Minolta Dimage 5, dimage7 User Manual

INSTRUCTION MANUAL
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Thank you for purchasing this Minolta digital camera. Please take the time to read through this instruction manual so you can enjoy all the features of your new camera.
This manual contains information regarding products introduced before June, 2001. To obtain compatibility information for products released after this date, contact a Minolta Service Facility listed on the back cover of this manual.
Check the packing list before using this product. If any items are missing, immediately contact your camera dealer.
Minolta DiMAGE digital camera AA alkaline batteries (set of four) Neck strap for DiMAGE 7/5 NS-DG7 Lens shade for DiMAGE 7/5 DLS-7 16MB CompactFlash card Video cable for DiMAGE 7/5 VC-100 USB cable for DiMAGE 7/5 USB-100 DiMAGE software CD-ROM DiMAGE Image Viewer Utility version 1.1 instruction manual Camera manual Warranty card
Read and understand all warnings and cautions before using this product.
Using batteries improperly can cause them to leak harmful solutions, overheat, or explode which may damage property or cause personal injury. Do not ignore the following warnings.
• Only use the batteries specified in this instruction manual.
• Do not install the batteries with the polarity (+/–) reversed.
• Do not use batteries which show wear or damage.
• Do not expose batteries to fire, high temperatures, water, or moisture.
• Do not attempt to short or disassemble batteries.
• Do not store batteries near or in metallic products.
• Do not mix batteries of different types, brands, ages, or charge levels.
• Do not charge alkaline batteries.
• When recharging rechargeable batteries, only use the recommended charger.
• Do not use leaking batteries. If fluid from the batteries enters your eye, immediately rinse the eye with plenty of fresh water and contact a doctor. If fluid from the batteries makes contact with your skin or clothing, wash the area thoroughly with water.
WARNING
FOR PROPER AND SAFE USEBEFORE YOU BEGIN
• Use only the specified AC adapter within the voltage range indicated on the adapter unit. An inappropriate adapter or current may cause damage or injury through fire or electric shock.
• Do not disassemble this product. Electric shock may cause injury if a high voltage circuit inside the product is touched.
• Immediately remove the batteries or unplug the AC adapter and discontinue use if the camera is dropped or subjected to an impact in which the interior, especially the flash unit, is exposed. The flash has a high voltage circuit which may cause an electric shock resulting in injury. The continued use of a damaged product or part may cause injuries or fire.
Because the performance of alkaline batteries
with digital cameras is low, the use of
Ni-MH batteries is recommended.
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FOR PROPER AND SAFE USE
• Do not use or store the product in a hot or humid environment such as the glove compartment or trunk of a car. It may damage the product and batteries which may result in burns or injuries caused by heat, fire, explosion, or leaking battery fluid.
• If batteries are leaking, discontinue use of the product.
• The camera temperature rises with extended periods of use. Care should be taken to avoid burns.
• Burns may result if the CompactFlash card or batteries are removed immediately after extended periods of use. Turn the camera off and wait for it to cool.
• Do not fire the flash while it is in contact with people or objects. The flash unit discharges a large amount of energy which may cause burns.
• Do not apply pressure to the LCD monitor. A damaged monitor may cause injury, and the liquid from the monitor may cause inflammation. If liquid from the monitor makes contact with skin wash the area with fresh water. If liquid from the monitor comes in contact with the eyes, immediately rinse the eyes with plenty of water and contact a doctor.
• The rim of the lens hood can cause injury. Take care not to accidentally strike anyone with the camera when the lens hood is attached.
• When using the AC adapter, insert the plug securely into the electrical outlet.
• Do not use if the AC adapter cord is damaged.
• Do not cover the AC adapter. A fire may result.
• Do not obstruct access to the AC adapter; this can hinder the unplugging of the unit in emergencies.
• Unplug the AC adapter when cleaning or when the product is not in use.
CAUTION
• Keep batteries or small parts that could be swallowed away from infants. Contact a doctor immediately if an object is swallowed.
• Store this product out of reach of children. Be careful when around children, not to harm them with the product or parts.
• Do not fire the flash directly into the eyes. It may damage eyesight.
• Do not fire the flash at vehicle operators. It may cause a distraction or temporary blindness which may lead to an accident.
• Do not use the monitor while operating a vehicle or walking. It may result in injury or an accident.
• Do not use this product in a humid environment, or operate this product with wet hands. If liquid enters the product, immediately remove the batteries or unplug the AC adapter and discontinue use. The continued use of a product exposed to liquids may cause damage or injury through fire or electric shock.
• Do not use the product near inflammable gases or liquids such as gasoline, benzine, or paint thinner. Do not use inflammable products such as alcohol, benzine, or paint thinner to clean the product. The use of inflammable cleaners and solvents may cause an explosion or fire.
• When unplugging the AC adapter, do not pull on the power cord. Hold the adapter unit when removing it from an outlet.
• Do not damage, twist, modify, heat, or place heavy objects on the AC adapter cord. A damaged cord may cause damage or injury through fire or electric shock.
• If the product emits a strange odor, heat, or smoke, discontinue use. Immediately remove the batteries taking care not to burn yourself as the batteries become hot with use. The continued use of a damaged product or part may cause injuries or fire.
• Take the product to a Minolta Service Facility when repairs are required
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TABLE OF CONTENTS
Names of parts
Camera body...........................................................................................................................10
Data panel...............................................................................................................................13
EVF and LCD monitor display.................................................................................................14
Getting up and running.........................................................................................................................15
Camera-shake warning ...........................................................................................................15
Attaching the camera strap .....................................................................................................16
Removing the lens cap ............................................................................................................16
Attaching the lens hood ...........................................................................................................17
Inserting batteries....................................................................................................................18
Inserting the CompactFlash card ............................................................................................18
Handling the camera ...............................................................................................................19
Turning on the camera and displays.......................................................................................19
Taking pictures.........................................................................................................................20
Using the built-in flash.............................................................................................................21
Flash range - automatic operation...........................................................................................21
Viewing and deleting pictures in quick view............................................................................22
Basic operation ....................................................................................................................................23
Changing batteries ..................................................................................................................24
Battery condition indicators .....................................................................................................25
Auto power save......................................................................................................................25
External power supplies (sold separately)...............................................................................26
Changing the CompactFlash card ...........................................................................................26
Setting the camera to record images automatically................................................................28
EVF and LCD monitor display.................................................................................................28
Basic recording operation........................................................................................................29
Focus lock ...............................................................................................................................30
Focus signals...........................................................................................................................31
Special focusing situations......................................................................................................31
Display controls - recording mode...........................................................................................32
Quick view...............................................................................................................................34
Deleting images in quick view ....................................................................................35
Recording mode - advanced operation ................................................................................................36
What is an Ev? What is a stop?..............................................................................................36
Pro-auto button ........................................................................................................................37
Digital-subject-program button ................................................................................................38
Setting the function dial...........................................................................................................40
Image size...............................................................................................................................42
Image quality...........................................................................................................................43
About super-fine and RAW image quality...................................................................44
Image-file size and CompactFlash card capacity....................................................................45
Exposure modes......................................................................................................................46
Program - P ................................................................................................................47
Program shift ...................................................................................................47
Aperture priority - A.....................................................................................................48
Shutter priority - S.......................................................................................................49
Manual exposure - M ..................................................................................................50
Drive modes ............................................................................................................................51
Continuous advance...................................................................................................52
Self-timer.....................................................................................................................53
Bracketing...................................................................................................................54
Exposure bracketing........................................................................................54
Digital Enhanced Bracketing............................................................................55
Interval........................................................................................................................56
White balance ..........................................................................................................................58
Automatic white balance.............................................................................................59
Preset white balance ..................................................................................................59
Custom white balance ................................................................................................60
Camera sensitivity - ISO..........................................................................................................61
Digital Effects Controller..........................................................................................................62
Exposure compensation.............................................................................................63
Contrast compensation ...............................................................................................64
Color-saturation compensation ...................................................................................65
Autofocus areas and control....................................................................................................66
Flex Focus Point......................................................................................................................67
Autofocus modes .....................................................................................................................68
Macro mode.............................................................................................................................69
Digital zoom .............................................................................................................................70
Manual focus...........................................................................................................................71
Electronic magnification (DiMAGE 7 only) ..............................................................................71
Electronic viewfinder................................................................................................................72
Diopter adjustment......................................................................................................72
Automatic monitor amplification (DiMAGE 7 only) .....................................................72
AF/AEL button .........................................................................................................................73
Metering modes .......................................................................................................................74
Flash metering .........................................................................................................................75
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TABLE OF CONTENTS
Flash modes............................................................................................................................76
Flash compensation ................................................................................................................78
Flash range..............................................................................................................................79
Attaching a Minolta accessory flash (sold separately)............................................................79
Navigating the recording-mode menu.....................................................................................80
Recording-mode menu - Basic ................................................................................................82
Recording-mode menu - Custom 1.........................................................................................83
Recording-mode menu - Custom 2.........................................................................................84
Memory - storing camera settings...........................................................................................85
Sharpness................................................................................................................................86
Color mode..............................................................................................................................86
Data imprinting ........................................................................................................................87
Electronic keyboard.................................................................................................................88
Instant playback.......................................................................................................................89
Movie recording.......................................................................................................................90
Bulb exposures ........................................................................................................................92
Attaching a remote cord (sold separately) ..............................................................................92
Playback mode - viewing and editing images ......................................................................................93
Viewing pictures ......................................................................................................................94
Viewing movies........................................................................................................................95
Deleting images .......................................................................................................................95
Single-frame playback display.................................................................................................96
Movie playback display............................................................................................................96
Histogram display....................................................................................................................97
Display controls - playback mode............................................................................................98
Enlarged playback.................................................................................................................100
Navigating the playback-mode menu....................................................................................102
Playback-mode menu - basic................................................................................................104
Deleting images........................................................................................................104
Locking images .........................................................................................................105
Changing the index playback format........................................................................105
Playback-mode menu - custom 1 (Slide Show)....................................................................106
Playback-mode menu - custom 2..........................................................................................108
About DPOF .............................................................................................................108
Creating a DPOF print order.....................................................................................108
Ordering an index print.............................................................................................109
Canceling a DPOF print order ..................................................................................109
Copying images ........................................................................................................110
Frame-selection screen..........................................................................................................111
Viewing images on a television .............................................................................................112
Setup mode - controlling the camera’s operation...............................................................................113
Navigating the setup menu ....................................................................................................114
Setup menu - basic................................................................................................................116
EVF and LCD monitor brightness.............................................................................116
Formatting CompactFlash cards ...............................................................................116
Auto power save.......................................................................................................117
Beep ..........................................................................................................................117
Language..................................................................................................................117
Setup menu - custom 1 .........................................................................................................118
File number memory.................................................................................................118
Select folder..............................................................................................................118
New folder.................................................................................................................119
Setup menu - Custom 2 ........................................................................................................120
Reset default.............................................................................................................120
EVF auto switch........................................................................................................121
Setting the date and time..........................................................................................122
Setting the date format.............................................................................................122
Video output..............................................................................................................122
Data-transfer mode ............................................................................................................................123
Connecting the camera to a computer..................................................................................124
Connecting to Windows 98....................................................................................................126
Automatic installation ................................................................................................126
Manual installation....................................................................................................127
Connecting to Mac OS 8.6....................................................................................................129
QuickTime 4.1 system requirements .....................................................................................129
CompactFlash card folder organization.................................................................................130
Auto power save (Data-transfer mode).................................................................................131
Disconnecting the camera from the computer ......................................................................132
Changing the CompactFlash card (data-transfer mode) .......................................................134
Appendix ..................................................................................................................................135
A short guide to photography ................................................................................................136
System accessories...............................................................................................................138
Troubleshooting.....................................................................................................................139
When using filters with the DiMAGE 7 .....................................................................141
Care and storage...................................................................................................................142
Technical specifications.........................................................................................................146
* This camera is a sophisticated optical instrument. Care should be taken to keep these surfaces clean. Please read the care and storage instructions in the back of this manual (p. 142).
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NAMES OF PARTS
CAMERA BODY
Data panel (p. 13)
Pro-auto button (p. 37)
Control dial
Shutter-release button
Focusing ring (p. 71)
Focal-length index
Zooming ring
1
Lens*
Card-slot door (p. 26) The USB port is located behind the card-slot door.
Self-timer lamp (p. 53)
Built-in flash (p. 21)
Digital-subject-program button (p. 38)
Accessory shoe
Strap eyelet (p. 16)
Display mode switch Display information button
(p. 32, 98)
Electronic viewfinder* (EVF) (p. 72)
LCD monitor*
(p. 14)
Menu button
Controller
DC/Video-out terminal cover (p. 26, 112)
AF/AE lock button
(p. 73)
Battery-chamber lock (p. 24)
Eyepiece sensors*
(p. 32)
Magnification button
Remote-control terminal cover (p. 92)
Access lamp
QV/ Delete button (p. 34)
Dial release
Main switch/Mode dial
1. The focal-length scale on the zooming ring is given in 35mm focal-length equivalents. Both cameras have a 7.2 - 50.8 mm Minolta GT lens, but because of the CCD size, the DiMAGE 7 has an equivalent zooming range of 28 - 200mm and the DiMAGE 5 has an equivalent of 35 - 250mm. For more on equivalent focal lengths, see page 135.
Playback mode (p. 93)
Recording mode (p. 29)
Movie mode (p. 90)
Setup mode (p. 113)
Data-transfer mode
(p. 123)
CCD plane
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DATA PANEL
Subject-program indicators (p. 38)
Aperture/Exposure-compensation/
Flash-compensation display
Camera-sensitivity indicator (p. 61)
Exposure-mode indicators (p. 46) Shutter-speed/
Camera-sensitivity display
Battery-condition indicator (p. 25)
White-balance indicators (p. 58)
•Daylight, tungsten, fluorescent, cloudy, and custom.
Red-eye reduction indicator (p. 76) Manual-focus indicator (p. 71)
Image-quality display (p. 43)
Image-size display (p. 42)
Contrast indicator (p. 64)
Flash-compensation indicator (p. 78)
Color-saturation indicator (p. 65)
Frame counter (p. 42)
Digital-subject-program icons (p. 38)
Drive-mode indicators (p. 51)
•Bracketing
•Self-timer
•Single-frame advance
•Continuous
advance
NAMES OF PARTS
Function button
Macro release (p. 69)
Focus-mode (AF/MF) button (p. 71)
Digital-effects switch
Contrast compensation (p. 64)
Diopter-adjustment dial (p. 72)
Tripod socket
Image size (p. 42)
Image quality (p. 43)
Exposure modes (p. 46) Drive modes (p. 51)
White balance (p. 58)
Camera sensitivity (p. 61)
Digital-effects button
Color-saturation compensation (p. 65)
Exposure compensation (p. 63)
Function dial (p. 40)
Digital Effects Controller (p. 62)
If the shutter speed falls below the point where the camera can be hand held safely, the camera-shake warning will appear on the monitors. Camera shake is slight blurring caused by subtle hand motion and is more pronounced at the telephoto setting of the lens than at the wide-angle setting. The warning appears at approximately the recipro­cal of the focal length used; if the lens is set at 100mm, the camera shake warning will appear at 1/100 second. Although the warning appears, the shutter can still be released. If the warning appears, the following steps can be taken:
• Place the camera on a tripod.
• Use the built-in flash (p. 21).
• Increase the camera sensitivity (ISO) (p. 61).
• Zoom the lens towards the wide-angle position.
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NAMES OF PARTS
EVF AND LCD MONITOR DISPLAY
GETTING UP AND
RUNNING
This is a quick reference guide so that the camera can be used as soon as pos­sible. However, it is recommended that the entire manual be read to properly operate the camera and to achieve the best results.
a. Flash-mode indicators (p. 76)
d. Flash-compensation display (p. 78) e. Sharpness display (p. 86) f. Contrast-compensation display (p. 64)
g. Color-saturation-compensation
display (p. 65)
h. Exposure-compensation display (p. 63) i. White-balance indicators (p. 58)
o. Camera-sensitivity (ISO) display (p. 61)
j. Exposure-mode/Digital-subject-program
indicators (p. 46/38)
k. Metering-mode indicators (p. 74)
n. Camera-shake warning (p. 15)
l. Shutter-speed display m. Aperture display
p. Manual-focus indicator (p. 71)
t. Macro-mode indicator (p. 69)
s. Drive-mode indicators (p. 51)
q. Focus signals (p. 31)
r. Frame counter (p. 42)
x. Digital-zoom (Electronic-magnification)
indicator (p. 70)
w. Image-size indicator (p. 42)
v. Image-quality indicator (p. 43)
u. Battery-condition indicator (p. 25)
c. Mode indicator
CAMERA-SHAKE WARNING
b. Flash signals (p. 21)
1. Focus frame
2. Spot metering area (p. 74)
3. AF sensors (p. 29)
4. Flex Focus Point (p. 67)
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GETTING UP AND RUNNING
ATTACHING THE CAMERA STRAP ATTACHING THE LENS HOOD
REMOVING THE LENS CAP
Using your thumb and index fin­ger, pinch the inside or outside tabs of the lens cap to remove.
• When the camera is not in use, always replace the lens cap.
To mount the lens hood, align the rectangular dimple on the rim of the hood with the focal­length index on the top of the lens barrel
Slide the hood onto the end of the lens and turn it 90° clockwise until it clicks and the cir­cular dimple is aligned with the focal-length index.
• When mounted correctly, the large petals of the lens hood should be to the top and bottom.
• Never force the lens hood. If it does not fit, check its orientation.
• To detach the lens hood, turn it 90° counterclockwise and remove.
The lens hood can be reverse mounted when the camera is not is use.
With one of the large petals to the top, slide the hood onto the end of the lens. Turn it 90° clockwise until it clicks.
• The lens hood can be attached or removed with the lens cap on the camera.
• To detach the lens hood, turn it 90° counterclockwise and remove.
The lens hood is used to control stray light from entering the lens and causing flare. When using the camera under bright light, the use of the lens hood is recommended. The lens hood should not be used with the built-in flash as it can cause a shadow.
Attach the camera strap to the strap eyelets as shown.
• Always keep the camera strap around your neck in the event that you drop the camera.
1
2
2
1
While using the electronic viewfinder (EVF) or LCD monitor, grip the camera firmly with your right hand while supporting the body with the palm of your left hand. Keep your elbows at your side and your feet shoulder-width apart to hold the camera steadily.
The EVF can be tilted between 0° and 90°. This is useful for low-level camera positions.
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GETTING UP AND RUNNING
HANDLING THE CAMERA
Open the battery-chamber door by moving the battery-chamber lock to the open position .
