Nikon F65 INSTRUCTION MANUAL

Page 1
Meet a Nikon SLR photographer.
Page 2
The F65
can do it all.
Great potential is wonderful. Great results are even better. Are you ready to take the step from imagining more stunning photos to shooting them? With a Nikon F65 in your hands, taking betterpictures has never been easier. Simply select a desired mode for the type of photo you want to shoot. Trust Nikon’s Dynamic AFsystem, 3D Matrix Metering, Matrix Balanced Fill-Flash, and other features of superior performance renowned among the world’s finest professional photographers. And capture more magic of unforgettable moments and everyday fun. Every opportunity is yours for the taking when you’ve got the right camera to do it all. Just apply your vision and start experiencing the joy of being a Nikon SLR photographer.
So can you.
With
fully automatic
a
mode
and five
Vari-Program modes (s d f g h )
,
you don’t have to be a pro to take better pictures—just press the shutter button.
Crisp, precise film advance and shutter release make
2.5-frames-per-second continuous shooting
supremely assured.
Wide-coverage
Five-Area
Dynamic AF system
keeps subjects in clear focus and eliminates
unintended blurring.
The
auto pop-up
Speedlight,
featuring
Matrix Balanced Fill-Flash
throws just the right light on a scene to make the shot look beautiful and natural.
The big, high-visibility
LCD
lets you check camera settings at a glance.
AUTO
This Nikon SLR is so
compact
and
lightweight
(395g),
anyone can handle it.
3D Matrix Metering
can read atmosphere as well as brightness and contrast, for recording the scene in all its nuanced detail.
Other features include:
AF-Assist Illuminator
Multiple exposure
Exposure compensation
Auto Exposure Bracketing
Versatile flash modes including Slow Sync,
Rear-Curtain Sync and Red-Eye Reduction
Durable metallic lens mount
Self-timer and optional remote controller
Dioptre adjustment
Depth-of-field preview function
F65D offers data imprinting
Mode Dial
makes
operation
simple
and
intuitive
,
so great pictures are a snap in every shooting situation.
Actual size
Page 3
It takes a smart AF-Assist Illuminator
to keep focus on a subject when light is low or you’re shooting in total darkness. The F65 keeps your subject looking natural because it doesn’t use a harsh pre-flash that can daze or distract your subject.
Autofocus
Expect more from your pictures. Nikon F65
Dynamic AF keeps the F65 focused as intended, regardless of position of the subject (in red shirt, below) in the frame, using five AF sensors (centre, top, bottom, right, and left).
A
s a parent, you keep your eye out for what makes a precious moment shine.
It’s good to get to the essence of things at a moment’s notice without a
fuss. Life’s pleasures should be as simple and satisfying as child’s play. Like a
photo shot in AUTO
a
mode. The key is to take it easy and stay true
to your vision.
You can select one of Five Focus Areas
to activate, according to how you intend to compose the shot. The focus area select button is easy to reach and intuitive to operate without taking your eye off of the viewfinder.
Lock-On™AF keeps focus firmly on a main subject even if some other
object momentarily blocks it in the viewfinder.
Won’t let you miss a shot
The F65’s Dynamic AF system with Five Focus Areas covers various sweet spots to keep the subject sharp, even when it’s not in centre frame. Its all so automatic and easy, you hardly have to think about a thing. Just enjoy capturing the moment!
Stays focused at every crucial moment
The F65’s Focus Tracking with Lock-On™feature keeps a moving subjecteven as quick and unpredictable as an animal or a childin clear focus, as long as the shutter release button is pressed. It’s foolproof and automatic!
A
ction is spontaneous. No stopping, no posing, no holds barred. And to go with the
flow, it helps to be totally free, far from the routine, and within comfortable reach
of what catches your eye. Shooting in Sports Continuous
g
mode is fantastic for
freezing sports and other movement on the fly, knowing that you can capture fleeting
moments for posterity.
Natural movement.
That’s what the F65’s AF system lets you capture.
54
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The four exposure modesAuto-Multi Program (P), Shutter-Priority Auto (S)
, Aperture-Priority Auto (A), and Manual (M)offer precise
control of shutter speed and aperture setting combinations, for flexibility in
getting exactly the results that you want.
