• Thank you for purchasing the Nikon F75/F75D—a camera that is sure to
make photography a bigger part of your life.
Get to know your F75/F75D camera, and be sure to read this manual
thoroughly before using it. We recommend that you keep this manual
handy.
Supplied accessories
• Take trial shots
Take trial shots before shooting at important occasions like weddings or
graduations.
• Have Nikon spot-check your camera regularly
Nikon recommends that you have your camera serviced by an authorised
dealer or service centre at least once every two years.
• Using your camera correctly
The Nikon F75/F75D’s performance has been optimised for use with Nikon
brand accessories. Accessories made by other manufacturers may not
meet Nikon’s criteria for specifications, and nonconforming accessories
could damage the F75/F75D’s components. Nikon cannot guarantee the
F75/F75D’s performance when it is used with other than Nikon brand
accessories.
BEFORE YOU BEGIN
Body cap (P. 19)Accessory shoe cover
(P. 108)
Eyepiece cap DK-5 (P. 82)
Note: ç 00
ç 00 (numbers from 1 to 12) indicates that the function/mode changes according
to Custom Setting menu number.
32
Page 3
Contents
BEFORE YOU BEGIN ...................................................................................2-11
Film advance mode/Custom Setting selector (p. 79/72)
* Illustration shown is the F75D. The camera back of the F75 differs from the F75D.
• F75D only: Data imprint LCD/buttons
1. Date/time LCD
2.’: Year indicator
3. MODE button: Push to select one of five
available displays.
4. SELECT button: Push to select date/time to
be adjusted.
5.M: Month indicator
6.
: Data imprint indicator: Blinks approx.
–
2 sec. when data is imprinted.
7. ADJUST button: Push to adjust date/time.
BEFORE YOU BEGIN
76
Page 5
LCD Panel/Viewfinder Display
• LCD panel
Self-timer (p. 40)
Shutter speed
Auto Exposure
Bracketing (p. 66)
Flash sync mode
(p. 92/95)
Focus area (p. 48)
Multiple Exposure (p. 69)
* The illustrations are fully labelled for your reference.
Frame counter (p. 21)/Exposure
Remote control (p. 84)
Aperture
Beep sound (p. 28)
Battery power (p. 17)
Exposure
Compensation (p. 64)
Compensation value (p. 64)
Custom Setting (p. 72)
NOTE: About LCD
The LCD panel and viewfinder displays tend to turn darker at high temperatures and
have slower response time at low temperatures. In either case, when the temperature
returns to normal, the displays also return to normal.
LCD illuminator button
Pressing the j button turns exposure meter on (p. 17),
and the LCD panel is illuminated and can be confirmed in
the dark. The illumination remains on as long as the
exposure meter is on. Illumination turns off after lightly
pressing the shutter release button or shutter release.
The F75/F75D employs the convenient Vari-Brite Focus Area display system; it
enables clear display of the focus brackets at the selected focus area in the
viewfinder for easy identification. When the finder image is bright, the focus brackets
are displayed in black and when the finder image is dark, the focus brackets are
momentarily illuminated in red. Also, when battery power is low or film is not loaded
properly, warning indications such as m or ∑ are displayed in the viewfinder.
* Due to characteristics of the LCD used in the Vari-Brite Focus Area display system, a thin
line outside the selected focus area may also be displayed or the entire viewfinder may
be illuminated in red under certain conditions. These are not malfunctions.
ç 4 : Focus area highlight can be cancelled or can be set to appear in any
situation (p. 74).
ç 2 : Warning indications in the viewfinder can be set not to appear (p. 74).
CAUTION: About viewfinder
The viewfinder will be dark without battery power but brightens after installation of
fresh batteries. This is not a malfunction.
BEFORE YOU BEGIN
98
Page 6
Available Exposure Modes
The exposure mode dial of the Nikon F75/F75D can be divided into two
sections. One is the user-controlled exposure mode with Auto-Multi Program,
Shutter-Priority Auto, Aperture-Priority Auto or Manual exposure modes,
where the photographer can determine various exposure factors. The other
section is the point-and-shoot exposure mode in which the camera
automatically controls various exposure settings. See pages 26-27, 35-37, 5462 for more details on each exposure mode.
• User-controlled exposure mode
P: Auto-Multi Program (p. 54)
Camera controls shutter speed and aperture
automatically. Other settings, such as Flexible
Program (page 55) or Exposure Compensation
(page 64) are possible.
S: Shutter-Priority Auto (p. 56)
You set desired shutter speed, and the camera
selects the correct aperture. Freeze the motion
of a moving subject or blur the subject.
A: Aperture-Priority Auto (p. 58)
You set the desired aperture, and the camera
selects the correct shutter speed. Lets you
determine depth of the in-focus area.
• Point-and-shoot exposure mode
a: AUTO mode (p. 26)
Camera automatically controls all the exposure
settings. Suitable for taking pictures right away.
BEFORE YOU BEGIN
s: Portrait mode (p. 35)
Use this mode to take portraits. The background
is blurred to accentuate your main subject.
d: Landscape mode (p. 35)
Use this mode to take pictures of distant daytime
or nighttime scenes. The overall landscape will
be sharply focused.
f: Close-Up mode (p. 36)
Use this mode to take up-close pictures of
subjects such as flowers or insects.
g: Sports mode (p. 36)
Use this mode to freeze the motion of fastmoving subjects.
M: Manual (p. 60)
Shutter speed and aperture are set manually.
Suitable for taking photographs with unique
effects.
h: Night Portrait mode (p. 37)
Use this mode for subjects with an evening or
night background.
1110
Page 7
Start Shooting Immediately
Open the battery chamber and install batteries while the
camera’s power is off (page 16).
1
Attach the lens and turn the power switch on (page 18).
2
Open the camera back and install the film (page 20).
3
• When the camera back is closed, the film is automatically advanced and the
number of available exposures is displayed in the LCD panel.
Set the focus mode selector to AF (autofocus) (page 24), AF Area
4
mode to Dynamic AF Mode with Closest-Subject Priority (page
24) and the exposure mode dial to a(AUTO mode) (page 26).
Hold the camera properly, compose frame and focus (page
28) by lightly pressing the shutter release button (page 18).
5
Confirm focus indicator / appears without blinking and in-
6
focus beep sound is emitted, and slowly depress the shutter
release button (page 30).
Film starts to rewind automatically when it reaches the end
7
of the roll (page 31).
• Make sure œ in the viewfinder and E in the LCD panel are blinking when removing
the film cartridge.
START SHOOTING IMMEDIATELY
1312
Page 8
About Shutter Release Button
Lightly pressing the shutter release button and holding it halfway down
activates the camera’s exposure meter and pressing it all the way down
releases the shutter.
Lightly press the shutter release button.
1
• When the focus mode selector is set to AF
(autofocus), camera starts to focus on the
subject when the shutter release button is
lightly pressed (page 28).
• Lightly pressing the shutter release button
activates the indications in the LCD panel
Before pressing Lightly pressing
and viewfinder (for approx. 5 sec. from
removal of finger). (See page 17 for
information on the exposure meter.)
PREPARATION
This section introduces the various
operations necessary before you start
shooting.
Fully depress the shutter release button.
2
• Fully depressing the shutter release button
releases shutter and film automatically
advances to the next frame.
Lightly pressingFully
depressing
NOTE: Camera shake
Pressing the shutter release button abruptly can result in picture blur. Make sure to
press the shutter release button slowly.
• Install batteries and check battery power
• Mount lens
• Load film
• Set date and time (F75D only)
1514
Page 9
Install Batteries and Check Battery Power
1
Use two CR2-type 3V lithium batteries.
Turn the power switch off and open the battery chamber
1
cover by sliding the battery chamber cover lock release lever
toward indicated direction.
• When replacing batteries, be sure to turn the power switch off and replace both
batteries at the same time. Always use fresh batteries of the same brand.
NOTE: Storing batteries
Keep the batteries out of children’s reach. If swallowed, contact a doctor
immediately. (For “Notes on Batteries”, see page 116.)
Insert batteries with the ´ and ‰ ends positioned as
2
marked inside the battery chamber, then firmly close the
battery chamber cover.
• Make sure to firmly close the battery chamber cover until it locks into place.
• Incorrect positioning of ´ and ‰ poles may damage the camera.
Check points
• We recommend that you take spare batteries with you, especially when travelling.
• For the number of film rolls that can be shot with fresh batteries, see page 128.
Turn the power switch on and confirm battery power with
3
the N indication.
Sufficient battery
power
LCD panel
(appears)
(appears)(appears)
(blinks)(blinks)
• m in the viewfinder disappears when the power is off.
• œ blinks in the viewfinder when the film is not loaded.
ç 2 : Warning indications in the viewfinder can be set not to appear (p. 74).
Lightly press the shutter release button to activate the exposure meter.
Lightly pressing the shutter release button reactivates the exposure
meter and indications in the LCD panel and viewfinder. Shutter
speed and aperture (ƒ-- when lens is not attached) indications in
the LCD panel automatically turn off 5 sec. after removing your
finger from the shutter release button. (All indications in the
viewfinder turn off.) See page 14 for information on the shutter
release button.
ç 8 : The duration of inactive time before automatic meter switch-off occurs
can be set to 3, 10 or 20 sec. (p. 75).
• When the power switch is turned off with batteries installed, the frame counter display
remains on in the LCD panel
Camera’s meter onCamera’s meter off
N
Mm
Mm
No indicationNo indication
Viewfinder
No indication
m
(appears)
Insufficient battery power
Meaning
Sufficient battery power.
Batteries are nearing exhaustion. Have a
fresh set ready. (Viewfinder indications turn
off when exposure meter is off.)
Batteries are exhausted. Replace batteries.
(Shutter locks.)
PREPARATION
1716
Page 10
Mount Lens
2
Turn the power switch off and mount the lens to the camera body.
Check the lens type.
1
CPU contacts of CPU
Nikkor lens
ÅG-type Nikkor lens, without aperture ring
ÍCPU Nikkor lenses other than G-type (Illustration is D-type Nikkor lens), with
aperture ring
G-type Nikkor lens
The G-type Nikkor lens has no aperture ring; aperture should be selected from
camera body. Unlike other CPU Nikkor lenses, aperture does not need to be set to
minimum.
Check points
• Use a G- or D-type AF Nikkor lens to utilise all of this camera’s functions.
• Make sure to turn the power switch off when attaching/detaching the lens.
• Avoid direct sunlight when attaching/detaching the lens.
Å G-type Nikkor lens
Í CPU Nikkor lens other
than G-type
Turn the power switch off and mount the lens to the camera
2
body.
• Position lens in the camera’s bayonet mount so that the mounting indexes on lens
and camera body are aligned, then twist lens anticlockwise until it locks into
place. (Be sure not to touch the lens release button.)
• With CPU Nikkor lens with aperture ring (other than G-type), set the lensaperture to its minimum and lock. When the lens is not set to its minimum
aperture setting and the power switch is turned on, ƒEE blinks in the LCD panel
and viewfinder and the shutter cannot be released.
Detach the lens.
3
• Push and hold the lens release button, then
turn the lens clockwise to detach the lens.
PREPARATION
NOTE: Non-CPU Nikkor lens
When a non-CPU Nikkor lens is attached and the power switch is turned on,
ƒ-- blinks in the LCD panel and viewfinder, and the shutter cannot be released
(except in Manual exposure mode). See page 106 for a non-CPU lens.
When camera is left unattended without lens
When you leave the camera unattended without a lens attached, be sure to attach
the supplied body cap (page 2), or optional body cap BF-1A. (BF-1 body cap cannot
be used.)
1918
Page 11
Load Film
3
Turn the power switch on and load DX-coded film. With DX-coded film, film
speed will be set automatically (ISO 25-5000). When the camera back is
closed, the film automatically advances and the number of available
exposures is displayed in the LCD panel.
Turn the power switch on, open the camera back by sliding
1
the camera back lock release lever and load film.
• Film cartridge can be loaded smoothly if inserted from the bottom.
• Make sure to insert the film cartridge all the way in.
Pull film leader across to red index mark.
2
• Make sure to align the film leader to the red index mark; if the film leader is not
properly aligned to the index mark (short of or beyond the mark), film may not be
loaded properly.
• Hold the film cartridge and ensure film is properly positioned with no slack.
NOTE: Loading/removing film
Shutter curtains are very thin. Do not touch the shutter curtains
with your finger or the film leader.
Gently close the camera back until the camera back snaps
3
closed.
• The film automatically advances to the final frame with blinking o, o–, o––, o–––
as indicated in the LCD panel, and film rewinds one frame at a time as photos are
taken. The LCD panel indicates number of exposures left on film.
• When the film has completed set up, a shutter sound is let out but no picture has
been taken.
• When E appears in the LCD panel, or Err and E in the LCD panel and ∑ in the
viewfinder blink, film is not properly installed. Open the camera back again and
reload film by aligning the film leader to the red index mark. œ blinks in the
viewfinder when the film is not loaded.
• Pictures taken on frames beyond the indicated number of the exposures for the
film roll may be discarded in the process of developing.
ç 2 : Warning indications in the viewfinder can be set not to appear (p. 74).
DX-coded film
With DX-coded film, film speed will be set
automatically between ISO 25 to ISO 5000.
Film speed is set to ISO 100 with non-DXcoded film.
Check points
• Avoid direct sunlight when changing film outdoors.
• You can check the number of available exposures on the film roll and film speed
through the film confirmation window.
• Infrared films cannot be used with this camera since an infrared sensor is used for
the detection of the film frame position.
DX-coded film
ISO
(film speed)
DX mark
PREPARATION
2120
Page 12
Set Date and Time (F75D only)
4
This camera allows you to imprint Year/Month/Day, Day/Hour/Minute (24-hour
clock), Month/Day/Year or Day/Month/Year on your picture in any exposure
mode. (For imprinting date/time, see page 42.)
BASIC
OPERATION 1
• Adjusting date and time (Example: year 2003, April 1)
Push ¨ button to select one of the date or time displays.
1
Push SELECT button so section to be corrected starts
blinking.
• Date cannot be set in Day/Hour/Minute
display. To set date, select Year/Month/Day,
Month/Day/Year or Day/Month/Year.
• Set the time in Day/Hour/Minute display.
Push ADJUST button to change the blinking numbers and after
2
correction, push SELECT button until the numbers stop blinking.
• Each time you push the ADJUST button, year
section moves up from 98 to 49 (back to 98
after 49).
• To change the numerical indication rapidly,
hold the ADJUST button down for more than
1 sec.
• Push SELECT button until the date/time
display stops blinking. When the imprint
indicator
LCD panel, the setting is complete.
Quartz Date power source
Batteries in the camera body also power the quartz date. Set the date and time after
installing batteries for the first time. When changing batteries, date and time remain in
the quartz date memory up to approx. 30 minutes without batteries. If the date and
time data are lost, reset them. Note that the time the data remains in the memory
becomes shorter at low temperatures.
appears in the data imprint
—
This section features the settings for most
common picture-taking situations using
AUTO mode (a) to enable easy operation
even for beginners.
Shooting modes/functions explained in this section are as follows:
Lens attachedG-type AF Nikkor (p. 18)
Focus modeAF (autofocus) (p. 24)
Focus area
Exposure metering system
Exposure modeAUTO mode (a) (p. 26)
Flash sync modeFront-Curtain Sync (¡/™)* (p. 92)
Film advance modeSingle frame (ı) (p. 79)
Custom settingDefault (initial) settings (p. 72)
* Automatically set when a AUTO mode is selected.
Dynamic AF Mode with ClosestSubject Priority (p. 24)
25-segment 3D Matrix Metering*
(p. 26)
22
23
Page 13
Set Focus Mode and AF Area Mode
1
Set focus mode to AF (autofocus) and AF Area mode to Dynamic AF Mode
with Closest-Subject Priority. (See pages 44 and 46 for details.)
Turn the power switch on and set the focus mode selector to
1
AF (autofocus).
• Make sure to turn the focus mode selector until it
clicks into position.
• To focus, lightly press the shutter release button
(page 14).
NOTE: AF focus mode
Do not rotate the lens focusing ring manually when the focus mode selector is set to
AF.
Set the AF Area mode selector to S.
