Marantz SR-3001, PS-3001 Service Manual

Service
SR3001 / PS3001
SR3001 /
N1B/N1G/N1S/U1B
Manual
SR3001
7.1CHINPUT
STANDBY
POWERON/STANDBY
PS3001
7.1CHINPUT
STANDBY
POWERON/OFF PHONES
INPUTSELECTOR
INPUTSELECTOR
AVSURROUND RECEIVER SR3001
S.SPEAKER B
PHONES
AVSURROUND AMPLIFIER PS3001
S.SPEAKER B
DISP MULTI AUTO TUNED ST V–OFF NIGHT PEAK ANALOG
SURR
SLEEP
AUTO DIRECT DISC6.1 MTX 6.1 EQ
SURROUND
PURE
MODE
DIRECT
AUTO
HT-EQ
DISP V–OFF NIGHT PEAK ANALOG
SURR
SLEEP
AUTO DIRECT DISC6.1 MTX6.1 SPKR A B EQ
SURROUND
PURE
MODE
DIRECT
AUTO
HT-EQ
AV Surround Receiver
PS3001 /
F N
AV Surround Amplifi er
VOLUME
SURROUND
ATT
DIGITAL
DIGITAL
LCR
LFE
PCM
SL S SR
SIMPLE SETUP
MENU
SIMPLE SETUP
MENU
DISPLAY
MEMORY
ENTER
EXIT
BAND
SURROUND
ATT
DIGITAL
DIGITAL
LCR
LFE
AAC
PCM
SL S SR
DISPLAY
NIGHT
ENTER
EXITA/
D
DOWN
CLEAR
T-MODE
SLEEP
V-OFF
MUTE
DOWN
MUTE
UP
ATT
VOLUME
UP
ATT
/F Only
TABLE OF CONTENTS
SECTION PAGE
1. TECHNICAL SPECIFICATIONS ........................................................................................... 1
2. TECHNICAL DESCRIPTION ............................................................................................... 5
3. POWER AMPLIFIER ADJUSTMENT .................................................................................. 8
4. SERVICE MODE ................................................................................................................. 9
5. SYSTEM ERROR ................................................................................................................ 11
6. UPDATE FIRMWARE .........................................................................................................12
7. WIRING DIAGRAM .............................................................................................................19
8. BLOCK DIAGRAM ..............................................................................................................21
9. SCHEMATIC DIAGRAM .................................................................................................... 23
10. PARTS LOCATION ............................................................................................................ 37
11. EXPLODED VIEW AND PARTS LIST ............................................................................... 49
12. MICROPROCESSOR AND IC DATA .................................................................................. 54
13. ELECTRICAL PARTS LIST .................................................................................................61
14. ABOUT REPLACE THE MICROPROCESSOR WITH A NEW ONE .............................. 97
Please use this service manual with referring to the user guide ( D.F.U. ) without fail.
SR3001 / PS3001
First Issue 2006.09
MZ
MARANTZ DESIGN AND SERVICE
Using superior design and selected high grade components, Only original
MARANTZ
parts can insure that your
MARANTZ
MARANTZ
product will continue to perform to the specifi cations for which
company has created the ultimate in stereo sound.
it is famous. Parts for your
MARANTZ
ORDERING PARTS :
equipment are generally available to our National Marantz Subsidiary or Agent.
Parts can be ordered either by mail or by Fax.. In both cases, the correct part number has to be specifi ed. The following information must be supplied to eliminate delays in processing your order :
1. Complete address
2. Complete part numbers and quantities required
3. Description of parts
4. Model number for which part is required
5. Way of shipment
6. Signature : any order form or Fax. must be signed, otherwise such part order will be considered as null and void.
USA
MARANTZ AMERICA, INC
100 CORPORATE DRIVE MAHWAH, NEW JERSEY 07430 USA
AUSTRALIA
QualiFi Pty Ltd,
24 LIONEL ROAD, MT. WAVERLEY VIC 3149 AUSTRALIA PHONE : +61 - (0)3 - 9543 - 1522 FAX : +61 - (0)3 - 9543 - 3677
EUROPE / TRADING
MARANTZ EUROPE B.V.
P. O. BOX 8744, BUILDING SILVERPOINT BEEMDSTRAAT 11, 5653 MA EINDHOVEN THE NETHERLANDS PHONE : +31 - 40 - 2507844 FAX : +31 - 40 - 2507860
THAILAND
MRZ STANDARD CO., LTD
746 - 754 MAHACHAI ROAD., WANGBURAPAPIROM, PHRANAKORN, BANGKOK, 10200 THAILAND PHONE : +66 - 2 - 222 9181 FAX : +66 - 2 - 224 6795
CANADA
MARANTZ CANADA INC.
5-505 APPLE CREEK BLVD. MARKHAM, ONTARIO L3R 5B1 CANADA PHONE : 905 - 415 - 9292 FAX : 905 - 475 - 4159
SINGAPORE
WO KEE HONG DISTRIBUTION PTE LTD
No.1 JALAN KILANG TIMOR #08-03 PACIFIC TECH CENTRE SINGAPORE 159303 PHONE : +65 6376 0338 FAX : +65 6376 0166
NEW ZEALAND
WILDASH AUDIO SYSTEMS NZ
14 MALVERN ROAD MT ALBERT AUCKLAND NEW ZEALAND PHONE : +64-9-8451958 FAX :+64-9-8463554
JAPAN
D&M Holdings Inc.
D&M BUILDING, 2-1 NISSHIN-CHO, KAWASAKI-KU, KAWASAKI-SHI, KANAGAWA, 210-8569 JAPAN
TAIWAN
PAI- YUING CO., LTD.
6 TH FL NO, 148 SUNG KIANG ROAD, TAIPEI, 10429, TAIWAN R.O.C. PHONE : +886 - 2 - 25221304 FAX : +886 - 2 - 25630415
MALAYSIA
WO KEE HONG ELECTRONICS SDN. BHD.
2ND FLOOR BANGUNAN INFINITE CENTRE LOT 1, JALAN 13/6, 46200 PETALING JAYA SELANGOR DARUL EHSAN, MALAYSIA PHONE : +60 - 3 - 7954 8088 FAX :+60-3-79547088
KOREA
MARANTZ KOREA CO., LTD.
ROOM 604, ELECTRO OFFICE, 16-58, HANGGANG-RO 3GA, YONGSAN-KU, SEOUL, 140-013, KOREA PHONE : +82 - 2 - 323 - 2155 FAX : +82 - 2 - 323 - 2154
CHINA
MARANTZ SHANGHAI TRADING LTD.
ROOM.506 SHANGHAI LIGHT INDUSTRY MANSION 1578 NANJING (WEST) ROAD SHANGHAI CHINA TEL : 021 - 6248 - 1064 FAX : 021 - 6248 - 3565
SHOCK, FIRE HAZARD SERVICE TEST :
CAUTION : After servicing this appliance and prior to returning to customer, measure the resistance between either primary AC
cord connector pins ( with unit NOT connected to AC mains and its Power switch ON ), and the face or Front Panel of product and controls and chassis bottom. Any resistance measurement less than 1 Megohms should cause unit to be repaired or corrected before AC power is applied, and verifi ed before it is return to the user/customer. Ref. UL Standard No. 1492.
