NAUTIC
Installation Manual
Congratulations!
By purchasing an amplifier from MB Quart, you have decided on a product of the highest
technical quality. MB Quart wishes you great enjoyment with your amplifier. Should you
have any questions about this system or other MB Quart products, please email us at
info@maxxsonics.com
MB Quart has an incredible Marine amplifier lineup with 2, 4, 5 and 6 channel models
available. All NA models feature the following:
- American Boat and Yacht Council compliant Power and Speaker terminals.
- Gold plated Power and Speaker terminals.
- Marine Grade Conformal Coated circuit board to resist corrosion from salt
spray and moisture.
- Non-Corrosive Aluminum extrusion.
- UV and salt spray resistant silk screen and paint.
NA180.2 / NA360.4 / NA710.5 / NA540.6
Index
WARRANTY
INSTALLATION INSTRUCTIONS
General Instructions
Settings for Best Performance
TROUBLE SHOOTING
NA180.2 2-Channel Amplifiers
NA360.4 4-Channel Amplifiers
NA710.5 5-Channel Amplifiers
NA540.6 6-Channel Amplifiers
TECHNICAL DATA
WARRANTY
1
2
3
4
5
6
7
8
9
1
FOR EXTENDED WARRANTY INFORMATION, PLEASE VISIT
WWW.MAXXWARRANTY.COM
1
INSTALLATION INSTRUCTIONS
General Instructions
General:
Run the wiring so that RCA cables are at least 18“ away from power and speaker cables. Keep RCA cables away from electrical devices in the vehicle
that can cause electrical noise, such as electric fuel pumps, emission control modules and other on-board electronic modules.
Power and ground connections:(See table below)
Use a sufficient gauge power cable and ground cable using the chart below as reference to what size wire you require. NAUTIC series amplifiers
require at least 4 gauge power wire. In a multi amplifier system, add the total value of the manufacture recommended fusing to get your total system
amperage. Some applications may require multiple runs of power wire to meet the system requirements. In multi amplifier systems it is advisable to
mount a large enough fuse right at the battery, and run one or multiple +12 volt power cables to a fused distribution block near the amplifiers. It is then
a simple matter to connect the +12 volt terminal of each amplifier to the distribution block. During this process, please ensure that the main power fuse
is removed to avoid shorting the electrical system. The main fuse must be within 12” of the vehicles battery.
Ground each amplifier with as short a ground lead as possible directly to the vehicle chassis using at least 4 gauge wire or equivalent to the size of the
amplifiers’ power wire. Use a ground distribution block, if you wish, but it is extremely important to keep the main ground lead from this distribution
block to the chassis as short as possible , not more than 12“. The ground connection integrity to the chassis is very important, and the best way to
achieve a good, solid electrical and mechanical contact is to use a large round crimp lug, crimped and soldered to the ground cable. The next step is to
scrape the paint off the vehicle chassis , slightly larger than the ground lug, at the connection point. Drill a clearance hole in the chassis, the same size
as the lug hole, and use a bolt, spring washer and nut to securely fasten the ground lug. Use petroleum jelly to coat the bolt/lug connection, to prevent
oxidization with time.
TIP: Use the same approach when installing head units, equalizers or any audio equipment for that matter - run short individual grounds from each
piece directly to the vehicle chassis, to minimize ground loops and system noise. All power, ground and speaker connections should be crimped and
soldered for reliability. Make sure that none of the cable insulation can chafe against exposed metal in the vehicle, causing short circuits to the
chassis.
Safe connection sequence:
After all cables are run, connect speaker wires to the speakers and amplifiers, then run and plug in RCA cables. Next, connect all power, ground, and
remote turn on leads. Now connect all +12 volt cables to the amplifier/s and distribution blocks and fuse holders. Finally, connect the main +12 volt
cable to the battery, with the main fuse removed, and we are almost ready to power up the system.
Power up the system:
The following procedure may seem like overkill, but there is nothing more frustrating when turning on a system for the first time, and it does not work
properly immediately.
