NewForm Research R-630 Brochure

Page 1
TABLE OF CONTENTS
Introduction ...........................................................................1
Design Philosophy & Pure Audio vs. Home Theatre..................2
Technology................................................................................3
Frequency Response Charts.........................................................4
Room Optimizer ............................................................................5
Room Examples................................................................................6
System Set-Up ....................................................................................7
Electronics.................................................................................................9
Factory Direct Economics 101.....................................................................10
The Right Speaker...........................................................................................11
Our Guarantee ....................................................................................................12
Newform Research produces an array of finished loudspeaker systems and kits all based around our new
technology Ribbon midrange/tweeters. These new drivers capture the transparency, openness and detail
of the classic design Ribbon and electrostatic speakers while being far less demanding in terms of
placement and specialized and expensive amplification.
Our Ribbon speaker systems are suitable for virtually any home application from
dedicated high end, pure audio to very musical home theater systems. Whatever
the size or application, Newform systems all share the dynamics, smoothness
and musicality which are hallmarks of our new Ribbon technology.
From the R58 to No Holds Barred Ultra, our loudspeakers offer superb
fidelity and soundstaging previously available only from vastly more
expensive and less practical designs. For those new to upscale
audio, the sound will be a revelation. Experienced audiophiles,
used to mortgage like price points, will be astonished at how
affordable the state-of-the-art has finally become. All users can
obtain excellent results very easily and very quickly.
Newform Research loudspeaker systems have been widely
reviewed and highly praised in numerous international
audio publications. The bare Ribbons themselves are being
integrated into systems and custom manufacturers in
many parts of the world. This brochure covers a
comprehensive range of topics from the fundamental
advantages of Ribbon drivers to product applications to
setup suggestions for your specific room. It will answer many of your questions. For those it doesn’t, please
phone, fax, e-mail or write and we will do our best to help you identify your optimal solution in the rapidly changing world of high fidelity in the home.
TECHNICAL OVERVIEW 1999
For Model Specifics see our 10 page Product Brochure, “The Starting Lineup”
R645
R630
NHB 45
R58
HIGH RESOLUTION AUDIO
The Technology behind the Music
Cathy - Proof #5 22/09/99
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DESIGN PHILOSOPHY PURE AUDIO VS HOME THEATER
NATURAL RANGE LOUDSPEAKERS
The Newform Research family of Ribbon loudspeakers was developed around a very simple goal: don’t compensate for errors, eliminate them. This required a clean sheet design of Ribbon drivers with broader ranges, smoother frequency response and more ideal dispersion than either conventional dome/box speakers or existing planar designs could offer.
Our wide bandwidth Ribbons cover both the critical mid-range and treble allowing the woofer to operate within its natural range where its distortion is the lowest, dispersion is the widest and frequency response is the smoothest. Operating in its natural range, a woofer stays quick and clean enabling it to fully complement the transparency of the Ribbon.
Why Ribbon drivers?With extremely low mass and driven over their entire diaphragm area, Ribbon drivers avoid many of the problems inherent in their cone and dome siblings. Not only do cones and domes have greater mass, they have far less directly driven area, (the apex of the cone and the perimeter of the dome) with which to achieve perfect control. Ribbon drivers are also inherently phase coherent over their entire bandwidth which is a major contributor to their ability to reveal a tremendous amount of the music’s inner detail.
Why Newform Ribbons?The Newform design is a modern, clean sheet design benefiting from both 20/20 hindsight on 30 years of film driver development and a clear vision of future applications beyond pure 2 channel audio. The Newform Ribbon is a wide dispersion monopole (sound emanates from only the front) whereas all other panel (film) speakers are narrow dispersion dipoles with sound emanating from both front and rear (dipolar). This is of major importance in both room setup and any move to surround sound.
The Newform diaphragm is very narrow (3/4”) and is positioned at the front of a swept-back magnet structure, minimizing diffraction and baffle bounce, thereby improving soundstage depth and focus. The inner detail of the music is then free to emerge. Newform Ribbons are higher impedance, easier loads than the older designs which significantly reduces the stress on the amplifier and these new technology Ribbons deliver the dynamics that the music demands. In addition our Ribbons offer superb fidelity and soundstaging that will fully involve you with the music and lower the entrance fee for true high fidelity in terms of both equipment costs and listening room requirements. Those who have experienced the transparency and musical truth of the classic design panel speakers will never be satisfied with a conventional dome system again. Now, with the practicality of the Newform Ribbon, music lovers can have the fidelity they cherish in a system that accommodates their room, electronics and future home entertainment trends.
A RIBBON FOR EVERY APPLICATION
Newform makes Ribbon drivers in four different sizes; 3”, 8”, 30” and 45”. This array of Ribbons provides an ideal solution for virtually every application that home audio installations are likely to involve. The benefits of the larger Ribbons are found in the areas of sensitivity, maximum output, depth of soundstage and vertical coverage. The smaller Ribbons offer a wider range of placement and decor integration options. Whatever size of Newform Ribbon you select, be assured the clarity, smoothness and musicality will remain consistent.