2
• When the focus mode is set to AF (p. 36) and AF
Area mode selector is set to S (except f Close-
Up mode), Dynamic AF Mode with Closest-Subject
Priority is selected.
• Dynamic AF Mode with Closest-Subject Priority
automatically focuses on the subject located
closest to any of five focus areas (page 46). If the
subject moves from the selected focus area, the
camera automatically focuses on the subject
determining the data from the other focus areas.
• Situations where autofocus may not work as expected
Autofocus may not work as expected in the following situations. In such
situations, focus manually using the clear matte field (page 45) or focus on
a different subject located at the same distance, use focus lock (page 52)
then recompose.
Low-contrast scenes
For example, where the subject is wearing clothing the
same colour as a wall or other background.
BASIC OPERATION 1
Scenes with subjects within the focus brackets
located at different distances from the camera
For example, when photographing an animal in a cage or
a person in a forest.
Patterned subject or scene
For example, building windows.
Scenes with pronounced differences in
brightness within the focus brackets
For example, when the sun is in the background and the
main subject is in shadow.
2524
Page 14
Set Exposure Mode to a
2
When the exposure mode is set to a, the camera automatically controls all
the exposure settings.
Set exposure mode to a.
• When the shutter release button is lightly pressed, shutter speed and aperture are
indicated in the LCD panel and viewfinder.
• When the exposure mode is set to a, Matrix Metering is automatically selected.
Matrix Metering (page 32)
The Matrix Meter employed in the F75/F75D uses a
25-segment sensor to achieve superior metering
results even in extremely complex lighting conditions.
The microcomputer analyses data including scene
brightness and contrast—and subject distance when
you use a G- or D-type Nikkor lens (3D MatrixMetering is performed)—and makes the calculations
necessary to assure correct exposure. This camera
automatically selects Matrix Metering in all exposure modes except Manual exposure
mode (page 60). Centre-Weighted Metering is selected in Manual exposure mode.
Check point
In a mode, Flexible Program (p. 55), Exposure Compensation (p. 64), Auto Exposure
Bracketing (p. 66), Multiple Exposure (p. 69), Slow Sync (p. 92), Rear-Curtain Sync (p.
93) and Red-Eye Reduction with Slow Sync (p. 93) cannot be set.
• About exposure mode
Four exposure modes besides a and five Vari-Program modes are available
with this camera. Utilising the characteristics of each exposure mode, effective
results can be achieved with various types of subjects or shooting situations.
And the five Vari-Program modes enable you to easily choose proper
exposure controls by simply selecting the desired mode for various shooting
situations.
See each reference page for operating instructions and details.
SymbolExposure mode
aAUTO p. 26
Portrait p. 35
s
Landscape p. 35
d
Close-Up p. 36
f
Sports p. 36
g
Vari-Program
Night Portrait
h
p. 37
Auto-Multi
P
Program p. 54
Shutter-Priority
S
Auto p. 56
Aperture-Priority
A
Auto p. 58
Manual p. 60
M
Characteristics/Shooting situations
The easiest exposure mode for general shooting. Camera controls shutter speed and
aperture automatically depending on the subject’s brightness—allowing you to freely
take pictures, concentrating only on the shutter release opportunity.
Use this mode to take portraits. The background is blurred to accentuate your main
subject.
Use this mode to take pictures of distant scenes. The overall landscape will be sharply
focused. This mode is also suitable for capturing nighttime or twilight scenes.
Use this mode to take up-close pictures of subjects such as flowers or insects. Your
close-ups will be taken with an artistically blurred background.
Use this mode to take sports pictures. Using a fast shutter speed, it freezes the motion
of fast-moving subjects to create exciting action photos.
Use this mode for subjects with an evening or night background. This mode captures
all lighting in the scene, including the foreground subject which is illuminated by the
flash, and the background.
Camera controls shutter speed and aperture automatically, while allowing you to make
other settings, such as Flexible Program (page 55) or Exposure Compensation (page
64).
You set desired shutter speed, and the camera selects the correct aperture. Freeze the
motion of a moving subject using a fast shutter speed or blur the subject using a
slower speed.
You set the desired aperture, and the camera selects the correct shutter speed. Lets
you determine depth of the in-focus area (page 102), so you can choose whether near
or far subjects are in sharp focus, or whether foreground or background is to be
blurred.
Shutter speed and aperture are set manually. Suitable for situations where it is difficult
to attain the desired effect using other exposure modes. Long Time exposure is
possible with this exposure mode.
BASIC OPERATION 1
2726
Page 15
Hold Camera and Focus
3
Lightly pressing the shutter release button automatically focuses the camera
on the subject.
Hold the camera properly.
1
NOTE: Camera shake
Camera shake is likely to occur when the camera is not held steady or with slow
shutter speed. The built-in Speedlight automatically fires in dark conditions (where
slow shutter speed is required) in a or Vari-Program (except for d and g) with this
camera but always remember to hold the camera correctly.
• Keep your elbow propped
against your body for support.
• Stand with one foot forward a
half step and keep your upper
body still.
• Grasp the camera handgrip
with your right hand and use
your left hand to cradle the
camera (or lens).
Compose frame, centre focus brackets on your subject, and
2
focus by lightly pressing the shutter release button.
Compose frame so that the subject to be focused is
•
located closest at any of five focus areas and lightly
press the shutter release button. When the Dynamic
AF Mode with Closest-Subject Priority (pages 26, 47)
is set, camera automatically maintains focus on the
subject located closest to any of five focus areas.
• Lightly pressing the shutter release button
automatically focuses the camera on the subject and
when the subject is in focus, that focus area is
highlighted with Vari-Brite display (p. 9), beep sound
is emitted and / appears in the viewfinder.
• Focus indicator appears or blinks as follows:
/ appears: Subject is in focus.
/ blinks: Unable to focus using autofocus.
• With dark subjects, the camera’s AF-Assist Illuminator (page 50) is automatically
activated to guide autofocus (except in d or g).
ç 1 : In-focus beep sound can be set not to be emitted (p. 74).
Check points
• Dioptre adjustment (page 82) enables you to see more clearly through the
viewfinder.
• To take a picture of a subject outside the focus area, shift the focus area (page 48)
or use focus lock (page 52).
• In situations where autofocus may not work as expected, see page 25.
Built-in Speedlight
When the subject is dark or backlit and the
shutter release button is lightly pressed, the builtin Speedlight automatically pops up in a or VariProgram (except in d or g). See page 38 for
details.
NOTE: Composing frame
The F75/F75D’s viewfinder frame shows approximately 89% of the image actually
exposed on the film frame. Therefore, the actual exposed frame is somewhat larger
than the image you see through the viewfinder. Note that the edges of a negative film
are partially cropped by most labs.
BASIC OPERATION 1
2928
Page 16
Release Shutter
4
Confirm that / (in-focus indicator) appears in the viewfinder, then slowly, fully
depress the shutter release button. With a moving subject, Continuous Servo
AF (page 44) activates and camera continuously focuses on the subject.
Confirm indications in the viewfinder while lightly pressing
1
the shutter release button.
• When the subject is dark or backlit and shutter release button is lightly pressed,
the built-in Speedlight automatically pops up and starts charging (pages 38, 95).
Confirm that focus indicator / appears and slowly depress
2
the shutter release button.
Film starts to rewind automatically when the last shot is
3
taken.
• o–––, o––, o–, and then o is displayed during film rewind.
Confirm that film is completely rewound, then remove film
4
cartridge.
• Film is completely rewound when the frame counter shows blinking E in the LCD
panel and œ in the viewfinder. (E appears without blinking and œ disappears
when the exposure meter is off.) Make sure the film is completely rewound (E andœ are blinking), open the camera back away from sunlight and remove the film
cartridge.
ç 2 : Warning indications in the viewfinder can be set not to appear (p. 74).
BASIC OPERATION 1
• After the shutter is released, the film automatically advances to the next frame
and the next shot can be taken.
• When exposures remaining in the film becomes 5 or less, œ appears and W
blinks for five sec. in the viewfinder.
Check points
• If any other warning indications appear, see page 117.
• For mid-roll rewind, see page 78.
3130
Page 17
C O LU M N
About Metering Systems and Exposure
About Metering Systems and Exposure
Metering systems and exposure are important factors for taking pictures.
Knowing the characteristics of each factor helps you widen your
photographic expression.
•Metering Systems
As the proper combination of shutter speed and aperture for correct exposure
is determined according to subject brightness and film sensitivity, measuring
subject brightness is very important.
In general, brightness inside the viewfinder is not uniform. The F75/F75D
provides two metering systems: Matrix Metering (page 26) and Centre-Weighted Metering (page 60). With Matrix Metering, data on scene
brightness is detected by the 25-segment Matrix sensor. Using G- or D-type
Nikkor lenses, the F75/F75D camera performs 25-segment 3D Matrix
Metering by adding distance information to determine correct exposure. With
Centre-Weighted Metering, brightness is detected at the central areasincluding five focus areas in the viewfinder. With the F75/F75D, Matrix
Metering is automatically selected when the exposure mode is set to other
than Manual and Centre-Weighted Metering is selected with Manual
exposure mode.
•Exposure
Light from the subject passes through the lens and exposes the film. Light
reaching the film is controlled by the shutter speed and aperture. The proper
combination of shutter speed and aperture for subject brightness and film
sensitivity results in the correct exposure.
The F75/F75D’s a mode (page 26), Auto-Multi Program (page 54) and VariProgram (page 34) automatically control shutter speed and aperture. VariProgram gives you the option to choose from Portrait, Landscape, Close-Up,
Sports or Night Portrait mode—designed for specific picture-taking situations
and photographic images. In Shutter-Priority Auto exposure mode (page 56),
you can manually set shutter speed and the camera automatically sets the
proper aperture. In Aperture-Priority Auto exposure mode (page 58), you can
manually set aperture and the camera automatically sets the proper shutter
speed. In Manual exposure mode (page 60), you manually set both shutter
speed and aperture.
BASIC
OPERATION 2
This section describes the following
basic operations:
• Shooting with Vari-Program
• Using Built-In Speedlight
• Self-Timer Operation
• Imprinting Date/Time (F75D only)
C O LU M N
3332
Page 18
Shooting with Vari-Program
Vari-Program gives you the option to choose from Portrait, Landscape, CloseUp, Sports or Night Portrait mode—designed for specific picture-taking
situations and photographic images.
Set the exposure mode dial to the desired Vari-Program,
1
then lightly press the shutter release button.
• Centre the focus brackets on your subject (where you want the focus) and lightly
press the shutter release button.
automatically focuses the camera on the subject and when the subject is in focus, that
focus area is highlighted with Vari-Brite display (p. 9), beep sound is emitted and /
appears in the viewfinder.
• When / is blinking in the viewfinder, the camera is unable to focus using autofocus.
Lightly pressing the shutter release button
Confirm that focus indicator / appears and slowly depress
2
the shutter release button.
s: Portrait mode
Use this mode whenever you are taking pictures of
people. It creates a blurred background to accentuate
your main subject.
• 85mm to 200mm telephoto lenses with large
maximum apertures are recommended.
• Distancing the main subject and the background
emphasises the effect.
d: Landscape mode
Use this mode whenever you’re taking a picture of a
distant scene. The overall picture, whether the
subject is near or far, is sharply focused. It also
allows you to capture the beauty of nighttime or
twilight scenes.
• Built-in Speedlight does not fire even when the
subject is dark or backlit.
• In some shooting situations, especially shooting
night scenes, slow shutter speed is selected. To avoid camera shake, use a tripod. Use
of self-timer or remote control also helps to avoid camera shake.
• A wide-angle lens is suited to capturing a wide view of the landscape.
BASIC OPERATION 2
• Shutter speed and aperture are automatically determined to suit the selected VariProgram and are displayed in the LCD panel and viewfinder.
• When the subject is dark or backlit, the built-in Speedlight automatically pops up
and fires (except in d or g).
NOTE: Vari-Program
Flexible Program (page 55), Auto Exposure Bracketing (page 66) and Multiple
Exposure (page 69) cannot be performed in Vari-Program. When using the flash in
Vari-Program, available Flash Sync modes differ with each program (page 96).
3534
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Shooting with Vari-Program—continued
f: Close-Up mode
Use this mode when you are taking pictures up close.
It creates a blurred background to accentuate your
main subject. Useful in taking close-ups of subjects
such as flowers or insects.
• Dynamic AF Mode with Centre-Subject Priority and
centre focus area are automatically selected (page
46) even when the AF Area mode is set to Dynamic
AF Mode with Closest-Subject Priority.
• In some shooting situations, slow shutter speed is selected. To avoid camera shake, use
a tripod. Use of self-timer or remote control also helps to avoid camera shake.
• Effect is maximised at minimum focusing distance of the lens in use. When using a
zoom lens, use telephoto zoom position.
• For more professional uses, Micro-Nikkor lenses are recommended.
g:Sports mode
Use this mode to freeze action. It uses a fast shutter
speed suitable for stop-action photography. In Sports
mode, Continuous Servo AF (page 44) is
automatically activated and the camera continues to
focus on the subject without Focus lock (page 52).
• Built-in Speedlight does not fire even when the
subject is dark or backlit.
• 80mm to 300mm telephoto lenses are
recommended.
• Continuous shooting is possible when film advance mode is set to ˜ continuous
(p.79).
• Use of ISO 400 or faster film speed is recommended.
• A tripod is recommended when using a telephoto lens to avoid camera shake.
h: Night Portrait mode
Use this mode for subjects with an evening or night
background. Night Portrait mode captures all the
lighting in the scene, including the foreground
subject and background.
• Use d Landscape mode for twilight or nighttime
scene without foreground subject.
• Use of ISO 400 or faster film speed is
recommended.
• To avoid camera shake, use a tripod.
BASIC OPERATION 2
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Using Built-In Speedlight
When the subject is dark or backlit and the shutter release button is lightly
pressed, the built-in Speedlight automatically pops up in a or Vari-Program
(except in d or g). Fully depress the shutter release button to take pictures
with the Speedlight.
When the subject is dark or backlit and the shutter release
1
button is lightly pressed, the built-in Speedlight
automatically pops up and starts charging.
• When the built-in Speedlight is ready to fire, ‡ appears without blinking in the
viewfinder (when the camera’s meter is on).
• When you want to take a picture without the flash, close the built-in Speedlight
until it clicks shut while lightly pressing the shutter release button. (When the flash
is cancelled in this manner, as long as the shutter release button is kept lightly
pressed, flash is cancelled for subsequent shots. When you remove your finger
from the shutter release button and shutter release button is lightly pressed again,
the built-in Speedlight pops up again and flash starts charging.)
• To cancel the flash, select the Flash Cancel mode (page 93) before lightly pressing
the shutter release button.
Built-in Speedlight and Multi-Sensor Balanced Fill-Flash
• The built-in Speedlight offers an angle of coverage of 28mm lens with a guide
number of 12 (ISO 100, m). When a wide-angle lens of less than 28mm focal length
is used in flash photography using the built-in Speedlight, the flash may not reach
the peripheral area and may result in a dark picture.
• Using CPU Nikkor lenses such as a G- or D-type Nikkor lens enables use of 3DMulti-Sensor Balanced Fill-Flash. Analysing the brightness and contrast level
derived from Matrix Metering, the 3D Multi-Sensor Balanced Fill-Flash ensures
proper exposure of the main subject and background, while providing adequate
flash output to create natural-looking flash photography. See page 91 for details.
Confirm ‡ in viewfinder, then compose, focus and take the
2
picture with flash by fully depressing the shutter release
button.
• The shutter cannot be released unless ‡ appears without blinking in the
viewfinder.
• ‡ blinks in the viewfinder approx. 3 sec. after full flash output. If this happens,
underexposure may have occurred. Check the flash shooting distance range
(page 98) and shoot again.
• With dark subjects, the camera’s AF-Assist Illuminator is automatically activated
to guide autofocus. See page 50 for details.
NOTE: Continuous use of built-in Speedlight
After continuous use of the built-in Speedlight, it may stop firing to protect the firing
tube. Wait for a while before using the built-in Speedlight again.
Check points
• Be sure to remove (or store) the lens hood before flash shooting.
• Some lenses have limitations using the built-in Speedlight and may cause vignetting
(a shadow may appear within the frame) (page 100).
