B LENDING H IGH F IDELITY
AND
A R CHITECTURE
®
INSTALLATION & OPERATION GUIDE
®
MODELS
DIRECTED SOUNDFIELD
DS6.3
DIRECTED SOUNDFIELD
DS6.5
DIRECTED SOUNDFIELD
DS6.7
Congratulations!
Thank you for choosing a Directed Soundfield Ceiling Mount Loudspeaker from Niles.
With proper installation and operation, you'll enjoy years of trouble-free use.
Niles manufactures the industry's most complete line of custom installation
components and accessories for audio/video systems. For a free full line catalog
write:
Niles, Catalog Request, P.O. Box 160818, Miami, Florida 33116-0818
TABLE OF CONTENTS
INTRODUCTION 2
FEATURES AND BENEFITS 2
INSTALLATION CONSIDERATIONS 4
SPEAKER PLACEMENT 6
INSTALLATION FUNDAMENTALS 9
INSTALLATION IN NEW CONSTRUCTION 13
INSTALLATION IN EXISTING CONSTRUCTION 14
FINAL INSTALLATION IN NEW OR EXISTING CONSTRUCTION 15
OPERATION 17
SPECIFICATIONS 18
WAR RA NTY REGISTRATION CARD 21
LIMITED WARRANTY 22
2
Features and Benefits
Introduction
Features and Benefits
Fully pivoting woofer and tweeter
A pivoting woofer assembly can adjust up
to 15° focusing bass and midrange tones
directly at the listening area for superb
imaging and unparalleled clarity. Within
the woofer assembly, the tweeter is housed
in its own low-diffraction pivoting assembly
that can adjust up to 17° in any direction to
create direct or diffused sound fields.
No-Strip Speaker Terminal
Niles patented No-Strip terminal enables
speakers to be connected without stripping the speaker wire. No-Strip terminals
eliminate fumbling with wire strippers and
input terminals. They are color coded and
plug into the crossover circuit boards on
the back of Niles speakers, resulting in
positive in-phase connections every time.
Moisture and UV Resistant
Construction
The DS6.3, DS6.5 and DS6.7 loudspeakers are suitable for use in high moisture
environments. The drivers are resistant to
moisture and UV exposure; the grille is
made of powder-coated aluminum.
However, the speakers are not waterproof
and direct contact with water should be
avoided.
Engineered for Ceiling Placement
The increased popularity of cathedral and
vaulted ceilings pose a distinct sonic challenge for conventional ceiling loudspeakers. That is because conventional ceiling
speakers radiate sound perpendicular to
their mounting surface, which usually is
not where the listening area is. DS
Directed Soundfield Loudspeakers overcome this challenge and allow sound to
be directed into the listening area regardless of ceiling angle.
Installer Selectable Acoustic
Fine Tuning
Installers can select to fine tune the bass or
treble to accommodate reflective surfaces
and corner loading. This selection is
accomplished via the baffle-mounted treble control (-1.5dB, flat and +1.5dB) and
PC board mounted bass jumper (flat, -1dB,
and -2dB).
4 or 8 ohm Selectable Impedance
The DS6.3, DS6.5 and DS6.7 give the
installer flexibility to select the speaker’s
impedance — 4 ohms for systems where
maximum current transfer and output
level is desired; 8 ohms for systems utilizing multiple speaker pairs where amplifier
loading is a consideration.
MicroPerf™Grilles
The DS6.3, DS6.5 and DS6.7 employ
Niles exclusive MicroPerf grille construction. The exceptionally tight hole pattern
provides acoustic transparency at all audio
frequencies and enables the speaker elements to remain invisible. MicroPerf
grilles can also be painted to blend seemlessly with the surrounding decor.
Niles new DS Directed Soundfield loudspeakers feature a fully adjustable, independently pivoting, woofer and tweeter
that enables the loudspeakers to accurately recreate high fidelity sound
regardless of where they are located in
the ceiling — preserving interior design
integrity and delivering life-like sonic
quality that is not available from conventional ceiling speakers.
Easy Installation
The DS6.3, DS6.5 and DS6.7 employ a
bracketless mounting system in existing
ceilings. Simply cut a hole in the mounting surface, install the frame by tighten the
four mounting “dogs” via the front panel
screws. The dogs first swivel 90°, then
clamp the speaker frame to the drywall as
you tighten the screws.
Twist & Lock Baffle
Patent-pending two-piece twist and lock
baffle and frame mechanism facilitates
quick installations. Moreover, it allows
trouble-free upgrades or repairs.
Hole Saving Bracket
Available as an optional accessory, DS6
Series New Construction Brackets can be
installed as a “hole-saver” before the drywall goes up. The drywall contractor cuts
the holes as the drywall is installed, reducing installation time and minimizing the
chance for lost wires.
Features and Benefits
3
Recommended Amplifier Power
For satisfactory performance, we recommend an amplifier with a power rating of
10 to 100 watts for the DS6.3; 10 to 150
watts for the DS6.5 and the DS6.7.
Curiously, most speakers are not damaged
by large amplifiers but by small amplifiers.
If your system is playing loudly, a small
amplifier will run out of power very quickly. When an amplifier runs out of power it
creates damaging “clipping” distortion. A
large amplifier will play at the same volume without distorting. See the section on
operating the speakers for more information about clipping distortion.
