DATASHEET ULTRA
MJF-210
Low-Profile High-Power Stage Monitor
35°
11.80
[300 mm]
20.90
[531 mm]
Dimensions 23.18” w x 13.89” h x 20.90” d
(589 mm x 353 mm x 531 mm)
Weight 67 lbs (30.4 kg)
Enclosure Premium birch plywood
Finish Black textured
Protective Grille Powder-coat, hex-stamped steel
35°
13.89
[353 mm]
5°
6.12
[155 mm]
with black mesh screen
23.18
The MJF-210 low-profile high-power stage
monitor reproduces audio faithfully with high
intelligibility at high output levels with ample
low-frequency headroom. The self-powered
MJF-210 exceeds the stringent requirements
of today’s touring applications, withstanding
the rigors of road and stage while occupying
a small, lightweight footprint and a fraction of
the truck space of similar monitors requiring
external amplification.
The MJF-210’s phase-corrected 55 Hz to
18 kHz frequency range ensures that vocals
and instruments are reproduced accurately
with low distortion and no signal coloration.
Exhibiting flat phase and frequency responses,
as well as exceptional impulse response, the
MJF-210 surpasses the sonic capabilities of
Features & Benefits
Self-powered system guarantees
simplified setup and operation
Small lightweight footprint with no
external amplification occupies less truck
space
Low profile cabinet preserves
onstage sight lines
conventional stage monitors while offering
the simplicity of self-powered setup and
operation.
The MJF-210’s durable, vented enclosure
houses two high-power, long-excursion, 10inch low-frequency drivers, as well as a 4-inch
diaphragm compression driver coupled to a
50-degree horizontal by 70-degree vertical
constant directivity horn. The face of the
low-profile cabinet slopes 35 degrees from
the stage, ensuring optimal monitoring for
the performer, permitting freedom to move
upstage and downstage while remaining within
the horn’s consistent, wide vertical coverage.
Drivers are powered by a 3-channel, class D
amplifier. The Intelligent AC™ power supply
Wide vertical coverage permits the
freedom to move upstage and downstage
High peak power ensures excellent
transient response
Flat frequency and phase responses yield
high gain before feedback
provides automatic voltage selection, EMI
filtering, soft current turn-on, and surge
suppression.
The optional RMS™ remote monitoring system
module provides comprehensive monitoring
of loudspeaker parameters from a Mac
Windows
®
-based computer. Optional XLR
®
or
5-pin connectors allow the use of composite
cables carrying both RMS and balanced audio.
Constructed of premium birch plywood, the
MJF-210’s cabinet is coated with a blacktextured finish and includes protective rubber
strips on the bottom of the unit that prevent
changes in position due to vibrations. A hexstamped steel grille lined with acoustical black
mesh protects the drivers.
Solutions
Main vocal monitor
High output instrument monitor
MJF-210 Specifications
Acoustical
Operating Frequency Range
Frequency Response
1
55 Hz – 18 kHz
2
60 Hz – 16 kHz ±4 dB
Phase Response 200 Hz – 16 kHz ±45 degrees
Coverage
Horizontal 50 degrees
Vertical 70 degrees
Crossover
830 Hz
3
Transducers
Low Frequency Two high-power 10-inch cone drivers
High Frequency One 4-inch diaphragm compression driver
Audio Input
Type Differential, electronically balanced
Maximum Common Mode Range ±5 V DC
Connectors
Input Impedance 10 kOhm differential between pins 2 and 3
Wiring
4
XLR female input with XLR male loop output
5
Pin 1: Chassis/earth through 1 kOhm, 1000 pF, 15 V clamped network to
provide virtual ground lift at audio frequencies
Pin 2: Signal (+)
Pin 3: Signal (–)
Pin 4: RMS (polarity insensitive)
Pin 5: RMS (polarity insensitive)
Case: Earth ground and chassis
DC Blocking Differential DC blocking up to the maximum common mode voltage
CMRR >50 dB, typically 80 dB (50 Hz – 500 Hz)
RF Filter Common mode: 425 kHz; Differential mode: 142 kHz
TIM Filter Integral to signal processing (<80 kHz)
Nominal Input Sensitivity 0.0 dBV (1.0 V rms) continuous is typically the onset of limiting for noise
and music
Input Level Audio source must be capable of producing +20 dBV (10 V rms, 14 V peak)
into 600 oms to produce the maximum peak SPL over the operating
bandwidth of the loudspeaker
Amplifier
Type 3-channel, class D
THD, IM, TIM <.02%
Cooling Convection
AC Power
Connectors powerCON 20 with loop output
Safety Rated Voltage Range 100–240 V AC, 50–60 Hz
Turn-on/off Points 90 V AC turn-on, no turn-off; internal fuse-protection above 265 V AC
115 V AC 230 V AC 100 V AC
Current Draw: Idle 0.26 A rms 0.25 A rms 0.28 A rms
Maximum Long-Term Continuous (>10 sec) 1.8 A rms 1.1 A rms 2.6 A rms
Burst (<1 sec)
6
3.5 A rms 1.8 A rms 4.2 A rms
Maximum Instantaneous Peak 16 A peak 8 A peak 18 A peak
Inrush 17 A peak 20 A peak 15 A peak
RMS Network (Optional)
Equipped with 2-conductor, twisted-pair network, reporting all amplifier
operating parameters to host computer
Notes:
1. Recommended maximum operating
frequency range. Response depends
on loading conditions and room
acoustics.
