Martin Logan Theater i Owners manual

T HEATER
TM
i
user’s manual
c l s e l e c t r o s t a t i c
M ARTIN L OGAN
®
2 Contents
Contents & Introduction . . . . . . . . . . . . . . . . . . . . . . . . .2
Contents Introduction
Installation in Brief . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
Low Voltage Power Connection Signal Connection
Using Only One Power Supply . . . . . . . . . . . . . . . . . . .5
Break-In
Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
Using the Adjustable Mount Installation Options Rubber Bumper Feet
Stand Removal and Installation . . . . . . . . . . . . . . . . . . .7
Removing the Stand Installing the Stand
Mounting the Theater i On A Wall . . . . . . . . . . . . . . . . .8
Warnings and Notes About the Wall Anchors Mounting the Theater i
Dispersion Interactions . . . . . . . . . . . . . . . . . . . . . . . . .11
Controlled Horizontal Dispersion Controlled Vertical Dispersion Three Major Types of Dispersion
Home Theater i . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Electrostatic Advantages . . . . . . . . . . . . . . . . . . . . . . . .14
MartinLogan Exclusives . . . . . . . . . . . . . . . . . . . . . . . . .15
Curvilinear Line Source Transducer Integrity Low Voltage Power Plasma Deposited Diaphragm Controlled Dispersion Array MicroPerf Stator
Electrostatic Loudspeaker History . . . . . . . . . . . . . . . .16
Frequently Asked Questions . . . . . . . . . . . . . . . . . . . . .18
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
General Information . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Specifications Warranty and Registration Service
Glossary of Audio Terms . . . . . . . . . . . . . . . . . . . . . . . .22
Congratulations! You have invested in a new world of home theater!
The MartinLogan Theater i represents the culmination of an intensive, dedicated group research program directed toward establishing a world class reference monitor utilizing leading-edge technology, without compromising durability, reliability, craftsmanship or aesthetic design.
The advantages of MartinLogan hybrid technology will present themselves to you from the moment the movie begins. The box effect (a phenomenon similar to cupping your hand around your mouth when speaking) produced by dynamic midrange drivers is absent and the natural openness of the human voice comes through. Never before in home theatre has the midrange been so clear. Sounds float around the screen clearly defining the area from where they were created, not the area of the speaker that created them. This superior performance is made possible through the use of our proprietary curved electrostatic transducer. This is the same design technology that is used in state-of­the-art MartinLogan loudspeaker systems.
The materials in your new Theater i speaker are of the high­est
quality and will provide years of enduring enjoyment
and
deepening respect. The cabinetry is constructed from the highest quality composite material for acoustical integrity and is finished with our attractive custom finish.
Through rigorous testing, the curvilinear electrostatic panel has proven itself to be one of the most durable and reli­able transducers available today. Fabricated from a custom tool punched high-grade steel, the patented panel is coat­ed with a special polymer that is applied via a proprietary electrostatic bonding process. This panel assembly houses a membrane just 0.0005 of an inch thick. Ruggedly con­structed and insulated, as much as 200 watts of continuous power has driven the Theater i’s energized diaphragm into massive excursions with no deleterious effects.
The other sections of your User’s Manual will explain in detail the operation of your Theater i speaker and the philoso­phy applied to their design. A clear understanding of your speakers will insure that you obtain maximum perfor­mance and pleasure from this most exacting transducer. It has been designed and constructed to give you years of trouble­free listening enjoyment.
Contents Introduction
Installation in Brief 3
INSTALLATION IN BRIEF
We know you are eager to hear your new Theater i center channel, so this section is provided to allow fast and easy set up. Once you have it operational, please take the time to read, in depth, the rest of the information in this manual. It will give you perspective on how to attain the greatest possible performance from this most exacting transducer.
If you should experience any difficulties in the setup or operation of your Theater i speaker, please refer to the Operation or Installation sections of this manual.
Should you encounter a persistent problem that cannot be resolved, please contact your authorized MartinLogan dealer. They will provide you with the appropriate technical analysis to alleviate the situation.
WARNING!
•Hazardous voltages exist inside—do not remove cover.
•Refer servicing to a qualified technician.
•To prevent fire or shock hazard, do not expose this module to moisture.
•Turn amplifier off and unplug speaker should any abnormal conditions occur.
•Do not operate if there is any visual damage to the electrostatic panel element.
•Do not drive speaker beyond its rated power.
Step 1: Unpacking
Remove your new Theater i speaker from the packaging.
Step 2: Placement
Place the Theater i directly between your front left and right speakers and point it directly at the listening position. Please see the Installation section (page 6) of this manual for more details.
Step 3: Power Connection (see warning)
The Theater i requires power to energize its electrostatic panel. Plug the provided power supply first into the Power In power receptacle on the rear panel of the speaker
, making
sure that you have made a firm
connection, and then to a convenient wall outlet. Please see the Operation section (pages 4–5) of this manual for more details.
Step 4: Signal Connection
Use the best speaker cables you can. Higher quality cables, available from your specialty dealer, are recommended and will give you superior performance. Spade connectors are suggested for optimum contact.
Attach your speaker cables to the signal input section on the rear panel. Be consistent when connecting speaker leads to the terminals on the back of the Theater i. Take great care to assign the same color to the (+) terminal on both the speaker and the amplifier. Please see the Operation section (pages 4–5) of this manual for more details.
Step 5: Listen and Enjoy
Now, you may turn on your system and enjoy!
The lightning bolt flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient mag­nitude to constitute a risk of electric shock.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