B
eing a stranger in a strange land is like a journey to enlightenment that
changes your outlook forever. You start seeing the big picture from a fresher
perspective. Like a shot taken with Landscape
d
modeliving details, near or
far, come alive in a new way. Then you realise that you’re in the middle of it all.
Metering/Exposure
Expect more from your pictures. Nikon F65
3D Matrix Metering also reads camera-to-subject
Distance
Information
from D-type and G-type Nikkor lenses. This enhances accuracy for every kind of exposure, from close-ups to distant landscapes.
Capturing the mood of the situation
3D Matrix Metering accounts for the entire image to analyse and preserve the special ambience of a scene. The F65 relies on over 30,000 pieces of data in its built-in database referring to every type of shooting situation, in order to capture a particular moment with its mood intact.
Exposure control at your command
Versatile Vari-Program modes give you all the automatic picture-taking latitude you need. Each of the five modes (
s
Portrait, dLandscape, fClose-Up, gSports Continuous
andhNight Scene) are specifically geared for optimal results in certain situations.
T
he closer you look, the more art looks like life. Sometimes you want to take
a clear look at every detail. At other times you want to make a single
outstanding point. Whatever finer things in life you want to focus on, Close-Up
f
mode provides more choice in achieving the right perspective in appropriate depth.
For shooting with compli­cated lighting or experi­menting with various expo­sure levels, an
exposure
compensation
button lets you compensate exposure within a range of ±2 EV in 1/2 increments.
Metered value –1 EV +1 EV
An electronic depth-of-field preview button
lets you confirm the zone of sharpest focus before shooting in any exposure mode.
A
multiple exposure button lets
you shoot more than once on a single frame.
Intricacies of light.
That’s what F65 metering lets you explore.
76
Or you can apply exposure bracketing to three frames in steps ranging from 0.5 to 2.0 EV in
P, S, A
andMmodes (Auto Exposure Bracketing).
Aperture-Priority Auto Shutter-Priority Auto
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W
eve been together as long as she can remember. But its clearly her
moment to shine, so were leaving everything in good hands and nothing
to chance. The F65’s built-in Speedlight catches the sparkle in those eyes,
and Portrait
s
mode makes her stand out as pretty as a picture right
where she deserves to beat the heart of the action.
Flash control
Expect more from your pictures. Nikon F65
Brilliance of colour.
ARed-Eye Reductionlamp is precision-timed to contract the subject’s eye pupils right before shutter release, minimising red eye from the final picture.
Enhancing quality of light in a flash
Flash isnt just for nighttime shooting. It can enhance the look of daylight and twilight shots. The F65’s built-in Speedlight automatically controls flash in order to add just the right light to keep the scene looking natural and create catchlight in a subject’s eyesnot wash out the subject’s face. (
Matrix Balanced Fill-Flash)
Combining flash and ambient light enhances detail all around
Slow Sync is activated when flash is used in Night Scene mode, automatically slowing the shutter speed to provide enough exposure of background detail, while throwing natural-looking illumination on the foreground subject.
N
ature gives you every opportunity to wonder how light can create such
drama in its shifting moods. Night Scene
h
mode makes it especially
rewarding to catch the sun’s slow-burning beauty at the end of a long dayeven
as it illuminates the down-to-earth details that make the scene really worth
remembering.
That’s what the F65’s flash system lets you reveal.
Attach an optional Nikon Speedlight unit with TTL Remote Cord SC-28/29 to perform remote flash functions. Hold a
remote flash off to the
side to cast proper light on the subject without casting harsh background shadows.
Rear-Curtain Sync fires the flash just before the second (or rear) curtain of the shutter starts to move. The photographic effect is an action-enhancing stream of light trailing the flash-illuminated subject.
98
A built-in Speedlight quietly pops up and fires automatically when light is low or subject is backlit in AUTO and Vari-Program modes.
