the wonderful acoustics that occur inside an acoustic grand or upright piano.

String resonance is also very noticeable when you use the sustain pedal with the String Resonance feature enabled (again, on medium and large acoustic pianos only). With the sustain pedal held down, any notes you play will have a beautiful and familiar sound quality to them, enhanced by the un-dampened strings resonating in sympathy with the notes you are playing.

Another thing that the String Resonance produces is a crescendo effect. If you play the same key repeatedly with the same force, the sound will change. This is originally caused by the hammers hitting the vibrating string in various phases, and creates a nice, gentle ﬂuctuation in volume and timbre in the Nord Stage 2.

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Pedal Noise

The Nord Stage 2 is compatible with the accessory Nord Triple Pedal (not included, sold separately) which offers an unprecedented functionality. The Piano Pedal adds dynamic control of the mechanical noise during operation, and the ability for you as a player to use half pedaling and “release and catch again” techniques.

When the sustain pedal is operated on an acoustic grand or upright piano, many different sounds are produced by the mechanical components of that instrument’s pedal mechanism. Your Nord Stage 2 reproduces many of these natural sounds. When the sustain pedal is pressed down, lifting the dampers from the strings, a beautiful sizzle can be heard.

When the pedal is released, the dampers are returned to the strings, which creates a different, muted type of sound. The Nord’s sustain pedal is dynamic, allowing you to experiment with varying forces both for pressing the pedal down and also releasing it. If you allow your foot to “slip” off the edge of the pedal, it will spring back with full force, creating an obvious sound.

The “ﬂoor sound” is heard when the pedal reaches the bottom of its travel. You can experience this in isolation if you press down the pedal completely, then lift it less than halfway back up and then press down again.

If you lift the pedal and immediately press it down again, a very rich sound will be heard. Another big sound is The Stomp, which requires you to start with your foot above the actual pedal, in order to be able to reach the high velocity that is required to get this sound.

The Synth Section

The Stage 2’s powerful synthesizer engine was built from the DNA of the Nord Wave. Capable of classic analogue synthesis, three operator FM synthesis, Wavetable synthesis and, crucially, compatibility with the Nord Sample Library.

The Nord Sample Library not only give Stage 2 owners access to the huge free library of world-class sounds, including the famous vintage Mellotron and Chamberlin samples previously only available to Nord Wave and Nord Electro 3 users, but thanks to the included Nord Sample Editor for Mac and PC, allows user-created samples to be loaded into the instrument and thus opening up a whole new creative world of sound.

The Synth engine itself features classic analogue synthesis with dual saw, hard sync and pulse wave modulation, three-operator FM synthesis with 32 different modulation frequencies, Wavetable synthesis with 77 waveforms and Sample based synthesis. A new great-sounding multimode ﬁlter features 12 and 24 dB low pass, high pass, band pass and notch ﬁlters. And with an Amp envelope, Modulation envelope, an LFO, and Unison control, the Stage 2’s synth capabilities are hugely powerful, delivering amazing on-stage sound.

The Synth section also features a new Arpeggiator that can be synchronized to the Stage 2’s Master Clock for perfect timing with all elements of the Stage 2 including its effects.

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Getting Started

Let’s spend a few minutes to get acquainted with your new Nord Stage 2. In order to make you feel conﬁdent in using the Stage 2, this chapter is written as a guided tour. We will show you the fundamental aspects of the unit in as few steps as possible. We know you’d rather play than read.

3 The Banks are accessed with the Bank buttons A. B, C and D,

Hook it up

1 Connect the Nord Stage 2 power cord to the unit and a mains

power supply, connect the sustain pedal and a set of headphones or a sound system.

2 Make sure to turn on the Stage 2 ﬁrst, before the sound system.

Please be careful with the output volume.

above the display.

A new program is immediately activated when you press a Bank, Page or Program button. If you want to navigate with the Bank and/or Page buttons and wait with the loading of a new program until you press a program button, this can be set in the System Menu, the Program Loading setting.

For more information on all the connections on the Stage 2, look in the Connections chapter on page 56.

Programs

The Program area is the part of the panel that is located in the center of the panel with the display in the middle. Complete settings of every parameter on the panel are stored in the program memory of the Nord Stage 2, with enough room for 400 programs.

This is organized into 4 banks; each bank contains 20 pages of 5 programs each, all of which can be edited and replaced as you wish.

E The 100 programs in the D bank when the unit is shipped from

the factory are duplicates of the programs in the A bank. This means that you can immediately start to save any edits you do in either the A or D bank without risking to overwrite any of the factory programs until you have decided which ones you want to keep.

A complete set of the factory programs are available on the enclosed Nord DVD and on our website, you can always get back to the state of the program memories when the unit was new.

Select a program

1 Programs are selected by pressing the ﬁve Program buttons,

located below the display. An alternate method is to turn the Value Dial located to the right of the display.

2 The Pages are accessed by pressing the Program Page 3/4

buttons repeatedly, located above the Value Dial.

 Press and hold either of the Program Page buttons to continu-

ously scroll through the Pages.

Sort Mode

There are three Sort modes in the Stage 2. The default mode is numerical - by turning the Value Dial, the programs are accessed in a numerically sorted order. (Bank A, Page 1, Program 1 to 5, Bank A, Page 2, Program 1 to 5 etc). Let’s look at an alternate sort mode.

1 Press and hold Shift....

2 and then press the Program Page 4 button.

This activates the alphabetical sort mode, which will display the programs in an alphabetical order when you turn the Value Dial.

3 To change the initial letter, press the Pro-

gram Page buttons.

M Some of the programs are labeled with MW or AT. This indicates

that the Mod Wheel or AfterTouch has an active part in the sound and invites you to use these performance features.

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The Shift Button

Many buttons on the Stage 2 have a secondary function, which is printed immediately below the button. These additional functions and/ or parameters are accessed by ﬁrst pressing and holding Shift while pressing that respective button.

1 Hold Shift and press the Program Page 3 button.

This will activate the Category sort mode; programs will be displayed alphabetically within the selected category.

2 To change the category, press the Program

Page buttons.

A program can be assigned to a category when it is saved or by using the Nord Sound Manager applications. Read more on categories on page

17.

3 Hold Shift and press the Sort mode button

that is active to revert to the numerical presentation.

M The sort modes will only affect how the

programs are accessed by turning the Value Dial. Pressing Bank, Page and Program buttons will select programs in the numerical fashion.

 Holding Shift and pressing a selector button (with the exception of

the Type button) will cycle through the settings in a counter clockwise fashion.

The On/Off buttons are used for activating a function or a group of functions such as effects and have a LED close to them to indicate the on/off status and sometimes also the source or zone.

M The on/off buttons of the Effect’s shown here, also have a selector

functionality. Press once to turn the Effect on, and press immediately again to select the “next” source.

Edit a program

Editing a program is as easy grabbing a knob or pressing a button to change an existing setting; go ahead and give it a quick try.

1 Dial up bank A, page 1, program 1 (the Imperial Grand Piano

program) for this exercise.

A : 01 : 1 Piano Imperial Large

M The Shift button is also used to Exit from a menu or to cancel an

ongoing Store operation.

The Knobs

There are two types of knobs on the Nord Stage 2. The Value Encoders are surrounded by LED indicators. The LED’s always present the stored value of a setting. These parameters can be controlled using the Morph function.

The potentiometer-type knobs shown to the right are used, for example, in the Synth and Effect sections. As you scroll through programs, the physical positions of these knobs will not necessarily correctly reﬂect the active parameter values, but as soon as one of these knobs is turned, that respective parameter’s value will immediately “snap” to the knob’s position.

 Hold Shift and turn a knob to view the stored

setting of a parameter in the display, without changing it.

The Buttons

The controls for the Piano instrument are located immediately to the left of the Program/Display area on the panel. Notice that the Grand type is the current type in the program.

Selecting a new piano sound

2 Press repeatedly on the Type selector to browse the 6 types. Each

piano type can hold several models.

3 Press repeatedly on the Model button, located beneath the Model

LED and play on the keys to listen to the different sounds.

This will cycle through the models that are available in the selected piano type.

Note that changing any parameter on your Stage 2’s panel will immediately cause an asterisk to appear next to the current program number in the display.

Selector buttons are used to select one setting in an array. They have a set of round or triangular LEDs to indicate the current setting. Press the button several times to cycle through the possible options.

A : 01 : 1* Piano Imperial Large

This is provided for you as an indication that the program has been edited/changed, but not yet saved into memory. If you select a new program prior to performing a Store operation, your edits will be lost and that program will have its original settings the next time you select it.

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Turning the Memory Protection Off

When the Nord Stage 2 is shipped from factory, the memory protect is turned on to prevent you from accidentally overwriting any of the original programs. This memory protect feature can be turned off by toggling a setting located in the System menu.

Memory Protect O f f

1 Hold Shift and press the Program 1/System button below the

display.

2 Look in the display and scroll through the System Menu functions

with the Program Page 3/4 buttons until you see the Memory Protect setting.

3 Change this setting to Off by turning the Value Dial.

4 Press Shift to exit the System menu.

Read more on the Menu settings, starting at “System Menu” on page 42.

Live Mode

A : 01 : 1 Piano Imperial Large

Nord’s Live Mode feature provides you with ﬁve temporary program buffers, any one of which will automatically save program edits for you on the ﬂy without having to perform a Store operation.

1 If you press the Live Mode button to turn Live Mode on, all chang-

es to the panel settings you make will be continuously stored.

2 If you switch the power off, or select another program, the set-

tings you made are still stored in the 5 Live Mode programs, so when you power up next time (or return to that particular Live Mode program) all settings in that Live program will be exactly as they were when you left them.

If the Live Mode is selected and you decide you wish to store the settings permanently as a program instead, you can do so using the standard methods (see above).

You can also store programs into anyone of the ﬁve Live Mode memory locations, in which case the program settings will replace that current Live Mode memory setting.

Press the Live Mode button again and then on a Program button to get back to the normal Programs.

Storing a Program

1 Press the Store button to the left of the LCD once, to initiate the

process of storing the edited program.

A : 01 : 1 Piano Imperial Large

2 The Store LED will begin to ﬂash on and off and the display will

ask you for the location to where you want to store the program.

3 If you want to store the edited version in the same location, re-

placing the original, simply press Store again. If not, use the Bank, Page and/or Program buttons to select a new location.

E The program which resides in the selected location will become

active on the keyboard to allow you to play it and verify that you will not be overwriting something which is important to you.

4 When you have found a suitable location for your program, press

Store again to store your edited program.

M Press Shift/Exit once to abort an ongoing Store process if you

change your mind.

Read more about Store and Store As, renaming a program and giving it a category in the Program Reference chapter, on page 17.

Activate an effect

1 Activate the reverb by pressing the Reverb

button.

2 Adjust the Dry/Wet balance with the knob

above the reverb selector.

3 Activate the Delay by pressing the Delay

source button once.

4 The indicator shows the instrument that is

routed to the effect. If the Piano source LED isn’t lit, press repeatedly on the delay source button until it is lit.

5 The two Value Encoders in the ef-

fect section control the rate/tempo and the amount of the effect in focus.

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If you have more than one effect activated in a program, you can shift the focus by pressing the Focus button between the Encoders. Focus will automatically be set when a new effect is activated.

 Hold Shift and press an effects source button repeatedly to

quickly cycle through the sources.

Activate another instrument

1 With the piano still active, press the On/Off button located below

the Synth Value Encoder. This will turn on the synthesizer and its sound will be layered on top of the piano.

All the synthesizer parameters on the panel can be adjusted if you want to edit the sound. An in-depth description of these parameters can be found in the reference chapter, starting at page 29.

 To view a parameter setting without changing it, hold the Shift but-

ton and turn the parameter’s knob. The setting in the program will be presented in the display.

A : 01 : 1 Piano Imperial Large

2 Press the 2 KBD Zones button, located above the Value Dial.

The Slots

The Slot A and Slot B buttons below the Program buttons gives you instant access to two complete setups of the features on the Stage 2’s panel. You can have one complete Organ/Piano/Synth/Extern/Effects setup on Slot A, and another complete setup on Slot B.

This allows you to switch in a seamless fashion between two different sounds, or to create huge programs with organs, two different pianos, two different synthesizers in layer or split keyboard setups. Let’s do a split and then expand this with an additional layer combination.

 If you press and hold a Slot button, you can copy the settings of

any other Slot in the memory, by turning the Value Dial until you ﬁnd the sound you wish to copy. Release the Slot button and the settings of the selected source will be copied to the edit buffer. Do not forget to save the new settings if you want to keep them in a Program.

Create a Split

1 Make sure that only Slot A is active. Hold Shift and press the Bank

C/Piano Init button.

This activates the Piano and sets all the effects to be routed to the Piano as well. Using an Init is a great way to quickly get a foundation when you want to create a program.

This divides the keyboard into two zones, with the split indicated with a green LED that lights up above the keyboard. Pressing the 3 KBD button creates three zones, with two splits.

Set the Piano to the Upper zone

3 Hold Shift and press the Piano

Zone Select button repeatedly until the UP-HI LED’s are lit and the LO LED is off.

This assigns the Piano to the upper zone of the keyboard. Feel free to use the Octave Shift buttons if you want to transpose the piano.

Set the Synth to the Lower zone

4 Hold Shift and press the

Synth Zone Select button until the LO LED is lit and the others are off. This will activate the synth and assign it to the lower half of the keyboard.

 Hold Shift and press repeatedly on the Set Lo or Set Hi Split but-

tons to move the splits.

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Load a Synth sound

1 Hold Shift and press the Load Synth button. Let go of the buttons.

This allows you to select any of the 300 synth patches that are stored in the Synth partition in the Nord Stage 2.

2 Turn the smaller Dial under the LED display in the Synth section to

select the sound you want. The sound will immediately become active in the Synth.

3 Press Shift again to exit the Load Sound mode.

Create a Layer

 The Extern section can also be part of a split or layer scenario,

e.g. if you wish to control an external unit from just one zone.

5 Turn off a Slot combination by holding the slot button you wish to

keep and press the other slot button.

The Morph

By setting up a Morph, you can use a physical controller like the Wheel, an attached control pedal or the aftertouch on the keyboard to adjust one or several parameters, while you are playing. Let’s try this out:

1 We will Morph the drawbars with

the wheel, so start by holding Shift while pressing Bank B, the Organ Init button.

2 Make sure that the B3 model is

active and “pull out” the ﬁrst three drawbars on the left (Sub, Sub3 and Fund) by pressing the corresponding lower drawbar buttons.

If you need to push in a drawbar, use the upper drawbar button.

Let’s add a third sound to the piano-synth split we’ve just created.

1 Activate Slot B by pressing

the Slot B button. This gives you access to another set of organ, piano, synth and effects,

2 Hold Shift and press Bank D/

Synth Init.

This will activate the synthesizer, and route all effects to the synth for Slot B.

3 Hold Shift and press the Load Synth button, and use the Osc Dial

select a sound that could be appropriate to layer on top of the piano-synth split.

Activate both Slots

4 Press and hold Slot B and

press Slot A to create the layer with both Slots controlled by the keyboard. Slot A will be the split program and Slot B will be layered on top.

The ﬂashing slot LED indicates which slot is currently active for editing on the panel. Press the other slot button if you want to shift this focus to the other slot.

3 Press and hold the

Wheel button in the Morph Assign group, above the display.

4 Pull out the four right-

most drawbars all the way. The indicators will show single LEDs to indicate how much the Morph will affect the parameter.

5 Let go of the Morph

Wheel button. Play a few notes or chords, while moving the modulation wheel.

As the wheel moves, the drawbars are pulled out and the sound changes accordingly.

 One Morph source (Wheel, Control Pedal or Aftertouch) can con-

trol several parameters at once.

 A Morph source can increase one and decrease another pa-

rameters values, at the same time. This makes it possible to for example fade in the level on one instrument and to fade out the level of another at the same time.

Read more about the Morph functionality on page 19.

Any combination of instruments, splits and layers is possible, with one exception: you can use only one organ model for both Slots A and B (B3, Vox or Farf), although you are still able to use separate and distinct settings for that one organ model on the different slots (to create, e.g., a traditional dual-manual organ setup).

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The Synthesizer

Let’s have a look at some of the features in the Stage 2 Synthesizer.

1 Hold Shift and press the

Bank D/Synth Init button above the display.

2 Press the Oscillator but-

ton until the sawtooth waveform is selected.

3 Play some keys and

adjust the Freq dial in the ﬁlter section.

4 Turn the Oscillator selector dial beneath Osc LED display to

audition the other waveforms that are in the sawtooth category.

5 Make sure that “dEt” is se-

lected; this is a dual sawtooth.

6 Turn the Oscillator Shape dial

to detune the two waveforms in semitone steps.

M The Shape and the Freq dials

in the Synthesizer section have the LEDs surrounding them, which indicates that they can be Morphed.

 The Shape parameter have different duties, depending on the

waveform selected. It controls for example the pulse width on some of the pulse waveforms. On other waveforms, the Shape parameter have no effect at all.

7 Press the Oscillator button until

Samp is selected. This is the sample playback feature.

8 Select which sample by turning

the Oscillator dial.

Arpeggio clinic

Are you ready for some action? Let’s try the Synth arpeggio.

1 Make sure the only the Synth section is turned on. Set the attack

times to 0, the decays to 250 ms, select a sawtooth waveform and open up the ﬁlter a little bit. This will produce a percussive sound.

Add some Mod Env control of the Filter Freq if you want to increase the pleasure.

2 Press the Arpeggiator On/Off button, play a chord on the

keyboard and turn the Arpeggiator Rate knob. This will play the notes you hold down, one after the other in a repeating fashion.

3 Keep holding the keys and press the Arpeggiator Direction/Range

button to select a different direction.

When no direction LED is lit, the direction is Up, from the lowest key and up to the highest and then it starts over again. The other directions are down, up and down and random.

4 Hold Shift and press the Arpeggiator button repeatedly to select

a range.

When none of the range-LEDs are lit, the range is exactly the keys you hold down. A setting of 2 extends the range by transposing the arpeggio one octave up and plays this octave after the initial octave, 3 adds yet another octave and 4 adds four octaves to the keys you play.

 Press down the sustain pedal if you want to lift your ﬁngers of the

keys and keep the arpeggio still going.

There are some programs in the Factory setup that utilizes the arpeggio with the synthesizer on its own or together with the other instruments in the Stage 2. Lookout for a mentioning of “ARP” in the program name.

This is the method to use if you have added samples from the Nord Sample Library or samples that you have made yourself with the Sample Editor.

Those samples are ﬁrst selected in the oscillator. Then you can use the other synth parameters to sculpt the sound with the ﬁlter, envelopes etc. Read more about adding samples to the Stage 2 in the Sound Manager chapter on page 46.

 You can store individual synthesizer sounds, by pressing Shift

and the Vibrato button. There are 300 memory locations for synth sounds.

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Master Clock

Now that we got an arpeggio going, let’s try the Master Clock feature to synchronize the arpeggio and to bring in an effect as well.

1 Hold Shift and press the Arpeggiator button to lock the arpeggio

to the Master Clock, the Mst Clk LED lights up.

Don’t worry if the music stops, we’ll have it back on again soon. Keep those keys or sustain pedal down.