INSERTING THE COMPACTFLASH CARD
INSERTING BATTERIES
Insert the CompactFlash card (2) and fold down the card-eject lever.
• Insert the card so that the face is toward the front of the camera. Always push the card in straight, never at an angle. Never force the card. If the card does not fit, check its orientation.
TURNING ON THE CAMERAAND DISPLAYS
While pushing in the dial release (1), turn the mode dial (2) to the still-image recording position.
Display switch
The display switch at the back of the camera controls which display will activate during camera operation. Turn the switch to the auto-display position (A); the display will alternate between the electronic viewfinder (EVF) and LCD monitor automatically.
Insert the batteries.
• Make sure the positive and negative battery terminals are orientated as illustrated on the diagram in the battery chamber.
Open the card-slot door (1).
1
2
1
2
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TAKING PICTURES
GETTING UP AND RUNNING
With the mode dial set to still-image recording, the camera will be on and the electronic viewfinder (EVF) and LCD monitor will activate.
The zooming ring can be used to frame the subject. The effect of the zoom is immediately displayed in the EVF and on the LCD monitor.
Compose the image in the EVF or on LCD monitor taking care to place the subject within the focus frame.
Press the shutter-release button all the way down to take the picture.
• The access lamp will glow indicating the image data is being written to the CompactFlash card. Never remove the CompactFlash card while data is being transferred.
USING THE BUILT-IN FLASH
In low-light conditions or indoors, the flash is needed to illuminate the subject and reduce blurring through camera shake. The flash can also be used as a fill light in direct sunlight to soften harsh shadows.
FLASH RANGE - AUTOMATIC OPERATION
To use the flash, simply pull up the unit by the tabs on each side. Icons will appear in the upper left corner of the EVF and LCD monitor (see chart below).
• The flash position must be set manually.
• The flash will always fire regardless of the amount of ambient light.
• Always remove the lens hood when using the built-in flash. The hood may cast a shadow if mounted.
The camera will automatically control the flash output. For well-exposed images, the subject must be within the flash range. Because of the optical system, the flash range is not the same at the lens’ wide-angle position as it is at the telephoto position.
Wide-angle position Telephoto position
0.5m ~ 3.8m (1.6 ft. ~ 12.5 ft.)
0.5m ~ 3.0m (1.6 ft. ~ 9.8 ft.)
Flash warning. In backlit situations, the icon will appear to recommend the use of the flash.
When pressing the shutter-release button partway down, the white flash icon indicates the flash is ready to fire.
When pressing the shutter-release button partway down, the red flash icon indicates the flash is charging.
After taking a picture, a blue flash icon will appear if the flash properly exposed the subject.
QV/delete button
Menu button
VIEWING AND DELETING PICTURES IN QUICK VIEW
Captured images can be viewed in recording mode. Simply press the QV/delete button to access the images, and use the controller to scroll through the pictures on the CompactFlash card.
1 2
3
4
5
Press the QV/delete button to playback the recorded images.
Use the left/right keys of the controller to scroll through the images.
To delete the displayed image, press the QV/delete button.
• Aconfirmation screen will appear.
Pressing the controller will delete the image.
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BASIC OPERATION
GETTING UP AND RUNNING
Use the left/right keys to highlight “YES.”
• Choosing “NO” will cancel the operation.
6
Press the menu button to return to the recording mode.
This section covers the basic operation of the camera. Please thoroughly familiarize yourself with the operations in this section before moving on to other sections in the manual.
In quick view, images can also be deleted. Care should be taken when deleting image; once deleted it is impossible to recover the picture. When selecting an image for deletion, a confirmation screen will appear before the operation is executed. For more information about quick view, see page 34.
Controller
Delete this frame?
NoYes
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CHANGING BATTERIES
BATTERY CONDITION INDICATORS
BASIC OPERATION
Open the battery-chamber door by moving the battery­chamber lock to the open position .
Insert the batteries.
• Make sure the positive and negative battery terminals are orientated as illustrated on the diagram in the battery chamber.
This digital camera uses four AA-size alkaline batteries. AA-size Ni-MH batteries can also be used, and are recommended because of longer life. When using Ni-MH batteries, fully recharge them with a battery charger suitable for complex electronic equipment. Please consult your vendor about an appropriate charger.
When replacing batteries, check that the mode dial is in the off position.
Close the battery-chamber door and slide the lock lever to the close position .
Full-battery Icon - The batteries are fully charged. This icon is displayed for five seconds on the monitors when the camera is turned on. The icon remains on the data panel.
Blinking low battery icon - When displayed on the data panel with no other icons, power is insufficient for camera operation. The shutter will not release. Replace the batteries immediately.
Low battery warning - Battery power is very low, but all functions are operational. The batteries should be replaced as soon as possible. This warning automatically appears and remains on the display until the batteries are changed.
AUTO POWER SAVE
To conserve battery power, the camera will turn off displays and unnecessary functions if an operation is not made within a certain period. The LCD monitor will turn off after thirty seconds. The EVF and data panel turn off after one minute. To restore the displays, press the shutter-release button partway down or press the display­information button. The length of the auto-power-save period for the EVF and data panel can be changed in the basic section of the setup menu (p. 114).
This camera is equipped with an automatic battery-condition indicator. When the camera is on, the battery-condition indicator appears on the data panel and monitors. The monitor icon will change from white to red when battery power is low. If the data panel and monitors are blank, the batteries may be dead or installed incorrectly.
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EXTERNAL POWER SUPPLIES (SOLD SEPARATELY)
CHANGING THE COMPACTFLASH CARD
BASIC OPERATION
The AC Adapter allows the camera to be powered from an electrical household outlet. , The AC Adapter is recommended when the camera is interfaced with a computer or during periods of heavy use. AC Adapter model AC-1L is for use in North America, and AC-2L is for use in all other areas.
The External High-power Battery Pack Kit EBP-100 is a portable source of power for the camera. This battery pack will significantly extend the operating time of the camera.
Insert the mini plug of the AC adapter or battery pack into the DC terminal.
• Always remove exhausted batteries before connecting an external power supply.
Insert the AC adapter plug into an electrical outlet.
Remove the DC terminal cover by using the notch on the right.
• The cover is attached to the body to prevent loss.
A CompactFlash card must be inserted for the camera to operate. If a card has not been inserted, a no-card warning will automatically be displayed on the monitors. IBM Microdrives are compatible with this camera. For recording media care and storage, see page 143.
Open the card-slot door in the direction indicated (1).
Insert the CompactFlash card into the card slot until the card-eject lever pops out (4).
• Insert the card so the face is toward the front of the camera. Always push the card in straight, never at an angle. Never force the card. If the card does not fit, check that it is orientated correctly.
Fold the card-eject lever down as shown (5) and close the card-slot door.
To eject a CompactFlash card, lift (2) then press (3) the card-eject lever. The card can now be pulled out.
• Take care when removing the card as it becomes hot with use.
If the card-not-recognized message appears, the inserted card in the camera may need to be formatted. ACompactFlash card used in another camera may have to be format­ted before being used. If the unable-to-use-card message appears, the card is not compatible with the camera and should not be formatted. A card can be formatted in the basic section of the setup menu (p. 116). When a card is formatted, all the data on the card is permanently erased.
12345
Always turn off the camera and confirm the access lamp is not lit before inserting or
removing a CompactFlash card, otherwise the card may be damaged, and data lost.
Do not change the power supply while the camera is on.
Always turn off the camera before changing between power supplies.
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BASIC OPERATION
BASIC RECORDING OPERATIONSETTING THE CAMERA TO RECORD IMAGES AUTOMATICALLY
EVF AND LCD MONITOR DISPLAY
While holding in the dial release (1), turn the mode dial to still-image recording. Press the pro-auto button (2) to reset the programmed and automatic functions.
All camera operations are now fully automatic. The autofocus, exposure, and imaging systems will work together to bring professional results effortlessly.
Place the subject within the focus frame.
• For off-center subjects use the focus-lock function (p. 30).
• Make sure the subject is within the focus range of the lens: 0.5m - . For subjects closer than 0.5m, use the macro function (p. 69).
Press the shutter-release button partway down (1) or press and hold the AF/AEL button (2) to lock the focus and exposure.
• The focus signals (p. 31) in the monitors will confirm that the image is in focus. If the focus signal is red, the camera was unable to focus on the subject. Repeat the previous steps until the signal is white.
• When the focus is set, an AF sensor will briefly appear on the live image to indicate the point of focus.
• The shutter speed and aperture value will change from white to black indicating the exposure is locked.
Press the shutter-release button all the way down (3) to take the picture.
• The access lamp will glow indicating the image data is being written to the CompactFlash card. Never remove a CompactFlash card while data is being transferred.
With the mode dial set to still-image recording, the camera will be on and the electronic viewfinder (EVF) and LCD monitor will activate.
Metering-mode
indicators (p. 74)
Shutter-speed display
Aperture display
Drive-mode indicators (p. 51)
Focus signals (p. 31)
Frame counter (p. 45)
Image-size indicator (p. 42) Image-quality indicator (p. 43)
Mode indicator
Focus frame
Exposure-mode/Digital­subject-program indicators (p. 46/38)
1
2
1
2
3
This digital camera has a quick, accurate autofocusing system. The focus signals in the lower right corner of the EVF and LCD monitor indicate the focus status. For more information on autofocus modes see p. 68.
30
BASIC OPERATION
FOCUS LOCK FOCUS SIGNALS
SPECIAL FOCUSING SITUATIONS
Focus confirmed.Focus icon: white
Focus icon: red
The camera may not be able to focus in certain situations. If the autofocus system cannot focus on a subject, the focus icon will turn red. In this situation the focus-lock function can be used to focus on another object at the same distance as your main subject, and then the image can be recomposed to take the picture.
The subject in the focus frame is low in contrast.
The subject is too dark. Two subjects at differ-
ent distances overlap in the focus frame.
The subject is near a very bright object or area.
The focus-lock function is used when the subject is off-center and outside the focus frame. Focus lock may also be used when a special focusing situation prevents the camera from focusing on the subject.
Focus lock can be controlled one of two ways. The shutter-release button can be pressed and held partway down or the AF/AEL button at the back of the camera can be pressed and held.
Place the subject within the focus frame. Press and hold the shutter-release button partway down or press the AF/AEL button.
• The focus signals will indicate that the focus is locked. The shutter speed and aperture value will change from white to black indicating the exposure is locked.
• When the focus is set, an AF sensor will briefly appear on the live image to indicate the point of focus.
Without lifting your finger from the shutter-release button or the AF/AEL button, recompose the subject within the image area. Press the shutter-release button all the way down to take the picture.
The function and operation of the AF/AEL button can be changed in the custom 1 section of the recording-mode menu (p. 80). The Flex Focus Point can also be used for off-center subjects (p. 67).
31
Cannot focus. The subject is too close or a special situation is preventing the AF system from focusing.
• The shutter can be released even if the camera cannot focus on the subject.
• When the AF system cannot focus, the focus is set to infinity. When the flash is in use, the focus is set between 3.0 and 3.8m. In this case, focus lock can be used with an object at the same distance as the main subject or the camera can be focused manually (p. 71).
32 33
BASIC OPERATION
DISPLAY CONTROLS - RECORDING MODE
Auto display - the camera will automatically change between displaying the live image in the EVF or on the LCD monitor. The EVF’s eye sensors monitor if the EVF is being used and switches the display location accordingly.
EVF display - the live image will only be displayed in the electronic viewfinder. Under bright-light, the image is easier to see in the EVF than on the LCD monitor.
LCD monitor display - the live image will only be displayed on the LCD monitor.
In the center of the display switch, the display-information button controls what information is displayed with the live image. Each time the button is pressed, the display cycles to the next format: full display (shooting data, warnings, and focus frame), warnings and focus frame, live image only.
Full display Warnings and
focus frame
Live image only
Located on the back of the camera, the display-mode switch and the display­information button control on which monitor the image is displayed and what information is included in the display. The three position switch allows the choice between automatic display and setting the display to the EVF or LCD monitor.
If battery power is a concern, have the eye sensor activate the EVF when in use, but not the LCD monitor. The auto-display function can be changed in the custom 2 section of the setup menu (p. 114).
• A warning will be displayed if battery power is low, autofocus cannot lock, or exposure is beyond the aperture and shutter-speed range.
To delete a displayed image, press the QV/delete button.
• Aconfirmation screen will appear.
Captured images can be viewed in recording mode. Simply press the QV/delete button to access the images, and use the controller to scroll through the pictures on the CompactFlash card. Images can be displayed with various information: date, frame number, printing status, and lock status. A histogram of the image with shooting data can be displayed. For more information on the histogram display, see page 97.
QV/delete button
In quick view, the displayed image can be deleted. When selecting an image for deletion, a confirmation screen will appear before the operation is executed.
1 2
1
2
3
Press the QV/delete button to play back the recorded images.
Use the left/right keys of the controller to scroll through the images.
Pressing the controller will execute the command on the confirmation screen.
• The camera will return to quick view.
34 35
BASIC OPERATION
QUICK VIEW QUICK-VIEW DISPLAY
Once deleted, an image cannot be recovered. Care should always be
taken when deleting images.
DELETING IMAGES IN QUICK VIEW
Use the left/right keys to highlight “Yes.”
• “No” will cancel the operation.
4
To return to the recording mode, press the menu button.
Confirmation screen
Date of capture
Frame number/ total number of images
Lock icon (p. 105)
Print icon (p. 108)
Image size (p. 42) Image quality (p. 43)
Controller
Menu button
3
Press the up key to see the histogram of the displayed image.
• Pressing the down key returns to quick view.
Time of capture
Mode indicator
To view the histogram of the dis­played image, press the up key of the controller (p. 97).
Delete this frame?
NoYes
Flash mode (p. 76)
Color-saturation compensation (p. 65)
Exposure mode (p. 46)
36 37
RECORDING MODE
ADVANCED OPERATION
PRO-AUTO BUTTON
1
Simply pressing the pro-auto button (1) resets the camera to programmed and automatic functions. The camera’s systems work together to bring professional results leaving the operator free to concentrate on aesthetic decisions.
The pro-auto button only affects functions in the recording mode. The button has a limited affect in the movie mode; exposure, contrast, and color-saturation compensation as well as the focus mode are reset.
Drive mode (p. 51)
White balance (p. 58) Metering mode (p. 74) Exposure compensation (p. 63)
Flash compensation (p. 78)
Focus mode (p. 68, 71) Autofocus area (p. 66)
Program Single-frame advance
Auto white balance Multi-segment metering
0.0
0.0 Fill or red-eye reduction*
Single AF Wide
* The flash mode is reset to whichever of the two modes was set last.
Digital subject program (p. 38) Canceled
Flash metering (p. 75) ADI metering
Contrast compensation (p. 64) 0
0
Sharpness (p. 86) Normal
WHAT IS AN EV? WHAT IS A STOP?
Ev stands for exposure value. Stop refers to click stops in mechanical cameras. A change of one Ev or one stop will adjust the exposure calculated by the camera by a factor of two. Adjustments to exposure in the A, S, and M exposure modes are made in 1/2 stop increments or 0.5 Ev.
Change in Ev
Change in stops Adjustment to exposure
+2.0 Ev +1.0 Ev
0.0 Ev –1.0 Ev –2.0 Ev
+2 stops
+1 stop
Calculated exposure
–1 stop
–2 stops
4X as much light 2X as much light
1/2 as much light 1/4 as much light
This section contains detailed information on the camera’s recording functions and operation. Read the sections pertaining to your interest and need. The setting the func­tion dial (p.40), Digital Effects Controller (p. 62), and the navigating the recording-mode menu (p. 80) sections cover setting most of the advanced features in this camera. Each of these sections is followed by detailed descriptions of the settings.
38 39
RECORDING MODE
DIGITAL-SUBJECT-PROGRAM BUTTON
1
The subject-program button (1) optimizes the camera’s performance for various conditions and subjects. Exposure, white-balance, and image­processing systems work in unison for beautiful results.
Pressing the subject-program button cycles through the modes: portrait, sport action, sunset, night portrait, text, and the original exposure mode. A pointer will indicate the active subject program. The subject program will remain in effect until it is changed.
Portrait
Sport action
Sunset
Night portrait
Text
Optimized to reproduce warm, soft skin tones and a slight defocusing of the background.
Used to capture fast action by maximizing shutter speeds and tracking subjects with continuous AF.
Optimized to reproduce rich, warm sunsets. For deep, subtle night scenes. When used with
flash, the subject and background are balanced. For the crisp reproduction of black text on white
backgrounds.
While camera performance is optimized for each shooting condition, some changes can be made to camera settings with subject programs. The autofocus mode can be changed (p. 80). The sport action mode uses continuous AF, the other modes use single AF. The digital effects controller can be used to compensate exposure, contrast, and color saturation (p. 62). White balance can be changed in all modes except sunset and night portrait (p. 58). Sharpness can be changed in the sport action, sunset, and text modes (p. 80). The metering mode cannot be changed.
Portrait - Most portraits look best at a telephoto setting; the longer focal length does not exag­gerate facial features and the shallower depth of field softens the background. Use the built-in flash with strong direct sunlight or backlight to reduce harsh shadows.
Sport action - When using a flash, make sure the subject is within the flash range: 0.5 - 3.0m (telephoto). The flash range can be extended by changing the camera sensitivity (p. 79). A monopod is more flexible and compact than a tripod when shooting events.
Sunset - When the sun is above the horizon, do not point the camera toward the sun for pro­longed periods of time. The intensity of the sun could damage the CCD. Between exposures, turn off the camera or cover the lens.
Night portrait - When taking pictures of a landscape at night, use a tripod to eliminate blurring from camera shake. The flash can only be used with close subjects such as with a portrait of a person. When using the flash, ask your subjects not to move after the burst; the shutter will still be open for the background exposure.
Text - When taking pictures of small text on a sheet of paper, the macro mode (p. 69) can be
used. Use a tripod to eliminate camera shake and ensure the sharpest images.
Shooting tips
40 41
RECORDING MODE
SETTING THE FUNCTION DIAL
Image size, image quality, exposure modes, drive modes, white balance, and camera sensitivity are controlled by the function dial. Making changes with the function dial is simple. The function dial can only be used for still photography.
Turn the function dial to the mode to be changed (1).
While pressing the button in the center of the function dial, turn the control dial near the shutter-release button to change the mode (2). Release the function button to set the mode.
• Changes are displayed on the monitors and data panel.
ISO
WB
DRIVE
PASM
QUAL
SIZE
Camera sensitivity
White balance
Drive modes
Exposure modes
Image quality
Image size Controls the pixel resolution (p. 42).