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Controls/Accessories
Complete SLR control easily at hand
1 Aperture/Exposure compensation/Film
rewind button
2 Camera strap eyelet 3 Shutter release button 4 Power switch 5 LCD panel 6 Self-timer/AF-Assist Illuminator/Red-Eye
Reduction lamp
7 Accessory shoe 8 Auto Exposure Bracketing/Multiple expo-
sure/Film rewind button
9 Exposure mode dial ! Remote control sensor " Depth-of-field preview button # Focus mode selector $ Self-timer/Remote control button % Camera strap eyelet & Flash lock-release/Flash sync mode button ( Focus area/AF-Assist Illuminator cancel
button
) Lens release button ~ Film confirmation window
+ Camera back lock release lever , Rubber eyecup
- Viewfinder eyepiece . Dioptre adjustment lever / Command Dial : Tripod socket ; Battery chamber cover lock lever
LCD Panel
< Shutter speed = Remote control
> Self-timer ? Aperture @ Flash sync mode [ Exposure compensation \ Focus area ] Auto Exposure Bracketing ^ Frame counter/Exposure compensation
value
_ Battery power { Multiple exposure
Nikkor lenses & accessories
Close-Up Attachment Lenses
SC-28
SU-4 attached to the SB-27
Eyepiece Correction Lenses
Nikon Filters
11 10
CF-61
2 34 65798
1
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Top deck LCD panel
The easy-to-see LCD panel provides vital information at a glance.
Viewfinder LCD information
Most data on the upper LCD panel also appears in the viewfinder LCD, for setting adjustment without taking your eye from the viewfinder.
Focus area select button
Simply use your left thumb to select a desired focus area, even as you shoot. The button can be used to cancel AF-Assist Illuminator operation, too.
Command Dial
Designed for easy selection of exposure, focus area, and a range of other settings.
Aperture/Exposure compensation button
Press this button while rotating the Command Dial to select aperture in Manual exposure mode.
Exposure mode dial
For simple control of F65 exposure modes.
Auto Exposure Bracketing/Multiple exposure button
This button lets you activate Auto Exposure Bracketing or multiple exposure function.
Self-timer/Remote control button
Use the self-timer and it’s easy to put yourself in the photo. The optional remote controller can be used for a similar purpose.
Optional remote controller
Nikon F65D
with data imprint
function
Dioptre Adjustment
Enables near- or far­sighted photographers to adjust the eyepiece dioptre to any setting from -1.5 to +0.8m–1.
MB-17
AF Nikkor lenses
The extensive Nikkor range includes Zoom, Micro, Defocus Control, Perspective Control, Super Wide and Telephoto Nikkor lenses, AF-S Nikkors with SWMs (Silent Wave Motors) for ultra­quiet, highly precise operation, and VR Nikkor lenses with Vibration Reduction System to minimise image blur that results from camera shake. Every one of these lenses provides consistently sharp results in autofocus and manual shooting.
D-type and G-type AFNikkor lenses
These lenses send subject-to-camera Distance Information to the F65 for enhanced exposure control.
60mm
300mm
Usable lenses with built-in Speedlight
28 to 200mm CPU lenses except AF-S 17-35mm f/2.8D IF-ED and AF 18-35mm f/3.5-4.5D IF-ED
AF-S 300mm f/4D IF-ED
Make sure to remove the lens hood.
The built-in Speedlight cannot be used at shooting distance less than 0.6m.
Vignetting occurs at the edges of the frame resulting in underexposure with the following AF zoom lenses, which have limitations in usable focal length or shooting distance.
AF 24-50mm f/3.3-4.5D: 35mm or longer focal length; AF 24-85mm f/2.8-4D IF: 50mm or longer focal length 50mm focal length at 1m or longer shooting distance, 70-85mm at 0.7m or longer; AF-S 24-85mm f/3.5-4.5G IF-ED: 28mm or longer focal length 28mm focal length at 1m or longer shooting distance; AF-S VR 24-120mm f/3.5-
5.6G IF-ED: 50mm or longer focal length 50mm focal length at 1m or longer shooting distance; AF-S 28-70mm f/2.8D IF-ED: 70mm focal length at 1.5m or longer shooting distance; AF 28-80mm f/3.3-5.6G: 28mm focal length at 1.8m or longer shooting distance; AF 28-100mm f/3.5-5.6G: 35mm or longer focal length 35mm focal length at 1m or longer shooting distance; AF 35-70mm f/2.8D: 50mm or longer focal length; AF Micro 70-180mm f/4.5-5.6D ED: 70mm focal length at 1.7m or longer shooting distance or 85mm at 1.3m or longer, 105-135mm at 0.8m or longer; AF-S VR 70-200mm f/2.8G IF-ED: 105mm focal length at 1.8m or longer shooting distance; AF 80-200mm f/2.8D IF-ED: 80mm focal length at 3m or longer shooting distance.