2 Press the Mst Clk button once and dial in a tempo with the Value

Dial. The display will indicate the BPM. Set this to 120 BPM for this exercise.

5 Hold Shift and press the Focus/Mst Clk button between the effect

dials, the Mst Clk LED lights up.

6 Turn the effect Rate/Tempo dial and look in the LCD to select the

subdivison for the delay.

7 Try 1/16, which will be half the note value or twice the “speed”

of the arpeggio. Turn up the Amount knob up to but not beyond 12 o’clock to hear the delay taps together with the arpeggiated notes.

 Tap four times on the Mst Clk button to set the tempo on the ﬂy.

3 Turn the Arpeggio rate knob to select the meter subdivision (or

note values) that the arpeggio should play, look in the LCD while turning the knob. Notice how 1/4 are half the “speed “ of 1/8. T after a numerical value indicates triplets. Set the subdivision to 1/8.

4 Turn on the delay and make sure that the Synth is the source to

the delay by pressing the source button repeatedly until the Synth LED lights up.

If you carefully adjust the delay time, you could match it to ﬁt the rhythm of the arpeggio, but there is another way. Let’s synchronize the delay to the same clock as the arpeggio.

The arpeggio, the LFO on the synth, the delay and the 2 effects can be synchronized to the Master Clock in this fashion.

And there is more, the Master Clock operates on both Slots simultaneously so you can control arpeggios, LFOs and effects on both Slot A and B.

There are many subdivisons and combinations to try out, do not forget to show yourself to your family from time to time.

Note that some of the units have division settings that are larger than 1/1 that allows for sweeps that are longer that one bar. And you can of course synchronize some functions, while leaving others freewheeling if you like.

This ﬁnishes our tour of the Stage 2; we hope that you now have the basic knowledge on how to operate most of the functions on the panel and feel conﬁdent in how to operate things.

The following chapters contains the reference section, with the chapter on the Nord Sound Manager application after that, on page 48.

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Chapter 4 refereNCe: prograM SeCtIoN | 15

Reference: Program Section

A : 01 : 1 Piano Imperial Large

The program section gives you access to performance functions such as recalling and storing of programs, system/menu pages etc. The four menus and their settings are covered in a separate chapter - starting on page 42. We’ll explain the features in this chapter, staring with the buttons in the program section’s lower left corner.

Transpose

You can transpose the Nord Stage 2 in semitone steps, with a range of +6/-6 semitones. Hold the Transpose button and set the transposition by turning the Value Dial. Press the Transpose button again to de-activate a transposition.

This feature is programmable; it will be saved and recalled as part of a program.

Slot Buttons A & B

You have two independent Slots for each program; A and B. Each Slot contains independent instances and settings of the three instrument sections and effects.

Both Slots can be activated if you want to use two instruments of the same type at the same time, like two Piano instruments or a Split Organ setup (read more about this feature on page 18).

the two Slot’s settings that are currently shown and can be tweaked on the panel. To switch edit focus to the other Slot, press the corresponding Slot button. To get out of a dual slot situation, hold the button of the slot that you wish to remain in focus and press the other one.

Copy settings from a slot

Press and hold one of the Slot buttons and turn the Value Dial. This action allow you to copy the settings from another Slot to the current Slot. The display will indicate which of the Slots in the entire program memory of the Stage 2 that will be copied to the current Slot.

Mono Output

Hold Shift and press the Slot A/Mono Output button to set the outputs of the all the Stage 2 sound sources and effects to mono. This is a global setting, it will affect all the programs until it is deactivated or the Stage 2 is turned off.

M Not all sound sources will be stereo just because the Mono

Output is not active. The organ is always mono source, as are some of the pianos, and the synthesizer’s analog, FM and digital waveforms. Samples may be in stereo.

M Routing a stereo sound source to a mono effect will produce a

mono output. Read more in the Effects chapter on mono and stereo effects.

Dual KB

The Dual KB feature allow you to control Slot B with an external MIDI keyboard, connected to the MIDI Input on the Stage 2.

You activate both Slots by simultaneously pressing both the slot buttons. You have access to six instrument sections and eight effects sections (Effect 1 & 2, Delay and AmpSim/EQ x 2) when both slots are active.

One of the Slot buttons will ﬂash to indicate edit focus, that is which of

The Stage 2 keyboard will control Slot A and the external keyboard will control Slot B. It is not possible to activate both Slots to be played by the Stage 2’s keyboard in this mode.

This feature is ideal for live situations when you have a second keyboard in your rig and would in certain circumstances like to use the

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keyboard to play the Nord Stage 2 as a “second manual”. By activating Dual KB you can quickly switch between these modes without having to bother with MIDI menus. Having this function easily accessible on the front panel makes it easy to turn off and prevent the external keyboard to play when it’s used to play its own sounds.

Another advantage with the Dual KB mode is that you can access the knobs and parameters for either panel from the Nord Stage 2, while the internal keyboard is always playing Slot A, and the external keyboard controls Slot B. For example, you can keep on playing Slot A with one hand on the Stage’s keyboard while you simultaneously adjust the drawbars played with the second keyboard on Slot B.

The Dual KB setting is saved with a Program, together with all other Slot settings. This makes it easy to access any complicated keyboard setup with the push of a button - ideal for live situations.

Program Buttons

The 5 Program Buttons gives you immediate access to all the 5 programs in a selected Program Page.

A : 01 : 1 Piano Imperial Large

M The MIDI Channel for the Dual KB feature is set in the MIDI Menu

on the Stage 2. Read more on this on page 44.

Shift / Exit button

Many buttons have secondary functions that you can access by holding Shift and pressing the button. The Shift activated functions are always printed below the corresponding button. For example, holding Shift and pressing the Program 3 button will allow you to access the MIDI Menu parameters.

In a few cases, the shift functionality can be achieved without holding the Shift button, but instead by double-clicking a button. This works primarily with Keyboard Zone selections and Effect source selections.

 Hold Shift and turn a knob to view the stored setting of a param-

eter in the display, without changing the parameters value.

The Shift button also acts as an Exit button, which can be used if you want to exit a menu, or cancel a Store operation.

What is a program?

A program basically stores everything (except System functions which are mostly global). To understand the internal architecture in Nord Stage 2, keep the following in mind:

• For each Slot, settings for all three Instruments, the four Effects, and the Extern section are independent (except the choice of organ model, which is always shared between the two slots).

• A program stores the settings for both Slot A and B, it contains independent settings for six instruments, eight effects, and two Extern setups.

• A program also stores all settings from the Extern menu, except the Extern A & B MIDI channels and the Send on Load setting (read more on this in the Extern Menu chapter on page 44), and the output routings for each instrument (read more on this on page 42).

• The Global effects (Compressor/Reverb) and the Rotary effect affect both Panels, and the settings for these are stored with the program.

• Splits, layers (Keyboard Zones) and Morph assignments are also part of a Program.

System, Sound, MIDI, Extern

The Program buttons are also used to enter the 4 menus, if you press any of the ﬁrst four while holding the Shift button. The settings in the menus are described in the Menu chapter that begins on page 42.

Live Mode

The special Live Mode can be described as “program memories that automatically and always saves everything”. If you activate the Live Mode, all changes to panel settings you make will be continuously saved. If you switch the power off, or select another program, the settings are still stored in the Live memory location, so when you power up next time (or return to that Live memory) all settings will be exactly as you left them. Having 5 Live memory locations means that ﬁve independent setups can be “saved” in this way.

If a Live memory is selected and you decide you wish to store the settings permanently as a program you can do so using the standard methods (see below).

You can also store Programs into the Live memory locations, in which case the program settings will replace the current Live memory settings. Note that when you store a program into either of the Live memory locations, the stored settings will be “transferred” to Live memory, any changes you make will be stored continuously, and you will not be able to revert back to the exact settings as they were when “stored”.

The Live memories are useful, e.g., for improvisatory performances, and as scratch pads for new sound setups.

Panic

Hold Shift and press the 5th Program Button to execute an internal All Notes Off message and reset of some of the performance parameters. This can be used if notes gets stuck and sounds all the time during a MIDI- or live performance.

Store, Store As….

The Store button is used when you want to store an edited program, when you want to rename a program or when you want to change a program’s category. Storing a program will overwrite the existing program in the selected memory location.

M When the Nord Stage 2 is shipped from factory, Memory Protect

is set to “On”. To be able to store Programs, you need to change this to “Off”, read more on how to do this on page 10. The Memory Protect function does not affect the Live Mode memories.

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Storing a Program

To store a program without changing its name or category, proceed as follows:

1 Press the Store button once. The Store button and the currently

selected program button indicator starts blinking, and the display will read “Store to X:X : X” (the current Bank, Page and program number), and the program name.

2 Next step is to select a Bank/Page/Program location where to

store the edited program. Use the Bank, Page and the Program buttons to select a location, or browse by turning the Value Dial. You can also save a Program to one of the 5 Live memories. The settings in the programs that you browse will become active, which allows you to verify by playing on the Stage 2 that it is safe to overwrite a program.

E To cancel an ongoing Store operation, press Exit (Shift).

3 When you have found a location for your new Program, press

Store again to conﬁrm your intentions. The display conﬁrms with a “Program Stored!” message for a short duration.

Naming a program

Naming a program and/or changing a programs category is done with the Store As… procedure:

Cursor, Del, Ins

During a Store As… procedure, the Program Page buttons are used to move the position of the cursor in a Program name, the actual character in the position can be set by the Value Dial.

Hold Shift and pressing Del or Ins will delete or insert a character in the program’s name at the position of the cursor.

Mst Clk

The Master Clock allows you to synchronize several components in ths Nord Stage 2: the Arpeggio, the synth LFO, the Delay and Effects 1 and 2. Not only can you make these run in synch, you can also select different subdivisions (or “speeds”) for these units, to create some great rhythmic effects.

Organ Split

The Organ Split Init creates a split keyboard setting that emulates a dual manual organ setup. The lower part of the Stage 2’s keyboard will use Slot A and the upper part Slot B.

Program Page buttons

The Program Page 3 and 4 buttons are used to select one of the 20 available program pages. Every Page holds 5 programs, every Program Bank holds 20 Pages. Pressing a Page button will immediately load the program number on the new Page.

Pending Load

If you want to navigate with the Bank and/or Page buttons and wait with the loading of a new program until you press a program button, this can be set in the System Menu - set the Program Loading Mode to Pending. Read more on how to change settings in the System Menu on page 42.

Sort Mode

Hold Shift and press Page 3/Cat Sort to select the Category sort mode, hold Shift and press Page 4/Abc Sort to select the alphabetical sort mode. These modes affect the presentation of programs when you turn the Value Dial.

Tap the Mst Clk button four times to set the tempo. The display will show how many taps you have entered in case you get lost.

Hold Shift and press the Mst Clk button to open the Master Clock menu, where you can set the Master Clock tempo by turning the Value Dial.

When the Master Clock tempo is set, you can select a subdivison of that tempo for the various functions that can be synchronized to the Master Clock. Any changes you make to the Master Clock tempo will be followed by all the functions in the Stage 2 that are synchronized to it.

The subdivisions are described in greater detail in the sections that covers the units that can be synchronized, the LFO, the arpeggio and the effects.

The Cat Sort will display the programs in a category. To change the Category, hold Shift and press either Page button. There is a list of categories on the previous page 17.

The Abc Sort will display the programs alphabetically, based on their names. To change the initial letter, hold Shift and press either Program Page button.

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Clearing a Morph

Morph Assign

The Morph is a very powerful tool, which allows you to control several parameters at once with one “source”. You can use a foot pedal to control the level balance between a piano and a synth sound, use the wheel to do a major change in the drawbar settings of a B3 sound, and increase the amount of a selected effect by aftertouch - all at the same time.

Hold Shift and press a Morph Assign button to clear all Morphs for this source. To clear a particular assignment, hold the Morph Assign button and operate the control to remove the “gap” between the programmed setting and the Morph setting.

The three Morph Assign buttons represent the three Morph Sources and are located above the Program Bank buttons.

You activate a Morph by holding one of the Morph Assign buttons and at the same time operate a parameter knob in the desired direction.

The setting of the parameter in the program is the “ﬁrst” setting (shown on the left dial here), and then you turn the knob to the second setting, which will be the maximum setting that can be set with the Morph source.

 If you double-tap on a Morph Assign button, the Morph as-

sign mode will latch and you can take your time to adjust one or several parameters to the desired effect. Press the button again to exit the latched mode.

KB Zones

The KB Zones buttons split the Stage 2’s keyboard in two or three zones. After you have activated a split, use the On/Off - KB Zone Select buttons beneath each instrument’s (or the Extern’s) Value Dial to assign an instrument to one or more zones.

When a split is active, hold Shift and repeatedly press an instrument’s, or the Extrern’s KB Zone Select button to assign the instrument to one or several zones. The three Zone LEDs beneath the instrument’s Level Rotary will indicate the assignment.

Hold Shift and press KB2 or KB3 to move the boundaries of the lower, upper and high zones. The splits are indicated by green LEDs above the keyboard.

M Both Slots use the KB Zone conﬁguration, instrument assign-

ments are individual.

Read more on creating splits on page 20.

One Morph Source can control several parameters at the same time. Morphs can also inﬂuence parameters in both positive and negative ways.

 Morphs operate across the two Slots.

Morph Destinations

You can use the Morph to control all the settings of the rotary encoders (the knobs that show parameter values with LEDs), the Rotary speed and the organ drawbars. Apart from the number of assignable parameters, there is no limit to how many parameters you can control simultaneously using Morph.

The following parameters can be controlled by the Morph sources:

• The Level setting for all Instruments.

• The Shape setting in the Synth oscillator section.

• The ﬁlter Frequency setting in the Synth ﬁlter section.

• The Drawbars in the Organ section.

• The Effect Rate/Tempo setting for the individual effects.

• The Effect Amount setting for the individual effects.

• The Parameter setting in the Extern section (read more on page 40).

• The Rotary Speed (only with the Wheel option. This enables you to set Rotor Speed continuously, instead of just alternating between two ﬁxed speeds.

MIDI Input Only

If a MIDI Channel has been assigned to an instrument in the MIDI Menu (read more on the settings in the MIDI menu on page 42), the instrument can be activated but not assigned to the Stage 2’s keyboard. This makes it possible to e.g. use another keyboard to control a sound source from the Stage 2.

Hold Shift and press the Kb Zone Select button until the instruments LED’s light up, but no green zone LEDs are lit. Read more about the settings in the MIDI Menu on page 42.

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Reference: Common features

The Nord Stage 2 instruments, effects and the Extern section share a few common features and characteristics.

Master level

The Master Level control is located in the upper, left area of the panel. This control sets the overall output level of the Nord Stage 2, at the line level and the headphone outputs.

M This is not a programmable control.

Level encoders

The Level encoders are located at the top on each section and allows you to adjust the volume for each instrument.

The instrument level can be controlled in real time with the Morph. Read more on Morphing on page 18. The Extern’s Level encoder is used to transmit MIDI data.

Instrument & Extern Controls

The Nord Stage 2 features 3 different instruments; Organ, Piano and Synthe- sizer. Each instrument is multi-timbral with two parts which means that there are actually two sound engines for each Instrument. These “engines” are internally connected to the Slots, one for Slot A and another for Slot B.

M The Organ behaves a little differently in that there is actually only

one “engine” but it supports two manuals with separate drawbar settings.

The Extern sections can be used to control external MIDI instruments (or to transmit MIDI data to e.g. a sequencer). The Slot A Extern can transmit on one MIDI channel, the Slot B Extern on another.

On/Off buttons

The On/Off buttons are reassuringly used to turn sections/instruments on, or to turn them off. When a section is on, the corresponding LEDs in that section will be lit up and the green LEDs will indicate which zones on the Stage 2’s keyboard will control the instrument. The alternative functions of selecting a zone with these buttons are not only accessed by holding the Shift button, you can also double-tap on them to assign an instrument to a zone (provided that the keyboard is split).

KB Zone Select buttons

The KB Zone Select functionality of these buttons allow you to assign an instrument to Keyboard Zones. Hold Shift and press the buttons to select one of the zone alternatives.

Creating a split

It is very easy to create a split where different instruments are assigned to different keyboard zones. Proceed as follows:

1 Activate two instruments by pressing the KB Zone Select buttons

in each corresponding section, which makes the KB Zone LEDs (Lo/Up/Hi) light up.

2 Press the KB Zones 2 button, located above the Value Dial. This

splits the keyboard into two parts, an upper and a lower zone. The split point is indicated by a green LED above the corresponding key on the keyboard.

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3 Assign one of the active instruments to play on the lower Key-

board Zone by holding Shift and then press the KB Zone Select button in the instrument’s section until only the LO KB Zone indicator is lit.

4 Assign the other instrument to the upper half of the keyboard.

Hold Shift and pressing the KB Zone Select button for the other instruments section until both the UP/HI KB Zone indicators are lit.

The lower half of the keyboard will play one instrument, and the upper half will play the other.

You can also step through the different Keyboard Zone assignments by double-clicking the KB Zone Select button. This is a convenient method when you can only use one hand and cannot reach the Shift button.

Activate all three Keyboard Zones by pressing the KB Zones 3 button. This splits the keyboard into three zones. Press the Shift + KB Zone Select button (or double-click the KB Zone Select button) for an Instrument section, to step through the following options:

• LO/UP/HI indicators lit - the instrument will play in all the three zones 1-3.

• LO indicator lit - the instrument will only play in zone 1.

• LO/UP indicators lit - the instrument will play in zones 1 and 2.

• UP indicator lit - the instrument will only play in zone 2.

• UP/HI indicators lit - the instrument will play in zones 2 and 3.

• HI indicator lit - the instrument will only play in zone 3.

• No indicator lit - the instrument will not be controlled at all from the internal keyboard, but it can be controlled with incoming MIDI. This alternative is only available when an instrument has been assigned an individual MIDI channel. The panel controls are however active, you can still change the instrument’s parameters on the Stage 2’s panel.

Octave Shift

You can use the Octave Shift buttons to shift the pitch up or down in octaves, within the instrument’s note range.

Note Range

Each instrument in the Nord Stage 2 has a ﬁnite note range:

• The Organ extends one octave below and one octave above an 88 note keyboard range.

• The Piano extends one octave below the 88 key range, but not above.

• The Synth extends one octave in either direction, just like the Organ.

An instrument cannot be transposed so that non-existing notes would end up in the current Keyboard Zone. When an instrument is used over the whole keyboard, you can only transpose a maximum of one octave up or down.

When you are using splits, if a piano is assigned to a zone with a range of 2 octaves, the Octave Shift buttons can be used to transpose the piano up or down. As long as the 2 octave range are within the available 9 octaves. The whole note range of any instrument, within any set Zone range, is always accessible.

Setting split points to change Zone ranges

Adjust the splits for zone 2 and 3 in the following way:

• Hold Shift and press the Set Lo Split button repeatedly. The green split indicator above the keyboard move between the available splits. There are splits at C and F in each octave.

• The same procedure is used but with Set Hi Split button, to set the splits for zone 3.

 When using two zones, the split is set with the Set Lo Split button.

M Keyboard Zone splits are shared between Slot A and B.

Layering instruments

When two or three instruments are assigned the same keyboard zones, they’re layered, they play at the same time. Combinations of layers and splits are possible. A piano can be assigned on its own to the Upper Zone, and “continue” and be layered with an organ up in the Hi Zone. Another way to layer instruments is to activate both Slots simultaneously.