First, make sure the head unit is off, and turn all level controls to minimum (counterclockwise), including the head unit volume control. Set all equalizers
to 0 dB (no boost), and all crossover frequency controls at approximate frequencies, as recommended by the loudspeaker manufacturer. Set all input
selector and crossover switches as required for the application. Remove all amplifier fuses, and insert the main fuse at the battery. If the fuse does not
blow, you can insert the fuse in one of the amplifiers, and we are ready to turn on the system. Turn the head unit on, insert a CD, or select a radio
station, and increase the head unit volume control. If the system sounds fine, turn off the head unit, and install fuses in the remaining amplifiers, one by
one, till the complete system is powered up and functioning properly.
WIRE LENGTH
SYSTEM
AMPERAGE
35-50
7-10 ft. 10-13 ft. 13-16 ft.
8
6
4
16-19 ft. 19-22 ft. 22-28 ft.
4
4
4
WIRE GAUGE
50-65
68-85
85-105
105-125
125-150
6
4
4
4
2
4
4
2
2
0
4
2
2
0
0
4
2
2
0
0
4
2
2
0
0
2
0
0
0
0
2
INSTALLATION INSTRUCTIONS
Settings for Best Performance
NA180.2 / NA360.4 / NA710.5 / NA540.6
General:
At this point you are ready to get more specific on the settings for your amplifier.
Filter Adjustments (Crossover)
High:
-When in High Pass operation, this setting acts as a low frequency cut off for your system reproduction. The point that you set it at cuts off any
frequencies from reproduction beyond this point. The 12 o’clock position is a great starting point. EXAMPLE: If you adjust the Frequency to 100Hz,
the amplifier will not play frequencies below 100Hz but will play frequencies from 100Hz to the highest frequency the amplifier is capable of
reproducing.
Low:
The Low Pass adjustment acts as a ceiling and doesn’t allow frequencies to the right of the desired setting to be reproduced. Turning the Frequency
all the way to the right is a great starting point. EXAMPLE: If you adjust the Frequency to 120Hz, the amplifier will not play frequencies above 120Hz
but will play frequencies from 120Hz to the lowest frequency your amplifier can reproduce.
Flat:
The Flat adjustment bypasses the crossover and allows all frequencies to be sent from the amplifier to your speakers and subwoofers.
Bass EQ:
This setting is a fixed bass boost at 45Hz that is variable. NA710.5 is 0-10dB on the 5th channel while the NA180.2/NA360.4/NA540.6 are 0-9dB.
This feature provides impact to your bass, but if not adjusted correctly, it can be over used and cause damage to your speakers and amplifiers. It is
best to slowly turn this setting clockwise until the desired punch is felt. It is not recommended to exceed the 12 o’clock position unless listening at a
low volume or a low recording quality as this can result in high distortion and possibly clipping.
Level Control Setup:
Ensure that the Level is turned completely to the left prior to turning the system on. Next you should insert a CD or cassette that you are familiar with
to use as a reference, and turn the head unit volume control to about 80% of its full setting. The system sound level will of course be very low, and
the following procedures will help you to match the amplifier input sensitivities properly to the head unit output signal level.
It is important to match the amplifier LEVEL input sensitivity to the Radio/CD output sensitivity. This can be located in the Radio/CD manual.
If the Radio/CD output sensitivity is 2 volts, then adjust the amplifier LEVEL input to 2 volts.
If you are not sure what the Radio output sensitivity is, follow these general guide lines:
Turn the level control up slowly, till you hear distortion, then back off a few degrees on the control. If at any point your amplifier goes into protection,
you will need to turn the Level to the left a bit and then try again. If you reach a point where the output does not increase, stop turning the Level
control to the right as the amplifier/speaker combo has reached its maxx output in this application.
3
TROUBLE SHOOTING
The key to finding the problem in a misbehaving sound system is to isolate parts of that system in a logical fashion to track down the fault.
Description of the Diagnostic system built into all MB Quart amplifiers
The diagnostic system will shut down the amplifier, until reset by turning the head unit off, and back on. This state of affairs will be indicated by the front panel
PROTECT LED lighting up under the following conditions:
1 - A short circuit on the loudspeaker leads.
2 - An internal amplifier fault that causes a DC offset on the loudspeaker output.
Should the amplifier go into diagnostic mode, simply disconnect all RCA and speaker leads, while keeping +12 volt, power ground and remote leads connected.
1. Now turn the amplifier back on, and if the diagnostic LED lights, the amplifier has an internal fault.
2. If not, plug the RCA cables back, and reset the amplifier. If it goes into diagnostic now, the fault lies in the input, either with bad cables or source unit.