Note: The data above relates to positive films. The amount of vignetting decreases when the images are viewed in regular colour prints, the edges of which are cropped during photo processing.
SB-800
AF Nikkors
AF-S 17-35mm f/2.8D IF-ED AF 18-35mm f/3.5-4.5D IF-ED AF 24-50mm f/3.3-4.5D AF 24-85mm f/2.8-4D IF AF-S 24-85mm f/3.5-4.5G IF-ED AF-S VR 24-120mm f/3.5-5.6G IF-ED AF-S 28-70mm f/2.8D IF-ED AF 28-80mm f/3.3-5.6G AF 28-100mm f/3.5-5.6G AF 28-105mm f/3.5-4.5D IF AF 28-200mm f/3.5-5.6G IF-ED AF 35-70mm f/2.8D AF-S VR 70-200mm f/2.8G IF-ED AF 70-300mm f/4-5.6D ED AF 70-300mm f/4-5.6G AF 80-200mm f/2.8D ED
AF VR 80-400mm f/4.5-5.6D ED AF-S VR 200-400mm f/4G IF-ED AF 14mm f/2.8D ED AF Fisheye 16mm f/2.8D AF 18mm f/2.8D AF 20mm f/2.8D AF 24mm f/2.8D AF 28mm f/1.4D AF 28mm f/2.8D AF 35mm f/2D AF 50mm f/1.4D AF 50mm f/1.8D AF 85mm f/1.4D IF AF 85mm f/1.8D AF DC 105mm f/2D AF DC 135mm f/2D AF 180mm f/2.8D IF-ED
AF-S VR 200mm f/2G IF-ED AF-S VR 300mm f/2.8G IF-ED AF-S 300mm f/4D IF-ED AF-S 400mm f/2.8D IF-ED II AF-S 500mm f/4D IF-ED II AF-S 600mm f/4D IF-ED II AF-I Teleconverter TC-14E AF-S Teleconverter TC-14E II AF-S Teleconverter TC-17E II AF-I Teleconverter TC-20E AF-S Teleconverter TC-20E II AF Micro 60mm f/2.8D AF Micro 105mm f/2.8D AF Micro 200mm f/4D IF-ED AF Micro 70-180mm f/4.5-5.6D ED
Dedicated Accessories
• Power Pack MB-17
Accepts four R6/AA-size batteries.
Camera case
The CF-61 houses the F65 plus AF 28-80mm f/3.3-5.6G, AF 28-100mm f/3.5-5.6G or any smaller lens.
Nikon Speedlights
For more flash power, add as an option a Nikon Speedlight like the SB-800 or SB-600. These extend shooting range, and feature bounce flash, auto zoom and more. Only Nikon Speedlights can communicate with the F65 to transmit data like film speed, zoom, aperture, etc.
Wireless Slave Flash Controller SU-4
When connected to an accessory Nikon Speedlight, the SU-4 enables wireless TTL multiple flash control while using the F65s built-in Speedlight as a master unit. You can use several SU-4 Flash Controllers simultaneously, too.
TTL Remote Cord SC-28/29
Used with an accessory Nikon Speedlight, it offers easy off-camera TTL flash control capability.
Eyepiece Correction Lenses
Nine optional eyepiece correction lenses let you adjust the dioptre beyond its standard range of –1.5 to +0.8m
–1
.
Close-Up Attachment Lenses
For a simple way to try your hand at close-up photography. Seven types available: 0, 1, 2, 3T, 4T, 5T, 6T.
Nikon Filters
Nikon offers a full line of filters, including Circular Polarising filters, Soft Focus filters, and Skylight filters, that can add a colourful, exciting dimension to your pictures. For consistently superior results, use only Nikon filters with Nikon lenses.
Nikon Film Scanners
Nikon 35mm/IX240 film scanners SUPER COOLSCAN 5000 ED and COOLSCAN V ED offer supe­rior-resolution scanning to deliver exceptionally sharp digital images. A new optical system that features the SCANNER NIKKOR ED lens and image correction functions enable easy access to the exciting world of digital images.