In the future, a home theater system will be a superb audio system played in conjunction with video. Pure audio will be the same system with the video turned off. Home Theater will be the path that will lead many future audiophiles back to music. Although home theater and pure audio have been polar opposites in the past, they are certain to merge with enormous benefits to both audiophiles and neophytes.
Dolby Digital, DTS and the new high-end audio standards for DVD are the technologies which will give a focused vision to both audio and home theater providing a clear upgrade path that is reconnecting the high end of audio with the mass market. Dolby Digital and DTS produce 5 full range, fully discreet channels plus a sub channel. They represent a move to full, high fidelity surround sound while the high end audio standard (96kHz/24 bit for now) approaches the fidelity of master tapes. intended for use with mono-pole speakerssince the back wave of a bi-polar arrives 5 to 15 milliseconds after its front wave. This delay in arrival will degrade soundfield coherence and the source localization effects.
Newform Ribbon speaker systems are designed with the both pure audio and home theater environments in mind. Using R630s or R645s as the front left and right may make subs unnecessary for many people. For home theater the ideal speakers will be tall to match the size of our growing screens, narrow, to minimize diffraction and minimize decor and placement problems. These systems must have very high definition to exploit the large improvements in recording and production techniques which are now being broadly implemented.
Precise time arrival, broad horizontal dispersion and transparency are the factors which contribute to a a focused, coherent soundstage and true high fidelity. Newform Ribbon systems meet all of the sonic requirements demanded by both 2 and 5 channel formats. Also of critical importance when building a system, is the mix and match capability of our Ribbon speakers since they all have the same sonic characteristics and similar dispersion patterns. An excellent soundfield can be set up in surround systems without a centre channel speaker. Set up the Ribbons for a great soundstage and then select the “Phantom” mode (centre off) on your processor. For most people, eliminating the centre channel will produce a more coherent, more natural soundfield. Have the speakers as far away from the TV (large reflective surface) as possible. Always make sure the seated listener’s head is in the “sweet strata”. A great soundstage in audio makes for a coherent soundfield in video. Optimize first in stereo since it is easier to identify the best setup. Newform Ribbons produce a coherent, vertically directional waveform, naturally, with no cancellations to limit soundstage degrading ceiling and floor reflections. Whatever the format true fidelity and musicality are the ultimate objectives.
The Dolby Digital and DTS specs are clearly
BUYING STRATEGY TIPS
Given the onslaught of digital technology don’t spend large amounts of money on amps, processors and speaker cables. Why? These are about to be taken over by digital technology which means better performance at half the price every 12 months. This also applies to video projectors and line doublers. See our website www.newformresearch.com for a digital amplifier perspective.
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THE RIGHT SPEAKER
You have probably purchased quite a number of stereo components in your lifetime. You know your musical tastes and your aesthetic requirements. Using the Newform R630 as a central reference point of value, performance and simplicity, let’s see where we go from there to satisfy other priorities.
MORE BASS
Only a very good sub will improve the on the bass performance of the R630. The big Paradigms, HSU, M&K, Bag End and the larger Velodynes are a few examples.
HIGHER OUTPUT
No Holds Barred Ultra, R645 and NHB 45
HIGHER EFFICIENCY
NHB ULTRA, R645 or NHB 45 with one of the powered subs above.
SPEAKERS THAT CAN’T BE SEEN EVEN WHERE THEY’RE OFF
Newform Ribbons disappear when the music is on. If you still don’t want to see them when the music is off, it sounds like a custom job. Call us.
Since all Newform loudspeakers share the same transient capabilities, horizontal dispersion and timbral balance, there is a tremendous family resemblance in their sonic character. This is a critical consideration when expanding into a 4 or 5 channel system where soundfield coherence is dependent on the integration capabilities of all of the loudspeakers. The mix and match capability is so great with our Ribbon systems, the only limitation is physical fit and SPL output requirements. Otherwise, any of our systems can be put in any location. This improves flexibility and eliminates the possibility of wasted expenditure. Every audio system and every person is different. Keep in mind that helpful, expert advice is only as far away as your telephone, fax or keyboard.
How do you pick the right speaker system? Start by thinking about your music. Understand how you listen and the room you will be listening in and the right speaker choice will become clear to you.
The Right Loudspeaker
for your music,
for your ears,
in your room.
SPEAKERS THAT CAN BE PUT NEXT TO THE TV.
Don’t do it unless you have no other choice because of strong reflections off the TV screen. Standing Module 30s with a shielded Vifa.
SURROUNDS
The R630 and the R645 will allow you to avoid a rear sub in a surround system.
GREATER HEIGHT
Do you like to walk around when you listen? Then the R645 or NHB 45 are for you.
A REALLY BIG ROOM
If you want to “Light Up” a room of over 400 sq. ft., then you will need a sub-woofer and possibly the R645 or NHB 45.
R58
R630
NHB 45
R645
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THE ECONOMICS OF BUYING FACTORY DIRECT
OWNER COMMENTS
I would like to congratulate you on your Ribbon design. I have never heard reproduced music like this before. Details, details, more details.
