Magix Vegas Pro 15 Users Manual

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Last changes: Friday, August 11, 2017

This docu mentation is protected by copyright law.

All rights, especially the right of duplication, circulation, and translation are reserved.

No part of this publication may be reproduced in form of copies, microfilms or other processes, or transmitted into a language used for machines, especially data processing machines, without the express written consent of the publisher.

All rights of reproduction are reserved. Errors in and changes to the contents as well as program modifications reserved.

MAGIX, Vegas and all mentioned MAGIX product names are registered trademarks of MAGIX Software GmbH

PlayStation is a registered trademark and PSP is a trademark of Sony Corporation Entertainment Inc.

HDV and HDV logo are trademarks of Sony Corporation and Victor Company of Japan, Limited (JVC).

"ATRAC," "ATRAC3," "ATRAC3plus," "ATRAC Advanced Lossless," and the ATRAC logo are trademarks of Sony Corporation.

http://www.sony.net/Prod ucts/ATRAC3/

More license information can be foun d online at the Vegas web sites.

MAGIX licensing conditions are included in the installation and also at www.magix.com under EULA.

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   Table of Contents   

Table of Contents 3

Introduction 13

Technical Support 14

About Vegas Pro 14

Interactive Tutorials 14

The Vegas Pro Window 15

Main toolbar 16

Editing Tool 17

Time Display 20

Track List 21

Scrubbing 22

Timeline 23

Marker Bar 25

The Transport and Editing Toolbar 26

Viewing the status bar 28

Window Docking Area and Floating Window Docks 29

The Explorer Window 29

The Trimmer Window 32

The Master Bus Window 32

The Video Preview Window 33

The Project Media Window 33

The Edit Details Window 34

The Transitions Window 34

The Video FX Window 35

The Media Generators Window 36

The Compositors Window 37

The Plug-In Manager Window 38

The Video Scopes Window 39

The Surround Panner Window 39

The XDCAM Explorer Window 40

The Mixing Console Window 40

The Device Explorer Window 41

Loudness meters 41

Working with projects 45

Creating a new project 45

Setting project properties 45

Opening a project or media file 54

Creating rotated projects 57

Nesting projects 59

Opening a recent project 60

Saving a project 60

Automatic project saving 60

Saving and renaming a project (Save As) 60

Project references in rendered files 61

Sharing a project online 63

Uploading your movie to YouTube 63

Uploading your movie to Facebook 64

Uploading your movie to Vimeo 65

Uploading your movie to YouTube 65

Importing and exporting projects 66

Importing and exporting AAF files 67

Archiving projects 70

Working with P2 Video 70

Edit Decision Lists 71

Closing a Project 72

Exiting the Vegas Pro Application 72

Adding, managing, and arranging media 74

Using the Project Media window 74

Previewing media files 80

Adding media files to your project 81

Working with high-frame-rate (HFR) clips 86

Adding layered PSD files to the timeline 87

Creating a picture slideshow 87

Importing media from a project file 89

Importing Broadcast Wave Format files 89

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Importing video from a DVD camcorder 90

Editing video from an XDCAM Station with StreamChase 91

Using the Device Explorer 94

Creating proxy files for high-definition editing 96

Using HitFilm effects 96

Sorting your media with bins 97

Viewing or changing media file properties 99

Inserting audio tracks 104

Inserting video tracks 104

Recording audio 105

Metronome 110

Capturing video 111

Capturing from an SDI card 112

Capture preferences 115

Capturing HDV clips 119

Converting video to 24p 120

Extracting audio from CDs 120

Editing events on the timeline 122

Adding media files to your project 123

Inserting an empty event 127

Inserting time 127

Creating selections and positioning the cursor 128

Moving events 131

Automatic crossfades 132

Enable snapping 132

Quantize to frames 135

Cutting, copying, and pasting events 136

Deleting events 139

Trimming events 141

Post-edit ripple 141

Splitting events 143

Shuffling events 143

Using the Trimmer 144

Adjusting an event's length 152

Expanded edit mode 155

Slipping and sliding events 157

Repairing audio/video synchronization offsets 159

Event envelopes 160

Panning and cropping video events 164

Stabilizing video clips 174

Reversing an event 175

Using takes as alternate versions of events 175

Grouping events 177

Using sync links 178

Applying switches to events 179

Audio streams 181

Audio channels 181

Opening events in an audio editor 182

Opening a copy of an event in an audio editor 183

Editing event properties 183

Copying and pasting or selectively pasting event attributes 188

Using the Edit Details Window 188

Removing red eye from still images 189

Undoing and redoing edit operations 190

Rebuild audio peaks 191

Zooming and magnification 191

Multicamera editing 193

Shooting multicamera video 193

Capturing multicamera video 193

Synchronizing video in multicamera projects 194

Creating multicamera events 195

Editing multicamera video 196

Stereoscopic 3D editing 201

Setting up your stereoscopic 3D project 201

Setting up stereoscopic 3D previews 205

Synchronizing stereoscopic 3D events 205

Aligning left- and right-eye views and adjusting depth 208

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Rendering a stereoscopic 3D project 210