Down 3 octaves

Down 2 octaves

In the illustration above, a piano has been assigned to play in a KB Zone stretching from middle C4 to C6. Without Octave Shift, the actual note range that will be played will be the same as the set zone. The dotted lines show which note range will be played in the set zone when using Octave Shift. In this example you can transpose the piano up or down two octaves to play any two octave note range from the KB zone.

Up 1 octave

Up 2 octaves

PStick & SustPed

These controls are used to set if an instrument (or the Extern section) should respond to a connected Sustain Pedal and/or to the Pitch Stick or not.

Hold Shift and press the Sustped button in the corresponding instrument section, o activate the sustain pedal for an instrument. The Sustped LED is lit when this is turned on. Use the same method to deactivate reception of Sustain for an instrument section, making the Sustped LED indicator go off.

Hold Shift and press the Pstick button in the corresponding instrument section so that the Pstick LED is lit, to activate pitch bend for an instrument.

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M The bend range is ﬁxed to -/+ 2 semitones

 In most of the factory programs, the organ has neither sustain,

nor pitch stick activated, the piano has sustain but not pitch stick active and the synth has usually both activated. But there may indeed be exceptions to this. Change this as you like, and do not forget to store any changes that you wish to keep.

Output Routing

The Nord Stage 2 has four audio outputs. Each instrument can be freely assigned to output 1&2 (default) or 3&4 in stereo, or to output 3 or 4 in mono. The output routings can be set for each program, or globally for all programs. The Global setting is the default setting. In global mode, the routing settings stored with the program are overridden by the global settings. See the System Menu chapter on page 42 for more information about the output routings.

Dual Slot setups

Press both Slot A and Slot B buttons. Both Slot LEDs light up, and both Slots become active. One of the Slots is in focus, its panel settings are currently shown and can be edited. The Slot in focus is indicated by a ﬂashing Slot LED. Press the other Slot’s button to shift the focus.

To disable one of the slots , hold the Slot button for the panel you want to keep active, and press brieﬂy the Slot button you want to disable.

Another advantage with the Dual KB mode is that you can access the knobs and parameters for either panel from the Nord Stage 2, while the internal keyboard is always playing Slot A, and the external keyboard controls Slot B. For example, you can keep on playing Slot A with one hand on the Stage 2’s keyboard while you simultaneously adjust the drawbars played with the second keyboard on Slot B.

Please note that the Dual KB setting is saved with a Program, together with all other Slot settings. This makes it easy to access any complicated keyboard setup with the push of a button - ideal for live situations.

Using multiple keyboards

Sometimes you may want to control the Nord Stage 2 from more than two keyboards. For example, you may want to have two external keyboards for Organ A and B, while keeping the internal keyboard for the piano sounds. Thanks to the ﬂexible MIDI conﬁguration of the Nord Stage, this is no problem at all.

MIDI Input Only

The Nord Stage 2 can be set up to receive on a separate MIDI channel for each instrument (see “MIDI Menu” on page 44, for both the Slots. When such a MIDI channel is assigned, the instrument can be assigned to no Keyboard Zone at all (when no KB Zone indicator is lit). This means that the instrument is active and you can adjust all parameters on the panel as usual, but it can only be played via MIDI, from your external keyboard (or a sequencer)

 Press and hold a Slot button and turn the value dial to copy the

entire Slot settings from another program to the one currently active.

When you have both Panels active you have access to two of each Instrument section, and two Effect sections. Amongst other things, this allows you to play two sounds from each Instrument section simultaneously, e.g. a Clavinet and a Electric Piano or two Synths.

For the Organ section things work slightly differently. Instead of two completely separate organ sections, you have one organ engine with two manuals, that can be set to different drawbar settings, like on a real B3.

Using an external keyboard (Dual KB)

If you like to use an external keyboard to control Slot B, set it up as follows:

Select a MIDI channel to transmit on the external keyboard, and select the same MIDI channel as the “Dual KB” channel in the Nord Stage 2 MIDI page menu - read more about this on page 44.

Press Shift and the Dual KB button, the Dual KB indicator lights up.

The internal keyboard will control Slot A and the external keyboard will control Slot B. It is not possible to activate both Panels in this mode.

This function is ideal for live situations when you have a second keyboard in your rig that you mostly use to play its internal sounds, but would in certain circumstances like to use to play the Nord Stage 2 “second manual”. By activating Dual KB you can quickly switch between these modes without having to bother with MIDI menus. Having this function easily accessible on the front panel makes it easy to turn off and prevent the external keyboard to play when its used to play its own sounds.

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Reference: Organ

The Nord Stage 2 features three organ models, all digitally modeled; a tonewheel/B3 organ and two transistor organs (Vox and Farﬁsa).

The Organ section features three main areas:

• The Drawbar section where you set-up the basic organ-sound.

• The Percussion area is where you control the percussion effect (available to the B3 organ model only).

• The Vibrato/Chorus area is where you select the chorus and/or vibrato effect depending on the selected organ model.

Drawbars and buttons

The drawbars on the Nord Stage 2 are represented by buttons and LED chain graphs instead of ordinary mechanical drawbars. This gives you a big advantage: when you change preset or program, the correct drawbar settings are recalled immediately and shown by the LEDs. It’s very easy to get the hang of changing the drawbar settings in a natural way with the buttons.

The drawbars behave similar to their mechanical counterparts. On the B3 and Vox models you “pull out” and “push in” the drawbars using the drawbar buttons.

The buttons are special in the way that they auto-increment/decrement the drawbar value when they are held down. If you hold a drawbar button the corresponding drawbar setting will continue to increment or decrement (within its range) until you release the button.

 The drawbars can be Morph controlled, if you want to make dra-

matic changes with for example the Wheel or a control pedal.

While holding a drawbar button, you can press its sibling button to momentarily auto-increment/decrement in the opposite direction.

With the Farf model, drawbar buttons act as switches, toggling each register on or off.

Selecting The Organ Model

You select which model to use with the Organ Model button. Only one model can be used at a time. in a Program

The B3 Model

The B3 model is based on a digital model of the classic electromechanical tonewheel organ. This simulation utilizes innovative and advanced methods to capture every nuance of the original sound, here are some examples:

• An extremely accurate digital model of the original chorus and vibrato scanner.

• Modeling of the individual random contact bounces for each harmonic.

• Modeling of the unique frequency characteristics of the built-in preampliﬁer, which forms the “body” of the sound.

• Simulation of the energy robbing on the tone wheels that results in the typical “compressed” sound.

• Authentic tuning of the tonewheels according to the original design.

• Extremely fast keyboard response.

• Full polyphony.

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B3 Drawbars

The harmonic intervals for the tonewheel organ are printed on the panel below the drawbars.

For basic drawbar operation, please refer to “Drawbars and Buttons” on the previous page. Each drawbar represents a partial with a ﬁxed harmonic interval in relationship with the played note.

The illustration below shows the pitch interval among the nine drawbars when the key of C3 is played. Note that the SUB3 drawbar actually is a 5th above the fundamental harmonic. However, in most situations it is perceived as sounding below the basic harmonic.

The Volume Soft button toggles between Normal and Soft percussion level. The Decay Fast button toggles between Slow and Fast decay times.

Percussion Soft Percussion Normal

The Harmonic Third button toggles between using the 2nd or 3rd partial as the source for the percussion effect.

E The percussion can be used on Slot A or on Slot B provided that

both slots are not active at the same time in a layer or split keyboard conﬁguration. If you use a layer or a split, then percussion will only be available on Slot B.

Vibrato & Chorus

The original vibrato and chorus scanner in a tonewheel organ consists of a modulated delay line in combination with a rotating scanner. For the Vibrato effect, phase shift is applied to the signal. For the Chorus effect, the phase-modulated signal is added to the original signal.

Three different types of choruses (C1 - C3) and three different types of vibratos (V1 - V3) are available. Select one of these types by pressing the Vibrato/Chorus selector button. The effect can be activated/deactivated for both Slots individually by pressing the Vibrato/Chorus button for the Slot A and Slot B “manuals”.

Key click control

The key click produced by the random contact bounces is an important audio artifact in the B3 model. This quickly became a desirable effect amongst musicians. You can adjust the click level in the Sound menu, read more about this on page 43.

 Do not forget to try out the three tonewheel modes that are also

available in the Sound menu. These will dramatically change the sound of the B3 model from a squeaky clean unit to a battered, old workhorse.

Organ Preset I & II

You can store two organ presets/settings within a single program, and also separately for Slot A and Slot B, for each organ model. This provides a quick way of changing between two organ sound variations, without having to change programs or slots.

Percussion

The Percussion effect adds extra attack to the sound by having a single envelope generator controlling either the 2nd or 3rd harmonic.

The envelope “opens up” for a short moment in the beginning of the sound when you press the key(s). The percussion is a single-triggered non-legato effect. By “single-triggered” we mean that the percussion is only present when you hit the keys when no other note is sounding. In other words, if you play a note or a chord and then add on more notes without releasing the previously pressed keys, there will be no percussion effect in the new notes. You have to release all keys to be able to play new notes with the percussion effect.

You change between Presets I & II by pressing the Preset II button. A preset stores the drawbar settings and the Vibrato/Percussion (on/off) settings.

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Upper

The Vox Model

The original Vox™ organ is probably the most famous of all the transistor based combo organs that emerged in the early 60’s. Transistor technology made it possible to manufacture compact and portable organ instruments. Compared to the mighty sound of tonewheel based organs, transistor organs generally sounded reedier and weaker, but this one had a distinctive sound character which together with the portability and cool design (inverse colored keyboard and chrome “Zframe” stand) made the instrument massively popular at the time. The sound is timeless and recreated faithfully in the Nord Stage 2.

Vox Drawbars

The labels used for the Vox drawbars are printed on the row directly above the drawbar LEDs.

For basic drawbar operation, please refer to “Drawbars and buttons” on page 23.

The seven drawbars to the left control the level of each partial. Each partial has a ﬁxed harmonic interval relating to the played note. The illustration below shows the pitch interval of the drawbars when the key of C3 is played. The intervals vary for the upper and lower manual on the original instrument, but are identical on the Nord Stage 2.

Vibrato

There are several types of vibrato and choruses available for the Vox model, which is activated using the Swell/Great buttons in the Vibrato section. The V3 setting is the one that is modeled after the original instrument.

The VX models vibrato setting is common for both the swell and great manual.

The Farf Model

The typical “buzzy” sound of this vintage instrument is one of the most distinct and easily recognizable organ sounds ever created; yet it is actually possible to get quite a wide range of sounds out of the instrument. Note that the voices aren’t supposed to replicate the instruments they are named after, but rather to describe the basic tonal characteristic of the voice; Flute - soft, Oboe - reedy, Trumpet - brassy etc..

Farf Registers

The labels used for the Farf drawbars/registers are printed on the upper row above the drawbar LEDs.

The two drawbars on the right control the sum of all partials in the form of a ﬁltered signal sounding soft and dark, and an unﬁltered signal sounding bright and intense.

The drawbars act as on/off switches, or “register selectors” when the Farf model is selected. Instead of drawbars, the original instrument featured switches to select instrument voices (actually different ﬁlter settings) in various footage (octave) ranges. The drawbar buttons are used to turn the voices on and off. The drawbar LEDs 5-8 are lit up for an activated voice, and drawbar LEDs 1-4 are lit up for a deactivated voice. The table below shows the original register name.

1 Bass 16 BASS16

2 Strings 16 STR16

3 Flute 8 FLUTE8

4 Oboe 8 OBOE8

5 Trumpet 8 TRMP8

6 Strings 8 STR8

7 Flute 4 FLUTE4

8 Strings 4 STR4

9 A bright voice, an octave

Voice Panel Name

and a ﬁfth above the fundamental

2 2/3

E If these two drawbars are both fully “pushed in”, the Vox organ will

not produce any sound.

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The illustration below shows the pitch interval between each voice when the key of C3 is played. Though some voices have the same pitch, they differ in tonal character.

Vibrato

The original instrument has two basic vibrato modes; “Light” and “Heavy”, with different rates for each mode. There are several types of vibrato and choruses available for the Farf model in the Stage 2, which are activated using the ON button in the Vibrato section.

The V1, V2 and the V3 settings are the ones that are modeled after the original instrument’s. Note that the Farf vibrato is common for both Slots.

Swell Control

Swell is a characteristic feature that you control from an continuous pedal. Swell is not only a volume control - for the B3 it also changes the character of the sound in a special way. To use Swell control on the Nord Stage 2, simply plug in a standard expression pedal to the Organ Swell input on the rear panel (see page 57) and conﬁgure the pedal on the System Menu (see page 42).

A expression pedal connected to the Organ Swell input will control Swell for all organ models.

If you have only one expression pedal, it can be used both as a generic Control Pedal to control the Morph, and as a Swell Pedal. This is selected in the System Menu, see page 43.

Rotary Speaker

The Rotary Speaker controls are logically placed next to the Organ section. The Rotary Speaker and its settings are described in detail in the Effects Reference on page 39.

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Reference: Piano

The Piano sounds

The Pianos in the Nord Stage 2 are organized into six types. Each type can contain several instrument models. You can freely add new piano instruments via USB using the Nord Sound Manager utility (read more about the Sound Manager on page 46).

Right out of the box, the Nord Stage 2 features a ﬁne collection of carefully selected acoustic and electric pianos, and harpsichords. A lot of effort was made to ensure that the response and sound of the instruments matches every nuance of the real article. Each piano instrument has been multi-sampled in a vast amount of velocity levels. That’s one reason why they all sound and feel so authentic.

Since all pianos are stored in the Flash memory, you can easily add and/or replace any stored piano instruments with new ones, supplied free from Nord. The size of the available memory for the piano samples is approximately 500 megabytes.

M When you download piano instruments with the Nord Sound

Manager, these will always automatically be placed into the corresponding type.

A program “knows” which piano instrument to use by referencing to the type and the model number. If a program references to a piano instrument that isn’t currently loaded, the Type and Model LED will ﬂash, with the missing Model number. If this happens, you can either navigate to another instrument Model in the selected (or any other) type and select to use this piano instead, or use the Nord Sound Manager utility to download an instrument into the empty Model location.

Piano Select

Type

Use the Piano Type selector to choose which piano sound you want to use.

Type Description

Grand Acoustic and electric grand pianos

Upright Upright pianos

E Piano Electric Pianos (tines)

E Piano 2 Electric Pianos (reeds)

Clavinet Clavinets

Harpsi Harpsichords

M The type of a piano has been set for you by a bloke named Hans

at the Nord HQ. You cannot move a piano from one type to another.

Info

Hold Shift and press Type/Info to display the name, a brief description and version number of the currently selected piano.

Model

Each Piano Type can contain several Piano Models, depending on the content of the memory in the Nord Stage 2. Press repeatedly on the Model button to select the desired sound. The number of the model will be indicated in the LED display, and the name of the model will be shown in the second row of the display.

M Hold Shift and press the Model button to see the name and ver-

sion number of the active piano in the display.

E In the unlikely event that some data of a sound in the Flash

memory is damaged, this will be indicated with a message in the LCD when the Nord Stage 2 is powered up. The Type and Model LEDs will ﬂash for this particular sound if a program that uses it is selected. Press Shift/Exit to continue playing. To remedy the error, connect the unit to the Sound Manager time to delete and then reload the piano model.

Clavinet

On the original Clavinet D6, you selected different pick-up combinations by pressing a number of rocker switches. This functionality is faithfully simulated in the Nord Stage 2, which means that you get all the original Clavinet D6 pickup selections by pressing the Model button when the Clavinet is the selected Type.

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Pick-up Type Description

Clav Model A: Only the “neck” pick-up; a warmer, less bright sound. Clav Model B: Only the “bridge” pick-up; a bright sound. Clav Model C: Both pick-ups on and in phase; a very full sound. Clav Model D: Both pick-ups 180 degrees out of phase; the fundamental is almost cancelled out and the sound becomes thin.

Dynamics

Hold Shift and press the Model button, to select the dynamics response. This allows you to select different response curves, which makes the Nord Stage 2 react stronger to the velocity you use on the keyboard.

When all LEDs are off, the default response curve is active. A Dyn setting of 1 makes it a bit easier to reach the maximum, a setting of 2, even easier and the third setting is the lightest response curve.

Acoustics

The Acoustics features allow you to add certain acoustic and mechanical components to the piano sounds.

String Resonance

String Resonance is the acoustic phenomenon that occurs when strings, or parts of strings, resonate at their fundamental or harmonic frequencies when other strings are played.

Nord Triple Pedal

The Stage 2 is compatible with an extra accessory, the Nord Triple Pedal which comprise of three pedals in one unit (not included, sold separately). This pedal brings additional features to the functionality and sound of the Nord Stage 2.

M If a piano is selected that isn’t compatible with the Pedal Noise

feature, this function will be disabled.

Half pedaling

The sustain pedal on the Nord Triple Pedal can be used with half pedaling techniques. This is achieved by pressing the pedal half way down when certain pianos are used.

Sostenuto

The middle Nord Triple Pedal is the Sostenuto. By using this, you can sustain selected notes, while other notes remain unaffected. Only the notes that are held down when the pedal is operated will sustain. Other notes that you play while keeping the pedal down will sound with no sustain at all.

Soft Pedal

The left pedal on the Nord Triple Pedal is the soft pedal, also known as the Una Corda. When you press this, all the notes you play will be slightly lower in volume and also have a slightly more subdued tone quality.

When this functionality is turned on, all notes you play will affect each other to reproduce the wonderful acoustics that occurs inside an acoustic grand or upright piano.

You will also hear all the strings resonate if you press the sustain pedal and play some notes.

M If a piano is selected that isn’t compatible with the Strings Reso-

nance feature, this function will be disabled. This applies to e.g. the small (Sml) versions of the grand pianos and uprights, or the electric pianos.

Release

Activating Release will add a slightly longer release to an acoustic or electric piano. This is equivalent to what happens when you adjust the damper tension in an acoustic or an electromechanical instrument. . The added release is individual for every note and responds dynamically to the force with which you play.

M If a piano is selected that isn’t compatible with the Selectable

Release feature, this function will be disabled.

Pedal Noise

The Pedal Noise is the second Acoustics feature, available if you have connected the Nord Triple Pedal to the Stage 2 (not included, sold separately). By activating this, the mechanical noise that happens when you operate the sustain pedal on an acoustic or electric piano will be recreated. The Nord Triple Pedal is dynamic, you can control the level of the noise by the force you use when you operate the sustain pedal.

Slot Detune/Clav EQ

Clav EQ

An original Clavinet is equipped with 4 additional rocker switches, which controls the onboard EQ. These settings are available on the Nord Stage 2. Use the Slot Detune / Clav EQ button to set your preferred combination of the original Brilliant/Treble and Medium/Soft ﬁlter buttons.

M The Med/Soft setting are access by holding Shift and pressing the

Slot Detune/Clav EQ button.

Slot Detune

If you activate both Slots A and B in a layer conﬁguration, these settings can be used to de-tune the Slots. The de-tuning will only affect the piano sounds.

M If a piano is selected that isn’t compatible with the Pedal Noise

feature, this function will be disabled.