Installation in Brief

Your Theater i uses an external low-voltage power supply to energize its electrostatic panel. For this reason the proper low-voltage power supply is provided. The power supply should be firmly inserted into the ‘Power In’ receptacle on the rear connection panel of the speaker, then to any con­venient AC wall outlet (see figure 1). Your Theater i integrates a signal sensing circuit which will switch the Theater i off after a few minutes of no music signal, and requires less than two seconds to recharge the panel when a music signal is present.
Your Theater i speaker is provided with a power supply for the power service supplied in the country of original con­sumer sale. The AC power rating applicable to a particular unit is specified both on the packing carton and on the power supply.
If you remove your Theater i speakers from the country of original sale, be certain that the AC power supplied in any subsequent location is suitable before connecting the low­voltage power supply. Substantially impaired performance or severe damage may occur to a Theater i speaker if opera­tion is attempted from an incorrect AC power source.
WARNING! The power supply should not be installed, removed, or left detached from the speaker while connected to an AC power source.

Signal Connection

Use the best speaker cables you can. The length and type of speaker cable used in your system will have an audible effect. Under no circumstance should a wire of gauge higher (thinner) than #16 be used. In general, the longer the length used, the greater the necessity of a lower gauge, and the lower the gauge, the better the sound, with diminishing returns setting in around #8 to #12.
A variety of speaker cables are now available whose manufacturers claim better performance than standard heavy gauge wire. We have verified this in many cases, and the improvements available are often more notice­able than the differences between wires of different gauge. The effects of cables may be masked if the equip­ment is not of the highest quality.
We also recommend, if possible, that short runs of speaker cable connect the power amplifier and speaker and that

Low-Voltage Power Connection

OPERATION

Figure 2. Single wire connection. One channel shown.
4 Operation
Figure 1. Power connection. One channel shown.
high quality long interconnect cables be used to connect the preamplifier and power amplifier. This results in the power amplifiers being close to the speakers, which may be practically or cosmetically difficult, but if the length of the speaker cables can be reduced to a few meters, sonic advantages may be obtained.
Connections are done at the signal input section on the rear electronics panel of the Theater i (see figure 2). Use spade connectors for optimum contact. Make certain that all of your connections are tight.
Be consistent when connecting speaker leads to the terminals on the back of the Theater i. Take great care to assign the same color to the (+) terminal on both the speaker and the amplifier.
WARNING! Turn your amplifier off before making or breaking any signal connections!