Using markers, regions, and commands 215

Inserting markers 215

Inserting regions 216

Using media markers and regions 217

Inserting command markers 218

Inserting CD track regions 222

Inserting CD index markers 223

The Marker Tool 223

Track editing 224

Inserting audio tracks 224

Inserting video tracks 224

Selecting tracks 224

Arranging tracks 225

Grouping tracks 226

Duplicating tracks 227

Audio track controls 228

Video track controls 236

Audio bus tracks 241

Video bus track 244

Setting default track properties 248

Render to New Track 249

Using automation 250

Audio track automation 250

Video track automation 254

Automating audio effect parameters 257

Adjusting envelopes 260

Recording track envelope and keyframe automation 264

Animating video events and tracks 268

Panning and cropping video events 268

Editing track motion 278

Keyframe animation 285

Applying effects 290

Adding audio track effects 290

Adding audio event effects 292

Using bus effects 293

Applying non-real-time event effects 295

Using assignable effects 295

Adding an assignable effects chain 295

Routing tracks to an assignable effects chain 297

Using assignable effects envelopes 298

Removing an assignable effects chain 298

Creating and using effects packages 298

Bypassing all audio effects 299

Editing audio effects 299

Adding video effects 303

Adding transitions 308

Adding generated media to your project 312

Creating text and titles 314

Using the Titles & Text Plug-In 315

Mixing audio 319

Using the Master Bus Window 319

Busses - overview 321

Adding audio busses 322

Assigning tracks to busses 322

Using bus envelopes 324

Routing busses 324

Signal flow diagram 326

Using input busses 326

Adding or deleting input busses 327

Recording using an input bus 327

Using input busses with hardware-based effects 330

Real-time rendering 332

The Mixing Console 335

The Mixing Console Toolbar 335

The Channel List Pane 337

The View Controls Pane 338

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Channel Strips 339

Using the Mixing Console 341

Adding Track, Assignable FX, and Bus Channels 341

Audio Track Channel Strips 341

Bus Channel Strips 349

Input bus channel strips 354

FX send (assignable effects) channel strips 360

Creating a cue (headphone) mix with the Mixing Console 366

Compositing video 369

Compositing and masks 369

3D compositing 374

Video signal flow diagram 383

Proxy-first workflow 385

Working with HDV 387

Capturing HDV clips 387

Editing HDV video on the timeline 388

Working with XDCAM video 389

XDCAM EX workflow 389

XDCAM and XDCAM HD workflow 390

Setting up an XDCAM Device 390

Using the XDCAM Explorer Window 391

Importing XDCAM Discs 394

Editing XDCAM Clips on the Timeline 395

Exporting Video to XDCAM Discs 396

Working with RED camera clips 399

Working with AVCHD video 401

S-Log and ACES workflow in Vegas Pro14.0 403

Enabling color management in your Vegas Pro project 409

Specifying the color space for individual shots 410

Specifying the color space in a custom rendering template 411

VEGAS Pro 15 ACES 1.0.3 updates 413

5.1 surround projects 415

Setting up your 5.1 surround project 415

5.1 surround panning and mixing 417

Audio panning modes 425

Rendering your 5.1 surround project 429

Exporting a Vegas Pro project to DVD Architect 430

Closed Captioning 431

Adding closed captioning to video files 431

Captioning Windows Media files 441

Previewing your project 445

Loop Playback 445

Mute All Audio 445

Mute All Video 445

Using the Video Preview window 445

Split-screen previews 451

Using dynamic RAM previews 453

Using an External Video Monitor 454

External monitor via DVI (Windows Graphics Card) 454

External monitor via IEEE-1394 (FireWire) 455

External monitor via SDI 457

Selectively prerender video 458

Cleaning up prerendered video files 459

Loudness metering and logging 459

Loudness meters 459

Generating a loudness log 462

Monitoring video with scopes 465

The Vectorscope Monitor 465

The Video Waveform Monitor 466

The Histogram Monitor 467

The RGB Parade Monitor 470

Video Scope Settings 470

Timecode synchronization 473

Generate MIDI Timecode 473

Generate MIDI Clock 473

Trigger from MIDI Timecode 474

Burning discs 477

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Track-at-once (TAO) CD burning 477

Disc-at-once (DAO or Red Book) CD Burning 478

Burning a Blu-ray Disc from the timeline 483

Burning a DVD from the timeline 485

Printing video to tape 487

Printing video to tape from the timeline 487

Printing video to HDV tape 494

Rendering projects (Render As) 497

Rendering Multichannel Audio Files 501

Rendering MPEG Files 503

Rendering Projects for Use in DVD Architect 504

Media File Settings for Blu-ray Disc Projects 506

Custom rendering templates 508

Using Vegas Pro Connect 511

Setting up Vegas Pro Connect 511

Using Vegas Pro Connect to control playback 512

Using Vegas Pro Connect to review projects on your mobile device 518

Adjusting Vegas Pro Connect settings 521

Troubleshooting Vegas Pro Connect Connections 522

Using hardware controllers 523

Using a control surface 523

Using a Mackie Control 524

Using a Frontier TranzPort 540

Using a PreSonus FaderPort 542

Using a Generic Control Surface 544

Configuring a Generic Control Surface 545

Using a joystick for panning, adjusting controls, and color correction 547

Using a multimedia controller 549

Using Scripting 553

Customizing the Vegas Pro interface 557

Customizing the toolbar 557

Customizing keyboard shortcuts 557

Customizing ASIO port naming 558

Time ruler 561

Grid spacing 563

Saving and recalling window layouts 563

Vegas Pro preferences 567

Preferences - General Tab 567

Preferences - Video Tab 572

Preferences - Preview Device Tab 574

Preferences - Audio Tab 581

Preferences - Audio Device Tab 585

Advanced Audio Configuration 587

Preferences - MIDI Device Tab 589

Preferences - VST Effects 589

Preferences - Editing Tab 589

Preferences - Display Tab 593

Preferences - CD Settings Tab 594

Preferences - Sync Tab 595

Preferences - External Control & Automation Tab 597

Keyboard shortcuts 601

Glossary 615

Index 633

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Introduction

MAGIX proudly introduces Vegas Pro , a full-featured nonlinear editor (NLE) for video and multitrack digital audio designed for video postproduction and multichannel audio recording and mixing.