• Normal Front-Curtain Sync flash mode is introduced in this section. Various flash
sync modes are also available. For details, see page 92.
BASIC OPERATION 2
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Self-Timer Operation
You can use the self-timer when you want to be in the photograph or reduce
camera shake.
Press v (self-timer) button and confirm that V appears on
1
the LCD panel. (Or, rotate the Command Dial while pressing the v
button until V appears on the LCD panel.)
The display changes as follows:
No display
(cancel)
Immediate release for
remote control
Two-sec. delay release
for remote control
Check points
• Use a tripod or place the camera on a stable surface before using the self-timer.
• To shoot in an exposure mode other than Manual, cover the eyepiece with the
supplied eyepiece cap DK-5 (page 82) or with your hand before pressing the shutter
release button to prevent interference from stray light and achieve correct exposure.
• Do not stand in front of the lens when setting the self-timer in autofocus mode.
Compose picture, focus by lightly pressing the shutter
2
release button and fully depress the shutter release button.
• Self-timer shooting cannot be performed unless the camera’s shutter can be
released (i.e. when subject cannot be brought into focus with autofocus).
• Once the self-timer is activated, the shutter will release in 10 seconds. The selftimer lamp will blink for 8 sec. and then illuminate for 2 sec. before the shutter is
released. During activation of the self-timer, beep sound is emitted.
• Self-timer is cancelled after shutter is released.
• When Red-Eye Reduction (page 93) is set, self-timer activates and the selftimer/red-eye reduction lamp lights for 1 sec. before the shutter releases at the
same output level as the normal Red-Eye Reduction function.
• To cancel the self-timer mode or the self-timer during self-timer operation, either
turn the power switch off, press the v button until V and c disappear from the
LCD panel or rotate the Command Dial while pressing the v button until V and c
disappear from the LCD panel.
ç 1 : Self-timer beep sound can be set not to be emitted (p. 74).
ç 9 : The time delay of the self-timer can be set to 2, 5 or 20 sec. (p. 76).
BASIC OPERATION 2
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Page 22
Imprinting Date/Time (F75D only)
You can imprint the following date information on your picture:
Year/Month/Day, Day/Hour/Minute, Month/Day/Year or Day/Month/Year. See
page 22 to set date and time.
Push MODE button to select available imprinting displays.
1
(Example: year 2003, April 1, 15:30)
Each time you push the MODE button the display changes as follows:
Year/Month/DayDay/Hour/MinuteNo imprint
Day/Month/YearMonth/Day/Year
• The data displayed on the data imprint LCD will be imprinted on the picture.
Select -- -- -- (no imprint) to cancel data imprint. Compatible film speeds for data
imprinting are ISO32-3200.
Compose picture, focus and fully depress the shutter release
2
button to take a picture with the imprinted date/time.
• Data imprint indicator — blinks for approx. two to three
sec. immediately after the shutter is released (when film is
loaded).
Imprinted date/time
The illustration at right indicates the position of the
imprinted date/time on the film. It may be difficult to read
against bright colours such as white or reddish hues.
FOCUS
OPERATION
This section features detailed
descriptions of focusing operations.
• Focus mode
• Focus area mode
• Focus area selection
• AF-Assist Illuminator
• Focus lock
42
43
Page 23
Focus Mode
Two focus modes, autofocus using the Auto-Servo AF (Single Servo AF and
Continuous Servo AF) and Manual focus, are available with the F75/F75D.
• Autofocus
• With the focus mode selector set to AF, lightly
pressing the shutter release button automatically
focuses the camera on the subject at the focus
area (page 9/48) and causes / to appear in the
viewfinder.
• Auto-Servo AF
Camera automatically chooses Single Servo AF or Continuous Servo AF operation
according to the subject status, i.e. stationary or moving.
• Single Servo AF
Automatically activated when shooting a stationary subject.
The shutter can be released when the focus indicator / appears in the viewfinder.
Once focused on a subject, keeping the shutter release button lightly pressed locks
focus (Focus Lock, page 52). However, if the subject starts moving, Focus Lock is
deactivated, and the focus mode automatically switches to Continuous Servo AF.
• Continuous Servo AF
Continuous Servo AF is automatically activated when the subject is moving. The
shutter can be released when the focus indicator / appears in the viewfinder; however,
focus is not locked and the camera continues to focus on the subject until shutter
release. With a moving subject, Focus Tracking (page 122) is activated and the camera
continuously focuses on the subject. Also, F75/F75D will continue to focus firmly on a
main subject with Lock-On™.
• When g Sports mode is selected, Continuous Servo AF is automatically activated
and the camera continuously focuses on the subject.
• Manual focus
• Set the focus mode selector to M. Look through the
viewfinder and rotate the lens focusing ring until the
image appears sharp on the clear matte field in the
viewfinder. The shutter can be released whether or
not the subject is in focus and regardless of the
focus indicator status.
• Use Manual focus in situations where autofocus
may not work as expected (page 25) or with lenses
which do not allow autofocus operation when
attached to the F75/F75D (page 104).
• When using a lens with the A-M select function, set
the switch/ring to M to focus manually. If M/A
(autofocus with manual priority) is available with
your lens, Manual focus is possible either with the
switch/ring set to M or M/A. See the instruction
manual of your lens for details.
Manual focus using Electronic Rangefinder
Set the focus mode selector to M. The focus can be confirmed with / indication in
the viewfinder. The Electronic Rangefinder works with most Nikkor lenses (including
AF Nikkors when operated manually) having a maximum aperture of f/5.6 or faster.
Lightly press the shutter release button and while the meter is on, rotate the lens
focusing ring until / appears in the viewfinder. The shutter can be released anytime.
The Electronic Rangefinder can be activated with any of five focus brackets selected
as the focus area (pages 9/48).
FOCUS OPERATION
About Lock-On™
Lock-On™ Autofocus keeps focus firmly on a main subject even if some other object
momentarily blocks it in the viewfinder.
4544
Page 24
Focus Area Mode
The F75/F75D’s five focus areas cover a wide frame area. When the focus
mode is set to AF (page 44), you can select either Dynamic AF Mode withClosest-Subject Priority, where the camera automatically selects the focus
area, Dynamic AF Mode with Centre-Subject Priority, where the camera
selects centre focus area, or Dynamic AF Mode, where you select the desired
focus area. When the focus mode is set to M (manual focus), you can select
either Centre Area Mode, where you focus manually using the centre focus
area, or Single Area Mode, where you focus manually using the selected
focus area.
Tip
Dynamic AF Mode with Closest-Subject Priority is useful when you want the camera to
take automatic control over focus operations, or when shooting a moving subject.
Dynamic AF Mode is useful in achieving focus on a particular part of a subject, or
when the composition of the photograph is your top priority.
Rotate AF Area mode selector to select AF Area mode.
• When the focus mode is set to AF (autofocus),
Dynamic AF Mode with Closest-Subject Priority is
selected with the AF Area mode selector set to S
(except in f Vari-Program, p. 36), Dynamic AFMode with Centre-Subject Priority is selected with
the AF Area mode selector set to D, and DynamicAF Mode with the AF Area mode selector set to
A. When the focus mode is set to M (manual
focus), Centre Area Mode is selected with the AF
Area mode selector set to either S or D, and
Single Area Mode with the AF Area mode selector
set to A.
• All five focus areas are displayed in the LCD panel
when Dynamic AF Mode with Closest-Subject
Priority is selected. When a subject is in-focus,
focus brackets located at in-focus subject is
highlighted momentarily with the Vari-Brite display
(p. 9) in the viewfinder.
• When focus mode is set to Autofocus
S: Dynamic AF Mode with Closest-Subject Priority
Dynamic AF Mode with Closest-Subject Priority automatically maintains focus on the
subject located closest to any of five focus areas and focus is locked once it is
achieved*. The focus area of the subject is in focus is highlighted with the Vari-Brite
display (p. 9). If the subject moves from the selected focus area, the camera
automatically focuses on the subject determining the data from the other focus areas.
D: Dynamic AF Mode with Centre-Subject Priority
Dynamic AF Mode with Centre-Subject Priority automatically maintains focus on the
subject located at centre focus areas and focus is locked once it is achieved*. If the
subject moves from the centre focus area, the camera automatically focuses on the
subject determining the data from the other focus areas. Centre focus area is
highlighted with the Vari-Brite display (p. 9).
A: Dynamic AF Mode
Focus is obtained at the selected focus area and focusing is locked (as long as the
shutter release button is lightly pressed) once it is achieved*. If the subject moves
from the selected focus area, the camera automatically focuses on the subject
determining the data from the other focus areas. Selected focus area is highlighted
with the Vari-Brite display (p. 9).
* In Continuous Servo AF, focus is not locked and camera continuously focuses on
the subject (see page 44).
• When focus mode is set to Manual
S/D: Centre Area Mode
Focus is obtained only at the centre focus area when the AF Area mode selector is
set to either S or D and when using the manual focus. Centre focus area is
highlighted with the Vari-Brite display (p. 9).
A: Single Area Mode
Focus is obtained only at the selected focus area when using the manual focus.
Selected focus area is highlighted with the Vari-Brite display (p. 9).
FOCUS OPERATION
46
47
Page 25
Focus Area Selection
This camera’s five focus areas cover a wide frame area, and you can select
among them, depending on the subject’s position in the frame or your desired
composition. They reliably provide sharp focus without use of focus lock
(page 52).
Set the AF Area mode selector to
1
A.
• Dynamic AF Mode is selected with the focus
mode set to autofocus, and Single Area mode
is selected with the focus mode set to manual.
• Focus Area selector is locked and focus area
cannot be selected when AF Area mode other
than A is selected.
Press the focus area selector to
2
select a focus area.
• Lightly press the shutter release button and
press the focus area selector up/down/right/
left to change the focus area toward the
corresponding direction. Selected focus area
is highlighted with the Vari-Brite display (p. 9).
Selected focus area is also indicated in the
LCD panel.
Check points
• When exposure mode is set to a or Vari-Program in autofocus, turning the power
switch off and on again resets the focus area to the centre. When exposure mode is
set to P, S, A or M, or in manual focus, selected focus area remains.
• When exposure mode is changed within a and any of Vari-Program, or changed to
a or Vari-Program from P, S, A or M in auto focus, focus area resets to the centre.
When exposure mode is changed within P, S, A and M in autofocus, or in manual
focus, selected focus area remains.
• Select the focus area while exposure meter is on. Focus area cannot be selected
when exposure meter is off.
FOCUS OPERATION
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Page 26
AF-Assist Illuminator
When the subject is dark and the shutter release button is pressed lightly, the
camera’s AF-Assist Illuminator automatically turns on and enables autofocus
operation in a dark environment.
• AF-Assist Illuminator automatically turns on in the
following situations:
Focus mode is autofocus, AF Nikkor lens is used,
subject is dark and centre focus area is selected or
Dynamic AF Mode with Closest-Subject Priority is
activated.
• AF-Assist Illuminator does not turn on in d or g.
• Focal length of the usable AF Nikkor lens is 24-
Approx. 0.5-3m
200mm.
• The distance range of the AF-Assist Illuminator is
approx. 0.5-3m. Autofocus using the camera’s AFAssist Illuminator cannot be performed due to
vignetting with some lenses at a shooting distance
less than 1m (page 51).
• When the optional Speedlight with AF-Assist
Illuminator is attached and the conditions for the
AF-Assist Illumination are met, the AF-Assist
Illuminator of the optional Speedlight automatically
turns on. With other optional Speedlights, the
camera’s Illuminator turns on (page 109).
ç 12 : AF-Assist Illuminator can be cancelled
(p. 76).
NOTE: Continuous use of the AF-Assist Illuminator
When the AF-Assist Illuminator is used continuously, illumination is limited temporarily
to protect the firing tube. The illumination restarts after a few moments. Also, when
the AF-Assist Illuminator is used repeatedly in a short period of time, be careful not to
touch the AF-Assist Illuminator lamp because it may become hot.
NOTE: Lenses incompatible with AF-Assist Illuminator
• Autofocus using the camera’s AF-Assist Illuminator cannot be performed with
following lenses at a shooting distance within 1m due to vignetting.
AF Micro 200mm f/4 IF-ED
AF-S 17-35mm f/2.8 ED
AF 18-35mm f/3.5-4.5 ED
AF 20-35mm f/2.8 IF
AF 24-85mm f/2.8-4 IF
AF 24-120mm f/3.5-5.6 IF
AF Micro 70-180mm f/4.5-5.6 ED
• Autofocus using the camera’s AF-Assist Illuminator cannot be performed with
following lens at a shooting distance within 1.5m at telephoto due to vignetting.
AF-S 28-70mm f/2.8 IF-ED at 70mm (usable at approx. 1m or longer shooting
distance at wideangle)
• Autofocus using the camera’s AF-Assist Illuminator cannot be performed with
following lenses due to vignetting.
AF-S 80-200mm f/2.8 IF-ED
AF 80-200mm f/2.8 ED
AF VR 80-400mm f/4.5-5.6 ED
FOCUS OPERATION
5051
Page 27
Focus Lock
Focus lock is useful in autofocus shooting when you want to capture a subject
that’s framed outside of the F75/F75D’s five focus areas.
Tip
Focus lock is best suited for a photograph where composition is your top priority, and in
situations where autofocus may not work as expected (page 25).
Position the focus area on the
1
subject and lightly press the
shutter release button. (For example,
when centre focus area is selected.)
• / appears when the subject is in focus and
the focus is locked as long as the shutter
release button is kept lightly pressed.
• Focus lock cannot be used in g.
• Focus is not locked with a moving subject. To
lock focus on a stationary subject which has
been moving, remove your finger from the
shutter release button and lightly press the
shutter release button again.
Confirm focus indicator /,
2
compose while lightly pressing the
shutter release button and shoot.
• After you have locked focus, do not change
the camera-to-subject distance.
EXPOSURE
MODE
This section describes how to take
pictures in each exposure mode.
• Auto-Multi Program
• Shutter-Priority Auto
• Aperture-Priority Auto
• Manual
52
53
Page 28
Auto-Multi Program
P: Auto-Multi Program
The camera automatically controls exposure to
achieve correct exposure in any shooting
situation. For more complex shooting, use
Flexible Program (page 55), Exposure
Compensation (page 64) or Auto Exposure
Bracketing (page 66).
• P (Auto-Multi Program) can only be used with a
CPU Nikkor lens such as G- or D-type Nikkor (page
104).
Tip
Auto-Multi Program is best suited for snapshots.
Set the exposure mode dial to P.
1
NOTE: CPU Nikkor lenses other than G-type
Always set the aperture ring of a CPU Nikkor lens (except G-type) to its minimum
(largest f-number). When the lens is not set to its minimum aperture setting, ƒEE
blinks in the LCD panel and viewfinder, and the shutter locks.
Difference between a (AUTO mode) and P (Auto-Multi Program)
Although exposure controls are the same, with Auto-Multi Program, you can select
functions such as Flexible Program, Exposure Compensation, Auto Exposure
Bracketing, Multiple Exposure (page 69) or Slow Sync flash (page 92) for more
flexible shooting. In Auto-Multi Program, however, the built-in Speedlight does not
pop up automatically with a dark or backlit subject.
Compose picture, confirm focus
2
indicator / and shoot.
• When the subject is too dark or too bright, one
of the following warning indications will appear
in the viewfinder and LCD panel.
• HI: Use ND filter (optional).
• Lo: Use Speedlight.
• If the subject is too dark or backlit, the flash
recommended indication ‡ blinks in the
viewfinder when you lightly press the shutter
release button. Use the Speedlight (pages
95/107).
Flexible Program
By rotating Command Dial in Auto-Multi
Program, you can change the combination
of shutter speed and aperture while
maintaining correct exposure. With this
function, you can shoot in Auto-Multi
Program as though shooting in ShutterPriority Auto or Aperture-Priority Auto. To
cancel the Flexible Program, either change the exposure mode,
turn off the power switch, or use the built-in Speedlight (page 95).
EXPOSURE MODE
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Page 29
Shutter-Priority Auto Exposure Mode
Fast shutter speed 1/500 sec.
Slow shutter speed 1/4 sec.
S: Shutter-Priority Auto
Enables you to manually set the desired
shutter speed (30-1/2000 sec.); the camera
automatically selects the proper aperture to
provide correct exposure.
