Marshall Amplification MB4410, MB150, MB450H, MB60, MB4210 User Manual

From Jim Marshall
I would like to thank you personally for selecting one of our new MB Bass amplifiers.
As a musician myself I fully understand the necessity of achieving the right tone and feel to help inspire musicians to reach their full creative potential – be they aspiring beginners or more skilled players. With this in mind I set my experienced R&D team the task of designing a new range of affordable bass amplifiers that truly captured the essence of the Marshall sound.
Utilising new technologies, some of which were developed for our critically acclaimed AVT range, the new MB Series raises the standard for what can be expected from a value-for-money range of bass amplifiers and defines a new benchmark.
Like all the amplifiers in my new MB range, this amp was completely designed and engineered in the UK and the most rigorous quality control procedures ensure that it meets the standard of build you have come to expect from all Marshall products.
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Whether this is your first ever Marshall or is the latest addition to your arsenal of amps, the tone, flexibility and feel of this compact, rugged amplifier will deliver the goods – from bedroom to backstage!
I wish you every success with your new Marshall. Welcome to the family…
Yours Sincerely,
Dr Jim Marshall OBE and daughter Victoria (Managing Director)
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MB450H, MB4210 & MB4410 Front Panel Features
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MB60 & MB150 Front Panel Features
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1. INPUT Jack Socket
Jack input for your bass guitar. Use a good quality guitar cable (i.e. one that’s screened/shielded) to help prevent noise, interference and unwanted feedback.
2. ACTIVE / PASSIVE Switch
This push switch allows you to change between Active and Passive instruments. The gain is reduced 6dB when in ‘Active’ position.
MODERN CHANNEL
The Modern channel hits those super crystal clean notes when clarity is a must.
3. VOLUME Control - Modern Channel
This control adjusts the volume of the Modern Channel.
4. BASS Control
Turning the Bass control will affect the amount of low frequencies or bottom end in your bass guitar tone. Rotating this clockwise will increase the amount of lower tones generally making your bass sound deeper. Turning this control anti-clockwise will reduce the bass frequencies in your tone producing a reduction in bottom end thud.
5. MID FREQUENCY Control
Constitutes a semi-parametric equalizer together
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with the Middle control. It adjusts the centre frequency where the Middle control takes affect.
6. MIDDLE Control
The middle frequencies tend to effect the fatness or body of the tone. The frequency of the middle band is adjusted by means of the Mid Freq control. Usually this control will be used to remove mids rather than increase them making the bass sound rounder and fuller. Increasing the mids usually makes the bass sound ‘boxy’.
7. TREBLE Control
By adjusting the Treble control you can add or take away the higher frequencies in your bass tone. By increasing the amount of treble you will make your tone brighter, ideal for more percussive playing styles.
8. COMPRESSOR Switch & LED
This switch turns the Compressor control on and off. When the switch is ‘in’ the Compressor control is active and the LED will be illuminated green.
9. COMPRESSOR Control
The Compressor smoothes out your bass sound. As you increase the amount of compression, so you flatten out the peaks in the incoming signal. When the compression reaches its threshold the LED will change to red.
10. MODERN / CLASSIC Switch
This push switch allows you to change between the amp’s two channels, Modern and Classic, via the front panel. When this switch is ‘out’ the Modern Channel is engaged and the LED is green. Pushing it ‘in’ switches to the Classic Channel and the LED changes to red.
CLASSIC CHANNEL
The Classic channel presents gain worthy of the greatest rock bass player and heavy tone that is expected from a Marshall amp.
11. GAIN Control
This control sets the operating level of pre-amp. If you require a clean bass sound turn this control up until your bass just starts to distort and then back it off slightly. If on the other hand you would like a distorted sound, simply turn up the Gain control and drive the ECC83 valve until the required amount of distortion is achieved creating the warm Marshall tone.
12. BOOST Switch
The Boost switch increases the gain of the classic channel. When the switch is engaged the whole channel gain is raised making it much easier to get an overdriven sound.
13. VOLUME Control - Classic Channel
This control adjusts the volume of the Classic Channel.
14. BASS Control
Turning the Bass control will affect the amount of low frequencies or bottom end in your bass guitar tone. Rotating this clockwise will increase the amount of lower tones generally making your bass sound deeper. Turning this control anti-clockwise will reduce the bass frequencies in your tone producing a reduction in bottom end thud.
15. VOICE SHIFT Control
This 3 position control adjusts the overall tonal voicing of the amplifier.
Position 1 tailors the response of the amplifier for smooth low end, restrained lower mids, and mild high end lift, to give the classic vintage valve bass tone.
In position 2 the lower mid is made more prominent whilst simultaneously the upper mids are subtly scooped to give a more aggressive, growling quality to the amplifier's tone.
Position 3 introduces a gentle overall mid boost for an immediate, cutting, ‘in your face’ tone with the mids scooped even further to give an immediate, cutting sound.
16. VOICE Control
This control adjusts the response selected by the Voice Shift control.