Installation Considerations
4
Figure 1
The illustration shows how a
typical DS loudspeaker mounts
into a ceiling.
Installation Considerations
New Construction Bracket serves as a
“hole saver” when drywall has not
been applied. It is not necessary when
retrofitting to existing ceilings.
Knockout wire tie allows the wire to be
secured to the bracket throughout the
new construction process. It knocks
out cleanly when the speaker is
installed.
New construction wings
instantly snap into the
bracket without screws.
Wings are scored for
easy size trimming.
Brackets and wings
attach to the ceiling joists
with nails or screws.
Dogs swivel 90°, then
clamp the speaker
frame to the drywall.
Frames are molded with a
slight texture to assure
good paint adhesion.
Mounting screws tighten the
“dogs”, clamping the speaker
to the drywall.
Rust-proof aluminum grilles make the DS
series perfect for moist environments.
Figure 2 Connect the wires and place the speaker in the frame, twist and lock.
Incorporating a Local Volume Control
In a multiroom system there is one indispensible device for true convenience—a
local volume control. It enables you to
adjust the volume of the speakers without
leaving the room.
Plan to wire the system so that each pair
of speakers has its own volume control
built into the wall (think of a volume control as a dimmer switch for sound).
Niles makes a wide range of high performance indoor and outdoor volume controls. They are available in Standard or
Decora
®
style cover plates (just like your
light switches and dimmers). Volume controls are connected in line with the speaker, so you must connect the wire from the
amplifier to the volume control and then
from the volume control to the speaker.
Speaker Wire
Use 2-conductor speaker wire when connecting DS6.3, DS6.5 and DS6.7 speakers
to your receiver or amplifier. For most
applications, we recommend you use 16
or 18 gauge stranded wire. For wiring runs
longer than 80 feet we recommend 14
gauge stranded wire. The no-strip terminals of the DS speakers will accommodate
12 to 18 gauge wire.
When you run wire inside walls, special
jacketing (CL-2 or CL-3) is required to
both protect the wire and for fire prevention. In some areas conduit is required.
For a trouble-free installation, low voltage
wire such as speaker wire must be run in
accordance with the National Electrical
Code and any applicable provisions of the
local building code. If you are unsure of
the correct installation techniques, wire
jacket or type of conduit to use, consult a
professional audio/video installer, your
building contractor, or the local building
and inspection department.
Incorporating Remote Control
If your stereo system operates with a wireless Infrared (IR) remote control, consider
the advantages of installing a Niles Infrared
Extender System. Niles manufactures a
number of concealable IR sensors and wall
mounted keypads which send a copy of
your hand-held remote command via a
wire to your main equipment location,
where it is repeated to your stereo system.
The wire is typically installed with the
speaker wire, since the speaker signal and
the IR signal will not interfere with each
other. This makes almost no difference to
the installation time, and the cost of the
recommended IR control cable (West Penn
D291 or equivalent) is reasonable.
The correct routing for IR control cable is
to home run an IR control cable from the
main equipment location beside the
speaker wire to the planned volume control location; and then on to the proposed
sensor location. The combination of IR
control cable and speaker wire enables a
programmable Niles IntelliPad
®
to be
installed at a later date (the IntelliPad has a
convenient speaker mute feature in addition to automating and controlling your
stereo system). An IR sensor is best placed
where it is convenient for you to point the
hand-held remote. Both an IntelliPad and
an IR sensor can be connected in one
room with one home run IR control cable.
Insulation Behind The Speaker
For best performance from your speakers
lay a batten of fiberglass insulation (example: R-19 un-batted insulation) on top of
the speaker. Try to keep the same amount
of insulation for each speaker, particularly
in the same room, for consistent bass
response.
5
Installation Considerations
TECH TIP
Wire size is expressed by
its AWG (American Wire
Gauge) number. The lower
the number, the larger the
wire, i.e. 12 AWG is physically larger than 14 AWG.
6
Introduction
Although the DS6.3, DS6.5 and DS6.7
have extensive ability to compensate for
unusual placements with their unique pivoting woofers, tweeters and acoustic finetuning switches, placement is still the primary tool for satisfying your particular listening needs. In this section, we discuss
how speakers should be placed and how
woofers and tweeters should be directed
and how the acoustic fine-tuning switches
should be set for different purposes.
Placement for Critical Listening
If you like to imagine that the band or
orchestra is playing in front of you as you
listen to music, or you are very conscious
of clarity, detail and the textures of the
individual instruments, or you listen critically to movie soundtracks or music
videos in your home theater, you will
need your speakers placed so that they are
optimized for critical listening. Here are
some guidelines to make the process of
placement quick and easy.
Make sure the sound will not be blocked
or reflected off of furniture or other
objects. You should have a direct line of
sight with the front of the speaker. To
determine the best position, measure the
“listening” distance between the ideal listening position (your favorite chair or
couch) and the location in which you plan
to install the speakers. Try to place the
speakers so that they are equally distant
from your listening spot and at least one
half of the listening distance apart (this
maintains a large pleasant stereo “image”).