In case of diffi culties, do not hesitate to contact the Technical
Department at above mentioned address.
060607MZ
1. TECHNICAL SPECIFICATIONS
入力・出力インピーダ
FM TUNER SECTION
Frequency Range ....................................... 87.5 - 108.0 MHz
Usable Sensitivity .................................. IHF 1.8 µV/16.4 dBf
Signal to Noise Ratio .......................... Mono/Stereo 75/70 dB
Distortion ...........................................Mono/Stereo 0.2/0.3 %
Stereo Separation ............................................... 1 kHz 45 dB
Alternate Channel Selectivity ...................... ± 300 kHz 60 dB
Image Rejection ............................................... 98 MHz 70 dB
Tuner Output Level ..................1 kHz, ± 75 kHz Dev 800 mV
AM TUNER SECTION
Frequency Range .................................. 531 - 1602 kHz [ /N ]
..................................520 - 1710 kHz [ /U ]
Signal to Noise Ratio .................................................... 50 dB
Usable Sensitivity .......................................... Loop 400mV/m
Distortion ........................................ 400Hz, 30 % Mod. 0.5 %
Selectivity ......................................................± 18 kHz 70 dB
AUDIO SECTION
Power Output (20 Hz - 20 kHz/THD=0.08%)
Front L&R .................................................. 8 ohms 60 W / Ch
Center ........................................................ 8 ohms 60 W / Ch
Surround L&R ............................................ 8 ohms 60 W / Ch
Surround Back L&R ................................... 8 ohms 60 W / Ch
Front L&R .................................................. 6 ohms 75 W / Ch
Center ........................................................ 6 ohms 75 W / Ch
Surround L&R ............................................ 6 ohms 75 W / Ch
Surround Back L&R ................................... 6 ohms 75 W / Ch
Input Sensitivity/Impedance ...................... 168 mV/ 47 kohms
Signal to Noise Ratio
(Analog Input / Pure Direct) ................................. 105 dB
Frequency Response
(Analog Input / Pure Direct) ........8 Hz - 100 kHz (± 3 dB)
(Digital Input / 96 kHz PCM) .........8 Hz - 45 kHz (± 3 dB)
VIDEO SECTION
Television Format ..................................................NTSC/PAL
Input Level/Impedance ..................................1 Vp-p/75 ohms
Output Level/Impedance ................................1 Vp-p/75 ohms
Video Frequency Response .............. 5 Hz to 8 MHz (- 1 dB)
Video Frequency (Component) .......5 Hz to 80 MHz (- 1 dB)
S/N ................................................................................ 60 dB
GENERAL
Power Requirement ......................... AC 100 V 50/60 Hz [ /F ]
.........................AC 230 V 50/60 Hz [ /N ]
..............................AC 120 V 60 Hz [ /U ]
Power Consumption ............................................ 360 W [ /F ]
............................................ 370 W [ /N ]
..............................................3.5 A [ /N ]
オーディオパワーアンプ部
定格出力(20Hz-20kHz/THD=0.08%)
フロントL/R...................... 60W/CH8 Ω
センター.............................. 60W/CH8 Ω
サラウンドL/R................ 60W/CH8 Ω
サラウンドバックL/R...... 60W/CH8Ω
フロントL/R....................75W/CH6Ω
センター.............................. 75W/CH6 Ω
サラウンドL/R................ 75W/CH6 Ω
サラウンドバックL/R...... 75W/CH6Ω
実用最大出力(1kHz/JEITA)
フロントL/R...................... 85W/CH6 Ω
センター............................. 85W/CH6Ω
サラウンドL/R................ 85W/CH6 Ω
サラウンドバックL/R...... 85W/CH6Ω
出力帯域幅(50W/0.09%)
(ダイレクト入力).....................6Hz-50kHz
周波数特性(ダイレクト入力)
.................. 5Hz-100kHz(+/-3dB)
S/N比(ダイレクト入力).................... 105dB
ダンピングファクター................................. 100
入力感度/ インピーダンス.... 168mV/47k Ω
デコーダー&プリアンプ部
再生対応信号フォーマット
......................................PCM オーディオ
(fs=32kHz、44.1kHz、48kHz、96kHz)、
DOLBYDIGITAL、DOLBYDIGITALEX.、 DTS、DTS-ES、DTS96/24、AAC
周波数特性
(アナログ入力:ピュアダイレクトモード)
.................5Hz-100kH z(+/-3dB)
(デジタル入力:PCM96kHz)
.................5Hz-45kHz(+/-3dB)
S/N比
(ピュアダイレクトモード:20kLPF &A-weight)
..................................................... 104dB
ンス...................... 75Ω
入出力レベル(100%)............................ 1Vp-p
S/N比........................................................60dB
周波数特性(Video、S-Video)
...........................5Hz-10MHz(-3dB)
周波数特性(コンポーネントVideo)
......................... 5Hz-45MHz(-3dB)
総合
電源電圧......................... AC100V50/60Hz
消費電力....................................................360W
スタンバイ消費電力.............................約 0.8W
質量 .....................................................11.1kg
Weight .......................................................11.1 kg (24.5 lbs)
ACCESSORIES
Remote Control Unit RC5500SR ..........................................1
