This “Technical Guide” details the principal techniques used
to create two of the more technically advanced photographs
in the D800/D800E brochure. Take this opportunity to admire
the skills of professional photographers who have mastered
the D800/D800E.
While its groundbreaking 36 megapixels give the D800/D800E
resolution unrivalled by previous digital SLR cameras, a side
eff ect of such high resolution is that blur, whether the result
of imprecise focus or camera shake, becomes that much more
noticeable. Realizing the full potential of a camera with over
30-million pixels involves a thorough understanding of the
causes and characteristics of blur, careful selection of settings
and tools (lenses, tripods, etc.), and working with the best
possible subjects.
ii
Table of Contents
Introduction i
Shooting Techniques
2
Quick Tips 2
The D800E
30
Introduction iii
Shooting Techniques
Still Subjects ...............................................................................2
•
Lesson 1: Use a Tripod .................................................................. 5
•
Lesson 2: Use Live View ............................................................... 6
•
Lesson 3: Avoid Very Small Apertures ................................. 11
•
Same Shot with Viewfi nder Framing .................................... 13
1. High-Resolution Images with the D800E ...................... 30
2. Aperture and Complex Subjects ..................................... 32
3. Color Aliasing and Moiré ................................................. 34
21
30
2
1
Shooting Techniques
Still Subjects
—Keeping Blur to a Minimum—
2
3
Shooting Techniques
At the high resolutions off ered by the D800/D800E, even the
slightest camera shake can result in blur. The technique revealed in this section minimizes blur through a combination
of live view photography and the use of a tripod.
Technical Data
■Lens: AF-S NIKKOR 14-24mm f/2.8G ED ■Exposure mode:
Manual ■Shutter speed: 1 s ■ Aperture: f/8 ■ White balance:
Choose color temp. (5000 K) ■ ISO sensitivity: 100 ■ Picture con-trol: Standard
Note: This photo was shot in 14-bit NEF (RAW) and processed
using Capture NX 2.
Use a tripod to reduce blur when
photographing static subjects. It
should be as sturdy as possible;
avoid extending the legs or center
column farther than necessary. A
large head helps keep the camera
steady.
Tripod Mode
Some lenses, such as the AF-S
NIKKOR 400mm f/2.8G ED VR,
off er vibration reduction with
a TRIPOD option that is particularly eff ective at reducing blur
at shutter speeds of /–1 s. This
option is generally recommended when the camera is mounted on a tripod. The NORMAL op-
tion is preferred, however, if the
tripod head is not fi xed or when
a monopod is used.
Still Subjects
5
Shooting Techniques
Lesson 2: Use Live View
Live view can be used to achieve sharper focus and prevent
blur.
Live View Photography
Rotate the live view selector to C and press a to raise the
mirror and display the view through the lens in the monitor.
Live view selectora button
6
Still Subjects
Why Use Live View?
1. The mirror is raised prior to shooting, reducing blur.
At the high resolutions off ered by the D800/D800E, even the
slight movement that occurs when the mirror is raised can
sometimes be enough to blur photographs. With live view,
the mirror is raised well before the shutter is released, reducing one possible cause of blur.
Reducing Blur with Viewfi nder Framing
If the live view display is diffi cult to see outdoors or under
bright ambient light, use the viewfi nder to frame photographs. Use mirror-up mode when using the viewfi nder
to frame photos to reduce the blur that sometimes occurs
when the mirror is raised. Press the release mode dial lock
release and rotate the release mode dial to MUP.
After focusing, press the shutter-release button all the way
down once to raise the mirror and again to release the
shutter. An optional remote cord can be used to prevent
the camera from moving when the shutter-release button
is pressed, or an option other than Off can be selected for
Custom Setting d4 (Exposure delay mode) to delay shutter
release until 1–3 s after the mirror is raised. Use of a tripod
is recommended.
7
Shooting Techniques
Why Use Live View?
2. Focus anywhere in the frame.
With live view, the multi selector can be used to
position the focus point anywhere in the frame,
regardless of the options selected for AF/MF and
autofocus.
The ability to position the focus point anywhere within the
monitor’s angle of view greatly expands the range in which
the camera can focus.
In autofocus mode, press the shutter-release button halfway,
or press the B button, to focus on the subject in the selected focus point. In manual focus mode, focus can be adjusted
by rotating the lens focus ring.
8
Why Use Live View?
3. Zoom in for precise focus.
Press the X button to magnify the
view in the monitor by up to 23×
for precise focusing with live view.
This is particularly eff ective with
manual focus.
A navigation window will appear
in a gray frame at the bottom of
the display. Use the multi selector
to scroll to areas of the frame not
visible in the monitor.
Still Subjects
X button
Navigation window
9
Shooting Techniques
Suggested Settings
White balance > Choose color temp.:
White balance can be adjusted
in steps as small as 10 K. To adjust white balance on the amber
(A) –blue (B) axis, hold down the
U button and press 4 or 2 to
highlight a digit and 1 or 3 to
change it.
Framing guide: Framing guides,
helpful in composing photographs, can be displayed with
live view photography by pressing the R button.
Virtual horizon: The R button can
also be used to display pitch and
roll indicators that help keep the
camera level with live view photography.
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