Controls the rate of compression (p. 43). Changes exposure mode (p. 46). Changes drive mode (p. 51).
Changes between automatic, preset, and custom white balance (p. 58).
Changes camera sensitivity (p. 61).
Function Dial
SIZE
QUAL
PASM
DRIVE
WB
ISO
Display
P A S
M
100, 200, 400, 800.
Setting
2560 X 1920 (2048 X 1536) 1600 X 1200 1280 X 960 640 X 480 RAW Super fine Fine Standard Economy Program Aperture priority Shutter priority Manual Single-frame advance Continuous advance Self-timer
Interval
Bracketing
Automatic white balance Daylight Tungsten Fluorescent Cloudy Custom setting Custom calibration Automatic gain
Preset camera sensitivity in ISO equivalents.
Page
42 42 42 42 43 43 43 43 43 47 48 49 50 51 52 53 54 56 59 59 59 59 59 60 60 61
61
EVF & Monitor Display
2560 (2048) 1600 1280 640 RAW S. FIN FINE STD ECON
Numbers in parentheses are for the DiMAGE
5. Display for the data panel, EVF and LCD monitor are the same unless indicated.
(No display when set)
ISO value
is displayed
(No display when set)
1
2
42 43
Data
panel
IMAGE QUALITY
This camera has five image quality settings: raw, super fine, fine, standard, and economy. Always select the desired setting before taking the picture. See setting the function dial section on page 40.
Image quality controls the rate of compression, but has no effect on
the number of pixels in the image. The higher the image quality, the lower the rate of compression and the larger the file sizes. The super-fine mode will produce the highest quality image and the largest image files. If the economical use of the CompactFlash card is important, use the economy mode. Standard image quality is sufficient for normal usage.
File formats vary with the image quality setting. Super fine images are saved as a TIFF file. The fine, standard, and economy settings are formatted as a JPEG file. Super fine, fine, standard, and economy files are saved as 24-bit color or 8-bit monochrome images. RAW creates a file format that can only be read with the DiMAGE Image Viewer Utility software.
If the image quality is changed, the data panel will display the approximate number of images that can be recorded at that setting on the installed CompactFlash card. One CompactFlash card can contain images with differing qualities.
RAW
S. FIN
FINE
STD
ECON
Economy - the smallest file sizes.
RECORDING MODE
EVF and
LCD monitor
RAW - unprocessed image data. Super fine - the highest quality image. Fine - high quality image. Standard - the default setting.
IMAGE SIZE
Changing image size affects the number of pixels in each image. The greater the image size, the larger the file size. Choose image size based on the final use of the image - smaller images will be more suitable for web sites whereas larger sizes will produce higher quality prints.
Image size must be set before the picture is taken. Changes made to image size are displayed on the data panel, EVF, and LCD monitor. Image size must be reset manually. See setting the function dial section on page 40.
Data panel
EVF and
LCD monitor
2560 (2048)*
1600 1280
640
Number of pixels
(hor. X vert.)
2560 X 1920
(2048 X1536)*
1600 X 1200
1280 X 960
640 X 480
Image size
FULL UXGA SXGA
VGA
* The number in parentheses indicates the value for the DiMAGE 5.
The frame counter indicates the approximate number of images that can be stored on the CompactFlash card at the camera’s image quality and size settings. If the settings are changed, the frame counter adjusts accordingly. Because the calculation is based on average file sizes, the actual image may not change the counter or may decrease it by more than one. The frame counter cannot exceed 999. When the number of record­able images exceeds this, 999 will be displayed. The frame counter will continue to count down when the number of recordable images falls below one thousand.
ABOUT THE FRAME COUNTER
44 45
IMAGE-FILE SIZE AND COMPACTFLASH CARD CAPACITY
Image quality
Image
size
2560 X 1920
(2048 X 1536)*
1600 X 1200 1280 X 960 640 X 480
RAW
Super fine
Fine Standard Economy
1 (2) – 1 (1) 2 (2) 4 (4) 16 (16)
7 (9) 17 (15) 28 (23) 80 (57) 15 (16) 33 (26) 50 (38) 115 (81) 22 (27) 46 (41) 67 (54) 135 (104)
Approximate number of images that can be stored on a 16MB CompactFlash card.
Image quality
Image
size
2560 X 1920
(2048 X 1536)*
1600 X 1200 1280 X 960 640 X 480
RAW
Super fine
Fine Standard Economy
9.5MB (6.1MB)
14.1MB(9.1MB) 5.6MB 3.6MB 0.96MB
2.1MB (1.6MB) 1.0MB 0.66MB 0.27MB
1.1MB (0.9MB) 0.6MB 0.41MB 0.2MB
0.65MB (0.59MB) 0.38MB 0.29MB 0.15MB
Approximate file sizes.
The number of images that can be stored on a CompactFlash card is determined by the size of the card and the file size of the images. The actual file size is determined by the scene; some subjects can be compressed further than others. The tables below list approximate file sizes based on average file sizes.
* The figures in parentheses apply to the DiMAGE 5 only.
RECORDING MODE
Because super-fine and RAW data files are so large, the continuous-advance mode (p.52) cannot be used with these image-quality settings. If the continuous advance is used with either of these settings, only one image will be captured when the shutter­release button is pressed and held. With the bracketing drive mode, the continuous advance is canceled and the shutter must be released manually for each frame of the bracket. When capturing super fine and RAW images, a delay of between thirty to forty seconds can occur as the image is saved to the CompactFlash card; the monitors will be blank and the access lamp will glow during that period.
In the RAW image-quality mode, the image size is set at full and cannot be changed. The image size will not be displayed on the monitors. The digital zoom, enlarged playback, and data imprinting cannot be used.
Unlike the other image-quality modes, RAW image data is unprocessed and requires image processing before it can be used. To view the RAW data, the DiMAGE Image Viewer Utility software is required. The utility software can reconstruct the image and apply the same image processing controls as the camera. RAW data is saved as a 12­bit file; the DiMAGE Viewer Utility software can convert this data into 48-bit TIFF files.
When the camera is set to RAW image quality, the camera’s image processing controls alter the live image displayed in the EVF and on the LCD monitor in recording mode, but have no effect on the stored image. When the image is played back on the camera, image processing is not applied and the colors of the image can look unnatural. When viewed on a computer using the DiMAGE Image Viewer software, the natural colors will be restored.
A RAW image is stored with a file header that contains white-balance information, changes made to contrast and saturation with the digital effects controller, any image processing applied in a subject-program setting, and changes to sharpness. The color mode has no effect on the final image; a raw image taken in the black and white mode can be restored to a color picture. The changes in camera sensitivity are applied to the RAW data; ISO values can be manually set to control noise (p. 62).
ABOUT SUPER-FINE AND RAW IMAGE QUALITY
46 47
RECORDING MODE
PROGRAM - P
The programmed AE exposure control uses luminance and focal-length information to ensure perfect exposures. The sophisticated exposure system allows the photographer the freedom to shoot without having to worry about the technical details of exposure settings. The shutter speed and aperture values of the exposure are displayed on the monitors and data panel.
The program line adjusts with the changes in focal length of the zoom lens. The camera is programmed to maximize depth of field in the wide-angle range to provide sharp landscape pictures, and to maximize shutter speed in the telephoto range to minimize camera shake and blurred images. When the shutter speed falls below an acceptable limit for the camera to be hand held, the camera-shake warning appears in the lower left corner of the monitors (p. 15).
PROGRAM SHIFT Although exposure calculations can be left to the camera, photographers can still have
control over the final exposure with the program-shift function. As described in the basic recording operation (p. 29), press the shutter-release button partway down (1) until the shutter speed and aperture value are displayed. The control dial (2) can then be used to shift the shutter speed and aperture combination; each combination will give the optimum exposure.
The built-in flash cannot be used with program shift. The camera gives priority to the flash exposure; once the flash is raised, any changes made with the program shift will be canceled. Pressing the function button will also reset the program shift.
P
EXPOSURE MODES
A
S
M
Program
Aperture priority
Shutter priority
Manual exposure
The camera controls both the shutter speeds and aperture.
The photographer selects the aperture and the camera sets the appropriate shutter speed.
The photographer selects both the shutter speed and aperture.
The photographer selects the shutter speed and the camera sets the appropriate aperture.
LCD monitor
Data panel
The four exposure modes allow extensive control over image making. Programmed AE gives carefree operation, aperture and shutter priority allows photographers to maximize exposures in different situations, and manual exposure provides complete freedom in controlling the final image. See setting the function dial section on page 40.
All exposure mode icons on the data panel have been shown for clarity.
Exposure modes
Shutter speed
Aperture
1
2
The photographer selects the shutter speed and the camera sets the appropriate aperture to ensure correct exposure. When S mode is selected, the shutter speed on the monitors turns blue.
Turn the control dial (1) to set the desired shutter speed. Press the shutter-release button to activate the exposure system (2); the corresponding aperture will be displayed.
The shutter speeds can be changed by half stop increments from 4 seconds to 1/2000. If the shutter speed is beyond the aperture range, the aperture display will blink on the data panel and turn red on the monitors.
The photographer selects the aperture and the camera sets the appropriate shutter speed to ensure correct exposure. When Amode is selected, the aperture value on the monitors turns blue.
Turn the control dial (1) to set the desired aperture value. Press the shutter-release button to activate the exposure system (2); the corresponding shutter speed will be displayed.
The aperture values can be changed by half stop increments between f/2.8 and f/8 at the lens’ wide-angle position and f/3.5 to f/9.5 at the lens’ telephoto position. If the aperture value is beyond the shutter-speed range, the shutter-speed display will blink on the data panel and turn red on the monitors.
When the shutter speed falls below an acceptable limit for the camera to be hand held, a warning appears in the lower left corner of the EVF and LCD monitor. When the warning appears, decrease the aperture value until the warning disappears or place the camera on a tripod.
Because the shutter speeds can be adjusted in fine steps, the same shutter speed maybe displayed when the aperture is changed. With the camera sensitivity (ISO) set to auto, the shutter speed may not change when the aperture is adjusted.
48 49
SHUTTER PRIORITY - SAPERTURE PRIORITY - A
RECORDING MODE
1
2
1
2
For 35mm photographers, an aperture range of f/2.8 to f/8 does not seem impressive. However, because of the CCD size and the actual focal length of the lens, the apertures on this digital camera give significantly more depth of field at any given angle of view with any given aperture than a 35mm camera. So even with the minimum aperture of f/8, the depth of field will
give the coverage needed to create beautiful, sharp images.
Camera Notes
Manual exposure mode allows individual selection of shutter speeds and apertures. This mode overrides the exposure system giving the photographer total control over the final exposure. The shutter speeds and aperture values can be changed in half stop increments. The value that is being set will turn blue on the monitors.
As changes are made to the exposure, the effect will be visible on the monitors. The shutter-speed and aperture display will blink on the data panel and turn red on the monitors, if the image is extremely under or overexposed. If the monitors are black, increase the exposure until the image is visible; decrease the exposure if the monitors are white.
In manual mode, the auto camera sensitivity setting will be set to ISO 100. The camera sensitivity can be changed with the function dial (p. 40). Bulb exposures can be made in M mode, see page 92 for more information.
50 51
RECORDING MODE
The drive modes control the rate and method images are captured. Icons indicating the selected drive mode appear on the data panel and LCD monitor and in the EVF. See setting the function dial section on page 40.
DRIVE MODES
Single-frame advance
Continuous drive
Self-timer
Bracketing
Interval
To take a single image each time the shutter-release button is pressed.
To take multiple images when the shutter­release button is pressed and held.
To delay the release of the shutter. Used for self-portraits.
To take a series of images with differing exposure, contrast, and saturation.
To take a series of images over a period of time.
LCD monitor
Data panel
All icons have been shown for clarity. The single-frame advance and continuous advance indicators occupy the same area of the data panel. All the drive-mode icons appear in the lower right corner of the monitors.
MANUAL EXPOSURE - M
To set the aperture:
• Set the digital effects switch (2) to the exposure-compensation position.
• While pressing the digital effects button (3), turn the the control dial (1) to set the desired aperture value.
1
2
3
To set the shutter speed:
• Turn the control dial (1) to set the desired shutter speed.
Continuous-advance mode allows a series of images to be captured while holding down the shutter-release button. Continuous advance acts like a motor drive on a film camera. The number of images that can be captured at one time and the rate of capture depends on the image-quality and image-size setting. The maximum rate of capture is 1.1 fps (1.3 fps for DiMAGE 5) with full-size images with manual focus in manual-exposure mode. The continuous-advance mode is set with the function dial (p.
40). When the shutter-release button is pressed and held, the camera will begin recording
images until the maximum number has been taken or the shutter button is released. This mode cannot be used with super-fine or RAW image (p. 44). The built-in flash can be used, but the rate of capture is reduced because the flash must recharge between frames.
Compose the picture as described in the basic operation section (p. 29). Press the shutter-release button partway down to lock the exposure and focus for the series; if the autofocus mode is set to continuous AF, the lens will continually focus during the series (p. 68). Press and hold the shutter-release button all the way down to begin taking pictures.
The following chart lists the maximum number of images that can be captured with different image-quality and image-size combinations. The numbers in parentheses refer to the DiMAGE 5.
52 53
RECORDING MODE
Economy
Standard
Fine
2560 X 1920
(2048 X 1536)
Image Quality
Image
Size
1600 X 1200 1280 X 960 640 X 480
5 (8)
7 (12)
12 (19)
8 (12) 12 (18) 18 (28)
11 (17) 17 (26) 24 (36)
25 (38) 35 (53) 44 (68)
The self-timer can be used to minimize camera shake with long exposures. When using the camera on a tripod, photographs of static subjects (landscapes, still-lifes, or close-up pho­tographs) can be made with the self-timer. Because no contact is made with the camera during
exposure, there is no risk of camera shake caused by the operator.
Shooting tips
Used for self-portraits, the self-timer will delay the release of the shutter for approximately ten seconds after the shutter is released. The self-timer is set with the function dial (p. 40).
With the camera on a tripod, compose the picture as described in the basic operation section (p. 29). Focus lock (p.30) or the Flex Focus Point (p. 67) can be used with off­center subjects . Press the shutter-release button partway down or press the AF/AEL button to lock the exposure and focus. Press the shutter-release button all the way down to begin the countdown. Because focus and exposure are determined when the shutter-release button is pressed, do not stand in front of the camera when taking a self-timer image. Always confirm the focus with the focus signals before beginning the countdown (p. 68).
During the countdown, the self-timer lamp on the front of the camera will start to blink and is accompanied by an audio signal. Afew seconds before the exposure, the self-timer lamp will blink rapidly. The lamp will glow steadily just before the shutter fires. To stop the countdown, press the pro-auto button or change the position of the flash (lift it or push it down). The audio signal can be turned off in the basic section of the setup menu (p. 114).
CONTINUOUS ADV ANCE SELF-TIMER
After setting the drive mode to bracketing, turn the digital effects switch to the exposure-compensation setting. The order of the bracket series is normal exposure (as indicated by the shutter speed and aperture displays), underexposure, overexposure. The exposure bracket is set to 1/3 stop increments, but can be adjusted to 1/2 or 1 stop increments in the custom 1 section of the recording-mode menu (p. 80).
Compose the picture as described in the basic-operation section (p. 29). Press the shutter-release button partway down (1) or press the AF/AEL button (2) to lock the exposure and focus for the series; the camera will continue to focus during the series if set to continuous AF (p. 68). Press and hold the shutter-release button all the way down (3) to make the bracket series; three consecutive images will be captured.
After setting the drive mode to bracketing, turn the digital effects switch to the contrast or color-saturation setting. Set the contrast or color saturation to the desired level; the bracket series is from one unit under to one unit over the set level. Except for a RAW image, if the the contrast or color saturation is set to the maximum or minimum level (±3), one bracket will be made at ± 4: +3, +2, +4. A RAW image cannot exceed the the maximum and minimum levels and will contain two identical brackets: +3, +2, +3. See the digital-effects-controller section on page 62 to set contrast and color saturation.
Compose the picture as described in the basic-operation section (p. 29). Press the shutter-release button partway down (1) or press the AF/AEL button (2) to lock the exposure and focus for the series; the camera will continue to focus during the series if set to continuous AF (p. 68). Press and hold the shutter-release button all the way down (3) to make the bracket series; three consecutive images will be captured. The frames in the series are count down on the monitors next to the bracketing icon.
54 55
RECORDING MODE
If the CompactFlash card is filled or the shutter button is released before the series has completed, the camera will reset and the entire bracket must be made again.
With super fine and RAW image qualities or when using flash, the bracket will not advance automatically; the shutter-release button must be pressed for each frame of the series. Once the series begins, the focus and exposure values are set and do not have to be made again. The remaining number of frames in the bracket series is displayed on the monitors next to the bracketing icon.
Exposure bracket
Color-saturation bracket
Contrast bracket
BRACKETING
DIGITAL ENHANCED BRACKETING
Number of frames in bracketing series
Frame counter
NOTES ON BRACKETING
This mode makes a three image bracket of a scene. Bracketing is a method of taking a series of images of a static subject in which each image has a slight variation in exposure. The camera is not limited to exposure brackets, but can also make contrast and color saturation brackets. Only one image characteristic can be bracketed at a time. The bracketing mode is set with the function dial (p. 40).
EXPOSURE BRACKETING
1
2
3
Normal Over Under
Exposure bracket
The interval mode makes a series of still images over a period of time. Similar to time­lapse photography, a series of images of a slow moving event can be taken: the blossoming of a flower, the construction of a building. The built-in flash can be used. Instant playback (p. 89) is disabled.
Use the function dial to set the drive mode to interval
(p. 40). The number of frames in
the series will be displayed on the monitors next to the interval icon. The number of frames can be set between two and ninety nine on the custom 1 section of the recording-mode menu (p. 80). The interval period is also set on the recording-mode menu; 1 - 10, 15, 20, 30, 45, and 60 minutes.
After mounting the camera on a tripod, compose the image so that the subject area falls within the focus frames; the camera sets the focus, exposure, and white balance, and charges the flash just before each exposure. Continuous AF can be used. Settings locked with the AF/AEL button are canceled after the first frame (p. 73). To override the automatic systems, use manual focus (p. 71), manual exposure (p. 50), and manual white balance (p. 58).
Confirm the CompactFlash card has enough storage capacity for the series by compar­ing the number of frames in the interval series with the number of recordable images displayed on the frame counter. Image size and quality settings can be changed to
increase the number of pictures that can be saved on the CompactFlash card (p.
40).
5756
RECORDING MODE
When creating a large series of images, the text and a serial number can be imprinted on the
images. This aids editing the images and time calculations for specific images. For information
on data imprinting, see page 87.