What's new in this version

n A new MAGIX AVC/AAC codec significantly accelerates encoding on machines that utilize Intel® Quick

Sync Video (QSV) technology

n A new MAGIX AVC/AAC codec significantly accelerates encoding on machines equipped with modern

NVIDIA graphics card GPU technology

n The user can now select from the list of attributes of a copied timeline clip event to specify which attributes

will be pasted into a target event

n ACES 1.0 support enable users to work with the expanded color spaces and dynamic range of modern cam

eras. n More efficient handling of AVC files on the timeline through Intel QSV technology n Picture-in-picture OFX plug-in enables the user to perform size and position adjustments of video at any of

the four effects levels (including track and event) through parameter adjustment controls and direct inter

action with the Video Preview window n Crop OFX plug-in enables the user to quickly crop out portions of a video at any of the four effects levels

(including track and event) through parameter adjustment controls and direct interaction with the Video Pre

view window n The user can specify which track header buttons and controls appear on tracks and set these (separate for

audio and video tracks) as project defaults for all new tracks in the current and new projects. Controls that

have been hidden can be accessed through a new "hamburger button" menu n LUT Filter OFX plug-in enables the user to apply LUTs to their project at any of the four supported FX levels

(event, track, media, and video bus) n Redesigned timeline clip events now contain headers to hold important information and buttons and can be

customized through the hamburger button/menu system. n The user can specify which controls appear in the transport area of both the Trimmer Window and the Video

Preview window as project defaults for the current and new projects. Controls that have been hidden can be

accessed through a new "hamburger button" menu n A simple "one-click" option creates a freeze frame on all selected events touched by the timeline cursor n Users can specify one of four options for the shading of the VEGAS Pro interface ranging from very bright to

a dark interface n Users can define the amount (strength) of color they want shown in their buttons n Modern controls enable logical docking and undocking of windows and maximizing windows within a dock n A user-friendly and intuitive Render As dialog box makes it easy to understand and specify render options n The Share Online option now provides direct render-and-upload operations for YouTube, FaceBook, and

Vimeo n Optimized default user layout to reduce visual clutter n Non-selected timeline clip events are now the same color as the corresponding track header while selected

events are white. This (while directly opposite previous behavior) reduces visual "clutter" and the harsh

appearance of events, particularly in large projects n New layout option enables user to switch back to the VEGAS Pro 14 default layout, including revealing all but

tons in the hamburger menu system n Updated button glyph for the Record and Arm for Record buttons clarifies the function of these buttons n The default Pan type has been changed to Constant Power which is the most logical and expected type n Audio notification alerts you when your render is complete for all format types

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Introduction

Technical Support

If you experience problems or have questions while using Vegas Pro, our technical support department is always ready to help you. Additional support and information can be found at http://www.vegascreativesoftware.com.

For a detailed list of Technical Support options, please visit our web site.

About Vegas Pro

From the Help menu, choose About Vegas Pro to display information about the application, such as the software license owner, copyright and system information, program version and serial number, and the Vegas Pro logo.

Before contacting Technical Support, click the Computer tab to display information about your computer.

Interactive Tutorials

Use the Interactive Tutorials Button from the Main Toolbar or , choose Interactive Tutorials from the Help menu to start an interactive guide that will show you each part of the Vegas Pro interface and teach you how to create projects.

Choose a topic from the Interactive Tutorials overview to start a tutorial—you'll be up and running in no time!

The Vegas Pro Window

The Vegas® Pro window is where you edit your project, and the screen is divided into several areas.

Tips:

n If you prefer to work with the timeline at the bottom of the window and the docking area at the top of

the window, select the Display timeline at bottom of main window check box on the Display tab of the Preferences dialog. For more information, see "Preferences - Display Tab" on page 593.

n The track list, timeline, and window docking area sections can be sized to your preferences by dragging

the dividers between them or by using F11:

oF11 minimizes and restores the window docking area.

oShift+F11 minimizes and restores the track list.

oCtrl+F11 maximizes and restores the timeline vertically and horizontally (window docking area

and track list will be hidden).

There are times when you don’t need quick access to the all various buttons in the UI. Some buttons you will use all the time while others only occasionally. Several areas of the UI have been designed so that you can customize which buttons are displayed by default. Examples of this are the tool bars found in the Video Preview window, the Trimmer window, and the audio and video Track Headers.

Access to the buttons that are not currently displayed can be achieved via the Hamburger button . The Hamburger button also gives you access to the Edit Visible Button Set command which enables you to control which buttons are displayed by default.

Hint: Throughout the manual and help system, feature descriptions are based on visible buttons. To access a button not currently displayed:

n

Click the Hamburger button

n Click the command in the pop-up menu to perform the action of that button.

To choose which buttons are displayed by default:

n

Click on the Hamburger button and choose Edit Visible Button Set

n Click the check box for any button you want to be displayed by default.