Using Only One Power Supply

You may have noticed a connection on the back of your Theater i’s labeled ‘Power Out’. The use of this connec­tion will allow you to daisy-chain up to five low-voltage MartinLogan products and eliminate the need for multiple low-voltage power supplies.
A variety of low voltage interconnect cables may be pur­chased at your local MartinLogan dealer. Please ask them about options to fit your specific needs.
To use this connection option choose a primary speaker (whichever speaker is most conveinent) and connect it as instructed in the ‘Low-Voltage Power Connection’ section on the previous page. To attach additional speakers, run a low-voltage interconnect cable from the ‘Power Out’ to the next speakers ‘Power In’ (see figure 3).

Break-In

When you first begin to play your Theater i speaker, it will sound a bit bass shy. This is due to the high-quality, long-life components used in our woofer. Our custom made, butyl surround woofer requires at least 30 hours of break-in at 90 dB (moderate listening levels) before any critical listening. The break-in requirements of the crossover components (and, to a lesser degree, the electrostatic transducer) are equal.
Figure 3. Connecting power to multiple speakers using one power supply.
Operation 5

6 Installation
For optimum performance the Theater i must be tilted on its stand towards the main listening position and directed towards the audiences ears (see figure 5). After you have placed your Theater i in its final location, loosen the 2 knobs located on the stand arm, pivot the Theater i towards the main listening position, and then re-tighten the knobs.
The stand shipped with the Theater i loudspeaker is designed for use only with the Theater i. Use with other appliances may result in instability causing possible injury.

Installation Options

On the Television
If your television provides a wide, level and stable platform, the shielded Theater i can be placed directly on top of the television (see figure 5). For this option we recommend installation of the rubber bumper feet.
On the Wall
The adjustable mount (stand) allows you to mount the Theater i on the wall (see figures 5 and “Mounting the Theater i On A Wall,” pages 8–10). If hanging the Theater i on the wall is the best placement for your system, the adjustable mount (stand) will allow you to tilt the Theater i towards the listening position.
On the Floor
Placing the Theater i on the floor will position it too low to blend with the front speakers. (see figure 5). If placing the Theater i on the floor is the best placement for your sys­tem, the adjustable mount (stand) will allow you to tilt the Theater i towards the listening position. For this option we recommend installation of the rubber bumper feet.
WARNING! Installation other than that described in the body of this document requires specific documentation from MartinLogan.
If you are using the Theater i on top of your television, or setting it on any type of surface, we recommend installing the 5 rubber bumper feet included with the Theater i.
Rubber Bumper Feet Installation Instructions:
1. Prepare a surface to work on by laying down a towel or large soft cloth on top of a large flat surface.
2. Securely tighten the 2 knobs on the theater i stand arm, making sure the Theater i cabinet is level with the stand.
3. Turn the Theater i upside down so that the bottom of the stand is pointing up.
4. Insert the 5 rubber bumper feet in the 5 outer holes (see figure 4).

Using the Adjustable Mount Rubber Bumper Feet

Figure 5. Theater i installation on the floor, on a television and on a wall.
Figure 4. The Theater i stand, shown from the bottom, with bumper
insertion locations shown.

INSTALLATION

Stand Removal and Installation 7
Required Tools (not included):
1
/8” Allen tool
NOTE: The Theater i is intended to be used with its stand attached in almost all installation options. Stand Removal and Installation instructions are provided in case you are using a custom installation that does not require the use of the stand.

Removing the Stand

1 Support the Theater i body by placing the shipping foam
on both ends of the speaker, or setting a stack of books beneath both ends of the speaker cabinet. The mount should hang down from the Theater i and contact the surface of your table or floor (see figure 6, step A).
2 Before beginning to remove the mount screws, please
note that the mount is held in place with 8 screws con­nected to 4 brackets. These 4 brackets are attached to the Theater i cabinet. Do not remove these brackets from the Theater i cabinet. To detach the mount, use a
1
/8” Allen tool to remove 2 screws from each of the 4
brackets (see figure 6, step B).
3 To remove the stand, simply pull it back, away from the
Theater i cabinet (see figure 6, step C).

Installing the Stand

1 Support the Theater i body by placing the shipping
foam on both ends of the speaker, or setting a stack of books beneath both ends of the speaker cabinet. The speaker cabinet should be raised high enough that when the stand is moved into place, it can rest on the surface of the table or floor (see figure 6, step A).
2 Carefully slide the stand into place so that it aligns with
the 4 brackets already attached to the Theater i cabinet (see figure 6, step C).
3 Using a 1/8” Allen tool insert and tighten 2 screws into
each of the 4 brackets (see figure 6, step B).

