Nikon FG User Manual

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Mikoit
INSTRUCTION MANUAL
lOMENCLATURE
•Hm advance lever
lONTENTS-------------------
»SIC OPERATION...................................................6
KON AND NIKKOR LENSES >R THE NIKON FG »NTROLS IN DETAIL
Shutter Speed/Mode Selector Dial...................20
Exposure Measuring System...........................21
LED Viewfinder Indications
Exposure information.................................22
Improper exposure warning information.. 23 Flash ready-light information
How To Determine Shooting Modes
P—programmed exposure mode
A—automatic exposure mode
Manual exposure mode
Shutter Release Button.....................................38
Film Advance Lever...........................................39
Frame Counter
Audio Warning Lever.........................................40
ASA/ISO Film Speed Dial..................................41
Exposure Compensation Dial Exposure Compensation Button
Self-Timer Lever.................................................44
Film Plane Indicator Handgrip
Memo Holder......................................................46
Infrared Focusing Index....................................46
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FLASH PHOTOGRAPHY....................................47
19
CLOSE-UP PHOTOGRAPHY
20
ACCESSORIES
22
TIPS ON CAMERA CARE...................................58
OPTIMUM BATTERY PERFORMANCE
23
SPECIFICATIONS
24
IMPORTANT........................................................63
24 28
35
39
42
43
44
45
Accessory Shoe Viewfinder Ready-Light
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48 48
Nikon FG and Speedlight Combinations_49
Electronic Flash Units
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Motor Drive MD-14 Data Back MF-15 Other Accessories
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50 52 52 53 54 55
59 60
■^Hot-shoe contact
\g) Accessory shoe
'^Film rewind crank
y^Film rewind knob
ASA/ISO fHm speed index
^ Rim rewind fork
SaSA/ISO film speed dial
^ Film cartridge chamber
01^'ShuUer curtains
i^Film guide rails
•^'Viewfinder e/eplece
:^Fllm rewind button
Motor drive coupling
'3€'Motor drive positioning hole
Shutter release button
Audio warning lever
Frame counter
Film plane Indicator
Film takeup spool
Rim pressure plate
Film sprocket
Data back contacts
Memo holder
Camera back
Tripod/motor drive coupling socket
Motor drive electrical contacts
Battery chamber lid/battery clip
FOREWORD
As Nikon’s selective-exposure 35mm SLR earner; the Nikon FG gives you the choices not only of tota exposure programming but also aperture-prioril automatic exposure as well as full manual contre Compact and lightweight, the FG additionally offei such advanced photographic features as an expi
sure compensation dial, an exposure compensatic button and an audio warning system, plus its o\a matching electronic flash with TTL measuremer automatic motor drive and automatic data bac And of course with the FG, you’ve full admissic into the comprehensive Nikon System of over six interchangeable lenses and a host of accessorif and equipment. To get the most out of your F( study the instructions in this manual carefully. Eve basic operation and all controls and features a explained in detail. Practise using your FG witho
film until you are familiar with the simple operatir instructions, then keep this manual on hand f ready reference. A few minutes now is your a surance of the best future results as you enter tl exciting world of selective-exposure photograpi with the Nikon FG.
ASIC OPERATION
Remove the battery
“ clip « .
e a coin to twist the lid counter-
)ckwise to unscrew it.
A Install the battery
or batteries.
wipe battery terminals clean and insert either one 3V lithium battery, two 1.55V silver-oxide batteries, or two 1.5V alkaline manganese batteries into the battery olip,
making sure eaoh " h- " sign is up.
Caution: Keep batteries away from in fants and small children. In case a bat tery is accidentally swallowed, call a doctor immediately as the material in side the batteries can cause serious problems.
ASIC OPERATION —continued
: Open the camera
* back 46 .
II up the film rewind knob * as
as it will go and the camera
ck will pop open.

^ Load the film.

■■ Drop the film cartridge into the film carfridge chamber ® so the film leader points towards the takeup spooland while rotating the rewind knob push it back down to secure the cartridge in place.
Notes:
1) All 35mm film can be used.
2) Avoid loading film in direct sunlight.
If there is no shade available, turn your back to the sun and use your ovrn shadow to shield the camera.
A Replace the battery
clip.
Slip the battery clip back into the camera body and screw it clock wise tightly in place.

O Insert the film

leader in the takeup
spool.
Pull the leader across the camera and insert it into any one of the slots in the takeup spool
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^ Check the battery powe:.

Looking through the viewfinder #, depress the shutter release button % halfway and confirm that any of the red LEDs (light emitting diodes) light up steadily or blink continuously for 16 seconds after you have taken your finger off the button. This means battery installation is proper and power is sufficient.
It no LEDs light up or if they turn off immediately when
you take your finger off the button, replace the battery (ies).
Note: To check battery power, set the shutter speed/mode
selector dial (i) to any setting except M90 and B.
the aperture/distance scale index ii on the lens an
exactly on top. To remove, while pushing the lens release button '9

e Mount the lens.

Grasp the lens by its mounting ring, then line u
the mounting index (S- on the camera body and twii the lens counterclockwise until it clicks into placi Make sure the aperture/distance scale index i
turn the lens clockwise.
A Engage the film’s perforations
with the sprocket teeth.
Advance the takeup spool slightly with your finger to engage the film's perforations with the teeth of the takeup spool and the sprocket 8-. Confirm the film is located properly between both guide rails S and that there is no film slack.
4Q Advance the film with the film
advance lever i .
Alternately wind the film advance lever and depres the shutter release button until the perforations o both film edges are securely engaged with th sprocket teeth and the film is advanced properly.
lASIC OPERATION —continued
Close the camera back.
Snap the camera back shut.

4 A Take up the film slack.

it gently in the direction of the arrow until you feel a
slight resistance. Then fold the crank back in.
ASIC OPERATION —continued
le Set the shutter speed/mode
selector to P.
'hile depressing the A/P setting lock button®, turn le shutter speed/mode selector until P is opposite le index. The built-in locking mechanisms at P and A isure that the dial cannot be accidentally shifted om either the P or A position during shooting.
ote: The Nikon FG camera has two more shooting modes isides P (Program): A (Auto) and manual. For details of tooling at lhe.se modes, see pages 28~34 lor A (Auto) and iges 35~37 lor manual.

i|fi Set the lens f/stop to its

(i.e., the largest f/number).
Turn the aperture ring of the lens until the largest f/
number is opposite the aperture index. If the aperture is not set to f/11 or larger, both warning LEDs in the
viewfinder will blink alternately, warning of improper setting.
Fold out the film rewind crank ® and rotate
minimum aperture opening
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4 O Make blank exposures until the
frame counter 39 shows “1.”
To dispose of the first few frames exposed during film
loading, continue to alternately advance the film and
depress the shutter release button until the frame
counter shows "1." Check that the rewind knob is rotating, indicating the film has been loaded correctly and is being advanced. If the knob does not rotate, reload the film.
Note: Do not lake pictures prior to frame "1" as the meter
does not function until the counter reaches "I." Up to the 1/60 and 1/125 sec. LEDs in the viewfinder wilt blink, showing the shutter is aulomatically set at 1/90 sec.
A A Set the ASAIISO film speed
dial 29’.
Lift up the ASA/ISO film speed dial and rotate it either direction until the index dot is opposite the fil speed in use. Make sure the exposure compensatii dial Is set at "0.” These actions are essential to ac vate the camera’s exposure meter for correct exp sure of the film being used.
Note: Film speed is printed on the film package and cart ride
•i ^ Ibrn the audio warning lever w
■ ■ ■ to switch it on.
Turn the lever as far as it will go, uncovering the audio warning mark(’^,/).
off position. With your right hand grasping the ham grip ® steadily and your right index finger restir
comfortably on the shutter release button, positic
your right thumb between the camera body and th
lever. Then cradle the camera in the left hand with tt thumb and fingers holding the lens focusing ring. Th
camera may be switched from horizontal- to vertici format shooting in this position.