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The Vegas Pro Window

Main toolbar

From the View menu, choose Toolbar to toggle the display of the main toolbar.

The toolbar contains buttons that enable you to select frequently used commands quickly. You can customize it by adding, removing, or reordering buttons.For more information, see "Customizing the toolbar" on page 557.

Button Name Description

New Empty Project

Open Opens an existing project or media file. For more information, see

Save Saves the current project. For more information, see "Saving a

Render As Saves your project in a new format as a single file. For more

Properties Opens the Project Properties dialog box allowing you to make

Cut Deletes and copies the current event selection to the clipboard. For

Copy Copies the current event selection to the clipboard. For more

Paste Pastes the contents of the clipboard at the current cursor position.

Undo Reverses the last action performed. For more information, see

Creates a new blank project using the default settings. For more information, see "Creating a new project" on page 45.

"Opening a project or media file" on page 54.

project" on page 60.

information, see "Rendering projects (Render As)" on page 497.

changes to the current project. For more information, see "Setting

project properties" on page 45.

more information, see "Cutting, copying, and pasting events" on page 136.

information, see "Cutting, copying, and pasting events" on page 136.

For more information, see "Cutting, copying, and pasting events" on page 136.

"Undoing and redoing edit operations" on page 190.

Redo Reverses the action of the Undo command. For more information,

see "Undoing and redoing edit operations" on page 190.

Interactive Tutorials

What's This Help

Starts an interactive guide that will show you each part of the Vegas Pro interface and teach you how to create projects. For more information, see "Interactive Tutorials" on page 14.

Displays context-sensitive help.

Editing Tool

Choose Edit > Editing Tool and select a tool from the submenu to change the active tool.

Normal

To use the Normal tool , choose Editing Tool from the Edit menu, and choose Normal from the submenu.

This tool gives you the most flexibility while editing; selection, project navigation, most envelope editing, etc. The only functions you cannot perform while in normal editing mode are box selection, box magnification, and multiple envelope point selection.For more information, see "Adjusting envelopes" on page 260.

Selecting events

Click an event to select it. Hold Ctrl while clicking to select multiple events, or hold Shift to select all events between the first and last event you click.

Moving events

Select events and drag them along the timeline.

Changing an event's length

Drag either edge of an event to change its length. The event edge will snap to grid lines if snapping is on. Hold the Shift key while dragging to temporarily suspend snapping.For more information, see "Enable snapping" on page 132.

Click the down arrow next to the Normal tool and choose a tool from the menu to select the mode that will be used for editing events. For more information, see "The Transport and Editing Toolbar" on page 26.

Tool Description

Normal Edit Tool

Use to select, move, and trim the ends of events.

Click an event to select it. Hold Ctrl while clicking to select multiple events, or hold Shift to select all events between the first and last event you click.

Select events and drag them along the timeline to move them.

snapping" on page 132.

For more information, see "Creating selections and positioning the

cursor" on page 128,"Moving events" on page 131,"Moving events"

on page 131, or "Adjusting an event's length" on page 152.

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Tool Description

Shuffle Tool

Slip Tool

Slide Tool

Time

Stretch/Compress Tool

Use to rearrange events on the timeline. For more information, see "Shuffling events" on page 143.

Right-click and drag an event to a new location on the timeline and choose Shuffle Events from the shortcut menu to shuffle events when the Shuffle Tool is not active.

Use to slip an event's media without moving the event on the timeline. For more information, see "Slipping and sliding events" on page 157.

Hold Alt while dragging an event to slip events when the Slip Tool is not active.

Use to move an event on the timeline without moving the underlying media. For more information, see "Slipping and sliding events" on page 157.

Hold Ctrl+Alt while dragging an event to slide events when the Slide Tool is not active.

Use to make events longer or shorter while changing the velocity of the media to create fast- or slow-motion effects. For more information, see "Adjusting an event's length" on page 152.

Hold Ctrl while dragging the edge of an event to time stretch/compress events when the Time Stretch/Compress Tool is not active.

Split Trim Tool

Use to split an event at the point you click and trim the event in the direction you drag (eraser mode). For more information, see "Slipping

and sliding events" on page 157.

Hold Ctrl+Alt+Shift and drag to split trim events when the Split Trim Tool is not active.

Envelope

To use the Envelope tool , choose Edit >Editing Tool > Envelope.

The Envelope tool is designed to manipulate envelopes in events. With the Envelope tool selected, you can add, delete, select, and move envelope points, but events cannot be moved or edited.For more information, see "Adjusting envelopes" on page 260.

Selection

To use the Selection tool , choose Edit > Editing Tool > Selection.

The Selection tool is designed to select multiple events across tracks by drawing selection boxes around the events you want to include. The Selection tool can draw three types of selection boxes:

Type Description

Free Selection The default behavior of the tool:

n Click to select individual events (hold Shift or Ctrl to select

multiple events).

n Drag to draw a rectangular region that begins where you start

drawing and ends where you release the mouse button. All of the events that are inside the region will be selected. This method is good for selecting a group of events that are close together.

Vertical Can be used to easily select all events that occur within a time range.

The vertical selection box automatically selects all of the tracks between your first mouse click and where you draw the selection box; even tracks that are not visible at the current magnification are selected.

Horizontal Can be used to easily select all events on a single or multiple adjacent

tracks. The horizontal selection box automatically selects all events on a track that is touched by the selection box; even events that are not visible at the current magnification are selected.