Shooting tips
Press the shutter-release button to begin the series. During the interval series, the monitors will be turned off to conserve power. “Int” will be displayed on the data panel and the data-panel frame counter will countdown the remaining frames in the interval series. The access lamp will glow when an image is being recorded.
To force the shutter to fire before the end of an interval, press the shutter-release button. The next interval will be timed from the new exposure. When the shutter is forced to fire, the EVF will activate for the duration of the auto-power-save period (p.
117) and the LCD monitor will activate for thirty seconds. The camera will stop recording images and reset to the first frame when the number of
frames set has been taken, or when the CompactFlash card is full. To cancel the interval series, turn off the camera.
INTERVAL
Number of frames in the interval series. Frame counter.
The setting sun: 10 minute intervals
White Balance is the camera’s ability to make different types of lighting appear neutral. The effect is similar to selecting daylight or tungsten film, or using color compensating filters in conventional photography.
When setting the white balance, “Auto” (data panel) and “AWB” (monitors) will be displayed to indicate the auto white-balance setting. An icon will be displayed on the data panel and monitors if a setting other than auto white-balance was chosen. See setting the function dial section on page 40.
For using the custom white-balance setting.
58 59
AUTOMATIC WHITE BALANCE
PRESET WHITE BALANCE
The automatic white balance compensates for the color temperature of a scene. In most cases, the AUTO setting will balance the ambient light and create beautiful images, even under mixed-lighting conditions. When the built-in flash is used, the white balance is set for the color temperature of the flash.
RECORDING MODE
WHITE BALANCE
No
display
Fluorescent
Tungsten
Daylight
AUTO
Cloudy
Custom setting
For fluorescent lighting: office ceiling lights.
For incandescent lighting: household filament light bulbs.
For outdoor and sunlit subjects.
The AUTO setting will detect the type of light and adjust the white balance accordingly.
For overcast outdoor scenes.
For manual white-balance calibration.Custom calibration
The daylight and cloudy settings are primarily for outdoor shooting conditions. Daylight is used for sunny weather when the light is relatively warm. The light during overcast conditions is much cooler and requires a different white balance: cloudy. Office lighting will produce a strong green cast in photographs; the fluorescent setting restores the natural color under these condi­tions. Traditional household light bulbs emit very yellow light, which can be corrected with the tungsten setting.
Auto and manual white balance will not change the color of neon signs. White balance cannot correct high-energy vapor lighting: sodium-vapor (yellow highway lights), or mercury vapor. For portraits under these lighting conditions, the flash can be used to overpower the ambient light. With landscapes containing these types of lights, set the white balance to the preset daylight setting.
Shooting tips
Preset white-balance settings must be set before the image is taken. Once set, the effect is immediately visible on the monitors.
The built-in flash can be used with preset white-balance settings, but will create a pinkish or blueish cast with the fluorescent and tungsten settings. The flash is daylight balanced and will produce excellent results with the daylight and cloudy settings.
60 61
RECORDING MODE
CAMERA SENSITIVITY - ISO
Five settings can be selected for camera sensitivity: Auto, 100, 200, 400, and 800; the numerical values are based on an ISO equivalent. ISO is the standard used to indicate film sensitivity: the higher the number, the more sensitive the film. See setting the function dial section on page 40 to change the ISO setting.
The auto setting automatically adjusts the camera sensitivity to the light conditions between ISO 100 and 400. When the flash is activated and camera sensitivity is set to auto, the ISO value is set to ISO 200. When any other setting than auto is used, “ISO” will appear on the data panel, and “ISO” and the set value will be displayed on the monitors.
Photographers can select a specific sensitivity setting. Like grain in silver-halide film that increases with speed, noise increases with sensitivity in digital imaging; an ISO setting of 100 will have the least noise and 800 will have the most noise. Achange in ISO also affects the flash range (p. 79); the higher the ISO, the greater the range.
As the ISO value doubles, the camera sensitivity doubles; changing the ISO between 100 and 200, 200 and 400, or 400 and 800 changes the camera sensitivity by one stop or 1 Ev (p. 36). Achange between 100 and 800 changes the camera sensitivity by a factor of 8 or three stops. High ISO settings (400, 800) will allow the photographer to hand hold the camera in low-light conditions without the need of a flash.
CUSTOM WHITE BALANCE
Custom-white-balance function allows a photographer to calibrate the camera to a specific lighting condition. The setting can be used repeatedly until reset. Custom white balance is especially useful with mixed-lighting conditions or when critical control over color is needed.
To calibrate the camera, press the function button and turn the control dial until the custom white-balance icon and “SET” appear on the data panel and red on the monitors. Select a white object and fill the image area with it; the object does not need to be in focus. Press the shutter-release button to calibrate the camera. If an error occurs during calibration, an error message will appear on the monitors. Press the controller to cancel the message, then recalibrate using a suitable reference target and the shutter-release button. This sequence can be repeated as many times as necessary.
The setting will remain until another calibration is made. If the custom white-balance setting needs to be used again, while pressing the function button, turn the control dial until the custom white-balance icon is displayed
without
the “SET” on the data panel
and white on the monitors. The camera will use the last custom setting. The built-in flash can be used with the custom setting. However, since the flash is
daylight balanced, it will give an unusual color cast to an image if the camera is calibrated to any other light source.
Calibration display
When making the calibration, the color of the object used is critical. The object should be white. Acolored object will cause the calibration to compensate for the object color rather than the color temperature of the ambient light. Ablank piece of white paper is an ideal surface and
can easily be carried in a camera bag.
Shooting tips
When making bulb exposures (p. 92), noise can be more pronounced because of the unusual­ly long exposure times, especially at 400 and 800 ISO. When making long bulb exposures of 20 to 30 seconds, a camera sensitivity setting of 100 or 200 will produce excellent results. At high­er ISO settings, using shorter exposure times (8 - 16 seconds) will reduce the effect of noise. With long exposures at high ISO settings, noise from interference may be noticeable.
Camera Notes
2
DIGITAL EFFECTS CONTROL
62 63
RECORDING MODE
Color-saturation compensation
Contrast compensation
Exposure compensation
1
1 2
Turn the digital effects switch to the image characteristic to be changed. Press and hold the digital-effects button in the center of the switch and adjust the
setting by turning the control dial next to the shutter-release button. Release the digital-effects button to set the adjustment.
Adjustments can be made repeatedly and in combination. Adjustments remain in effect until manually reset. When set to any value other than zero, an icon will be displayed on the data panel and monitors as a warning.
Operating the controller is very simple:
EXPOSURE COMPENSATION
Data panel
EVF & LCD monitor
Display when adjusting exposure. Exposure compensation warning after adjustment
Sometimes the camera’s exposure meter is deceived by certain conditions. Changing the exposure value can compensate for these situations. For exam­ple, a very bright scene, such as a snowy landscape or a white sandy beach, can appear too dark in the captured image. Before taking the picture, adjusting the exposure by +1 or +2 EV will result in an image with normal tonal values.
In this example, the dark scene appears bright and washed-out on the LCD monitor. By decreasing the exposure by –1.5 EV, the rich­ness of the sunset is preserved.
Shooting tips
The exposure can be adjusted before the image is captured to make the final picture lighter or darker. Exposure can be adjusted by as much as ±2Ev in 1/3 increments (p. 36). The exposure compensation value will remain in effect until it has been reset.
The exposure compensation must be set before the image is
captured. When setting the exposure compensation, the change is shown on the data panel aperture display and next to the exposure-compensation icon on the monitors. After the setting is made, the shutter-speed and aperture displays will indicate the actual exposure. Because the shutter speeds can be adjusted in fine steps, the same shutter speed or aperture value may be displayed after exposure compensation.
The Digital Effects Controller is a powerful tool. As well as being able to make adjustments to exposure, the controller can also change image contrast and color saturation. The effect of any change is instantly visible in the EVF or on the LCD monitor before the image is captured. Since compensation is applied to the image before it is compressed and saved, image information can be maximized before leaving the scene. The digital effects controller can be used with movie recording.
*
* The aperture value for the exposure.
The color saturation of a scene can be adjusted within seven
levels (±3) with the Digital Effects Controller. Colors can be
accented or subdued.
The color saturation must be set before the image is captured.
When changing the color-saturation setting, an icon will appear on
the data panel and in the live image. The data panel and monitors will indicate if an increase (+) or decrease (–) in saturation has been made. If color saturation is set to any other value than zero, the icon will remain on the displays as a warning.
The contrast of a scene can be adjusted within seven levels (±3) with the Digital Effects Controller. If a scene is too contrasty, information will be lost; if a scene is flat, the image information is not optimized for the recording ability of the camera. Control over the contrast gives photographers the ability to maximize the image information at the scene.
The contrast must be set before the image is captured. When changing the contrast setting, an icon will appear on the data panel and in the live image. The data panel and monitors will indicate if an increase (+) or decrease (–) in contrast has been made. If contrast is set to any other value than zero, the icon will remain on the displays as a warning.
64 65
RECORDING MODE
CONTRAST COMPENSATION COLOR-SATURATION COMPENSATION
High contrast scene
Flat scene
Data panel EVF & LCD monitor
Display when adjusting contrast. Contrast compensation warning after adjustment.
Data panel EVF & LCD monitor
Display when adjusting color saturation. Color-saturation compensation warning
Unlike the display on a computer monitor, changes to contrast and color saturation can be diffi-
cult to see in the EVF and LCD monitor. To ensure the optimum level of contrast or color satu-
ration, make an automatic bracket (p. 55) or manual bracket of the scene.
Shooting tips
After compensation After compensation
66 67
RECORDING MODE
AUTOFOCUS AREAS AND CONTROL
In still-image recording mode, the controller selects the focus area used and moves the spot-focus area within the image. The two focus areas, wide focus area and spot focus point, allow flexibility over a variety of situations.
The wide focus area is an array of local focus areas that work together to control focus. This system is especially effective with moving subjects or quick shooting in fast­moving events. When the focus is locked in single AF mode, one of the AF sensors within the wide focus area will briefly indicate the point of focus. The spot focus point gives critical control over focus. It can be used to single out an individual subject from a group.
Switching between the wide focus area to the spot focus point is simple. Press and hold the controller (1) until the wide-focus-area frame lines change to the spot-focus­point cross. Press and hold the controller again to return to the wide-focus-area frame lines.
FLEX FOCUS POINT - CONTROLLING THE SPOT FOCUS POINT
Once displayed, the spot focus area can be moved to any point in the image area. This Flex Focus Point is a powerful tool for off-center subjects. The Flex Focus Point cannot be used with continuous AF (p. 68) or the digital zoom (p. 70).
Controller
1
Wide focus area
Spot focus point
AF sensor
With the spot-focus-area cross displayed, use the controller’s four-way keys (1) to move the focus point anywhere within the live image. Press the shutter-release button partway down or press the AF/AEL button to focus; the cross will turn red to confirm focus.
Pressing the center of the controller (2) returns the focus point to the center of the image area. To return to the wide-focus-area mode press and hold the controller until the frame lines appear.
1
2
1
2
68 69
RECORDING MODE
AUTOFOCUS MODES
This digital camera has two autofocusing modes. The single and continuous autofocus modes are selected in the basic section of the recording-mode menu (p. 80).
• Do not confuse these icons with the metering-mode icons (p. 74).
• The shutter can be released even if the camera cannot focus on the subject.
The macro mode is used for close-up photographs of small objects. The minimum focusing distance is 25cm from the CCD or about 13cm from the front of the lens. The marco mode can be used with the digital zoom to increase the close-up effect. Subject programs and movie recording can be used with the macro setting. The built-in flash cannot be used with macro mode.
Turn the zoom ring to the telephoto setting.
• Align the arrow on the zooming ring with the arrow near the
macro switch.
Slide the macro switch on the lens barrel forward.
• The camera is now in macro mode.
• Make sure the subject is within the macro focusing range:
0.25 - 0.6m from the CCD.
• To return to normal recording mode, slide the macro switch
towards the rear of the lens.
• The macro icon is displayed in the lower right corner of the
monitors.
Because of the high image magnification, hand holding cameras during
close-up photography is very difficult. When possible, use a tripod. Use the Flex Focus Point (p. 67) to specify the area to be within focus.
Because depth of field (the area in focus) is narrow in close-up photogra­phy, using focus lock with off-center subjects can cause minor errors which are exaggerated at high magnifications.
The variable position EVF makes working in tight spaces and at low levels
easy. The EVF can be tilted between 0° and 90°.
Shooting tips
Single AF icon
Continuous AF icon
Focus icon: red
Cannot focus. The subject is too close or a special situation is preventing the AF system from focusing.
Focus confirmed.
Focus confirmed.
CCD plane
Single AF - for general purpose photography and static subjects. When the shutter­release button is pressed partway down, the autofocus system locks onto the subject in the focus area and will remain in effect until the shutter button is released.
Continuous AF - for moving subjects. When the shutter-release button is pressed partway down, the autofocus system will activate and continue to focus until the exposure is made.
• When the AF system is unable to focus because of a special focusing situation (p. 31), the
focus is set to infinity. When using flash, the focus is set between 3 and 3.8m. In this case, focus lock (p. 30) can be used with an object at the same distance as the main subject or the camera can be focused manually (p. 71).
• When using continuos AF with the wide focus area (p. 66), the AF sensors will not appear to indicate the point of focus.
• The continuous AF mode may have difficulty focusing on extremely fast subjects. In this situation, use manual focus to focus on a point in the subject’s path and release the shutter just before the subject reaches that point; there is a slight delay between the time the shutter-release button is pressed and the shutter opens.
MACRO MODE
Manual control over focus is simple. The focus mode button (AF/MF) (1) toggles between automatic and manual focus. The MF icon is displayed on the data panel and monitors when the camera is in the manual­focus mode.
Use the focus ring (2) at the rear of the lens barrel to make a sharp image in the EVF or on the LCD monitor. The approximate distance from the CCD to the subject is displayed on the monitors. Manual focus can be used with movie recording and in macro mode.
70 71
RECORDING MODE
DIGITAL ZOOM
The digital zoom doubles the lens magnification. The digital zoom cannot be used with RAW image quality or in movie recording.
Press the magnification button on the back of the camera. The effect is immediately displayed.
• The live image is enlarged on the LCD monitor and is cropped with a shaded border in the EVF.
• X2.0 is displayed in the monitors when the digital zoom is in effect.
• Pressing the magnification button a second time cancels the digital zoom.
• When using the wide focus area (p. 66), the AF sensor will not appear to indicate the point of focus.
Image size setting
Full 1600 X 1200 1280 X 960 640 X 480 DiMAGE 7 DiMAGE 5
1280 X 960 1280 X 960 1280 X 960 640 X 480 1024 X 768 1024 X 768 1024 X 768 640 X 480
When an image is taken with the digital zoom, the final image size depends on the image-size setting on the camera. The image is trimmed and then the total number of pixels are interpolated to produce an image with a pixel resolution shown in the chart.
The magnification button can be used to enlarge the center of the image by X4 to aid manual focusing. This function has no effect on the final image size. This function is activated using the custom 1 section of the recording-mode menu (p. 80); activating this function disables the digital zoom. Electronic magnification can only be used to check manual focus. The magnified display cannot be used to set the exposure.
Press the magnification button on the back of the camera.
• The magnifier icon is displayed on the monitors when electronic magnification is in effect.
• Pressing the magnification button a second time cancels the function.
• When the shutter-release button is pressed partway down, the magnified display is canceled showing the entire image area.
1
2
CCD plane
EVF
LCD monitor
MANUAL FOCUS
ELECTRONIC MAGNIFICATION (DIMAGE 7 ONLY)
When the shutter-release button is pressed partway down, the focus and exposure are locked. The AF/AEL button performs the same operation when press and held; the focus signals and exposure displays will confirm if the settings are locked. The operation of this button can be changed in the custom-1 section of the recording-mode menu (p. 80). Changing these settings has no effect on the operation of the shutter­release button. Focus lock is disabled when the camera is set to continuous AF.
72 73
RECORDING MODE
AF/AE LOCK BUTTON
Recording-mode
menu setting
AF/AE hold
The camera’s default setting. While pressing and holding the AF/AELbut­ton, the focus and exposure is set and locked. These settings will remain in effect until the AF/AELbutton is released.
AF/AE toggle
Pressing and releasing the AF/AEL button will set and lock the focus and exposure. The settings are canceled when the AF/AELbutton is pressed again.
AE hold
AE toggle
While pressing and holding the AF/AEL button, only the exposure is set and locked. This setting will remain in effect until the AF/AEL button is released or a picture is taken.
Pressing and releasing the AF/AEL button will set and lock the exposure only. The setting is canceled when the AF/AEL button is pressed again.
Using the spot-metering mode with the AF/AEL button as an exposure-only lock allows expo­sure measurements to be made from a different object than the subject. The shutter-release button will continue to control focus, but the exposure can be set from an object that is not at the same distance or at the same position as the subject. This is extremely useful when the
color or tone of the subject is very light or dark.
Shooting tips
ELECTRONIC VIEWFINDER
The EVF displays 100% field of view. When using the camera outdoors or under bright lighting conditions, the viewfinder image is not affected by the ambient light and is bright and clear.
AUTOMATIC MONITOR AMPLIFICATION (DIMAGE 7 ONLY)
In extremely low-light conditions when the camera-sensitivity gain has reached its limit, the automatic monitor amplification function will intensify the EVF and LCD monitor image. The live image will be brighter, however the display will be black and white. This will have no effect on the final color image. When the automatic monitor amplification activates, the electronic-magnification function cannot be used.
DIOPTER ADJUSTMENT
The electronic viewfinder can be tilted between 0° to 90°. Simply grip the finder between your fingers and move it to the position desired. Always store the camera with finder down against the body.
The EVF has a built-in diopter that can be adjusted between –5.0 to +0.5. While looking through the EVF, turn the diopter-adjustment dial until the viewfinder image is sharp.
• The autofocus and auto exposure settings will not reset after an image has been captured until the AF/AEL button has been released (hold setting) or pressed again (toggle setting).
• When the AE hold or AE toggle are used with the flash, the slow-shutter-sync flash mode will be in effect (p. 76).
7574
RECORDING MODE
FLASH METERING
Two flash-metering methods are available: ADI and pre-flash TTL. The flash metering­mode can be changed in the basic section of the recording-mode menu (p. 80).
ADI flash metering - Advanced Distance Integration. This metering mode combines distance information from the autofocusing system with information from a pre-flash exposure. Unlike conventional TTL flash metering, ADI is not influenced by the reflectance of the subject or background ensuring optimum flash exposures.