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Chapter 8 refereNCe: SyNth | 29

Reference: Synth

Basics

The Synth section in Nord Stage 2 was designed to be a versatile yet easy to use stage synthesizer to supplement the other instrument sections. While being compact and easy to use, it is capable of all kinds of synthesized sounds, from piercing leads and fat basses to swirling pads and shimmering bells. You have hands-on control of all parameters, which is essential on a stage instrument.

It is subtractive synthesis design with faithful models of analog-style waveforms. It is also capable of FM (frequency modulation), Wavetable synthesis, and you can use samples as oscillator sound sources. The samples can come from the huge Nord Sample Library or you can create these yourself and bring any sound to the Nord Stage 2 synthesizer, with the Nord Sample Editor application.

In subtractive synthesis, you start with a bright waveform with lots of overtones, and then shape the color of the sound with a ﬁlter that subdues some of the harmonics. By modulating the ﬁlter cut-off frequency while the note is playing, dynamic timbres are created.

The Nord Stage 2 synthesizer also provides other means to generate dynamic and rich sounds, such as pulse width modulation, oscillator sync and dynamic control over FM amount. There are two envelopes and one LFO for real time sound shaping.

There is one Synth section for each Slot, and they share 16 voices, which are dynamically allocated between the slots. Using the Slots, you can play two different sounds simultaneously, layered or in splits. If you, for example, layer the Synth sections of both slots , you can create really complex and evolving sounds.

Oscillator

A lot of effort has been spent on creating a versatile and powerful oscillator section for the Stage 2 synthesizer. Based on a variable architecture, it provides four different oscillator techniques: Analog, FM (frequency modulation), digital wavetables and sample playback. For each technique there is a number of predeﬁned algorithms with a main parameter mapped to the Shape knob.

For example, the analog category provides you with various waveforms, with or without hard sync. In each case, the Shape knob can controls one essential parameter, such as pulse width or sync oscillator frequency. This Shape parameter can be modulated by the LFO or the Modulation Envelope to create dynamic sounds. The Shape can also be controlled by the Morph Assign feature.

The sonic potential is further enhanced by the fact that the oscillator section actually contains a number of extra oscillators for each voice, which are brought in by the Unison parameter (see page 35). You can add several virtual oscillators per voice, without losing polyphony. This allows for some really thick sounds.

Shape

The Shape control is used to shape the sound in various ways (depending on waveform and algorithm, see below). Shape can be modulated by the Mod Envelope or the LFO, and Morph controlled, allowing the real-time use of the wheel, aftertouch or pedal to control the sound.

M For the Wavetable selection, the Shape knob has no functionality.

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Shape Mod

This knob governs the amount of modulation applied to the Shape parameter. The Shape parameter can be modulated by the LFO or the Mod Envelope.

Waveform selector button

The Waveform selector button is used to cycle through the different algorithms and categories. Turn the Waveform selector dial beneath the LED display to choose the speciﬁc waveform or algorithm that you wish to use.

Analog style waveforms

The Analog waveforms Triangle, Sawtooth and Pulse have each four variations that can be selected with the selector dial, summarized in the table.

Display Waveform Explanation

-----

ShP

dEt

Snc

When you change waveform, the name of the currently selected waveform is shown brieﬂy in the LCD.

Standard Triangle, Sawtooth or Pulse.

A shapeable waveform.

A dual de-tuneable waveform.

A synched waveform.

A plain waveform.

Tri: the Shape control emphasizes the available harmonics in the spectrum.

Saw: the Shape control shifts the phase of two super imposed sawtooth waves up to a maximum 180 degrees shift, which creates a perceived one octave shift.

Pulse: the Shape sets the width of the pulse.

Two oscillators with adjustable relative pitch. Shape knob range is +/- 12 semitones.

An oscillator with adjustable pitch offset, hard-synced by a second oscillator.

Triangle

The triangle waveform has only odd numbered and not very strong harmonics.

Pulse

The pulse wave contains only odd numbered harmonics (3, 5, 7 etc.)at 50% pulse width (square wave). This waveform is special in that its harmonic content can be varied continuously, by adjusting the pulse width (PWM). The examples below have 50%, 10% and 5% pulse width.

The Shape knob controls the pulse width of the pulse wave, from 50% (square wave) to 99% if the ShP wave is selected. You can modulate the Shape using Morph (see page MORPH), with the LFO or the Mod Envelope. This waveform is suitable for many type of sounds and has a more “hollow” character than the Sawtooth wave.

Noise

There are two samples available of white and pink noise in the Sample selection in the factory sound bank of the Nord Stage 2.

Oscillator Sync waveforms

The Saw, Pulse and Triangle waveforms can be synchronized, if the Snc option is selected. Oscillator Synchronization means that you use the signal from one oscillator to restart another oscillator. Nord Stage 2 has a “hidden” sync oscillator for the waveforms with this option. Oscillator sync is very useful for generating lead lines with classic “hard sync” sounds. When sync is applied, the basic pitch of the oscillator is locked to that of the sync oscillator. When you vary the relative pitch of the synchronized oscillator with the Shape knob, this will be perceived as a change in timbre, with a frequency spectrum with deep resonance in the oscillator’s harmonics.

Sawtooth

The sawtooth wave contains all harmonics and is the richest of the available waveforms. It is suitable for all sorts of sounds.

 When using Oscillator Sync, it can be very useful to have the

Shape amount(s) modulated from any of the Morph assign

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Chapter 8 refereNCe: SyNth | 31

sources, or by the Modulation Envelope. This will generate a signal with continuously varied harmonic content.

If you choose one of the synchronized oscillator modes, the Oscillator will start over with a new period of the waveform, each time the syncoscillator does so. If the Oscillator then has a higher frequency than the sync-oscillator, it will get a complex waveform that depends both on its own pitch and on that of the sync-oscillator.

In the Nord Stage 2, oscillator sync is possible with the sawtooth, pulse and triangle waveforms, each providing a different spectral character.

Frequency Modulation

The basic principle behind frequency modulation (FM) synthesis is to have one oscillator (the modulator) modulating the frequency of another (the carrier). The carrier can in turn modulate the frequency of yet another oscillator, etc. There are several different algorithms in the FM category ranging from one up to three oscillators (operators) modulating each other in series, with or without feedback on the ﬁrst operator in the chain.

FM-Synthesis

FM-Synthesis is a method where the frequency of one oscillator (referred to as the Carrier) is being modulated by itself using feedback or, by the frequency of additional oscillators (the Modulators).

The image above shows a 2 Operator FM-Synthesis setup, and the resulting waveform using a fairly high FM amount setting.

The resulting waveform is far more rich in harmonics than the original Sine waveform, and drastic changes in tonal character are provided by altering the amount of modulation.

There are several FM algorithms available; set-ups with various number of oscillators, feedback and frequency ratio settings between the oscillators.

• Use the Waveform-dial to select the FM-algorithm.

• The Shape parameter is used for setting the amount of modulation and/or feedback from none to maximum.

There are three main FM algorithms in the Nord Stage 2: one, two and three oscillator FM with feedback. The feedback is not active in all algorithms.

The Shape knob controls the FM and feedback amounts. When you turn the knob, all modulations are increased simultaneously. The number of harmonics, and their intensity, increase proportionally to the FM amount. As usual, the Shape parameter can be modulated by the Modulation Envelope or the LFO, and it can be Morph controlled by any combination of wheel, aftertouch and pedal.

Each algorithm comes with a number of pre-conﬁgured frequency ratios. Depending on what kind of sound you want, choose from the different combinations available and you have many interesting FM sounds at your disposal. When a new algorithm is selected, the Main display shows, for a short duration, the algorithm together with information on the frequency relations between the operators and whether feedback is used. The display shows the modulator(s) frequency relation to the carrier. If an operator uses feedback, it is indicated by a dot next to the digit. In the chart below all available algorithms together with the notation used in the display are listed:

FM Algorithms

LED LCD Description (FB = feedback)

CR 1-OP (+FB)

1 2-OP 1:1

2 2-OP 2:1

3 2-OP 3:1

4 2-OP 4:1

5 2-OP 5:1

6 2-OP 6:1

7 2-OP 7:1

8 2-OP 8:1

9 2-OP 9:1

1. 2-OP 1:1 (+FB)

2. 2-OP 2:1 (+FB)

3. 2-OP 3:1 (+FB)

4. 2-OP 4:1 (+FB)

5. 2-OP 5:1 (+FB)

6. 2-OP 6:1 (+FB)

7. 2-OP 7:1 (+FB)

8. 2-OP 8:1 (+FB)

9. 2-OP 9:1 (+FB)

11 3-OP 1:1:1

21 3-OP 2:1:1

31 3-OP 3:1:1

51 3-OP 5:1:1

91 3-OP 9:1:1

22 3-OP 2:2:1

42 3-OP 4:2:1

82 3-OP 8:2:1

Carrier only, with feedback

Carrier + Modulator, same frequency

Carrier + Modulator, frequency ratio 2:1

Carrier + Modulator, frequency ratio 3:1

Carrier + Modulator, frequency ratio 4:1

Carrier + Modulator, frequency ratio 5:1

Carrier + Modulator, frequency ratio 6:1

Carrier + Modulator, frequency ratio 7:1

Carrier + Modulator, frequency ratio 8:1

Carrier + Modulator, frequency ratio 9:1

Carrier + Mod + FB, same frequency

Carrier + Mod + FB, frequency ratio 2:1

Carrier + Mod + FB, frequency ratio 3:1

Carrier + Mod + FB, frequency ratio 4:1

Carrier + Modulator, frequency ratio 5:1

Carrier + Mod + FB, frequency ratio 6:1

Carrier + Mod + FB, frequency ratio 7:1

Carrier + Mod + FB, frequency ratio 8:1

Carrier + Mod + FB, frequency ratio 9:1

Carrier + Mod + FB, same frequencies

Carrier + Modulators, frequency ratios 2:1:1

Carrier + Modulators, frequency ratios 3:1:1

Carrier + Modulators, frequency ratios 5:1:1

Carrier + Modulators, frequency ratios 9:1:1

Carrier + Modulators, frequency ratios 2:2:1

Carrier + Modulators, frequency ratios 4:2:1

Carrier + Modulators, frequency ratios 8:2:1

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Filter Frequency

Resonance = 10

Resonance = 0

Resonance = 3

Resonance = 7

Filter Frequency

LED LCD Description (FB = feedback)

1.1 3-OP 1:1:1(+FB)

1.2 3-OP 1:2:1(+FB)

1.3 3-OP 1:3:1(+FB)

1.5 3-OP 1:5:1(+FB)

1.9 3-OP 1:9:1(+FB)

1.f 3-OP 1:1:2(+FB)

2.F 3-OP 2:1:1(+FB)

3.F 3-OP 3:1:2(+FB)

5.F 3-OP 5:1:2(+FB)

9.F 3-OP 9:1:2(+FB)

 Tip! The one-operator algorithm can be used to produce a perfect

sine-wave, if the Shape knob is set to zero.

Carrier + Mod + FB, same frequencies

Carrier + Mod + FB, freq. ratios 1:2:1

Carrier + Mod + FB, freq. ratios 1:3:1

Carrier + Mod + FB, freq. ratios 1:5:1

Carrier + Mod + FB, freq. ratios 1:9:1

Carrier + Mod + FB, freq. ratios 1:1:2

Carrier + Mod + FB, freq. ratios 2:1:1

Carrier + Mod + FB, freq. ratios 3:1:2

Carrier + Mod + FB, freq. ratios 5:1:2

Carrier + Mod + FB, freq. ratios 9:1:2

The Wavetable category

This category features 62 different digital waveforms with various tonal characteristics. The waveforms have been carefully designed and selected to provide rich and interesting timbres with a great variety, for those exquisite sounds that could not be produced with the other algorithms. Advanced wavetable synthesis techniques have been used to reproduce the waveforms perfectly over the whole keyboard range.

Some waveforms have a number of peaks high up in the spectrum, making them suitable for voice-like sounds (e.g. 3, 7, 8, 12), while others are combinations of several overlapping spectra (e.g. 5, 6, 18, 19). Yet others are extremely bright, with a fundamental that is softer than the many harmonics (e.g. 21, 23, 26, 27). Using these waveforms with the different ﬁlter settings, you should be able to create a wide variety of timbres.

M The Shape knob does not have any effect in the Digital Wavetable

category.

Samples

The Samp option allows you to use samples from the Nord Sample Library as an oscillator waveform and treat these with the other parts of the subtractive synthesizer architecture. This provides the synthesizer with a tremendous ﬂexibility, but it doesn’t stop there. You can even add your own samples to load into the Stage 2, with the Nord Sample Editor application.

The sample memory in the Stage 2 can hold up to 384 Megabytes of sample ﬁles in the Nord Sample Library format. Each and every one of these samples can be replaced if you wish. The sample memory is ﬁlled with sounds when the Nord Stage 2 left the Nord Factory, there are many more samples to be found on the included DVDROM or on the www.nordkeyboards.com website.

Load Sound

When you save a Stage 2 program the current synth settings are of course stored together with all other panel settings, but you can also select and store synth sounds separately from programs. In this way, you can build up a library of your favorite synth sounds to access whenever you need them.

Selecting synth sounds

There are 300 available memory slots for synth sounds/patches. Press Shift and the waveform button, then turn the waveform selector dial to scroll through the available synth sounds. The name of the sound will appear in the LCD display and the sound will immediately become active in the Stage 2.

Sound Init

To start with a “clean slate” when programming sounds you can use the Sound Init function. This will initialize the synthesizer to a basic default setting. This is done by pressing Shift and the waveform selector/ Load Sound button and turn the waveform dial counter-clockwise until INi is shown in the oscillator LED.

Filter Section

The Filter is one of the most important components to create the overall timbre of the sound. The harmonic content that the oscillators produce can be shaped with the ﬁlter and the ﬁlter itself can be modulated with various functions. The Nord Stage 2 features a selection of classical synthesizer ﬁlters.

The Filters share the same ﬁlter parameters: Filter Frequency controls the cutoff frequency and the Resonance controls the ﬁlter resonance.

Filter button

Press repeatedly on the Filter button to select the desired ﬁlter type. The available ﬁlter types are:

Low Pass - LP 24 & LP 12

The samples are selected with the waveform dial.

Skip Sample Attack

When Samples are being used, the Shape control can be used as a switch to active the Skip Sample Attack feature. When this is turned on, the sample playback will begin at a ﬁxed, alternative starting point which will bypass most, if not all of the original attack portion of the sample.

Frequencies above the Filter Frequency setting will be attenuated, frequencies below will not be affected.

The LP12 (12 dB/octave slope) leaves more harmonics than the 24dB variation. This type of ﬁlter has been used in e.g. early Oberheim synthesizers. A 12 dB ﬁlter is also known as a 2-pole ﬁlter.

The LP24 is the classic “synth ﬁlter”, used in the Minimoog and Prophet-5 among others. It cuts out frequencies rather drastically, with a slope of 24 dB per octave. A 24 dB ﬁlter is also known as a 4-pole ﬁlter.

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Chapter 8 refereNCe: SyNth | 33

Filter Frequency

Resonance = 10

Resonance = 0

Resonance = 3

Resonance = 7

Filter Frequency

Resonance = 10

Resonance = 0

Filter Frequency

Resonance = 10

Resonance = 0

Resonance = 3

Resonance = 7

Filter Frequency

Resonance = 10

Resonance = 0

Filter Frequency

Resonance = 10

Resonance = 0

Filter Frequency

Resonance = 10

Resonance = 0

Resonance = 3

Resonance = 7

Filter Frequency

Resonance = 10

Resonance = 0

Filter Frequency

Resonance = 10

Resonance = 0

Filter Frequency

Resonance = 0

Filter Frequency

High Pass - HP

Filter Frequency

If HP is used, frequencies below the Filter Frequency setting will be attenuated, frequencies above the cutoff will not be affected.

Band Pass - BP

Filter Frequency

A bandpass ﬁlter allows frequencies close the Filter Frequency setting to pass, while frequencies above and below the cutoff will be attenuated.

• The Filter Resonance sets the width of the frequency range that will pass through the band pass ﬁlter.

Notch

Filter Frequency

KB Track

The reason for having a Keyboard Track switch is related to basic acoustics. If you raise the pitch of a waveform, the harmonics naturally raise in frequency. If the cutoff frequency is constant, the sound will be perceived as getting “muddier” the higher up the keyboard you play. To avoid this effect, use KB Track.

With KB Track turned off, the ﬁlter frequency setting is constant regardless of where on the keyboard you play. When Keyboard Track is activated, the ﬁlter frequency setting will be higher for higher notes.

Resonance

The Resonance parameter is used to further adjust the characteristics of the ﬁlter. Increasing the Resonance will emphasize frequencies around the cutoff frequency, making the sound thinner. Further raising the Resonance will make the sound resonant to a point where the ﬁlter starts to self-oscillate and produce a ringing pitch. Exactly where in the frequency spectrum this “ringing” occurs, depends on the Frequency value.

Freq Mod 1 - LFO

By activating this feature the ﬁlter frequency will be controlled by the low frequency oscillator, the LFO. The knob sets the amount of modulation.

Freq Mod 2

This knob governs the amount of the second modulation source to the Filter Frequency. By using this parameter, the Filter Frequency can be controlled by the velocity of the keys you play if you turn it anti-clockwise from the 12 o’clock position. If the knob is set after 12 o’clock, the Mod Envelope will modulate the Filter Frequency.

A Notch ﬁlter is the opposite of the Band Pass ﬁlter, it passes most of the frequencies unaltered, but attenuates those in a speciﬁc range.

• The Filter Resonance sets the width of the frequency range that will be attenuated with the Notch ﬁlter.

Filter Frequency

The Filter Frequency is used for setting the cutoff frequency point where in the frequency range the ﬁlter begins to process frequencies. This parameter can be Morph controlled.

The Image above illustrates three different Filter Frequency settings using a low pass ﬁlter. The area to the left, up to the downward slope indicates the frequencies that passes through the ﬁlter. The area to the right of the slope are those frequencies that are reduced. Move the slope to the left and the sound gets duller. The “humps” at the top indicates a resonance setting. Ok, enough science.

The Envelopes

The envelopes are used to “shape the sound” over a period of time, from when you hit a key, to after the key have been lifted again.

Mod Envelope

The Modulation Envelope is a three-stage envelope used to modulate the tone color over the duration of a note, e.g. create a bright attack by modulating the ﬁlter in the start of the note. The Mod Envelope has three stages:

Attack

Attack sets the time it should take for the envelope to reach maximum level after you have pressed a key. Turn the Attack knob clockwise to increase Attack time.

Decay

When the attack phase is over, and the key is still held down, the envelope drops back to zero level or rests at the sustain level until the key is released. Use the Decay knob to set the time this should take. If the Decay time is set to the maximum, the envelope will remain on a sustained level until the key is released.

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Release

When the key is released, the envelope enters the release stage. The release time is set with the release knob.

Amp Envelope

The ﬁnal stage of a synth signal chain usually consists of an ampliﬁer to control the volume. By modulating the ampliﬁer with an envelope, the sound is given its basic “shape” over time. In fact, the “volume shape” is one of the most important factors to how we identify the sound. By setting up a proper volume envelope you can make a sound “soft”, “hard”, “plucked” “static” etc.