3. If the amplifier seems fine with RCA cables plugged in, connect the speakers, one at a time, and if one of the speakers or its wiring is faulty, it will activate the
diagnostic system.
Amplifier heatsink overheating
The amplifiers will shut down when the heatsink temperature reaches 80 degrees centigrade, and turn back on once the unit has cooled down below that point.
Causes of overheating:
1 - Inadequate cooling - relocate or remount to provide better natural airflow over the fins.
2 - Driving high power levels into low impedances - back off on the volume control, and/or make sure you are not loading the amplifier with less than the
recommended loudspeaker impedance.
Low output power
1 - Check that level controls have been set up properly.
2 - Make sure that the battery voltage, as measured at the amplifier’s +12 volt and ground terminals, is 11 volts or more.
3 - Check all +12 volt and ground connections.
Fuses blowing
1 - The use of loudspeaker impedances below the recommended minimums will draw more current - check.
2 - A short on the main +12 volt cable from the battery to ground will cause the main fuse to blow.
System does not turn on
1 - Check all fuses.
2 - Check all connections.
3 - Measure the +12 volt and remote turn on voltages at the amplifier terminals. If these are non existent or low, take voltage measurements at fuse holders,
distribution blocks, the head unit’s +12 volt and remote leads to localize the problem.
Noise problems
System noise can be divided into two categories, hiss, and electrical interference.
Hiss, or white noise
1 - High levels of white noise usually occurs when amplifier level controls are turned up too high - readjust according to the procedures in section ”Setting up
systems after installation for best performance”
2 - Another major problem that can cause excessive hiss, is a noisy head unit - unplug the amplifier input RCA cables, and if the hiss level reduces, the source unit
is at fault.
Electrical interference
The inside of an boat is a very hostile electrical environment. The multitude of electrical systems, such as the ignition system, alternator, fuel pumps, air
conditioners, to mention just a few, create radiated electrical fields, as well as noise on the +12 volt supply and ground. Remember to isolate the problem - first
unplug amplifier input RCA cables, if the noise is still present, check the speaker leads, if not, plug the RCA’s back, and investigate the source driving the
amplifier, one component at a time.
A ticking or whine that changes with engine RPM:
1 - This problem could be caused by radiation pickup of RCA cables too near to a fuel pump or a distributor, for instance, - relocate cables.
2 - Check that the head unit ground is connected to a solid ground.
3 - Try to supply the head unit with a clean +12 volt supply directly from the battery +, instead of using a supply from the in dash wiring/fusebox.
A constant whine:
This type of noise can be more difficult to pinpoint, but is usually caused by some kind of instability, causing oscillations in the system.
1 - Check all connections, especially for good grounds.
2 - Make sure that no speaker leads are shorting.
3 -RCA cables are notorious for their problematic nature, so check that these are good, in particular the shield connections.
4
NA180.2
2-Channel Amplifier
FEATURES:
- 1 Set of RCA inputs
- LEVEL: Variable sensitivity from 0.2V to 6V
- BASS EQ: Adjustable 45Hz bass boost from 0dB to 9dB
- X-OVER: Selects internal crossover functions
- FLAT: Bypasses all crossovers for full frequency operation
- LOW: Selects the built in LOW PASS filter
- HIGH: Selects the built in HIGH PASS filter
2 Channel Full Range Stereo:
Interconnect cable checklist:
- Connect the two inputs of the amplifier to a Radio/CD with quality RCA cables.
Switch setting checklist:
- 1/2CH X-OVER: FLAT
CH-2
CH-1
LINE OUTPUT
POWER
PROTECTION
0dB 9dB
BASS EQ
40Hz 250Hz
FREQUENCY
LOW FLAT HIGH
FILTER
LINE OUTPUT
CH-1
CH-2
PROTECTION
POWER
BASS EQ
0dB 9dB
FREQUENCY
40Hz 250Hz
FILTER
LOW FLAT HIGH
- POWER LED: Indicates the powered up and turned on condition
- PROTECTION LED: Indicates a high voltage, low voltage, short circuit,
hard clip, over heating or DC fault condition.
- LINE OUTPUT: Full range RCA pass through.