Pre-flash TTL - calculates flash exposure with a pre-flash only. This mode must be used when using close-up filters or filters that reduce the amount of light entering the camera such as neutral density filters. Pre-flash TTL must be used when a diffuser is attached to the built-in flash or an external flash unit.
The camera will automatically switch from ADI metering to pre-flash TTL when a low­contrast subject is preventing the autofocus system from focusing. If the autofocus system cannot lock on the subject, press the AF/MF button and manually focus; the ADI metering will remain in effect.
This camera does not have a preset flash sync speed. When calculating the exposure in program (P) or aperture-priority (A) exposure mode, the shutter speed will not fall below the camera-shake limit (p. 15). When using shutter-priority (S) or manual (M) exposure mode, any shutter speed can be used in the exposure.
For a list of compatible Minolta accessory flash units and for information on accessory flash operation, see page 138. Because both flash modes use a pre-flash, slave controlled flash units cannot be used.
For precise measurements of a small area dis­played on the monitors.
METERING MODES
Multi-segment
Spot
Center weighted
An advanced metering system appropriate for almost all photographic situations.
Averages luminance values from the entire image area with a bias toward the center of the image.
The icons indicating the metering mode are displayed on the monitors only. Do not confuse these icons with the focus signals (p. 68). The metering mode is changed in the basic section of the recording-mode menu (p. 80). When center-weighted or spot metering is selected, pressing the shutter-release button partway down will activate the exposure system, but will not lock the exposure; the AF/AEL button must be used.
Multi-segment metering uses 300 segments (256 segments for the DiMAGE 5) to measure luminance and color. This data is combined with distance information to calculate the camera exposure. This advanced metering system will give accurate worry-free exposures in almost all situations.
Center-weighted metering is a traditional metering method in silver-halide cameras. The system measures light values over the entire image area with emphasis given the the central region of the scene.
Spot metering uses a small area within the image to calculate the exposure. When this mode is selected, a small circle will appear in the middle of the live image indicating the measuring area. The spot allows precise exposure measurements of a particular object without being influenced by extremely bright or dark areas within the scene.
Spot metering display
7776
RECORDING MODE
FLASH MODES
Data
panel
EVF &
LCD monitor
Fill-flash Red-eye
reduction Rear flash
sync
Used in low-light conditions and to reduce shadows under direct sunlight.
To reduce the red-eye effect with flash photographs of people and animals
Flash fires at the end of long exposures.
The flash mode can be changed in the basic section of the recording-mode menu (p.
80). For the flash to fire, the unit must be manually lifted. The flash will fire in the selected mode regardless of the amount of ambient light. When the flash is used, the camera sensitivity is automatically set at ISO 200. This setting can be changed using the function dial (p. 40). The auto-white-balance setting will give priority to the flash’s color temperature. If manual white-balance settings are used, priority is given to the active setting’s color temperature (p. 59).
Red-eye reduction is used when taking photographs of people or animals in low-light conditions. The red-eye effect is caused by light reflected from the retina of the eye. The camera will fire a pre-flash before the main flash to contract the pupils of the subject’s eyes.
Fill-flash can be used as the main or supplementary light. In low-light conditions, the flash will act as the main source of illumination and overpower the ambient light. Under strong sunlight or in backlit situations, the fill-flash can reduce harsh shadows.
FILL FLASH
RED-EYE REDUCTION
Rear flash sync is used with long exposures to make trailing lights or blurring appear to follow rather than proceed the subject. The effect is not apparent if the shutter speed is too fast and stops the subject’s motion.
When the shutter is released, a pre-flash will fire. This pre-flash does not exposure the subject, but is used in the calculation of the flash exposure. The flash will fire again just before the shutter closes.
REAR FLASH SYNC
Slow shutter sync can be set in P and A exposure modes (p. 46). In low-light conditions, this flash mode controls the shutter to increase the ambient or background exposure. When pho­tographing a subject outside at night, the camera and flash exposure will be balanced to bring out the details in the background. Because shutter speeds can be longer than usual, the use of a tripod is recommended.
1. Set the camera to the P or A exposure mode (p. 40).
2. Set “AE hold” or “AE toggle” in the custom 1 section of the recording mode menu (p. 80).
3. Frame the subject on the monitors.
4. Press the AF/AEL button to lock the exposure.
5. Press the shutter-release button to lock the focus. Compose the image on the monitors.
6. Press the shutter-release button all the way down to take the picture.
Camera Notes
7978
RECORDING MODE
The flash output can be controlled by ±2 Ev in 1/3 Ev increments. Flash compensation is set in the basic section of the recording-mode menu (p. 80). If the flash compensation is set to any value other than 0.0, the flash­compensation indicator will appear on the monitors and data panel.
FLASH COMPENSATION
When using the fill-flash to reduce harsh shadows on the subject’s face caused by bright illumi­nation or direct sunlight, flash compensation can be used to change the ratio between the high­lights and shadows. The fill-flash will affect the darkness of the shadows without affecting the area illuminated by the main light source. By decreasing the flash output with a negative Ev set­ting, the shadows will receive less light than with normal fill-flash and be harder, but will bring out subtle details in the shadows that would not appear without the flash. Increasing the flash output by using a positive Ev setting will soften and can even nearly eliminate shadows.
Shooting tips
FLASH RANGE
Flash range (wide angle)ISO setting
AUTO
100 200 400 800
0.5m ~ 3.8m (1.6 ft. ~ 12.5 ft.)
Flash range (telephoto)
0.5m ~ 3.0m (1.6 ft. ~ 9.8 ft.)
0.5m ~ 2.7m (1.6 ft. ~ 8.8 ft.)
0.5m ~ 3.8m (1.6 ft. ~ 12.5 ft.)
0.5m ~ 5.4m (1.6 ft. ~ 17.6 ft.)
0.5m ~ 7.6m (1.6 ft. ~ 25 ft.)
0.5m ~ 2.1m (1.6 ft. ~ 6.9 ft.)
0.5m ~ 3.0m (1.6 ft. ~ 9.8 ft.)
0.5m ~ 4.2m (1.6 ft. ~ 13.8 ft.)
0.5m ~ 6.0m (1.6 ft. ~ 19.6 ft.)
For correct flash exposures, the subject must be within the flash range. The flash range can be extended by changing the camera sensitivity (p. 40). When the camera sensitivity is set to auto, the ISO is set at 200. The flash range is measured from the CCD. Because of the optical system, the flash range is not the same at the lens’ wide­angle position as it is at the telephoto position.
A TTACHING A MINOLTA ACCESSORY FLASH UNIT
Slide the accessory-shoe cap off as shown.
Mount the flash unit on the accessory shoe by sliding it forward until it stops.
• Always remove the accessory flash when the camera is not in use. Replace the accessory-shoe cap to protect the contacts.
To extend the versatility of the camera, an accessory flash unit (sold separately) can be mounted on the camera. See page 138 for a list of compatible flash units.
Positive compensation
No compensation
Negative compensation
1
2
Activate the recording-mode menu with the menu button (1). The “Basic” tab at the top of the menu will be highlighted. Use the left/right keys of the controller (2) to highlight the appropriate menu tab; the menus will change as the tabs are highlighted.
80 81
RECORDING MODE
NAVIGATING THE RECORDING-MODE MENU
Basic
AF mode
Metering mode
Flash mode
Flash comp. Flash Metering
AF single AF continuous Multi-segment Center weighted Spot Fill-flash Red-eye Rear flash sync ±2 Ev ADI flash Pre-flash TTL
Custom 1
Memory
Exposure bracket
Interval Frames
AF/AEL button
Magnification button
1 2 3 Store memory
0.3
0.5
1.0 1~10, 15, 20, 30,
45, 60 min. 2 ~ 99
AF/AE hold AF/AE toggle AE hold AE toggle
Digital zoom Elec. mag.
1 2 3
Store in
Custom 2
Sharpness
Color mode
Data imprint
Instant playback
Hard (+) Normal Soft (–) Color B&W No YYYY/MM/DD MM/DD/hr:min Text Text + ID# No 2 sec 10 sec
For more information about the electronic keyboard, see page 88.
For DiMAGE 7 only
1 2
In recording mode, press the menu button to activate the menu. The menu button also turns off the recording-mode menu after making settings.
The four-way keys are used to move the cursor in the menu. Pressing the center of the controller will enter a setting.
When the desired menu section is displayed, use the up/down keys (2) to scroll through the menu options. Highlight the option whose setting needs to be changed.
With the menu option to be changed highlighted, press the right controller key; the settings will be displayed with the current setting highlighted.
• To return to the menu options, press the left key.
Use the up/down keys to highlight the new setting.
Press the controller to select the highlighted setting.
Once a setting has been selected, the cursor will return to the menu options and the new setting will be displayed. Changes can continue to be made. To return to the recording mode, press the menu button.
Please refer to the following sections for
descriptions of the menu options and their
settings.
Rec.
Basic Custom1 Custom2 AF mode Metering mode Flash mode Flash comp. Flash metering
AF-single MultiSegment Fill-flash 0 ADI flash
2 ~ 99 frames
Uses only pre-flash information to calcu­late exposure.
82 83
RECORDING MODE
RECORDING-MODE MENU - BASIC
Menu option Settings Description
EVF and
LCD monitor
display
Data
panel
display
Multi-segment
AF mode (p.
68)
AF-single
Focus is calculated and set when the shutter-release button is pressed partway down.
AF-continuous
Camera continues to focus on a moving subject even when the shutter-release button is pressed partway down.
Center weighted
Spot
Metering mode (p.
74)
Employs 300 segments (256 for the DiMAGE 5) over the image area to calculate exposure.
The exposure calculation is biased toward the the center region of the image area.
The exposure is based on a small area in the center of the image area.
Flash mode (p.
76)
Fill-flash
Red-eye
Rear flash­sync
General purpose flash mode for low-light conditions and for reducing harsh shadows caused by direct sunlight.
Same as the fill-flash, but also fires a pre-burst to reduce red­eye in portraits.
Flash fires at the end of a long exposure.
ADI flash
±2 Ev (1/3 Ev increments)
To compensate flash exposure.
Pre-flash TTL
Flash compensation (p.
78)
Uses distance and pre-flash information to calculate exposure.
Flash metering (p. 75)
RECORDING-MODE MENU - CUSTOM 1
Continued on next page
1 ~ 3
Camera settings can be recalled from three memory channels.
Store memory
0.3 Ev, 0.5 Ev,
1.0 Ev
1 ~ 10, 15, 20, 30, 45, 60 min.
To store camera settings in memory. When selected, the store-in-memory screen will appear.
Used with the bracketing drive mode to specify the exposure increment for the series.
Used with the interval drive mode to spec­ify the duration of the interval between exposures.
Memory (p. 85)
Exposure bracket (p. 54)
Interval (p. 56)
Frames (p. 56)
Used with the interval drive mode to spec­ify the total number of frames for the series.
AE hold
AF/AE lock button (p. 73)
AF/AE hold
Focus and exposure are locked while pressing and holding the AF/AEL button.
AF/AE toggle
The AF/AEL button toggles between the focus and exposure being locked and unlocked.
AE toggle
Only exposure is locked while pressing and holding the AF/AEL button.
The AF/AEL button toggles between exposure being locked and unlocked.
– –
Sets the degree of sharpness to be applied before the image is captured.
84 85
RECORDING-MODE MENU - CUSTOM 1 (CONT.)
Menu option Settings Description
EVF and
LCD monitor
display
RECORDING-MODE MENU - CUSTOM 2
Soft (–)
Sharpness (p. 86)
Hard (+) Normal
Color B&W
Disables the data imprinting function. Imprints date on image Imprints date and time on image
Color mode (p. 86)
No
Data imprint (p. 87)
YYYY/MM/DD MM/DD/hr:min
Text
Text + ID#
To imprint caption and serial number on image. Electronic keyboard appears when selected.
Instant playback (p. 89)
No Disables the instant playback function. 2 sec.
10 sec.
Images are played back for two seconds after they are captured.
Images are played back for ten seconds after they are captured. During playback the image can be deleted.
RECORDING MODE
Digital zoom
The 2X digital zoom is active.
Magnification button (p. 71)
(DiMAGE 7 only)
Electronic magnification
The 4X electronic magnification is active.
MEMORY - STORING CAMERA SETTINGS
Three sets of camera settings can be saved. This feature saves time under frequently repeating conditions by eliminating the need to set camera functions. Except for the AF/AEL button, subject programs, data imprinting, and instant playback settings, all recording-mode camera settings will be saved including the position of the Flex Focus Point, the custom white balance setting and changes made with the function dial and digital effects control. Although the the bracketing drive mode setting can be saved, the type of bracket, exposure, contrast, or color saturation must be set again with the digital effects controller.
Camera settings are saved with the memory function in the custom 1 section of the recording-mode menu (p. 80). Initially, each memory location contains the camera’s original settings.
To save the current camera settings, select the store­memory setting from the memory option in the custom 1 section of the recording-mode menu. The store-in­memory screen will appear.
On the store-in-memory screen, choose the memory register in which the camera settings are to be saved. Pressing the controller will complete the operation; the previous settings will be erased and replaced by the new ones.
To recall a setting, simply choose and enter the appropriate memory register from the memory option of the custom 1 section of the recording-mode menu. The settings are instantly applied to the camera.
Camera settings cannot be deleted from memory by turning the camera off, using the pro-auto button (p. 37), or choosing the default function on the setup menu (p. 120).
To imprint caption on image. Electronic keyboard appears when selected.
To record 24-bit color or 8-bit mono­chrome images. These settings have no effect on RAW images.
Rec.
Basic Custom1 Custom2
Exp. bracket Interval
T/F/C AF/AEL button
1 2 3 Store memory
Mag. button
Memory
86 87
RECORDING MODE
SHARPNESS
The sharpness of the image can be altered. This must be set before the image is recorded. Sharpness is set in the custom 2 section of the recording-mode menu (p.
80).
If any setting other than normal is selected, the sharpness icon will be displayed on the monitors with the degree of sharpness. Sharpness must be reset manually.
COLOR MODE
The color mode controls whether the image is color or black and white. This must be set before the image is recorded. The color mode is set in the custom 2 section of the recording-mode menu (p. 80). The live image on the monitors will reflect the selected color mode. The color mode has no effect on image file size. The color mode must be reset manually.
RAW images are not affected by the color-mode setting. Although the monitors will display a black and white image, the utility software can recreate the original color.
DATAIMPRINTING
Data can be printed directly on the image. The imprinting function must be activated before the image is taken. Once activated, data will continue to be imprinted until the function is reset; a yellow bar is displayed behind the distance indicator and frame counter on the monitors to indicate the imprinting function is active. Data imprinting is controlled in the custom 2 section of the recording-mode menu (p. 80).
No
YYYY/MM/DD
MM/DD/hr:min
Text
Text + ID#
Recording-mode
menu setting
Data imprinting function disabled. Prints the year, month, and day the image was taken.The date format can
be changed in the custom 2 section of the setup menu (p. 114). Prints the date and time the image was taken. The date and time can be
set in the custom 2 section of the setup menu (p. 114). Up to 16 characters can be printed on the image. When this setting is
selected, the electronic keyboard will appear (p. 88). Up to eight characters and a serial number can be printed on the image.
As each successive image is captured, the ID number will increase by one. When this setting is selected, the electronic keyboard will appear (p.
88). The serial number is reset every time the setting is made.
The data is imprinted in the lower right corner of the image when viewed horizontally. Only one imprinting format can be employed at one time. The data is printed directly on the photograph writing over the image information.
Recording-mode
menu settings
EVF and LCD
monitor display
Hard (+)
Normal
Soft (–)
Increases the sharpness of the image, accentuating details.
No filter applied.
Softens the details of the image.
Every time a still image is recorded, it is stored with an Exif tag that contains the date and time of recording as well as shooting information. This information can be viewed with the camera in the playback or quick-view mode, or on a computer with the DiMAGE Image Viewer Utility soft­ware .
Camera Notes
89
QV/delete button
88
RECORDING MODE
ELECTRONIC KEYBOARD
The electronic keyboard is used to enter text for imprinting data or for naming new folders. The keyboard automatically appears when text needs to be entered.
INSTANT PLAYBACK
After an image is captured, it will be displayed on the monitors before being saved. When in continuous-advance or bracketing mode, an index display is used. The instant playback function is set in the custom 2 section of the recording-mode menu (p. 80).
No
2 sec
10 sec
Recording-mode
menu setting
Instant playback is disabled. The captured image will be displayed for two or ten seconds. While dis-
played, the image can be deleted before being saved.
• If the center of the controller is pressed during the instant playback, the displayed image will immediately be saved and the playback canceled.
To enter text, simply use the four-way keys of the controller to highlight the desired character and then press the center of the controller to enter it. Entering the CapL key will change case; the change is immediately displayed on the letters of the keyboard. When complete, highlight the enter key and press the controller to enter the text and complete the operation. To cancel the operation, press the menu button.
To delete text, move the cursor into the text block at the top of the screen. Use the cursor to highlight the character to be deleted. Press the down key; the delete key will be highlighted. Press the center of the controller to delete the character.
To replace a character, repeat the previous procedure, but when the delete key is highlighted, use the four-way keys to highlight the character to replace the one highlighted in the text box; press the controller to replace the character.
1
2
3
To delete an image during the instant playback, press the QV/delete button.
• Aconfirmation screen will appear.
Use the left/right keys of the controller to highlight “YES.”
• “NO” will cancel the operation.
Text block Delete key Caps lock
Enter key
: delete : store
Rec.
Controller
Press the controller to delete the image.
• The live image will be displayed on the monitor.
• When a continuous or bracketed series of images is captured, the entire series will be erased.
Disabled
This camera can record up to sixty seconds of digital video. The motion JPEG image is 320 X 240 pixels (QVGA). The effective image area is 308 X 240 pixels; two thin lines will appear to the left and right of the image when played back.
Shooting digital video is simple. Set the main dial to movie recording (1). Frame the picture as described in the basic recording operation (p. 29). Press the shutter-release button once to start recording (2). The camera will continue to record until the recording time is used or the shutter-release button is pressed again. When recording, the data panel and monitor frame counters will countdown the remaining time.
90 91
RECORDING MODE
MOVIE RECORDING
2
The table below shows the approximate total recording time with various CompactFlash cards. Actual time depends on the subject and the number of still images captured.
8MB 16MB 64MB
36 sec. 70 sec. 290 sec.
44 sec. 90 sec. 363 sec.