The Amp Envelope has the same three stages as the Mod Envelope:

Waveform Description

Square (no LED lit)

Use for abrupt modulation changes, suitable for trills, distinct tremolos, etc.

Sawtooth

Use for ramp type modulations.

Triangle

Suitable for natural vibrato effects and also used for classic pulse width modulation.

S/H

MST CLK

Press Shift and the LFO waveform button to sync the rate of the LFO to the Stage 2’s Master clock.

When the LFO is synchronized to the Master Clock, the Rate knob will be used to set the arpeggio’s subdivison of the tempo of the Master Clock. The Subdivisions are described in meter: ½ equals half notes at the clock tempo, ¼ equals quarter notes, 1/8 are eight notes etc.. Read more about this feature on page 18.

Sample & Hold

Creates an smooth random modulation.

Velocity

Attack

The Attack knob is used to adjust how long it should take for the sound to reach from zero to full amplitude after a key has been pressed. With long Attack settings the sound will gradually “fade in”.

Decay

When the attack phase is over, the envelope drops back to zero level or rests at the sustain level until the key is released. Use the Decay knob to set the time this should take. If the Decay time is set to the maximum, the envelope will remain on a sustained level until the key is released.

Release

When the key is released, the envelope enters the release stage. The release time is set with the release knob.

The LFO

The LFO is a Low Frequency Oscillator, producing waveforms just like an ordinary oscillator, but with a few differences:

• The LFO is capable of producing waveforms with a very low frequency.

• LFOs are not used for generating audible frequencies. Instead the output from the LFO is used for modulating, that is controlling, other functions, like for example the Shape parameter on the Stage 2 oscillator or the ﬁlter frequency.

The rate of the LFO is set with the Rate knob. The range is from 0.03 to 523 Hz.

Amp Env Velocity

When the Amp Env Velocity LED is lit, the level of the synth sound will be controlled by the velocity you use when you play on the keyboard.

Mod Env Velocity

When the Mod Env Velocity LED is lit, you will control the amplitude of the Modulation Envelope, by the velocity you use when you play on the keyboard. Play harder and the Mod Env will affect the parameter(s) more.

Voices section

In this section, you set various voice modes for the synthesizer. You can choose between monophonic and polyphonic playing, and control glide between notes. You will also ﬁnd the powerful Unison mode.

Mono mode

In Mono mode you can only play one note at a time, just like on a traditional monophonic synthesizer. If you play one key and then a second key without releasing the ﬁrst key, the last note will sound. If you now release the last key, the ﬁrst one will retrig and start sounding again.

To activate Mono mode, press the selector button until the Mono LED lights up.

The Waveform Selector button determines the waveform that is generated by the LFO.

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Chapter 8 refereNCe: SyNth | 35

Legato mode

To activate Legato mode, press the selector button until the Legato LED lights up. In Legato mode you can only play one note at a time, just as if the Mono mode is active. If you play a new key before releasing the previously played key (legato), the new note will replace the previous one at the current Envelope stage of the previously pressed key. The new note will not re-trigger the envelopes.

If you release the last played key before playing a new key (non-legato), the new note will sound exactly like in Mono mode, the complete Envelopes will be re-triggered.

Glide

When the Glide knob is set to anything other than zero, glide is activated, the Glide function makes the pitch “glide” from one note to the next when playing (this is sometimes called portamento). It operates in legato/mono mode only. The glide characteristics can be described as “constant rate”, which means that the greater the “distance” between two subsequent notes, the longer the glide time. Turn the Glide knob clockwise to increase the glide rate.

Legato and Glide

If Legato is tuned on, the glide is active only when you play legato. You have to press a new key before you release the previous key to get the Glide.

Unison

The Stage 2 synthesizer oscillator has a couple of “hidden” oscillators. The number of extra oscillators varies with the algorithms, but is usually between three and eight. When you activate Unison, these slightly de-tuned voices are gradually added to the basic sound for those fat, classic synthesizer sounds. Note that using Unison does not reduce the polyphony!

You adjust the number of extra oscillators and the de-tune amount among the voices by pressing the unison selector:

A setting of 1, 2 or 3 equals a classic dual oscillator de-tuning effect with an increasing amount of de-tune between the oscillators.

A setting of Multi 1, 2 and 3 introduces a thicker multi-voice de-tuning, which can create very powerful sounds.

Vibrato

Vibrato modulates the pitch of the oscillator to produce natural vibrato effects.

Storing Synth Sounds

To store a Synth Sound, press Shift and the Store Synth button in the Vibrato section. The waveform display starts blinking. You can now use the waveform selector dial to navigate to a memory location where you would like to store your sound.

To name a Synth Sound you can use the Page buttons to move the cursor and the Value Dial to select character just as for Programs, read more about this on page 16.

To conﬁrm your intentions to store the sound, press the Store Synth button again.

M Press Shift to cancel an ongoing Store operation.

Arpeggiator

If you play a chord and hold the keys, the notes in the chord will be played back repeatedly by the arpeggiator, one after the other. The parameters govern direction, range and speed. The Arpeggiator can be used with Up, Down, Up/Down or Random directions in several octave ranges. The tempo of the arpeggiated notes is set by the Rate control or by synchronizing the arpeggio to the Master Clock of the Nord Stage 2.

 If you want the arpeggio to continue if you lift your ﬁngers from the

keys, make sure that the Sustped LED is lit for the Synth section in this Slot and press the sustain pedal.

The arpeggio is activated with the On button. The Arpeggio selector sets the direction. If no LED is lit, the arpeggio will play in the Up fashion. The other directions are Down (DN), Up and Down (U/D) and Random (RND).

Press Shift and the arpeggio selector to set the octave range. When no LED is lit, the range is one octave. Press Shift and the selector to reach the settings for 2, 3, and 4 octaves.

Press Shift and the Arpeggio On button to sync the arpeggio with Nord Stage 2 Master Clock. When the Arpeggio is synchronized to the Master Clock, the Rate knob will be used to set the arpeggio’s subdivison of the tempo of the Master Clock. The Subdivisions are described in meter: ½ equals half notes at the clock tempo, ¼ equals quarter notes, 1/8 are eight notes etc.. A “T” indicates a meter with triplet feel.

Read more on Master Clock and how the set the tempo on page 18.

There are three basic methods you can use to control Synth Vibrato which is set using the Selector button in the Vibrato section:

If aftertouch (A.T) is selected you can control the vibrato by pressing down held notes on the keyboard.

If DLY1, 2 or 3 is selected, the vibrato will inﬂuence the synth pitch with an increasing delay in doing so, when a note is played. The amount of the vibraot if it is delayed, is set in the Sound Menu. Read more about this on page 42.

When WHL is selected, you control the vibrato amount with the Mod Wheel.

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Reference: Effects

Overview

The effects available in the Nord Stage 2 can be divided into three main categories:

Slot Effects - these can affect one instrument (per Slot) at a time. The Slot effects are located in the main Effects section and in the AmpSim/ EQ section. All Slot effects have separate engines and settings for Slot A and B, you have two sets of Slot effects available for each Program. These effects can be synchronized to the Master Clock which can produce some very creative sounds.

Global Effects - these affect all instruments routed to the main outputs CH1 & CH2. The global effects are the Compressor and Reverb on the far right of the front panel.

The Rotary Speaker works in a slightly differently way compared to the Slot effects. Read more about the Rotary on page 39.

About mono/stereo and effect routing

Some of the effects are mono in/mono out, some are stereo in/stereo out and others are mono in/stereo out. The channel conﬁguration is stated in the related text for each individual effect. Whenever this applies it will also be explained in the corresponding effect description.

The Slot effects

Activating Slot effects

To enable a Slot effect, press the ON/OFF button at the bottom of the corresponding effect section. The LEDs above the button will indicate which instrument the effect is assigned to. Hold down Shift and press the Source button to change the instrument assignment.

You can also step through the instrument assignments by doubleclicking the Source button. This is convenient when you only have one hand free and cannot reach the Shift button.

Making settings for Slot effects

Use the Rate/Tempo and Amount knobs in the main “Effects” section (Effect 1/Effect 2/Delay) to make settings for the individual effects. The parameters these two knobs controls depend on the selected effect

- these are described for the corresponding effects below. The Rate/ Tempo and Amount knobs can also be Morph controlled - see page 19.

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The Focus button

If you have more than one effect activated in the Effects section (e.g. Effect 1 and Effect 2), the Focus button is used to select which effect’s settings (Rate/Tempo and Amount) you currently “see” and can edit. Pressing the Focus button will alternate focus between the currently activated effects. The LED beside the corresponding Effect 1/Effect 2/ Delay section is lit to indicate the effect in focus.

Mst Clk

Hold Shift and press the Focus button when an appropriate effect is selected, to synchronize the effect to the Master Clock. This changes the behavior of the Rate/Tempo knob, from the normal setting of a rate to setting a subdivision of the Master Clock’s tempo instead.

The subdivisions are not identical for the different synchronizeable features. The delay have some meters that can create a nice “swing” or triplet feel, like for example 1/4S (swing), 1/4T (triplet feel), 1/4D (dotted notes). The LFO and Effects 1 and 2 have a few “slow” subdivisions (4/1, 2/1 etc.) to make sweeps that stretches across entire bars if needed.

Effect type selection when an Effect is off

When an effect is off, you can still check which effect type is selected by pressing the corresponding Effect Selector button once. The Selector LED will brieﬂy show the current effect type. If you press the Selector button repeatedly, you change the Effect type without turning on the effect. In this way, you can make sure that the right effect type is selected before it is turned on.

This feature is available for Effects 1 & 2, the Amp simulation model and the Reverb.

You can also adjust the effect settings even if the actual effect is turned off. The values of the parameters will be shown in the display.

control on a mixer.

Trem (Tremolo)

Tremolo is a volume modulation that continuously varies the volume of the output signal. Tremolo is commonly used, especially for electric pianos. The Tremolo effect is stereo in/stereo out.

The Rate/Tempo and Amount knobs to controls the Tremolo rate and depth. Note that the output volume is at maximum level at zero Amount setting.

RM (Ring modulation)

Ring Modulation is a type of modulation where two signals are multiplied with each other. The result is an in-harmonic “bell like” sound. In the Nord Stage 2 the instrument signal is multiplied with an additional sine wave.

You set the pitch of the sine wave with the Rate/Tempo knob and the amount of ring modulation with the Amount knob. This effect is mono in/mono out.

Wa-Wa

The Wah-Wah modulation is often used for instruments to get a characteristic sound, also known as the “Quack”. Wah-Wah can be extremely useful on electric piano. Try out the Clavinet sound with WahWah modulation and you’ll understand. The Wah-Wah modulation is a lowpass type of ﬁlter that can be swept across the frequency range. During the sweep, the ﬁlter’s characteristics also changes. The Wah effect is mono in/mono out.

You control the “pedal position” of the Wah with the Rate/Tempo knob and the wet/dry mix with the Amount knob.

An expression pedal connected to the Control Pedal Input can be used to control the ﬁlter sweep. This allows you to control the Wah-Wah effect with the pedal, using the Morph function - see page 19.

Effect 1

The Effect 1 section offers six different types of modulation effects. Use the Selector button to switch between the available modulation effects. The following effects are available:

A-Pan (Auto Pan)

The A-Pan is an automatic panning modulation that smoothly pans the signal between the Left and Right outputs in the stereo panorama.

The rate and the amount of panning are controller with the Rate/Tempo and Amount knobs. The Pan effect is stereo in/stereo out.

Static Pan control of an Instrument

Manual control of over the panning of an instrument can be achieved with the A-Pan effect:

1 Enable Effect 1 for the instrument you want to pan, and select the

A-Pan effect type.

2 Set the Rate/Tempo knob to zero. Place the instrument anywhere

in the stereo panorama with the Amount knob, just like a pan

A-Wha 1 & 2 (Auto-Wah)

Auto-Wah 1-2 are variations of the Wah-Wah effect described above. The A-Wha uses the signal’s amplitude (envelope follower) to control the ﬁlter sweep range, making the effect “velocity sensitive”. The range of the Auto-Wah 1 is controlled with the Rate/Tempo knob and the wet/dry mix with the Amount knob.

A-Wha 2 works in the same way, but produces a different character.

The A-Wah effects are mono in/mono out.

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Effect 2

The Effect 2 section offers six types of vintage style effects to add that special ﬂavour to your sounds.

Phaser 1 & 2

The digital models of the phasers in the Stage 2 are inspired by models like the Bi Phase, a classic unit that is heard all over some of the 70s most epic music, and the ﬁerce Small Stone unit.

The phaser effect produces a characteristic “sweep” effect commonly used with electric piano sounds. The rate of the phase shift is controlled with the Rate/Tempo knob and the phase shift amount with the Amount knob. This effect is mono in/mono out.

“asymmetrical” and produce delays that are more like early reﬂections in reverb units.

Tap Tempo

You can use Tap Tempo to set a delay time matching the tempo of a song. Simply tap the Tap Tempo button in the tempo you wish the delay to sync to a number of times, and the delay time will be adjusted automatically. As long as the Tap Tempo LED is lit, the tempo is calculated - wait until it goes dark to tap in another tempo. Tapping will never result in a pitch change of current repeats.

The calculated tempo and corresponding delay time in milliseconds will be shown brieﬂy on the display while you tap the tempo.

Amp Sim/Equalizer

Flanger

The ﬂanger produces a dramatic comb ﬁlter effect. The ﬂanging rate is set with the Rate/Tempo knob and the amount with the Amount knob. The Flanger effect is mono in/mono out.

Vibe

The Vibe effect is an effect that draws its inspiration from a desirable foot pedal. The effect is created through a digital model of a staggered series of phasing ﬁlters, unlike the usually aligned ﬁlters of a normal phasing effect. The Vibe effect is mono in/mono out.

Chorus 1 & 2

The Chorus effect simulates having several slightly de-tuned signals mixed with each other. The rate for the chorus is set with the Rate/ Tempo knob and the amount with the Amount knob. This effect is stereo in/stereo out.

Delay

The Delay effect produces echo/repeat effects. The Delay time is set with the Rate/Tempo knob (20 - 750 ms). The delay time and corresponding tempo and rhythmic subdivision will be shown brieﬂy in the display when the Rate/Tempo knob is turned. The Amount knob adjusts the balance between the dry signal and the delay repeats.

The Feedback knob controls the number of delay repeats. The Delay is stereo in/stereo out.

When the Rate/Tempo knob is adjusted, this may or it may not change the pitch of the current repeats.

There are two different delay modes, the “analog” mode and the “normal/digital” mode. The analog mode will change the pitch on any sounding repeats if you change the Rate/Tempo knob, something that the normal mode does not do. This is a user selectable option, and is set in the Sound menu - see page 43.

Ping Pong

Holding Shift and turn the Feedback knob to light up the Ping Pong indicator, will make the delay repeats alternate between the left and right channels. If short delay times are used, these repeats will be

This effect combines an three-band equalizer with a sophisticated ampliﬁer and speaker cabinet simulation. No real ampliﬁer or speaker is perfect, or behaves the same. They all differ in their frequency response, and respond differently to e.g. transients, high gain and load. This characteristic response and sound character of various ampliﬁers and speaker cabinets is often a desired effect that gives an organic quality to a too clean and perfect sound.

The special behavior of an ampliﬁer/speaker combination when pushed to its limit, “overdrive”, has been exploited by musicians for decades. The Ampsim models faithfully reproduces the overdrive response of different ampliﬁer/cabinet combinations, giving you that authentic sound.

When no Amp Model is selected, the Ampsim/EQ section provides a neutral EQ and overdrive.

The Ampsims and distortion when the drive is tuned up, are mono in/ mono out. If you just use the EQ, you will get a stereo-stereo conﬁguration.

Amp model

The three different ampliﬁer/speaker simulations are selected with the Selector button in the Amp Model section:

Amp Model Description

Small

Twin

A simulation of a Roland Jazz Chorus speaker cabinet, powered by a tube amp.

A simulation of a Wurlitzer 200A internal speaker, powered by a tube amp.

A simulation of a Fender Twin tube ampliﬁer and speaker cabinet.

Drive

The Drive knob controls the amount of overdrive for the Ampsim section. If the Drive LED is on, it indicates that overdrive is active.

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EQ section

This is a 3-band equalizer which features bass, sweep-able midrange and treble controls. The bass frequency is 100 Hz, the treble frequency is 4 kHz and the mid range frequency can be set between 200 Hz to 8 kHz. The boost/cut range is +/- 15 dB.

Global Effects

If activated, the Compressor and Reverb effects will process all signals routed to the CH 1/CH 2 and headphone outputs, but do not affect any signals routed to the CH 3/CH 4 outputs. Both these effects are stereo in/stereo out.

Compressor

The Compressor will even out the dynamics of what you play, making low level sounds louder and high level sounds lower. This produces a tight, punchy sound and makes the overall level easier to control in a live mix situation. The Compressor is activated with the On button. The Amount knob controls the amount of compression applied.

• The rotor acceleration rate, the time it takes to go from slow to fast and vice versa, can be adjusted on the Sound menu, read more on page 43.

• The Rotary speed can be continuously controlled with a Morph source. This makes it possible to set the rotary at speeds other than just fast, slow and stopped.

The Drive knob controls the amount of overdrive. This simulates the pre-ampliﬁer overdrive of the original rotary speakers.

A sustain pedal or a foot switch that is connected to the Rotor Speed pedal input can control the rotor speed, read more on page 57.

About the Rotary effect’s signal routing

The Rotary effect is placed after the panel effects in Nord Stage 2’s signal path. It also sums audio signals if both Slot A and B are active. This means that if you are using a split organ setup for example, both “manuals” will be affected by the Rotary effect (just like on the real thing).

M The Rotary Drive parameter is dependent on the processed

instrument’s Level setting. If the instrument being processed by the Rotary is set to a very low level, the amount of available drive will be signiﬁcantly reduced. Again, this is very much like it works with the “real articles” - when you increase the organ level, e.g. by using a swell pedal, the amount of distortion from the Rotary effect increases.

Reverb

The Reverb section simulates the natural sound reﬂections in various acoustic environments. There are six reverb types with various lengths and densities, indicated by the LEDs in the selector.

The Hall reverbs have the response and character of a spacious hall, with a fairly long decay. The Stage reverbs have a medium decay time and the Rooms are more of an ambience with a rather short decay time.

The “reverb 1” is a more mellow version, while the “2” is brighter.

The Dry/Wet knob sets the balance between the unprocessed and the processed signal.

Rotary Speaker

The Rotary Speaker in Nord Stage 2 accurately reproduces the sound of the rotating horn and bass rotor, as well as the characteristics of the built-in ampliﬁer of the original rotary units. The Rotary effect is mono in/Stereo out.

• The Rotary effect is activated or de-activated for a selected instrument in the same way as the Slot Effects, by pressing the Source button.

• You switch between fast and slow rotor speeds by pressing the Slow/Stop button.

• To stop the rotors, press the Stop Mode button to activate the Stop Mode and then the Slow/Stop button (this does not deactivate the Rotary Speaker - it only stops the rotors). When you press the Slow/Stop button again the rotors will accelerate to the Fast speed setting. This functionality mimics the behavior of an early, one speed rotary speaker.