Control checklist:
- Refer to the section “Settings for Best Performance”
Minimum final loudspeaker impedances:
- + - +
BRIDGED
SPEAKER OUTPUT
CH-1 CH-2
FUSE
LEVEL
6V 0.2V
LINE INPUT
CH-1
CH-2
6V 0.2V
LEVEL
LINE INPUT
CH-2
CH-1
Bridged for Subwoofer Application:
Here we show how to use the 2 channel amplifiers to power a subwoofer by taking
advantage of the mono bridging capability of all MB Quart amplifiers.
Interconnect cable checklist:
- A MONO signal source is suggested to bridge channels 1/2, such as would be
available from the mono sub bass output of an active crossover, whether standalone, or
built into a head unit or equalizer. If you only have 1 set of RCA outputs from your
headunit, you can simply connect those to the inputs for CH1-2 and the amplifier will
auto sum the signal and provide mono output.
Important: Do not be tempted to connect the hot, or positive outputs, from any source
together to obtain a mono signal, as this could very well damage the output stage of
that source.
CH-2
CH-1
LINE OUTPUT
POWER
PROTECTION
0dB 9dB
BASS EQ
40Hz 250Hz
FREQUENCY
LOW FLAT HIGH
FILTER
POWER INPUT
GND REM BATT+12V
- Connect the mono speaker positive terminal to the CH1 +, and its negative terminal to CH2 as shown.
Switch setting checklist:
- X-OVER: LOW
Control checklist:
- Refer to the section “Settings for Best Performance”
Minimum final loudspeaker impedances:
- 2 ohm per channel in stereo mode.
- 4 ohm mono bridged.
- + - +
BRIDGED
SPEAKER OUTPUT
CH-1 CH-2
FUSE
MONO LINE INPUT
(Unless using procedure
described above)
5
6V 0.2V
LEVEL
POWER INPUT
LINE INPUT
CH-2
CH-1
GND REM BATT+12V
NA360.4
4-Channel Amplifiers
FEATURES:
- 2 Sets of RCA inputs
- LEVEL: Variable sensitivity from 0.2V to 6V
- X-OVER: Selects internal crossover functions
- FLAT: Bypasses all crossovers for full frequency operation
- LOW: Selects the built in LOW PASS filter
- HIGH: Selects the built in HIGH PASS filter
4 Channel Full Range Stereo:
Interconnect cable checklist:
- Connect the four inputs of the amplifier to a Radio/CD with quality RCA cables.
Switch setting checklist:
- 1/2CH X-OVER: FLAT
- 3/4CH X-OVER: FLAT
MODE: “4” since 2 sets of RCA’s are connected.
CH-2
CH-1
LINE OUTPUT
2CH 4CH
POWER
PROTECT
MODE
0dB 9dB
0dB 9dB
BASS EQ
40Hz 250Hz
40Hz 250Hz
FREQUENCY
LOW FLAT HIGH
LOW FLAT HIGH
FILTER
CHANNEL 3 & 4
CHANNEL 1 & 2
6V 0.2V
6V 0.2V
LEVEL
LINE INPUT
CH-1
CH-2
CH-3
CH-4
CH-1
CH-2
LINE OUTPUT
PROTECT
POWER
MODE
2CH 4CH
0dB 9dB
BASS EQ
0dB 9dB
40Hz 250Hz
FREQUENCY
40Hz 250Hz
LOW FLAT HIGH
FILTER
LOW FLAT HIGH
CHANNEL 1 & 2
6V 0.2V
LEVEL
6V 0.2V
CHANNEL 3 & 4
- BASS EQ: Adjustable 45Hz bass boost from 0dB to 9dB
- POWER LED: Indicates the powered up and turned on condition
- PROTECTION LED: Indicates a high voltage, low voltage, short circuit,
hard clip, over heating or DC fault condition.
- MODE: “2” indicates one set of RCA’s are being used. This will also pass signal to channels 3/4 through 1/2 inputs.
“4” indicates connecting 2 sets of RCA’s to 1/2 and 3/4 inputs.
- LINE OUTPUT: Full range RCA pass through.
Control checklist:
- Refer to the section “Settings for Best Performance”
Minimum final loudspeaker impedances:
- 2 ohm per channel.