AAA-size batteries ............................................................... 2
FM Antenna .......................................................................... 1
AM Loop Antenna .................................................................1
1
The relation between the selected surround mode and the input signal
The surround mode is selected with the surround mode buttons on SR3001 or the remote control unit. However, the sound
you hear is subject to the relationship between the selected surround mode and input signal. That relationship is as follows;
Surround Mode Input Signal Decoding
AUTO
PURE-DIRECT
EX/ES
DOLBY (PLIIx movie) (PLIIx music) (PLIIx game) (Pro Logic)
DTS (Neo:6 Cinema) (Neo:6 Music)
CSII Cinema CSII Music CSIIMono
STEREO
Virtual
Multi Ch. Stereo
Dolby Surr. EX Dolby Digital EX OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Dolby Digital 5.1 OOO - O Dolby D(2ch) Dolby Digital 2.0 O ----2 DIGITAL L, R Dolby D (2ch Surr) Pro Logic IIx movie OOOO - DTS-ES DTS-ES OOOOOdts, ES L, C, R, SL, SR, S, LFE DTS 96/24 DTS 96/24 OOO - O dts 96/24 L, C, R, SL, SR, LFE DTS (5.1ch) DTS 5.1 OOO - O dts L, C, R, SL, SR, LFE PCM(Audio) PCM (Stereo) O ----PCM L, R PCM 96kHz PCM (96kHz Stereo) O ----PCM L, R HDCD PCM (Stereo) O - - - - PCM HDCD L, R Analog Stereo O - - - - ANALOG ­Dolby D Surr. EX Dolby Digital EX OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Dolby Digital 5.1 OOO - O Dolby D (2ch) Dolby Digital 2.0 O ----2 DIGITAL L, R Dolby D (2ch Surr) Pro Logic IIx movie OOOO ­DTS-ES DTS-ES OOOOOdts, ES L, C, R, SL, SR, S, LFE DTS 96/24 DTS 96/24 OOO - O dts 96/24 L, C, R, SL, SR, LFE DTS (5.1ch) DTS 5.1 OOO - O dts L, C, R, SL, SR, LFE PCM (Audio) PCM (Stereo) O ----PCM L, R PCM 96kHz PCM (96kHz Stereo) O ----PCM L, R HDCD PCM (Stereo) O - - - - PCM HDCD L, R Analog Stereo Dolby D Surr. EX Dolby Digital EX OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Dolby Digital EX OOOOO2 DIGITAL L, C, R, SL, SR, LFE DTS-ES DTS-ES OOOOOdts , ES L, C, R, SL, SR, S, LFE DTS(5.1ch) DTS-ES OOOOOdts L, C, R, SL, SR, LFE Dolby D Surr. EX Dolby Digital 5.1 OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Dolby Digital 5.1 OOOOO2 DIGITAL L, C, R, SL, SR, LFE Dolby D (2ch) Pro Logic IIx OOOO ­Dolby D (2ch Surr) Pro Logic IIx OOOO ­PCM (Audio) Pro Logic IIx OOOO - PCM L, R Analog Pro Logic IIx OOOO - ANALOG ­DTS-ES DTS 5.1 OOO - O dts, ES L, C, R, SL, SR, S, LFE DTS 96/24 DTS 96/24 OOO - O dts 96/24 L, C, R, SL, SR, LFE DTS (5.1ch) DTS 5.1 OOO - O dts L, C, R, SL, SR, LFE PCM (Audio) Neo:6 OOOO - PCM L, R Analog Neo:6 OOOO - ANALOG ­Dolby D (2ch) Neo:6 OOOO - Dolby D (2ch Surr) Neo:6 OOOO - PCM (Audio) CS Analog CS Dolby D (2ch) CS Dolby D (2ch Surr) CS Dolby Surr. EX Stereo O ---O Dolby D (5.1ch) Stereo O ---O Dolby D (2ch) Stereo O ----2 DIGITAL L, R Dolby D (2ch Surr) Stereo O ----2DIGITAL , 2 SURROUND L, R, S DTS-ES Stereo O ---O dts, ES L, C, R, SL, SR, S, LFE DTS 96/24 Stereo O ---O dts 96/24 L, C, R, SL, SR, LFE DTS (5.1ch) Stereo O ---O dts L, C, R, SL, SR, LFE PCM (Audio) Stereo O ----PCM L, R PCM 96kHz Stereo O ----PCM L, R HDCD PCM (Stereo) O - - - - PCM HDCD L, R Analog Stereo O - - - - ANALOG ­Dolby Surr. EX Virtual O ----2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Virtual O ----2 DIGITAL L, C, R, SL, SR, LFE Dolby D (2ch) Virtual O ----2 DIGITAL L, R Dolby D (2ch Surr) Virtual O ----2 DIGITAL , 2 SURROUND L, R, S DTS-ES Virtual O - - - - dts, ES L, C, R, SL, SR, S, LFE DTS (5.1ch) Virtual O - - - - dts L, C, R, SL, SR, LFE PCM (Audio) Virtual O ----PCM L, R Analog Virtual O - - - - ANALOG ­Dolby Surr. EX Dolby Digital EX OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Dolby Digital 5.1 OOO - O Dolby D (2ch) Multi Channel Stereo OOOO - Dolby D (2ch Surr) Multi Channel Stereo OOOO - DTS-ES DTS-ES OOOOOdts, ES L, C, R, SL, SR, S, LFE DTS (5.1ch) DTS 5.1 OOO - O dts L, C, R, SL, SR, LFE PCM (Audio) Multi Channel Stereo OOOO - PCM L, R Analog Multi Channel Stereo OOOO - ANALOG -
II II II II
Output Channel Front information display
L/R C
O - - - - ANALOG -
OOOOOPCM L, R OOOOOANALOG - OOOOO2 DIGITAL L, R OOOOO2 DIGITAL , 2 SURROUND L, R, S
SLSRSBL
SBR
SubW Signal format indicators Channel status
DIGITAL L, C, R, SL, SR, LFE
2
DIGITAL , 2 SURROUND L, R, S
2
DIGITAL L, C, R, SL, SR, LFE
2
DIGITAL , 2 SURROUND L, R, S
2
DIGITAL L, R
2
DIGITAL , 2SURROUND L, R, S
2
DIGITAL L, R
2
DIGITAL , 2 SURROUND L, R, S
2
DIGITAL L, C, R, SL, SR, S, LFE
2
DIGITAL L, C, R, SL, SR, LFE
2
DIGITAL L, C, R, SL, SR, LFE
2
DIGITAL L, R
2
DIGITAL , 2SURROUND L, R, S
2
Notes:
• Dolby Digital (2 ch: Lt/Rt): signal with Dolby Surround fl ag Speakers are full set.
• No sound outputs from the surround speaker, center speaker and subwoofer if the DVD disc has no surround data.