1A Hold the camera steady.

Fold out the film advance lever to the stani
lASIC OPERATION —continued
Q Compose and focus
on the subject.
lile looking through the viewfinder, compose your oto with the main subject in the center to assure rrect exposure. Then turn the focusing ring ® of 5 lens until the subject looks clear. The FG employs 3 standard Type K focusing screen for all-purpose otography. For precise pinpoint focusing for sub­;ts with distinct contours, use the central split­age rangefinder and turn the focusing ring until the lit image becomes whole. For rapid focusing and
subjects with indistinct outlines, use the micro
prism collar and turn the focusing ring until the shim mering image becomes sharp. When doing close-ups
or macrophotography or shooting with telephoto
lenses of maximum apertures of approx, f/4.5 or smaller, the split-image spot and microprism collar are likely to darken. Therefore, use the matte outer field and turn the focusing ring until the image be comes sharp.
ASIC OPERATION —continued

IQ Take the photograph.

Look through the viewfinder and press the shutter release itton halfway to turn on the exposure meter. When the audio warning les not sound, depress the button all the way to take the picture. In this ise. the proper shutter speed to match scene brightness is displayed
■ the LED inside the viewfinder. If the warning sounds, check the view­ider information. If either the top or bottom warning LED blinks, the
ailable light is too bright or too dim for the meter's range and correct
posure is not possible without adjustment. Use either a neutral density :er to reduce the amount of light reaching the film or artificial light to :rease the subject's brightness. If the LED at 1/30 sec. or below lights I, shutter speed is too slow and blur may result. In this case, use a pod to prevent blurred images. When you correct the exposure, the idio warning will stop.
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“ * ■ Stroke the film advance
Advance the film.
lever to transport the film to the next frame.
12 3 4
5—5
1.3mm dia. split-image spot
2.1 mm-wide microprism collar
3.12 mm dia. area
4. Fine matte/Fresnel outer field
5. Shutter speed scale
6. Top warning LED
7. Shutter speed LEDs
8. Bottom warning LED
Notes;
1) The meter reads the light over the
entire focusing screen but is dis tinctly biased toward the centra!
12mm dia. area.
2) Frame coverage is approx. 92% which means actual photographs will be slightly larger than the finder image.
9. Flash ready-light
10. Thunderbolt mark
A A At the end of the roll, push
the rewind button 3« .
After Ihe last exposure, the film advance lever will not move, Depress the film rewind button on the camera base plate to disengage the film sprocket drive so you can rewind the exposed film back into its cartridge.

no Rewind the film.

" Fold out the film rewind crank and turn gently in the direction of the arrow until you feel c increased tension. Give it a few more turns until tf tension is gone and the crank turns freely, indicatir the film leader is rewound completely back into tf cartridge.
(ASIC OPERATION —continued

Remove the film cartridge.

open the camera back by pulling up the iwind knob and take out the film cartridge. Avoid tioading in direct sunlight. If there is no shade /ailable, turn your back to the sun and use your own ladow to shield the camera.
CONTROLS IN DETAIL
from 1 to 1/1000 sec.. A and P. Intermediate settings cannot be used.

P (Programmed)

Used for completely automatic programmed mode shooting. The optimum combination of shutter speed and aperture value is automatically set by the FG’s microcomputer, depending upon scene brightness and the film speed in use. The electronically controlled shutter speed is stepless between 1 and 1/1000 sec,
A (Auto)
Used for aperlure-priority automalic mode shooting.

butter Speed/Mode elector Dial 3

le Nikon FG offers programmed mode operation, rerture-priority automatic mode operatiori, and anual control of all shufter speeds from 1 to 1/1000 c,, Including M90 and B (Bulb) settings. To set the isired shooting mode or shutter speed, rotate the lutter speed/mode selector dial until the desired itting click-stops opposite the index line. Note that
A and P settings, a locking mechanism is provided
prevent accidental shifts of the setting. To rotate e dial to or from the A or P setting, depress the lock itton @ provided. The shutter speed/mode selector al has the following settings: B, Ivt90, eleven speeds
The f/stop is set manually and the FG's microcom puter selects the matching electronically controlled shutter speeds steplessly between 1 and 1/1000 sec. depending on the scene's brightness and the film speed in use.

Manual

Used for full manual control of both f/stop and shutter speed. All of the eleven shutter speeds indicated on the dial are electronically set, with accuracy assured by a quartz oscillator controlling shutter timing. Each number shown on the scale is reciprocal, i.e.. 2 means 1/2 second, and 125 means 1/125 second. A one-step change will either halve or double the expo sure, e.g., a shutter speed of 1/125 sec. lets in twice as much light as a setting of 1 /250 sec., and half as
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NIKOH AND NIKKOR LENSES FOR THE NIKON FC

The lenses usable for the Nikon FG are all the Al-type
Nikon/NIkkor lenses, including most of the Al con verted lenses, certain Reflex Nikkor and PC Nikkor lenses. Non-AI Nikkor lenses and lenses of other manufacturers which do not have the Al feature must not be forcibly mounted on the FG. Attempts to mount such lenses will damage the camera's indexing mechanism. Note that in addition to non-AI lenses, the following lenses cannot be used:
Al-converted 55mm f/l .2 (No, 184711 ~970110) Al-converted 28mm f/3.5(No, 625611^999999) Al-converted 35mm f/1.4 (No. 385001 ~400000) Fisheye Nikkor 6 mm f/5.6 (all lenses) Fisheye Nikkor 10mm f/5.6 OP (all lenses) Reflex Nikkor 1000mm f/11(No. 143000 or smaller) Reflex Nikkor 2000mm f/11 (No. 200310 or smaller) PC Nikkor 28mm f/4 (No. 180900 or smaller) PC Nikkor 35mm f/2.8(No. 851001~906200) Zoom Nikkor l80~600mmf/8 ED
(No. 174180 or smaller)
Zoom Nikkor 200~600mm f/9.5
(No. 301922 or smaller)
Zoom Nikkor 360'''1200 mm f/11 ED
(No. 174127 or smaller)
Focusing Unit AU-1
much light as 1 /60 sec.
Note: When you set the shutter speed/moO e selector dial to
either M90 or 8. the exposure meter does not work end the
viewfinder LEDs don't iight.