- + - +
- + - +
BRIDGED
BRIDGED
CH-3 CH-4
CH-1 CH-2
FUSE
LINE INPUT
CH-2
CH-1
CH-4
CH-3
2 or 3 Channel System:
Here we show how to use the 4 channel amplifiers as a 3 channel unit by taking
advantage of the mono bridging capability of all MB Quart amplifiers. In order to create
a 2 channel system, simply follow the example to also mono bridge channel pair 1/2.
Interconnect cable checklist:
- Connect the inputs of channel pair 1/2 to a suitable stereo source, e.g. a head unit
with good quality RCA cables.
- A MONO signal source is suggested to bridge channel pair 3/4, such as would be
available from the mono sub bass output of an active crossover, whether standalone, or
built into a head unit or equalizer. If you only have 1 set of RCA outputs from your
headunit, you can simply connect those to the inputs for ch 1/2 and switch the MODE to
2. The amplifier will auto sum the signal and provide mono output for bridged channels
3/4.
CH-2
CH-1
LINE OUTPUT
2CH 4CH
POWER
PROTECT
MODE
0dB 9dB
0dB 9dB
BASS EQ
40Hz 250Hz
40Hz 250Hz
FREQUENCY
LOW FLAT HIGH
LOW FLAT HIGH
FILTER
CHANNEL 3 & 4
CHANNEL 1 & 2
6V 0.2V
STEREO LINE INPUT
6V 0.2V
LEVEL
POWER INPUT
GND REM BATT+12V
Important: Do not be tempted to connect the hot, or positive outputs, from any source together
to obtain a mono signal, as this could very well damage the output stage of that source.
- It is necessary to feed the SAME signal to both left and right inputs via a Y-adapter RCA cable.
- Connect the mono speaker positive terminal to the CH3 +, and its negative terminal to CH4 as shown.
Switch setting checklist:
- 1/2CH X-OVER: FLAT
- 3/4CH X-OVER: LOW
Control checklist:
- Refer to the section “Settings for Best Performance”
Minimum final loudspeaker impedances:
- 2 ohm per channel in stereo mode.
- 4 ohm mono bridged.
- + - +
- + - +
BRIDGED
BRIDGED
CH-3 CH-4
CH-1 CH-2
FUSE
MONO LINE INPUT
(Unless using procedure
listed above for 2ch)
LINE INPUT
CH-2
CH-1
CH-4
CH-3
POWER INPUT
GND REM BATT+12V
6
NA710.5
5-Channel Amplifiers
FEATURES:
- 3 Sets of RCA inputs
- LEVEL: Variable sensitivity from 0.2V to 6V
- BASS BOOST: Adjustable 45Hz bass boost from 0dB to 10dB
- X-OVER: Selects internal crossover functions
- FULL: Bypasses all crossovers for full frequency operation
- BP: Selects the built in LOW PASS filter
- HP: Selects the built in HI PASS filter
5 Channel Discrete Operation:
You can use this configuration simply as 4 discrete full range channels, with a 5th low
pass channel. All of the crossovers are bypassed , except the LOW PASS on channel 5.
Interconnect cable checklist:
Connect channel 1&2 inputs to the front output, channels 3&4 to the rear output, and
channel 5 to the mono subwoofer output of a head unit or in dash equalizer.
Switch setting checklist:
- CH 1 / 2 X-OVER: FULL
- CH 3 / 4 X-OVER: FULL
Ch2
Ch1
Ch4
Ch3
INPUT
Ch5
Ch1 / Ch2
HP FULL
REMOTE LOW PASS BASS BOOST LEVEL Ch5 MODE
X-OVER
HI FULL
50Hz 4Khz
30Hz 150hz
HI PASS LEVEL HI PASS LOW PASS LEVEL
0dB 10dB
6V 0.2V
50Hz 150hz
6V 0.2V
HP FULL BP
Ch3 / Ch4
X-OVER
PROTECT
POWER
Ch2 Ch4 Ch5
250Hz 4kHz
50Hz 150hz
6V 0.2V
X-OVER
Ch3 / Ch4
POWER
PROTECT
250Hz 4kHz
Ch2 Ch4 Ch5
6V 0.2V
Ch2 Ch4
Ch1 Ch3
INPUT
X-OVER
Ch1 / Ch2
HI PASS LEVEL HI PASS LOW PASS LEVEL
HI FULL
HP FULL HP FULL BP
Ch5
REMOTE LOW PASS BASS BOOST LEVEL Ch5 MODE
50Hz 4Khz
30Hz 150hz
6V 0.2V
0dB 10dB
- POWER LED: Indicates the powered up and turned on condition
- PROTECTION LED: Indicates a high voltage, low voltage, short circuit,
hard clip, over heating or DC fault condition.
