movement up and down rotates a knob) or KNOB (rotary movement is required to rotate a
knob).
MIDI PORT WARNING: If the Sub Phatty is not properly communicating with the Editor,
this will warn you that the hardware is disconnected or unavailable.
Echo MIDI from Host: Merges MIDI from the host DAW and the Editor plugin and sends it
to the Sub Phatty's specified MIDI input.
SUB PHATTY GLOBAL SETTINGS
MIDI IN CHANNEL: Selects the channel on which your Sub Phatty will receive MIDI
information. (CH 1-16)
MIDI OUT CHANNEL: Selects the channel on which your Sub Phatty will send MIDI
information. (CH 1-16)
KNOB MODE: Selects how the Sub Phatty's physical knobs respond when turned. In SNAP
mode, the value jumps to the knob’s current position as soon as you begin turning it. In PASS
THROUGH mode, turning the knob has no effect until it reaches its preset value and then it
takes effect. In RELATIVE mode, turning the knob up or down slightly causes minor changes
in value, while turning it further causes an increasingly greater change in value. This allows
the value to “catch up” with the knob’s position and prevents sudden jumps from a preset
knob value to a physical knob value. (Default is RELATIVE) Page 36.
KEYBOARD PRIORITY: Selects between LOW NOTE, LAST NOTE, or HIGH NOTE PRIORITY.
(Default is LAST NOTE) Page 36
LOAD PRESET VOLUME: Specifies whether an individual preset’s loudness is controlled by
the MASTER VOLUME knob’s current setting or by the volume level that was saved within a
preset. Page 35
LOAD PRESET KB OCTAVE: Specifies whether to load a preset's Keyboard Octave
settings or to retain the keyboard's current transposition. Page 22 Global Controls.
LOAD PRESET MOD WHEEL: specifies whether to load a preset's modulation depth as
controlled by the MOD wheel setting that was current when the preset was saved. Page 35
14 BIT CC OUTPUT: Most MIDI commands allow a range of values from 0 to 127, a number
limited by 7-bit words that make up standard MIDI messages. For Control Change (CC)
commands that require greater resolution, it’s possible to use 14-bit words that allow a much
finer-resolution range of values, from 0 to 16,384. Page 34
MIDI INPUT: Selects the Sub Phatty’s MIDI input port from USB, MIDI DIN, or BOTH. (Default
is BOTH) Page 33
MIDI OUTPUT: Selects the Sub Phatty’s MIDI output port to USB, MIDI DIN, or BOTH.
(Default is BOTH) Page 33
MIDI MERGE: The Sub Phatty can merge the MIDI data it receives with the MIDI data it
transmits. You can specify the path of the merged data so that data received at either the
MIDI IN jack or the USB port is passed through to the MIDI OUT jack or the USB port.
MERGE DIN INPUT:
OFF: Turns MIDI merging off.
DIN MIDI port IN to DIN MIDI OUT: Data received by the MIDI IN jack passes through to
the MIDI OUT jack only.
DIN MIDI port IN to USB OUT: Data received by the MIDI IN jack passes through to the
USB port only.
DIN MIDI Port IN to USB AND MIDI DIN OUT: Data received by the MIDI IN jack passes
through to both the MIDI OUT jack and the USB port.
Page 34
MERGE USB INPUT:
OFF: Turns MIDI merging off.
USB port IN to DIN MIDI OUT: Data received by the USB port passes through to the MIDI
OUT jack only.
USB port IN to USB port OUT: Data received by the USB port jack passes through to the
USB port only.
USB Port IN to USB AND MIDI DIN OUT: Data received by the USB port jack passes
through to both the MIDI OUT jack and the USB port.
Page 33