In home theater applications where there
is a center channel you may choose to
space the left and right main speakers farther apart for a “bigger than life” sound
with Dolby
®
encoded movies and TV
shows. However, for combined music and
movie usage stay within the
good place-
ment zone
for music. For example; if you
are ten feet back from the speakers, the
speakers should be between five and ten
feet apart
(See Figure 4).
Woofers and tweeters should be directed
at the listening position.
Speaker Placement
10 '
5' 10 '
Figure 4
In this example,
the speakers
could be
placed from
five to 10 feet
apart, since the
listener is 10
feet back from
the speakers
Direct woofer and
tweeter towards
listener
Direct woofer and
tweeter towards
listener
Critical
Listening
Position
Speaker Placement
Placement for Varying
Listening Positions
If you want the freedom to sit anywhere in
a room facing any direction, and/or find
that you prefer the “all around you” sound
of some car stereos to a conventional
“sound stage” facing you, consider the
speaker placement techniques professional installers use in restaurants and bars.
They place speakers in an array around
the listening area, so that the music is
always surrounding you, regardless of the
direction you face.
The rule of thumb is to add one pair of
speakers for every 100 to 200 square feet
of listening area. Curiously, this is not so
that you can play the music louder, but so
that you can play it softer! When you
have only one pair of speakers in a large
room you will notice that when the sound
is perfect in one part of the room, it is too
loud near the speakers. By placing more
than one pair in the room you will avoid
these “hot spots” of loud sound and you
will create more sonic ambiance while
maintaining clarity and a rich sound
everywhere
(See Figure 5).
You can make listener position still less
critical by using mono rather than stereo.
This can be difficult to achieve with normal stereo amplifiers. However, Niles
manufactures Systems Integration
Amplifiers
®
which enable one room to be
wired in stereo while other rooms are
wired in mono! Consult your local Niles
dealer for more information.
In smaller rooms or rooms that are infrequently used, you typically can’t justify the
expense of more than two speakers. Try to
bracket the room with the two speakers.
Diagonal placement is a very effective way
to stretch the coverage pattern of two
speakers. You can also compromise
between direct sound (for detail and clarity) and reflected sound (the ambient or “all
around you” effect). The speakers can be
placed near corners to create more reflected sound. By directing the tweeters to
point away from the listener, so they create
as much reflected sound as possible, you
emphasize the ambient effect. The more
reflected sound there is in the room the
stronger the ambient effect at low volumes.
You should use moderation, however, otherwise the compromise becomes too one
sided and at high volumes, the sound will
be blurred and less distinct.
Placement for Home Theater
Rear Applications
In a home theater, the goal is to reproduce
the experience of a great movie theater in
our homes. The biggest difference between
the two is the rear or surround speaker
array in a commercial theater. Here, it is
not uncommon to see twenty or thirty
speakers around the audience. This huge
array of speakers assures that you will feel
completely surrounded by the ambient
soundtrack of the movie. Film makers try
to use the “surround” soundtrack to envelope you in the environment on screen.
They will place background music, rain
sounds, traffic noise, etc. on the “surround”
soundtrack. In a home with a single pair of
speakers it is easy for the jungle sounds to
sound like they are “in the middle of your
head” just like headphones!
A single pair of DS6.3, DS6.5 and DS6.7
Loudspeakers, properly placed, can create
a very convincing simulation of an array
of speakers. If you place them near a hard
reflecting surface you can make one pair
of speakers sound like several. Create as
many reflections as possible by placing
the speakers near a corner so that the
adjoining walls will act as a powerful
reflector. Direct the tweeters so that sound
is pointed away form the listener creating
still more reflections and thus more “surround sound” effect. However, as you
7
Speaker Placement
move the speaker farther away from the
listener, both the reflected and the direct
sound will dissipate, requiring more
power from your surround sound amplifier
channels. If the surround sound system
you are using has a small five or ten watt
amplifier for the rear speakers, stay within
five to eight feet of the listening location. If
you are using a 25 to 50 watt amplifier
you can mount the speakers 10 to 15 feet
away from the listening location and still
achieve reasonably high volume levels.
In large or unusually shaped rooms this
might be the only way to achieve a good
effect. If you like to listen to music surround modes which emulate concert hall
acoustics, more than two surround speakers will prove extraordinarily effective
(See Figure 6). With Niles DS6.3, DS6.5
and DS6.7 loudspeakers it is easy to add
another pair without affecting the decor of
the room. However, you will need to use
a much more powerful amplifier than that
which is built into a typical surround
sound receiver or amplifier. Niles makes a
number of Systems Integration Amplifiers
with proprietary features that make them
uniquely suited to enhance a good surround sound system. Consult your local
Niles dealer for more information.
The Boundary Effect
Corners can affect the bass response of the
speaker powerfully! This is called the
boundary effect. You will emphasize particular bass frequencies and cancel out
other bass frequencies when you place
speakers close to the wall/ceiling boundary or a corner wall boundary. This can
make the speaker sound excessively
boomy and inaccurate to some listeners,
while to others it just seems like more bass
sound. A good rule of thumb is if you
always listen to your current pair of speakers with the bass turned up, you’ll enjoy
corner placement. If you keep your tone
controls at neutral, try to keep the speakers at least two or three feet from the
boundaries of the room.