Abbreviations L/R : Front speakers C : Center speaker SL/SR : Surround speakers SBL/SBR : Surround Back speakers SubW : Sub woofer speaker
2
PS3001
サラウンドモード
AUTO
PURE-DIRECT
EX/ES
DOLBY (PL IIx movie) (PL IIx music) (PL IIxgame) (Pro Logic)
DTS (Neo:6 Cinema) (Neo:6 Music)
CSII Cinema CSII Music CSIIMono
STEREO
Virtual
Multi Ch. Stereo
入力信号 再  生
Dolby Surr. EX Dolby Digital EX OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Dolby Digital 5.1 OOO - O2 DIGITAL L, C, R, SL, SR, LFE Dolby D(2ch) Dolby Digital 2.0 O ----2 DIGITAL L, R Dolby D (2ch Surr) Pro Logic IIx movie OOOO DTS-ES DTS-ES OOOOOdts, ES L, C, R, SL, SR, S, LFE DTS 96/24 DTS 96/24 OOO - O dts 96/24 L, C, R, SL, SR, LFE DTS (5.1ch) DTS 5.1 OOO - O dts L, C, R, SL, SR, LFE PCM(Audio) PCM (Stereo) O ----PCM L, R PCM 96kHz PCM (96kHz Stereo) O ----PCM L, R AAC (5.1ch) AAC 5.1 OOO - O AAC L, C, R, SL, SR, LFE AAC (2ch) AAC 2.0 O ----AAC L, R Analog Stereo O ----ANALOG ­Dolby D Surr. EX Dolby Digital EX OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Dolby Digital 5.1 OOO - O2 DIGITAL L, C, R, SL, SR, LFE Dolby D (2ch) Dolby Digital 2.0 O ----2 DIGITAL L, R Dolby D (2ch Surr) Pro Logic IIx movie OOOO DTS-ES DTS-ES OOOOOdts, ES L, C, R, SL, SR, S, LFE DTS 96/24 DTS 96/24 OOO - O dts 96/24 L, C, R, SL, SR, LFE DTS (5.1ch) DTS 5.1 OOO - O dts L, C, R, SL, SR, LFE PCM (Audio) PCM (Stereo) O ----PCM L, R PCM 96kHz PCM (96kHz Stereo) O ----PCM L, R AAC (5.1ch) AAC 5.1 OOO - O AAC L, C, R, SL, SR, LFE AAC (2ch) AAC 2.0 O ----AAC L, R Analog Stereo O ----ANALOG ­Dolby D Surr. EX Dolby Digital EX OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Dolby Digital EX OOOOO2 DIGITAL L, C, R, SL, SR, LFE DTS-ES DTS-ES OOOOOdts, ES L, C, R, SL, SR, S, LFE DTS(5.1ch) DTS-ES OOOOOdts L, C, R, SL, SR, LFE AAC (5.1ch) AAC EX OOO - O AAC L, C, R, SL, SR, LFE Dolby D Surr. EX Dolby Digital 5.1 OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Dolby Digital 5.1 OOOOO2 DIGITAL L, C, R, SL, SR, LFE Dolby D (2ch) Pro Logic IIx OOOO Dolby D (2ch Surr) Pro Logic IIx OOOO PCM (Audio) Pro Logic IIx OOOO AAC (2ch) Pro Logic IIx OOOO Analog Pro Logic IIx OOOO DTS-ES DTS 5.1 OOO - O dts, ES L, C, R, SL, SR, S, LFE DTS 96/24 DTS 96/24 OOO - O dts 96/24 L, C, R, SL, SR, LFE DTS (5.1ch) DTS 5.1 OOO - O dts L, C, R, SL, SR, LFE PCM (Audio) Neo:6 OOOO Analog Neo:6 OOOO Dolby D (2ch) Neo:6 OOOO Dolby D (2ch Surr) Neo:6 OOOO AAC (2ch) Neo:6 OOOO PCM (Audio) CS Analog CS Dolby D (2ch) CS Dolby D (2ch Surr) CS AAC (2ch) CS Dolby Surr. EX Stereo O ---O2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Stereo O ---O2 DIGITAL L, C, R, SL, SR, LFE Dolby D (2ch) Stereo O --­Dolby D (2ch Surr) Stereo O --­DTS-ES Stereo O ---O dts, ES L, C, R, SL, SR, S, LFE DTS 96/24 Stereo O ---O dts 96/24 L, C, R, SL, SR, LFE DTS (5.1ch) Stereo O ---O dts L, C, R, SL, SR, LFE PCM (Audio) Stereo O --- PCM 96kHz Stereo O --- AAC (5.1ch) Stereo O ---O AAC L, C, R, SL, SR, LFE AAC (2ch) Stereo O --- Analog Stereo O --­Dolby Surr. EX Virtual O ----2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Virtual O ----2 DIGITAL L, C, R, SL, SR, LFE Dolby D (2ch) Virtual O ----2 DIGITAL L, R Dolby D (2ch Surr) Virtual O ----2 DIGITAL, 2 SURROUND L, R, S DTS-ES Virtual O ----dts, ES L, C, R, SL, SR, S, LFE DTS (5.1ch) Virtual O ----dts L, C, R, SL, SR, LFE PCM (Audio) Virtual O ----PCM L, R AAC (5.1ch) Virtual O ----AAC L, C, R, SL, SR, LFE AAC (2ch) Virtual O ----AAC L, R Analog Virtual O ----ANALOG ­Dolby Surr. EX Dolby Digital EX OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE Dolby D (5.1ch) Dolby Digital 5.1 OOO - O2 DIGITAL L, C, R, SL, SR, LFE Dolby D (2ch) Multi Channel Stereo OOOO Dolby D (2ch Surr) Multi Channel Stereo OOOO DTS-ES DTS-ES OOOOOdts, ES L, C, R, SL, SR, S, LFE DTS (5.1ch) DTS 5.1 OOO - O dts L, C, R, SL, SR, LFE PCM (Audio) Multi Channel Stereo OOOO AAC (5.1ch) AAC 5.1 AAC (2ch) Multi Channel Analog Multi Channel Stereo
II II II II II
出力チャンネル 前面表示
L/R C
OOOOOPCM L, R OOOOOANALOG - OOOOO2 DIGITAL L, R OOOOO2 DIGITAL, 2 SURROUND L, R, S OOOOOAAC L, R
OOO OOOO OOOO
SBL
SL
SR
SubW 信号フォーマット表示 プログラムチャンネル表示
SBR
DIGITAL , 2 SURROUND L, R, S
2
*
DIGITAL , 2 SURROUND L, R, S
2
*
DIGITAL L, R
2
*
DIGITAL, 2SURROUND L, R, S
2
*
PCM L, R
*
AAC L, R
*
ANALOG -
*
PCM L, R
*
ANALOG -
*
DIGITAL L, R
2
*
DIGITAL, 2 SURROUND L, R, S
2
*
AAC L, R
*
DIGITAL L, R
2
*
DIGITAL, 2 SURROUND L, R, S
2
*
PCM L, R
*
PCM L, R
*
AAC L, R
*
ANALOG -
*
DIGITAL L, R
2
*
DIGITAL, 2SURROUND L, R, S
2
*
PCM L, R
*
-
O
AAC L, C, R, SL, SR, LFE AAC L, R
*
ANALOG -
*
DolbyDigital(2chSurr):   ドルビーサラウンド処理されたドルビーデ
ジタル2ch 信号
• *: サブウーファー他のスピーカーの Large/
Smallによってサブウーファー出力は異なり ます。
L/R:フロントスピーカー  C:センタースピーカー  SL/SR:サラウンドスピーカー SBL/SBR:サラウンドバックスピーカー  SubW:サブウーファースピーカー
3
DIMENSIONS
17-5/16 ins. (440 mm)
1 in.
(25 mm)
15-3/8 ins.
(387.5 mm)
13-1/2 ins.
(342.5 mm)
(20 mm)
13/16 ins.
INPUT SELECTOR
7.1CH INPUT
STANDBY
POWER ON/OFF PHONES
AV SURROUND RECEIVER SR3001
S. SPEAKER B
DISP MULTI AUTO TUNED ST V–OFF NIGHT PEAK ANALOG
SLEEP
SURROUND
PURE
MODE
DIRECT
AUTO
HT-EQ
SURR
AUTO DIRECT DISC 6.1 MTX 6.1 EQ
SIMPLE SETUP
ENTER
MENU
SURROUND
ATT
DIGITAL
DIGITAL
LCR
LFE
PCM
SL S SR
DISPLAY
MEMORY
EXIT
BAND
VOLUME
DOWN
UP
CLEAR
MUTE
T-MODE
ATT
5-3/4 ins.