Rotary parameter

There are is a parameter in the Sound Menu that sets the acceleration and deceleration of the rotary speakers. Read more about on this on page 43.

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Extern Section

Extern section

Control of external MIDI instruments is an integrated feature of the Nord Stage 2. You have all the essential external MIDI control functions as accessible and easy to use as the functions and parameters for the built-in instruments. That’s what you get in the Extern section.

The Extern behaves like the internal instruments in most cases. It is enabled and assigned to a keyboard zone in the same way. It has a multi-purpose Parameter knob, which is used to send MIDI Volume, Program Change and Continuous Controller messages. Press the Parameter Select button to select the Parameter to transmit.

Detailed settings for MIDI Channel, program Change and Continuous Controllers, among other things, are accessed through the Extern Menu (read more about this on page 44). These settings can be part of the Programs, this makes it possible for the Stage 2 to send MIDI messages to your external units when you change Programs.

Using the Extern section

Activating

Activate the Extern section in order to have Extern transmitting MIDI from Nord Stage 2. This is done by pressing the On button under the Parameter rotary encoder, in the same fashion as you activate the Stage 2 instruments.

Keyboard Zones

There are two Extern sections, one for each Slot A and B. Use the keyboard zones to create splits and layers just like for the internal instruments. If the Extern section is assigned to only play in the LO Zone, the external instrument will only respond to notes played in this zone.

In addition to the usual keyboard zones, there is an extra option that doesn’t assign the Extern section to the internal keyboard at all. However, all other External features are still active, such as the Pitch Stick and the Parameter knob. This is useful when you want to control external equipment with no need for MIDI keyboard messages. Hold Shift and press the Extern On button. Note how the Zone LEDs are off but the parameter LEDs lit up.

See the section about splits on page 20 for information on how to set up and use keyboard zones.

Setting up

1 Connect a MIDI cable from Nord Stage 2’s MIDI Out to the MIDI In

on the external device.

2 Hold Shift and press the Extern button to access the Extern

menu.

3 Use The Page buttons to access the “Extern MIDI A/B Channel”

page.

4 Use the Value Dial to select the transmitting MIDI channel (1-16)

you would like to use. Use the Slot A and B buttons to access the channel setting for each panel. Press the Exit (Shift) button to exit the menu.

5 Set the external instrument to receive on the same MIDI channel.

Octave Shift

The Octave Shift buttons in the Extern section work exactly as for the internal instruments. The shift range depends on the total note range of the external instrument, and the range of the keyboard zone(s) that the external instrument is currently assigned to.

Activating Pitch Stick/Sustain Pedal messages

Hold Shift and press one of the Pstick or Sustped buttons to set up whether Nord Stage 2 should send pitch bend and/or sustain pedal messages via the Extern MIDI channel. The LEDs indicates if these functions are activated.

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MIDI CC

Extern Parameters

The Parameter section comprises the three buttons in the Parameter Select section and the Parameter rotary encoder at the top. Simply put, you select a parameter and vary the value of the selected parameter with the rotary knob.

 The Parameter rotary encoder can also be Morph controlled -

read more on page 18. This allows you to change MIDI parameters during a performance.

This feature makes it possible to transmit MIDI Control Change messages to control a parameter of your choice on the external instrument. First you have to decide which Controller number the Parameter rotary encoder should transmit, this is done in the Extern Menu:

1 Hold Shift and press the Extern button to access the Extern

menu.

2 Use the Page buttons to select the “Extern MIDI CC Number”

menu page.

The following parameters can be set using the Parameter Select buttons:

Volume

If Volume is activated, the Parameter rotary encoder will send MIDI Volume CC7 messages (0-127). This allows you to control the level of the external device. The external instrument may have to be set to receive MIDI CC messages for this to work as expected.

Prog Change

The Prog Change option allows the Parameter rotary encoder to send Program Change messages (0-127), allowing you to select programs in the external instrument. This function behaves slightly differently than the other parameters. The Parameter rotary encoder will in this mode send a program Change message for each individual rotary encoder LED. To access all 127 messages, simply continue to turn the rotary encoder multiple times - it will continue to send messages across the whole range. The external instrument may have to be set to receive MIDI program Change messages for this to work as expected.

E The Stage 2 itself can transmit MIDI Program Change when you

select a Bank, Page and Program. If this occurs on the same MIDI channel, it can lead to unwanted results on the external units. Make sure that the Slot A and Slot B MIDI channels are not the same as the Extern MIDI channel. The speciﬁc setting for the “internal” Stage 2 Program Change in the MIDI Menu can also be turned off.

3 Use the Value Dial to select a MIDI CC Number (0-119). You may

want to check the manual for the external instrument to see which parameters are assigned to which CC numbers.

4 Press the Exit (Shift) button to exit.

Activate the MIDI CC button in the Parameter Select section, to control the selected external parameter using the Extern’s Parameter rotary encoder. The external instrument may have to be set to receive MIDI CC messages for this to work as expected.

Send On Load

If the Send On Load feature is activated in the Extern Menu, Program Change, Volume and MIDI CC messages are transmitted via MIDI when you load a program in Nord Stage 2. If you do not want these actions to occur, make sure “Send On Load” is set to “Off” on the Extern menu.

If the external instrument organizes programs in Banks, there is an option to send Bank Change messages on the Extern Menu page, - see page 44.

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Reference: Menus

Any settings that you change in the System, Sound, MIDI or Extern menus will take immediate effect on a global basis, and the settings will be stored until you change them the next time. Enter the menus by holding Shift and pressing the System, Sound, MIDI or Extern button (Program buttons 1 to 4). Select a function with the Page 3 and 4 buttons and change the setting with the Value Dial. Exit the menus by pressing the Shift/Exit button.

M There is one menu setting that doesn’t get automatically stored when you power off the Stage 2, the MIDI Local On/Off setting. This always

reverts to Local On every time the Nord Stage 2 is powered up.

Synth Audio A/B Output

System Menu

Hold Shift and press Program 1/System to access the System menu settings. Use the Page 3 and 4 buttons to navigate between the various menu items on the System menu. The Value Dial is used to change settings, the Slot buttons to switch between A and B where applicable. When you are done, press Exit (Shift) to exit the menu.

This allows you to set which channel output pairs (or mono output) to use for the Synth A and B section. Use the Slot A & B buttons to access the settings for each Slot. If the Audio Routing Mode (see above) is set to “Program”, these settings will be saved with the program

Range: “1 & 2” (Default), ”3 & 4”, ”3” ,”4”

Fine Tune

Fine Tune can be used to adjust the pitch of the Stage 2 in ﬁner increments.

Range: +/- 50 Cents (half a semitone). Default value is “0”

Output Routing

The output routing of the instruments in the Nord Stage 2 can be determined in two different ways, globally, or independently for each program. In Program mode, the output selections will be stored in individual programs. When “Global” is selected, the output routings will be the same for all programs, overriding the routings stored with each program.

Range: Global (Default), Program

Organ Audio A/B Output

This allows you to set which channel output pairs (or mono output) to use for the Organ section. If the Audio Routing Mode (see above) is “Program”, this setting will be saved with the program.

Range: “1 & 2” (Default), ”3 & 4”, ”3” ,”4”

M You cannot have individual routings for Organ Slot A and B.

Piano Audio A/B Output

This allows you to set which channel output pairs (or mono output) to use for the Piano A and B sections. Use the Slot A & B buttons to access the settings for each Slot. If the Audio Routing Mode (see above) is set to “Program”, these settings will be saved with the program.

Range: “1 & 2” (Default), ”3 & 4”, ”3” ,”4”

Organ Keyboard Trig Point

This allows you to change how the Nord Stage 2 keyboard triggers Organ sounds. When “High” is selected, you will trigger organ sounds before the key is fully depressed. This mode closely mimics the way a original tonewheel organ triggers its notes.

Range: High, Low (Default)

Sustain Pedal Polarity

This allows you to change the polarity of a connected sustain pedal, in case the functionality of the pedal is reversed (when the pedal is up, sustain is on and vice versa).

Range: Open, Closed (Default), Triple (the Nord Triple Pedal)

Rotor Pedal Polarity

This allows you to change the polarity of a sustain pedal connected to control Rotor Speed, in case the functionality of the pedal is reversed (when the pedal is up, Rotor Speed is fast and vice versa).

Range: Open, Closed (Default)

Rotor Pedal Mode

If you are using a sustain-type pedal connected to control Rotor Speed this allows you to set how this should operate. “Hold” means that the Rotor Speed is fast for as long as the pedal is down and reverts back to slow when the pedal is released (or vice versa depending on the set pedal polarity). “Toggle” means that the fast/slow rotor speed is switched with a pedal depression, like an on/off switch pedal.

Range: Hold (Default), Toggle

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Ctrl Pedal Type

Different brands of control pedals have different speciﬁcations (resistance, offset and linearity). To simplify setup and to optimize the response of the pedal for the Nord Stage 2, the most common pedal makes are pre-conﬁgured, and you simply select the type of pedal that you have connected. Roland, Yamaha and Fatar are linear control pedals with different scaling and offset. Ernie Ball pedals (“ErnieB”) are marketed as volume pedals, with a logarithmic response, but the response is re-scaled internally in the Nord Stage 2 to make them work nicely as control pedals. They may require a Y-cable (stereo plug -> 2 mono plugs) to work with the Nord Stage 2.

Range: Roland (Default), Yamaha, Ernie B, Fatar

Sound Menu

Hold Shift and press Program 2/Sound to access the Sound menu settings. Use the Page 3 and 4 buttons to navigate between the various menu items on the Sound menu. The Value Dial is used to change settings. When you are done, press Exit (Shift) to exit the menu.

Rotary Speaker Acceleration

This determines the acceleration and retardation time of the rotary speaker.

Range: Low, Normal (default) High

Control Pedal Use as Swell

You can use a control pedal to control organ swell. If you wish to do so set this to “Yes”. Note that even if this is enabled, and you connect a pedal to the Organ Swell input, this setting will be overridden and you will be able to use both pedals separately.

Range: No (Default), Yes

Organ Key Click Level B3

This sets the level of the Key Click for the B3 organ model.

Range: Low, Normal (default) High

Organ Tonewheel Mode

Swell Pedal Type

This setting conﬁgure the Swell Pedal. See “Ctrl Pedal Type” above for details.

Range: Roland (Default), Yamaha, Ernie B, Fatar

Sets the level of tonewheel crosstalk and cable leakage artifacts of the B3 organ model.

Range: Clean, Vintage1 (default), Vintage2

Pedal Noise level

Swell Pedal Dest

This setting conﬁgure the Swell Pedal destination. Set this to Organ if only the Organ section should be controlled or to All if the volume of all sections should be controlled.

Range: Organ (Default), All

Program Loading Mode

This setting determines if a program change should be activated immediately when you press a Bank or Page button, or if the Stage 2 should wait until you have conﬁrmed the selection by pressing a Program button. Use the Pending option if you want to browse for a certain program, while still using the “previous” settings.

Range: Normal (Default), Pending

Sets the level of the Pedal Noise that can be turned on for selected pianos, if the Triple Pedal is connected to the Stage 2.

Range: +/- 6 dB (0 dB default)

String Resonance level

Sets the level of the String Resonance feature that can be turned on for selected pianos (acoustic Med, Lrg and XL sizes).

Range: +/- 6 dB (0 dB default)

Synth Vibrato Rate

This determines the rate of the Synth Vibrato.

M This setting is individually stored in programs.

Master Clock

Set the rate of the Master Clock.

M This setting will be individually stored in the programs.

Range: 30 - 240 BPM

Memory Protection

This is set to “On” when Nord Stage 2 leaves the factory, meaning that you cannot save any changes to Programs or Synth Sounds. Set this to Off if you wish to store your own Programs. System settings and the ﬁve Live buffers are not protected by this setting.

Range: On (default), Of

Range: 4.00 - 8.00 Hz (Default 6.00 Hz)

Synth Dly Vibrato Amount

This determines the amount of Synth Vibrato when any of the vibrato delay modes are used.

M This setting is individually stored in programs.

Range: 0-50 cent (Default value is 25 cent)

Delay Mode

This sets if the delay should change the pitch on sounding repeats in the fashion of an analog delay, if the Rate/Tempo knob is adjusted, or not. When set to Normal, the pitch does not change if the Rate/Tempo is changed.

Range: Analog (Default), Normal

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44 | Nord Stage 2 USer MaNUal oS v1.X

MIDI Menu

Hold Shift and press Program 3/MIDI to access the MIDI menu settings. Use the Page 3 and 4 buttons to navigate between the various menu items on the MIDI menu. The Value Dial is used to change settings, the Slot buttons to switch between A and B where applicable. When you are done, press Exit (Shift) to exit the menu.

MIDI Control Local

MIDI Local control determines if the Nord Stage 2 keyboard and front panel controls should control internal instruments and programs or only transmit MIDI. Local On is the normal “play mode”. In Local Off mode, the front panel and keyboard actions are transmitted via MIDI only and do not control the internal sound(s) directly.

Range: On (Default), Off

M Local always defaults back to Local On every time the Nord Stage

2 is powered on.

MIDI Slot A/B Channel

This sets the MIDI channel for Slot A/B

Range: 1-16, Off (Default A ch 1, default B ch 2)

MIDI Organ A/B Channel

This sets the MIDI channel for the Organ section A/B. If a channel is selected here, you can assign the corresponding instrument to no KB Zone at all, that is, make it active but available only through MIDI.

Range: 1-16, Off (Default off)

MIDI Piano A/B Channel

This sets the MIDI channel for the Piano section A/B. If a channel is selected here, you can assign the corresponding instrument to no KB Zone at all, that is make it active but available only through MIDI.

Range: 1-16, Off (Default off)

MIDI Synth A/B Channel

This sets the MIDI channel for the Synth section A/B. If a channel is selected here, you can assign the corresponding instrument to no KB Zone at all, that is, make it active but available only through MIDI.

Range: 1-16, Off (Default off)

MIDI Dual KB Channel

This sets the MIDI channel for an external keyboard when using Dual KB mode - see page DUALKB.

Range: 1-16, Off (Default 16)

MIDI Prog Change Mode

This allows you to determine whether you want Nord Stage 2 to transmit and/or receive MIDI program Change Messages, or not.

Range: Off, Send, Receive, Send & Receive (Default)

MIDI Ctrl Change Mode

This allows you to set if you want Nord Stage 2 to transmit and/or receive MIDI Controller Messages or not.

Range: Off, Send, Receive, Send & Receive (Default)

Send MIDI Ctrl

You can perform a dump of all parameters as their MIDI Controllers for the selected Slot. Hit Store to perform the dump.

Range: Slot A, Slot B

Extern Menu

Hold Shift and press Program 4/Extern to access the Extern menu, where you can ﬁnd settings and functions relating to the Extern section. Use the Page 3 and 4buttons to navigate between the various menu items on the menu and use the Value Dial to change settings. When you are done, press Exit (Shift) to exit the menu.

M Most items on the Extern menu have separate entries for Slot A

and B!

M Most settings from the Extern menu are saved with a Program.

The only exceptions are the “Extern MIDI A/B Channel” if Extern MIDI Mode is set to Global, and the “Send on Load” function which always is global.

Extern MIDI Mode

The Extern MIDI Channel can be set in two different manners, either globally, or independently for each program. When “Global” is selected, the Extern MIDI A & B channels will be the same for all programs. If program is selected, the Extern MIDI A & B channel setting will be saved with each Stage 2 program.

Range: Global, Program (default)

Extern MIDI A/B Channel

This sets the Extern section’s transmitting MIDI channels.

Range: 1-16 (14 default for Slot A, 15 is default for Slot B), USB1

- USB16,

Extern MIDI A/B Volume

The Extern section can send MIDI Volume messages (0-127), allowing you to control the level of an external device.

Range: Off (Default), 0-127

Extern MIDI A/B Prog Change

The Extern section can transmit MIDI program Change messages (0-

127), allowing you to change programs on external devices.

Range: Off (Default), 1-128

Extern MIDI A/B Bank Sel cc00

This allows you to set a value for a MIDI Bank Select message on Control Change address 00 (cc00).

Range: Off, 0-127

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Chapter 11 refereNCe: MeNUS | 45

Extern MIDI A/B Bank Sel cc32

This allows you to set a value for a MIDI Bank Select message on Control Change address 32 (cc32).

M There are many different variations between instruments in how

Banks are numbered and accessed via MIDI. Please consult your other units manual.

Range: Off (Default), 0-127

Extern MIDI A/B CC Value

This will transmit values for the selected MIDI CC number.

Range: Off (Default), 1-127

Extern MIDI A/B CC Number

This decides which MIDI Controller number the Extern section should be transmitted when MIDI CC is activated.

Range: MIDI CC 0-119 (Default is 2)

Extern MIDI A/B Send Wheel

This setting toggles if the Stage 2’s Modulation Wheel should transmit Mod Wheel MIDI data (CC 1) or not.

Range: Yes (Default), No

Extern MIDI A/B Send A.Touch

This setting toggles if the Stage 2’s After Touch should transmit Channel Touch MIDI data or not.

Range: Yes (Default), No

Extern MIDI A/B Send CtrlPed

This setting toggles if a control pedal connected to the Stage 2’s CTRL Pedal input should transmit Expression MIDI data (CC 11) or not.

Range: Yes (Default), No

Extern MIDI A/B Vel Curve

Use this setting to adjust the velocity response curves that applies to the Extern section.

Range: Soft , Norm (Default), Hard

Extern MIDI Send on Load

This setting toggles if any settings for the Program Change, Volume or MIDI CC messages in the Extern section should be automatically transmitted from the Stage 2 when a Program is selected, or not.

Range: Off (Default), On

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46 | Nord Stage 2 USer MaNUal oS v1.X

Nord Sound Manager

The Nord Sound Manager is the application that allows you to organize the various memory areas, the partitions in the Nord Stage 2. It is also used to download pianos or programs to the Nord Stage 2 or to upload any of these items - called sounds - from the Nord Stage 2 memory to the computer hard drive. The Nord Sound Manager provides access to various methods to download the sounds to the unit and a function to backup and restore the entire Nord Stage 2 memory.

System requirements

The Nord Sound Manager is compatible with computers running Mac OSX 10.4 or later, Windows XP, Windows 7 and Windows Vista. If you run the Nord Sound Manager on a Windows computer, you also need a Clavia USB Driver of version 3.0 or later installed.

M Nord Stage 2 OS Updates, USB drivers and instructions on how to install these are available at the www.nordkeyboards.com website and on

the DVD that accompanies this unit.

Installation

USB Driver

M Mac OSX user may skip this section

1 If you use a Windows computer (XP, Vista or 7), locate the Clavia

USB Driver v3.0 Setup.exe on the DVD that accompanies the unit and double click on this ﬁle.

2 Follow the instructions on the screen.

3 After the ﬁles have been installed, the driver will be activated when

you connect the Nord unit. Do this by connecting a USB cable between the Nord instrument and your computer.

4 When the Nord unit is connected to the computer, the driver will

be automatically activated and a conﬁrmation will appear in the notiﬁcation area in the Windows task bar.

Sound Manager

1 Windows users: Open the Nord Sound Manager folder on the

DVD, launch the “Nord Sound Manager v5.x Setup.exe” and follow the instructions carefully. The Nord Sound Manager can be accessed from the start menu when the installation procedure is ﬁnished.