2. Half-space loading, measured with
1/3-octave frequency resolution at
4 meters.
3. At this frequency, the transducers
produce equal sound pressure levels.
4. Audio connectors available as XLR
5-pin or XLR 3-pin. XLR 5-pin
connectors accommodate both
balanced audio and RMS signals.
5. Pins 4 and 5 (RMS) included only with
XLR 5-pin connectors.
6. AC power cabling must be of
sufficient gauge so that under
burst current rms conditions, cable
transmission losses do not cause the
loudspeaker’s voltage to drop below
the specified operating range.
USC
N775
MJF-210 — 04.235.004.02 B3
Copyright © 2013, 2015
Meyer Sound Laboratories Inc.
All rights reserved
meyer sound laboratories inc.
2832 San Pablo Avenue
Berkeley, CA 94702
+1 510 486.1166
techsupport@meyersound.com
www.meyersound.com
Architect Specifications
The loudspeaker shall be a self-powered stage monitor; its transducers shall include two 10-inch cone
drivers and one 4-inch diaphragm compression driver
on a 50-degree x 70-degree horn. The loudspeaker
shall incorporate internal processing electronics and a
3-channel amplifier, one channel for each driver. Processing functions shall include equalization, phase correction, signal division, and protection for the low- and
high-frequency sections. The crossover point shall be
830 Hz.
Amplifier channels shall be class D. Distortion (THD, IM,
TIM) shall not exceed 0.02%.
Performance specifications for a typical production unit
shall be as follows, measured at 1/3-octave resolution: operating frequency range, 55 Hz to 18 kHz; phase
response, 200 Hz to 16 kHz ±45 degrees. Coverage shall
be 50 degrees horizontal by 70 degrees vertical.
The audio input shall be electronically balanced with
a 10 kOhm impedance and accept a nominal 0 dBV
(1.0 V rms) signal. Audio connectors shall be XLR 3-pin,
female and male, accommodating balanced audio, or
XLR 5-pin, accommodating both balanced audio and
RMS. RF filtering shall be provided, and CMRR shall be
greater than 80 dB from 50 Hz to 500 Hz.
The internal power supply shall perform automatic voltage selection, EMI filtering, soft current turn-on, and
surge suppression. Power requirements shall be nominal 100, 110, or 230 V AC line current at 50–60 Hz. UL
and CE operating voltage range shall be 100–240 V AC
at 50–60 Hz. Maximum instantaneous peak current draw
shall be 15.8 A peak at 115 V AC, 7.9 A peak at 230 V AC,
and 18.2 A peak at 100 V AC. Current inrush during soft
turn-on shall not exceed 16.8 A peak at 115 V AC. AC
power connectors shall be powerCON 20 with loop
output.
The loudspeaker shall optionally include the RMS remote
monitoring system module.
Loudspeaker components shall be mounted in an
acoustically-vented, wedge-shaped enclosure constructed of premium birch plywood with a black-textured, hard-shell finish. The protective grille shall be
hex stamped steel with black mesh screen. Dimensions shall be 23.18 inches wide x 13.89 inches high x
20.90 inches deep (589 mm x 353 mm x 531 mm). Weight
shall be 67 lbs (30.4 kg). The enclosure’s front angle
shall be 35 degrees.
The loudspeaker shall be the Meyer Sound MJF-210.