(146 mm)
6-7/16 ins.
(162.3 mm)
11/16 ins.
(16.3 mm)
4
2. TECHNICAL DESCRIPTION
DTS was introduced in 1994 to provide 5.1 channels of discrete digital audio into home theater systems. DTS brings you premium quality discrete multichannel digital sound to both movies and music. DTS is a multichannel sound system designed to create full range digital sound reproduction. The no compromise DTS digital process sets the standard of quality for cinema sound by delivering an exact copy of the studio master recordings to neighborhood and home theaters. Now, every moviegoer can hear the sound exactly as the moviemaker intended. DTS can be enjoyed in the home for either movies or music on of DVD’s, LD’s, and CD’s.
“DTS” and “DTS Digital Surround” are registered trademarks of Digital Theater Systems, Inc.
The advantages of discrete multichannel systems over matrix are well known. But even in homes equipped for discrete multichannel, there remains a need for high-quality matrix decoding. This is because of the large library of matrix surround motion pictures available on disc and on VHS tape; and analog television broadcasts. The typical matrix decoder of today derives a center channel and a mono surround channel from two­channel matrix stereo material. It is better than a simple matrix in that it includes steering logic to improve separation, but because of its mono, band­limited surround it can be disappointing to users accustomed to discrete multichannel.
Neo:6 offers several important improvements as follow,
• Neo:6 provides up to six full-band channels of matrix decoding from stereo matrix material. Users with 6.1 and 5.1 systems will derive six and fi ve separate channels, respectively, corresponding to the standard home-theater speaker layouts.
Neo:6 technology allows various sound elements within a channel or channels to be steered separately, and in a way which follows naturally from the original presentation.
Neo:6 offers a music mode to expand stereo nonmatrix recordings into the fi ve- or six-channel layout, in a way which does not diminish the subtlety and integrity of the original stereo recording.
DTS-ES Extended Surround is a new multichannel digital signal format developed by Digital Theater Systems Inc. While offering high compatibility with the conventional DTS Digital Surround format, DTS­ES Extended Surround greatly improves the 360­degree surround impression and space expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999. In addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended Surround also offers the SB (Surround Back) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods, as DTS­ES Discrete 6.1 and DTS-ES Matrix 6.1.
“DTS”, “DTS-ES” and “Neo:6” are trademarks of Digital Theater Systems, Inc.
The stereo CD is a 16-bit medium with sampling at
44.1 kHz. Professional audio has been 20- or 24­bit for some time, and there is increasing interest in higher sampling rates both for recording and for delivery into the home. Greater bit depths provide extended dynamic range. Higher sampling rates allow wider frequency response and the use of anti­alias and reconstruction fi lters with more favorable aural characteristics.
DTS 96/24 allows for 5.1channel sound tracks to be encoded at a rate of 96kHz/24bits on DVD-Video titles. When DVD-video appeared, it became possible to deliver 24-bit, 96 kHz audio into the home, but only in two channels, and with serious limitations on picture. This capability has had little use. DVD-audio allows 96/24 in six channels, but a new player is needed, and only analog outputs are provided, necessitating the use of the D/A converters and analog electronics provided in the player.
DTS 96/24 offers the following:
1. Sound quality transparent to the original 96/24 master.
2.
Full backward compatibility with all existing decoders. (Existing decoders will output a 48 kHz signal)
3. No new player required: DTS 96/24 can be carried on DVD-video, or in the video zone of DVD-audio, accessible to all DVD players.
4. 96/24 5.1-channel sound with full-quality full­motion video, for music programs and motion picture soundtracks on DVD-video.
“DTS” and “DTS 96/24” are trademarks of Digital Theater Systems, Inc.
5
Dolby Digital identifi es the use of Dolby Digital audio coding for such consumer formats as DVD and DTV. As with fi lm sound, Dolby Digital can provide up to fi ve full-range channels for left, center, and right screen channels, independent left and right surround channels, and a sixth ( ".1") channel for low-frequency effects.
Dolby Surround Pro Logic II is an improved matrix decoding technology that provides better spatiality and directionality on Dolby Surround program material; provides a convincing three-dimensional soundfi eld on conventional stereo music recordings; and is ideally suited to bring the surround experience to automotive sound. While conventional surround programming is fully compatible with Dolby Surround Pro Logic II decoders, soundtracks will be able to be encoded specifically to take full advantage of Pro Logic II playback, including separate left and right surround channels. (Such material is also compatible with conventional Pro Logic decoders.)
Dolby Digital EX creates six full-bandwidth output channels from 5.1-channel sources. This is done using a matrix decoder that derives three surround channels from the two in the original recording. For best results, Dolby Digital EX should be used with movies soundtracks recorded with Dolby Digital Surround EX.
Circle Surround II (CS-II) is a powerful and versatile multichannel technology. CS-II is designed to enable up to 6.1 multichannel surround sound playback from mono, stereo, CS encoded sources and other matrix encoded sources. In all cases the decoder extends it into 6 channels of surround audio and a LFE/subwoofer signal. The CS-II decoder creates a listening environment that places the listener “inside” music performances and dramatically improves both hi-fi audio conventional surround-encoded video material. CS-II provides composite stereo rear channels to greatly improve separation and image positioning – adding a heightened sense of realism to both audio and A/V productions. CS-II is packed with other useful feature like dialog clarity (SRS Dialog) for movies and cinema-like bass enrichment (TruBass). CS-II can enable the dialog to become clearer and more discernable in movies and it enables the bass frequencies contained in the original programming to more closely achieve low frequencies – overcoming the low frequency limitations of the speakers by full octave.
Circle Surround II , Dialog Clarity, TruBass, SRS and
symbol are trademarks of SRS Labs, Inc. Circle Surround II , Dialog Clarity and TruBass technology are incorporated under license from SRS Labs, Inc.
About Dolby Pro Logic IIx
Dolby Pro Logic IIx technology delivers a natural and immersing 7.1-channel listening experience to the home theater environment. A product of Dolby's expertise in surround sound and matrix decoding technologies, Dolby Pro Logic IIx is a complete surround sound solution that maximizes the entertainment experience from stereo as well as
5.1-channel encoded sources. Dolby Pro Logic IIx is fully compatible with Dolby Surround
Pro Logic technology and can optimally decode the thousands of commercially available Dolby Surround encoded video cassettes and television programs with enhanced depth and spatiality. It can also process any high-quality stereo or Advanced Resolution 5.1-channel music content into a seamless 6.1- or 7.1-channel listening experience.
Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories.
HDCD® (High Defi nition Compatible Digital ®) is a patented process for delivering on Compact Disc the full richness and details of the original microphone feed. HDCD encoded CDs sound better because they are encoded with 20-bits of real musical information as compared to 16-bits for all other CDs. HDCD overcomes the limitation of the 16-bit CD format by using a sophisticated system to encode the additional four bits onto the CD while remaining completely compatible with the CD format. When listening to HDCD recordings, you hear more dynamic range, a focused 3-D sound stage, and extremely natural vocal and musical timbre. With HDCD, you get the body, depth and emotion of the original performance not a fl at, digital imitation.