L.L. Florida
The imaging is remarkable. I shall forbear a rhapsody in the awful style of “Stereophile”: sufficient to say that one can hear separate voices in the choir on the Bach B Minor Mass we have.
D.B. Colorado
The imaging and detail from these Ribbon speakers is stunning.
R.B. Manilla
My R8-1-30 continues to be a great pleasure and the strong point of my stereo set-up. Let me tell you about the sound. It’s wonderful.
J.R. Buffalo
Thanks again for a superb product. They make me just listen to the music again.
L.S. Nova Scotia
I have had my speakers since March and they are superb!! I am constantly stunned by their imaging and clarity.
mg Cyberspace
After 10 years of trying, your Ribbons have finally gotten rid of the “squonk” (“box sound”).
Thank you! D.A
I finally ended up keeping the R8-1-30s at the front and moving the Quads to the rear.
NJ
These (R8-1-30s) are great loudspeakers and I don’t mean just for the money.
About a year ago I bought a pair of R8-1s and couldn’t have been more pleased. Now I am thinking about a pair of NHB Essentials.
The Standing Mod 30s and Sub 1 we purchased last January are just fine. So fine that several colleagues have indicated interest in obtaining their own.
I just love these speakers (R8-2). I have rediscovered music after 15 years. Last night my teenagers came downstairs at 12:30 and yelled at me to turn it down. I also want to thank you again for your patient advice regarding my hifi setup.
Another testimonial that counts is the used speaker market place. Try buying a used pair of Newforms. It is next to impossible because there are hundreds of owners out there who aren’t selling. Find out why they feel they can’t improve on their Newform Ribbons. Also check the audioreview.com owner reviews.
VALUE VS. COST
The benefits of New Technology Sold Factory Direct
The high end audio industry is continuing to undergo many changes. At the retail level, high end dealers are continuing to disappear while custom installers are thriving. People are looking for verifiable performance, not fads.
The dealers are being hurt by a changing market and by being undercut by mail order operations. In many cases, it doesn’t pay them to demonstrate products to individuals who aren’t doing business with them already. This corrosive atmosphere is clearly leading to a mutual loss of confidence in the dealer / high end manufacturers relationship.
With the decline of Asia as a vital market, these manufacturers are urgently looking for more stable, expanding channels of distribution. Many are examining direct sales and we at Newform have been asked by many companies recently about the ins and outs of this approach.
Some are putting a toe in the water of factory direct sales with refurbished, cosmetically damaged or low end product sold over the web. However, the reality is that you either sell through dealers or you sell direct. You can’t do both effectively and responsibly.
Newform Research is very small but very healthy. We spend far more on product development than we do on advertising and promotion.
This is possible for a direct sales manufacturer but not for dealer based distribution. We price our product on a cost up basis not on a list price down basis. The list prices we show in our price list and in the various audio equipment directories (“Almanacs” for you, AIG) are strictly nominal. In fact, if we had to sell product through a dealer network (never mind a dealer/distributor network) our list prices would have to jump substantially above those listed on the last page to allow for heavier promotion, bad debts (a biggie) and wildly extended payment times.
An indication of how the true factory direct cost structure stacks up against that of normal retail distribution can be seen clearly in our models using the renowned ScanSpeak 8545 carbon fibre pulp cone mid-bass. There are virtually no systems using this superb driver listing below $3000 per pair. Even at much higher prices the high frequency driver is an off-the-shelf dome (although almost certainly of very high quality). Contrast this with the R630 which costs $1516 per pair delivered and includes a very large and very expensive 30” Ribbon.
You will continue to see many small companies adopting the factory direct approach. Some larger companies will attempt the conversion as well but it is a lot harder to grow down than it is to grow up. The high end audio industry is continuing to live in interesting times but we feel that whatever may happen, the flight from fads towards value will continue.
The bottom line is:don’t pass over our loudspeakers simply because they cost far less than what you would expect to pay. Our loudspeakers will stand-up to anything on the planet in terms of soundstaging, transparency and musicality regardless of price.
THE NEW 1 YEAR 100 % TRADE-IN UPGRADE POLICY
Concerned that you might not end up with the right loudspeaker? Maybe you are buying too much speaker, maybe not enough. Maybe its just plain not appropriate anymore. What about the cost of upgrading?
To take some of the worry and risk out of buying loudspeakers, Newform is offering a 1 year 100% trade-in policy. If you buy a Newform product and decide you want to step up, Newform will apply 100% of the original purchase price to the new speakers. A $50 handling fee applies and you must pay return freight on your trade­ins.
This can apply to any product except bare RIbbons and kits. All shipping, taxes, duties etc. are included as usual. This will allow audiophiles to buy the minimum they think they might need and upgrade if they feel they need to do so up to a year later. Since Newform owners tend to hold on to their speakers for a long time, depreciation is not really a big issue here. The upgrade policy is designed to make sure you settle down painlessly with the right speaker for the long haul.