• S (Shutter-Priority Auto) can only be used with a
CPU Nikkor lens such as G- or D-type Nikkor (page
104).
Tip
With high shutter speeds, you can freeze the motion
of a fast-moving subject; with slower speeds, you
can create a motion effect.
Set the exposure mode dial to S.
1
Overexposure
Underexposure
Set the shutter speed (30-1/2000
2
sec.) with the Command Dial.
Compose picture, confirm focus
3
indicator / and shoot.
• When the subject is too dark or too bright, one
of the following warning indications will appear
in the viewfinder and LCD panel. (Over- or
underexposure value is indicated with the
electronic analogue exposure display in the
viewfinder.)
• HI: Select higher shutter speed. If the
warning indication still remains on, use
an ND filter (optional).
• Lo: Select slower shutter speed. If the
warning indication still remains on, use
the Speedlight. When the Speedlight is
used, fastest shutter speed is limited to
1/90 sec.
• If the subject is too dark or backlit, the flash
recommended indication ‡ blinks in the
viewfinder when you lightly press the shutter
release button. Use the Speedlight (pages
95/107).
EXPOSURE MODE
NOTE: CPU Nikkor lenses other than G-type
Always set the aperture ring of a CPU Nikkor lens (except G-type) to its minimum
(largest f-number). When the lens is not set to its minimum aperture setting, ƒEE
blinks in the LCD panel and viewfinder, and the shutter locks.
Check point
• If -- (Long Time exposure) is selected in Manual exposure mode and the exposure
mode is changed to Shutter-Priority Auto without cancelling --, -- blinks and the
shutter locks. To shoot in Shutter-Priority Auto exposure mode, select shutter speed
other than -- by rotating the Command Dial.
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Page 30
Aperture-Priority Auto Exposure Mode
Small aperture f/32
Large aperture f/2.8
A: Aperture-Priority Auto
Enables you to set the desired aperture (lens’
minimum to maximum) manually. The camera
automatically selects a shutter speed suitable
for correct exposure.
• A (Aperture-Priority Auto) can only be used with a
CPU Nikkor lens such as G- or D-type Nikkor (page
104).
• In flash photography, varying the aperture changes
the flash shooting distance (page 98).
Tip
By varying the aperture, and thus controlling the
depth of field (page 102), you can sharpen the
background and foreground, or blur the background.
Set the exposure mode dial to A.
1
Overexposure
Underexposure
Set the aperture (lens’ minimum to
maximum)
2
by rotating the
Command Dial.
Compose picture, confirm focus
3
indicator / and shoot.
• When the subject is too dark or too bright, one
of the following warning indications will appear
in the viewfinder and LCD panel. (Over- or
underexposure value is indicated with the
electronic analogue exposure display in the
viewfinder.)
• HI: Select smaller aperture (larger f-number).
If the warning indication remains on, use
an ND filter (optional).
• Lo: Select larger aperture (smaller f-number).
If the warning indication remains on, use
the Speedlight.
• If the subject is too dark or backlit, the flash
recommended indication ‡ blinks in the
viewfinder when you lightly press the shutter
release button. Use the Speedlight (pages
95/107).
EXPOSURE MODE
NOTE: CPU Nikkor lenses other than G-type
Always set the aperture ring of a CPU Nikkor lens (except G-type) to its minimum
(largest f-number). When the lens is not set to its minimum aperture setting, ƒEE
blinks in the LCD panel and viewfinder, and the shutter locks.
5958
Page 31
Manual Exposure Mode
M: Manual
Enables you to set both shutter speed (-[Time] and 30-1/2000 sec.) and aperture (lens’
minimum to maximum) manually.
• Non-CPU lenses (page 106) can only be used in
Manual exposure mode.
Tip
With electronic analogue exposure display in the
viewfinder, you can produce various creative effects
by adjusting the exposure. Long Time exposure
(Time) can be set in Manual exposure mode.
Set the exposure mode dial to M.
1
• Metering system automatically switches to
Centre-Weighted from Matrix in Manual
exposure mode.
• When a non-CPU Nikkor lens is attached, ƒ--
appears in the LCD panel and viewfinder.
Set/confirm aperture with the lens aperture
ring. Camera’s exposure meter cannot be
used. See page 106 for details.
Centre-Weighted Metering
Centre-Weighted Metering places special emphasis on
brightness within the 12mm-diameter circle in the
viewfinder and is thus useful for basing exposure on a
specific area of the scene.
60
NOTE: CPU Nikkor lenses other than G-type
Always set the aperture ring of a CPU Nikkor lens (except G-type) to its minimum
(largest f-number). When the lens is not set to its minimum aperture setting, ƒEE
blinks in the LCD panel and viewfinder, and the shutter locks.
Set the shutter speed and aperture
2
while checking the electronic
analogue exposure display in the
viewfinder.
• Set the shutter speed (-- [Time] and 30-1/2000
sec.) by rotating the Command Dial and
aperture (minimum to maximum) by rotating the
Command Dial while pressing the Q aperture
button.
• The electronic analogue display in the viewfinder
indicates the difference between the selected
exposure (shutter speed and aperture) and the
correct exposure. The electronic analogue
exposure display blinks when the subject
brightness is beyond the camera’s exposure
range. (Electronic analogue exposure display is
not available with Long Time exposure.)
The following examples show electronic
analogue exposure display indications:
Over 2 EV
+1 EV
Correct exposure
–1/2 EV
Under –2 EV
Compose picture, focus and shoot.
3
• If the subject is too dark or backlit, the flash
recommended indication ‡ blinks in the
viewfinder when you lightly press the shutter
release button. Use the Speedlight (pages
95/107).
EXPOSURE MODE
61
Page 32
Long Time Exposure
• Long Time (Time) exposure of more than 30 sec.
When the exposure mode dial is set to M (Manual), set the shutter speed
indication to -- (next after 30 sec.) to set Long Time (Time) exposure. Depress
the shutter release button once to open the shutter, then press the shutter
release button again to close the shutter. This function is useful for shooting
nighttime scenes or stars.
Tip
In Long Time exposure, camera shake can be reduced by using the Self-Timer (page 40)
or Remote Control (page 84) and tripod.
Set the exposure mode dial to M
1
and rotate the Command Dial to
set the shutter speed indication
to --.
Rotate the Command Dial while
2
pressing the Q aperture button to
set the aperture.
Compose picture, focus and shoot.
3
• Depressing the shutter release button once opens the shutter and the self-timer
lamp flickers slightly during Long Time (Time) exposure.
• -- and other indications such as aperture are displayed in the LCD panel, but all
the indications turn off in the viewfinder.
• Press the shutter release button again to close the shutter.
• Continuous exposure is possible for approx. 4 hours with a fresh set of batteries.
Note that continuous exposure time is reduced when shooting at low
temperatures.
• Auto Exposure Bracketing (page 66) cannot be performed during Long Time
(Time) exposure.
62
ADVANCED
OPERATION
This section features descriptions of
operations using the F75/F75D’s
advanced functions.
• Exposure Compensation
• Auto Exposure Bracketing
• Multiple Exposure
63
Page 33
Exposure Compensation
To modify exposure control (i.e. from the ISO standard), use the Exposure
Compensation function. This can be useful when intentionally achieving underor overexposure to obtain a specific photographic effect. This camera offers
compensation of –3 EV to +3 EV in 1/2 steps.
• Exposure Compensation can be set in P, S, A and Vari-Program.
Tip
Compensate to the + side to brighten, and the – side to darken overall picture to obtain
the specific photographic effect you desire.
Set Exposure Compensation by
1
rotating the Command Dial while
pressing the k button until the
desired compensation value
appears (–3 EV to +3 EV in 1/2
steps).
Electronic analogue exposure
display
No compensation
+0.5 EV compensation
–1.5 EV compensation
Over +2.0 EV compensation
Under –2.0 EV compensation
• When the Exposure Compensation is set, =
appears in the LCD panel and viewfinder.
• The compensation value can be checked in
the LCD panel and viewfinder by pressing the
k button. (Confirm the compensation value
between –2 EV to –3 EV and +2 to +3 EV in
the LCD panel.)
NOTE: Setting Exposure Compensation
Normally, you should compensate exposure to the + side when the background is
brighter than your main subject, or to the – side when the background is darker.
Compose picture, confirm focus
2
indicator / and shoot.
• To cancel Exposure Compensation, rotate the
Command Dial while pressing the k button to
reset the compensation value to 0.0. In VariProgram, changing the exposure mode also
cancels the Exposure Compensation. (Turning
the power switch off does not cancel the
Exposure Compensation.)
Check points
• The Exposure Compensation cannot be set in a or M exposure mode.
• Once the Exposure Compensation is set in each P, S or A exposure mode,
compensation remains in that exposure mode. Changing the exposure mode to M,a or Vari-Program temporarily cancels the compensation.
• Exposure Compensation set in Vari-Program is cancelled when exposure mode is
changed.
• In any of the exposure modes, both flash output level for the flash illuminated
subject and exposure on the background are bracketed when a Speedlight is used.
ADVANCED OPERATION
64
65
Page 34
Auto Exposure Bracketing
Auto Exposure Bracketing allows you to shoot in selected compensated EV
values (maximum of ±2 EV) shifting from the automatically set proper
exposure (or selected exposure in Manual exposure mode) for three shots
each time the shutter is released.
• Auto Exposure Bracketing is available in P, S, A and M exposure modes.
Tip
Bracketing is useful in selecting one shot out of several shots with bracketed
exposures after processing the film, when the subject has pronounced contrast in
shooting with colour slide film and where the latitude of the proper exposure is
minimal.
Rotate the Command Dial while pressing the Auto Exposure
1
Bracketing ¸ button to set desired bracketing value (within
±2 EV without combining exposure compensation).
The display changes as follows:
Cancel
(no display)
• When the bracketing value is set (and while the exposure meter is on), z
appears and = blinks in the LCD panel, and = and electronic analogue exposure
display blink in the viewfinder.
• Bracketing value can be confirmed by pressing the ¸ button.
• Shutter speed and aperture in P, aperture in S and shutter speed in A and M
exposure mode are bracketed.
• In any of the exposure modes, both flash output level for the flash illuminated
subject and exposure on the background are bracketed when a Speedlight is
used.
• Compensated EV value and bracketing order
Compensated EV valueBracketing order
0.50, –0.5, +0.5
1.00, –1.0, +1.0
1.50, –1.5, +1.5
2.00, –2.0, +2.0
ç 3 : Bracketing order can be set to change from negative EV value to positive EV
value (p. 74).
Compose picture, confirm focus indicator / and shoot.
2
• Each time the shutter release button is depressed, correct EV, under EV, and over
EV exposure are performed in that order while the blinking electronic analogue
exposure display shows the correct, under-, then overexposure. Compensated
shutter speed and aperture values are displayed during shooting.
ADVANCED OPERATION
6766
Page 35
Auto Exposure Bracketing—continuedMultiple Exposure
• If the Exposure Compensation function (page 64) is also set, bracketing will be
combined with the Exposure Compensation values. It is useful to perform
Bracketing with a compensated value of over +2 EV or under –2 EV (maximum of
±5 EV).
• If the end of the film roll is reached during bracketing, the remaining shots can be
taken after new film has been loaded. Also, if you turn the power switch off during
bracketing, the remaining shots can be taken after the power is turned back on.
Electronic analogue exposure display
(Example: bracketing value 1.0, in A mode)
First shot (correct EV)
Second shot
(under EV)
Third shot (over EV)
Auto Exposure Bracketing is completed and automatically
3
cancelled when the third shot is taken.
• z and = in the LCD panel and = and the electronic analogue exposure display
in the viewfinder disappear when the bracketing is completed.
• To cancel the bracketing, rotate the Command Dial while pressing the ¸ button
so z disappears from the LCD panel. Turning the power switch off does not
cancel bracketing.
Check points
• Auto Exposure Bracketing cannot be performed in a and Vari-Program.
• Auto Exposure Bracketing and Multiple Exposure (page 69) cannot be set
simultaneously.
• Auto Exposure Bracketing and Long Time exposure (page 62) cannot be set
simultaneously.
68
Multiple Exposure consists of two or more exposures of one or more subjects
in the same frame.
• Multiple Exposure can be set in P, S, A and M exposure modes.
Rotate the Command Dial while pressing the multiple
1
exposure ¸ button so Z appears in the LCD panel. The
display changes as follows:
Cancel
(no display)
• Z appears in the LCD panel when the
Multiple Exposure is set.
Rotate the Command Dial while pressing the k button to
2
set the necessary Exposure Compensation.
• Test shooting is recommended since the compensation actually required varies
depending on the shooting situation.
• When the background is completely dark and subjects do not overlap, no
compensation is necessary for each shot.
• In some cases, frames may shift slightly in multiple exposure. In particular, film
advance becomes unstable at the beginning and near the end of a film roll so
multiple exposure is not recommended.
ADVANCED OPERATION
69
Page 36
Multiple Exposure—continued
Standard compensation value in multiple exposure
Number of exposures Compensation value
Two–1.0 EV
Three–1.5 EV
Four–2.0 EV
Eight or nine–3.0 EV
Exposure Compensation is
necessary depending on the
number of exposures in multiple
exposure since more than one
image is exposed in the same
frame.
Compose picture, confirm focus indicator / and shoot.
3
• The first shot is taken and Z and frame
counter blink in the LCD panel when the
shutter release button is fully depressed. The
frame counter in the LCD panel does not
count down and the film does not advance,
and multiple exposures can be taken from the
second shutter release. The multiple exposure
is cancelled, film advances and Z disappears from the LCD panel when the
second shot is taken.
• To take more than two shots on the same frame, rotate the Command Dial while
pressing the ¸ button again after the first shot is taken by depressing the shutter
release button and while Z is blinking so Z appears without blinking. Repeat
this operation as many times as you wish to continue taking pictures on the same
frame.
• To cancel multiple exposure, rotate the Command Dial while pressing the ¸
button so Z disappears from the LCD panel, set Auto Exposure Bracketing, or
set the exposure mode to a or Vari-Program. Film is advanced and frame
counter counts down when the multiple exposure is cancelled before or during
multiple exposure operation.
CUSTOM
SETTING
Using the Custom Setting feature, you
can create a combination of functions
that is different from the initial factory
settings. The functions listed in this
section can be selected with the
F75/F75D.
Check points
• Multiple Exposure cannot be performed in a or Vari-Program.
• Multiple Exposure and Auto Exposure Bracketing (page 66) cannot be set
simultaneously.
70
71
Page 37
Menu/Features of Custom Setting
• Creating Custom Setting
Set the Custom Setting selector to CSM and select a menu
1
number by rotating the Command Dial.
• 12 menus (1 to 12) are available.
Select the desired option number by pressing the k button.
2
• The option number changes as you press the k button.
• When the option number other than initial setting is displayed in the LCD panel,
ç appears in the LCD panel. Rotate the film advance mode/Custom Setting
selector to set desired film advance mode.
• The shutter cannot be released when the film advance mode/Custom Setting
selector is set to CSM. Set the dial to the desired film advance mode before
shooting.
• Cancelling Custom Setting
Set the Custom Setting selector to CSM and press the
j and k buttons simultaneously for more than two
sec.
CUSTOM SETTING
• All the Custom Settings are cancelled and reset to their initial factory settings. ç
disappears from the LCD panel.
• Each Custom Setting can be cancelled and reset to initial setting by selecting the
number of “initial setting” (e.g. 0 with Custom Setting menu number 1) at step 2 of
the “Creating Custom Setting”.
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Page 38
Menu/Features of Custom Setting—continued
• Menu number and Custom Setting options
* Refer also to the Custom Setting Menu table at the end of this instruction manual.
1. Beep sound (pages 28, 41, 84)
Options: 0: Activated (initial setting)
1: Disabled
At initial setting, beep sound is emitted when focus is achieved in autofocus,
during self-timer or two-sec. remote control operation. This beep sound can be
turned off with option 1 in this menu.
2. Warning indications in the viewfinder (pages 9, 17, 21, 31, 78)
Options: 0: Displayed (initial setting)
1:Off
At initial setting, when battery power is low, no film is loaded, or film is not
loaded properly, warning indications such as m or œ appear in the viewfinder.