8
Speaker Placement
Figure 5
Varying Listening Position
Figure 6
Surround Sound
Installation
Fundamentals
Running the Speaker Wire in New
Construction
If you have doubts about whether you are
capable of installing a Niles ceiling mount
loudspeakers, consult a Niles dealer or
professional installer. They have special
tools, techniques, and experience to make
the impossible possible. The installer can
provide you with an estimate before any
work is done.
Scheduling and Preparation
Plan to schedule the speaker wiring after
the electrical wiring is finished. That way
you can avoid wire routes which could
potentially induce hum over the speaker
wire. The basic rules are:
• Never run speaker wire through the
same hole as an electrical cable.
• Never run speaker wire into the same
J-box as electrical cable.
• Avoid running the speaker wire beside
the electrical cable. Keep your speaker
cable at a distance of at least 18"-22"
from any electrical power cable.
Side-by-side wiring is unavoidable in particular spots in every house, just move the
speaker wire route away as soon as possible. If construction forces a side by side
run for more than ten feet, install metal
conduit or shielded speaker wire. Lowvoltage wires such as doorbells, intercoms, telephone, security, or television
cannot cause interference or hum on your
speaker wires, so you can safely run all of
them at the same time, through the same
holes, side-by-side.
Before you drill any holes, mount the
speaker brackets in the desired speaker
locations and mount p-rings or open
backed J-boxes where the in-wall volume
controls and stereo equipment will be.
Safety First!
Wear gloves, safety goggles and head protection when drilling
. Avoid nails, they ruin
bits and they can create injury. Pay particular care when using “hole-hogs” and other
powerful electric drills; the torque of the
drill when suddenly stopped by a nail can
break the wrist of a strong man.
Drilling
Use a bit that is large enough for the wires
you plan to run. An auger bit is the preferred bit for rough-in wiring. It will actually pull itself through the wood, so that
the drill motor, not you, does most of the
work. You may be drilling a lot of holes,
so this is an important consideration.
Always drill the holes in the center of the
stud. If you have to notch the stud or drill
the hole closer than one inch from the
edge of the stud, protect the wire with a
nail plate
(See Figure 7).
When drilling holes in ceiling joists drill
in the center of the joists and try to locate
the hole near the end of the joist. DO
NOT drill through a “gluelam” or any
load bearing beam without the direction
of your contractor.
9
Installation Fundamentals
Figure 7
Try to line the holes up perfectly, because
it makes pulling the wire much easier. A
good technique is to snap a chalk line
across the face of the studs or against the
bottom of the ceiling joists. Then work
backward so that you can always see the
holes you have already drilled. Paying
careful attention to this will save you a lot
of time later on!
Pulling the Cable
Pull the cable in sections (from the stereo
to the volume control, from the volume
control to the speaker). Start with the
longest sections and use left over wire to
complete the short sections. If you plan to
pull many rooms at the same time through
a central route, walk off the distance to
each destination, add a generous fudge
factor for turns and other obstacles, then
cut off each section so that you have a
bundle of wires you can pull at once.
Whenever you run the wire further than
four and one half feet from a hole in a stud
or joist (open attic space, going up walls,
etc.), fasten the wire to the joists or studs
using cable clamps or appropriately sized
wire staples. The wire should not have
large sags in it, nor should it be too tight.
Try to protect the wire from being stepped
on in attics or other unfinished crawl
spaces. There are guard strips, raceways
and conduits which can be used to protect
the cable. Consult the local building code
for special requirements in your area.
Concealing Speaker Wire
in Existing Walls
This is actually a fairly simple task if you
restrict your choice of speaker locations
and wire routes to the interior walls or
ceilings of your home. Interior walls in
almost all North American residences are
hollow, so that it is easy to flush mount
speakers into them and route new speaker
cable around the house. What you see
when you look at the painted wall board,
plaster, or paneling is only the skin of the
wall. Behind the skin is the skeleton; twoby-four wood or metal “studs” running
vertically from the floor to the ceiling in
walls and two-by-six or larger “joists” running horizontally in the ceilings and
floors. In between the studs and the joists
is the space for the wiring and plumbing
of your home.
Exterior walls are different. They must
insulate the house from the heat and cold
outside, so they are stuffed with insulation.
The national building code requires that
the hollow wall space in exterior walls be
broken by a horizontal stud placed
between the vertical studs. This “fire
blocking” makes it very difficult to retrofit
long lengths of wire. In some areas of the
country the exterior walls are constructed
of solid masonry, and have no hollow
space for speakers or wires.
Start by examining all the possible routes
you might take to run the speaker wire
from the speaker to the volume control
and back to the stereo. Use a stud sensor
or other device to locate the internal structure of the wall. You want to avoid all
studs or joists. A typical route would be:
from the speaker location in the ceiling,
across the attic, then down through a top
plate (the horizontal 2x4 or 2x6 laid
across the vertical studs) to the volume
control location, back up to the attic,
across the attic, and finally down another
wall plate to a J-Box in the wall behind the
stereo system itself
(See Figure 8).