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TECHNOLOGY
Loudspeakers are merely air pumps. The speaker with the greatest fidelity is the air pump producing the fewest errors. (room interactions aside). Film drivers have the greatest potential for making the fewest errors given their low mass and virtually 100% driven diaphragm. The low mass and excellent diaphragm control can also produce the near absence of diaphragm resonances which is a major source of harshness and listening fatigue in cone and dome drivers.
The Newform Ribbons take film drivers to their next level by eliminating the well known problems of classic designs and taking advantage of new advances in our understanding of what constitutes true high fidelity to the human ear. Our new technology Ribbons improve on existing Ribbon and electrostatic designs by representing high, purely resistive loads that any amplifier can drive to the best of its ability. At the same time, the higher sensitivity further reduces amplifier stress and allows the greater dynamics of our systems to be exploited. Newform Ribbons provide extremely smooth and extended frequency response with unmatched horizontal dispersion.
Why do our new designs compare so well to the classic electrostatic and Ribbon designs? Newform Ribbons have narrow (3/4”), tightly suspended diaphragms that inherently provide extremely good horizontal dispersion. As one of our kit customers pointed out, “Newform Ribbons simply store less energy than any other design I have heard.” The less stored energy, the cleaner the sound. Once we have exploited the benefits of film diaphragms to create a superior soundwave, there is the question of delivering that wave to the listener’s ears with maximum integrity.
Diffraction is a critical performance factor. Our Ribbons have the smallest acoustic profile of any driver operating from l kHz up. When it comes to acoustic profile, the less you see, the more you hear. The entire structure is only 3-1/4” wide and 2-1/4” deep. It is heavily beveled at the front and the diaphragm is within 1/8” of the front of the structure. Given the narrow width of the diaphragm (dispersion is a function of diaphragm width and wavelength), there is very little to interfere with extremely even off-axis response.
Conventional system manufacturers are coming to this conclusion as well as can be seen by the emergence of systems in the higher end featuring dome arrays. These arrays produce cancellation patterns which effectively reduce vertical dispersion. Newform Ribbons produce a naturally limited radiation pattern which does not rely on cancellation patterns for vertical control (see diagrams on page 4). These spectral delay plots illustrate why Newform Ribbons have such a transparent character. The more quickly the sound decays, the cleaner the sound and greater the ability to define subtleties in the music.
What the Ribbon design does for our mid-bass drivers is also extremely important. By crossing over at such a low frequency, the Ribbons allow the mid-bass drivers to operate within their natural range, before resonant cone breakup and beaming degrade both on and off-axis response. With conventional systems, crossover points are above 2 kHz and as high as 3.5kHz. These high crossover points move cone breakup into the audible zone no matter how complicated the crossover and create large off-axis suck-outs which severely degrade the focus of the soundstage and mask detail.
•Narrowest acoustic profile
•Widest, most even
horizontal dispersion
•Unsurpassed soundstage, focus and depth
•Minimal baffle bounce equals superb music detail at high or low levels
Wide and very even off-axis dispersion patterns are prime contributors to a deep and well-focused soundstage. The clarity, which is created by our narrow film diaphragm, is maintained by the absence of anomalies as the waveform moves beyond the loudspeaker structure and into the room. Once into the room, the sound field will not be degraded by ceiling and floor reflections because as broad as our horizontal dispersion pattern is, our vertical dispersion is conversely limited. This line source characteristic is of extreme importance to soundstaging focus and depth as well as to soundfield coherence in home theater.
NHB 45
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FREQUENCY RESPONSE CHARTS
The Finest High End in Audio
R8
Height 8.5” – Width: 3.3” – Depth 2.5” – Weight 6lbs. Frequency Response: 1.2 k - 20khz + / - 3db Nominal Power: 20 watts System Power 100 watts Sensitivity 85 db at 1w, 1m Impedance: 9 ohms Straight Line Capacitor Value to Obtain Lowest Recommended Frequency: 10uf Termination: stranded wire form end cap. Recommended Users: any 2 way system with 8” or smaller woofer. In wall custom installations. Centre channel or rear channels in Dolby Pro Logic or AC-3 system when used with a mid/base driver extending response down to 100hz. Give them air and a world-class soundstage will be yours.
R30
Height 30.8” – Width: 3.3” – Depth 2.5” – Weight 24lbs Frequency Response: 1000 hz - 20khz + / - 3db Nominal Power: 60 watts System Power 200 watts Sensitivity 88 db at 1w, 1m Impedance: 7 ohms Straight Line Recommended Lowest Frequency: 950 hz Capacitor Value to Obtain Lowest Recommended Frequency: 8 uf Termination: 5 way gold plated binding posts. Recommended Uses: any 2 way system with woofer smaller than 8”. In wall custom installations. Any channel of Dolby Pro Logic or AC-3 system. Small to medium permanent sound reinforcement systems stacked in line source arrays. Give them air for a truly superb soundstage.