HDCD system manufactured under license from Microsoft. This product is covered by one or more of the following: In the United States 5,479,168 5,638,074 5,640,161 5,808,574 5,838,274 5,854,600 5,864,311 5,872,531 and in Australia 669,114 with other patents pending.
6
エーエーシー
A
AC
 (A
アドバンスド
dvancedA
オーディオ
udioC
コーディング
oding)
BSデジタル放送や地上デジタル放送が採用している音声方式で、MPEG2規格のひとつです。高
5.
圧縮率と高音質が特長で、2CH ステレオ音声に加え、
1CHサラウンド音声や多言語放送を可能
にしています。以下はパテントナンバーです。
5,848,391 5,291,557 5,451,954 5400433 5,222,189 5,357,594 5752225 5,394,473 5,583,962 5,274,740 5,633,981 5297236 4,914,701 5,235,671 07/640,550 5,579,430 08/678,666 98/03037 97/02875 97/02874 98/03036 5,227,788 5,285,498 5,481,614 5,592,584  5,781,888 08/039,478 08/211,547 5,703,999 08/557,046 08/894,844 5,299,238 5,299,239 5,299,240 5,197,087 5,490,170 5,264,846 5,268,685 5,375,189 5,581,654 5,548,574 5,717,821 08/937,950 05-183,988 08/506,729 08/576,495 08/392,756
ドルビーラボラトリーズからの実施権に基 づき製造されています。 Dolby、ドルビー、ProLogic及びダブルD 記号及び "A AC" ロゴは、ドルビーラボラト リーズの商標です。
CircleSurroundII、Tru Surround、Tru SurroundHeadphone、SRS と
記号は SRSLabs,Inc.の商標です。 CircleSurroundII、Tru Surround、Tru SurroundHeadphone技術は、SRSLabs, Inc. からのライセンスに基づき製品化され ています。
HEADPHONE
DTSおよびDTSDigitalSurround は、 Digital TheaterSystem, Inc.の登録商標 です。
®
, HDCD®,HighDefinition
Compatible Digital®および Mi c ros of t®は、 米国内や他の国におけるマイクロソフト社の 登録商標または商標です。HDCDシステムは マイクロソフト社 から のライセンスに 基づき製 造されています。この製品は下記の1 つ以上 の特許によって保護されています。 米国内:5,479,168、5,638,074、5,640,161、 5,808,574、5,838,274、5,854,600、 5,864,311、5,872,531。 オーストラリア国 内:6 69114。 その他の特許は出願中。
7
3. POWER AMPLIFIER ADJUSTMENT
Idling Current Alignment
1. Each of the measurement points are provided with the
two test points. Set a digital Voltage meter to DC voltage
input, connect the meter to the test points at both
contact points.
2. After the setup above, turn on the main switch.
3. Adjust variable resistors (VR81) according to the digital
voltmeter readings. The target setting value is the
following table for each channels.
Settings :
Master Volume — Minimum
Speaker out — No Load
Top lid — OPEN
MAIN PWB CUP11928Z
アイドリング電流調整
1. 電源を ON する前にそれぞれの "+" 端子と "-" 端子間にデ
ジタルボルトメーターを接続します。デジタルボルトメー
DC 電圧入力にセットします。
ターを
2. 上記のセットアップの後に、本機の電源を ON します。
3. デジタルボルトメーターの電圧値を監視しながら可変抵抗 (VR81) を調節します。
各チャンネルの目標値は下記の表を参照下さい。
セッティング
マスター・ボリューム  最小
スピーカー接続 無し トップカバー –– 無し
:
BIAS T.R. PWB
Measuremet
Channel
No.
Point Point
Surround Left CN61 VR81
1
Center CN61 VR81
2
Surround Right CN61 VR81
3
Front Left CN61 VR81
4
Surroud Back Left CN61 VR81
5
Alignment
Time Table of Idling Current Rise DC voltmeter........Connect to CN61
After Turning ON
5 min
10 min
20 min
30 min
40 min
Measurement Voltage
(CN61)
12.0 mV ±
13.0 mV ±
0.5 mV
0.5 mV
13.0 mV ± 0.5 mV
13.2 mV ±
13.4 mV ±
0.5 mV
0.5 mV
Front
6
7
Right
Surroud Back Right
CN61 VR81
50 min
CN61 VR81 13.5 mV ± 0.5 mV 60 min
8
13.5 mV ± 0.5 mV
4. SERVICE MODE
Microprocessor (IC41), DSP ROM(IC20 )Version and FLD
Seg ment Check Mode.
1. While the power is on, ATT, EXIT and 7.1CH INPUT
but tons si mul ta neous ly more than 3 seconds.
The FL display shows "SERVICE MODE" for 2 seconds
then shows the model name.
SERV I CE MODE
SR3 0 0 1
2. Press ENTER button, The software version of the
mi cro pro ces sor (IC41) is displayed in the format below.
V060704 1U
Year
Month Date Dest.
(Dest. : Destination)
3. Press ENTER button again, The software Type Number
is displayed.
SOF T TYPE XX
(XX is displayed in Hex)
Microprocessor (IC41), DSP ROM (IC20)のVersion
FL
点燈を確認するモードです。
. セットの電源を入れます。
1
タンを同時に約
"SERVICEMODE"
名が表示されます。
秒以上押します。
3
ATT, EXIT, 7.1CHINPUT
と表示が出ます。更に約2秒後に機種
表示及び
のボ
SERV I CE MODE
PS3 001
2.ENTER
が次のように表示されます。
ボタンを押します。マイコン
(IC41)
のバージョン
V060704 1F
Year
Month Date Dest.
(Dest. : Destination)
3.ENTER
Type
ボタンを押します。マイコン
が表示されます
(IC28)のSoftware
SOF T TYPE XX
(XX is displayed in Hex)
4. Press ENTER button again, The Code Group Type
Num ber is displayed.
CODE TYPEXXXX
(XXXX is displayed in Hex)
5. Press ENTER button again, The left half, right half and
center of the label area in the FLD light on and off each
other.
6. Press ENTER button again, The segments of the
char ac ter area in the FLD flick in checker pattern.
7. Press ENTER button again, All the FL segments turns
off.
8. Press ENTER button again. Every time ENTER button
is pressed, DSP code is indicated in turn from NO.1 to
NO.10.
CD01 02060105
SIGDev. TYP Ver.No.