M90(l/90 sec.)

At this setting, the shutter operates mechanically at
1/90 sec., and is used mainly when the battery is
drained and other shutter speed modes are not
operable, and for flash photography with an elec tronic flash.

В (Bulb)

At this mechanical setting, the shutter curtains ®
remain open as long as you press the shutter release button. В is used for long time exposures.
Note: When the shutter speed/mode selector dial is set somewhere between 1 sec. and M90 and the shutter release button ® is accidentaily depressed, the shutter curtains re main open. If the film is rewound in this situation, every frame
will be re-exposed, damaging the pictures taken. Therefore, before rewinding make sure that the selector dial is not in this intermediate position.

When using the Teleconverter TC-200,TC-201,TC-301 or TC-14A

Exposure compensation, which is required when using Nikon Al-type cameras with lenses having a maximum aperture faster than f/2 or faster than f/1.8 (when using the TC-14A), is not necessary when using the FG in its P or A mode. In the A mode, however, note that the actual shutter speed will be faster than that indicated in the viewfinder by less than one step. Therefore, before shooting, be sure that the shutter speed LED(s) in the viewfinder indicates a speed slower than 1/250 sec. In the manual mode, exposure compensation using the ASA/ISO film speed dial is necessary. See the teleconverter's instruction manual for complete details.

Exposure Measuring System

The Nikon FG employsTTL(through-the-lens) cente weighted full-aperture exposure measurement whic measures the amount of light passing through tt lens with the aperture fully open, thus always assu ing a bright finder image during shooting. Exposui measurement emphasis is placed especially on it brightness in the 12mm dia. central area (refer 1 page 15), although the meter reads the light over tt entire focusing screen. Thus, correct exposure assured when shooting with the main subject situate in this central area. On both P and A modes, the FG employs instai taneous stopped-down exposure measurement. Th measurement system sets the optimum combinatic of shutter speed and aperture at the actual spl second moment of picture taking, assuring accura' exposures even if the light changes at the very la; instant. A sensitive SPD (silicon photodiode) is use to measure light intensity.
CONTROLS IN DETAIL —continued

Exposure information

on P or A
Top warning LED
Shutter speed LEDs
Bottom warning LED Flash ready-light

ED Viewfinder Indications

)d LEDs (light emilting diodes) located opposite the
letter speed scale at the right-hand side of the view­ider light up when the shutter release button is ¡pressed halfway. These function in three capa­ties—for exposure information, for improper expo­ire warning, and for convenient flash shooting.
Exposure information
On P or A, a steady LED indicates the shutter speed automatically set. Two adjacent LEDs indicate set speed is intermediate between the two. On manual, a steady LED indicates the shutter speed set manually and the blinking LED(s) signals the correct speed to
match the selected aperture.
Notes:
1) At M90 and 6, there is no LED display.
2) Shutter speed selection is stepless on P and A: however on manual, intermediate speeds cannot be set.
CONTROLS IN DETAIL —continued—
low To Determine hooting Modes
jrrect exposure—whether your photo comes out st right and neither too dark (underexposed) nor too
ht (overexposed)—depends on two factors in re
lion to your film; light and lime. These factors are mtrolled by f/stop (aperture opening) and shutter leed. The FG offers three different ways (modes) to pose photos—P (Program), A (Auto) and manual, jpending on photographic conditions and your own irsonal requirements, choose any one of these ree. On P, exposure measurements are totally mdled by the camera, so all you do to take perfect :tures is focus and shoot. On A, still enabling auto­atic exposure, frstop selection is under your con­)l, allowing you to create special depth-of-field fects, and the FG matches with the correct shutter eed. (For details on depth of field, refer to page 32.)
1 manual, both f/stop and shutter speed selection
3 controlled by you. giving you the chance to
hieve special effects and to grow in your photo-
aphic skills.

P—programmed exposure mode

A new feature with the Nikon FG, the P mode not only
greatly simplifies operation, but also lets you con centrate completely on picture composition and further, gives you greater opportunities to shoot,
especially in quickly changing situations or for candid shots, because no exposure calculation is necessary. On P, the optimum combination of stepless shutter speed and stepless f/stop is determined by the FG’s
microcomputer at the instant of exposure, according
to a scientifically pre-arranged program. Perfect
exposure is thus assured for every shot.
on manual
iij.= Blinking LED
• = Steadily
lighting LED
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Possible Possible Shutter speed is overexposure underexposure too slow
Flash ready-light

Improper exposure warning information

On P or A. a blinking top warning LED indicates possi ble overexposure. In this case, use a neutral density