Identify where all of your electrical,
phone, and TV wiring is likely to be and
plan to route around it all. You can accidentally induce 60Hz hum on your speakers if you run your speaker wire right
beside electrical wire for more than a few
feet. Try to keep speaker wire running par-
10
Installation Fundamentals
allel to power cables at least three feet
away. To find exactly where an electrical
cable is routed, try inspecting the inside of
the wall by turning off the breaker for a
particular power outlet or switch, removing the cover plate and switch or receptacle, and shining a penlight into the wall. If
you have access to an attic or basement
space you can quickly see which part of
the wall space is free of obstructions
(See
Figure 9)
.
When you don’t have access
above or below the wall, try
to estimate the existing wire
and pipe locations from the
positions of electrical outlets
and plumbed fixtures on both
sides of the wall. Take a look
at the outside of your house
too, sometimes conduit,
vents or drain pipe will be
visible that give useful information. Choose the route
with the fewest potential
obstacles.
If your house is built on a
slab or you are wiring
between two finished floors,
look for baseboards which
could be removed and
replaced with the wire
behind them. Doorjambs can
be removed and often have
enough space for speaker wire all the way
around the door
(See Figure10).
Sometimes, an under-the-carpet run is
possible (there are special flat speaker
wires made for under-the-rug wire runs).
As a last resort, heating and air conditioning vents can be used as wire raceways for
plenum rated wire (check your local
building codes, some municipalities
require conduit).
11
Installation Fundamentals
Figure 8
Figure 9
Unobstructed space
for speaker wiring
Speaker
Location
Volume
Control
Location
Stereo
Location
In traditional wood stud/drywall construction you should first cut the hole for the
speaker and utilize the large hole to auger
across the (through the ceiling joists) for as
far as your drill bit will take you.
Sometimes, you will need to use the
“notching” technique to reach areas your
drill bit won’t reach or to turn corners (e.g.
to go down the wall when there is not an
accessible attic). Don’t make an irregular
hole in the drywall. If you carefully cut a
rectangular hatch in the drywall you will
make your patch at the same time you cut
your hole. Notch the bottom of the joists
and run the wire through the notches.
Protect the wire with nail plates. Once
you’ve run your wire replace the hatch you
cut using standard drywall “joint tape” and
“joint compound” to hold the patch in
place, let dry, sand surface and touch-up
the wall with paint.
(See Figure 11).
12
Installation Fundamentals
Figure 10
Figure 11
Diagram of ceiling speaker cut-out with ceiling joists notched for wire run.
The door jamb has been removed and the
speaker wire concealed between the wall and
the jamb. Nail plates are installed to protect
the wire and the door jamb is replaced
Installationin New
Construction
Insulating the Ceiling Cavity
If feasible, fill the ceiling cavity with insulation at this point
.
Mounting the
New Construction Bracket
The hole saving bracket enables a faster
and cleaner final installation of the speaker. It forces the drywall installer to cut out
the speaker hole for you and provides
wire ties for the speaker wire, reducing the
risks of accidental loss or movement of the
wire. In addition, it enables you to align
your speakers with other ceiling fixtures
with great accuracy since you can really
see exactly where the speaker will be.
To install the bracket, first attach the
QuickSnap
™
new construction wings to
the bracket by snapping them into the
sides of the bracket. The wings can be
shortened by breaking them along the
scored lines if the length will interfere with
corner or eaves.
The wings and brackets have centering
lines to simplify placement of the speakers.
Screw one side of the assembled bracket
with wings to the joist using one of the
supplied screws. Level the bracket. Screw
the other side of the bracket/wing assembly to the joist. Two screws on each side
make for a very secure installation. Secure
the wire to the bracket using bracket’s
wire tie. The drywall installers will cut the
drywall to the exact size of the bracket.
(See Figure 12)
Concealing Speaker Wire for a
Future Installation
Attach the speaker wire in a loop between
the ceiling joists and carefully mark the
exact location of the wire on a set of
plans. Ask the general contractor to inform
the drywall installers that the speaker wire
loops are concealed for future installations.
(See Figure13)
13
Installation in New Construction
Figure 12 Figure 13
The optional hole saving brackets are installed
and the speaker wire is attached to the bracket.
The speaker wire is looped and hung on two
nails attached to the joists securing it for
future use. Make sure the location is noted
on house plans.
Installationin
Existing Construction
IMPORTANT: Before you cut into any
wall, review the sections on running
wire and speaker placement.
1. When determining the location of the
speaker cutout keep in mind that the
mounting dogs will extend 3/4" beyond
the cutout. make sure that you do not
place the edge of the cutout directly
next to a ceiling joist. Locate the joists
using a stud sensor or hand-knocking.
2. Once you have determined a possible
position for the cutout, drill a 1/8” pilot
hole just barely through the ceiling
(1/2” to 5/8” deep in most homes)
about an inch below the center of your
proposed speaker location. BE VERY
CAREFUL NOT TO DRILL THROUGH
EXISTING WIRES, PIPES, OR STRUCTURE. IF YOU FEEL ANY EXTRA RESISTANCE AS YOU ARE DRILLING, STOP.
3. Cut a foot-long piece of coat hanger.
Bend the wire (creating a right angle)
leaving 4-3/4" this allows for the extra
width of the mounting dogs). Poke the
“L-shaped” wire into the pilot hole and
turn it in a complete circle and move it
into the ceiling cavity to make sure you
have approximately 6" of depth. If the
wires movement is obstructed by anything, fill the hole(s) with spackle and
try another location.