No. : DISP CODE ID Dev. : Device ID SIG. : CODE SIG ID TYP. : CODE TYPE ID Ver. : Version
9. Press ENTER button again to quit this mode.
4.ENTER
れます
ボタンを押します。
CodeGroupType
が表示さ
CODE TYPEXXXX
(XXXX is displayed in Hex)
5.ENTER
交互に点燈を繰り返します。
6.ENTER
します。
7.ENTER
8.ENTER
DSPCodeIDがNO.1
ボタンを押します。FL表示の右、左、中央部分が
ボタンを押します。FLの
ボタンを押します。FLが全消灯します
ボタンを押します。
からNO.10まで順に表示されます
ENTER
Character
ボタンを押す度に
部分が点滅
CD01 02060105
SIGDev. TYP Ver.No.
No. : DISP CODE ID Dev. : Device ID SIG. : CODE SIG ID TYP. : CODE TYPE ID Ver. : Version
9.ENTER
す。
ボタンを押します。サービスモードは解除されま
9
Note :
Step3, 4 is to check if CPU software is capable of DSP code.
"Software Type No" is to show what "DSP Code Group" CPU
is capable of. And vice versa.
Step 8 is to manage the 16 codes for DSP.
• When the unit is once turned into Service Mode, the
unit keeps this mode until the main power is turned off.
(Turn ing into stand-by mode does not make it quit from
Service Mode.) When the unit quits from Service Mode,
In for ma tion in the memory is also cleared and the unit
returns to the status when it is out from the factory.
Product Reset
To reset the back up memory of the unit into the default
sta tus, follow the procedure below.
1. Turn of the unit and press ATT and 7.1CH INPUT button
si mul ta neous ly more than 3 seconds.
2. After "DEFAULT" is displayed on FLD, power is turned
off once and turned of again, EEPROM is cleared to
the de fault status, microprocessor is reset and the unit
returns to the nor mal status.
Note :
When the unit is shipped from the factory, the pro ce dure
above must be done to set the unit to initial status after
the tests.
Product Reset
但しリセット行うと、セットアップメニューにて設 定した内容、サラウンドモードの設定の情報が消去 されますことをご了承ください。
AV SURROUND AMPLIFIER PS3001
INPUT SELECTOR
7.1CH INPUT
S. SPEAKER B
STANDBY
POWER ON/OFF PHONES
電源が入っていることを確認します。
1.
7.1CH INPUT
本体の
2.
DISP V–OFF NIGHT PEAK ANALOG
SLEEP
SURROUND
PURE DIRECT
MODE
AUTO
HT-EQ
SURR
AUTO
SIMPLE SETUP
MENU
SURROUND
ATT
DIGITAL
DIGITAL
DIRECT DISC 6.1 MTX 6.1 SPKR AB EQ
LCR
LFE
AAC
PCM
SL S SR
DISPLAY
NIGHT
ENTER
SLEEP
V-OFFA/
D
EXIT
 ボタンを押しながら、
ボタンを 3 秒以上押します。
 本機は一度スタンバイ状 態になった後、再度
POWER − ON 状態となり、各種設定された内容 が初期化され、工場出荷時の状態に戻ります。
VOLUME
DOWN
UP
MUTE
ATT
ATT
10
5. SYSTEM ERROR
When the microprocessor detects a trouble, the following
in for ma tion is displayed on the FLD.
• After the error contents indication, Surround Mode is
ini tial ized and returned Factory mode.
• The contents of the ERROR indication are the
followings.
1. Trouble in DSP.
If communication with DSP is troubled more than 2
sec onds
CHECK DSP
Indication is keep and sound is mute.
2. Trouble in DSP Code.
The trouble of DSP Code was found.
CHECK DSP ROM
3. Trouble in EEP-ROM IF
If communication with EEPROM is troubled more than 2
sec onds.
製品内部での異常発生時に処理、表示を行います。
• ERROR
場出荷の状態に戻ります。
• ERROR
1. DSP
DSP
内容を表示後、
表示の内容は下記です。
異常検出表示。
との通信上の不具合を約2秒検出した時。
SurroundMode
は初期化され工
CHECK DSP
表示状態はそのままで音声は
2. DSP Code
DSPCode
異常検出表示。
の異常を検出した時。
Mute
状態
CHECK DSP ROM
3. EEP-ROM IF
EEP-ROM
異常検出表示。
との通信不具合が約2秒以上生じた時。
CHECK E 2P I F
CHECK E 2P I F
11
6. UPDATE FIRMWARE
6. UPDATE FIRMWARE
Software for CPU and DSP can be updated.
Have update application software. ("UpgradeDSP.exe" and
"H8Download.exe")
There are two mode of download, regarding to the target of
software as bellow.
Mode 1: Update DSP’s software to Flash-ROM.
This mode is to update the software for DSP.
The target devise is Flash-ROM (IC20) on CUP11820Z
(INPUT PWB).
The Unit needs to be set update condition, by three front
keys.
Mode 2: Update CPU’s software to internal Flash-ROM.
This mode is to update the software for DSP.
The target devise is internal flash ROM of CPU (IC41) on
CUP11820Z (INPUT PWB).
The Unit needs to be set to writing condition, by pushing
internal switch from back-panel.
The following items are required for updating.
RS232C Dsub-9 pin cable (female to female/Straight type)
Windows PC (98, NT, ME, 2000, XP) with RS-232C port.
Update software to CPU.
Update software to DSP.
Use RS232C Dsub-9 pin cable (female to female/Straight
type) to connect PC and the unit.
COM port on PC needs to be set by dialog box for each
program. COM port can be set from COM1 to COM5.
CPU および DSP ソフトウェアのアップデートを行います .
ソフトウェアのアップデートには UpgradeDSP.exe と
H8Download.exe が必要です。
アップデートには次の二つのモードがあります。
Mode 1:DSP Flash-ROM のアップデート
このモードは DSP のソフトウェアをアップデートするモー
ドです。
CUP11820Z(
のソフトウェアをアップデートします。
(IC20)
INPUT PWB
) の基板上にある Flash-ROM
本機、フロントパネルにある 3 つのボタンを押してアップ
デートモードにします。
Mode 2:CPU の内部 Flash-ROM のアップデート
このモードは CPU のソフトウェアをアップデートするモー
ドです。
CUP11820Z(
内部
Flash-ROM のソフトウェアをアップデートします。
INPUT PWB
) の基板上にある CPU(IC41)
本機のリアパネルから内部スイッチを押してアップデート
モードにします。
アップデートには下記の機器が必要です。
RS-232C
Windows PC Serial Port
CPU
ストレートケーブル (9Pin メス -9Pin メス )
付き (OS: 98, NT, ME,2000, XP)
用アップデートソフトウェア
( 必要機器 )
DSP 用アップデートソフトウェア RS-232C ケーブルで本機と接続する PC COM ポート番号
を設定してください。
COM ポート番号は COM1 から COM5 まで設定できます。
Download Firmware for DSP (Mode 1)
1. Put the "DSP upgrade" folder into anywhere on your PC’
s hard disc.
2. Connect PC and DATA UPDATE KIT with RS232C cable,
connect DATA UPDATE KIT and connector (CN26) with
FFC.