Flash ready-light information

An LED opposite the thunderbolt mark enables you ti
confirm flash readiness without removing your eyi from the viewfinder .
filter or change to a slower speed film. A blinking lower warning LED signals possible underexposure, necessitating an electronic flash or a change to the B setting for long exposure, On P, A and manual, an LED lighting at 1/30 sec. or below indicates shutter speed is too slow for hand-held shooting and a tripod is necessary to steady the camera or a high-speed film or electronic flash should be used.
Note: When using a tripod with a large head, use Nikon’s tripod adapter to mount the FG: otherwise contact between lens barrel and head may make it dillicult to operate the lens.
P mode operation
(1) While depressing the A/P setting lock button, turn
the selector dial to P.
(2) Set the f/stop of the lens to its minimum aperture
opening (i.e.. the largest t/number).
(3) Turn on the audio warning system. (4) While looking through the viewfinder, depress the
shutter release button halfway to turn on the expo sure meter. If the audio warning does not sound, exposure is correct—just focus and shoot. One lighted LED in the viewfinder signals what shutter speed is set. Two lighted LEDs indicate the set shutter speed is intermediate between the two lighted LEDs.
If the audio warning does sound, improper expc sure may result and you must check the LED viev finder indications (explained on the followin page) for necessary adjustments.
CONTROLS IN DETAIL »continued
o much light Too little light
Shutter speed
is too slow
f/stop is not set at f/11 During blank exposure both 1/60
ora larger f/number. and 1/125 sec.LEDs light up.
Either upper or lower warning LED blinks. \ blinking upper LED means too much light: try iither a neutral density filter or change to a slower speed film. A blinking lower LED means too little ight: use an electronic flash or switch from P to a ong exposure at B setting. The LED lights up at 1 /30 sec. or below. Bhutter speed is too slow for hand-held shooting ind picture blur may result. Use a tripod to steady
he camera, change to high-speed film, or use an
ilectronic flash.
Notes:
1) It the f/stop is not set at f/11 or a larger f/number, both warning LEDs blink alternately. Reset the f/stop to its mini mum aperture setting (the largest f/number). When using
a Nikon Teleconverter TC-200. TC-300, or TC-14. PK ring or
Al-converted lens, be sure to set ihe aperture to its mini mum opening since the warning LEDs will not blink in warning.
2) II you do not wish to turn on the audio warning system, check the LEDs in Ihe viewfinder before shooting to con firm if any adjustments are necessary in order to assure correct exposure.
3) During blank exposures before the frame counter reaches "1," both the 1/60 and 1/125 sec. LEDs will light up as the
shutter is automatically set at 1/90 sec. Do not take pictures before “1" as the exposure meter does not operate until "1."
lONTROLS IN DETAIL -—continued
—automatic exposure mode
ith the FG set on A, you select the f/stop and the >mputer matches it with the correct stepless shutter leed. The A mode is especially useful for creafing lecial effects in depth of field while still using the tmera on automatic mode to assure perfect ex­)sure (aperture-priority selection). Deeper depth of ild (or greater focus zone in foreground and back­ound around subject) is achieved as you stop down e lens to its smaller aperture openings (larger lumbers). Shallower deplh of field (softly blurred )th in front and behind your main subject) results jm larger aperture openings (smaller f/numbers) td emphasizes Ihe main subject.
A mode operation—aperture-priority selection
(1) Depress Ihe A/P setting lock button and rotate the
dial until the "A" click-stops opposite the index line.
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Programmed exposure measurement graph
The graph represents the optimum combinations of
f/stop and shutter speed, for the brightness of any scene, which were determined through intensive
statistical and empirical studies and fed into the FG's
computer brain for its pre-arranged exposure pro gram. Thus, when actual exposure measurement
takes place at the time of shooting, the ideal combi nation for actual conditions is selected and perfect
exposure results for every shot (Graph—green line represents the curve for the f/1.4 lens. For lenses with other apertures, the graph is
read from that particular aperture opening until inter section with the diagonal line and then in the same downward line, e.g., the black line for the f/4 lens.)
Notes:
1) OnP, the following lenses will cause slower shutter speeds than those indicated in the viewfinder while correct expo sure is assured. Therefore, in cases where more exact shutter speed information is desired. A or manual mode is recommended:
50mm f/1.2 NIkkor (No. 250525 or sm aller) 58mm 1/1.2 Noct-Nikkor (No. 175000 or smaller) ED50'^300mm f/4.5 Zoom Nikkor (No. 179500 or smaller)
Every Al-converted 85 mm f/1.8 Nikkor Every Ai-converted 105mm f/4 Micro Nikkor Every Al-converted 8S'^250mm f/4 Zoom Nikkor
2) On P. the following lenses and accessories cannot be used as they do not have an aperture coupling device. Use
these lenses on A or manual modes.
All Reflex Nikkors AlIPCNikkors (when perspective is shifted, use manual mode) Bellows attachment Extension Ring Set K
3) On P, when using teieconverters or Ai-converted lenses <
maximum apertures of f/4.5 or smaller, shutter speec available are limited to very stow ones. Therefore. A c manual mode is recommended.
4) On P. vrhen using Al-converted lenses of maxim um ape. lure larger than 1/2.8. the metering range for the higher E vaiues will be reduced down to a maximum of two EVs di
(2) Set the desired f/stop on the lens.
(3) Turn on the audio warning system. (4) While looking through the viewfinder, depress the
shutter release button halfway to turn on the expo sure meter. If the audio warning does not sound,
the scene brightness is within the FG's metering
range—focus and shoot. The shutter speed auto matically set is indicated in the viewfinder by either one LED or two LEDs. If the audio warning sounds, LEDs in the vietwfinder will indicate one of
the conditions described on the next page.
lONTROLS IN DETAIL —continued
srexposure Underexposure Picture blur
he lop warning LED blinks to warn of overexposure, he bottom warning LED blinks to warn of under-
■xposure.
he LED lights up at 1/30 sec. or below to warn of
lictureblur. these cases, to adjust exposure, rotate the lens srture ring to a larger or smaller value as indicated ow until the blinking LED disappears and an LED(s) Us up steadily opposite 1/60 sec. or faster. )verexposure—Rotate to a larger f/number. If after lis the LED still blinks, use a neutral density filter ir change lo a slower speed film. Jnderexposure—Rotate to a smaller f/number. If
fter this the LED still blinks, use an electronic flash
■r switch from A to B (Bulb) setting lor long expo-
ures. If the LED at 1/30 sec. or below lights up
after adjustment, picture blur may result—use a tripod, higher speed film or electronic flash.
• Picture blur—Rotate to a smaller f/number. If the shutter speed does not increase above 1/30 sec., use a tripod to steady the camera, change to a higher s.oeed film or use an electronic flash.
Note: If the audio warning system is not turned on. check the LEDs in the viewfinder lor improper exposure conditions before shooting.
^NTROLS IN DETAIL —continued -
epth of field epth of field refers to the clear focus zones in front
and behind the main subject when you focus the ns. With the FG’s aperture-priority automatic expo­ire, you have full control over depth of field by vary­g the f/stop. The following are important points to member. ) By stopping down the aperture to smaller openings
(larger f/numbers), depth of field becomes deeper and not only your main subject but foreground and background will also be in clear focus. On the contrary, by opening up the aperture to larger openings (smaller f/numbers), depth of field be comes shallower and both fore- and background will be out of focus, thus enabling you to empha size the main subject.
(2) The farther the subject from the camera, the
deeper the depth of field; the closer to the camera, the shallower the depth of field.
(3) Usually, background clarity is sharper than that of
the foreground; thus, in shallow depth-of-field situations, you can expect your foreground images to be less clear than those behind the subject.
(4) The shorter the focal length of ihe lens, the deeper
the depth of field.
(5) With Nikkor or Nikon Series E lenses, depth of field
is indicated by pairs of colored lines on the lens which correspond to the colors of the f/number.
Therefore, depth-of-field range can be obtained by
the corresponding distance scale.
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—Set the desired speed
by turning the lens
• aperture ring.
A mode operation—shutter speed priority selection
For shooting moving subjects, the FG also enables you to select the shutter speed on A mode to either freeze the action and produce sharp outlines with a faster shutter speed, or to cause an intentional blur by choosing a slower shutter speed. To operate the
FG as a shutter-speed priority automatic camera.
depress the shutter release button halfway ar match the lighted LED with the speed you desire t turning the lens aperture ring Improper exposui
is indicated by LEDs and the audio warning systei
as in aperture-priority selection.
Lens set at f/1.4
Only main subject is in focus
Most objects near to far are in focus
Lens set at t/i6
CONTROLS IN DETAIL —continued
1/ Range le FG's meter may be used only within the meter's rposure vaiue (EV) range which determines the jssibie combinations of aperture and shutter speed, »pending on the fiim speed in use. The chart shows
e relationships between the f/stop, shutter speed
id film speed, indicating the functioning shutter
- ASA/ISO 25-
-ASA/ISO bO-
-ASA/ISO 100-
-ASA/ISO yOO-
- ASA/ISO 400-
1/2
1
1/4
1/8
1 1/4
1/2
1 1/2 1 1/4
\ 1 j 1/2
1/30 1/60 1/125 1/250 1/500 1/1000
1 1/15
1/15 1/30
1 1/8
1/8 1/4
1/2
1 1/2 1/4 1/a 1/15 1/30 1/60 1/125 1/250 1/500 1/1000
1/60 1/125 1/250 1/500 1/1000
I/I5 1/30
1/8 1/15 1/30 1/60 1/4
1/8 1/15
1
1/2
speeds (for metering purposes) with any film speed/ aperture combination. Careful attention to this chart wili assure precise exposure, automaticaliy, over the compiete exposure control and meter range capa bilities of your Nikon FG.
ASA/ISO 800
---------
1 1/2
------------
ASA/ISO 1600-
-ASA/lSO 3200-
10
I
11 1? I 13 M 15 16
1/60 1/125
1/4
1/250
1/500 t/iooo
1/125 1/250
1/60 1/125 1/250
1/30
1/8 1/15 1/30 1/60 1/125 1/250 1/500 1/1000 1/4
1/15
1/8
CONTROLS IN DETAIL —continued
lanual mode operation
) Set the f/stop you desire or turn the shutter speed/
mode selector dial to any of eleven numbered
settings you desire. (Note that you cannot set the dial between indicated settings.)
!) While looking through the viewfinder, depress the
shutter reiease button halfway and check the lighted LEDs.
• The blinking LED(s) indicates the shutter speed selected by the FG’s microcomputer to match
the f/stop you have set.
• The lighted LED indicates the shutter speed
you have set.
i) If one LED is biinking, to get the correct exposure
rotate the aperture ring and/or the shutter speed dial so that both the blinking LED and the steadily lighted LED are aiigned and only one LED lights up steadily. If two LEDs are blinking, rotate the
aperture ring and/or shutter speed dial until one
LED lights up steadily or the blinking LEDs come as close as possible to it: then make further fine
adjustments by rotating the aperture ring so that oniy one LED lights up steadily.
) If you wish to create intentional under- or over
exposure. set either the aperture ring or shutter speed diai so that your selected shutter speed is displayed In the viewfinder either above or below
that selected by the FG.
Notes:
1) At the mechanical settings of M90 and B. the meter does
2) The audio warning system does not function on manual.
Shutter speed selected by FG’s micro computer
Shutter speed you have set
not function and no LEDs are displayed.
I
1/ , 1«
l&huuer soeedl
1/500 1/1000
1/30 1/60 1/125 1/250 1/000 1/1000
1/500
1/1000
Both speeds aligned and only one LED lights steadily; correct exposure assured
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How to select f/stop and shutter speeds Exposure is determined by the combination of th
shutter speed and f/stop (aperture opening). As th
numbers on either the f/stop or shutter speed dia
increase by one value, the amount of light enterir the film is reduced by approximately one half. Fc example, the amount of light at f/125 sec. is aboi one-half that at 1/60 sec., and the amount of light:
t/16 Is one-half that at f/11. Brighter scenes requit either faster shutter speeds or smaller apertut openings (larger f/numbers) or a combination of bot which will give the same amount of exposure: dark«