(See Figure 14)
4. If the coat hanger moves freely in a
complete circle, hold the supplied template up to the ceiling surface. Outline
the circular cutout on the ceiling surface with a pencil. Drill starting point
with a 1/4" bit.
5. If you are cutting drywall use a
sheetrock or keyhole saw. Cut the hole
with the saw at a 45° angle. That way,
the drywall section can be replaced
cleanly if there is an unseen obstruction
behind the wall. BE VERY CAREFUL
NOT TO SAW THROUGH EXISTING
WIRES, PIPES, OR STRUCTURE. IF
YOU FEEL EXTRA RESISTANCE AS
YOU ARE CUTTING, STOP.
6. If you are cutting into a plaster ceiling,
use masking tape to outline your penciled circle and use a razor to score the
plaster down to the lath beneath. Then
use a chisel to remove all of the plaster
within the taped outline. To actually cut
the lathe, two methods are used professionally; sawing with a metal cutting
blade on a sabre saw is the quickest
and the
riskiest. Sawing a lathe with a
sabre saw can easily vibrate plaster off
the ceiling in a completely distant location creating more patchwork. If you
have the patience, use a pair of tin snips
to slowly nip away at the lath instead.
There is little risk with this method, it is
just time consuming.
14
Installationin Existing Construction
Figure 14
Final Installation in New
or Existing Construction
1. If it is possible to lay a batt of insulation
into the ceiling cavity do so. Remember
to use equal amounts of insulation for
each speaker.
2. Check the position of the Impedance
jumper on the crossover PC board.
Choose the 4 ohm position if you are
using an amplifier capable of driving a
4 ohm load and you have only one pair
of speakers connected. Otherwise, use
the 8 ohm position
(See Figure 15).
3. Separate the speaker wire so that at least
two inches of each conductor are free.
4. Open the no-strip terminal by applying
pressure to the red and black levers
until an audible “click” is heard.
5. Insert one unstripped wire fully into the
black and one into the red terminal. Pay
attention to the markings on the wire.
Each speaker must be connected to the
amplifier in the same way. If unsure,
see “Speaker Phase” located on the following page. Squeeze the red and black
levers until they click signifying that
they have locked into the wire. Check
to make sure that the knife assembly
inside the no strip connector has properly pierced the wire
(See Figure 16).
6. The DS6.3, DS6.5 and DS6.7 feature a
separate frame assembly which installs
with four clamps or mounting “dogs”
which hold the frame in place. The
dogs are tightened via four front-baffle
screws. Tighten the dogs by turning the
screws clockwise. DO NOT OVERTIGHTEN THESE SCREWS. Over-tightening the clamps may make the grille
difficult to install.
(See Figure 17).
NOTE: The screws will turn easier if you
“prime” them first. Before installing each
speaker, turn the screws in and then turn
them back out to their original positions.
7. Insert the No-strip terminal into the
corresponding socket on the rear of the
speaker. Push it down until it locks in
place. The terminal will only fit in the
socket in one direction. If the terminal
does not properly seat, reverse the terminal.
15
Final Installation in New or Existing Construction
Figure 17 Tightening the mounting “dogs”
Figure 16 No-Strip Speaker Wire Terminal.
Figure 15 Setting the Impedance jumper.
8. Holding the speaker in the palm of your
hand, insert the speaker into the frame,
twist clockwise to lock.
(See Figure 18).
9. Direct the Tweeter. The tweeter is
directed by gently pushing on the edge
of the tweeter housing.
(See Figure 19).
It will move 17° in any direction. For
critical listening point the tweeter to the
user’s favorite listening position minimizing reflections from the side walls.
For surround sound or low volume
background listening create more reflections and thus more ambience by directing the tweeter towards the side walls.
10.
Direct the Woofer. The woofer is directed by gently pushing on the outer edge
of the grille face.
(See Figure 20). It will
move 15° in any direction. For critical
listening point the woofer to the user’s
favorite listening position minimizing
reflections from the side walls. For surround sound or low volume background
listening create more reflections and
thus more ambience by directing the
woofer towards the side walls.
11.
Setting the Treble cut switch. Listen to a
well-recorded piece of music at the
user’s favorite listening position. Listen
for treble harshness or ringing, particularly when the speakers are placed in a
room without carpet. Use the +/-1.5dB
Treble switch to correct.
12 .
Setting the bass jumper. Listen to a
well-recorded piece of music at the
user’s favorite listening position. Listen
for bass boominess, particularly when
the speaker is placed near a corner.
Remove the speaker by grasping the tabs
and rotating counter-clockwise. Adjust the
bass jumper (-1dB, -2dB) accordingly.
(See Figure 21).
13 .
Install the grille into the speaker. The
grilles should fit snugly. If you have difficulty fitting them in, try loosening the
mounting dog screws (excessive tightening can distort the shape of the frame
holding the grille in place).
16
Final Installation in New or Existing Construction
Figure 19 Directing the tweeter.
Figure 21 Setting the bass jumper.
Figure 18
Installing the speaker
Figure 20 Directing the woofer.
17
Operations
Operation
Listening at Higher Volumes
It requires more power to achieve a reasonable volume of sound in a large room than
it does in a small room. It is possible (even if
you are not a teenager) to turn the volume
so high that the amplifier
runs out of power.