2 Mac OSX users: Open the Nord Sound Manager folder on the

DVD, double-click on the “Nord Sound Manager 5.x.dmg” and then drag the Nord Sound Manager application from the virtual hard drive to your “Applications” folder.

Overview

You can work with the contents of the Piano, the Sample. the Program and the Synth partitions. These are accessed from the tabs.

If no Nord Stage 2 is connected to the computer, pages, icons and memory locations will be grayed out.

E The actions that take place in the Nord Sound Manager will affect

the memory in the Nord Stage 2. The Manager is on-line with a connected Nord Stage 2 at all times; any changes that you perform in the Manager will immediately be executed in the Nord Stage 2. If you e.g. delete a piano or a Program from the list in the Nord Sound Manager, that same sound will also be deleted from the Nord Stage 2 Flash memory.

E The ﬁles mentioned for the driver and application installations can

also be downloaded from the www.nordkeyboards.com website. Please visit our website from time to time to check for any updates.

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Chapter 12 Nord SoUNd MaNager | 47

The Toolbar

The Toolbar gives you direct access to some of the more frequently used functions in the Nord Sound Manager. Clicking on an icon will activate one of these functions, and a dialogue will often appear asking for conﬁrmation or further instructions from you.

The Tabs

Select the partition that you wish to work in with the Tabs. The Piano tab allows you to change the content of the piano partition, the Samp LIb tab allows you to access the sample partition and the Program and Synth tabs allows you to organize the programs and synth sounds. The individual pianos, samples or programs will be referred to as “sounds” in this manual and in the application itself.

 Press Ctrl+Tab on the computer keyboard to cycle between the

tabs.

The lists can be ordered according to location, name, size, version and date, in ascending and descending order. Just click on a headline to select a preferred view.

Partition Memory Indicator

The memory indicator at the bottom of the window indicates how much memory is being used in the selected partition. The red area shows the used memory, green indicates space that is available for new sounds.

Right-Clicking

If you right-click on a sound, a context menu will provide the following options:

Select in Instrument

This will select the chosen sound in the Manager list, to be instantly accessible on the Nord Stage 2.

Upload

This will upload the selected sound from the Nord Stage 2 to the computer hard drive to a folder of your choice.

Download

This is only available if you right-click on an empty location that does not contain a sound. This allows you to choose a ﬁle on the hard drive, to be downloaded to the location in the Nord Stage 2.

Rename

This allows you to rename, and assign a category to a Program. Characters supported are: a-z, A-Z, 0-9 and a hyphen (-) and the name can contain up to 16 characters. Any other characters will not be displayed in the Sound Manager lists.

M Pianos or samples cannot be renamed, this option will not be

available if you right-click on any of these.

Delete

This will delete the selected sound(s) from the Nord Stage 2 memory.

File Formats

The Nord Sound Manager creates and/or uses ﬁles with the Nord Stage 2, with the following extensions:

• .npno - These are the piano ﬁles from the Nord Piano Library.

M The Nord Stage 2 is only compatible with piano ﬁles of version 5

or later.

• .nsmp - These are the sample ﬁles from the Nord Sample Library.

• .ns2p - These are the Stage 2 Program ﬁles.

• .ns2s - These are the Synth sounds.

• .ns2b - This is the extension used for the Nord Stage 2 backup ﬁles.

Just as any other computer ﬁle on your hard drive, these ﬁles may be renamed, emailed, copied, moved, lost or even stored in a safe location if an evil computer crash suddenly decides to take your hard drive for ride.

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48 | Nord Stage 2 USer MaNUal oS v1.X

The Quick Tour

1 Using the Toolbar or Menu command: Click on the Sound Down

icon in the toolbar. The same command is also available in the File menu: Sound Download (Ctrl-D).

Let’s get acquainted with some of the functions in the Nord Sound Manager.

Transfer pianos to the Stage 2

When the Nord Stage 2 leaves the factory, the Piano partition is ﬁlled with sounds. In order to be able to download additional pianos, you may have to delete some of the factory pianos. If you ever want to reload any deleted pianos, they are available on the DVD that was included with the Nord Stage 2, or available as a download from the www.nordkeyboards.com web site, in the Libraries area.

Deleting a piano

3 Connect the Nord Stage 2 to the computer and launch the Nord

Sound Manager.

4 The Piano tab will open and the current content of the piano parti-

tion in the Nord Stage 2 will be displayed.

5 Select a piano to delete and press the Delete icon in the toolbar.

You can also right-click on the sound and choose the Delete option or use the backspace or delete keys on the computer keyboard.

6 You will be asked to conﬁrm your intentions and then the piano in

the Nord Stage 2 will be deleted.

Download a new sound

2 Browse to the folder on the hard drive where the desired sound is

located, select it and click Open. The sound will now be added to its bank.

Download Queue

You can add several sounds, one by one, using the drop method, or with the Toolbar or Menu commands. These sounds will be put in the download queue. The memory will be cleaned if needed and the ﬁles will be downloaded to the unit in the order they were added.

1 Select the desired partition that holds the type of sounds that you

wish to load.

2 Drag a sound from the computer hard drive to the white area in

the Sound Manager list.

3 Drag another sound to the white area in the Sound Manager list.

Files that are placed in the queue will be displayed in bold.

4 If you wish to cancel an ongoing queue, you can either delete all

ﬁles that are queued or press the Cancel button. During the Clean process the Cancel option is not available.

Files waiting in the queue can be deleted from the queue if you change your mind. Right-click on the queued sound or use the Toolbar or Menu Delete command.

 Files already in the unit can be moved or deleted during the pro-

cessing of the queue.

1 Using drag and drop: Open the folder on the computer hard drive

where the new sound is located.

2 Make sure that the Sound Manager window and the folder are

visible on the screen.

3 Drag the new sound to the white area in the Sound Manager list.

When the destination location will turn gray, release the mouse button.

4 The Clean Deleted Space process will start to prepare the

memory and then the new piano will be downloaded to the Nord Stage 2. If there isn’t enough free space, a message will appear in the lower left text area in the Nord Sound Manager.

 If the Organize option is active in the View menu, you can drop

a sound on any free location in the bank. If this function is not active, the new sound will be automatically placed at the ﬁrst free location in the bank. The various locations are selected using the Model selector on the Nord Stage 2.

M The pianos are categorized and can only be added to the correct

bank; electric pianos can not be added to the grand bank, the grand’s cannot be dropped in the clavinet bank etc.

Upload sounds from the Nord Stage 2

1 Select the desired partition that holds the sounds that you wish to

store on the computer hard drive.

2 Select the bank and the sound. Shift-click will allow you to select

several consecutive sounds; Ctrl-click will allow you to select nonconsecutive sounds. Here we have selected a few of the programs:

3 Click on the Sound Up tool or right-click on the selected sound(s)

and select Upload. The dialogue will prompt you to browse to the desired destination folder on the hard drive. The upload process may take a few moments depending on the size of the sounds.

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Chapter 12 Nord SoUNd MaNager | 49

Upload a complete partition

1 Make sure that the desired partition (and bank) is focused in

the Nord Sound Manager. You will also have the opportunity to change the source bank in an upcoming dialogue.

2 Click on the Bank Up tool, or select the File/Bank Upload menu

command (Ctrl-Shift-U). Verify that the source bank is correct and browse to the desired destination folder on the computer hard drive.

You can also select All at the bottom of the bank list drop down. This will upload the entire content of the partition to the computer hard drive.

If the Create Subfolders option is checked, a folder structure - partition/ bank/sounds - will automatically be created in the destination folder.

M When you click on Download a dialogue appears to inform you

that the content of the destination bank in the Nord Stage 2 will be replaced with that of the source ﬁle.

If you select All in the destination bank drop down, you can replace all the sounds in a partition with those on a folder structure on the hard drive. If Search Subfolders is active, you can browse to the top folder of a structure as the parent of the source ﬁles.

Organize the program partition

By using drag and drop, you can organize the content of the Program partition with its 400 programs.

1 Make sure that Organize is turned on in the View menu.

2 Select and drag a program from the destination location to the

desired location.

Download sounds to the Nord Stage 2

1 Click on the Bank Down tool, or select the File/Bank Download

menu command (Ctrl-Shift-D).

2 Verify that the destination bank is correct and browse to the de-

sired source folder on the computer hard drive.

If you drop a sound on a free location, the sound will be moved from the source location. If you drop on a location that is occupied, the two sounds will trade places.

3 Select a program and press the Ctrl-key on the computer key-

board. If you now drag this selection, the Program will be copied and pasted at the destination instead of just being moved.

Search Box

1 By entering one or several characters in the Search Box, you can

ﬁlter out the content that is presented in the lists.

This provides you with a quick way to ﬁnd duplicate programs, etc..

Auto Select

By clicking on the Auto Select icon in the toolbar, you toggle the Auto Select function on or off.

When Auto Select is turned on and you scroll through the Pianos or Program lists using the computer keyboard arrow keys, the sounds will automatically be selected in the Nord Stage 2.

 Double-clicking on a Piano or Program will also select it in the

Nord Stage 2.

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50 | Nord Stage 2 USer MaNUal oS v1.X

Sound Manager reference

Toolbar

Organize

When this option is active, the lists will show all the available locations in the selected partition/bank and not only the occupied ones. This will for instance make it possible to drag a ﬁle to a speciﬁc free location in the middle of the list. If this is inactive, only the occupied locations will be shown and re-arranging the order is not possible.

Dual View

When this option is checked, the window (if set to display the Program partition) will be divided in two lists. You can make the lists show separate banks with the drop-downs. Rearranging programs is simply a matter of drag and drop. Drag a program from one bank/list to another bank/list in either direction.

Auto Select

With this function active, scrolling through the piano or program list with the computer keyboard arrow keys will automatically select the sound in the Nord Stage 2.

Sound Up

Use this function to upload one or several sounds from the Nord Stage 2 to the computer hard drive.

Sound Down

Use this function to download one or several sounds from the computer hard drive to the next available location in the selected partition.

Rename

This allows you to rename a Program. 16 characters can be used, and the supported characters are: a-z, AZ, 0-9 and the hyphen (-). Any other characters will not be displayed in the Sound Manager lists.

M Pianos or samples cannot be renamed so this function is not

available if you have selected any of these.

the Flash memory. Select another program or download the missing piano to the Nord Stage 2.

Bank Up

This function will upload an entire bank of pianos or programs to the computer hard drive. The default source will be the currently active bank, but you may choose another partition and bank if you wish. Click on the Choose Folder button to select the destination on the hard drive.

If the Create Subfolders option is checked, a folder structure will automatically be created in the destination folder.

M If a folder with the same name as the source partition/bank

already exists in the location on the hard drive, this folder’s entire content will be replaced by the uploaded ﬁles from the Nord Stage

Bank Down

This function will download an entire bank of pianos or programs from the computer hard drive to the Nord Stage 2. The default destination will be the currently active bank, but you may choose another partition and bank if you wish. Click on the Choose Folder button to select the source on the hard drive.

E The destination bank in the Nord Stage 2 will be replaced by the

content of the source folder.

Backup

This will make a backup of all the pianos, programs, Live programs and the menu settings in the Nord Stage 2. The ﬁle that is created on the hard drive will have the extension .npb. Backing up the entire memory content in this manner will take some time, depending on the sizes of the pianos installed.

 Backing up from the Nord Sound Manager is done in an incre-

mental manner. Unless you change the name or the location of the backup ﬁle, only the pianos and/or programs that have been changed since the previous backup will be saved.

The Nord Sound Manager will suggest a location for the backup, the ﬁrst time this function is selected (in My Documents/Nord Sound Manager ﬁles/). If you rather save the backup ﬁle elsewhere, use the browser to pick another destination.

Restore

To restore a previously saved backup ﬁle to the Nord Stage 2, select this option and browse to a backup ﬁle on the hard drive (ﬁle extension .npb) and click Open.

Delete

Allows you to delete one or several selected sounds. You will be asked to conﬁrm your intentions. You may also use the delete or backspace key on the computer keyboard to perform this action.

M Any Program in the Nord Stage 2 that used a particular piano that

you deleted will probably not sound at all, since it will be missing an important component.

The space that a deleted piano occupied is not immediately available to other sounds, even though it is gone from the list and its location is free. The Flash memory needs to be cleaned to free up the space where the deleted sounds have been. When you add a new piano the cleaning process will be initiated automatically. You also have the option to manually start the cleaning process with the Clean Deleted Space command from the File menu.

M Flashing LEDs in the Piano Type and Model section indicates that

the piano that the current Program tried to use is not available in

E The restore function will begin after you have clicked Open and

conﬁrmed your intentions in the dialogue. All the content of a connected Nord Stage 2 will then be irrevocably replaced by the content of the backup ﬁle.

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Chapter 12 Nord SoUNd MaNager | 51

Clean Deleted Space

Menus

In the Nord Sound Manager, the usual Windows and Mac OSX keyboard commands can be used. The menus can be accessed by pressing the Alt key and the underlined letter in the menu bar.

Most of the commands can also be accessed by pressing the Ctrl (on the Mac - Command) key together with the letter shown next to the command name in the menus.

File

Sound Upload (Ctrl+U)

Use this function to upload one or several sounds from the Nord Stage 2 memory to a folder on the computer hard drive.

This function will clean up the space where any previously deleted pianos or programs have been. This is done in order to make this deleted memory space available to new additions.

M Cleaning is automatically done if you download a new piano or

program to the Nord Stage 2, but this menu command makes it possible to manually start the cleaning process.

Format

This is a radical function; it will format the entire partition that is in focus. All the sounds in the partition will be deleted. You will be asked to conﬁrm your intentions.

Exit (Ctrl+Q)

Exits the Nord Sound Manager application.

Edit

Sound Download (Ctrl+D)

Use this function to download one or several sounds from the computer hard drive to the next available location in the selected partition.

Bank Upload (Ctrl+Shift+U)

This allows you to upload an entire bank or partition (pianos or programs) to a folder on the computer hard drive. Select the desired source (partition and bank) and the destination folder.

If you select All, all the banks in the partition will be uploaded. The hierarchical folder structure of the chosen partition - partition/bank/sounds

- will be automatically created in the destination folder.

Bank Download (Ctrl+Shift+D)

Use this function to download an entire bank (or all banks) from the hard drive to the Nord Stage 2.

Please note that you need to match the format of the source and the destination, it is e.g. not possible to download a set of programs to any of the piano banks.

M The content of the source folder will replace the selected bank in

the Nord Stage 2.

Backup (Ctrl+B)

This will make a backup of all the pianos, programs, the Live programs and the menu settings in the Nord Stage 2.

The ﬁle that is created on the hard drive will have the extension .npb.

Backing up the entire memory content in this manner will take some time, depending on the sizes of the pianos.

 Backing up from the Nord Sound Manager is done in an incre-

mental manner. Unless you change the name or the location of the backup ﬁle, only the pianos and/or programs that have been changed since the previous backup will be saved.

Restore (Ctrl+R)

To restore a previously saved backup ﬁle to the Nord Stage 2, select this option and browse to a backup ﬁle on the hard drive (ﬁle extension .npb) and click Open.

E The restore function will begin after you have clicked Open and

conﬁrmed your intentions in the dialogue. All the content of a connected Nord Stage 2 will then be irrevocably replaced by the content of the backup ﬁle.

Rename (Ctrl+N)

This allows you to rename a Program or a Synth sound. 16 characters can be used, the supported characters are: a-z, A-Z, 0-9 and the hyphen (-). Any other characters will not be displayed in the Sound Manager lists.

Renaming also allows you to change or set the category that each program and synth sound can be labeled with.

M Pianos cannot be renamed so this function is not available if you

have selected any of these.

Delete

Allows you to delete a selected item(s) from the Nord Stage 2 memory. You will be asked to conﬁrm your intentions.

Select All (Ctrl+A)

Select all items in a bank/partition.

Invert Selection

This will deselect the original selection and then select all the other items in the list.

View

Organize (Ctrl+O)

When this option is checked, the lists will show all the available locations in the selected partition/bank and not only the occupied ones. This will for instance make it easier to drag a ﬁle to a speciﬁc free location in the middle of the list. If this is unchecked, only the occupied locations will be shown.

Dual View (Ctrl+L)

When this option is checked, the window will be divided in two lists. The two lists makes it easy to move programs from one location to another. You can make the lists show separate banks with the dropdowns. Rearranging programs is simply a matter of drag and drop. Drag a program from one bank/list to another bank/list in either direction.

 Press the Ctrl-key on the computer keyboard to copy a selection

to the destination during a drag and drop operation.

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52 | Nord Stage 2 USer MaNUal oS v1.X

Auto Select (Ctrl+K)

When this function is active, pianos or programs will be automatically selected in the Nord Stage 2 when you browse through the sounds in the Manager list, with the computer keyboard arrow keys.

Help

About

Brings up the About box with a information regarding the version of the Nord Sound Manager. You will also see a list of compatible instruments and OS versions.

Tabs

Piano – Program

Use the tabs to select the desired partition. Type Ctrl+Tab on the computer keyboard to cycle between the tabs. The drop down menu is used to select the desired bank within the piano or program partitions. The content of the partition will be presented in the list.

Info

This area may contain error information about broken, corrupted or rejected ﬁles, in the unlikely event that something has happened with a particular piano in the Nord Stage 2 memory.

Footer Area

The footer area is located at the bottom of the Nord Sound Manager window.

Partition Memory Indicator

This indicates the usage of the selected partition’s memory. The red area shows the used memory and the green area indicates space that is available for additional sounds.

The Piano partition is approximately 500 MB in size.

Cancel Button

Use this function if you need to cancel a process that is in progress. Certain functions like e.g. a restore process cannot be cancelled.

Search Box

Enter a phrase to quickly present any pianos or programs that contains the characters. Press Clear to clear the ﬁltering and show all entries again.

Loc - Location

The banks are organized in locations; the number of locations varies for the different bank types.

Name

The name of the item.

Size

Shows the ﬁle size of the pianos. This may be useful if you need to know how much space e.g. a particular piano occupies in the piano partition. This unit is not shown in the program lists.

Progress Bars

The two progress bars indicate the progress of an ongoing process. The upper bar shows the progression of the individual processes, and the lower indicates the status of the entire task.

Message/Text Area

The left part of the text area will present any conﬁrmations or error messages from the Nord Sound Manager.

The right part will indicate of a Nord Stage 2 is connected to the computer and in communication with the Nord Sound Manager. The OS version of the connected Nord Stage 2 will also be displayed here.

Updates and sounds

Please visit our website at http://www.nordkeyboards.com to download any updates of the Nord Sound Manager and sounds that have been released for the Nord Stage 2. These items will be available as free downloads in the download area and in the Libraries area.

Ver – Version Number

This indicates the version number of the actual piano or program format. Older OS versions may not be able to use sounds in a more recent format.

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Chapter 13 MIdI | 53

MIDI

About the MIDI implementation

The following MIDI messages can be transmitted and received from Nord Stage 2:

Note On/Off

• Note On and Note Off messages are transmitted and received.

Pitch Bend

• Pitch Bend messages are transmitted and received by Nord Stage 2.

Controllers

On the MIDI Menu (see page 44), you can select if the Nord Stage 2 should transmit and/or receive Control Change messages.