However, these warning indications can be turned off.
3. Bracketing order (page 67)
Options: 0: Metered value, under, over (initial setting)
1: Under, metered value, over
Bracketing is normally performed in the order of the initial setting. However, this
Bracketing order can be changed to be performed from negative compensation
to positive compensation.
4. Focus area illumination (page 9)
Options: 0: Automatically illuminated for low light (initial setting)
1: Cancelled
2: Always illuminated
At initial setting, selected focus area (focus brackets) in the viewfinder is
temporarily illuminated in red depending on the subject brightness for easy
identification. However, it can be set not to be illuminated or always illuminated
regardless of the subject brightness.
5. Auto Exposure Lock when shutter release button is lightly pressed
(page 80)
Options: 0: Disabled (initial setting)
1: Activated
At initial setting, Auto Exposure Lock can be performed by pressing the x button.
However, Auto Exposure can be set to be locked by lightly pressing the shutter
release button.
6. AE-L button (pages 52/80)
Options 0: Auto Exposure lock only (initial setting)
1: AE/AF simultaneous lock
2: AF operation only starts by pressing x button
At initial setting, only Auto Exposure is locked when the x button is pressed.
However, Auto Exposure and autofocus can be set to be locked simultaneously. Also
at initial setting, autofocusing starts when the shutter release button is lightly
pressed, but it can be set to activate when the x button is pressed. (In this setting,
pressing the shutter release button lightly does not start autofocusing.)
7. Metering system in the Auto Exposure lock (page 80)
Options: 0: Centre-Weighted (initial setting)
1: Matrix
2: Spot
At initial setting, the exposure metering system automatically changes to CentreWeighted Metering when Auto Exposure lock is performed. However, it can be set to
Matrix or Spot Metering.
8. Time delay for auto meter-switch-off (page 17)
Options3 : 3 sec.
5 : 5 sec. (initial setting)
10 : 10 sec.
20 : 20 sec.
Note that the usable number of film rolls per batteries decreases with the longer
delay time for auto meter-switch-off since it consumes more power.
CUSTOM SETTING
7574
Page 39
Menu/Features of Custom Setting—continued
9. Self-timer duration (page 40)
Options 2 : 2 sec.10 : 10 sec. (initial setting)
5 : 5 sec.20 : 20 sec.
10.Standby duration for the remote control operation (page 84)
Options 1 : 1 min. (initial setting)
5 : 5 min.
10 : 10 min.
11.LCD illuminates by pressing any function button (page 8)
Options 0: Disabled (initial setting)
1: Activated
At initial setting, pressing the j button activates the LCD illuminator. However, it
can be set to be activated with a press of any button.
12.AF-Assist Illuminator activation (page 50)
Options 0: Activated (initial setting)
1: Disabled
Note that AF-Assist Illuminator of the optional Speedlight cannot be turned off with
this option.
OTHER
FUNCTIONS
This section describes other useful
camera functions and information.
• Film rewind
• Film advance mode
• Auto exposure lock
• Dioptre adjustment
• Viewfinder accessories
• Depth-of-field preview
• Remote control operation (optional)
• Available mode combinations
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Page 40
Film RewindFilm Advance Mode
This section explains mid-roll rewind and what to do if the film does not
rewind.
Mid-roll rewind
• To rewind film at mid-roll, press the two film rewind
„ buttons simultaneously for approx. 1 sec.
Shutter sound is let out and film rewind will start.
• o–––, o––, o– and then o appear in the LCD panel
during film rewind and the frame counter counts
backwards until rewind is complete.
• Film is completely rewound when a blinking E
shows in the LCD panel and œ in the viewfinder. (E
appears without blinking and œ disappears when
the exposure meter is off.) Make sure E and œ are
blinking, open the camera back away from sunlight
and remove the film cartridge.
If film does not start to rewind or film
rewind stops at mid-roll
• When battery power is very low, or at low
temperatures, film may not start rewinding or film
rewind may stop at mid-roll, and o––, frame
number and insufficient battery power indication
M will blink in the LCD panel, and ∑ and m
will blink in the viewfinder. In this case, turn the
power switch off, change batteries, then turn the
power switch on to rewind film again. (The frame
counter display does not change until camera back
is opened once and closed again after removing the
film cartridge.)
ç 2 : Warning indications in the viewfinder can
be set not to appear (p. 74).
Two film advance modes, single-frame and continuous shooting are available
with the F75/F75D.
Set the film advance mode selector to
ı or ˜.
ı: Single-frame shooting
Fully pressing the shutter release button takes one picture and automatically
advances the film by one frame.
˜: Continuous shooting
Shots are taken continuously at the rate of up to approx. 1.5 fps as long as you
keep the shutter release button fully pressed.
Continuous shooting cannot be performed in flash photography.
Film advance speed is tested using camera settings of focus mode M, exposure
mode M, shutter speed 1/125 sec. or faster, aperture other than maximum, at
normal temperature of 20°C, with fresh batteries, for the 1st to 36th frames of a
film.
OTHER FUNCTIONS
7978
Page 41
Auto Exposure Lock
When you want to control the exposure of a specific area within a scene,
measure the exposure on that area and press the x button to lock the
exposure, then recompose the picture. This function is useful when there is a
pronounced difference between the brightness of an area you want to set the
exposure on and the area surrounding it. Set exposure to a mode other than
Manual.
Position focus area on subject and lightly press the shutter
1
release button, then press the x button. Confirm focus
indicator / appears in the viewfinder.
• When the x button is pressed, Centre-Weighted metering is automatically
selected and exposure at the 12mm-diameter circle at centre of frame is locked
and remains locked as long as the button is kept pressed.
ç 7 : Metering system in the Auto Exposure lock can be changed (page 75).
• At initial setting, the exposure metering system automatically changes to CentreWeighted Metering when Auto Exposure lock is performed. However, it can be set
to Matrix or Spot Metering using the Custom Setting.
• When Spot Metering is selected, exposure on the 4mm-diameter area within the
focus brackets (approx. 1% of the total frame) is measured. Note that the
measured focus area differs with the AF Area mode selected.
• When Dynamic AF Mode with Closest-Subject Priority (p. 47) or Dynamic AF
Mode with Centre-Subject Priority or Centre Area Mode (p. 47) is selected:
Exposure on the centre focus area is measured.
• When Dynamic AF Mode or Single Area Mode is selected (p. 47):
Exposure on the selected focus area is measured.
While keeping the x button pressed, recompose, focus and
2
shoot.
ç 5 : Auto Exposure Lock can be set to be activated by lightly pressing the
shutter release button (p. 75).
ç 6 : Auto Exposure Lock and Autofocus lock can be set to be activated
simultaneously by pressing the x button (p. 75).
NOTE: When AF operation with x button is selected with the Custom Setting (p. 75)
When option 2 in the Custom Setting menu 6 is selected, Auto Exposure cannot be
locked by pressing the x button. To lock exposure, set the option other than 2 in
the Custom Setting menu 6, or select option 1 in Custom Setting menu 5 to activate
Auto Exposure Lock by lightly pressing the shutter release button.
OTHER FUNCTIONS
8180
Page 42
Dioptre Adjustment/Viewfinder Accessories
Depth-of-Field Preview
The F75/F75D enables near- or far-sighted photographers to adjust the
eyepiece dioptre to suit their vision. Viewfinder accessories such as an
eyepiece cap or eyepiece correction lens can also be attached.
Dioptre adjustment
• Remove the rubber eyecup and slide the dioptre adjustment lever while looking
through the viewfinder until the focus brackets or other displays in the viewfinder
appear sharp. Attach the rubber eyecup again after adjustment.
• The adjustable range of the finder dioptre is –1.5m-1to +0.8m-1. Nine optional eyepiece
correction lenses provide a viewfinder dioptre range of –5m-1to +3m-1(page 112).
NOTE: Using the dioptre adjustment lever
Since the dioptre adjustment lever is located next to the viewfinder, be careful not to
poke yourself in the eye with your finger or fingernail while sliding the lever.
Attaching viewfinder accessories
• To attach the eyepiece cap DK-5 or eyepiece correction lens, remove the rubber
eyecup and slide down the eyepiece cap or eyepiece correction lens.
• To reattach the rubber eyecup after removing the DK-5 or eyepiece correction lens,
make sure the “K DK-16” stamp is at the bottom.
Electronic preview function is available with this camera. Depress the depthof-field preview button to confirm the depth of field through the viewfinder
(see page 102).
• Pressing the depth-of-field preview button stops
the lens down to the aperture controlled in a
(AUTO mode), Vari-Program, Auto-Multi Program or
Shutter-Priority Auto exposure mode, and down to
the aperture selected in Aperture-Priority Auto or
Manual exposure mode. By looking through the
viewfinder, the approximate depth of field with the
given aperture can be confirmed.
Check point
Electronic preview function is executed when CPU Nikkor lens is attached. It cannot
be performed with non-CPU lenses (p. 106).
OTHER FUNCTIONS
8283
Page 43
Remote Control Operation (optional)
Use the optional remote control to release the camera’s shutter from a
distance. As with self-timer operation, the remote control can also be used
when you want to be in the photograph. You can also use the remote control
instead of a cable release to reduce camera shake.
NOTE: Before using the remote control
When using the remote control for the first time, make sure to pull out the insulation
sheet placed on the battery inside the remote control unit that is set when purchased.
Press the v remote control button a
1
number of times so c (immediate release)
or C (two-sec. delay release) appears in
the LCD panel. (Or, rotate the Command Dial
while pressing the v remote control button.)
The display changes as follows:
No display
Self-timer
• You can choose to release the shutter either immediately after (c) or two sec. after (C)
the shutter release button on the remote control unit is pressed.
• Once remote control operation is set, the camera remains ready to receive a signal
from the remote control unit for 1 min. If no signal is sent for 1 min., the remote control
mode is cancelled and c or C disappears from the LCD panel.
• The remote control cannot be operated unless the camera’s shutter can be released
(i.e. when subject is not in focus with autofocus).
• After the shutter is released, the camera remains ready to receive another signal from
the remote control unit for 1 minute.
ç 10 : Standby duration for the remote control operation can be changed to 5 or
10 min. (p.76).
(cancel)
Point the remote control unit toward the
2
camera and press the shutter release
button.
• When immediate release is selected, the self-timer
lamp lights after shutter release (except when the
Speedlight is used). When Red-Eye Reduction (page
Approx. 5m
Focusing in remote control operation
Two methods to shoot with autofocus with remote control:
1. Autofocus activated by signal from remote control:
Shutter is released when (or two sec. after) the subject is in focus. However, when
focus cannot be achieved, it remains in standby mode.
2. Autofocus activated by lightly pressing shutter release button on the camera body
before remote control operation:
Lightly press the shutter release button on the camera body while the remote
control is standing by to achieve focus. Once focus is achieved, focus is locked
(even though the finger is removed from the shutter release button). Shutter is
released when (or two sec. after) the shutter release signal is received from the
remote control unit. The focus remains locked until remote control is cancelled.
93) is also set, the self-timer lamp lights at the same
output level as the normal Red-Eye Reduction before
the shutter releases and the flash fires when the
shutter is released.
• The shutter is released after the self-timer lamp lights
for approx. 2 sec. in two sec. delay mode. When RedEye Reduction (page 93) is also set, the self-timer lamp
lights at the same output level as the normal Red-Eye
Reduction after the self-timer lamp lights for approx. 2
sec. and the flash fires when the shutter is released.
• To cancel the remote control operation, press the v
button again or rotate the Command Dial while
pressing the v button so c or C disappears from the
LCD panel. Or, turn the power switch off.
• To cancel the remote control operation after the shutter
release button is pressed and before shutter release,
turn the power switch off or press the v button.
OTHER FUNCTIONS
8584
Page 44
Remote Control Operation (optional)—continued
Check points
• Use a tripod or place the camera on a stable surface before using the remote
control.
• When you are taking pictures but not looking through the viewfinder, cover the
eyepiece with the supplied eyepiece cap DK-5 (page 82) or with your hand before
pressing the shutter release button to prevent interference from stray light and
achieve correct exposure.
• The shooting distance for remote control operation is within 5m directly in front of
the camera. To shoot beyond the shooting distance of the remote control, use the
self-timer (page 40). Remote control operation cannot be performed when the
camera has extreme backlighting. Change the camera position in this case.
• If the shutter cannot be released with the remote control, change the battery inside
the remote control unit (page 87). (The life of the battery inside the remote control
unit is approx. 5 years.)
• Use one 3V CR2025 lithium battery in the remote control unit.
Long Time (Time) exposure with remote control
When the camera is set to Long Time (Time) exposure (page 62), pressing the remote
control’s shutter release button opens the camera’s shutter and pressing the shutter
release button again closes the shutter. This function is useful for shooting nighttime
scenes or stars. (Use of a tripod is recommended.) Self-timer lamp flickers slightly
once every 2 sec. during Time exposure.
• Changing battery inside the remote control unit
While keeping the battery holder
1
release lever pressed as the arrow
on the remote control unit
indicates to release the lock, pull
out the battery holder from the
remote control unit.
Remove the used battery.
2
Insert a new CR2025 3V lithium
3
battery with ´ side facing up.
Insert the battery holder until it
4
clicks shut.
OTHER FUNCTIONS
NOTE: Storing batteries
Keep batteries out of children’s reach. If swallowed, contact a doctor
immediately. (For “Notes on Batteries”, see page 116.)
8786
Page 45
Available Mode Combinations
The following chart lists available modes when a CPU Nikkor lens such as a
G- or D-type lens is attached.
R: Available
—: Unavailable
* Automatically set when the exposure mode is selected.
FLASH
PHOTOGRAPHY
This section introduces various
aspects of flash photography using
the built-in Speedlight.
• Built-in Speedlight (Automatic Balanced
Fill-Flash with TTL Multi Sensor,
Standard TTL Flash)/Ready-light
• Flash sync mode features
• Using built-in Speedlight
88
89
Page 46
Built-In Speedlight/Ready-Light
• Built-in Speedlight and TTL Flash modes
This camera is equipped with a built-in Speedlight that provides an angle of
coverage for a 28mm lens with a guide number of 12 (ISO 100, m). When the
subject is dark or backlit, in a or Vari-Program (except in d or g), the builtin Speedlight automatically pops up. When the shutter is released, the flash
fires to create natural-looking flash photography utilising 3D Multi-SensorBalanced Fill-Flash or Multi-Sensor Balanced Fill-Flash.
In P, S, A or M exposure mode, when the subject is dark or backlit, flash
recommended indication ‡ blinks in the viewfinder, and the Speedlight pops
up when the Speedlight lock-release button is pressed and the 3D Multi-Sensor Balanced Fill-Flash or Multi-Sensor Balanced Fill-Flash is possible.
(In M exposure mode, Standard TTL Flash is selected.) In addition to
shooting in dim light, the flash can be used in daylight to reduce shadows on
the main subject or to put catchlights in your subject’s eyes.
Five flash sync modes—Front-Curtain Sync (Normal Sync), Slow Sync,
Rear-Curtain Sync, Red-Eye Reduction and Red-Eye Reduction with Slow
Sync—are available with this camera.
• See below for the TTL Flash modes, page 95 for using the built-in Speedlight and page
92 for the flash sync modes.
• The following TTL Auto Flash modes are available with built-in
Speedlight depending on the type of lens used.
LensTTL Auto Flash mode
D- or G-type Nikkor lens3D Multi-Sensor Balanced Fill-Flash*
CPU Nikkor lens other than D/G-Multi-Sensor Balanced Fill-Flash*
type (except AF Nikkor for F3AF)(with Monitor Pre-Flash*2)
Non-CPU Nikkor lensStandard TTL*
*1 When built-in Speedlight is used and the exposure mode is set to Manual, TTL Auto Flash
mode automatically changes to Standard TTL Flash.
*2 To cancel Monitor Pre-Flash, select Manual exposure mode.
*3 Monitor-Pre Flash is not fired in Standard TTL Flash.