This creates “clipping” distortion.
Clipping distortion makes treble sound
very harsh and unmusical. When you hear
harsh sounding treble from any good
speaker, turn the volume down immediately! Those harsh sounds are masking
some much more powerful ultra-high-frequency sound spikes which will quickly
damage any fine loudspeaker. You are
much less likely to damage a speaker with
a large amplifier because it will be very
loud indeed before it produces any clipping distortion.
Cleaning
You can clean the speaker with a dampened soft cloth or paper towel. If the
speaker is mounted high up on a wall or
ceiling, use a broom to gently brush it off.
18
Specifications
Specifications
DS6.3
Driver Compliment
Injection molded polypropylene woofer
with butyl rubber surround in an integrated patent-pending pivoting mount,
(15° pivot angle)
1" fluid-cooled ultra-wide dispersion silk
dome tweeter in a patent-pending low diffraction pivoting mount, (17° pivot angle)
Recommended Amplifier Power
10 to 100 watts per channel
Tone Controls
Bass jumper: flat, -1dB and -2dB
Baffle-mounted Treble controls:
-1.5dB, flat and +1.5dB
Nominal Impedance
4 or 8 ohm selectable
Frequency Response
50Hz to 20kHz, +/- 3dB (on axis)
Sensitivity
87.5dB for 2.83 volts of Pink Noise
Overall Exterior Frame Dimensions
9-7/8" diameter
Depth Behind Wall
6" deep (based on 1/2" drywall)
Hole Cut-Out Dimensions
8-5/8" diameter
Wiring Requirements
Patented two-piece, no strip speaker
wire terminal, accommodates 12–18
gauge wire. We recommend 16–18 gauge
stranded wire for up to 80 feet, 14 gauge
stranded wire for up to 200 feet.
DS6.5
Driver Compliment
Injection molded graphite reinforced
polypropylene woofer with butyl rubber
surround in an integrated patent pending
pivoting mount, (15° pivot angle)
1" fluid-cooled ultra-wide dispersion
tri-laminate Teteron dome tweeter in a
patent pending low diffraction pivoting
mount, (17° pivot angle)
Recommended Amplifier Power
10 to 150 watts per channel
Tone Controls
Bass jumper: flat, -1dB and -2dB
Baffle-mounted Treble controls:
-1.5dB, flat and +1.5dB
Nominal Impedance
4 or 8 ohm selectable
Frequency Response
50Hz to 22kHz, +/- 3dB (on axis)
Sensitivity
88dB for 2.83 volts of Pink Noise
Overall Exterior Frame Dimensions
9-7/8" diameter
Depth Behind Wall
6" deep (based on 1/2" drywall)
Hole Cut-Out Dimensions
8-5/8" diameter
Wiring Requirements
Patented two-piece, no strip speaker
wire terminal, accommodates 12–18
gauge wire. We recommend 16–18 gauge
stranded wire for up to 80 feet, 14 gauge
stranded wire for up to 200 feet.
19
Specifications
DS6.7
Driver Compliment
High Output injection molded graphite
reinforced polypropylene woofer with
shorting ring and butyl rubber surround
in an integrated patent-pending pivoting
mount, (15° pivot angle)
1" fluid-cooled ultra-wide dispersion
tri-laminate Teteron dome tweeter in a
patent pending low diffraction pivoting
mount, (17° pivot angle)
Recommended Amplifier Power
10 to 150 watts per channel
Tone Controls
Bass jumper: flat, -1dB and -2dB
Baffle-mounted Treble controls:
-1.5dB, flat and +1.5dB
Nominal Impedance
4 or 8 ohm selectable
Frequency Response
48Hz to 22kHz, +/- 3dB (on axis)
Sensitivity
89dB for 2.83 volts of Pink Noise
Overall Exterior Frame Dimensions
9-7/8" diameter
Depth Behind Wall
6" deep (based on 1/2" drywall)
Hole Cut-Out Dimensions
8-5/8" diameter
Wiring Requirements
Patented two-piece, no strip speaker
wire terminal, accommodates 12–18
gauge wire. We recommend 16–18 gauge
stranded wire for up to 80 feet, 14 gauge
stranded wire for up to 200 feet.drywall)
Specifications
PLEASE FILL OUT THE
WARRANTY REGISTRATION
CARD ON THE REVERSE SIDE,
DETACH, AND MAIL TO:
Niles Audio Corporation
Warranty Registration Dept.
P.O. Box 160818
Miami, Florida 33116-0818
DETACH HERE
DETACH HERE AND RETURN TO: Niles Audio Corporation Warranty Registration Dept. P.O. Box 160818 Miami, Florida 33116- 0818
Model Purchased____________________________________________________________________________________
Serial Number____________________________________________________________________________________
Date Purchased (month/day/year)__________________________________________________________________
Dealer Name and Location________________________________________________________________________
__________________________________________________________________________________________________
❑ Dr. ❑ Miss ❑ Mr. ❑ Mrs. ❑ Ms.