COOLSCAN V ED
SUPER COOLSCAN 5000 ED
SB-600
AUTO
SLOW REAR
Page 7
All specifications apply when fresh CR2-type batteries are used at normal temperature (20°C). Specifications and designs are subject to change without any notice or obligation on the part of the manufacturer.
© 2000-2005 Nikon Corporation
Type of camera: Integral-motor autofocus 35mm single-lens reflex with electronically
controlled focal-plane shutter and built-in Speedlight
Exposure modes: a: AUTO mode; Vari-Program modes (s: Portrait,
d: Landscape, f: Close-Up, g: Sports Continuous, h: Night Scene) ¡: Auto-Multi Program (Flexible Program possible); : Shutter-Priority Auto £: Aperture-Priority Auto; ¢: Manual
Picture format: 24 x 36mm (standard 35mm film format)
Lens mount: Nikon F mount (with AF coupling, AF contacts)
Lens: AF Nikkor and AI-P Nikkor lenses (except AF Nikkor for F3AF,
DX Nikkor and IX-Nikkor)
Viewfinder: Fixed eye-level penta-Dach-mirror type, built-in dioptre adjustment (–1.5
to +0.8m
–1
)
Eyepoint: 17mm (at 1.0m1)
Focusing screen: B-type Clear Matte Screen V with focus brackets
Viewfinder frame coverage
: Approx. 89%
Finder magnification: Approx. 0.68-0.60x with 50mm lens set to infinity (at –1.5 to +0.8m1)
Viewfinder information: Focus indications, focus area, shutter speed, aperture, electronic
analogue exposure display/exposure compensation value display, exposure compensation, ready-light/flash recommended/full flash output; Five sets of focus brackets (area)/ø12mm reference circle for Centre-Weighted metering
Reflex mirror: Automatic, instant-return type
Lens aperture: Instant-return type, with depth-of-field preview button
Autofocus: TTL phase detection, Nikon Multi-CAM900 autofocus module with
AF-Assist Illuminator (approx. 0.5-3m); Detection range: EV –1 to EV 19 (ISO 100, at normal temperature)
Lens servo: AF: Auto-Servo AF: camera automatically chooses Single Servo AF
or Continuous Servo AF operation according to the subject status, i.e. stationary or moving (including directional information); Single Servo AF (focus is locked when the subject is in-focus); Continuous Servo AF (camera continues to focus on a moving subject), Focus Tracking with Lock-On
automatically activated by subjects status
M: Manual focus
Focus area: One of five focus areas can be selected
Focus Area mode: Dynamic AF Mode with Closest-Subject Priority; Dynamic AF Mode;
Single Area Mode with
M (manual focus)
Metering system: TTL full-aperture exposure metering system; Three metering systems
selectable (limitations with lens used) 3D six-segment Matrix Metering: with D-/G-type AF Nikkor; Six-segment Matrix Metering: with AF Nikkor other than D-/G-type (except AF Nikkor for F3AF, DX Nikkor and IX-Nikkor), AI-P Nikkor; Centre-Weighted Metering: automatically selected with Manual exposure mode
Metering range: 3D Matrix Metering: EV 1-20; Centre-Weighted Metering: EV 1-20
(at normal temperature, ISO 100, f/1.4 lens)
Exposure meter coupling
: CPU
Exposure compensation
: Exposure compensated in ±2 EV range, in 1/2 steps (except in M or a)
Auto Exposure Bracketing
: Bracketing range: ±2 EV; number of shots: three; bracketing
steps: 0.5, 1, 1.5 or 2 EV (except in
a or Vari-Program mode)
Film speed setting: Automatically set to ISO film speed of DX-coded film in use (manual
not selectable); Film speed range: DX: ISO 25-5000, automatically set to ISO 100 with non-DX-coded film
Shutter: Electronically controlled vertical-travel focal-plane shutter
Shutter speeds: In a, s, d, f, g, h, P, A: Automatically set between 30 to
1/2000 s; In
S: 30 to 1/2000 s (in 1/2 steps); In M: 30 to 1/2000 s
(in 1/2 steps), Time
Sync contact: X-contact only; flash synchronisation up to 1/90 s
Built-in Speedlight: In a, s, d, f, g, h: Automatically activated; In P, S, A, M:
Activated by pressing flash lock-release button; Guide number: 12 (at ISO 100, m); flash coverage: 28mm or longer lens; film speed range: ISO 25 to ISO 800
Flash control: Controlled by TTL Sensor; Matrix Balanced Fill-Flash: Built-in