(with Distance Information and Monitor Pre-Flash*2)
3
1
1
3D Multi-Sensor Balanced Fill-Flash
•
3D Multi-Sensor Balanced Fill-Flash is automatically
set in a, Vari-Program, P, S or A exposure mode
with D- or G-type Nikkor lens attached. In this flash
mode, just after you press the shutter release button
and before the shutter is activated, the built-in
Speedlight will fire a series of imperceptible preflashes that are detected by the F75/F75D’s fivesegment TTL Multi Sensor, then analysed for
Distance Information from the lens with other exposure control information, automatically
compensating the flash output level so that flash output and ambient light are balanced.
3D Multi-Sensor Balanced Fill-Flash enables flash photography in very difficult
situations, such as a scene that includes an object with extremely high reflectivity or a
subject against an “infinite” background (empty sky, clouds, etc.).
Multi-Sensor Balanced Fill-Flash
• Multi-Sensor Balanced Fill-Flash, without the Distance Information added to the 3D
Multi-Sensor Balanced Fill-Flash, can be performed with a combination of the
F75/F75D camera and CPU Nikkor lens other than D/G-type.
3D Multi-Sensor Balanced Fill-Flash together with Multi-Sensor Balanced Fill-Flash is called
Automatic Balanced Fill-Flash with TTL Multi Sensor
Standard TTL Flash
• Standard TTL Flash is automatically selected when the exposure mode is set to M. In
Standard TTL Flash, the main subject is correctly exposed but background exposure is
not considered. Standard TTL Flash is useful when you want to highlight the main subject.
brightness and contrast. Furthermore, it integrates
• Ready-light
• When using the built-in Speedlight or an optional Speedlight (p. 107), the ready-light ‡
appears in the viewfinder when the Speedlight is fully charged and ready to fire.
• If the ready-light ‡ blinks approx. 3 sec. after full flash output, underexposure may have
occurred. Check the focus distance, aperture or flash shooting distance range (p. 98)
and shoot again.
Speedlight
9190
Page 47
Flash Sync Mode Features
Five flash sync modes can be selected for desired photographic effect
depending on the conditions when using the built-in Speedlight. In d and g
modes, flash is not available even when the subject is dark or backlit.
Set the flash sync mode by rotating the Command Dial while
pressing the flash sync mode button ±.
™/∞: Front-Curtain Sync (Normal Sync)
Set the flash sync mode to Front-Curtain Sync for normal
flash photography. The camera’s shutter speed is
automatically set between 1/60-1/90 sec. for flash
photography in a or s , and to 1/90 sec. in f, P or A
exposure mode.
£/‹: Slow Sync
Slow Sync can be used in h, P or A exposure mode.
Normally, the camera’s shutter speed is automatically set to
1/90 sec. for flash photography. However, for shooting
nighttime scenes, Slow Sync uses a slower shutter speed
(down to maximum of 30 sec., 1 sec. in h) to bring out
background details using all of the available light. To avoid
camera shake, use a tripod. Use of self-timer also helps to
avoid camera shake.
¤/fi: Rear-Curtain Sync
Rear-Curtain Sync can be used in P, S, A, or M exposure
mode. Normally, the Speedlight fires at the end of the
exposure, turning available light into a stream of light that
follows the flash-illuminated moving subject. When RearCurtain Sync is set in P or A exposure mode, Slow Sync is
automatically set. (With an optional Speedlight SB-26, 25 and
24, set the Speedlight’s sync mode selector to REAR.)
¡/⁄: Red-Eye Reduction
The Red-Eye Reduction lamp lights for approx. 1 sec. before
the flash fires in order to reduce the red-eye effect in photos
of people or animals. Red-Eye Reduction can be used in a,
Vari-Program (except for d, g and h), P, S, A, or M
exposure mode.
Speedlight
›/‹: Red-Eye Reduction with Slow Sync
Red-Eye Reduction with Slow Sync can be used in h, P or A exposure mode. Red-Eye
Reduction and Slow Sync mode are simultaneously set.
°: Flash Cancel
Flash Cancel can only be selected in a or Vari-Program (except for d and g) with the
Command Dial and ± button. Set Flash Cancel when you want to cancel the flash and
have the photograph exposed only with the natural light. Flash Cancel cannot be set
when the built-in Speedlight is in the up position. Set the Flash Cancel before lightly
pressing the shutter release button.
• If d or g is set when the built-in Speedlight is in the up position, flash is
automatically cancelled.
• To cancel Flash Cancel, turn camera power off, change the exposure mode or turn
attached optional Speedlight on.
9392
Page 48
Flash Sync Mode Features—continued
Using Built-In Speedlight
NOTE: Flash Sync Modes
• In Front- and Rear-Curtain Sync, shutter speed shifts automatically to 1/90 sec.
when the shutter speed is set to faster than 1/90 sec. in S or M exposure mode. In
this case, 90 is displayed in the LCD panel and the viewfinder.
• When Red-Eye Reduction or Red-Eye Reduction with Slow Sync is selected, the
Red-Eye Reduction lamp lights for approx. 1 sec. before the flash fires. Do not
move the camera or let the subject move until the shutter is released. (Red-Eye
Reduction is not recommended in shooting situations where shutter release is your
top priority.)
• With some lenses, light from the Red-Eye Reduction lamp may not reach the
subject’s eyes. In some cases, the red-eye effect may not be sufficiently reduced
due to the location of the subject.
• With Slow Sync and Red-Eye Reduction with Slow Sync, keep the camera steady
to prevent picture blur since the shutter speed is slow. Use of a tripod is
recommended.
This section explains how to use the built-in Speedlight set to desired flash
sync mode when a G- or D-type AF Nikkor lens is attached.
In P, S, A or M exposure mode, release the built-in
1
Speedlight by pressing the ± flash lock-release button. In
a or Vari-Program (except in d or g), when the subject is
dark or backlit and the shutter release button is lightly
pressed, the built-in Speedlight automatically pops up.
In P, S, A or M exposure mode
• When the subject is dark or backlit and shutter release button is lightly pressed,
the flash recommended indication ‡ blinks in the viewfinder in P, S, A or M
exposure mode. To use built-in Speedlight, press the ± flash lock-release button.
• In a, s or f, ™ is displayed in the LCD panel; in h, £ is displayed.
• When the Speedlight is ready to fire, ‡ appears without blinking in the viewfinder
(when the camera’s meter is on).
• Press the Speedlight down gently until it clicks into place to retract it.
In a or Vari-Program
(except d or g)
Set the flash sync mode by rotating the Command Dial while
2
pressing the ± flash sync button.
Speedlight
9594
Page 49
Using Built-In Speedlight—continued
• If d or g is set when the built-in Speedlight is in the up position, flash is
automatically cancelled.
• Multi-Sensor Balanced Fill-Flash is selected in exposure modes other than M
and Standard TTL Flash is selected for M exposure mode. See page 91 for
details.
• See the table on pages 97, 98 and 99 for shutter speed and aperture, available
sync mode in each exposure mode.
• In P, S, A or M exposure mode, selected flash sync mode remains once it is set.
To change the flash sync mode, rotate the Command Dial while pressing the ±
button to select another flash sync mode.
• In a or Vari-Program, turning the power switch off or selecting another exposure
mode cancels the selected flash sync mode and returns to its initial setting (page
99).
• Rotating the Command Dial while pressing the ± button changes the
display as follows.
In a or Vari-Program (except d, g or h):
*1
In h:
*1
In P or A exposure mode:
*2
In S or M exposure mode:
*1 ° cannot be set when the built-in Speedlight is up.
*2 The display changes to ¤ when you leave your finger from the ± button.
96
Confirm ‡ appears in the viewfinder, make sure the subject is
3
within the flash shooting distance range and shoot.
• The shutter cannot be released unless ‡ appears without blinking in the
viewfinder.
• ‡ in the viewfinder blinks approx. 3 sec. after full flash output. This may indicate
underexposure has occurred. Check the focus distance, aperture or flash shooting
distance range and shoot again.
• When the subject is dark, the AF-Assist Illuminator automatically turns on to guide
autofocus. See page 50 for details.
• Available shutter speed and aperture in each exposure mode
•
In Front-Curtain Sync, Red-Eye Reduction or Rear-Curtain Sync (in S or M exposure mode only)
*1 Built-in Speedlight is automatically set to Flash Cancel in d or g; however, optional Speedlight can be used
(p. 107).
*2 Shutter speed shifts automatically to 1/90 sec. when the shutter speed is set to faster than 1/90 sec. and the
built-in Speedlight pops up.
*3 Flash shooting distance range depends on the ISO speed of the film in use and aperture setting. In A or M
exposure mode, set the aperture according to the flash shooting distance range table on the next page.
Automatically set to 1/90-1/60 sec.
Automatically set to 1/90-1/15 sec.35
Automatically set to 1/90 sec.36
2
2
, -- (Time)
Automatically set to 1/90-30 sec.
Desired setting*
Automatically set
Desired setting*
3
3
35
56
60
54
58
97
Speedlight
Page 50
Using Built-In Speedlight—continued
• Flash shooting distance range
Flash shooting distance for the built-in Speedlight changes according to the
film speed in use and aperture setting.
ISO film speed2550100200400800Flash shooting
distance range
Guide number68.512172434
——1.422.842-8.5m
—1.422.845.61.4-6m
1.422.845.681-4.2m
Aperture value22.845.68110.7-3m
2.845.6811160.6-2.1m
45.681116220.6-1.5m
5.68111622320.6-1.1m
811162232—0.6-0.8m
• The maximum flash shooting distance can also be calculated by dividing the guide
number by the selected aperture value.
Example: When f/2.8 is selected with ISO 100 film using the camera’s built-in
Speedlight, the maximum flash shooting distance will be: 12/2.8 = approx. 4.2m
• Available flash sync mode combinations
Exposure modeTTL Auto FlashFront-Curtain SyncRed-Eye Reduction
aÅ® R
sÅ® R
d—— —
fÅ® R
g———
hÅ——
PÅRR
SÅRR
AÅRR
MÍR R
Exposure mode
a———R*
s———R*
d———®*
f———R*
g———®*
hR®—R*
PRRR—
S——R—
ARRR—
M——R—
Å: 3D Multi-Sensor Balanced Fill-Flash
Í: Standard TTL flash
R: Available
®: Automatically set when the exposure mode is selected. (Other flash sync mode also
selectable.)
—: Unavailable
*1 Selectable when built-in Speedlight is retracted.
*2 Flash is automatically cancelled if d or g is selected when built-in Speedlight is up.
Red-Eye Reduction
with Slow Sync
Slow SyncRear-Curtain SyncFlash Cancel
1
1
2
1
2
1
Speedlight
9899
Page 51
Using Built-In Speedlight—continued
• Usable lenses with built-in Speedlight
28mm to 200mm non-zoom CPU Nikkor lenses, AF 300mm f/4 ED and AF-S
300mm f/4 ED lenses can be used with the built-in Speedlight. Vignetting
occurs at the edges of the frame resulting in underexposure with the following
lenses, which have limitations in usable focal length or shooting distance.
NOTE: Using built-in Speedlight
• Make sure to remove the lens hood.
• The built-in Speedlight cannot be used with zoom lenses set to Macro in wideangle.
• AF-S 17-35mm f/2.8 ED zoom lens cannot be used with the built-in Speedlight.
• Vignetting is reduced with regular colour print film compared to colour slide film
since the edges of the frame are cropped out in film processing with colour print
film.
With standard colour print film
LensLimitations
AF 18-35mm f/3.5-4.535mm focal length at 0.7m or longer shooting distance
AF 20-35mm f/2.835mm focal length at 1.2m or longer shooting distance
AF 24-85mm f/2.8-435mm or longer focal length; and at 35mm, 0.8m or longer shooting distance
AF-S 24-85mm f/3.5-4.5G ED
AF-S VR 24-120mm
f/3.5-5.6G ED
AF 24-120mm f/3.5-5.628mm or longer focal length; and at 28mm, 2.5m or longer shooting distance; at
AF 28mm f/1.40.9m or longer shooting distance
AF-S 28-70mm f/2.8 ED50mm or longer focal length; and at 50mm, 1.2m or longer shooting distance
AF 28-80mm f/3.5-5.6At 28mm, 0.7m or longer shooting distance
AF 28-100mm f/3.5-5.6GAt 28mm, 1.2m or longer shooting distance
AF 28-200mm f/3.5-5.635mm or longer focal length
AF 35-70mm f/2.8At 35mm, 1.2m or longer shooting distance
AF Micro 70-180mm
f/4.5-5.6 ED
AF-S VR 70-200mm f/2.8G ED
28mm or longer focal length; and at 28mm, 0.7m or longer shooting distance
35mm or longer focal length; and at 35mm, 1.2m or longer shooting distance
35mm, 0.8m or longer shooting distance
At 70mm, 0.7m or longer shooting distance
At 70mm, 3m or longer shooting distance
With colour slide film
LensLimitations
AF 18-35mm f/3.5-4.535mm focal length at 0.9m or longer shooting distance
AF 20-35mm f/2.835mm focal length at 2m or longer shooting distance
AF 24-85mm f/2.8-435mm or longer focal length; and at 35mm, 1m or longer shooting distance
AF-S 24-85mm f/3.5-4.5G ED
AF-S VR 24-120mm
f/3.5-5.6G ED
AF 24-120mm f/3.5-5.635mm or longer focal length; and at 35mm, 0.9m or longer shooting distance
AF 28mm f/1.40.9m or longer shooting distance
AF-S 28-70mm f/2.8 ED
AF 28-80mm f/3.3-5.6GAt 28mm, 0.8m or longer shooting distance
AF 28-100mm f/3.5-5.6GAt 28mm, 2m or longer shooting distance
AF 28-105mm f/3.5-4.5At 28mm, 0.7m or longer shooting distance
AF 28-200mm f/3.5-5.6
AF 35-70mm f/2.8
AF Micro 70-180mm
f/4.5-5.6 ED
AF-S VR 70-200mm f/2.8G ED
28mm or longer focal length; and at 28mm, 0.7m or longer shooting distance
35mm or longer focal length; and at 35mm, 1.5m or longer shooting distance
50mm or longer focal length; and at 50mm, 1.5m or longer shooting distance
35mm or longer focal length
At 35mm, 2m or longer shooting distance
At 70mm, 0.7m or longer shooting distance
80mm or longer focal length; and at 80mm, 2m or longer shooting distance
Speedlight
101100
Page 52
C O LU M N
About Depth of F
About Depth of F
Basics of the relationship between focus and depth of field are
explained in this section.
ield
ield
•Depth of field
When focusing, depth of field should be considered. Depth of field is the zone
of sharpest focus in front of and behind the subject on which the lens is
focused. It varies according to shooting distance, focal length and, above all,
aperture. Smaller apertures (larger f-numbers) will produce a deeper depth of
field where the background and foreground become sharper; larger apertures
(smaller f-numbers) will produce a shallower depth of field where the
background becomes blurred. Similarly, shorter shooting distance or longer
focal length will produce a shallower depth of field, and longer shooting
distance or shorter focal length will produce a deeper depth of field. Note that
depth of field tends to be shallower in front of and deeper behind the subject
in focus.
Large aperture f/2.8Small aperture f/32
MISCELLANEOUS
This section explains miscellaneous
information.
• Lens compatibility
• Usable optional Speedlights
• Optional accessories
• Camera care
• Notes on batteries
• Troubleshooting
• Glossary
• Specifications
• Index
• Custom Setting menu
102
C O LU M N
103
Page 53
Lens Compatibility
Use a CPU Nikkor lens (except IX-Nikkor) with this camera. G- or D-type AF
lenses give you access to all available functions.
ModeFocus modeExposure modeMetering system
Manual with Any mode
Lens/accessoriessegment segment
Autofocus electronic Manual other than M
G-type AF Nikkor,
D-type AF Nikkor*
AF-S, AF-I NikkorRRRRRR—R
2
PC Micro-Nikkor
85mm f/2.8D*
AF-S, AF-I
Teleconverter*
CPU Nikkor*
Non-G or D-type AF
Nikkor (except AF RRRRR—RR
Nikkor for F3AF)
3
,
4
6
AI-P Nikkor—R*
AI-S or AI type Nikkor,
Series-E,—R*
AI-modified Nikkor
Medical-Nikkor
9
120mm f/4
rangefinderM
RRRRRR—R
—R*
RR*
5
R—R—— R
7
RRRRR R
8
RRR—RR
8
R—R*10—— —
—RR—R*
Reflex-Nikkor——R—R*
5
PC-Nikkor—R*
AI-S or AI type
Teleconverters
Bellows Focusing
Non-CPU Nikkor*
Attachment PB-6*
Auto Extension Rings
(PK-11A, PK-12,—R*
PK-13 and PN-11)
12
—R*
—R*
R—R*10—— —
7
R—R*10—— —
7
R—R*10—— —
7
R—R*10—— —
Matrix
3D 25-25-
11
—— —
10
—— —
Centre-
Weighted
*1 Metering system automatically switches to Centre-Weighted Metering when the exposure mode is set to
Manual.