- MODE: “2” indicates one set of RCA’s are being used. This will also pass signal to channels 3/4 and 5 through
1/2 inputs. “4” indicates connecting 2 sets of RCA’s to 1/2 and 3/4 inputs. “5” indicates connecting 3 sets of
RCA’s to channels 1/2, 3/4 and mono signal to channel 5 inputs.
MODE: “5” since 3 sets of RCA’s are connected.
Control checklist:
- Refer to the section “Settings for Best Performance”
Minimum final loudspeaker impedances:
- 2 Ohms per channel for channels 1-4
- 2 Ohms on channel 5
BRIDGED
3CH 4CH 5CH
BRIDGED
1CH 2CH
+ - + - + - + - + -
6V 0.2V
Single Set of Stereo RCA’s
We will use the same basic setup on the speaker and subwoofer connections as above
to illustrate an installation that only has 1 set of stereo RCA’s to connect to this amplifier.
By switching the amplifier to 2CH on the INPUT MODE, you now provide signal to all
channels on the amplifier. You sacrifice the ability to fade front to rear though.
Interconnect cable checklist:
Connect Stereo Left and Right RCA’s from headunit to CH1&2 RCA Inputs.
Switch setting checklist:
- CH 1 / 2 X-OVER: FULL
- CH 3 / 4 X-OVER: FULL
Ch2
Ch1
Ch4
Ch3
INPUT
Ch5
Ch1 / Ch2
HP FULL
REMOTE LOW PASS BASS BOOST LEVEL Ch5 MODE
X-OVER
HI FULL
50Hz 4Khz
30Hz 150hz
HI PASS LEVEL HI PASS LOW PASS LEVEL
0dB 10dB
6V 0.2V
50Hz 150hz
6V 0.2V
HP FULL BP
Ch3 / Ch4
X-OVER
PROTECT
POWER
Ch2 Ch4 Ch5
250Hz 4kHz
POWER INPUT
MODE: “2” since 1 set of RCA’s are connected.
Control checklist:
- Refer to the section “Settings for Best Performance”
Minimum final loudspeaker impedances:
- 2 Ohms per channel for channels 1-4
- 1 Ohm on channel 5
BRIDGED
BRIDGED
GND REM BATT+12V
3CH 4CH 5CH
1CH 2CH
+ - + - + - + - + -
6V 0.2V
POWER INPUT
GND REM BATT+12V
7
NA540.6
LINE OUTPUT
MODE
2-CH6-CH
4-CH
FREQUENCY
BASS EQ
40Hz
250Hz
0dB
9dB
CH-2
CH-1
6-Channel Amplifiers
FEATURES:
- 3 Sets of RCA inputs
- LEVEL: Variable sensitivity from 0.2V to 6V
- BASS BOOST: Adjustable 45Hz bass boost from 0dB to 9dB
- X-OVER: Selects internal crossover functions
- FLAT: Bypasses all crossovers for full frequency operation
- LOW: Selects the built in LOW PASS filter
- HIGH: Selects the built in HI PASS filter
40Hz
FREQUENCY
40Hz
250Hz
250Hz
0dB
BASS EQ
0dB
9dB
9dB
DIAGNOSTICS
PROTECT
POWER
LEVEL
FILTER
FLAT
6V
.2V
CHANNELS 5 & 6
HIGHLOW
CH-6 CH-4
CH-5 CH-3
LINE INPUT
CH-2
CHANNELS 1 & 2
HIGHLOW
FLAT
6V
.2V
LEVEL
FILTER
CHANNELS 3 & 4
HIGHLOW
CH-1
FLAT
6V
.2V
- POWER LED: Indicates the powered up and turned on condition
- PROTECTION LED: Indicates a high voltage, low voltage, short circuit,
hard clip, over heating or DC fault condition.
- MODE: “2” indicates one set of RCA’s are being used. This will also pass signal to channels 3/4 and 5/6 through
1/2 inputs. “4” indicates connecting 2 sets of RCA’s to 1/2 and 3/4 inputs. “6” indicates connecting 3 sets of
RCA’s to channels 1/2, 3/4 and 5/6.