Name____________________________________________________________________________________________
Address_________________________________________________________________________________________
__________________________________________________________________________________________________
City_________________________________________________________State________________Zip______________
Telephone (___________) ___________________________________________________________________________
WARRANTY REGISTRATION CARD
Age:
❏
Under 25
❏
25-34
❏
35-44
❏
45-54
❏
55 & over
Income:
❏
Under $24,999
❏
$25,000-$34,999
❏
$35,000-$44,999
❏
$45,000-$59,999
❏
$60,000-$74,999
❏
$75,000-$99,999
❏
Over $99,999
Occupation:
❏
Arts/Entertainment
❏
Business Owner
❏
Engineer
❏
Finance/Accounting
❏
General Office
❏
Management
❏
Professional
❏
Sales/Marketing
❏
Student
❏
Tradesperson
Musical tastes:
(Please check all that
apply)
❏
Alternative
❏
Classical
❏
Country
❏
Jazz
❏
New Age
❏
Popular
❏
R&B
❏
Rock
❏
Other______________
How did you hear
about Niles?
❏
Architect/Developer
❏
Custom Installer
❏
Direct Mail
❏
Friend/Family
❏
In-Store Display
❏
Interior Designer
❏
Magazine Ad
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Mail-Order Catalog
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Newspaper Ad
❏
Product Brochure
❏
Product Review
❏
Retail Salesperson
What magazines do
you read?
1. ______________________
2. ___________________
3. _____________________
Who will install the
product?
❏
Custom Installer
❏
Electrician
❏
Friend
❏
Myself
Which factor(s) influenced the purchase of
your Niles product?
(Please check all that
apply)
❏
Ease of Use
❏
Price/Value
❏
Product Features
❏
Quality/Durability
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Reputation
❏
Style/Appearance
❏
Warranty
Do you . . . ?
❏
Own a House. If yes,
how many square feet?
__________________
❏
Own a Town House/
Condominium/Co-op
❏
Rent an Apartment
❏
Rent a House
Are you interested in
receiving literature on
other Niles products?
❏
Yes ❏No
Are there products/
capabilities that you
would like to see
introduced?
____________________
____________________
____________________
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____________________
____________________
Please take a moment to fill out our warranty registration card. The information helps us to
get to know you better and develop the products you want
Limited Warranty
Niles Audio Corporation ("NILES") warrants its loudspeaker products to the original purchaser
to be free of manufacturing defects in material and workmanship for a period of five years
from date of purchase.
This Warranty is subject to the following additional conditions and limitations. The Warranty
is void and inapplicable if NILES deems that the product has been used or handled other than
in accordance with the instructions provided by the manufacturer, including but not limited to
damage caused by accident, mishandling, improper installation, abuse, negligence, or normal
wear and tear, or any defect caused by repair to the product by anyone other than NILES or an
authorized NILES dealer.
To obtain warranty service, take the unit to the nearest authorized NILES dealer, who will test
the product and if necessary, forward it to NILES for service. If there are no authorized NILES
dealers in your area, you must write to NILES and include your name, address, model and
serial number of your unit, along with a brief description of the problem. A factory Return
Authorization Number will be sent to you. DO NOT RETURN ANY UNIT WITHOUT FIRST
RECEIVING WRITTEN AUTHORIZATION AND SHIPPING INSTRUCTIONS FROM NILES.
If the above conditions are met, the purchaser's sole remedy shall be to return the product to
NILES, in which case NILES will repair or replace, at its sole option, the defective product
without charge for parts or labor. NILES will return a unit repaired or replaced under warranty
by shipping same by its usual shipping method from the factory (only) at its expense within the
United States of America. THERE ARE NO OTHER WARRANTIES, INCLUDING WITHOUT
LIMITATION, EITHER EXPRESS OR IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, WITH RESPECT TO THE PRODUCT.
REPAIR OR REPLACEMENT AS PROVIDED UNDER THIS WARRANTY IS THE EXCLUSIVE
REMEDY OF THE CONSUMER/PURCHASER. NILES SHALL NOT BE RESPONSIBLE FOR
ANY INCIDENTAL OR CONSEQUENTIAL DAMAGES EXCEPT TO THE EXTENT PROVIDED
(OR PROHIBITED) BY APPLICABLE LAW.
Some states do not allow the exclusion or limitation of incidental or consequential damages,
so the above limitation may not apply to you. This warranty gives you specific legal rights, and
you may also have other rights which vary from state to state.
For the name of your nearest authorized NILES dealer contact:
NILES AUDIO CORPORATION
P.O. BOX 160818, Miami, Florida 33116-0818.
Please fill in your product information and retain for your records.
Model____________________________________________________________________________________
Serial No._________________________________________________________________________________
Purchase Date_____________________________________________________________________________
22
Limited Warranty
© 2002 Niles Audio Corporation. All Rights Reserved. Niles, the Niles logo, and Blending
High Fidelity and Architecture are registered trademarks of Niles Audio Corporation. All
other trademarks are the property of their respective owners. Because we constantly strive
to improve our products, Niles reserves the right to change product specifications without
notice. The technical and other information contained herein is not intended to set forth all
technical and other specifications of Niles products. Additional information can be obtained
on-line. DS00295ABR
www.nilesaudio.com
Niles Audio
Corporation
12331 S.W. 130 Street
Miami, Florida 33186
Tel: (305) 238-4373
Fax: (305) 238-0185
Printed in Brazil
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