DSP アップデート方法 (Mode 1)
1. "DSP upgrade"
します。
フォルダを PC のハードディスクにコピー
2. RS-232C ケーブルでマイコンアップデートキットと PC
接続し、 します。
FFC INPUT PWB のコネクタ(CN26)を接続
12
CN26
RS232C Dsub-9 pin cable
(female to female/Straight cable)
PC (Windows 98, NT, ME, 2000) with RS-232C port
3. Turn on the unit.
4. Press ENTER, MUTE and T-MODE buttons
simultaneously more than 5 seconds to turn the unit into
Loading Mode.
5. "LOADING MODE" will be shown on FLD.
6. Launch "UpgradeDSP.exe" on PC.
Note : yy_mm_dd is release date of software.
DATA UPDATE KIT cable
INPUT PWB
CN26
DATA UPDATE KIT (Part no. : 90M-SR4500JIG)
3. 本機の電源を入れます。
4. ENTER, MUTE, T-MODE 3 つのボタンを同時に 5 秒以
上押し続けて
ディスプレイに "LOADING MODE" と表示されます。
5. FL
Loading Mode にします。
6. PC から "UpgradeDSP.exe" をダブルクリックして起動し
ます。
注記
: ファイル名の yy_mm_dd はソフトウェアの発行日をあ
らわします。
7. Click Port setting, and select the COM Port No.
7. Port setting をクリックし、COM ポート番号を選択します。
13
8. Set the Baud rate to 38400 then click Start
communication button.
8. Baud rate 38400 に設定し、Start communication
クリックします。
9. If the connection is made successfully, a dialog
box saying "Success to connect" appears and
“CONNECTED” is displayed on FLD.
10. Click Send the DSP codes button on the dialog box.
Progress status of updating will be shown on PC and
LOADING is displayed on FLD.
9. 通信接続に成功すると下記のダイアログボックスが表示さ
れ、
FL ディスプレイには "CONNECTED" が表示されます。
10. Send the DSP codes をクリックします。アップデー
トのステータスバーが表示され、
FL ディスプレイには
"LOADING" が表示されます。
11. If updating is completed successfully, "COMPLETED" is
displayed on FLD. And a dialog box saying "Finished the
DSP code transmitting" appears.
12. Click OK and then Application is closed automatically.
13. Turn off the unit.
11. アップデートが成功すると FL ディスプレイに
"COMPLETED" と表示されます。同時に "Finished the
DSP code transmitting"
ます。
のダイアログボックスが表示され
12. OK をクリックすると自動的にアプリケーションが閉じま
す。
13. 本機の電源を切ります。
14
Download Firmware for CPU (Mode 2)
1. Put the "CPU update" folder into anywhere on your PC’s
hard disc.
CPU のアップデート方法 (Mode 2)
1. "CPU update"
ます。
フォルダを PC のハードディスクにコピーし
2. Connect PC and DATA UPDATE KIT with RS232C cable,
connect DATA UPDATE KIT and connector (CN26) with
FFC.
DATA UPDATE KIT cable
CN26
RS232C Dsub-9 pin cable
(female to female/Straight cable)
2. RS-232C ケーブルでマイコンアップデートキットと PC
接続し、 します。
FFC INPUT PWB のコネクタ(CN26)を接続
INPUT PWB
CN26
PC (Windows 98, NT, ME, 2000) with RS-232C port
3. Turn on the power of the unit.
Note : When the unit is into boot mode, stand-by LED is
not lights up.
DATA UPDATE KIT (Part no. : 90M-SR4500JIG)
3. 本機の電源を入れます。
注記
: 本機はブートモードになり、Stand-by LED は点灯しま
せん。
15
4. Launch "H8Download.exe" on PC.
H8FW2505
H8FW2505
H8FW2505
4. PC から "H8Download.exe" をダブルクリックして起動し
ます。
5. Click Set Ports, and select the COM Port No.
6. Click other files... button in the dialog box to specify the
file (SR3001_yymmdd.mot) to be uploading. yymmdd in
file name is release date of software.
5. Set Ports をクリックし、COM ポート番号を選択します。
6. other filesをクリックして、アップデートファイル
(SR3001_yymmdd.mot) を選択し開きます。
H8FW2505
SR3001_yymmdd.mot
16
SR3001_yymmdd.mot
7. Click Connect button. If the connection with the H8 µ-P
is successfully made, a dialogue box saying "Success
to the H8 micro processor connection" appears. (If the
connection fails, error message will appear.)
7. Connect をクリックします。H8 u-P と通信接続に成功す
ると
"Success to the H8 micro processor connection"
ダイアログが表示されます。 セージが表示されます。
( 通信に失敗するとエラーメッ
)
8. Click Send button to start update.
h82505_38400.inf
9. If the firmware is updated successfully, a dialog box
saying "Finished the firmware program sending"
appears.
8. Send
をクリックしアップデートを開始します。
9. ソフトウェアのアップデートが成功すると、"Finished the
firmware program sending"
されます。
のダイアログボックスが表示
17
10. Click Close button to close the application.
h82505_38400.inf
10. Close をクリックしてアプリケーションを閉じます。
11. Disconnect Mains power cord.
12. Disconnect FFC from connector (CN26).
13. Turn on the unit.
Firmware Version Check
To check the versions of the firmware, see "Microprocessor
(CPU), DSP Version and FLD Segment Check Mode" in
"SERVICE MODE" section.
11. 本機の電源を切ります。
12. 本機から FFC を外します。
13. 電源を入れます。
バージョンの確認
ソフトウェアのバージョンを確認します。確認方法は
"SERVICE MODE" 内の "Microprocessor (CPU), DSP
Version and FLD Segment Check Mode"
を参照してください。
18
7. WIRING DIAGRAM
32ONLY
0/7%242!.3&07"
#50:
0/7%242!.3&
#50:
0/7%242!.3&07"
#50:
0/7%2 42!.3& 07"
!#
-!).07"
#50:
#/-0/.%.4
07"
#50:
).05407"
#50:
6)$%/07"
#50:
45.%2
-/$5,%
03ONLY
45.%2
).05407"
#50:
#50:
2%'5,!4/207"
#50:
(007"
")!34207"
X
#50:
%.#/$%2 07"
&2/.407"
#50:
#50:
053(3707"
;.&6ER=
4!#407"
#50:
;56ER=
19 20
8. BLOCK DIAGRAM
45.%2
-/$5,%
32/.,9
).05407"
-!).07"
03/.,9
#/-0/.%.407"
6)$%/07"
&2/.407"
).05407"
2221
9. SCHEMATIC DIAGRAM
INPUT PWB 1/3
4/).05407"
&2/-).05407"
03ONLY
32ONLY&2/-6)$%/07" 03ONLY&2/-45.%2).05407"
45.%2
4/-!).07"
).05407"
23 24
4/-!).07"
INPUT PWB 2/3
&2/-).05407"
4/).05407"
&2/-#/-0/.%.407"
2625
4/&2/.407"
INPUT PWB 3/3
50$!4%
4/-!).07"
4/6)$%/07"
4/#/-0/.%.407"
27 28
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