Manual exposure mode

Manual operation allows you to shoot at your choice of any combination of the f/stops and eleven shutter speeds on the camera’s dials. (Note that you cannot set shutter speed between numbered settings.) By varying these combinations, you can achieve not only
scenes require the reverse. For example, 1/250 sei at f/8 is the same as either 1/500 sec. at f/5.6 <
1/125 sec. at f/11.
Shutter speed/aperture combination to give the same exposure.
correct exposure but also such special effects as
under- or overexposure, blurred action, etc. Manual
is also valuable to develop your photographic instincts
and skills, and is additionally recommended when an
electronic flash other than the Nikon dedicated flash
unit is used.
Shutter speed (sec.) Aperture (f/number)
1/1000 1/500
4
5.6
1/250 1/125 1/6C
8
11 16
Fast shutter speed
(freeze action)
Slow shutter speed
(intentional blur)
CONTROLS IN DETAIL —continued

ihutter Release Button ^

«pressing the shutter release button halfway witches on the exposure meter for approx. 16 sec., /en after taking your finger off the button, and auses the viewfinder LED(s) to light up steadily, ushing the button all the way down releases the lutier.
3 check battery power, depress the button halfway,
the viewfinder LED(s) lights steadily, power is
jfficient. If the LED(s) disappears the instant you
jmove your finger from the button, power is weak
nd you must change batteries. If you continue to use
the camera in this situation, the batteries will be com pletely exhausted: when the shutter release button is depressed, the shutter curtains will not open and the mirror will be locked in the up position. To return the mirror to its place, switch to the B setting. The shutter release button is threaded at the center
to accept a standard cable release.
CONTROLS IN DETAIL —continued

iUdio Warning Lever ^

prevent incorrect exposure or blurred photos re-
ilting from extreme shooting conditions, the Nikon 3 is equipped with an audio warning device, oper­>le on P or A modes, in addition to the visual LED arning indications. To switch the device on. turn e lever as far as it will go, uncovering the audio arning mark (''0), and depress the shutter release itton halfway. While the button is depressed, the idio warning will sound indicating that scene bright­!ss is out of the metering range of 1~ 1/1000 sec. lich results in over- or underexposure, or that lutter speed is too slow for hand held shooting.
Check the viewfinder for LED indications and adjust exposure as on pages 26~27 or 30~31. If you don't want to hear the warning sound, simply turn the lever to the OFF position (to cover the vj mark), but be sure to check the viewfinder LED before shooting to confirm if scene brightness is within metering range.
Note: The audio vjaming device does not function even with
the lever set at ON when both top and bottom warning LEDs are alternately blinking to warn of improper aperture setting onP
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~ilm Advance Lever <
The film advance lever is coaxial with the shutter re
lease button and is specially contoured to fit the thumb. A hinged lever, it fits snugly to the camera body. It has a throw of 144*. and is operated in one complete stroke or a series of shorter ones. After completion of film winding, the lever quick-returns to the stand-off position when your finger is taken off the lever.
Notes:
1) At the end of the roll the lever will not wind. In this case, don't force the lever, just release your linger, depress the film rewind button ®and rewind the Him.
?) Be sure to release your linger from the shutter release
button while advancing the film to prevent taking a picture accidentally at the instant the film is advanced.
ASA/ISO Film Speed Dial ^
The scale on the ASA/ISO dial has numbered settings
for speeds from ASA/ISO 12 to 3200. Two dots be tween each number stand for intermediate settings, such as 64, 80, etc. The 64, 100 and 400 settings are indicated in red. The table gives the speeds for all intermediate settings. To set the film speed in use, lift up the dial and rotate it until the desired number (or dot representing the film speed) click-stops opposite the index dot ®, ASA/ISO is a numerical rating of the film's sensitivity to a given amount of light. The higher the number, the
Frame Counter 39
To keep track of the number of exposed frames, th
frame counter is graduated from S (Start = tw frames below 0) to 36. After “1," and starting fror “2," every two frames are numbered in white wit white indices in between. When making blank shot
with the shutter speed/mode selector set at othe
than M90 and B. the 1/60 and 1/125 sec. LEDs w blink until the frame counter reaches "1," showin that the shutter is firing at 1/90 sec. Only after "1
will both the meter and viewfinder information wor
normally. Ddn t take pictures until the frame countr reaches “1." The frame counter automatically reset to "S" when the camera back is opened.
greater the sensitivity, and vice versa. The film’s AS/
ISO is indicated on the cartridge itself, on the filt carton and on the data sheet packed inside.
This dial can also be used to compensate exposure as In the following example: with ASA/ISO 100 file set the dial to 50 to overexpose -i-1 step: to 25 fc
+ 2 steps; to 200 for -1 step; to 400 for -2 step;
After compensated shootings, be sure to return th dial to the film’s original speed.
CONTROLS IN DETAIL —continued