R45
Height 46.5” – Width: 3.5” – Depth 2.75” – Weight 44lbs Frequency Response: 950 hz - 20khz + / - 3db Nominal Power: 80 watts System Power 250 watts Sensitivity 91 db at 1w, 1m Impedance: 4.8 ohms Straight Line Recommended Lowest Frequency: 950 hz Capacitor Value to Obtain Lowest Recommended Frequency: 12 uf Termination: 5 way gold plated binding posts. Recommended Uses: any 2 way system with woofer smaller than 8”. In wall custom installations. Any channel of Dolby Pro Logic or AC-3 system. Small to medium permanent sound reinforcement systems stacked in line source arrays. Give them air for a truly superb soundstage.
Frequency Response Charts: The above charts consist of four curves each. The top curve is the on-axis curve. The bottom three curves have been done with a single capacitor in series. These curves are taken at 0 degrees, 30 degrees and 60 degrees off axis. All curves have been subject to 1/3 octave smoothing. Impedance curves are not included since they are straight lines for the unfiltered driver.
Call for advice on your application from a center channel to your own “No Holds Barred”.
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ELECTRONICS
The choice of electronics is completely ‘open ended’ since Newform Ribbons represent such a benign load. Our systems are being driven by everything from home made 7-1/4 watt, 300B tube amps to 200 watt Levinsons and 500 watt monoblocks. If lower to medium levels are all that is needed a good 20 to 50 watt amp along the the lines of a small NAD or Rotel will provide remarkably musical results. The Bryston B60 is a sweetheart. In the end, your favourite amp will be able to deliver its best performance so don’t be restricted by conventional guidelines.
Since our speakers will work with with any commercially available amp, base your amplifier decision on sound quality and output level in your room. The chart below will help you quickly arrive in the right ballpark. These power ratings are for most of our speakers which are medium sensitivity. For the R58 double all of the power requirements. For No Holds Barred and the R645 models only half of the power is required. Also, the use of a
fatiguing nature of this speaker, they were ideal for overall voice reproduction. The R8-1-30s are some of the best speakers for home theatre that I can think of at anywhere near this price. The result was thrilling. Furthermore, I felt no need for a subwoofer at any time.
Starry Eyed ... The R8-1-30 offers aspects of performance that outclass many speakers near this price. As previously noted, the high level of performance is mainly due to the ribbon unit. Within the ribbon’s range, the speaker compares to other speakers costing upward of two, three, or four thousand dollars. The performance in the lower frequencies is very good, but not outstanding in the same way and is more in line with speakers selling in the sub-$2000 range. Taken as an overall package, the R8-1-30 is a star performer. At $1236 the R8-1-30 represents superb musical value and is simply a steal for someone contemplating setting up an outstanding music/home
theatre system. powered sub-woofer will cut your power requirements by up to half.
AMPLIFIER WATTS/CHANNEL
FOR DESIRED VOLUME LEVEL
ROOM SIZE SQ. FT. LOW MED HIGH VERY
Small 100 sq. ft. 5 20 50 100
Medium 200 sq. ft. 10 40 100 200
Large 400+ sq. ft. 10 80 200 500
REVIEWS AND OWNERS COMMENTS
Soundstage, April 1997 R8-1-30, Spectron Doug Schneider www.sstage.com
This ribbon’s sound is exceptionally transparent, revealing, with wonderful body and weight. There is an incredible amount of detail and a fabulous sense of transparency. At the same time, this ribbon retains its composure and unlike other ribbons I have heard is never, never, never harsh.
If it sounds as though I am raving, it is because I am. The ribbon has extremely good horizontal dispersion resulting in good off-axis performance. As well, they handle a lot of power and are capable of producing near ear-splitting volume levels. Where many speakers begin to choke, the
Newforms begin to sing. ... the R8-1-30
captures and conveys the “soul” of the music. As well, with the detailed yet non-
HIGH
the acoustic end of a very fine high end
audio system, and a quartet, well, they
make up as good a home theatre system
as I’ve ever heard. These speakers will
handle power like few others, the ribbon
having tremendous dynamics and no
breakup modes whatsoever.
Because of excellent lateral dispersion, the
individual speakers tend to disappear, but
very exact imaging is provided by each line
source. The other aspect of the Newform
ribbon that should be emphasized is its
speed: the dynamic capabilities are lead by
extraordinary transient capacity.
I’ve lived with the Newform quartet now
for a couple of months, and have come to
appreciate their honesty; next to them
most other home theatre systems are
decidedly coloured sonically. It took living
with and then measuring the R8-1-30 for
me to objectively realize how really good
these speakers are and how superbly well
suited they are for high end home theatre
systems. Simply put, reference quality.
Audio Ideas Guide,Spring 1997 R8-1-30 x 4 in home theatre, Andrew Marshall, Canada
The R8-1-30 achieves a superb +/- 2dB tolerance between 40 and 10,000 Hz. The 30” Ribbon is as well a behaved treble reproducer as I have seen. A pair of these speakers can form
Soundstage, Montreal Audio Show Report Soundstage, Montreal Audio Show Report - No Holds Barred Doug Schneider www. sstage.com
The Newform ribbon is one of the finest midrange/tweeter ribbon drivers I have ever heard. It is exceptionally detailed, yet smooth, with excellent dispersion characteristics. The NHB sound at the show was very detailed with an excellent soundstage. Newform Research deal only factory direct which makes their speaker prices very competitive.