*2 IX-Nikkor lenses cannot be attached.
*3 This camera is compatible with the Vibration Reduction function of the VR Nikkor lens.
*4 The camera’s exposure metering and flash control system do not work properly when shifting and/or tilting the
lens, or when using an aperture other than the maximum aperture.
*5 Without shifting and/or tilting the lens.
*6 Compatible with AF-S and AF-I Nikkor except AF-S 17-35mm f/2.8D IF-ED, AF-S 24-85mm f/3.5-4.5G IF-ED
and AF-S 28-70mm f/2.8D IF-ED.
1
*
*7 With maximum effective aperture of f/5.6 or faster.
*8 With maximum aperture of f/5.6 or faster.
*9 Some lenses/accessories cannot be attached. (See page 106.)
*10 With exposure mode set to Manual. The exposure meter cannot be used.
*11 With exposure mode set to Manual and shutter speed set to 1/90 sec. or slower, the exposure meter cannot be
used.
*12 Attach the PB-6 vertically. (PB-6 can be set to horizontal position after attaching.)
• When using AF-S VR Nikkor lens, it is recommended that you carry spare batteries and change them
frequently.
• AS-15 must be attached in combination with Medical-Nikkor 200mm f/5.6 for the lens to fire the flash.
• Reprocopy Outfit PF-4 can be attached in combination with Camera Holder PA-4.
CPU contacts of CPU
D-type Nikkor lensG-type Nikkor lens
Nikkor lens
MISCELLANEOUS
G-type Nikkor and other CPU Nikkor lens (page 19)
• The G-type Nikkor lens has no aperture ring; aperture should be selected from the
camera body. Unlike other CPU Nikkor lenses, aperture does not need to be set to
minimum (largest f-number).
• CPU Nikkor lenses other than G-type Nikkor lens have an aperture ring. Set the lens
aperture to its minimum and lock. When the lens is not set to its minimum aperture
setting and the power switch is turned on, ƒEE blinks in the LCD panel and
viewfinder and the shutter cannot be released.
105104
Page 54
Lens Compatibility—continued
Usable Optional Speedlights
When a non-CPU lens is attached
Set exposure mode to M with a non-CPU lens.
(When other modes are selected, shutter cannot be
released.) The camera’s exposure meter cannot be
used and the aperture cannot be set using the
Command Dial when using non-CPU lenses. ƒ--
appears in place of the aperture indication in the
LCD panel and viewfinder; set/confirm aperture
using the lens aperture ring.
CAUTION: Nikkor lenses/accessories that cannot be attached to the F75/F75D
The following non-CPU Nikkor lenses/accessories cannot be attached to the
F75/F75D (otherwise camera body or lens may be damaged):
• TC-16A Teleconverter
• Non-AI lenses
• 400mm f/4.5, 600mm f/5.6, 800mm f/8 and 1200mm f/11 with Focusing Unit AU-1
• Fisheye 6mm f/5.6, 7.5mm f/5.6, 8mm f/8 and OP 10mm f/5.6
• Old-type 21mm f/4
• K1, K2 Ring, Auto Extension Ring PK-1, PK-11, Auto Ring BR-2, BR-4
• ED 180-600mm f/8 (No. 174041-174180)
• ED 360-1200mm f/11 (No. 174031-174127)
• 200-600mm f/9.5 (No. 280001-300490)
• 80mm f/2.8, 200mm f/3.5 and TC-16 Teleconverter for F3AF
• PC 28mm f/4 (No. 180900 or smaller)
• PC 35mm f/2.8 (No. 851001-906200)
• Old-type PC 35mm f/3.5
• Old-type Reflex 1000mm f/6.3
• Reflex 1000mm f/11 (No. 142361-143000)
• Reflex 2000mm f/11 (No. 200111-200310)
Usable optional Speedlights and available flash modes are listed in the
following table. Available modes are listed assuming a CPU lens is attached.
Flash modeAutomatic
Balanced RearFill-Flash
with TTL
SpeedlightMulti Sensor*
SB-80DX, SB-28,
SB-28DX
SB-27RRR—RR
3
, SB-25,
SB-26*
SB-24
4
, SB-23,
SB-50DX*
SB-29s/29*5, SB-21B*
SB-30, SB-22s,
SB-22, SB-20,RRR—RR
SB-16B, SB-15
SB-11*6, SB-14*6,
6
SB-140*
*1 Selecting Manual exposure mode automatically changes the Automatic Balanced Fill-Flash with TTL Multi Sensor to
Standard TTL Flash (page 91).
*2 Can be set from camera.
*3 Wireless Slave Flash can be performed. Shutter speed is automatically controlled to 1/60 sec. (or 1/60 sec. or
slower in S or M exposure mode) with the Wireless Slave Flash selector set to D.
*4 When double-flash operation is performed with Built-in Speedlight, set the exposure mode to P, S, A, or M.
*5 With the SB-29s/29 and SB-21B, autofocus can only be used when an AF Micro-Nikkor (60mm, 105mm,
200mm and 70-180mm) is attached.
*6 TTL Auto Flash is possible with TTL Remote Cord SC-23.
In A or M flash mode, attach SU-2 to SC-13 with SB-11 and SB-14, or attach SU-3 to SC-13, SC-11 or SC-15 to
AS-15 with SB-140.
Ultraviolet photography can be performed only when SB-140 is set to M. (Infrared photography cannot be
performed.)
RRRRRR
RRRRRR
R—R—RR
5
RRR—RR
Non-TTL
Auto flashFlash
1
Manual
Repeating
Curtain
Sync*
2
Red-Eye
Reduction*
2
MISCELLANEOUS
107106
Page 55
Usable Optional Speedlights—continued
• Accessory shoe
• An optional Speedlight, i.e. SB-80DX, SB-50DX,
SB-30, SB-28/28DX, SB-27, SB-23 or SB-22s can
be attached directly to the accessory shoe of the
F75/F75D without a cord. This accessory shoe is
equipped with a safety lock which prevents
accidental drop when a Speedlight with a safetylock pin (SB-80DX, SB-30, SB-28/28DX, SB-27,
SB-26, SB-25 or SB-22s) is attached.
• Remove accessory shoe cover when attaching an
optional Speedlight to the accessory shoe.
• Available flash sync mode with optional Speedlight
Exposure Front-CurtainRed-Eye
modeSyncReduction
aRR————
sRR————
d*RR————
fRR————
g*RR————
h——RR——
PRRRRR—
SRR——R—
ARRRRR—
MRR——R—
* Built-in Speedlight is always set to Flash Cancel when d or g is selected but flash shooting
becomes possible with optional Speedlight. However, turning the optional Speedlight power
off activates Flash Cancel mode.
Red-Eye
Reduction withSlow Sync
Slow Sync
Rear-Curtain
Sync
Flash Cancel
• Notes on using optional Speedlights
• See your Speedlight manual for details. If the camera groups are defined in the manual of
the Speedlight with TTL Auto Flash, see the section for camera group I.
• Flash sync speed is 1/90 sec. or slower when using an optional Speedlight.
• Available film speeds for TTL Auto Flash are ISO 25 to ISO 800.
• When Red-Eye Reduction or Red-Eye Reduction with Slow Sync is set on a camera
attached with the Speedlight with Red-Eye Reduction function, the Red-Eye Reduction
lamp of the Speedlight lights up. With other Speedlights without Red-Eye Reduction
function, the Red-Eye Reduction lamp of the camera body lights up.
• When optional Speedlight with AF-Assist Illuminator, SB-80DX, 50DX, 28/28DX, 27, 26,
25 or 24, is attached, the AF-Assist Illuminator of the optional Speedlight emits light
when the focus mode is set to AF, an AF Nikkor lens is attached, the subject is dark
and centre focus area is selected or Dynamic AF Mode with Closest-Subject Priority is
activated. With other optional Speedlights, the AF-Assist Illuminator on the camera
emits light.
• Set the exposure mode to Aperture-Priority Auto or Manual to take flash pictures with
flash mode other than TTL auto (non-TTL auto or manual).
• With the SB-26, 25 or 24, even if Front-Curtain Sync is set on the camera body, the
Speedlight performs Rear-Curtain Sync when Rear-Curtain Sync is set on the
Speedlight in P, S, A or M exposure mode (camera setting is overridden). In a or VariProgram (except h), Speedlight performs Front-Curtain Sync even if Rear-Curtain
Sync is set on Speedlight (Speedlight setting is overridden).
• With the SB-26, 25 or 24, when Slow Sync is set on the camera body in h, RearCurtain Sync is performed if Rear-Curtain Sync is set on the Speedlight.
• With the SB-26, 25 or 24, when Red-Eye Reduction or Red-Eye Reduction with Slow
Sync is set on the camera body, Speedlight performs Red-Eye Reduction or Red-Eye
Reduction with Slow Sync even if Rear-Curtain Sync is set on the Speedlight.
• When the attached optional Speedlight is turned on while Flash Cancel mode is
selected on the camera, the Flash Cancel indication in the LCD panel disappears and
attached Speedlight will fire flash. With some optional Speedlights, the Flash Cancel
indication does not disappear but the optional Speedlight will fire normally.
• With SK-6 and SB-24 attached, the AF-Assist Illuminators of the camera body and the
Speedlight do not emit light.
• In P or a exposure mode, the camera automatically controls the maximum available
aperture as follows in relation to the film speed:
ISO film speed2550100200400800
Maximum
available
aperture
* When film speed increases by one step, the maximum available aperture is stopped
down by 1/2 f/stop. If you are using a lens with a maximum aperture smaller than that
listed above, the automatically controlled aperture range is from the lens’ maximum
to minimum aperture.
• Use the optional Accessory Shoe Adaptor AS-15 to use the sync terminal.
Built-in Speedlight22.42.83.344.8
Optional Speedlight2.83.344.85.66.7
NOTE: When optional Speedlight is attached
Turn on the optional Speedlight power switch or set the built-in Speedlight to Flash
Cancel mode so the built-in Speedlight won’t pop up automatically when an optional
Speedlight is attached. When the built-in Speedlight automatically pops up in a or
Vari-Program (except d or g), vignetting or uneven illumination may result since the
Speedlight may not pop up all the way.
NOTE: Flash attachments made by manufacturers other than Nikon
Use only Nikon Speedlights. Other units may damage the camera’s electrical circuit
due to incompatible voltage requirements (not compatible with 250V or higher),
electric contact alignment or switch phase. When flash attachments made by
manufacturers other than Nikon are attached, the built-in Speedlight may not pop up
all the way (with power switch of the Speedlight on or off). When the built-in
Speedlight is automatically fired in a or Vari-Program (except d or g), vignetting
or uneven illumination may result.
MISCELLANEOUS
110
111
Page 57
Optional Accessories
A variety of optional accessories, including power source and Speedlight is
available for the F75/F75D.
Battery Pack MB-18
• With Battery Pack MB-18, four 1.5V AA-type alkaline-manganese, lithium, NiCd or NiMH batteries can be used to power the F75/F75D. When AA-type lithium batteries are
used, the usable number of film rolls increases and stable performance is maintained
at low temperatures. (Film advance speed in ˜ mode remains the same [as that of
batteries installed only in the camera body] with the MB-18.)
• Alternate shutter release button for vertical shooting is provided.
Remote Control Unit ML-L3
• Remote control releases the camera’s shutter from a distance. As with self-timer
operation, the remote control can also be used when you want to be in the
photograph. You can also use the remote control instead of a cable release to reduce
camera shake.
Eyepiece correction lenses
• Eyepiece correction lenses enable near- or far-sighted photographers to adjust the
eyepiece dioptre to suit their vision, and can be attached easily by inserting onto the
viewfinder eyepiece. Nine optional eyepiece correction lenses provide viewfinder
dioptre settings of –5, –4, –3, –2, 0, +0.5, +1, +2 and +3m–1(combined dioptre with
setting on camera body). We recommend that you actually look through the viewfinder
with various correction lenses attached before making a purchase, since viewfinder
dioptre differs from one person to another. Use the optional eyepiece correction lens
when you need eyepiece correction over –1.5 to +0.8m–1that can be adjusted using
the F75/F75D’s dioptre adjustment lever.
The rubber eyecup cannot be used together with the eyepiece correction lenses.
Lenses
• A wide variety of AF lenses—wideangle, telephoto, zoom, Micro or DC (Defocus image
Control)—is available for the F75/F75D.
112
Filters
• Nikon filters can be divided into three types: screw-in, drop-in and rear-interchange.
With the F75/F75D, the filter factor need not be considered except for the R60 filter.
Compensate exposure +1 EV when using the R60.
Note that when special filters available from manufacturers other than Nikon are used,
autofocus or the electronic rangefinder may not operate properly.
• Use circular-polarising filter C-PL instead of polarising filter Polar. The linear polarising
filter cannot be used with the F75/F75D.
• Use NC filter when using the filter to protect the lens.
• Moiré may occur when shooting a subject against bright light or if a bright light source
is in the frame. In this case, remove the filter before shooting.
Speedlight SB-80DX/SB-50DX/SB-30
• Speedlight SB-80DX normally uses four AA-type alkaline-manganese batteries with a
guide number of 38 (manual flash, 35mm zoom-head position, ISO 100, m, 20°C).
Optional external power source SD-7 and SD-8A or Power Bracket SK-6A can also be
used. When used with the F75/F75D camera, flash photography such as bounce flash
and wireless multiple flash is possible. Also, Non-TTL Auto Flash is compatible with the
SB-80DX.
• Speedlight SB-50DX uses two 3V lithium batteries with a guide number of 22 (manual
flash, 35mm zoom-head position, ISO 100, m, 20°C). When used with the F75/F75D
camera, flash photography such as bounce flash and wireless multiple flash is
possible. Also, using the camera's built-in Speedlight and the SB-50DX in P, S, A or M
exposure mode, double-flash operation and bounce-flash operation with double flash
can be performed.
• Speedlight SB-30 uses one 3V lithium battery with a guide number of 16 (manual flash,
28mm zoom-head position, ISO 100, m, 20°C). When used with the F75/F75D camera,
flash photography such as wireless multiple flash using the camera’s built-in Speedlight
as a master Speedlight and Non-TTL Auto Flash is possible.
Soft case (CF-63)
• Camera case CF-63 is available for this camera. The camera body fits inside the case
with AF 28-80mm f/3.3-5.6G or smaller lens attached.
Neckstraps/Handstrap AH-4
• Braid-type AN-4B (black) and AN-4Y (yellow), wide braid-type AN-6Y (yellow) and
AN-6W (burgundy) neckstraps are available.
• Handstrap AH-4 helps you hold the camera firmly and easily, and shoot in quickmotion.
113
MISCELLANEOUS
Page 58
Camera Care
• Cleaning camera body
Use a blower brush to remove dirt and dust from the camera body and clean it with a
soft, clean cloth. After using the camera near seawater, wipe the camera body with a
soft, clean cloth slightly moistened with pure water to remove salt, and then dry it with
a dry cloth. NEVER use organic solvents like thinner or benzene. They may damage
the camera.
• Cleaning mirror and lens
Use a blower brush to remove dirt and dust from the mirror or lens. To remove
fingerprints or smudges from the lens’ surface, use a soft, clean cotton cloth or lens
tissue moistened with ethanol (alcohol) or lens cleaner.
• Do not subject the camera or lens to strong vibration or shock
Do not drop the camera body and lens or hit them against a hard surface as this may
damage their precision mechanism.
• Do not touch the shutter curtains
The shutter is made of very thin curtains. Do not hold, poke, or blow strongly with a
blower brush. Doing so may scratch, deform or tear the shutter curtains.