Suggested Applications for Exposure Compensation

+ 2 white background, snow
scene
+1 white background occupying
half cf viewing area
-1 spotlighted subject, black
background occupying half of viewing area
-2 black background

xposure Compensation Dial <

X unusual lighting situations, such as shown in the agram, the exposure compensation dial allows ijustments to prevent over- or underexposure. Also, e dial can be used to intentionally obtain special fects like over- or underexposure, even under trmal lighting conditions. Conveniently operable on
and A, the dial ranges from -i- 2EV to -2EV in one-
ilf increments.
■ operate, press the lock button @ and turn the dial itil it click-stops opposite the desired compensation ilue. On P, each increment causes a corresponding lift in both shutter speed and f/stop (except for ten the graph line becomes horizontal, and then ily shutter speed is shifted); on A, shutter speed
only is shifted, corresponding to the compensated amount. New shutter speed setting is visible in the viewfinder. After taking the picture, return the dial to 0, or incorrect exposures will result in ordinary shoot ing. In addition to the dial, exposures can be compen sated with the exposure compensation button ®. by changing the ASA/ISO setting, and by changing shutter speed or aperture setting in the manual mode.
Note: At ASA/ISO 25: Only 1 step compensation in the + direction: - direction is normal. At ASA/ISO 1600: Only 1 step compensation In the - direction; + direction Is normal At ASA/ISO 12: Cannot compensate in the + direction: - direc tion is normal At ASA/ISO 3200: Cannot compensate in the — direction: -t- direction is normal
CONTROLS IN DETAIL —'Continued

elf-Timer Lever ?

lis provides an approx. 10-sec. exposure delay, dependent of the shutter mechanism, the self-timer in be set either before or after the film is advanced, can be operated at all modes except the B setting,
de the lever away from the lens as far as it will go. iver the viewfinder eyepiece to prevent stray light >m entering through the viewfinder, then depress
3 shutter release button. After use, return the lever
its original position. The seif-timer is cancellabie
ly time before shooting by returning the lever to its iginal position.

Film Plane Indicator

The film plane indicator ( -®-) is engraved on the top deck just behind the audio warning lever. It indicates the exact position of the film plane inside the camera and is used to measure the exact distance between the subject and film plane, such as in macrophotog raphy. The distance between the film plane and lens
mounting flange is exactly 46.5 mm.
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con

xposure Compensation Button <

Conveniently operable on P and A, this gives a com pensation of + 2EV to quickly and easily adjust expo sure when shooting snow scenes, sidelit or backlit
subjects, or in cases where the main subject and back
ground are strongly contrasted. Keep the button depressed as you press the shutter release button. On P, both f/stop and shutter speed are shifted toward a slower speed and smaller f/number by an equivalent of two EVs, according to the programmed graph. On A. shutter speed is shifted two stops, e.g., from 1/250 sec. to 1/60 sec. On both P and A, the new shutter speed is displayed in the vie\wf inder.
After compensated

iand Grip 5

This not only allows steady shooting but also a secure
comfortable fit in your hand. When shooting with motor drive, the grip should be dismounted. To do this. (l) insert a coin into the slot, turn the screw counterclockwise until it loosens, (2) then slide it down until it separates from the body. To reattach, (l) align the grip attachment screw with the inner hole in the hand grip, (2) slip the grip up until it stops, then screw clockwise until it becomes fight.
^NTROLS IN DETAIL —continued
lemo Holder 45
> a reminder of film type, ASA/ISO speed, and the imber of exposures on the roli in use, clip off the id of the film carton and insert into the memo holder.

infrared Focusing Index 1}

The red dot located Just beside the focusing index on most lenses is the infrared focusing index. When shooting with black-and-white infrared film, it is
necessary to refocus the lens to compensate for the fact that infrared rays focus at a point slightly in front of visible light. To use the index, focus on your subject through the viewfinder, then look at the lens and take
note of the focused distance. Finally, reset the focus
ing ring so that the desired distance is aligned with the red dot.
LASH PHOTOGRAPHY—continued
' ■ ---

iccessory Shoe ?4

icated at the top of the pentaprism viewfinder, the It shoe allows direct mounting of the Nikon Speed-
ht SB-18, SB-16B, SB-15 or any electronic flash with
11SO-type mounting foot. Other flash units may be
ounted with an adapter—see the table on the next ige. Four electrical contacts provide synchroniza­in of the flash unit, flash output stop signal on TTL ode, identification of the TTL flash, and both ready-
ht indication in the camera's viewfinder (via an :D) and auto switching to the proper sync speed of 90 sec. with some Nikon dedicated flashes, jfe: Use of other manufacturer's flash units, even with the
me ISO-type mounting fool, may cause abnormalities in utter speed precision or even breakage of the 1C drcuit.

Viewfinder Ready*Light

When the Nikon FG is used together with N kon flash units such as the SB-18, SB-16B, SB-15, etc., a view finder ready-light LED opposite the thunderbolt mark
lights up when the flash is fully charged or recycled. This way, you’re easily informed of flash readiness without having to take your eye off the viewfinder.
Depending on which Nikon flash unit is attached, the same LED blinks to warn of insufficient flash output, incorrect setting of the flash unit or incorrect setting of the FG, For more detailed information, refer to the flash unit's instruction manual.
Note: W hen the camera's meter switch is off. the ready-light will not light up except at the M90 or В setting.
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FLASH PHOTOGRAPHY
Electronic flashes are convenient not only for night or low-light shooting but also as a supplemental light to fill in shadows in the daytime. When shooting with
electronic flashes such as the Nikon Speedlights SB-18, SB-16B and SB-15, the FG's shutter speed is automatically switched to 1/90 sec. on P. A and on manual modes when the manual shutter speed is
l/125sec. or above. If the manual shutter speed is 1/60sec. or below, the shutter will operate at the set speed. The Nikon FG directly accepts the Nikon
SB-18, SB-16B and SB-15 which have an ISO-type
hot-shoe mount, and the SB-12, SB-16A and SB-17 via the Flash Unit Coupler AS-6. Be sure to check the
guide number of the flash unit and set the aperture to match the shooting distance. The sync contact of the
FG is an X-contact only and synchronizes at the
speed of 1/90sec. or slower. Flash bulbs can also be used at the following shutter speed sync ranges;
f
11/1O0oivD00jl/250il/17b!l/90!«/60 V30 1/tB-
¿
' 'p 1 ■?.—1"è
r lSvt»ci»ror\i¿t;o
Scjr-''>yi DC U5«3
Shjiwf softert (s«i »
i/f i
IM
1/2tB 1
J
1
1
_l