John had things very well balanced and the system was sounding very natural with the ribbons, dynamic modules and subs integrating seamlessly. Speaker placement must be a breeze with these because I was getting good imaging from just about anywhere I stood.
Audio Review May, 1997 R8, Focal Kit Bruno Ragionier, Italy
Translation not available but “Un grande tweeter” perhaps doesn’t need any.
Speaker Builder, No Holds Barred Winter 1998 Robert Greene , Joe D’ Appolito USA
But not only do the NHBs present a large, expansive, seemingly unlimited sound picture, they also produce unusually real­seeming instrumental or vocal images. The whole effect is startlingly convincing. And none of the astronomically priced box speakers I know of do any better, nor even as well. It won’t be easy to go back to box loudspeakers. The song may be over but the soundstage lingers on.
NEWFORM COMMENTS ON THE REVIEWS
The themes running through all of the above reviews are detail, transparency and soundstaging. The reviewers comment on these qualities not just in relation to similarly priced loudspeakers but in absolute terms. The R830 review by Andrew Marshall is important because it finally addresses the advantages of our Ribbon design in a surround sound application. The Speaker Builder article by Robert Greene looks beyond the loudspeaker system (NHB) to the presentation of musical space and is a flat out endorsement of our Ribbon technology as the best there is for soundstage (stereo) and soundfield (surround sound) creation.
Page 8
MODEL SPECIFICS GETTING IT RIGHT IN YOUR ROOM
R830, R630, R645 (FULL RANGE)
Designed to be placed some distance out from the back wall (3’ to 6’) and the side walls (2’ to 4’). All of these distances are relative to the hardness or softness of the room. More air for hard rooms, less for soft. The ample bass output of the R830s allows them to be located far from the walls for maximum depth of stage. The
listening position should be between 1 and 1.5 times from the speakers to the distance between the speakers.
STANDING MODULES, R530,
NO HOLDS BARRED, NHB 45
Exactly the same placement as for the R630s except these will be setup for soundstage only. The bass will come from sub-woofers which will be set up separately. This is the ultimate in flexibility.
SUBS
The subs should provide solid bass to around 20Hz in room. The key elements in
integrating a sub seamlessly are picking
the location with the fewest room modes (i.e. smoothest and deepest
response at the listening seat) and
R630
the sub. A sophisticated electronic crossover is very valuable in this area either in your processor or in the subwoofer itself. Experiment with reversing the phase in every different location. This will help eliminate ‘fat mid­bass’ and maintain the speed of the system.
crossing over low enough (40-60Hz) to avoid muddy mid-bass and localization of
PLACEMENT - THINGS TO AVOID
Avoid placing the listener’s head close to a hard rear wall. Reflection from the wall will play havoc with both imaging and bass response. If the listening position must have a wall right behind it, cover the wall with Sonex, a heavy curtain or a tapestry laid over fiberglass or foam acoustic insulation etc. Whatever the method, the listeners ears must not be subject to a strong, direct rear reflection.
Don’t place one speaker beside a reflective wall and one with open space to the side. Try to make the acoustic floor plan acoustically symmetrical for both right and left sides. If there is open space on one side try to simulate space on the other with absorbent material on the wall, plants etc.
Avoid putting large objects in between the speakers. If a large TV or equipment rack (especially with glass doors is
placed between the speakers, try to have the object recessed as far as possible. If the object is close to the same depth plane as the speakers, both horizontal and depth elements of the soundstage will fall short of the speakers potential.
Don’t make assumptions or expect the speakers to work well just because they are setup roughly the same way they were in a friend’s sound room, Your room is unique. It has different dimensions, furnishings and its boundary walls are made of different materials.
Once you understand the trade-offs, the key to success is experimentation. Try various positions and listen for the differences on different pieces of music. Even a change of two inches one way or the other can result in dramatic improvements at the listening position. But be careful when moving the speakers, they are tall and heavy! Don’t install the spikes until the best position is found. If you run into problems, call Newform for ideas. With the vast majority of rooms, a 90% setup can be achieved very quickly with the final 10% coming with small tweaks over the break-in period.
Once you have optimized placement, it will be possible to forget about the loudspeakers and enjoy the music to its fullest.
Happy Listening!
Factory Direct Sales also means Factory Direct Support
from the designer. Make use of our expertise.
SUGGESTED HOME THEATRE SYSTEMS
For a world-class home theatre system depending on the room, one of the following configurations should be ideal:
MEDIUM TO LARGE ROOMS
1.4 x R630 (add a first-class sub-woofer)
2.2 x R645 up front 2 x R630 in the rear (add a first-class sub-woofer for the bottom half octave)
SMALL TO MEDIUM ROOMS
1.2 x R630 and sub-woofer 2 x R58
2.4 x R58 and sub-woofer
Page 9
ROOM OPTIMIZER
YOUR ROOM LAYOUT
Why settle for a poor seat in your own theater?Next to the loudspeakers themselves, proper room setup is the most important factor in the listening experience. Describe your room to us and we will help you to achieve the best results. You will need a tape measure and about 15 minutes of your time. Each of the squares in the box below represents 1 foot
i.e. 1/4” = 1 foot.
