Marshall Amplification JCM SLASH User Manual

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Marshall Amplification plc Denbigh Road, Bletchley, Milton Keynes, MK1 1DQ
England
Tel: (01908) 375411
Fax: (01908) 376118
Whilst the information contained herein is correct at the time of publication; due to our constant
improvement and development, Marshall Amplification plc reserve the right to alter specifications
without prior notice.
M0211/12/95
LIMITED EDITION
From Slash’s Snakepit...
“This is the amp that has made six pretty successful albums, done countless sessions, survived two riots, three world tours and my inflexible approach to a particular sound. It's been flawless the entire time and I wouldn't even consider trying anything else - something that consistent you just don't **** with.
“A lot of people are constantly trying to shove different amps down my throat and I'm like ‘don't even bother.’ It’s good exercise for them to carry ’em around though, I suppose.”
Introduction:
This amp is an authentic reissue of the classic 2555 Jubilee head that was released in 1987 to celebrate two memorable landmarks in Marshall Amplification's history: Jim's 50th year in the music business and also the 25th Anniversary of his company - hence the use of the term ‘Jubilee.’
This handwired, all-valve amp (3 x ECC83s, 4 x EL34s) was instantly hailed as a classic by guitarists the world over and for good reason: it successfully married the legendary roar of our 800 Series power-stage with a highly versatile preamp that boasted a footswitchable ‘Lead Master’ control - effectively making the 2555 a two channel head. By beefing up the pre-amp's gain when activated, this neat feature enables the user to instantly switch between rhythm and lead tones with a mere tap of the foot. The amp's versatility is further enchanced by a Series Effects Loop and a push/pull function on the Input Gain control which, when pulled out, injects a subtle but effective distorted edge to the amp's rhythm tone. A High Output (100 Watts) / Low Power (50 Watts) switch adds even further to the amp's flexibility and already wide tonal palette.
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Please read the following list carefully. ALWAYS fit a good quality mains plug conforming
to the latest B.S.I. standards where necessary (UK only).
ALWAYS wire the plug according to the colour code attached to the mains lead.
NEVER under any circumstances operate the amplifier without an earth.
NEVER attempt to by-pass the fuses or fit ones of the incorrect value.
NEVER attempt to replace fuses or valves with the amplifier connected to the mains.
DO NOT attempt to remove the amplifier chassis, there are no user serviceable parts.
ALWAYS have this equipment serviced or repaired by competent qualified personnel.
NEVER use an amplifier in damp or wet conditions. DO NOT switch the amplifier on without the
loudspeaker connected and always ensure that any extension cabinets used are the correct impedance.
DO NOT obstruct airflow around amplifier. PLEASE read this instruction manual carefully
before switching on. WARNING this unit must be earthed.
2
From the Managing Director
Congratulations on buying the new JCM Slash Signature model amp - the first ever Marshall to bear a signature other than mine in our 34 year history! This amp is based on the Marshall that Slash has sworn-by since day one - the Jubilee 2555 head of 1987.
Over the past 34 years countless great guitarists - including the late great, Jimi Hendrix - have chosen Marshall Amplification to deliver their all-important tone. One player I've been particularly aware of over the last decade is Slash of Guns 'n' Roses and Slash's Snakepit fame. His highly emotive yet fiery style is, in many ways, timeless. It draws on influences from the sixties and seventies but is played with a thoroughly modern attitude.
In addition to being a truly great guitarist, Slash personifies the true spirit of rock 'n' roll. Whenever he's not on stage or in the studio with his own bands, he can always be found jamming with someone else - from recording ‘I Don't Live Today’ with Billy Cox and Buddy Miles (Band Of Gypsys) for the ‘Stone Free - A Tribute to Jimi Hendrix’ album to performing live with Michael Jackson at the 1995 MTV awards. In addition to appearing on Michael's last two LPs, Slash has also recorded with Carole King, Lenny Kravitz, Gilby Clarke, Iggy Pop, Paul Rodgers and our old friends Spinal Tap! And, if all that's not enough, on October 27th, 1995, blues legend, BB King, personally invited Slash to jam with him at his 70th birthday concert in Memphis, Tennessee, USA.
I've always maintained that one of the main reasons for Marshall's success is our close contact with guitarists of all styles and levels - from beginners to chart topping pros. We've always made it a point to listen very carefully to what each and every player has to say about their gear. This continual feedback is of paramount importance to us because it enables us to design new products that will give guitarists the flexibility, features and sounds they want. One name that is constantly brought up in these conversations as a reference to great tone is Slash.
Slash and I finally met the day before Slash’s Snakepit performed in front of 70,000 people at the 1995 Donnington Festival in England - a gig he was personally invited to play by the event's headliners, Metallica. After discussing his amp of choice, the 2555, and his genuine love for Marshall in general, I decided it was time to reissue this great head. The result is the Limited Edition JCM Slash Signature amp. This unit will only be custom built during 1996 and features specially selected quality components plus a hand built inter-leaved output transformer.
Please read this handbook fully to ensure that you get the most from your new Marshall. I know this amp will give you many years of great tone. I'd like to wish you the very best of luck in all your musical endeavours and sincerely hope that you enjoy them.
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WARNING!
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