Marshall TSL100 User Manual

4 (1)
TSL100& TSL122
T
RIPLE SUPER LEAD
Valve Amplifiers
JCM 2000
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From Jim Marshall
I would like to personally thank you for selecting one of our JCM 2000 Triple Super Lead valve amplifiers.
Since I started Marshall Amplification in 1962 I have witnessed some incredible breakthroughs and advances in amplifier design technology, such as master volume amps, switchable channels, reverb, MIDI technology, speaker emulation and digital effects processing, to name just a few. These may seem like every day features nowadays but this certainly wasn’t always the case. However, the same values that were present in the first Marshalls are still here today. That is, solid workmanship, reliability, stylish looks and above all great Marshall tone.
The TSL100 and TSL122 are our latest all valve amplifiers and as such are really direct descendants of our classic all valve amps. Combining all of the aforementioned values plus a few extra attributes such as versatility, switchable channels, reverb, a big sound and of course, I am proud to say, all of the magical Marshall tone that you could want. The JCM 2000 range is truly a testament to the Marshall legacy of great guitar products.
I would like to wish you every success with all of your musical endeavours and also your new Marshall JCM 2000 Triple Super Lead valve amplifier, which I am sure you will find a pleasure to play for many years to come.
Yours Sincerely,
Introduction
The Triple Super Lead series of 100 watt amplifiers takes the acclaimed formula of the groundbreaking Dual Super Lead series and places
an immense amount of control and flexibility at your fingertips.
As the name implies, the Triple Super Lead is a three channel amp. Each channel has a full range of independent controls for gain, volume and EQ functions, to maximise its sonic qualities and balance that channel against the others. Further to that, the master section has the capability to enhance and modify the sonic palette even further by providing controls for reverb, fx loop mixes, presence and deep EQ, virtual power reduction and even muting the power amp output for silent recording via the inbuilt speaker emulating DI circuit.
Although the three channels of the TSL are named ‘Clean’, ‘Crunch’ and ‘Lead’, DO NOT let these names mislead you into thinking that you will only get those functions. Alternatively, think of the TSL as three classic valve amplifiers in one. As you would expect from independent amps, each has a wide range of tones, depending on how you you set it up, and you are able to footswitch between them. Read on and we will take you through what each channel can do.
Because of the immense functionality of the TSL, it may be that you find, at first, that the front panel control layout is, perhaps, slightly daunting. Do not worry, a great deal of thought has gone into the layout of the controls and, with the help of this manual and a little patience from yourself, we feel that you will soon learn how easy your TSL actually is to use.
WHAT YOUR TSL WILL and WON’T DO !
Before going into what your TSL amp can do, let’s discuss what it won’t do. Firstly, remember that your tone comes from you and nobody, or nothing, else. Your technique is what makes you the player that you are, nobody else in the world sounds exactly like you. That’s how special you are! Having the best gear in the world is not going to make you play like anybody else but what it will do is help you to achieve your aims, by expanding your creative possibilties and generally making life a lot easier.
Likewise your guitar, pickups and strings have an immense influence on your final tone. Guitars come in (basically) three different flavours - Single coil pickups over 25 1/2” scale length (names usually start with the letter F), Humbucking pickups over a shorter scale length, usually 24 3/4” (names usually start with a G) and thirdly a combination of humbuckers over a 25 1/2” scale length. All these guitars sound different and although the choice is personal, one type will do a better job than another depending on what type of music you want to play.
Also different woods and build techniques have a very significant affect on the final tone, i.e. most Humbucking guitars use a lot of mahogany and a glued in neck, whilst most single coil guitars woods of a totally different resonance (alder, maple, ash, etc) and a separate bolt on neck construction.
Despite what some other amp manufacturers may claim about their products, no amplifier can make one type of guitar sound like a totally different type of guitar.
The TSL100 and TSL122 are no different in this respect !
What we would like to claim however (and virtually guarantee), is that your TSL100 will maximise the potential of your guitar in a way that you may never have thought possible and without a doubt will spur your musical creativity onto new horizons.
5 Way Foot Controller
Your TSL100 or TSL122 come supplied with a 5 way foot controller for channel, reverb and FX loop switching. It comes complete with an 8 metre (approx 26 ft) long lead ending in a 6 pin DIN plug to connect into the footswitch connector on the rear panel of your amplifier, (see rear panel details).
Once connected the controller will give you instant access to and visual indication of each of the 3 channels, plus reverb on/off and fx loop on/off. To allow proper operation it is important to remember that both channel mode pushswitches on the front panel (located between the Clean and Crunch / Lead channels) MUST be pushed IN. As the FX loops are switched entirely out of the amplifier circuit until an FX device is plugged into either of the FX loop jack sockets, the FX switch and LED indicator on the foot controller are completely inoperative until the loops are connected. Unless this is done the FX LED will not light up, no matter how many times the switch is depressed!
One benefit of having a foot switched FX loop is that it can be used as a secondary master volume if no FX are connected. This is achieved by inserting a shorted dummy jack plug into the Loop A Return jack socket to access the loop circuitry, switch OFF the FX footswitch and set your loudest required volume on the individual channel master volumes. Now switch the FX footswitch ON (LED glows red) and set your quieter volume using the FX Mix controls (Clean Mix for Clean channel, Crunch / Lead Mix for Overdrive). Remember that these controls will now work back to front to a normal volume control, i.e. anticlockwise is loudest (same as normal signal) and clockwise is quietest. Now you can toggle between these settings by using the FX footswitch.
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WARNING! - Important safety instructions
WARNING: This apparatus must be earthed!
A
PLEASE read this instruction manual carefully before switching on.
B
ALWA YS use the supplied mains lead, if a replacement is required please contact your authorised Marshall Dealer.
C
NEVER attempt to by-pass the fuses or fit ones of the incorrect value.
D
DO NOT attempt to remove the amplifier chassis, there are no user serviceable parts.
E
Refer all servicing to qualified service personnel including replacement of fuses and valves. Servicing is required when the apparatus has been damaged in any way, such as when the power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally or has been dropped.
F
NEVER use an amplifier in damp or wet conditions.
G
ALWA YS unplug this apparatus during lightning storms or when unused for long periods of time.
H
Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles and at the point where they exit from the apparatus.
I
DO NOT switch the amplifier on without the loudspeaker connected.
J
ENSURE that any extension cabinets used are of the correct impedance.
Note: This equipment has been tested and found to comply with the requirements of the EMC directive (Environments E1, E2 and E3) and Low
Voltage directive in the E.U. EUROPE ONLY - Note: The Peak Inrush current for the TSL100 and TSL122 is 40 amps.
Caution: Any changes or modifications not expressly approved by the party responsible for compliance may void the user’s authority to operate the
equipment.
Note: It is recommended that all audio cables used to connect to the TSL100 and TSL122 are of a high quality screened type. These should not
exceed 10 metres in length.
WARNING: Do not obstruct ventilation grilles and always ensure free movement of air around the amplifier!
USA ONLY - DO NOT defeat the purpose of the polarised or grounding type plug. A polarised plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. When
the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
Follow all instructions and heed all warnings - KEEP THESE INSTRUCTIONS !
!
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