STAND REMOVAL AND INSTALLATION

Figure 6. Stand removal and installation.

8 Mounting the Theater i On A Wall

MOUNTING THE THEATER iON A WALL

WARNING! Installing the Theater i on the wall requires 2 people. Do not try this alone.
Mounting the Theater i on a wall requires a mini­mum use of 1 lag bolt sunk directly into a stud and 2 wall anchors. If you are able to engage
more than 1 stud with a lag bolt when mounting the Theater i on a wall we highly recommend doing so (see figure 10).
NOTE: To assure that your Theater i is safely wall mounted, these instructions must be carefully followed. Study them thoroughly before beginning to install your Theater i.
NOTE: The following instructions assume the mounting surface is of standard wood frame and standard sheet rock construction. If you wish to mount the Theater i to another type of material, you should consult a bonded contractor.

About the Wall Anchors

When using the special wall anchors provided with the Theater i, it is recommended that they are sunk into the wall by hand and not by using an electric screwdriver (see figure 7, step 1). Once the special self-drilling wall anchors (provided with the Theater i) have been set into the wall, they work as follows: after the screw has been inserted approximately 1/2 inch into the wall anchor, the screw will hit a seal that requires slight pressure to break. Once the seal has broken, the screw will continue to slide into the wall anchor another 11/2 inch. At this point the screw will have rotated the anchor out and into position inside of your wall (see figure 7, step 2 and 3). The screw will now require slight pressure to engage the anchor. When the anchor has been engaged, the screw will continue to slide into the wall anchor until it is flush (see figure 7, step 4). You will notice however that the screw continues to freely turn at this point. The screw is now pulling the anchor up against the back of the drywall. The screw will tighten and stop turning when it has securely engaged the anchor with the back of the drywall (see figure 7, step 5).
Required Tools (not included):
24 inch (60 cm) or longer ruler, level, pencil, electric drill,
1
/8 inch (3 mm) drill bit, Phillips head bit, 7/16 inch (11 mm)
socket wrench, #2 Phillips head screw driver
Required Hardware (included, see figure 9):
(2) wall anchors, (2) Z-brackets, (2) 21/8 inches (5.4 cm) sheet metal Phillips head screws, (2) lag bolts, (4) washers
1. Locate and mark the center point (point A, see figure 11) where you would like to position the top of the Theater i. Measure 24 inches (61 cm) horizontally in each direc­tion from the center point. This area should be clear of any obstructions in order to mount the Theater i. Also make certain that there will be at least 12 inches (30.5 cm) of clearance above or below in order to access the knobs and tilt the speaker up and down.
2. Using a level, vertically measure down 23/8 inches (6 cm) from point A and mark this point (point B, see figure 11). Next, measure horizontally to the left of point B a minimum of 23/4 inches (7 cm) and mark the nearest stud or put a mark at 13 inches (33 cm), whichever comes first (point C, see figure 11). Repeat the same to the right of point B (point D, see figure 11). Pre-drill holes at points C and D with a 1/8 inch (3 mm) size drill bit.
3. If point(s) C and/or D are on a stud: Using a 7/16 inch (11 mm) socket, attach a Z-bracket to point(s) C and/or D with a lag bolt, making sure that the bolt engages the stud. Make sure that the Z-bracket is snug to the wall, but not overly tightened (see figure 8).
If point(s) C and/or D are not on a stud:
Using a #2 Phillips screwdriver, drive a wall anchor into point(s) C and/or D. Next, attach a Z-bracket by sinking a 21/8 inch (5.4 cm) sheet metal Phillips head screw and washer into the wall anchor (see "About the Wall Anchors" and figure 7). Make sure that the Z-bracket is snug to the wall, but not overly tightened.
NOTE: When the Z-bracket is properly installed on a wall, its thickest half should hang down, and its thinner half should point up. The bend at the top of the Z-bracket should point away from the wall.

Mounting the Theater iWarnings and Notes

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