Draw in the outline of your room to the nearest foot. Sketch in doors, windows major furniture, large plants etc. Indicate what each side wall is made of. Please add your own comments and make your own specific answers.
Please provide the following information: Check off appropriate choice and feel free to make your own comments.
Type of Building Listening Rm. LocationWall Material Floor Type Floor Covering Ceiling Type
❑Single House ❑Basement ❑Concrete ❑Concrete ❑Broadloom ❑Concrete ❑Attached House ❑Main Floor ❑Dry Wall ❑Wood Joists❑Hardwood ❑Wood Joists ❑Apartment ❑Second Floor ❑Wood Paneling❑Tile ❑Area Rugs ❑Suspended Glass
Type of Amplifier Main Music Source Main Type of Music Typical Listening Level
❑ CDs ❑ Classical ❑Low
Make_____________________________ watts/channel______________________
❑ LPs ❑Rock ❑ Medium ❑ Tuner ❑Folk ❑High ❑ DAT ❑ Jazz ❑ Laser Disc (video)
Name:__________________________________________________________________________________________________ Address:________________________________________________________________________________________________ City:Prov/State:___________________________________________________Postal/Zip Code:_________________________ Tel:______________________________ Fax:___________________________ E-mail:___________________________
Page 10
ROOM EXAMPLES
Our goal is to deliver a true high fidelity experience in your room quickly and easily. This will avoid frustration and unnecessary furniture movement. Virtually any room can produce good sound with the right setup. The following diagrams will assist you in achieving optimal sound performance.
Listen for:
• soundstage, depth and focus
• bass extension and clarity
BASIC SETUP RULES
Strong reflections foul the soundstage and upset tonal balance and must be avoided whether from the front, side or rear wall. This can be accomplished by moving the speakers away from the walls and/or putting something on the walls, bookshelf, tapestry, plant etc. to break up the reflecting wave. Toe-in can also be used. Once the reflected waves are in balance the soundstage will become very well defined with excellent depth and focus. Bass becomes stronger and usually less well defined as the speakers are moved toward the walls and corners. As they are moved toward the listening position, these tendencies are reversed. Changes of as little as several inches can produce dramatically different results. Your room is unique. The key to success is experimentation and simplicity.
WHY THE EXAMPLES WORK
1. This large rectangular room with no obstructions allows the speakers to be moved well away from the front and side walls and the listening seat is well forward of the rear wall. The reflections are weak and well delayed relative to the direct wave.
2a. Typical apartment setups can be done like this or as per 2b. The speakers have plenty of air and the right side wall is
treated in some fashion.
2b.This setup quite a bit of air but requires a large amount of sound absorbent material behind the listeners head to
damp the reflected rear wave.
3. Going diagonally across a room breaks up the reflections and gives an excellent soundstage in what otherwise would be a very compromised installation. No wall treatment was used but the speakers were toed in.
4. Placed on either side of a large opening into another room, depth of soundstage is excellent due to a weak front reflection and room re-arrangement is minimal. Side walls need some treatment (plant and bookcase, etc.).
5. If you are set up well for stereo, you can be just as well set up for home theater if you can locate the rear speakers behind and off to the side of the seating position. The object here is to create an enveloping soundfield as opposed to being blasted with noise from the four corners of the room.
Helpful, expert advice is only as far away as your telephone, fax or computer keyboard. You know your room and we know our loudspeakers. Let’s talk!
Page 11
SYSTEM SET-UP
Assembly consists of taking the mid-bass enclosures out of the cartons, attaching the bases and setting them up. For the smaller speakers, no assembly is required as the Ribbons are attached to the bass enclosures.
For the systems using the R30 and R45 Ribbons, the Ribbons are packaged separately and must be bolted onto the brackets on the top of the mid-bass enclosures. This is done by first inserting the two smaller bolts bottom rear of the Ribbon structure and sliding their heads into the keyhole slots in the bracket. These smaller bolts do not have to be tight as they are there for alignment and stability. The larger bolt should then be inserted and tightened finger tight. A light twist with the Allen key (included) will complete the mechanical installation. Connect the Nordost interconnects from the binding posts on the top of the enclosure to those on the back of the Ribbon and installation is complete.
Warning, the Ribbons are heavy and smooth so handle with care so that you do not drop them or put pressure on the screen in front.
R30 Ribbons attached as they may T
Do Not Move Speakers with R45 or
opple Over.
SPEAKER PLACEMENT AND ROOM SETUP
After the loudspeakers themselves, proper placement in the listening room is the most important factor in your listening pleasure. Due to their exceptionally wide and consistent horizontal dispersion, Newform Ribbons are capable of presenting both unsurpassed soundstage depth and focus. The best room setup sacrifices the least of their potential.
