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ENGLISH
From Jim Marshall
I would like to thank you personally for selecting
one of our new MB Bass amplifiers.
As a musician myself I fully understand the necessity
of achieving the right tone and feel to help inspire
musicians to reach their full creative potential – be
they aspiring beginners or more skilled players. With
this in mind I set my experienced R&D team the task of
designing a new range of affordable bass amplifiers that
truly captured the essence of the Marshall sound.
Utilising new technologies, some of which were developed for
our critically acclaimed AVT range, the new MB Series raises
the standard for what can be expected from a value-for-money
range of bass amplifiers and defines a new benchmark.
Like all the amplifiers in my new MB range, this amp was completely designed and
engineered in the UK and the most rigorous quality control procedures ensure that it meets
the standard of build you have come to expect from all Marshall products.
Whether this is your first ever Marshall or is the latest addition to your arsenal of amps, the
tone, flexibility and feel of this compact, rugged combo will deliver the goods – from
bedroom to backstage!
I wish you every success with your new Marshall. Welcome to the family…
Yours Sincerely,
1
Dr Jim Marshall OBE and daughter V
ictoria (Managing Director)
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1. INPUT Jack Socket
Jack input for your bass guitar. Use a good quality
guitar cable (i.e. one that’s screened/shielded) to help
prevent noise, interference and unwanted feedback.
2. VOLUME Control - Modern Channel
This control adjusts the volume of the Modern
Channel.
3. COMPRESSOR Switch & LED
This switch turns the Compressor control on and off.
When the switch is ‘in’ the Compressor control is
active and the LED will be illuminated green.
4. COMPRESSOR Control
The Compressor smoothes out your bass sound.
As you increase the amount of compression, so you
flatten out the peaks in the incoming signal. When
the compression reaches its threshold the LED will
change to red.
5. MODERN / CLASSIC Switch
This push switch allows you to change between the
amp’s two channels, Modern and Classic, via the
front panel. When this switch is ‘out’ the Modern
Channel is engaged and the LED will be green.
Pushing it ‘in’ switches to the Classic Channel and
the LED changes to red.
6. GAIN Control
This control sets the operating level of pre-amp. If
you require a clean bass sound turn this control up
until your bass just starts to distort and then back it
off slightly. If, on the other hand you would like a
distorted sound, simply turn up the Gain control until
the required amount of distortion is achieved.
7. VOLUME Control - Classic Channel
This control adjusts the volume of the Classic
Channel.
8. BASS Control
Turning the Bass control will effect the amount of
low frequencies or bottom end in your bass guitar
tone. Rotating this clockwise will increase the
amount of lower tones generally making your bass
sound deeper. Turning this control anti-clockwise
will reduce the bass frequencies in your tone
producing a reduction in bottom end thud.
9. VOICE SHIFT Control (MB30 only)
This 3 position control adjusts the overall tonal
voicing of the amplifier.
Position 1 tailors the response of the amplifier for
smooth low end, restrained lower mids, and mild
high end lift, to give the classic vintage valve bass
tone.
In position 2 the lower mid is made more prominent
whilst simultaneously the upper mids are subtly
scooped to give a more aggressive, growling quality
to the amplifier's tone.
Position 3 introduces a gentle overall mid boost for
an immediate, cutting, 'in your face' tone with the
mids scooped even further to give an immediate,
cutting sound… it is not a mid boost.
10. VOICE Control
This control adjusts the response selected by the
V
oice Shift control. On the MB15 the V
oice Shift
control is similar to position 2 on the MB30.
11. TREBLE Control
By adjusting the Treble control you can add or take
away the higher frequencies in your bass guitar tone.
By increasing the amount of treble you will make your
tone brighter
, ideal for more percussive playing styles.
MB15 Front Panel Features
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MB30 Front Panel Features
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12. CD IN
If you want to jam to your favourite CD, tape or mp3
player, merely connect the headphone output of your
device here, adjust the player
’s volume to match that
of your guitar and ‘hey-presto’ – you’ve got the
perfect ‘play-along’ practice system.
13. LINE OUT Jack Socket - MB15
(Rear panel of the MB30 - see below)
You can use this socket to connect the amp to your
multi-track recording machine and you’ll get a great
speaker emulated guitar sound direct to disk or
tape.
14. HEADPHONES Jack Socket
For use when silent practice is the order of the day.
Connection of headphones will automatically shut
down the internal speaker.
15. POWER Switch
The power switch turns your amplifier on and off.
The LED next to the ‘Modern / Classic switch will
light up when your amplifier is turned on and will
not be lit when the amplifier is switched off.
Note: The specific mains input voltage rating that
your amplifier has been built for is shown on the
back panel. Before connecting to the mains
electricity supply, always ensure that your amplifier
is compatible with your electricity supply. If you
have any doubt, please get advice from a qualified
technician. Your Marshall dealer will help you in this
respect.
Please ensure the amplifier is switched off and
unplugged from the mains electricity supply before
being moved.
Note: The power amplifier is protected by a
clipping limiter, so even when you play your amp
loud, the sound remains clean.
1. FOOTSWITCH Jack Socket
Connect the optional footswitch (PEDL-10008) here
enables you to change between Modern and
Classic channels.
2. SEND Jack Socket
If you want to use an external effects processor in
your amp’s built-in Series FX effects loop, this is
the jack you connect to the INPUT of the unit you
are using.
3. RETURN Jack Socket
This is where you connect the OUTPUT of the
effects processor you are using in the effects loop.
4. LINE OUT Jack Socket
You can use this socket to connect the MB30 to
your multi-track recording machine and you’ll get a
great speaker emulated guitar sound direct to disk
or tape.
HELPFUL HINT: for ‘silent’ recording merely plug
an unconnected jack plug into the headphone
socket and you’ll disconnect the MB30’s internal
speaker.
MB30 Rear Panel Features
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Follow all instructions and heed all warnings
KEEP THESE INSTRUCTIONS !
EUROPE ONLY - Note: This equipment has been tested and found to comply with the requirements
of the EMC Directive (Environments E1, E2 and E3 EN 55103-1/2) and the Low Voltage Directive in the E.U.
EUR
OPE ONLY - Note:
The Peak Inrush current for the MB15 is 2.5 amps.
The Peak Inrush current for the MB30 is 5 amps.
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MB15 Suggested Settings
MB15 Technical Specification
Here follows some sample settings to act as starting points from which to develop your own sounds.
N.B. Volume should be adjusted to taste.
Slap - funky
Jazz
Hard Rock
Modern Rock - detuned bass
MB30 Suggested Settings
Here follows some sample settings to act as starting points from which to develop your own sounds.
N.B. Volume should be adjusted to taste.
Slap - funky
Jazz
Hard Rock
Modern Rock - detuned bass
Power Output 15W RMS into 4Ω
Main Bass Guitar • Input Impedance
1M
Ω
CD Input • Input Impedance
22kΩ
Emulated Output • Level
-10dBV
Weight (approx) 10.8kg
Size (mm) Width, Height, Depth (approx) 390mm x 380mm x 240mm
MB30 Technical Specification
Power Output 30W RMS into 4Ω
Main Bass Guitar • Input Impedance
1M
Ω
CD Input • Input Impedance
22kΩ
Emulated Output • Level
-10dBV
Weight (approx) 13.6kg
Size (mm) Width, Height, Depth (approx) 440mm x 410mm x 260mm
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