- Jikon FG and Speedlight Combinations

1 Speedlight
SB-19 direct SB-18 SB-17 Via AS-6 coupler SB-16A Via AS-6 coupler SB-16G SB-15
se-ii/14
SB-12 Via AS-6 coupler SB-10 S8-7E SB-E
Connection
direct
direct direct Via SC-13 sensor cord
drrcct Via AS-2 coupler di reel
Camera's ready-
light indication
provided yes provided provided yos provided provided yes provided yes provided yes provided yes provided yes
not provided no
provided yes
Shutter speed automatically
switched to 1/dO see.
Usable flash
modes
auto
yes
yes auto, manual. MD
TTL. manual
auto, manual, MD
TTL. auto, manual, MD TTL, auto, manual, MD
auto, manual
rranual
auto manual
aulOt manual
auto
;lose-up photography
ir nature lovers, scientists, even generai use, ciose-
photography provides the means to see the world
all its smallest details. The following are available
• close-up work at a shorter distance than that of 3 index engraved on the lens: 'Close-up lenses—No. 0, No. 1, No. 2, No. 3T,
No. 4T, No. ST and No. 6T lenses: direct mounting; normal exposure method.
■Auto rings—PK-11, PK-12 and PK-13; mount be tween lens and camera body; usable only in com bination with Al lenses: normal exposure method. Bellows Focusing Attachment PB-6—Use the aperture control lever of the PB-6 for stop-down measurement as follows; on A, release the shutter button after turning the PB-6's aperture control lever; on manual, turn the aperture control of the PB-6 and turn either the f/stop or shutter dial until only the steady LED begins to light, indicating correct exposure for manual mode. Note that P
(Program) mode is unusable. Shooting magnifi
cation is successively changeable by the expan sion and contraction of the bellows.
Any combination of Nos. 1,2, and 3 is possible.
(4) Micro-Nikkor 55 mm f/2.8, 105 mm f/4 and 200 mm
f/4 (IF)—When using Al-type Micro-Nikkor lenses at a shooting magnification range from 1/2 to 1/1, use the Auto Ring PK-13 or Teleconverter TC-200 (in the case of the TC-200, usable from infinity to 1/1 magnification) with the 55 mm f/2.8; use the PN-11 with the 105 mm f/4. In the case of the 200mm f/4 (IF), the Teleconverter TC-300 is rec ommended for photos with a wide magnification range from Infinity to 1/1. Because both the auto rings and teleconverters have automatic aperture coupling devices, they enable automatic exposure
control when combined with Micro-Nikkor lenses. For close-up photography with these accessories, it is recommended to shoot at A or manual modes since
depth of field is generally shallow and you must stop
your aperture down as much as possible to get the greatest area of clear focus. In focusing, it is essen
tial to focus on the matte field. To measure the exact distance between the subject and the film plane, use the film plane indicator.
kCCESSORIES

lectronic Flash Units

'Signed to complement the versatility of the FG, <on has three electronic flash units which mount ectly to the camera's accessory shoe and feature tomatic TTL (through-the-lens) control of the flash oosure. Also, with the camera on P. A, or a manual :ting of 1/I25sec. or faster, the FG is automatically
itched 10 l/90sec,—the correct synchronization
3ed lor flash photography. Nothing could be easier.
--------

Speedlight SB-18

Lightweight and easy to operate. Choice of TTL or
manual control. Guide number of 20 (ASA/ISO 100 and meters) or 33 (ASA/ISO 25 and feet).

»eedlight SB-15

atures special tilling flashtube module for bounce sh or shooting close-ups. Guide number of 25 (ASA/ 3 100 and meters) or 41 (ASA/IS025 and feel).

seedlight SB-16B

)st versatile direct-mounting flash from Nikon. Truly 3alive bounce flash possible with two flash heads: iin head has zoom settings for 28.35,50, and 85 mm ises and tilts back 90'* and rotates 270°; smaller condary head faces straight ahead to provide a tchlight in the eyes. Special MD (motor drive) setting Dws shooting of 8 consecutive frames at 4 frames r second. Powerful guide number of 32 (ASA/ISO 3 and meters) or 52 (ASA/ ISO 25 and feet).
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SB-18

Motor Drive MD-14

Made for ihe Nikon FG, the MD-14 Motor Drive enables shooting up to 3.2fps (frames per second) on high speed setting, or 2fps on low speed setting, using the FG's shutter release button as the motor drive trigger and for auto winding. One-frame-at-a-time picture taking is also possible, enabling you to follow a moving subject without ever taking your eye from the subject. To attach, remove the FG's hand grip ® and engage the tripod socket @ of the camera with the attachment screw. The MD-14 is also operable with the Nikon EM camera, providing the same shoot ing ratio as that lor the Nikon FG. The FG also accepts Ihe compact, lightweight MD-E Motor Drive for I.Sfps shooting. Attachment and operation are the same as above.
kCCESSORIES —continued-

•ata Back MF-15

I keep track of when photos were taken, the FG ;cepts the slim, lightweight Data Back MF-15 which
ps on in place of the FG's regular camera back Sil
th no sync cord needed. Three imprinting modes e possible: year/month/day (up to year 2100), day/ )ur/minute, or picture counting (up to 2000): dis­ayed on the data back in clear LCDs and printed, you choose, on the photo in unobtrusive red LED imerals. For double-duty as a handy clock, a quartz ner with alarm function is incorporated.
ACCESSORIES —continued

yepiece correction lenses

) correct both near- and far-sightedness, nine lenses
•e available from -5 to +3 diopter values. These slues are derived from the dioptry of both the finder Id the correction lens.

:ubber eyecup

/ helping to block stray light from entering the eye­ece, this improves the apparent brightness and intrast of the viewfinder image and facilitates focus­g. Attach directly to the viewfinder or eyepiece srrection lens' frame.

yepiece adapter

sed when attaching the Magnifier DG-2. Be sure to t the adapter before opening the camera back.
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other Accessories

Nikon Fitters

Filters

Nikon offers a wide selection of filters of various sizes and types to meet the needs of color and black-and­white photography. These filters work best with Nikon/ Nikkor lenses. They are also useful for protecting the front of the lens.

Lens hoods

These are recommended to prevent side or slanted
light from entering the lens and causing ghost images and flare. Four types are available to match various Nikon/Nikkor lenses; snap-on, screw-in, telescopic
(already incorporated into the lens), and slip-on.
( )4>acki»i rcrftMitini.'tiop
$aiinte's
■ I ' *
» I’i”
U l*/|(

Semi-soft cases

Two types are available: the CF-17 for use with stan dard lenses and the CF-18 for use with the Nikon Series E 36~ 72 mm f/3.5 or smaller lenses. The CF-18A Front-
Flap for use with the Zoom-Nikkor 35~70mm f/3.5
lens and the CF-19D Camera Case Base Portion for use when the Data Back MF-15 is attached are also avail able.

Custom shoulder bags

Three types are available: CB-i, blue; CB-2, green:
CB-3, beige.

Neckstrap

Available in several colors: AN-l. leather; AN-4Y, AN-4B. AN-6Y and AN-6W, webbed nylon.