To change the type of selection box you are using, right-click the mouse while holding down the left mouse button. Clicking the right mouse button will toggle through the three types of selection boxes.

Zoom

To use the Zoom tool , choose Edit > Editing Tool > Zoom. You can use the zoom tool to change the magnification of the Vegas Pro project.

Click the Zoom button in the corner of the timeline to temporarily change the cursor into the Zoom tool. Select an area of the timeline that you want to magnify, and the cursor will revert to the previously active tool.

Before zooming, you can maximize the timeline by using the following shortcuts:

n Press F11 to maximize the timeline vertically (Window Docking area will be hidden).

n Press Ctrl+F11 to maximize the timeline vertically and horizontally (Window Docking area and Track List will

be hidden).

n Press Shift+F11 to maximize the timeline horizontally (Track List will be hidden).

Drag the mouse over the area you want to magnify. A dotted rectangle is drawn around the area, and the area is magnified when the mouse button is released.

While holding the left mouse button, click the right mouse button to toggle through the three magnification modes:

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Item Description

Free Zoom The default behavior of the Zoom tool. Use this mode to zoom into a

section of your Vegas Pro project horizontally and vertically at the same time.

Time Zoom Use this mode to zoom horizontally without changing the vertical

magnification.

Track Height Zoom Use this mode to zoom vertically without changing the horizontal

magnification.

Clicking anywhere in the project with the Zoom tool will zoom out so that the entire project fits in the timeline, and as many tracks as possible will be displayed.

Next Tool

Choose Next Tool (or press D) to switch to the next tool in the list. For example, if you're using the Normal tool, Next Tool selects the Envelope tool.

Previous Tool

Choose Previous Tool (or press Shift+D) to switch to the next tool in the list. For example, if you're using the Envelope tool, Previous Tool selects the Normal tool.

Time Display

The Time Display window shows the current cursor position, MTC input, MTC output, or MIDI clock output time.

Right-click the window and choose a command from the submenu to change the display format.

Item Description

Time at Cursor Displays the current cursor position using the current time format.

MIDI Timecode In Displays incoming MIDI timecode. For more information, see

"Trigger from MIDI Timecode" on page 474.

MIDI Timecode Out Displays outgoing MIDI timecode. For more information, see

"Generate MIDI Timecode" on page 473.

MIDI Clock Out Displays outgoing MIDI clock. For more information, see "Generate

MIDI Clock" on page 473.

Time Format Choose Time Format and choose a setting from the submenu to set

the time units used in the Time Display and Time Ruler. For more information, see "Time ruler" on page 561.

Text Color Choose Custom to specify the color that will be used to display the

text in the window.

Item Description

Background Color Choose Custom to specify the color that will be used to display the

background of the window.

Changing the Time Display window colors affects only the current color scheme. You can change the color scheme on the Display tab of the Preferences dialog.

Track List

The track list displays all of the audio and video tracks in your project and contains the master controls for each track. A scrub control and playback rate slider is also available below the track list.

For more information, see "Audio track controls" on page 228, "Video track controls" on page 236, and "Scrubbing" on page 22,

Track Headers

The Track Headers have been designed to be less cluttered and take up less screen realestate. You can use the

Hamburger button , located just above the track number in the track header, to quickly assess buttons that are not displayed or to select which buttons are displayed by default each time you open the program.

To access a button not currently shown in the track header, click the Hamburger button to open the menu. Select the command according to the button from the drop down list.

To add a button to the track header, click the Hamburger button to open the button selection menu. Choose Edit Visible Button Set from the drop down list. Click the check box of the button(s) you want to be shown in the track header and click OK.

If you want all of the buttons to show on the Track Header, click the Hamburger button to open the button selection menu, choose Edit Visible Button Set from the drop down list, click the Show All button, and click OK.

Tip:

You can quickly reset the buttons displayed on the Track Header to the factory default by choosing View | Window Layouts | Default Layout (Alt+D, D).

Note:

This resets the application back to all of the factory default settings, not just the Track Header defaults.

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There are times when you need to free up as much screen/track real-estate as possible. The video and audio Track Headers have been designed to accommodate that. You can go from full to minimal to very minimal and back again quickly and easily.

1.

Click the Hamburger button and choose Edit Visible Button Set 2. Click the Hide All button and click OK 3. Do the same for both audio and video tracks. You now see only the faders and pan controls

4. Place the cursor on the vertical border between the track headers and the tracks. The mouse will change its

shape to a line with a double-headed arrow . Click and drag to the left until all you see are the track numbers

and Hamburger button. To return to the default Track Header size drag the border back to the right, or double

click the border.

Note:

You don’t need to hide all the buttons for this to work. As you drag the Track Header border to the left it will automatically hide the buttons. You can always get to hidden buttons via the Hamburger menu. Doubleclicking the border will take you to and from full Track Header width and just the track color bars.

Scrubbing

You can use scrubbing to scroll playback of your project at varying speeds.

Choose a setting from the JKL / shuttle speed drop-down list on the Editing tab of the Preferences dialog to control the scrub speed and range when you scrub with the JKL keys or with a multimedia controller. For more information, see "Using a multimedia controller" on page 549.

Scrubbing with the playhead

Drag the playhead above the timeline to shuttle forward or backward from the cursor position to find an edit point.