• If you have an Control/Expression pedal connected to the Organ Swell Input, this is transmitted and received as Controller 4.

• If you have an Control/Expression pedal connected to the Control Pedal Input, this is transmitted and received as Controller 11 (Expression). By using the Morph function you can control most of Nord Stage 2’s parameters with a Control pedal.

• If you have a sustain pedal connected to the Sustain Pedal Input, this is transmitted and received as Controller 64 (Sustain Pedal).

• If you have a sustain pedal connected to the Rotor Speed Input, this is transmitted and received as Controller 90.

• Almost all other controls (knobs and buttons) on the front panel are also transmitted and received as Control Change messages. This can be used to record your actions on the front panel into a MIDI sequencer. For a full list of which parameters correspond to which Controller number, look at page 90.

Keyboard Velocity

Nord Stage 2 can transmit and receive Keyboard Velocity messages. Organ sounds will always be played back at nominal level regardless of incoming MIDI Velocity data. Release velocity is transmitted, but ignored on MIDI In.

Aftertouch

The Nord Stage 2 keyboard can transmit Aftertouch messages (sometimes called channel pressure). The player can apply more pressure on a key while it is down; and this will generate a signal that can be used to control parameters.

Program Change

In the MIDI Menu, you can select if the Nord Stage 2 should send and/ or receive program Change messages that affects its internal programs.

Nord Stage 2 with a sequencer

You have two connection options if you want to use the Nord Stage 2 with a sequencer. Use the traditional MIDI connectors if your sequencer (or computer) has the standard MIDI ports, or use the USB connector if your computer is not equipped with a MIDI Interface.

If you use a computer running Windows XP, Vista or Windows 7, you need to install the Nord v3.x USB driver to achieve the MIDI via USB functionality. This driver is available through Windows Update by just connecting the computer to the Internet and attach the Nord Stage 2. The driver can also be installed from the DVD that accompanied the unit or downloaded from the www.nordkeyboards.com website.

M Computers running Mac OSX have a native USB support for Nord

units.

If you want to record your performance on the Stage 2 and then play it back, you probably do not have to change any settings at all. Just make sure that the Panel A and Panel B MIDI channels are set to transmit and receive on the standard MIDI connectors (MIDI channels 1 – 16) or the USB MIDI channels (USB1 – USB16).

If you want to make use of the Stage’s multitimbral capabilities, here are a few hints:

• Turn off the MIDI channels for Panel A and B.

• Set the individual instruments to separate MIDI channels (Organ A, Organ B, Piano A, Piano B, Synth A and Synth B).

• Activate the MIDI Input Only mode for each section by holding Shift and pressing the KB Zone Select buttons until all green LEDs are off but all other instrument LEDs are on.

• Select a MIDI channel for the Extern section and activate the Extern. This will be the source for the MIDI data transmitted to the sequencer/computer.

• Set the MIDI channels on the sequencer tracks to match the Stage 2 instrument you want to use. If your sequencer do not support MIDI Channel re-routing, change the Extern MIDI Channel to match the channels set to the Stage 2 instruments as you want to add more parts.

Local On/Off

Local Off may be used to “disconnect” the keyboard on the Stage 2 from the sound engines. Turn Local Off if you experience “doubletriggered” notes when you play; both from the keyboard internally and via the MIDI “loop”. Local On/Off is set in the MIDI menu which is described on page 44.

Panic

If notes should hang using the Nord Stage 2 in a MIDI setup, all you need to do is hold down the Shift button and press the Panic button in the Piano section. This will execute an internal All Notes Off, and reset certain parameters to their default values.

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54 | Nord Stage 2 USer MaNUal oS v1.X

MIDI Controller list

Nord Stage 2 Parameter MIDI CC #

Organ Preset II 3

Organ Swell 4

Organ Drawbar 1 9

Organ Drawbar 2 14

Organ Drawbar 3 15

Organ Drawbar 4 16

Organ Drawbar 5 17

Organ Drawbar 6 18

Organ Drawbar 7 19

Organ Drawbar 8 20

Organ Drawbar 9 21

Organ Percussion Enable 22

Organ Model 23

Organ Vibrato Type 24

Organ Vibrato Enable 25

Organ Percussion Harmonic 26

Organ Percussion Speed 27

Organ Percussion Level 28

Organ Octave Shift 99

Organ Level 100

Organ Enable 101

Piano Type 8

Piano Model 29

Piano Slot Detune 5

Clav EQ 1 30

Clav EQ 2 31

Clav Model/Type 65

Piano Dynamics 33

Piano Acoustic 98

Piano Octave Shift 105

Piano Level 106

Piano Enable 107

Piano Pedal Noise 108

Synth Octave Shift 111

Synth Level 112

Synth Enable 113

Synth Glide Rate 34

Synth Arp On/Off 109

Synth Arp Mst Clk 12

Synth Arp Rate 102

Synth Arp Pattern 103

Synth Arp Range 104

Synth Voice Mode 36

Synth Unison 37

Synth Vibrato Mode 38

Synth Mod Envelope Attack 39

Synth Mod Envelope Decay 40

Synth Mod Envelope Mode 41

Synth Mod Envelope Velocity 42

Nord Stage 2 Parameter MIDI CC #

Synth LFO Rate 115

Synth LFO Waveform 116

LFO Master Clk 13

Synth Oscillator Mode 43

Synth Oscillator Shape 45

Synth Oscillator Shape Mod 46

Synth Filter Frequency 48

Synth Filter Resonance 49

Synth Filter Mod 2

Synth Filter LFO Mod 51

Synth Filter KBT (Keyb. track) 52

Synth Filter Type 53

Synth Amp Envelope Attack 54

Synth Amp Envelope Decay 55

Synth Amp Envelope Mode 56

Synth Amp Envelope Velocity 57

Effect 1 Type 60

Effect 1 Source 61

Effect 1 Amount 62

Effect 1 Rate 63

Effect 1 Enable 69

Effect 1 Mst Clk 117

Effect 2 Type 70

Effect 2 Source 71

Effect 2 Amount 72

Effect 2 Rate 73

Effect 2 Enable 74

Effect 2 Mst Clk 118

Delay Destination 75

Delay Amount 76

Delay Rate 77

Delay Feedback 78

Delay Ping Pong on/off 79

Delay Enable 80

Delay Mst Clk 119

AmpSim Type 81

AmpSim Destination 82

AmpSim Drive 83

AmpSim Bass EQ 84

AmpSim Mid amount EQ 85

AmpSim Mid Range 6

AmpSim Treble EQ 86

AmpSim Enable 87

Rotor Destination 88

Rotor Drive 89

Rotor Speed 90

Rotor Stop 91

Rotor Enable 92

Compressor Amount 93

Nord Stage 2 Parameter MIDI CC #

Compressor Enable 94

Reverb Amount 95

Reverb Size 96

Reverb Enable 97

Pedal Sostenuto 66

Pedal Soft 67

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Chapter 13 MIdI | 55

MIDI Implementation Chart

Function Transmitted Recognized Remarks

Basic Channel

Default Channel

Mode Default

Message

Altered

Note

Number True Voice

Velocity Note ON

Note Off

After Key’s

Touch Channel

Pitch Bender O O

Control Change O O

Program Change

True#

System Exclusive O O

System Song Pos

Common Song Sel

Tune

System Clock

Realtime Commands

Aux Local on/off

Message All notes off

Active Sense

Reset

Number True Voice

1 - 16

Mode 3

0-127 0-127

O, v= 1 - 127

O, 0-127 O, 0-127

X X X

1 - 16

Mode 3

O, v= 1 - 127

X X X

Mode 1: Omni On, Poly - Mode 2: Omni O, Mono - Mode 3: Omni Off, Poly - Mode 4: Omni Off, Mono - O = Yes - X = No

Model: Nord Stage 2 OS v1.x Date: 2011-02-01

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56 | Nord Stage 2 USer MaNUal oS v1.X

Appendix: Connections

MONITOR INPUT

Audio connections

Headphones

This is where you connect a ¼" stereo connector from a pair of headphones.

Audio Outputs 1-4

The four audio outputs (CH Out 1-4) are line level and unbalanced. If you wish to connect the Nord Stage 2 in stereo to your audio equipment, you should use CH1 and Ch2 outputs. Use audio cables with ¼" connectors to connect the Nord Stage 2 to an ampliﬁer or recording equipment.

You can also route individual instruments to CH outputs 3 & 4 either in stereo or as two mono channels. This is done in the System Menu, read more on this on "System Menu" on page 42.

General guide on audio connections:

• Make all the connections before you turn on the power to your ampliﬁer.

• Turn on the power to your ampliﬁer last.

• Turn off the power to your ampliﬁer ﬁrst.

E Playing at a high volume level can result in hearing impairments

such as permanent hearing loss.

Monitor In

Use this to connect and monitor a signal from a metronome, an mp3 or a CD player at the Nord Stage 2's headphone output. This allows you to e.g. rehearse with the Stage 2 to pre-recorded music.

M Signals connected to this input will not be processed with the

Stage 2's effects or appear at the line level output jacks1-4.

USB Connection

The USB connection is used for the Nord Stage 2 to communicate with a personal computer in order to update the OS or to add or replace any of the piano sounds. The computer can run the Nord Sound Manager application, or be used to transfer the operating system if the unit needs to be updated.

The Nord Stage 2 can transmit and receive MIDI data via the USB interface, this will be documented in a future revision.

M Computers running Microsoft Windows operating systems need

a driver for the USB connection to work. The will be installed automatically if the computer is connected to the Internet when you connect the Nord Stage 2 to it. A manual installer for the driver can be found on the enclosed Nord DVD, or at the www.nordkeyboards.com website.

MIDI Connections

MIDI In

MIDI connection used to receive MIDI data to the Nord Stage 2 from other equipment such as keyboards or computers.

MIDI Out

MIDI connection used for sending keyboard- and panel generated MIDI data from the Nord Stage 2 to other equipment such as sound modules or computers.

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I appeNdIX: CoNNeCtIoNS | 57

Nord Triple Pedal

Music Stand

The rear panel on the Nord Stage 2 has two brackets where the Music Stand (optional accessory) can be mounted.

The Nord Stage 2 is compatible with the Nord Triple Pedal (sold separately). If this pedal is connected, you need to select this in the Nord Stage 2 System Menu, read more about this on page 42.

Connecting Pedals

The Nord Stage 2 has four pedal inputs: one Control Pedal input (assignable to control various Nord Stage 2 parameters), one Organ Swell input, one Sustain Pedal input and one Rotor Speed input (for rotary speaker fast/slow selection). You can select for each instrument whether it should react to sustain or not. Connect the pedals as shown in the ﬁgure below.

When connecting an expression-type pedal to the Control Pedal or Organ Swell input, you should use a stereo cable (Tip-Ring-Sleeve). Please note that the pedal must have a stereo output jack. Pedals from various manufacturers have different characteristics. To simplify setup, the most common pedal models (Roland, Yamaha, Ernie Ball and Fatar) are pre-conﬁgured in the Nord Stage 2, you simply select the type of pedal in the System menu, see page 42.

The Organ Swell input

You can connect an expression pedal to the Organ Swell input to control organ swell. For the B3 organ, the characteristic swell volume/ frequency response is faithfully reproduced. If you want to control the entire Stage 2’s volume with a pedal, this can be set in the System Settings to apply to a pedal connected to the Organ Swell input.

Using a Rotor Speed pedal

You can use a pedal connected to the Rotor Speed input to switch between Slow and Fast rotor speed for the Rotary Speaker effect. This pedal can work in hold or toggle mode, which is set in the System Menu.

Sustain pedal

The Nord Stage 2 has one input for a sustain pedal. This input can be used with a standard momentary pedal like the included Nord pedal (Stage 2 88 and Stage 2 76), a Roland DP-6, Yamaha FC-4 etc..

Connect the ¼" stereo connector from the Nord Triple Pedal to the Sustain Pedal connector on the Nord Stage 2.

Three in one

The Nord Triple Pedal has the functionality of three pedals in one unit.

The right pedal is the sustain pedal. If you operate this, all the notes that you play will sustain until the pedal is released again. This pedal can also introduce the pedal noise functionality, and it can be used with half pedaling techniques by pressing it down for parts of its travel on certain pianos.

The left pedal is the soft pedal, also known as the Una Corda. When you press this pedal, all the notes you play will be slightly lower in volume and also have a slightly more subdued tone quality.

The middle pedal is the Sostenuto. By using this pedal, you can sustain selected notes, while other notes remain unaffected. Only the notes that are held down when the pedal is operated will sustain. Other notes that you play while keeping the pedal down will sound as if no pedal was operated at all.

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58 | Nord Stage 2 USer MaNUal oS v1.X

Appendix: Factory Presets

Factory Presets and OS

Internal memory

The Operating System, Programs, Pianos and Samples in the Nord Stage 2 are stored in a Flash memory. A Flash memory keeps the data also when the power is turned off. Another big advantage is that you can replace data in the Flash memory at any time. This means that you will be able to download OS upgrades and Programs to your Nord Stage 2 from a computer or sequencer without needing to replace or add any new hardware. Nord Stage 2 also features a USB port for quick and easy download of new Pianos and Samples. The total capacity of the Stage 2’s Flash memory is 500 Megabytes for the Pianos and 384 Megabytes for the Samples.

The internal sound memory of Nord Stage consists of 4 Program Banks, each holding 20 Pages with 5 Programs each. This gives you a total of 400 Programs. There are 5 separate Live programs, which will continuously store any changes as they are made, and remember these settings after the power is shut off. Furthermore, the Synth is capable of storing 300 synthesizer sounds.

The content of Program Bank A is duplicated in Bank D. This allows you to store any edits you make in either Bank A or D, without risking to overwrite anything that you might want to keep.

Factory presets

Every factory Program in the Nord Stage 2 can be replaced. To make sure you don’t accidentally overwrite Programs you want to keep, it’s a good idea to back up your sounds regularly on a computer. The easiest way of backing up your data is with the Nord Sound Manager.

Restoring the factory content

The Nord Stage 2 factory setup is available as a Sound Manager backup ﬁle on the DVD that was included with the unit. This ﬁle is also available at the www.nordkeyboards.com web site. Read more on how to use a backup ﬁle to restore the content of the Stage 2 in the Sound Manager chapter, at “Restore” on page 50.

OS upgrades

The latest OS version for Nord Stage 2 is available for download at: www.nordkeyboards.com. Since the operating system can be updated to include new and/or improved functionality, please visit our web site from time to time to check if a new OS is available.

Page 59

III INdeX | 59

Index

III

Acoustics 28

Amp Envelope 34

Amp model 38

Amp Sim 38

A-Pan 37

Arpeggiator 35

Attack 34

A-Wha 37

B3 Model 23

B3 Vibrato 24 Backup 50, 51

Band Pass 33

Bank Down 50

Bank Download 51

Bank Up 50

Bank Upload 51

Cancel 52

Categories 17

Chorus 38

Clav EQ 28

Clavinet 27

Clean Deleted Space 51

Compressor 39

Cursor 18

Decay 34

Del 18

Delay 38 Delete 50, 51

Direction

Arpeggio 35

Display 17

Download 49

Drawbars 23

Drive 38 Dual KB 15, 22

Dual Slot 22

Dynamics

Piano 28

Effects 26, 35

Equalizer 38 Exit 16, 51

Extern Menu 44

Extern section 40

Index

Farﬁsa Model 25

Filter 32

Frequency 33

Flanger 38

FM Algorithms 31

FM-Synthesis 31

Focus button 37

Format 51

Freq Mod 1 33

Freq Mod 2 33

Frequency Modulation 31

Glide 35

Half pedalling 57

Headphones 56

High Pass 33

Info

Piano 27

Ins 18

Invert Selection 51

KB Track 33

KB Zones 19

KB Zone Select 20

Legato mode 35

Level encoders 20

LFO 34

Live Mode 16

Load Sound 32

Loc 52

Low Pass 32

Master level 20, 58

MIDI In 56

MIDI Indicator 17

MIDI Input Only 19

MIDI Menu 44

MIDI Out 56

Mod Envelope 33

Monitor In 56

Mono mode 34

Mono Output 15

Morph Assign 19

Morph Clearing 19

Morph Destinations 19 Mst Clk 18, 37

Notch 33

Octave range

Arpeggio 35

Octave Shift 21

On/Off buttons 20

Organ Init 18

Organ Model 23

Organ Preset 24

Organ Split 18

Oscillator

Synthesizer 29

Oscillator Sync 30

Panic 16

Partition Memory 52

Pedal Noise 28

Percussion 24

Phaser 38

Piano 27

Piano Init 18

Piano Model 27

Piano Select 27

Ping Pong 38

Program 25

Program Buttons 16

Progress 52

PStick 21

Pulse 30

Queue 48

Release 34

Piano 28 Rename 50, 51

Resonance 33 Restore 50, 51

Reverb 39

RM 37

Rotary 39

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60 | Nord Stage 2 USer MaNUal oS v1.X

Samples 32

Sawtooth 30

Select All 51

Shape 29

Shape Mod 30

Shift 16

Size 52

Skip Sample Attack 32

Slot Buttons 15

Slot Detune 28

Slot effects 36

Sort Mode 18

Sostenuto 57

Sound Down 50

Sound Init 32

Sound Menu 43

Sound Up 50

Sound Upload 51

Split Keyboard 19

Stop Mode 39

Store 16

Store As…. 16

String Resonance 28

String Resonance Level 43

Sostenuto 28

SustPed 21

Synth Init 18

System Menu 42

Transfer 48

Transpose 15

Trem 37

Triangle 30

Triple Pedal 28

Unison 35

Upload 48

Value Dial 17

Velocity 34

Vibe 38

Vibrato 35

Voices 34

Vox Model 25

Waveform selector 30

Wavetable 32

Wa-Wa 37

Page 61

nord Stage 2 SW73 Compact User manual

Introduction

Thank you!

Features

About the User Manual

Reading the manual in Adobe Acrobat Reader

Nord on the Internet

Restoring the factory presets

OS upgrades

Free sounds

Disclaimer

About the Nord Stage 2

The Organ section

Small, Medium & Large

String Resonance

Piano Library v5

Pedal Noise

The Synth Section

Getting Started

Hook it up

Programs

Select a program

Sort Mode

The Shift Button

Edit a program

The Knobs

The Buttons

Selecting a new piano sound

Turning the Memory Protection Off

Live Mode

Storing a Program

Activate an effect

Activate another instrument

The Slots

Create a Split

Set the Piano to the Upper zone

Set the Synth to the Lower zone

Load a Synth sound

Create a Layer

The Morph

The Synthesizer

Arpeggio clinic

Master Clock

Reference: Program Section

Transpose

Slot Buttons A & B

Mono Output

Program Buttons

Shift / Exit button

What is a program?

System, Sound, MIDI, Extern

Live Mode

Panic

Storing a Program

Naming a program

Categories

Display

Value Dial

MIDI Indicator

Program Bank buttons

Organ Piano Synth Init

Cursor, Del, Ins

Mst Clk

Organ Split

Program Page buttons

Sort Mode

Clearing a Morph

Morph Assign

KB Zones

Morph Destinations

MIDI Input Only

Reference: Common features

Master level

Level encoders

Instrument & Extern Controls

On/Off buttons

KB Zone Select buttons

Creating a split

Octave Shift

Note Range