THE IDEAL SCENARIO
Under ideal circumstances, the bass response will be tight and deep and the soundstage will exist in three dimensions with precise 3D location of all of the music sources. The soundstage will extend to the sides of the loudspeakers themselves and the speakers will “disappear”.
ROOM PLACEMENT ISSUES
Bass response will vary with the distance between the speakers and the back and side walls. Bass depth and output will be reinforced by backing the speakers into corners or up against the back wall. Such locations typically produce too much bass and sacrifice depth of image. Corner placement may also degrade the horizontal image.
Soundstage has three variable components; breadth, depth and focus of image. There should be an even distribution of sound across the soundstage with no holes in the centre (i.e. where sound can be distinctly heard to be coming from the individual left and right speakers). Depth of image is usually the hardest to achieve but when
it is achieved, musical sources extend back into space behind the speakers. The curtain goes up! The precision of the location of the instruments within the soundstage should develop as the horizontal and depth properties are improved. Generally speaking, the further out from the front wall, the greater the soundstage depth. Consider moving them out for critical listening sessions when it is not possible to have them out in the room all the time. The depth effect is highly variable from room to room. As always, experiment.
Newform Ribbon Series Loudspeakers are made for the seated listener. When the listener’s head is significantly above or below the plane of the Ribbon drivers, high frequencies will be reduced. If you like to walk around when listening, then the R645, NHB 45 or NHB Essential should be considered.
Strong wall reflections can degrade the soundstage but fortunately the solutions are simple. A strategically placed plant, bookcase, tapestry etc., will reduce sidewall reflections. Make sure both sides of the room are as balanced as possible. With all Newforms, the best results are usually obtained with the speakers facing directly forward. Toeing in the speakers results in less information being reflected off the side walls which can be beneficial in some rooms. Toe in may also be necessary if the listening position is close to the speakers. The advice above holds true for most loudspeakers. Newforms are actually easier to setup than most due to the lack of ceiling bounce and rear wave.
Do you think you have a soft (acoustically absorbent) room because of the carpets and couches? the walls above the 2 foot level.Walk around the room clapping your hands to judge the echo. If you get lots of it, you will have to take greater care in the room setup.
The Ribbon sees
TIPS
•Placing subs in close proximity to the listening seat often reduces room modes.
•Corner placement and using both a front and rear sub may also reduce strong modes.
•Allow 3 weeks for the Ribbons to break in but you should notice a significant difference in 3 days.
•Avoid strong rear reflections.
•Don’t over damp the room. Keep it simple.
•Make sure the ribbons cover the seated listener’s ear.
•Put the sub in the listening seat and then walk around
the room to find where the bass is the best. Try sub there.
•Ideally the surrounds should be behind the plane of the listener so they aren’t pointing in from the sides.
Page 12
SATISFACTION GUARANTEE
NOW AND IN THE FUTURE
How does Newform assure your satisfaction? By discussing your music taste, your room and your system. Once we are sure we have a good match, we can guarantee your satisfaction. If, after going through our consultation process, the speakers do not work with your system, in your room, to your satisfaction, we will take them back up to 30 days after purchase and give you a full refund of the merchandise cost. This offer applies only to complete factory systems and not to bare Ribbons or kits.
Why has our return rate been near zero? The process and the product. The process assures a thoughtful selection. The comments on page 10 express how the products stand up according to the people who have paid their own money and lived with them for extended periods of time.
Newform warrants all of the products it sells to be free from defects in material and workmanship for a period of five (5) years from the date of purchase by the original owner. If any unit fails under normal use, within the warranty period, Newform will pay one way shipping costs and all customs and duty in North America plus all parts and labour costs to restore the defective unit to original specifications.
SIMPLY PUT
If you experience a problem with your Newform Research loudspeakers please call, fax or e-mail and we will quickly help to solve the problem. Newform Research has been in business, conducting research since 1986 and has been shipping Ribbons since 1992. We sell factory direct Worldwide and through direct distributors and custom manufacturers in over 20 overseas countries.
TRANSPARENCY
DETAIL
DYNAMICS
The focus of Newform Research is on practical excellence and simple design for the purpose of producing superb musical experience in the listening room. We see the fusion of audio and video systems in the home. Our objective is to offer the highest standard of fidelity in a scalable, anti-obsolescent format. That is, products which are state of the art from either a 2 channel, 4 or 5 channel perspective and scalable to allow for painless expansion.
Our loudspeaker systems with their new Ribbon technology have solved a number of problems. They have squeezed the musicality of the large panel speakers into much smaller, more practical packages. They have substantially lowered the price of admission to high end sound. They have increased the ease with which a synergistic, first class sound system can be assembled. Newform Ribbons have opened up the future to seamless system expansion regardless of what format changes may occur in home entertainment. This will assure that in the future, the music will only get better.
NEWFORMRESEARCH
P.O. Box 475, Midland, Ontario, L4R 4L3, Canada Telephone: 705 835-9000 Fax: 705 835-0081 e-mail: [email protected] World Wide Web: http://www.newformresearch.com
SOUNDSTAGING
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