DiMAGE 5
DiMAGE 7
Function Dial
Color-saturation compensation (p. 65)
Exposure mode (p. 47)
Digital zoom (Electronic magnification)
White balance (p. 58)
Metering mode (p. 74)
Exposure compensation (p. 63)
Camera Sensitivity (ISO) (p. 61)
Focus mode (p. 68, 71) Autofocus area (p. 66)
Program (fixed)
Disabled
Auto white balance (fixed)
Center-weighted (fixed)
Available
Auto (fixed)
Disabled
Continuous AF or Manual Wide (fixed)
Digital-subject-program button
DisabledFlash
Disabled
Contrast compensation (p. 64) Available
Available
AF/AEL button
Macro mode (p. 69) Available
Recording-mode menu
Disabled
This table indicates which functions can be used, which are fixed, and which are disabled in movie mode. Manual focus can be used before or during movie recording.
Recording indicator Countdown in seconds
When the camera is not recording, the data-panel and monitor frame counters will show the maximum time in seconds can be recorded with the next movie clip. Amaximum of 60 seconds will be displayed until the amount of remaining time falls below one minute, then the remaining number of seconds that can be recorded will be displayed.
1
Total recording time for
the next movie clip
To set the aperture value, turn the Digital Effects Controller to exposure compensation (2). While pressing the digital effects button (3), turn the control dial (1) until the correct aperture is displayed.
• The camera’s exposure system cannot be used to calculate bulb exposures. The use of a separate light meter is recommended.
1
3
2
92 93
RECORDING MODE
PLAYBACK MODE
VIEWING AND EDITING IMAGES
BULB EXPOSURES
ATTACHING A REMOTE CORD (SOLD SEPARATELY)
Bulb photographs can be taken in the manual-exposure mode (M) (p. 71). Exposures up to thirty seconds can be made by pressing and holding the shutter-release button. The use of a tripod and a remote cord is recommended for bulb exposures.
The optional remote cords (RC-1000S or RC-1000L) can be used to reduce vibrations from touching the camera during long exposures.
Remove the remote-control terminal cover.
• Use the notch on the left side of the cover.
• The cover is attached to the body to prevent loss.
Insert the plug of the cord into the terminal.
Use the control dial (1) to decrease the shutter-speed value below four seconds until “bulb” is displayed.
To take the picture, press and hold the shutter-release button for the duration of the exposure.
• Releasing the shutter button will end the exposure.
• The monitors will be blank during the exposure.
This section contains detailed information on the camera’s playback functions and operation. Read the sections pertaining to your interest and need. The viewing pictures, viewing movies, deleting images (p. 94 - 95), the navigating the playback-mode menu (p. 102), and frame-selection screen (p. 111) sections cover the use of most of the fea­tures for viewing and editing images. The navigating the playback-mode menu section is followed by detailed descriptions of the settings.
To delete a displayed image, press the QV/delete button.
• Aconfirmation screen will appear.
1
Still images and movie clips can easily be viewed and edited in playback mode. To set the camera to view images, turn the mode dial to the playback position (1).
Simply use the controller to scroll through the pictures on the CompactFlash card. Images are displayed with date, frame number, printing status, and lock status information. Still images can be displayed with a histogram and shooting data. The first frame of each movie clip is shown; a movie clip is indicated by the movie icon displayed with a thumbnail of the first frame.
QV/delete button
In playback mode, the displayed image or movie clip can be deleted. When selecting an image for deletion, a confirmation screen will appear before the operation is executed.
2
2
3
Use the left/right keys of the controller to scroll through the images.
Press the controller to delete the image.
VIEWING PICTURES
Once deleted, an image cannot be recovered. Care should always be
taken when deleting images.
DELETING IMAGES
3
Press the up key to display the image’s histogram.
• Pressing the down key will return to the full­screen display .
• The left/right keys are disabled when the histogram is displayed.
Use the left/right keys to highlight “YES.”
• “NO” will cancel the operation.
94 95
PLAYBACK MODE
1
VIEWING MOVIES
Use the left/right keys of the controller to display the movie clip to be viewed.
Press the center of the controller to play back the clip.
• Pressing the controller during playback will pause the movie clip; pressing the controller again will resume the playback.
• When the movie clip finishes, the first frame will be displayed.
To cancel the playback of a movie, press the down key of the controller.
1
2
3
Controller
Confirmation screen
Delete this frame?
NoYes
96 97
PLAYBACK MODE
SINGLE-FRAME PLAYBACK DISPLAY
MOVIE PLAYBACK DISPLAY
HISTOGRAM DISPLAY
Image size (p. 42) Image quality (p. 43)
Frame number/ total number of images in folder
Printing icon (p. 108)Lock icon (p. 105)
Date of recording
Time of recording
Frame number/ total number of images in folder
Date of recording
Time of recording Movie icon
Date of recording
Shutter speed Aperture value
White balance setting (p. 58) Camera sensitivity (ISO) setting (p. 61) Degree of exposure compensation
(p. 63)
Folder name (p. 130)
Thumbnail of image
The luminance distribution of the image
The black area of the histogram shows the luminance distribution of the recorded image from black (left) to white (right). Each one of the 256 vertical lines indicates the relative proportion of that light value in the image. The histogram can be used to evalu­ate exposure and contrast, but displays no color information. Achange in exposure would create an image whose histogram would be the same shape as a previous image, but would be shifted to the left (less exposure) or right (more exposure). Changing the contrast would contract (decrease in contrast) or expand (increase in contrast) the distribution of luminance values compared with a previous image of the scene.
Image size (p. 42) Image quality (p. 43)
Mode indicator
Mode indicator
Mode indicator
Playback time
Folder number - image file number
Play Pause Stop 23s
98 99
PLAYBACK MODE
DISPLAY CONTROLS - PLAYBACK MODE
In the center of the display switch, the display-information button controls the display format. Each time the button is pressed, the display cycles through to the next format: full display, image only, index playback.
Full display Image only
Index playback
In index playback, the left/right keys of the controller will move the yellow border to the next or the previous image. When the image is highlighted with the border, the date of recording, the lock and printing status, and the frame number of the image are displayed at the bottom of the screen. The highlighted image can be deleted using the QV/delete button (p. 95). When the display information button is pressed again, the highlighted image will be displayed in the single-frame playback mode. Anine or four image index can be displayed. The index-playback format can be changed in the basic section of the playback-mode menu (p. 102).
Auto display - the camera will automatically change between displaying the image in the EVF and on the LCD monitor. The EVF’s eye sensors monitor if the EVF is being used and switches the display location accordingly.
EVF display - the image will only be displayed in the electronic viewfinder. Under bright-light, the EVF is easier to see than the LCD monitor.
LCD monitor display - the image will only be displayed on the LCD monitor.
Located on the back of the camera, the display-mode switch and the display­information button control on which monitor the image is displayed and the display format. The three position switch allows the choice between automatic display and setting the display to the EVF or LCD monitor.
The number of magnification steps in enlarged playback is dependent on the size of the recorded image. The smaller the image size, the fewer steps are available. 1024 X 768 digital zoom images recorded with the DiMAGE 5 are enlarged in three steps: 2X,
2.5X, and 3.2X.
100 101
PLAYBACK MODE
ENLARGED PLAYBACK
In single-frame playback, a still image can be enlarged for closer examination. RAW and super fine images cannot be enlarged.
With the image to be enlarged displayed, press the magnification button.
• The degree of magnification is displayed in the EVF and on the LCD monitor.
• The image is magnified in a maximum of three steps. Each time the magnification button is pressed, the image is enlarged. After the final step, the image is displayed at the original size.
When enlarged, the four-way keys of the controller can scroll the image.
1
2
Controller
DiMAGE 7
1ststep 2ndstep 3rdstep
2560 X 1920 1600 X 1200 1280 X 960 640 X 480
2X 2X 2X
2.5X 2.5X 4X 4X
2.5X
2X
4X
– –
DiMAGE 5
1ststep 2ndstep 3rdstep
2048 X 1536 1600 X 1200 1280 X 960 640 X 480
2X 2X 2X
2.5X 2.5X
3.2X
– –3.2X 3.2X
2.5X
2X
Magnification button
On February 20th, 1962, John Glenn became the first American to orbit the Earth. On board his Friendship 7 spacecraft was a Minolta Hi-matic camera to record that historical event. The 4 hour, 55 minute, and 23 second flight orbited the Earth three times at an average speed of 28,000 kph (17,500 mph).
Mr. Glenn visited our Sakai camera factory in Japan on May 24th, 1963 to plant a palm tree in honor of the occasion. The palm tree is still in the courtyard of the factory and stands over
eight meters tall (26ft).
Minolta History
1
2
Play
Basic Custom1 Custom2
Delete Lock Index format
– – 9 frames
Activate the playback-mode menu with the menu button (1). The “Basic” tab will be highlighted. Use the left/right keys of the controller (2) to highlight the appropriate menu tab; the menus will change as the tabs are highlighted.
NAVIGATING THE PLAYBACK-MODE MENU
1 2
In playback mode, press the menu button to activate the menu. The menu button also turns off the playback-mode menu when the settings have been completed.
The four-way keys are used to move the cursor in the menu. Pressing the controller will enter a setting.
When the desired menu is displayed, use the up/down keys (2) to scroll through the menu options. Highlight the option whose setting needs to be changed.
With the menu option to be changed highlighted, press the right controller key; the settings will be displayed with the current setting highlighted.
• To return to the menu options, press the left key.
Use the up/down keys to highlight the new setting.
Press the controller to select the highlighted setting.
Once a setting has been selected, the cursor will return to the menu options and the new setting will be displayed. Settings can continue to be made. To return to the playback mode, press the menu button.
102 103
PLAYBACK MODE
Basic
Delete
Lock
Index format
This frame All frames Marked frames This frame All frames Marked frames
9 frames 4 frames
Custom 2
Print
Index print
Cancel print
Copy
This frame All frames Marked frames No Yes All frames - F All frames - C This frame Marked frames
Please refer to the following sections for descriptions of the menu options and their settings.
Custom 1
Slide show Playback
Duration Repeat
Start All frames Marked frames 1 ~ 60 sec. No Yes
Unlock frames
Yes No
Number of
copies
Choosing “Yes” will execute the operation, “No” will cancel the operation
Pressing the down key of the controller will cancel the slide show playback and return to the playback-mode menu.
Yes No
1
2 3 4
New folder
number
For information on frame-selec­tion screens, see page 111.
Copying to camera memory
Please change CF card Copying to CF card Copy completed
104 105
PLAYBACK MODE
PLAYBACK-MODE MENU - BASIC
Deleting permanently erases the image. Once deleted, an image cannot
be recovered. Care should be taken when deleting images.
Single, multiple, or all images in a folder can be deleted with the playback-mode menu. Before an image is deleted, a confirmation screen will appear; choosing “Yes” will execute the operation, “No” will cancel the operation. To delete images in other folders, the folder must first be selected in the custom 1 section of the setup menu (p. 114). The delete option has three settings:
This frame - The image displayed or highlighted in playback mode will be deleted. All frames - All unlocked images in the selected folder will be deleted. Marked frames - To delete multiple images. When this setting is chosen, the frame-
selection screen will be displayed. Use the left/right keys of the controller to highlight the first image to be deleted. Pressing the up key will mark the image with the garbage­can icon. To deselect an image for deletion, highlight it with the yellow border and press the down key; the garbage-can icon will disappear. Continue until all the images to be deleted are marked. Press the controller to continue (the confirmation screen will appear), or press the menu button to cancel the operation and return to the playback menu. On the confirmation screen, highlighting and entering “Yes” will delete the marked images.
The delete function will only erase unlocked images. If an image is locked, it must be unlocked before it can be deleted.
Single, multiple, or all images in a folder can be locked. Alocked image cannot be deleted by either the playback-mode menu functions or the QV/delete button. Important images should be locked. To lock images in other folders, the folder must first be selected in the custom 1 section of the setup menu (p. 114). The lock option has four settings:
This frame - The image displayed or highlighted in playback mode will be locked. All frames - All images in the folder will be locked. Marked frames - To lock or unlock multiple images. When this setting is chosen, the
frame-selection screen will be displayed. Use the left/right keys of the controller to highlight the image to be locked. Pressing the up key will mark the image with the key icon. To unlock an image, highlight it with the yellow border and press the down key; the key icon will disappear. Continue until all the images to be locked are marked. Press the controller to lock the marked frames, or press the menu button to cancel the operation and return to the playback menu.
Unlock frames - All images in the folder will be unlocked. Locking an image will protect it from a delete function. However, the formatting function
will erase all images on a CompactFlash card whether locked or not.
The index format option allows the index playback to be displayed with four or nine images. This affects all index displays.
DELETING IMAGES
CHANGING THE INDEX PLAYBACK FORMAT
LOCKING IMAGES
To select all the images in the folder to be displayed in the slide-show presentation.
The custom 1 section of the playback-mode menu controls the slide-show function. This function automatically displays all still images in a folder in order.
106 107
PLAYBACK MODE
PLAYBACK-MODE MENU - CUSTOM 1 (SLIDE SHOW)
Slide show
Menu options
Playback
Duration
Settings
Start
Repeat
All frames
Marked Frames
1 - 60s.
Yes / No
To select specific images in the folder to be displayed in the slide-show presentation. When this setting is chosen, the frame-selection screen will be displayed. Use the left/right keys of the controller to highlight the image to be included in the presentation. Pressing the up key will mark the image with a check icon. To deselect a marked image, highlight it with the yellow border and press the down key; the check icon will disappear. Continue until all the images have been edited. Press the controller to set the marked frames, or press the menu button to cancel the operation and return to the playback menu.
To select the period each image will be displayed during the slide show.
To start the slide-show presentation. Pressing the center of the controller will pause the presentation. During the slide show, press the down key of the controller to stop the pre­sentation and return to the playback-mode menu.
Selecting “Yes” will cause the slide show to repeat until it is canceled using the down key of the controller. “No” will end the slide show presentation and return to the playback­mode menu when all the images have been displayed once.
Image count­down / total number of images in the presentation.
Press the controller to pause and restart the presentation.
To cancel the presentation, press the down key of the controller.
108 109
PLAYBACK MODE
PLAYBACK-MODE MENU - CUSTOM 2
The print menu option is used to set an order for standard prints from images in a specific folder. Single, multiple, or all images can be printed. If a CompactFlash card has multiple folders, a printing file must be created for each folder. Folders are selected in the custom 1 section of the setup menu (p. 114).
This-frame - To create a DPOF file for the image displayed or highlighted in playback mode.
All-frames - To create a DPOF file for all images in the folder specified in the custom 1 section of the setup menu (p. 114).
Marked frames - To chose a group of images to be printed or when the number of copies for each image varies. When selected, the frame selection screen will appear. Use the left/right keys of the controller to highlight an image to be printed. Pressing the up key will mark the image with the printer icon. The number next to the icon indicates the number of copies of that image will be printed. Pressing the up key will increase the number of copies, pressing the down key will decrease the number. A maximum of nine copies can be ordered. To deselect an image for printing, press the down key until the the number of copies reaches zero and the printer icon disappears. Continue until all the images to be printed are marked. Press the controller to create the DPOF file, or press the menu button to cancel the operation and return to the playback menu.
ABOUT DPOF
This camera is supported by DPOF™ version 1.1. The DPOF (Digital Print Order Format) allows direct printing of still images from digital cameras. After the DPOF file is created, the CompactFlash card is simply taken to a photofinishing service or inserted into the CompactFlash-card slot of DPOF compatible printers. When a DPOF file is created, a misc. folder is automatically made on the CompactFlash card to store it (p.
130). DPOF print files cannot be made for RAW images.
CREA TING ADPOF PRINT ORDER
When the this-frame or all-frames setting is chosen, a screen will appear requesting the number of copies of each image; a maximum of nine copies can be ordered. Use the up/down keys of the controller to set the number of copies desired. If the all-frames setting was used to create a print order, any additional images saved afterwards in the folder will not be included in the order.
DPOF files cannot be created for images captured with another camera. DPOF data created on other cameras will not be recognized.
The cancel-print option deletes the DPOF files. When the setting is selected, a confirmation screen will appear; choosing and entering “Yes” will execute the operation and cancel the print order. After the pictures have been printed, the DPOF file will still remain on the CompactFlash card and must be canceled manually.
All frames C - To cancel all printing files on the CompactFlash card. All frames F - To cancel the printing file in the folder.
CANCELING A DPOF PRINT ORDER
ORDERING AN INDEX PRINT
To create an index print of all the images in the folder, select the “Yes.” To cancel an index print, simply change the setting to “No.” If an index-print order is created, any additional images saved afterwards in the folder will not be included in the index print. The number of images printed per sheet differs between printers. The information printed with the thumbnails can vary.
111110
PLAYBACK MODE
COPYING IMAGES
Image files can be copied from one CompactFlash card to another. Up to 10MB of data can be transferred. Every time the copy function is used, a new folder is automatically created for the images (p. 130).
This frame - To copy the image currently displayed. Marked frames - To copy single or multiple images. When selected, the frame-
selection screen will appear; highlight the image to be copied with the yellow border and then press the up key of the controller to mark it with the check icon. To deselect an image to be copied, highlight the selected image and press the down key; the check icon will disappear. Continue until all the images to be copied are marked. Press the controller to continue, or press the menu button to cancel the operation and return to the playback menu.
When the controller is pressed, a screen with four messages will be displayed; the messages are highlighted as the copying procedure is executed. When the change-CF­card message is highlighted, remove the camera’s CompactFlash card and insert the card to which the image should be copied. Press the center of the controller to continue. Wait until the copy-completed message is highlighted. A new screen will appear to indicate the name of the new folder containing the copied images; press the controller to return to the playback menu.
If too many images have been selected, a warning will appear and the copy routine will be canceled. Divide the number of images into two or three batches. The copy­unsuccessful message will appear when one or all of the images could not be copied. Check the second CompactFlash card to see which files were copied and then repeat the procedure for the images that could not be transferred.
FRAME-SELECTION SCREEN
When a marked-frames setting is chosen on a menu, the frame selection screen will appear. This screen allows multiple images to be chosen. The index format of the screen can be changed in the basic section of the playback-mode menu (p. 102).
The left/right keys of the controller move the yellow border to select the image.
The up key of the
controller selects
the frame; when
selected, an icon
will appear next to
the image. The
down key will
deselect the image
removing the icon.
Menu button
Cancels the screen and any operation made.
The garbage-can icon indicates the image is selected for deletion.
The key icon indicates the image is locked or selected to be locked.
The check icon indicates the image is selected for the slide show or to be copied to another CompactFlash card.
The printer icon indicates the image is selected for printing. The number next to the icon shows the number of copies requested.
Play
: select : confirm : enter
Play Copy
Enter
Copying to camera memory
1
2 3 4
Please change CF card Copying to CF card Copy completed
<101MLTCP>
OK
112 113
This section contains detailed information on controlling the camera’s functions and operation as well as creating and selecting image folders. The navigating the setup menu section (p. 114) covers the operation of the setup menu. The section is followed by detailed descriptions of the settings.