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17. TREBLE Control
By adjusting the Treble control you can add or take away the higher frequencies in your bass tone. By increasing the amount of treble you will make your tone brighter, ideal for more percussive playing styles.
BLEND
(Only on MB450H, MB4210 & MB4410)
You can select a blend of the two channels either from the front panel or via the supplied footswitch.
18. BLEND Switch & LED
This switch turns the channel mixing on.
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19. BLEND Control
By adjusting this control it is possible to blend your signal between the Modern and Classic channels. When you do this the LED will be illuminated red.
20. VOLUME Control - Blend
Adjusts the volume of the Blend.
Rear Panel Features
1. MAINS INPUT
Your amp is provided with a detachable mains (power) lead, which is connected here.
Note: The specific mains input voltage rating that your amplifier has been built for is shown on the back panel. Before connecting for the first time, please ensure that your amplifier is compatible with your electricity supply. If you have any doubt, please get advice from a qualified technician. Your Marshall dealer will help you in this respect.
Please ensure the amplifier is switched off and unplugged from the mains electricity supply before being moved.
(panel shown is MB450H)
21. VOLUME - Master (Only on MB450H, MB4210 & MB4410)
Controls the overall volume.
22. CD IN Jack Socket
If you want to jam to your favourite CD, tape or mp3 player, merely connect the headphone output of your device here, adjust the player’s volume to match that of your guitar and ‘hey-presto’ - you've got the perfect ‘play-along’ practice system.
23. HEADPHONES Jack Socket
For use when silent practice is the order of the day. Connection of headphones will automatically shut down the internal speaker / speaker cabinet.
24. POWER Switch
The power switch turns your amplifier on and off. The LED next to the ‘Modern / Classic’ switch will light up when your amplifier is turned on and will not be lit when the amplifier is switched off.
Note: The power amplifier is protected by a clipping limiter, so even when you play your amp loud, the sound remains clean.
2. SPEAKER OUT Socket(s)
There is one speaker jack socket on the MB60 and MB150 (marked ‘INTERNAL 4Ω’). This is where the power amplifier is connected to the internal loudspeaker. It can be used to drive an external cabinet of at least 4 Ohms impedance.
There are 2 speaker jack/SPEAKON sockets on the MB450H, MB4210 and MB4410. They accept either a standard 1/4" jack or a SPEAKON same signal allowing 2 cabinets to be connected simultaneously. The minimum load is 2 Ohms.
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connector and both of them carry the
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combo
3. FOOTSWITCH Jack Socket
Connect the supplied footswitch here. This enables you to change between Modern and Classic channels. The MB450H, MB4210 & MB4410 have a twin footswitch which also switches the Blend feature.
4. PRE/POST Switch
Selects the signal available at the Balanced line out. When in PRE position the buffered and level adjusted input signal is present at the DI output. The signal before the Master potentiometer is made available at this connector when in POST position.
5. BALANCED LINE OUT
The Line Out Jack can be used for connection to recording equipment for direct recording or for connection to a P.A. system.
6. RETURN Jack Socket
This is where you connect the OUTPUT of the effects processor you are using in the effects loop.
7. SEND Jack Socket
If you want to use an external effects processor in your amp’s built-in Series FX effects loop, this is the jack you connect to the INPUT of the unit you are using.
Technical Specification
MB450H MB4210 MB4410 MB150 MB60
Power (RMS) @ 4 Ohms 300W 300W 300W 150W 60W Power (RMS) @ 2 Ohms 450W 450W Pre-amp Valve ECC83 ECC83 ECC83 ECC83 ECC83 Bass Guitar Input Impedance 1MΩ 1MΩ 1MΩ 1MΩ 1MΩ CD Input Impedance 10kΩ 10kΩ 10kΩ 10kΩ 10kΩ Emulated Output Level +4dBu +4dBu +4dBu +4dBu +4dBu Weight 15kg 33kg 51kg 30kg 23kg Si ze ( mm) W, H, D 630 x 220 x 235 630 x 535 x 280 630 x 720 x 410 580 x 585 x 355 580 x 505 x 325
with extension cabinet
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Safe operating levels: The MB450, MB4210 and MB4410 amplifiers are designed to deliver 450W safely into 2ohm loads. However, impedances lower than 4 ohms together with high signal levels will produce more internal heating which may trigger the thermal protective muting.
EUROPE ONLY - Note: This equipment has been tested and found to comply with the requirements of the EMC Directive (Environments E1, E2 and E3 EN 55103-1/2) and the Low Voltage Directive in the E.U.
EUROPE ONLY - Note: The Peak Inrush current for the MB450H, MB4210 and MB4410 is 28 amps.
The Peak Inrush current for the MB150 is 30 amps. The Peak Inrush current for the MB60 is 13 amps.
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Follow all instructions and heed all warnings
KEEP THESE INSTRUCTIONS !
450W
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Suggested Settings
Here follows some sample settings to act as starting points from which to develop your own sounds. N.B. Volume should be adjusted to taste.
Jazz
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OUT
Funk
IN
Classic Rock
Alternative Rock
OUT
IN
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