• Avoid strong electric or magnetic fields
The camera may not function properly in strong electric or magnetic fields such as near
a transmitter tower. Avoid using the camera in such locations.
• Store the camera in a cool, dry place
Store the camera in a cool, dry place to prevent mould and mildew.
Keep it away from naphthalene or camphor (moth repellent), electrical appliances that
generate magnetic fields or an excessively hot place such as inside a vehicle during
the summer or near a heater.
• Avoid extreme temperature change
An extreme temperature change can cause condensation inside the camera body.
When taking the camera to a very hot place from a very cold place or vice versa, place
it inside an airtight container such as a plastic bag and leave it inside a while to expose
the camera gradually to the temperature change.
• Avoid water or moisture
Keep the camera away from water or moisture. When using the camera near water,
guard against splashes, especially saltwater spray.
• Remove the batteries and store the camera with a desiccant
If you do not intend to use the camera for a long time, remove the batteries to protect
the camera from battery leakage.
• In a humid environment, store the camera inside a plastic bag with a desiccant to
keep out dust, moisture and salt. Note, however, that storing leather cases in vinyl
bags may cause the leather to deteriorate. Keep the batteries in a cool, dry place
away from heat or humidity.
• Change the desiccant occasionally since it does not absorb moisture effectively after
a while.
• Leaving the camera unused for a long period of time may cause mould to grow and
result in malfunction. Turn the power on and release the shutter a few times once per
month.
• To maintain the built-in Speedlight in peak condition, fire it a few times every month.
This will enable you to use the flash for many years.
MISCELLANEOUS
Nikon cannot be held responsible for any malfunction resulting from the use of the
camera other than as specified in this manual.
115114
Page 59
Notes on BatteriesTroubleshooting
Keep batteries out of children’s reach.
If someone accidentally swallows batteries,
call a doctor immediately.
WARNING
Do not leave
• Use two CR2-type 3V lithium batteries
Use two CR2-type 3V lithium batteries.
• Change the batteries well before the end of their life and prepare spare batteries
before important photographic occasions.
• Turn the camera power off when changing batteries
Turn the camera power off before changing batteries and insert the batteries with ´
and ‰ ends positioned correctly.
• Stains on the battery poles may cause lack of contact. Wipe the batteries well with a
dry cloth before installing.
• Use fresh batteries at low temperatures
Battery power diminishes at extremely low temperatures and the camera may not
function properly with old batteries. Use a fresh set of batteries at low temperatures,
keep spare batteries warm, and use them alternately.
• Film advance speed lowers and number of usable film rolls becomes less at low
temperatures. However, battery power may recover when the temperature returns to
normal.
• Do not throw batteries into a fire or short circuit batteries
Do not throw batteries into a fire. Do not short, disassemble, heat or charge batteries.
• CPU Nikkor lens other
than G-type is not set to
its minimum aperture.
• Attached Speedlight is
not set at TTL Auto Flash
in a, Vari-Program or
P mode.
• Batteries are nearing
exhaustion.
• Batteries are just about
exhausted.
• Batteries are exhausted
during film rewind.
• Non-CPU lens is
attached or lens is not
attached.
Remedy
• Set lens to minimum
aperture.
• Set the Speedlight flash
mode to TTL, or set the
camera’s exposure
mode to S, A or M.
• Have fresh ones ready.
• Turn the power off and
replace batteries with
new ones.
• Turn the power off,
replace batteries with
new ones and turn the
power on again. If this
warning appears
frequently, contact
authorised Nikon dealer
or service centre.
• Attach CPU lens. With a
non-CPU lens, set the
exposure mode to M
and set the aperture
with lens’ aperture ring.
Page
19,
105
110
17
17
78
MISCELLANEOUS
18,
106
117116
Page 60
Troubleshooting—continued
LCD panelViewfinder
E appearsœ blinks
Err and E blink∑ blinks
E blinks whenœ blinks
exposure meter
is turned on
—/ blinks
HI appearsHI appears
Lo appearsLo appears
Cause
• Film is not correctly
installed.
• Film is not correctly
advanced.
• Film remains in the
camera after film
rewind is complete.
• Autofocus is not
possible.
• Overexposure
warning (subject is
too bright).
• Underexposure
warning (subject is
too dark).
Remedy
• Reload film.
• Reload film.
• Remove the film cartridge.
• Focus manually.
• In P mode, use ND filter.
• In S mode, select faster shutter
speed.
• In A mode, select smaller
aperture (larger f-number).
• If the warning indication
remains after performing above
remedies in S or A mode, use
ND filter as well.
• In P mode, use flash.
• In S mode, select slower
shutter speed.
• In A mode, select larger
aperture (smaller f-number).
• If the warning indication
remains after performing above
remedies in S or A mode, use
flash as well.
Page
21
21
31
29
55
57
59
55
57
59
LCD panelViewfinder
—# or %
-- blinks-- blinks
90 appears 90 appears
(when shutter
speed faster than
1/90 sec. is
selected)
—‡ blinks
(in M
blinks
exposure
mode)
Cause
• Subject brightness is
beyond camera’s
exposure range.
• Shutter speed is set to
-- (Time) in S mode.
• Auto Exposure
Bracketing is set
during Long Time
exposure.
• Shutter speed faster
than sync speed is
selected in S or M
mode in flash
photography.
• Subject is too dark
and flash is
recommended in P,
S, A or M mode.
Remedy
• When the subject is bright, use
ND filter and when the subject
is dark, use flash. The
electronic analogue exposure
display remains blinking when
the Speedlight is used.
• Cancel the -- by selecting
30 sec. or faster shutter
speed, or select M mode to
perform Long Time Exposure.
• Select shutter speed other
than -- to cancel Long Time
exposure, or cancel Auto
Exposure Bracketing.
• Simply release the shutter to
take a flash picture. (Shutter
speed automatically shifts to
1/90 sec.)
• Use Speedlight.
Page
61
57, 62
62, 68
94, 97
55,
57,
59,
61,
90, 95
MISCELLANEOUS
119118
Page 61
Troubleshooting—continued
Glossary
LCD panelViewfinder
—‡ blinks
for 3 sec.
after flash
Err blinksErr blinks
In certain cases, due to static electricity, the F75/F75D’s microcomputer may turn the
camera off, even with fresh, properly installed batteries. For the same reason, the film
may not advance properly. In each of these cases, to resume operation, simply turn
the power off, then turn it on again. Or, remove and reinstall the batteries.
Cause
• Flash has fired at full
output and
underexposure may
have occurred.
• Malfunction detected.
Remedy
• Shoot again after
confirming focus
distance, aperture or
flash shooting distance
range.
• Turn the power off once
and then on again. If the
warning indication
remains, or this warning
appears frequently,
contact authorised Nikon
dealer or service centre.
Page
91, 97,
98
CPU
Central Processing Unit. The electronic component
that controls an electronic product’s functions.
AF Nikkor (including G- and D-type AF Nikkor) and
AI-P-Nikkor lenses have built-in CPUs.
Depth of Field
See the column on page 102.
EV
Exposure Value: A number representing the
available combinations of shutter speeds and
apertures that give the same exposure effect under
conditions of similar scene brightness and ISO.
At ISO 100, the combination of a one-second
shutter speed and an aperture of f/1.4 is defined as
EV1.
The camera can be used only within the EV range
of the exposure meter. For example, with the
F75/F75D, the exposure metering range is from
EV1 to EV20 at ISO 100 with an f/1.4 lens.
Exposure
See the column on page 32.
Exposure bracketing
Shooting the same subject a number of times at a
range of different exposures to attain proper
exposure. Three shots with metered EV, under EV,
and over EV exposure are performed in that order
with the F75/F75D.
Automatic exposure bracketing is performed with
varied shutter speeds and/or apertures.
Exposure Compensation
In a situation such as when your subject is strongly
backlit, exposure compensation enables you to
intentionally compensate the standard exposure
value measured by the camera to create a desired
effect. Exposure compensation of –3 EV to +3 EV in
1/2 steps is available with the F75/F75D.
Flash shooting distance range
The distance range over which a flash can
effectively provide light. Flash shooting distance
range is controlled by the amount of flash output
available. Each automatic Speedlight’s flash output
varies from maximum duration to minimum
duration. Close-up subjects will require lower (to
minimum) output, while more distant subjects will
require more light up to the maximum output.
The flash shooting distance range varies with the
aperture, film speed, etc.
Flash synchronisation
Timing of the flash so it coincides with release of
the camera’s shutter. There are two types of
synchronisation: Front-Curtain Sync, which fires the
flash at the start of the exposure, and Rear-Curtain
Sync, which fires the flash at the end of the
exposure.
Flash sync speed
Shutter speed at which the entire film frame is
exposed when the flash is fired in flash shooting.
The F75/F75D’s flash sync speed is 1/90 sec. or
slower.
MISCELLANEOUS
121120
Page 62
Glossary—continued
Flexible Program
Flexible Program function temporarily shifts an
automatically selected shutter speed/aperture
combination while maintaining correct exposure.
That is, the desired shutter speed or aperture can
be selected in Auto-Multi Program.
f-number
The f-number represents the aperture value and is
calculated from lens’ focal length divided by the
effective aperture opening. The standard numbers
for calibration are 1, 1.4, 2, 2.8, 4, 5.6, 8, 11, 16,
22, 32, etc.
The smallest f-number is called maximum aperture
and the largest f-number is called minimum
aperture. Lenses with large maximum apertures
(smaller f-numbers) are ‘fast’ lenses that allow
photographers to use faster shutter speeds in dim
light. Lenses with smaller maximum apertures
(larger f-numbers) allow the use of lower shutter
speeds for available light but are also lighter and
smaller than faster lenses. With some zoom lenses,
aperture varies depending on the focal length
setting.
Focal length
The distance from the principal point to the focal
point. In 35mm-format cameras, lenses with a
focal length of approx. 50mm are called normal or
standard lenses. Lenses with a focal length less
than approx. 35mm are called wideangle lenses,
and lenses with a focal length more than approx.
85mm are called telephoto lenses. Lenses which
allow the user to continuously vary the focal length
without changing focus are called zoom lenses.
Focus Tracking
Enables the camera to analyse the speed of a
moving subject according to the focus data
detected, and to obtain correct focus by
anticipating the subject’s position—at the exact
moment of exposure.
Lock-On™ Autofocus keeps focus firmly on a main
subject during Focus Tracking even if some other
object momentarily blocks it in the viewfinder.
Front-Curtain Sync
The flash fires an instant after the front curtain of a
focal plane shutter has completed its travel across
the film plane. This is the way the F75/F75D
operates with the flash sync mode at Normal Sync.
(See “Rear-Curtain Sync”.)
Guide number
The guide number indicates the power of a flash in
relation to ISO film speed. The guide number of the
built-in Speedlight of the F75/F75D is 12 (ISO 100,
m). Guide numbers are quoted in either metres or
feet. Guide numbers are used to calculate the
f/stop for correct exposure as follows:
f/stop = —————————————
Using a selected aperture, we can calculate the
required flash-to-subject distance with the formula:
f l a s h - t o - s u b j e c t d i s t a n c e = ————————
Useful for determining the maximum flash-tosubject distance for flash photography.
guide number
flash-to-subject distance
guide number
f/stop
ISO film speed
The international standard for representing film
sensitivity. The higher the number, the greater the
sensitivity, and vice versa. A film speed of ISO 200
is twice as sensitive as ISO 100, and half that of
ISO 400 film.
Metering system
See the column on page 32.
Rear-Curtain Sync
Flash fires an instant before the second (rear)
curtain of the focal plane shutter begins to move.
When slow shutter speeds are used, this feature
can create a blur effect from the ambient light, i.e.,
flowing-light patterns following a moving subject
with subject movement frozen at the end of the
light flow. (See “Front-Curtain Sync”.)
Slow Sync
A flash technique for using the flash at a slow
shutter speed. Flash shooting in dim light or at
night at a fast shutter speed often results in a
flash-illuminated subject against a dark
background. Using a slower shutter speed with the
flash brings out the background details in the
picture.
The F75/F75D’s Slow Sync mode extends the
automatically controlled shutter speed range down
to 30 sec. (in Auto-Multi Program, Aperture-Priority
Auto) or 1 sec. (in h Night Portrait mode).
Vignetting
Progressively diminished illumination on the film
from the centre to the corners. There are two kinds
of vignetting—natural vignetting caused by the
lens, and vignetting that is caused by improper use
of accessories such as a lens hood or filter.
MISCELLANEOUS
122
123
Page 63
Specifications
Type of cameraIntegral-motor autofocus 35mm single-lens reflex with electronically
Exposure modesa:AUTO mode
Picture format24 x 36mm (standard 35mm film format)
Lens mountNikon F mount (with AF coupling, AF contacts)
Shutter speeds• In a, s, d, f, g, h, P, A: Automatically set between 30 and
1/2000 sec.
• In S: 30 to 1/2000 sec. (in 1/2 steps)
• In M: 30 to 1/2000 sec. (in 1/2 steps), Time
Sync contactX-contact only; flash synchronisation up to 1/90 sec.
Built-in Speedlight• In a, Vari-Program (except in d or g) Automatically activated
• In P, S, A, M: Activated by pressing flash lock-release button
Guide number: 12 (at ISO 100, m); flash coverage: 28mm or longer
lens; film speed range: ISO 25 to ISO 800
Flash controlControlled by TTL Sensor
• Automatic Balanced Fill-Flash with TTL Multi Sensor: 3D MultiSensor Balanced Fill-Flash compatible with built-in Speedlight or
optional Speedlight and D- or G-type Nikkor lens, Multi-Sensor
Balanced Fill-Flash compatible with built-in Speedlight or optional
Speedlight and CPU Nikkor lens other than D/G-type (except in
Manual exposure mode)
• Standard TTL: in Manual exposure mode
• Film speed range in TTL auto flash: ISO 25 to 800
Film loadingEasy loading, automatic prewind with built-in motor; film
Film advance• Automatic advance with built-in motor
Film rewind• Automatic rewind with built-in motor
Multiple exposureSelectable in P, S, A, M
LCD panel information
Date/time imprint Built-in clock: 24-hour type with timing accuracy within ±90 seconds
function a month; leap year adjustment until December 31, 2049
(F75D only)Usable film: ISO 32 to 3200 DX-coded film
Camera backHinged back with film confirmation window
Power sourceTwo 3V CR2 lithium batteries
Power switchPower ON and OFF position
Exposure meterAuto meter shut-off 5 sec. after power turned on if no operations are
directly in front of the camera; battery: one 3V CR2025 lithium
battery; battery life: approx. 5 years (may differ with usage amount or
other operating conditions); dimensions: approx. 60 x 28 x 7mm (W x
H x D); weight: approx. 10g including battery
automatically advances to first frame (frame of the maximum number
of available exposure) when camera back is closed
Optional exclusive Battery Pack MB-18, Soft case CF-63
accessories
All specifications apply when fresh batteries are used at normal temperature (20°C).
Specifications and design are subject to change without notice.
LCD panel ViewfinderStatus
N—Stays on
MmStays on
MmBlinking
Without flashApprox. 40 (60) Approx. 23 (34)
With flash and AF-Assist
Illuminator for half of all Approx. 12 (18)Approx. 7 (10)
exposures
Autofocus operation using an AF Zoom-Nikkor 28-80mm f/3.3-5.6G lens, covering
the full range from infinity (∞) to the closest distance and back to infinity (∞)
before each shot, with a shutter speed of 1/90 sec. or faster.
3: 3 sec.
5: 5 sec. (initial setting)
10: 10 sec.
20: 20 sec.
2: 2 sec.
5: 5 sec.
10: 10 sec. (initial setting)
20: 20 sec.
1: 1 min. (initial setting)
5: 5 min.
10: 10 min.
0: Disabled (initial setting)
1: Activated
0: Activated (initial setting)
1: Disabled
MISCELLANEOUS
131130
Page 67
No reproduction in any form of this manual, in whole
or in part (except for brief quotation in critical articles
or reviews), may be made without written
authorisation from NIKON CORPORATION.
K
NIKON CORPORATION
FUJI BLDG., 2-3, MARUNOUCHI 3-CHOME,
CHIYODA-KU, TOKYO 100-8331, JAPAN
Printed in Thailand K2K000000101 (11)
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