SETUP MODE
CONTROLLING THE
CAMERA’S OPERATION
VIEWING IMAGES ON ATELEVISION
It is possible to view camera images on your television. The camera has a video-out terminal which can be used to connect the camera to a television using the supplied video cable. The camera is compatible with the NTSC and PAL standards. The video­output setting can be checked and set in the custom 2 section of the setup menu (p.
114). Turn off the television and the camera.
Insert the mini-plug end of the video cable into the camera’s video-out terminal.
Plug the other end of the video cable into the video-input terminal on the television.
Turn the television on.
Turn the camera’s mode dial to the playback position.
• The camera’s monitors will not activate when the camera is attached to a television. The
playback-mode display will be visible on the television screen.
Change the television to the video channel.
View images as described in the playback section.
1
1.
2.
3.
4.
5.
6.
7.
114 115
The “Basic” tab will be highlighted. Use the left/right keys of the controller (2) to highlight the appropriate menu tab; the menus will change as the tabs are highlighted.
NAVIGATING THE SETUP MENU
To access the menu, simply turn the main dial to the setup position. The four-way keys of the controller are used to move the cursor in the menu. Pressing the controller will enter a setting.
When the desired menu is displayed, use the up/down keys (2) to scroll through the menu options. Highlight the option whose setting needs to be changed.
With the menu option to be changed highlighted, press the right controller key; the settings will be displayed with the current setting highlighted.
• To return to the menu options, press the left key.
Use the up/down keys to highlight the new setting.
Press the controller to select the highlighted setting.
Once a setting has been selected, the cursor will return to the menu options and the new setting will be displayed. Setting can continue to be made.
SETUP MODE
Basic
LCDbrightness EVFbrightness Format
1 (low) ~ 5 (high)
Enter
High tone Low tone
English Deutsch
Custom 2
Reset default EVF autoSwtch
Date/Time set Date format
Enter Auto EVF/LCD EVF auto on Enter YYYY/MM/DD MM/DD/YYYY DD/MM/YYYY NTSC PAL
Please refer to the following sections for descriptions of the menu options and their settings.
Custom 1
File # memory
Select folder New folder
Yes No
Enter
Off
Yes No
Choosing “Yes” on the confirmation screens will execute the operation, “No” will cancel the operation
Power Save Beep
Language
1 (low) ~ 5 (high)
1, 3, 5, or 10 min
Français Español
(Folder names)
Video output
Yes No
Year • Month • Day Hour : Minute
Controller
For more information about the electronic keyboard, see page 88.
Setup
Basic Custom1 Custom2 LCDbrightness EVFbrightness
Format Power save Beep
3 3 – 1 min High tone
Language
English
116 117
SETUP MODE
SETUP MENU - BASIC
The basic section of the setup menu allows changes to be made to the operation of the camera as well as the ability to format CompactFlash cards.
EVF AND LCD MONITOR BRIGHTNESS
The brightness of the EVF and LCD monitor is set independently of each other. Brightness is controlled in five levels from 1 (low) to 5 (high). As each setting is high­lighted, the monitor will adjust accordingly; the controller must be pressed to set the highlighted level. When the LCD brightness or EVF brightness setting is selected, the corresponding monitor will activate automatically.
FORMATTING COMPACTFLASH CARDS
When a CompactFlash card is formatted, all data on the card is erased.
The formatting function is used to erase all data on a CompactFlash card. Before for­matting a CompactFlash card, copy the data to a computer or storage device. Locking images will not protect them from being deleted when the card is formatted. Always for­mat the CompactFlash card using the camera; never use a computer to format a card.
When the format option is selected and entered, a confirmation screen will appear. Choosing “Yes” will format the card, choosing “No” will cancel the formatting operation. A screen will appear to indicate the card has been formatted; press “OK” to return to the setup menu.
If the card-not-recognized message appears, the inserted card in the camera may need to be formatted. ACompactFlash card used in another camera may need to be format­ted before being used. If the unable-to-use-card message appears, the card is not compatible with the camera and should not be formatted.
AUTO POWER SAVE
The camera will turn off the EVF and data panel to conserve battery power if no opera­tion is made within a certain period. The length of this period can be changed to 1, 3, 5, or 10 minutes. The auto-power-save option will not affect the display period of LCD monitor; it will shut down after 30 seconds. To restore the displays when they shut down, simply press the shutter-release button or the display information button.
When the camera is connected to the computer, the auto-power-save period is set to ten minutes. This period cannot be changed.
BEEP
The audio signal can be turned off or on. The tone of the signal can be changed to high or low.
LANGUAGE
The language used in the menus can be changed.
118 119
SETUP MODE
SETUP MENU - CUSTOM 1
The custom 1 section of the setup menu controls file number sequencing and the cre­ation of new folders. See page 130 about the organization of the folders on the CompactFlash card
FILE NUMBER (#) MEMORY
When file number memory is selected, if a new folder is created, the first file stored in the folder will have a number one greater than the last file saved. This allows multiple folders to be created to store images by category, place, or date, but the image file numbers will be in the order in which they were shot. If the file number memory is dis­abled, the image file name will have a number one greater than the last image saved in the folder.
If file number memory is active and the CompactFlash card is changed, the first file saved to the new card will have a number one greater than the last file saved on the previous card if the new card does not contain an image with a greater file number. If it does, the file number of the new image will be one greater than the greatest on the card.
SELECT FOLDER
This option allows the selection of existing folders. After folder is selected, all images recorded will be placed in that folder. In quick view or playback mode, only the images in the selected folder can be viewed or edited.
Except for the all-frames-C setting in the custom 2 section of the playback-mode menu, changes made with menus only affect the images in the selected folder. To make changes to all images in multiple folders, each folder must be selected and the menu operation repeated for each folder. Formatting a CompactFlash card in the basic sec­tion of the setup menu, erases all folders regardless if it is selected or not.
NEW FOLDER
This allows the creation of new folders. When selected, the electronic keyboard (p. 88) automatically appears so the the folder name can be entered. Once the name is typed in and the enter button on the keyboard is highlighted and entered, the folder will be created and the name will be listed in the select-folder option.
Every folder name begins with a three digit index number. When the electronic key­board activates, three digits will be displayed in the register. This number cannot be changed. Every time a new folder is created, the folder number will increase automati­cally by one greater than the highest folder number on the CompactFlash card. Afive­character folder name must be entered after the number; only capital letters, numbers, and the underbar can be used. To cancel the electronic-keyboard display without creat­ing a new folder, press the menu button.
Image quality
EVF auto switch
120 121
SETUP MODE
SETUP MENU - CUSTOM 2
RESET DEFAULT
Unlike the pro-auto button (p. 37), this function affects not only the recording mode, but also the playback, and setup modes. When selected, a confirmation screen will appear; choosing “Yes” resets the following functions and settings, “No” cancels the operation.
Default Setting Page
Exposure compensation
Color-saturation compensation
Contrast compensation
Image size Camera sensitivity (ISO) Drive mode Metering mode Flash mode Flash compensation Flash metering Exposure bracket
Interval capture
0.0 0 0 Standard 2560 X 1920 (2048 X 1536)* Auto Single-frame advance Multi-segment Fill flash
0.0 ADI metering
0.3 Ev
1 minute
AF/AE hold
46 68 66 70 58 63 64 65 43 42
54
56 56
Sharpness Color mode Data imprinting Instant playback Index playback format Duration (Slide Show) Repeat (Slide Show) Index print LCD monitor brightness EVF brightness Auto-power-save period Beep File number memory
Normal Color No (Disabled) No 9 frames 5 seconds No No (Canceled) 3 3 1 minute High tone No (Disabled) Auto EVF/LCD
86 86 87
89 105 106 106 109 116 116 117 117 118 121
* for DiMAGE 5 only.
Magnification button 2X digital zoom (DiMAGE 7 only) 83
73
Total frame count 2 frames
EVF AUTO SWITCH - CONTROLLING THE AUTO-DISPLAY FUNCTION
This option controls the auto-display function in recording mode (p. 32). The auto­EVF/LCD setting allows the display to switch between the EVF and LCD monitor auto­matically. The EVF-auto-on setting turns off the LCD monitor and uses the eye sensors to activate only the EVF when in use. This setting will help conserve battery power.
AF/AEL button
61 51 74 76 78 75
Exposure mode Focus mode Focus area Digital zoom White balance
Program Single AF Wide focus area Canceled Auto white balance
Default Setting Page
122 123
SETUP MODE
SETTING THE DATE AND TIME
It is important to accurately set the clock. When a still image or a movie clip is record­ed, the date and time of the recording are saved with the image and are displayed dur­ing playback or can be read with the DiMAGE Image Viewer Utility software included on the CD-ROM. The camera’s clock is also used with data imprinting.
When the Date/Time-set option is selected and entered, the date/time screen will be displayed. The left/right keys of the controller are used to select the item to be changed and the up/down keys are used to change the value. From left to right, the screen shows the year, month, day, hour, and minute. When the date and time have been adjusted, set the clock by pressing the cen­ter of the controller.
SETTING THE DATE FORMAT
The date format that is displayed or imprinted can be changed: YYYY/MM/DD (year, month, day), MM/DD/YYYY (month, day, year), DD/MM/YYYY (day, month, year). Simply select the format and enter it by pressing the center of the controller; the new format will be displayed on the menu.
VIDEO OUTPUT
Camera images can be displayed on a television (p. 112). The video output can be changed between NTSC and PAL. North America uses the NTSC standard and Europe uses the PAL standard. Check which standard is used in your region to play back images on your television set.
DATA-TRANSFER
MODE
CONNECTING TO A COMPUTER
IBM PC / AT Compatible Macintosh
Preinstalled Windows Me, 2000, 98, or 98
second edition operating systems
Preinstalled Mac OS 8.6 ~ 9.1
USB port as standard interface
Users with Windows 98 or 98 second edition will need to install the driver software on the included CD-ROM (p. 126). Users with Mac OS 8.6 will need to download and install a USB mass storage device from the Apple web site (p. 129). There have been no reports of compatibility problems with Apple G4 computers with Mac OS 10.0.3 or earlier.
Read this section carefully before connecting the camera to a computer. Details on using and installing the DiMAGE Image Viewer Utility software are found in the sup­plied software manual. The DiMAGE manuals do not cover the basic operation of com­puters or their operating systems; please refer to the manual supplied with your com­puter.
Enter
Setup
Date/Time set
2001 7 20 16 33:..
For the camera to be connected directly to the computer and used as a mass storage device, the following requirements must be met:
Set the mode dial to the data-transfer position.
• The data-transfer menu will be displayed.
CONNECTING THE CAMERA TO A COMPUTER
125124
DATA-TRANSFER MODE
When the camera is properly connected to the computer, a drive icon will appear. If the computer does not recognize the camera, disconnect the camera and restart the com­puter. Repeat the connection procedure above.
Start up the computer.
• The computer must be turned on before connecting the camera.
Insert the CompactFlash card into the camera.
• Confirm that the correct card is in the camera. To change the CompactFlash while the camera is connected to a computer, see page 134.
Attach the other end of the USB cable to the computer’s USB port.
• Make sure the plug is firmly attached.
• The camera should be connected directly to the computer’s USB port. Attaching the camera to a USB hub may prevent the camera from operating properly.
A fresh set of batteries should be used when the camera is connected to a computer. The use of the AC adapter (sold separately) is recommended over the use of batteries. For users with Windows 98 and Mac OS 8.6, read the respective sections on how to connect to the operating system before connecting the camera to a computer (Windows 98 - p. 126, OS 8.6 - p. 129).
After using the four-way keys of the controller to high­light the USB option in the USB section of the data­transfer menu, press the the right key of the controller.
• “Enter” should appear on the right side of the screen.
Press the center of the controller to send a signal to the computer to initiate the USB connection.
• A screen will appear to indicate the beginning of the connection process.
• When the signal has been received by the computer, the camera’s
monitors will turn off.
COMPUTER
1 2
3 4
5
6
7
3
4
5
Open the card-slot door. Attach the smaller plug of the USB cable to the camera.
• Make sure the plug is firmly attached.
Trans
USB
USB
Enter
Initializing USB connection
127126
DATA-TRANSFER MODE
CONNECTING TO WINDOWS 98
Choose the recommended search for a suitable driver. Click “Next.”
Choose to specify the location of the dri­ver. The browse window can be used to indicate the driver location. When the location is shown in the window, click “Next.”
• The driver should be located in the CD­ROM drive at :\Win98\USB.
The driver needs only to be installed once. If the driver cannot be installed automatical­ly, it can be installed manually with the operating system’s add-new-hardware wizard; see the instructions on the following page. During installation, if the operating system requests the Windows 98 CD-ROM, inset it into the CD-ROM drive and follow the accompanying instructions on the screen.
Before connecting the camera to the computer, place the DiMAGE soft­ware CD-ROM in the CD-ROM drive. The DiMAGE installer menu should automatically activate. To automatically install the Windows 98 USB driver, click on the starting-up­the-USB-device-driver-installer but­ton. Awindow will appear to confirm that the driver should be installed; click “Yes” to continue.
When the driver has been success­fully installed, a window will appear. Click “OK.” The cam­era can now be attached to the computer (p. 124).
AUTOMATIC INSTALLATION
MANUAL INSTALLATION
To install the Windows 98 driver manually, follow the instruction in the connecting-the­camera-to-a-computer section on page 124.
When the camera is plugged into the com­puter, the operating system will detect the new device and the add-new-hardware­wizard window will open. Place the DiMAGE software CD-ROM in the CD­ROM drive. Click “Next.”
(Continued on the next page)
129128
DATA-TRANSFER MODE
QUICKTIME 4.1 SYSTEM REQUIREMENTS
IBM PC / AT Compatible
Pentium-based computer
Windows 95, 98, NT 4.0, 2000.
16MB or more of RAM
QuickTime is used for viewing movie clips. To install QuickTime, follow the instructions in the read-me folder and in the installer. Users with Windows Me can use the system’s media player to view movie clips. Macintosh users can download QuickTime 4.1 free of charge from the Apple Computer web site: http://www.apple.com.
CONNECTING TO MAC OS 8.6
To download and install this software, follow the instruction on the Apple web site. Always read the attached terms and conditions before installing any new software.
The add new hardware wizard will confirm the location of the driver. Click “Next” to install the driver in the system.
• One of three drivers may be located: MNLVENUM.inf, USBPDR.inf, or USBSTRG.inf.
• The letter designating the CD-ROM drive will vary between computers.
The last window will confirm the driver has been installed. Click “Finish” to close the add new hardware wizard.
When the my-computer window is opened, a new removable-disk icon will be displayed. Double click on the icon to access the camera’s CompactFlash card, see page 130.
To access this camera with a computer with Mac OS 8.6, the USB storage support
1.3.5.smi must be installed first. This software is supplied by Apple Computer, Inc. free of charge. It can be downloaded from the Apple Software Updates web site at http://www.apple.com/support.
To view images correctly on your computer, the monitor’s color space may need to be adjust-
ed. Refer to your computer manual on how to calibrate the display to the following require-
ments: sRGB, with a color temperature of 6500°K, and a gamma of 2.2.
Camera Notes
131130
DATA-TRANSFER MODE
Image-file names begin with “pict,” followed by a four-digit file number, and a tif, jpg, avi, mrw, or thm extension. The thumbnail images (thm) are used in camera opera­tion and cannot be opened.
Once the camera is connected to the computer, image files can be accessed by simply double clicking on icons. Copying images can be done by dragging and dropping the image-file icon into a location in the computer. Files and folders on the CompactFlash card can be deleted using the computer. Never format the CompactFlash card from the computer; always use the camera to format the card.
The index number on the image file may not correspond to the frame number of the image. As images are deleted on the camera, the frame counter will adjust itself to show the number of images in the folder and reassign the frame numbers accordingly. The index numbers on the image files will not change when an image is deleted. When a new image is recorded, it will be assigned a number one greater than the largest index number in the folder. File numbers can be controlled with the file-number-memory function in the custom 1 section of the setup menu (p. 118).
When the index number in the image file name exceeds 9,999, a new folder will be cre­ated with a number one greater than the greatest folder number on the CompactFlash card: e.g. from 100MLTXX to 101MLTXX. The last two digits in the folder name indi­cates the camera with which the images were recorded. New folders can be created in the custom 1 section of the setup menu (p. 119). When a DPOF file is created for a print order (p. 108), a misc. folder is automatically made for the file.
COMPACTFLASH CARD FOLDER ORGANIZATION
Drive Icon
Dcim
100MLT03
100MLT04
101MLTCP
PICT0001.TIF PICT0001.THM
PICT0002.JPG
PICT0003.AVI PICT0003.THM
PICT0004.MRW PICT0004.THM
Super-fine
image
Fine, standard, or
economy image
Movie clip
RAW
image
The last two digits in the folder name indi­cate the camera that was used to capture the images; “03” indi­cates a DiMAGE 7 and “04” a DiMAGE 5.
Images copied from one CompactFlash to another (p. 110) are placed in a folder with a name ending in “CP.” The first three digits in the folder name will be one greater than the largest folder number.
Misc
The misc. folder contains DPOF print files (p. 108).
AUTO POWER SAVE (DATA-TRANSFER MODE)
If the camera does not receive a read or write command within ten minutes, it will shut down to save power. When the camera shuts down, an unsafe-removal-of-device warn­ing may appear on the computer monitor. Click “OK.” Neither the camera or computer will be damaged in this operation.
Pressing the shutter-release button will reactivate the camera. Remake the USB con­nection with the data-transfer menu (steps 6 and 7 on page 125).
DISCONNECTING THE CAMERA FROM THE COMPUTER
133132
DATA-TRANSFER MODE
WINDOWS ME AND WINDOWS 2000
Confirm that the access lamp is not lit. Turn the mode dial to another position and then disconnect the USB cable.
Never disconnect the camera when the access lamp is lit - the data or
CompactFlash card may permanently be damaged.
To disconnect the camera, click once on the unplug-or-eject-hardware icon located on the task bar. A small window will open indicating the device to be stopped.
The hardware devices to be stopped will be displayed. Highlight the device by click­ing on it then click “Stop.”
Confirm that the access lamp is not lit and then drag the mass-storage device icon and drop it into the trash.
WINDOWS 98
When more than one external device are connected to the computer, the unplug-or-eject-hardware window can be used. To disconnect the camera, double click on the unplug-or-eject-hardware icon located on the task bar to activate the window.
Click on the small window to stop the device. The safe-to remove-hardware window will appear. Click “OK.” Turn the mode dial to another position and then disconnect the USB cable.