Shutter Release Adapter AR-8

For use with the Cable Release AR-2 or Double Cable
Release AR-4. Screw into the center of the shutter release button.
TIPS ON СДМЕЙА CARE
► Don't lorce your camera’s cortfrols—
they are designed lowork with a mini’ mum oi pressure.
• If the camera body is exposed to rain Or mist, wipe moisture gently with a soft cfoth and dry the caVnera, After using the camera near sail water, take care that you wipe ¡1 with a cloth moistened with pure waler to remove possible traces of salt.
58
iPECIFICATlONS
'рв of camera
cture formal >ns mount
mses
lutter
lutter speeds
(Program) mode exposure control
(Auto) mode
>xposure control
Electrenical!y controlled 35mm single-lens reflex camera 24nrinnx36mrn (standard 35 mtn film format) Nikon bayonet mount NIkkOf 50^1.2, 50f1.4, 50/1.8, Nikon Series E 50/1.8 as standard, more than 60 NIkkor and Nikon Series E lenses available Eleotronically controlled vertical­travel metal focal-plane shutter Stepless speeds from 1 to
1/1000 sec. on P (Program) and A (Auto) modes: 11 speeds quartz-control led 1rom 1 to
1/1000 sec. on manual; mechar­icaliy conirolled, 1/90 sec. at M90 setting and long exposure at B setting Light intensity feed-back type; shutter speed and aperture set automatically and steplessly Aperture priority type; aperture set manually while shutter speed set autornatically and steplessly
• Clean all lens and prism surfaces periodjcally with a blower-lype brush or lens tissue moistened with an approved pholo lens cieanmg fiquid,
■ Store your camera, lenses and ac cessories in a cool, dry pi ace. Remove
the batteries when the camera or accessories are riot to be used for an extended period.
Manual mode
exposure control
Viewfinder
inlormation
Exposure meter
Metering range
Film speed range
Audio warning
alarm
Exposure
compensation dial
* Avoid touching the camera's interior
surfaces, especfaity the shutter cur’
tains'0''and film pressure plate®.
• Dispose of used batteries properly— never threw them into lire. For battery pedormance by brand, refer to martu* facturefsiHeraiure.
Both aperture and shutter speed set manually. Shutter speed timing controlled by quartz Shutter speed scale with LED display, exposure warning signal, ready-light when used with electronic flash TTL center-weighted full-aperture measurement, meter incorpo rates one silicon photodiode (SPD) EV 1 to EV I8(l,e., f/1.4 at 1 sec. to f/16 at 1/1QQQ sec. at ASA/ISO 100 and with 5.0mm f/1.4 lens) ASA/ISO 12^3200
'Beep-beep" warring sound activated when shutter release button is pressed halfway if shutter speed Is approx. i/30 sec. and below, or above approx. 1/1000 sec.: can be turned off via audio warning lever
+ 2EVrv-2EV in 1/2 increments
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) OPTIMUM BATTERY PERFORMANCE
Caution: Keep batteries away from infants
and small children. In case a battery is acci dentally swallowed, call a doctor immediately as the material inside the batteries can cause serious problems.
New batteries: Between manufacturing and
first use, all batteries exhibit some drain. There fore, care should be taken to purchase the newest (and freshest} ones possible. To help you do this, some manufacturers stamp the
date of manufacture on the bottom ol eacrt battery. Ask your camera dealer for assistance in Interpreting thecodes.
Temperature: Battery life ratings are based on
operation at around 25°C (77'F). At other tem peratures. battery life is shortened. Spare bat teries should therefore be kept available if oper ation in low temperatures is anticipated.
Continuous use: Batteries are drained much
more quickly by continuous use than by inter mittent use.
Storage; When not in use, the batteries should
be removed to prevent damage from leakage. To minimlie drain during the period of disuse, store the batteries in a cool, dry place.
Battery brand; Do not use mixed brands of
batteries, nor batteries with different model
numbers. Also, avoid mixing new and old bat teries since proper performance will not be obtained and battery leakage into your FG may occur.
Polarity: When installing batteries, observe the
voltage polarities carefully. Reversal of positive ( + ) and negative (-) terminals will result in leakage. If leakage should occur, clean care
fully or take your FG to your dealer.
59
Exposure
compensation button
Viewfinder
Focusing screen
Finder
magnification
Film advance
Frame counter
Film rewind
Approx, + 2EV when exposure oompensafion button is kept depressed as shutter release button is depressed Fixed eyelevel pentaprism type with built-in TTL exposure meter: approx. 92% frame coverage Fixed-type Nikon standard Type K screen; comprised of central split-image rangefinder spot, microprism collar and matfef Fresnel outer field; I2mm-dia. reference circle denotes area of center-weighted metering
0.84X (50mm lens set at
infinity) Via film winding lever of 144° winding angle; hinged type: either one continuous stroke or series of shorter strokes possible Additive type; automatically resets to "S" when camera back is opened Manual: film rewind crank rotates after rewind button is depressed-
Hot-shoe
contacts
Flash
synchronization
Ready-light Motor drive
coupling
Camera back
Standard ISO-type accepts Nikon Epeedlight SB-18, SB-16 SB-15 or other ISO-type Nikon flash unit directly Speeds up to ifSOsec. with electronic flash: with the Nikor dedicated flash unit, flash sync is automatically set to 1/90 sec when shutter speed/mode selector is set at P, A or
manually 1f125"j1/1000sec.: while set to I'vifgosec. manually, the shutter speed will operate as set; the flash ready-light lights up when flash is recycled
Incorporated in the viewfinder
Electrical contacts and tneoha ical coupler built in for operatk with the Motor Drive MD-14 or MD-E Swings open when film rewind knob is pulled up; memo holde provided; interchangeable with the Data Back MF-15

PECIFICATIONS —continued

ilf-timer

¡flex mirror
ind grip iwer source

>wer ON/OFF witch

mens ions sight

imera cases
Lever provided can be set lor up to approx. 10 sec. exposure delay; setting cancellable before actual shutter release Instant-return non-locakble type
Detachable type Two 1.55V silver-oxide batteries (S-76 or SR-44 type), two 1.5V alkaline-manganese batteries (LR-44 type) or one 3V lithium
battery (CR-1 3N type)
Meter switched on when shutter
release button Is pressed
halfway; stays switched on for
approx. 16 seconds after finger
is lifted off button
136.0mm(Vi/)x87.5mm(H)x
54mm(D)
Approx. 490g (body only)
Semi-soft cases CF-17.18
and 19D
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IMPORTANT

The camera body you purchased is packaged separately from the
lens. Before mounting the lens, check if it is capable of Automat io Maximum Aperture Indexing (Al) operation with your camera body
by verifying that the lens' aperture ring is fitted with a meter cou pling ridge as illustrated at the right. If the lens is fitted with the meter coupling ridge, it is capable ol full-aperture exposure measurement: to attach it to the camera, follow the directions provided in the Basic Operation section of this instruction manual. It the lens is non-AI, it cannot be mounted on the Nikon FG. For further details on usable lenses and their recom mended modes, please refer to pages 19 and 27.
Note: Al-conversion ol most non-AI Nikkor lenses having both an automatic diaphragm and m eter coupling prong is available at reasonable cost lor the convenience ol Nikkor tens users. Please contact your local authorised Nikon dealer
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