6 Channel Full Range Stereo
1. Interconnect cable checklist: 3. Crossover frequency control checklist:
Connect the 6 Inputs of the amplifier to a Radio/CD with quality RCA cables. N/A for full range operation.
2. Filter Switch: 4. Line Level:
- 1/2CH: FLAT Refer to section “Setting up systems after installation for best performance.”
- 3/4CH: FLAT
-5/6CH: FLAT
CH-5
CH-6
LINE INPUT
CH-3
CH-4
CH-1
CH-2
6V
LEVEL
6V
.2V
.2V
CHANNELS 3 & 4
CHANNELS 1 & 2
LOW
LOW
FILTER
FLAT
FLAT
HIGH
HIGH
FREQUENCY
40Hz
40Hz
250Hz
250Hz
0dB
BASS EQ
0dB
9dB
9dB
6V
LEVEL
DIAGNOSTICS
.2V
POWER
PROTECT
LOW
FILTER
FLAT
CHANNELS 5 & 6
HIGH
6-CH
FREQUENCY
40Hz
MODE
4-CH
250Hz
2-CH
0dB
BASS EQ
9dB
LINE OUTPUT
CH-1
CH-2
BRIDGED
BRIDGED
4CH 3CH 2CH 1CH
BRIDGED
6CH 5CH
+ - + - + - + - + - + -
POWER INPUT
GND REM BATT+12V
5 Channel Operation 2. Filter Switch:
This illustration shows how to use your 6 channel amplifier as a 5 channel unit by taking - 1/2CH: FLAT
advantage of the mono bridging capability on all NAUTIC amplifiers. - 3/4CH: FLAT
- 5/6CH: LOW
1. Interconnect Cable Checklist:
- 1/2CH & 3/4CH: Connect the Inputs of channel pair ½ to a suitable stereo source
3. Crossover frequency control checklist:
N/A for full range operation. 5/6CH set to 80Hz.
with quality RCA cables. Repeat these steps for 3/4CH. 4. Line Level:
- 5/6CH: Connect a mono line Input via Y-adapter from a mono source or single Refer to the section “Setting up systems after installation for best performance.”
Left or Right RCA from a stereo source. This has been detailed on previous pages
for reference.
IMPORTANT: Do not connect Left and Right stereo signals together to achieve a mono
signal as this will damage the output stage of the source and possibly the input stage of
the amplifier therefore voiding your warranty.
CH-5
CH-6
LINE INPUT
CH-3
CH-4
CH-1
CH-2
6V
LEVEL
6V
.2V
.2V
CHANNELS 3 & 4
CHANNELS 1 & 2
LOW
LOW
FILTER
FLAT
FLAT
HIGH
HIGH
FREQUENCY
40Hz
40Hz
250Hz
250Hz
0dB
BASS EQ
0dB
9dB
9dB
6V
LEVEL
DIAGNOSTICS
.2V
POWER
PROTECT
LOW
FILTER
FLAT
CHANNELS 5 & 6
HIGH
6-CH
FREQUENCY
40Hz
MODE
4-CH
250Hz
2-CH
0dB
BASS EQ
9dB
LINE OUTPUT
CH-1
CH-2
5.Speaker Connections:
Connect the subwoofer - to Ch6- and the subwoofer + to Ch5+. Connect the remaining
speakers in standard stereo wiring to CH1/2 & CH3/4.
IMPORTANT: Minimum final loudspeaker impedance presented to the amplifier is
4-Ohms in mono operation and 2-Ohms in stereo operation.
BRIDGED
BRIDGED
4CH 3CH 2CH 1CH
BRIDGED
6CH 5CH
+ - + - + - + - + - + -
POWER INPUT
GND REM BATT+12V
8
9
Biggest POWER systems
V3 Products, Level 10 Performance + 1
Year Warranty
Moderate POWER systems
Smaller POWER systems
V2 Products, Level 7 Performance + 6
Month Warranty
V1 Products, Level 5 Performance
10
Check out our videos of new products,
events and technical tutorials at
www.youtube.com/maxxsonicsusainc
NA180.2 / NA360.4 / NA710.5 / NA540.6
PART#S213
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