Tips:

n Hold Alt, click the ruler, and drag to move the cursor to the position you clicked and scrub in the

direction you drag.

n Hold Ctrl while dragging (or drag while holding the right mouse button) to find audio when you're

zoomed out. The cursor moves in larger steps than with a regular drag.

n Hold Ctrl+Alt while dragging to scrub video only.

n Zoom in or out to adjust the scrub sensitivity. For more information, see "Zooming and magnification"

on page 191.

Using the scrub control in the track list

Drag the scrub control to shuttle forward or backward from the cursor position to find an edit point.

You can drag the Normal Rate indicator below the scrub control (or double-click the label to type a playback rate) to

adjust playback speed when you click the Play or Play from Start button.

Scrubbing with the cursor

1. Hover over the cursor in an area of the timeline that does not contain an event and press Ctrl. The mouse

pointer is displayed as a .

When the Allow Ctrl+drag cursor style scrub over events check box on the General tab of the Preferences dialog is selected, you can scrub with the mouse even when the cursor is over an event.

2. Drag left or right to scrub playback.

Scrubbing with the keyboard

Press the J, K, or L keys to use the keyboard as a scrub control.

Press and hold K while pressing J or L to emulate a shuttle knob mode. Press K+J to turn the knob to the left or K+L to turn the knob to the right.

Item Description

J Scrub reverse mode. Press again to accelerate the

playback rate.

K Pause.

L Scrub forward mode. Press again to accelerate the

playback rate.

Timeline

The timeline is the main part of the Vegas Pro window where you will be doing most of your work. The majority of the window consists of actual track space. This area contains the drawn events on each track.

You can choose Edit > Navigate and choose a command from the submenu to navigate the timeline quickly.

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Time ruler

Displays the time in the format you select. For more information, see "Time ruler" on page 561.

Vertical scroll bar

Drag the scroll box to pan the view of the project up or down.

Double-clicking the vertical scroll bar will zoom the project out so that as many tracks as possible will be displayed.

Track height control

Click + to increase the height of the tracks, or click - to decrease track height.

You can also click in the space between the + and - buttons and drag vertically for adjusting track height.

Time zoom control

Click + to zoom in horizontally, or click - to zoom out.

You can also click in the space between the + and - buttons and drag horizontally for adjusting zoom.

Horizontal scroll bar

Drag the scroll box to pan the view of the project left or right. The ends of the scroll bar also function as zoom controls. You can zoom the project in and out by dragging the edges of the scroll box.

Double-clicking the horizontal scroll bar will zoom the project out so that the entire length of the project will be displayed.

Zoom tool

Click the Zoom Tool button in the corner of the timeline to temporarily change the cursor into the Zoom tool. Select an area of the timeline that you want to magnify, and the cursor will revert to the previously active tool.

Editing toolbar

The editing toolbar is displayed below the timeline and provides access to tools you'll use while editing events on the timeline. For more information, see "The Transport and Editing Toolbar" on page 26.

Length boxes

The length boxes display the start time, end time and length of a selected time range. If there’s no time selection, the first box shows the current cursor position.

You can double-click the boxes and type a value to change the start, end or length of the current selection. For more information, see "Creating selections and positioning the cursor" on page 128.

Marker Bar

The marker bar displays markers that you add to your project. Markers are a handy way to ease navigation in the timeline. They can be used to indicate sections of projects, or you can use markers as snap points for editing.

For information about inserting markers, see "Inserting markers" on page 215.

A shortcut menu is displayed when you right-click the marker bar:

Item Description

Loop Playback Sets the time selection range to repeat the music when played.

Set Selection to View Sets the loop region to the visible edges of the timeline. If the entire

project is displayed, the loop region is set to the ends of the project.

Set Selection to Project Sets the loop region to the ends of the project.

Select Loop Region Creates a time selection based on the current loop region.

Markers/Regions Choose a command from the submenu to add or delete markers or

regions. For more information, see "Inserting markers" on page 215 and "Inserting regions" on page 216.

Quantize to Frames Forces edits to occur on frame boundaries. For more information, see

"Quantize to frames" on page 135.

Enable Snapping When snapping is enabled, the Snap to Grid and Snap to Markers

commands become available. For more information, see "Enable

snapping" on page 132.

Snap to Grid Select this command to force elements in the timeline to snap to the

grid. The grid is defined in units of time. For more information, see "Enable snapping" on page 132.

Snap to Markers Select this command to force elements in the timeline to snap to

markers. For more information, see "Enable snapping" on page 132.

Snap to All Events Select this command to force elements in the timeline to snap to the

ends of events on other tracks. For more information, see "Enable

snapping" on page 132.

Grid Spacing Choose a command from the submenu to set the spacing of vertical

grid lines along the timeline.

Selectively Prerender Video

Clean Up Prerendered Video

Opens the Prerender Video dialog, where you can create a full-quality preview of your project as it will appear in its final form. For more information, see "Selectively prerender video" on page 458.

Removes the temporary files created as a result of using the Selectively Prerender Video command. For more information, see "Cleaning up prerendered video files" on page 459.

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The Transport and Editing Toolbar

The Transport and Editing toolbar provides controls for playback, recording, and cursor-positioning buttons and timeline editing.

During project playback, audio tracks will be mixed to the Master bus unless you are using a custom bus assignment. Video tracks will be mixed to the Video Preview window.

For more information, see "Assigning tracks to busses" on page 322 and "Using the Video Preview window" on page 445.