A confirmation screen will appear to indicate the devices to be stopped. Clicking “OK” will stop the device.
A third and final screen will appear to indicate the camera can be safely disconnected from the computer. Turn the mode dial to another position and then disconnect the USB cable.
Disconnect the USB cable.
• If the USB cable is disconnected before performing the first step, an alert message will appear. Always complete the first step before disconnecting the USB cable.
MACINTOSH
135134
DATA-TRANSFER MODE
CHANGING THE COMPACTFLASH CARD (DATA-TRANSFER MODE)
Care should be taken when changing CompactFlash cards while the camera is attached to the computer. Data could be lost or damaged if the camera is not properly disconnected.
WINDOWS 98
1. Turn off the camera.
2. Change the CompactFlash card.
3. Turn on the camera.
4. Use the data-transfer menu to remake the USB connection.
WINDOWS ME AND 2000
MACINTOSH
APPENDIX
Always confirm the access lamp is out
before removing the CompactFlash card.
1. Stop the USB connection using the unplug-or-eject-hardware routine (p. 132).
2. Turn off the camera.
3. Change the CompactFlash card.
4. Turn on the camera.
5. Use the data-transfer menu to remake the USB connection.
1. Stop the USB connection by dragging the drive icon into the trash (p. 133).
2. Turn off the camera.
3. Change the CompactFlash card.
4. Turn on the camera.
5. Use the data-transfer menu to remake the USB connection.
FOCAL LENGTH EQUIVALENTS
The Exif tag information of each image includes the actual focal-length setting of the camera’s 7.2 - 50.8mm zoom lens. The following chart can be used to estimate the equivalent focal length in 35mm photography.
Actual focal length 35mm equivalent (DiMAGE 7) 35mm equivalent (DiMAGE 5)
200 250
50.838 149 187
34 134 167
27 106 133103
83
21
64
51
13
44
35
9
35
28
7.2
The lens aperture controls not only exposure, but also depth of field; the area between the closest object in focus and the furthest object in focus. The larger the aperture value, the greater the depth of field and the longer the shutter speed needed to make the exposure. The smaller the aperture value, the shallower the depth of field and the faster the shutter speed needed to make the exposure. Usually landscape photographs use a large depth of field (large aperture value) to keep the fore­ground and background in focus, and portraits use a shallow depth of field (small aperture value) to separate the subject from the background.
137136
A SHORT GUIDE TO PHOTOGRAPHY
The shutter controls not only exposure, but also the ability to stop motion. Fast shutter speeds are used in sport pho­tography to stop action. Slow shutter speeds can be used to show the flow of motion such as water cascading over a waterfall. The use of a tripod is recom­mended with slow shutter speeds.
Photography can be a rewarding pursuit. It is a broad and disciplined field that can take years to master. But the pleasure in making photographs and the joy of capturing a magical moment cannot be compared. The guide is an introduction to some basic pho­tographic principles.
The change in aperture and shutter speed is not apparent in the live image. Unlike film cameras, test photographs can be taken and immediately viewed. For critical work, take a test photograph at the set aperture or shutter speed and view the result in quick view (p.34). The image can be deleted if not acceptable and another test image can be taken at a different setting.
Depth of field also changes with focal length. The smaller the focal length, the greater the depth of field; the longer the focal length, the shallower the depth of field.
139138
Problem Symptom
Cause
Solution
The camera will not work.
Nothing dis­played on the data panel or the monitors.
The batteries are dead.
The batteries are inserted incorrectly.
The AC adapter is not connected properly.
Replace batteries (p. 24).
Reinsert the batteries taking care that the negative and pos­itive terminals are orientated as indicated on the inside of the battery chamber door (p.24).
Check that the adapter is con­nected to the camera and a live electrical outlet (p. 26).
TROUBLESHOOTING
The section covers minor problems with basic camera operation. For major problems or damage, or if a problem continues to reoccur frequently, contact a Minolta service facili­ty listed on the back cover of this manual.
A variety of Minolta accessories can be used with this camera to extend its perfor­mance. For more details on the items listed below and in other sections of this manual, contact your local Minolta dealer.
External High-power Battery Pack Kit EBP-100
The kit contains a high-power lithium-ion battery, holder, and charger. The battery and charger are also available separately
Close-up Diffuser CD-1000
Used directly on the camera with the built-in flash to provide soft lighting for close-up photography.
Several high-quality Minolta flash units can be used with this camera:
Program Flash 3600HS(D) Program Flash 5600HS(D) Macro Ring Flash 1200 with Macro Flash Controller Macro Twin Flash 2400 with Macro Flash Controller
SYSTEM ACCESSORIES
Minolta Program Flash 3600HS(D), Program Flash 5600HS(D), Macro Ring Flash 1200, and Macro Twin Flash 2400 are compatible with this camera. ADI flash metering (p. 75) will work with both program flashes attached to the accessory shoe. The use of other flash units is not recommended.
With the Program Flash units, the flash-metering mode will automatically switch to pre-flash TTL when the bounce-flash function is used, or the flashes are connected to the camera with an off-camera cable. Pre-flash TTL (p. 75) automatically activates when using the macro flash units.
When using the Program Flashes, if the flash illumination is uneven at the camera’s wide-angle setting, attach the wide-angle adapter to the flash units. With the 3600 HS(D), also change the flash metering mode to pre-flash TTL. When the auto-zoom function is used with the Program
Flashes, the flash’s zoom setting will be wider than the lens setting.
Camera Notes
“Err” displayed on the data panel
The camera is hot or it has been left in a very hot environment.
Turn off the camera and allow it to cool. If “Err” is still dis­played on the camera after it cools, remove and replace the batteries or power cord.
Shutter will not release.
“000” is dis­played on the frame counter.
CompactFlash card is full and unable to store an image at the image-quali­ty or image-size setting on the camera.
Insert a new CompactFlash card (p. 26), delete some images (p. 102), or change the image-quality or image-size setting (p.40).
141140
If the camera does not function normally, turn it off, remove and reinsert the batteries, or unplug and reconnect the AC adapter. Always turn the camera off using the mode dial otherwise the CompactFlash card may be damaged and camera settings reset.
The camera temperature rises with extended periods of use. Care should be taken to avoid burns when handling the camera, batteries, or CompactFlash card.
Shutter speed and aperture combination is extremely under or over­exposing the live image.
Change the shutter speed or aperture value until an image appears on the monitor (p.
50).
Shooting data is displayed, but live image is entirely black or white.
Camera set to manual­exposure mode (M).
Lens hood mounted when using flash.
The lens hood blocks the light from the built-in flash.
Always remove the lens hood when using the built-in flash.
Problem Symptom Cause Solution
Pictures are not sharp.
Focus signal is red.
Subject is too close.
Make sure the subject is within the autofocus range (0.5m - ∞) or use the macro mode (p. 69).
The camera is in macro mode.
Cancel the macro mode setting (p. 69).
A special situation is pre­venting the autofocus system from focusing (p.31)
Use the focus-lock function to focus on an object at the same distance as the subject (p. 30) or use manual focus (p. 71).
Pictures are taken indoors or in low-light situations with­out flash.
Slow shutter speeds result in blurred images when the camera is hand-held.
Use a tripod, change the cam­era sensitivity to a higher set­ting (p. 61), or use the flash (p.
21).
Continuous drive does not work.
The built-in flash is up or image quality is set to super fine or RAW.
Push the flash down or change the image-quality setting (p.
43).
While using flash, the pic­tures are too dark.
The subject is beyond the flash range (p. 79).
Move closer to the subject or change the camera sensitivity to a higher setting (p. 61).
TROUBLESHOOTING
WHEN USING FILTERS WITH THE DIMAGE 7
Polarizing filters and close-up lenses may cause vignetting at the wide-angle range of the lens (below the 50mm mark on the zooming ring). With very powerful close-up lens­es, such as a +3 or Minolta No. 2, vignetting may be noticeable below 100mm. Using step-up rings will cause vignetting; use only 49mm filters.
A shadow appears on the bottom of the image.
Live image turns black and white.
Camera used under low-light conditions.
Automatic monitor amplification activates under low-light conditions (p. 72). Although the live image is black and white, the recorded image will be color.
Shutter will not release.
No-card warn­ing appears on the monitors.
No CompactFlash card in the camera.
Insert a CompactFlash card (p.26).
Problem Symptom Cause Solution
143142
OPERATING TEMPERATURES AND CONDITIONS
• This camera has been designed for use in temperatures from 0°C to 40°C (32°F to 104°F).
• Never leave the camera exposed to extreme high temperatures, such as in a car parked in the sun, or to extreme humidity.
• When taking the camera from a cold to a warm environment, place it in a sealed plastic bag to prevent condensation from forming. Allow the camera to come to room temperature before removing it from the bag.
CLEANING
• If the camera or the outside of the lens is dirty, gently wipe it with a soft, clean, dry cloth. If the camera or lens comes in contact with sand, gently blow away loose particles. Wiping may scratch the surface.
• To clean the lens surface, first blow away any dust or sand, then, if necessary, moisten a lens tissue or soft cloth with lens cleaning fluid and gently wipe the lens.
• Never use organic solvents to clean the camera.
• Never touch the lens surface with your fingers
.
CAMERA CARE
• Do not subject the camera to shock or impact.
• Turn off the camera when transporting.
• This camera is neither waterproof nor splashproof. Inserting or removing batteries or the CompactFlash card, or operating the camera with wet hands may damage the camera.
• When at the beach or near water, take care not to expose the camera to water or sand. Water, sand, dust, or salt can damage the camera.
• Do not leave the camera under direct sunlight. Do not point the lens directly at the sun; the CCD may be damaged.
CARE AND STORAGE
STORAGE
• Store in a cool, dry, well-ventilated area away from dust and chemicals. For long periods of disuse, store the camera in an airtight container with a silica-gel drying agent.
• Remove the batteries and CompactFlash card from the camera when not in use for extended periods.
• Do not store the camera in an area with naphthalene or mothballs.
• During long periods of storage, operate the camera occasionally. When taking the camera out of storage, check that the camera is functioning properly before using.
RECORDING MEDIA CARE AND HANDLING
• Read and follow the instruction manual supplied with the CompactFlash card.
• The following may cause data loss or damage. 1 Improper use of the card.
2 Static electrical discharge or electromagnetic fields near the card. 3 Removing the card or interrupting the power supply while the camera or computer is accessing the card (reading, writing, formatting, etc.). 4 The disuse of a card for an extended period.
5 Using the card beyond its life Minolta has no responsibility for any loss or damage to data. It is recommend that a copy of the card data be made in another media such as a ZIP disc, hard disk, CD-ROM, etc.
• When the card is formatted, all recorded data will be deleted. Be sure to make a backup of any important data.
• The storage capability of the CompactFlash card will diminish with extended use. It may be necessary to purchase a new card periodically.
• Keep away from static electricity and electromagnetic fields.
• Do not bend, drop, or subject the card to impact.
• Strong static electrical discharges or physical shock may prevent the card from being able to transfer data.
• Do not touch the electrical contacts of the card with your fingers or metal objects.
• Keep away from heat, moisture, and direct sunlight.
• Keep away from small children.
• When using an IBM Microdrive, do not subject the camera to vibrations.
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BATTERIES
• Battery performance decreases with temperature. In cold environments, we recommend keeping spare batteries in a warm place, such as the inside of a coat. Batteries can recover their power when they warm up. As the performance of Ni-MH batteries are less affected by temperature, their use is recommended when shooting in cold environments.
•Remove the batteries when the camera is not in use for an extended period. Leaking battery fluid may damage the battery-chamber.
• Occasionally, when using alkaline batteries, the battery-condition indicator will give a false low-battery-power warning, even though there is enough power capacity. Continue to use the camera; the low-battery indicator will disappear.
• If batteries have been exhausted when used in the camera, do not reload them even if their charge seems to recover over time. These batteries will interfere with normal camera operation.
LCD MONITOR CARE
• Although the LCD monitor is manufactured using high precision technology, there may occasionally be a lack of color or bright points on the LCD monitor.
• Do not apply pressure to the surface of the LCD monitor; it may be permanently damaged.
• In a cold environment, the LCD monitor may become temporarily dark. When the camera warms up, the display will function normally.
• The LCD monitor may be slow to react in low temperatures or may turn dark in a hot environment. When the camera reaches normal operating temperature, the display will function normally.
• If fingerprints are on the LCD monitor surface, gently wipe with a soft, clean, dry cloth
.
CARE AND STORAGE
BEFORE IMPORTANT EVENTS OR JOURNEYS
• Check the camera’s operation; take test pictures and purchase spare batteries.
• Minolta has no responsibility for any damage or loss incurred by equipment malfunction.
COPYRIGHT
• TV program, films, video tapes, photographs, and other materials may be copyrighted. Unauthorized recording or duplication of such material may be contrary to copyright laws. Taking pictures or images of performances, exhibitions, etc. is prohibited without approval and can infringe on copyright. Images protected by copyright can only be used under the provisions within the copyright laws.
QUESTIONS AND SERVICE
• If you have questions about your camera, contact your local camera dealer or write to the Minolta distributor in your area.
• Before shipping your camera for repair, please contact a Minolta Service Facility.
This mark on your camera certifies that this camera meets the requirements of the EU (European Union) concerning interference causing equipment regulations. CE stands for Conformité Européenne (European Conformity).
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Tested by the Minolta Corporation 101 Williams Drive, Ramsey, New Jersey 07446, U.S.A.
This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
Do not remove the ferrite cores from the cables.
The following marks may be found on the product:
This mark certifies that this camera meets the requirements concerning interference causing equipment regulations in Japan.
Digital Camera:
Tested To Comply With FCC Standards
FOR HOME OR OFFICE USE
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TECHNICAL SPECIFICATIONS
Specifications are based on the latest information available at the time of printing and are subject to change without notice.
Apple, the Apple logo, Macintosh, Power Macintosh, Mac OS, and the Mac OS logo are registered trademarks of Apple Computer Inc. Microsoft and Windows are registered trademarks of the Microsoft Corporation. The official name of Windows® is Microsoft Windows Operating System. Pentium is a registered trademark of the Intel Corporation. Adobe and PhotoDeluxe are registered trademarks of Adobe Systems Inc. Microdrive is a trademark of the International Business Machines Corporation. QuickTime is a trademark used under license. All other trademarks are the property of their respective owners.
Batteries: 4 AAalkaline or Ni-MH batteries Battery performance (recording): Approx. number of recorded images: 200 frames
Based on Minolta’s standard test method: Ni-MH bat­teries, EVF on, LCD monitor off, flash used with 50% of the frames, no instant playback.
Battery performance (playback): Approx. continuous playback time: 110 min.
Based on Minolta’s standard test method: Ni-MH bat­teries, LCD monitor on, EVF off.
External power source: AC adapter (AC-1L or AC-2L)
High-power battery pack (EBP-100) Dimensions: 116.5 (W) X 90.5 (H) X 112.5 (D) mm Weight: Approximately 505g
(without batteries or CompactFlash card) Operating temperature: 0° - 40°C Operating humidity: 5 - 85% (noncondensing)
CCD: 2/3-type interline primary-color CCD with a total of
5.24 million pixels. (DiMAGE 7) 1/1.8-type interline primary-color CCD with a total of
3.34 million pixels. (DiMAGE 5)
Number of effective pixels: 4.95 million (2568 X 1928) DiMAGE 7
3.17 million (2056 X 1544) DiMAGE 5 Camera sensitivity (ISO): Auto and 100, 200, 400, and 800 ISO equivalents. Aspect ratio: 4:3 Lens construction: 16 elements in 13 groups including two AD glass
and two aspheric elements. Maximum aperture: f/2.8 (wide-angle position), f/3.5 (telephoto position) Focal length: 7.2 - 50.8 mm (35mm equivalent: 28 - 200mm
(DiMAGE 7), 35 - 250mm (DiMAGE 5)) Focusing range: 0.5 m - infinity (from the CCD)
0.25 - 0.6 m (from the CCD) macro mode Filter diameter: 49 mm Autofocusing system: Video AF Shutter: CCD electronic shutter plus mechanical shutter Built-in flash recycling time: 7s (approx) Viewfinder LCD: Ferroelectric 4.8 mm reflective liquid crystal
microdisplay. Monitor LCD: 46 mm TFT color Field of view: Approximately 100% A/D conversion: 12 bits Recording media: Type I and II CompactFlash cards, 170MB, 340MB,
512MB, and 1GB IBM Microdrives as of June, 2001. File formats: Exif 2.1 (JPEG, TIFF), motion JPEG (avi), and RAW.
DCF 1.0 and DPOF compliant. Print Image Matching: Yes Menu languages: English, German, French, and Spanish Video output: NTSC and PAL
Minolta Co., Ltd. 3-13, 2-Chome, Azuchi-Machi, Chuo-Ku, Osaka 541-8556, Japan
9222-2773-31 MM-A107Printed in Malaysia
© 2001 Minolta Co., Ltd. under the Berne Convention
and the Universal Copyright Convention.
Minolta Corporation
Head Office 101 Williams Drive, Ramsey, New Jersey 07446, U.S.A.
Los Angeles Branch 11150 Hope Street Cypress, CA90630, U.S.A. Minolta Canada Inc. 369 Britannia Road East, Mississauga, Ontario L4Z 2H5, Canada Minolta Europe GmbH Minoltaring 11, D-30855 Langenhagen, Germany
Reparatur/Repair Senator-Helmken-Strasse 1, D-28197 Bremen, Germany Minolta France S.A. 365 Route de Saint-Germain, F-78420 Carrieres-Sur-Seine, France Minolta (UK) Limited 7 Tanners Drive, Blakelands, Milton Keynes, MK14 5BU, England Minolta Austria Ges. m.b.H. Amalienstrasse 59-61, A-1131 Wien, Austria Minolta Camera Benelux B.V. Zonnebaan 39, P.O. Box 6000, NL-3600 HA Maarssen, The Netherlands
Belgian Branch Prins Boudewijnlaan 1, B-2550 Kontich, Belgium Minolta (Schweiz) AG Riedstrasse 6, CH-8953 Dietikon, Switzerland Minolta Svenska AB Albygatan 114, S-171 54 Solna, Sweden
Finnish Branch Niittykatu 6 PL 37, SF-02201 Espoo, Finland Minolta Portugal Limitada Av. do Brasil 33-A, P-1700 Lisboa, Portugal Minolta Hong Kong Limited Room 208, 2/F, Eastern Center, 1065 King’s Road, Quarry Bay, Hong Kong Minolta Singapore (Pte) Ltd. 10, Teban Gardens Crescent, Singapore 608923
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