Speedlight or optional Speedlight and CPU Nikkor lens (except in Manual exposure mode); Standard TTL: In Manual exposure mode
Flash sync mode: Front-Curtain Sync (normal sync), Slow Sync, Rear-Curtain Sync,
Red-Eye Reduction, Red-Eye Reduction with Slow Sync, Flash Cancel
Ready-light: Flash fully charged: light in green; Full output warning: blinks in green
Flash recommended Blinks when the subject is dark or backlit and Speedlight is
indication: recommended in P, S, A and M
Accessory shoe:
Standard ISO-type hot-shoe contact (sync contact, ready-light contact, TTL auto flash contact, monitor contact, GND), safety lock provided
Self-timer: Electronically controlled; timer duration: 10 seconds
Remote control (optional): Infrared, activated by pressing the shutter release button; Immediate
release mode and 2 seconds delay mode; Operating distance: approx. 5m directly in front of the camera; Battery: One 3V CR2025 lithium battery; Battery life: Approx. 5 years (may differ with usage amount or other operating conditions); Dimensions: Approx. 60 x 28 x 7mm (W x H x D); Weight: Approx. 10g including battery
Depth-of-field Stop-down lens aperture by pressing depth-of-field preview
preview button: button; electronically controlled
Film loading: Film automatically advances to first frame when camera back is
closed (shutter and reflection mirror not activated)
Film advance: Automatic advance with built-in motor; Continuous shooting possible
in
g Sports Continuous mode (built-in Speedlight cannot be used);
Film advance speed: Approx. 2.5 fps (fresh batteries)
Film rewind: Automatic rewind with built-in motor; Rewind speed with fresh
batteries: Approx. 16 seconds with 36-exposure film, Approx. 13 seconds with 24-exposure film
Multiple exposure: Selectable in P, S, A, M
LCD panel information:
Shutter speed, aperture, exposure compensation, exposure compensation value, Auto Exposure Bracketing, Multiple exposure, flash sync mode, focus area, battery power, frame counter, self-timer, remote control
Date/time imprint Built-in clock: 24-hour type with timing accuracy within ±90
function (F65D only): seconds a month; leap year adjustment until December 31,
2049; Usable film: ISO 32 to 3200 DX-coded film; Display mode: Year/Month/Day, Day/Hour/Minute, No Imprint, Month/Day/Year and Day/Month/Year; Power source: One 3V CR2025 lithium battery, battery life; approx. three years (depending upon use of data imprint function and other operating conditions)
Camera back: Hinged back with film confirmation window; F65D: Data imprint LCD
panel/buttons
Power source: Two 3V CR2 lithium batteries; optional Battery Pack MB-17 is also
available (for four LR6/AA-size alkaline, lithium, NiCd or Ni-MH batteries)
Power switch: Power ON and OFF position
Exposure meter: Auto meter shut-off 5 seconds after power turned on if no operations
are performed; activated by lightly pressing shutter release button after power is turned on
Battery power In LCD panel, with exposure meter on; N for sufficient power;
confirmation: M indicates batteries are nearing exhaustion; Blinking M
indicates batteries are just about exhausted
Usable number of
36-exposure
(24-exposure) film rolls
per set of two fresh 3V lithium batteries:
Autofocus operation using an AF Zoom-Nikkor 28-80mm f/3.5-5.6D lens, covering the full range from infinity () to the closest distance and back to infinity () before each shot, with a shutter speed of 1/90 s or faster.
Tripod socket: 1/4 (ISO 1222)
Dimensions (W x H x D): F65: Approx. 139.5 x 92.5 x 65.5mm;
F65D: Approx. 139.5 x 92.5 x 68mm
Weight: F65: 395g; F65D: 400g
F65 Specifications
At 20°C At –10°C Without flash Approx. 50 (75) Approx. 25 (37)
With flash and AF-Assist Approx. 10 (15) Approx. 7 (10) Illuminator for half of all exposures
En
Fuji Bldg., 2-3, Marunouchi 3-chome, Chiyoda-ku, Tokyo 100-8331, Japan
http://nikonimaging.com
Printed in Japan Code No. 8CE43200 (0502/J)K
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