You can choose Edit >Navigate and choose a command from the submenu to navigate the timeline quickly.

Button Name Description

Record Starts recording on all armed tracks. If no tracks are armed, a new

track will be created automatically. For more information, see "Recording audio" on page 105.

Loop Playback Plays only the events in the loop region in a continuous mode.

Play from Start Starts playback from the beginning of the project regardless of the

current cursor position. When you stop playback, the cursor returns to its original position.

Play Starts playback from the cursor position.

Select the Make spacebar and F12 Play/Pause instead of Play/Stop check box in the General Preferences tab if you want the F12 and spacebar keyboard shortcuts to toggle between Play and Pause mode. In this mode, the cursor will maintain its position.

Pause Pauses playback and leaves the cursor at its current position.

Stop Stops playback or recording and returns the cursor to its starting

position.

Go to Start Moves the cursor to the beginning of the project.

Go to End Moves the cursor to the end of the project.

Previous Frame Moves the cursor to the previous frame.

Click and hold the Previous Frame and Next Frame buttons to move the cursor multiple frames.

Next Frame Moves the cursor to the next frame.

Button Name Description

Normal Edit Tool

Select this button to perform event editing. Click the down arrow and choose a tool from the menu to select the mode that will be used for editing events. For more information, see "Editing Tool" on page

17.

n

Normal Edit Tool: Use to trim the ends of events. For

more information, see "Adjusting an event's length" on page

152.

n

Shuffle Tool: Use to rearrange events on the timeline. For

more information, see "Shuffling events" on page 143.

n

Slip Tool: Use to slip an event's media without moving the event on the timeline. For more information, see "Slipping

and sliding events" on page 157.

n

Slide Tool: Use to move an event on the timeline without moving the underlying media. For more information, see "Slipping and sliding events" on page 157.

n

Time Stretch/Compress Tool: Use to make events longer or shorter while changing the velocity of the media to create fast- or slow-motion effects. For more information, see "Adjusting an event's length" on page 152.

n

Split Trim Tool:Use to split an event at the point you click and trim the event in the direction you drag (eraser mode). For more information, see "Slipping and sliding events" on page

157.

Envelope Edit Tool

Selection Edit Tool

Zoom Edit Tool Magnifies the current project. For more information, see "Editing

Delete Deletes the selected events or tracks. For more information, see

Trim Trims a time selection. For more information, see "Trimming events"

Trim Start Trims the start of the selected event to the cursor. For more

Trim End Trims the end of the selected event to the cursor. For more

Split Click to split an event. For more information, see "Splitting events" on

Select this button when you want to edit multiple envelopes without moving the events. For more information, see "Editing Tool" on page

17.

Select this button when you want to select multiple events. For more information, see "Editing Tool" on page 17.

Tool" on page 17.

"Deleting events" on page 139.

on page 141.

information, see "Trimming events" on page 141.

page 143.

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Button Name Description

Lock Locks an event so that it cannot be moved or edited. For more

information, see "Applying switches to events" on page 179.

Insert Marker Adds a marker at the cursor position. For more information, see

"Inserting markers" on page 215.

Insert Region Adds region tags at each end of the selection. For more information,

see "Inserting regions" on page 216.

Enable Snapping

Automatic Crossfades

Auto Ripple Select this button and choose a mode from the drop-down list to

Lock Envelopes to Events

Ignore Event Grouping

Turns on snapping and enables the Snap to Grid and Snap to Markers commands. For more information, see "Enable snapping" on page

132.

Select this button to automatically create a crossfade when two or more events overlap. For more information, see "Automatic

crossfades" on page 132.

automatically ripple the contents of the timeline following an edit after adjusting an event's length, cutting, copying, pasting, or deleting events. For more information, see "Post-edit ripple" on page

141.

Select this button if you want envelope points to follow an event when it is moved along the timeline. For more information, see "Video track automation" on page 254.

Select this button to override event groups without removing the groups. For more information, see "Grouping events" on page 177.

Viewing the status bar

From the View menu, choose Status Bar to toggle the display of the status bar at the bottom of the Vegas Pro window.

The status bar displays help text when your mouse is over menu items, shows the available record time in the selected folder, and will also show progress meters for any actions that take time to complete.

To change the recorded files folder, choose Properties from the File menu and click the Audio tab.For more information, see "Setting project properties" on page 45.

Window Docking Area and Floating Window Docks

You can use the window docking area to keep frequently used windows available, but out of the way, while you are working with a project.

Tips:

n If you want to display the window docking area at the top of the Vegas® Pro window, select the Display

timeline at bottom of main window check box on the Display tab of the Preferences dialog. Clear the check box to display the docking area at the bottom of the Vegas Pro window.

n If you want to display tabs at the top of docking windows, select the Position tabs at top of docked

windows check box on the Display tab of the Preferences dialog.

You can also create multiple floating docks to organize your Vegas Pro windows. These docks can float over the Vegas Pro window or — if you have a dual-monitor video card — on a secondary monitor.

n To dock a window, ctrl + drag it by the title bar to the docking area or a floating dock. Drop near the top of the

window to create a tabbed window or a new docking area. Drop at the top of the window to dock the window at the top. Drop at the bottom of the window to dock the window at the bottom.

n To undock a window, click the and drag the window tab out of the docking area or floating dock.

n To prevent a window from docking when you drag it, do not hold the Ctrl key.

When the Allow floating windows to dock check box on the Display tab of the Preferences dialog is cleared, windows will not dock unless you hold the Ctrl key. When the check box is selected, you can prevent a window from docking by holding the Ctrl key.

n To expand a docked window so it fills the docking area, click the Maximize button . Click the restore button

to restore the window to its previous size.

n To remove a window from the docking area or a floating dock, click the Close button .

You can dock several windows in the same area of the screen, and the windows will be layered. Click a window’s tab to bring it to the top.

The Explorer Window

Choose View >Window >Explorer to toggle the display of the Explorer window.

Like the Project Media window, you can use the Explorer window to view, preview, and add media files to your project.

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Learning more about the Explorer window

Item Name Description

 Back/Forward Use the Back and Forward buttons to navigate the folder history.

 Address Bar Displays the path to the current folder.

 Tree View Displays all of the available files and folders where you can find

media files.

 Contents Pane Displays the folders and media files contained in the active folder.

Up Opens the folder one level above the active folder.

Refresh Refreshes the contents of the active folder.

If you insert a new CD (or other removable media), click to refresh the Explorer.

Delete Deletes the selected folder or file.

Add to Favorites Adds the selected folder to the Favorites folder in the tree view. The

Favorites folder contains links to folders that you use most often.

Start Preview Plays the selected media file.

Stop Preview Stops the playback of the selected media file.

Auto Preview Automatically preview media files when you click them in the

Explorer window. For more information, see "Previewing media files" on page 80.

Get Media from the Web

Opens the Get Media from the Web dialog, where you can download files to use in your project.

Item Name Description

Views Allows you to change the way the files are viewed in the list view.

n Details – Displays the file size, date and when the file was last

created or last modified.

n List – Displays a simple list of the file name of each file in the

Explorer window.

n Thumbnail – Displays the first frame of a video file.

n Regions – Displays any regions that have been defined in the

selected media file.

n Summary – Displays a short description of the selected media

file at the bottom of the Explorer window.

n Tree – Displays all of the available drives and folders that you

may choose from to find files.

n All Files – Displays all file types in the active folder.

Adding regions from a file to the timeline

When Regions is selected in the Explorer window, any regions saved in the selected file are displayed in the bottom of the Explorer window.

You can drag a region to the timeline to create an event using a portion of a file.

You can save regions and markers in a media file using the Trimmer window. For more information, see "Using

the Trimmer" on page 144.

Click the down arrow next to the Views button and choose Regions to toggle the display of regions in the Explorer window.

Using the Favorites folder

Select the Favorites folder in the tree view to view the contents of the Favorites folder. This folder contains shortcuts to folders that you use often.

Favorites are saved in the following file:C:\Users\user name\AppData\Local\Vegas\Vegas Pro\14.0\NewExplorerFavorites.txt.

The file is saved whenever you close the Explorer window or exit the application. You can copy the file to different computers or user accounts to migrate Favorites settings.

To see this file, you must have the Show hidden files and folders radio button selected on the View tab of the Folder Options Control Panel.

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Adding a folder to the Favorites folder

1. Browse to the folder you want to add.

2. Right-click the folder and choose Add Folder to Favorites from the shortcut menu. A shortcut to the folder is

added to the Favorites folder.

Removing a folder from the Favorites folder

1. Select the Favorites folder.

2. Right-click the folder you want to delete and choose Delete from the shortcut menu.

Deleting a folder from Favorites deletes only the shortcut to the folder; the target folder is unaffected.

The Trimmer Window

The Trimmer window is a good place to edit any media file. When a media file is placed in the Trimmer window, you can place portions of the file on separate tracks by dragging and dropping.

For more information, see "Using the Trimmer" on page 144.

The Master Bus Window

The Master Bus window provides you with a streamlined view of your project's master output.

For more information, see "Using the Master Bus Window" on page 319.

The Video Preview Window

Choose View >Window > Video Preview to toggle the display of the Video Preview window. The Video Preview window displays a project's video output at the current cursor position during editing and play back. The playback includes any effects that you have applied to it. This window is also useful when editing frame by frame for synchronizing audio. Right-click anywhere in the window to display a shortcut menu with Video Preview window options.

For more information, see "Using the Video Preview window" on page 445.

The Project Media Window

Choose View >Window > Project Media to toggle the display of the Project Media window.

You can use the Project Media window to collect and arrange all the media you will use in your project. You can add media, preview it, view and change file properties, and add effects to a file.

For more information, see "Using the Project Media window" on page 74.

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The Edit Details Window

Choose View >Window > Edit Details to toggle the display of the Edit Details window.

The Edit Details window displays a database for all of the media in your project. It shows information about how files in the project are being used and allows you to modify many of those properties. You may sort, add or change information, rearrange columns, and edit items in the project.

This window provides an alternate method for working with events, audio CD track lists, commands, markers, and regions.

For more information, see "Using the Edit Details Window" on page 188.

The Transitions Window

Choose View >Window > Transitions to display or hide the Transitions window. Use this window to choose and preview transition effects that you can use to control how a video event begins or ends, or to change the way one event flows into another.

The left pane lists each of the available transitions organized in folders. Click the Expand and Collapse buttons to open and close the folders, and select a plug-in name. The thumbnail images in the right pane represent each of the existing presets for the selected transition. Hover your cursor over a preset to see an animated example.

You can type in the Search plug-ins box to find plug-ins. For example, if you wanted to find a specific colorcorrection plug-in, you could type "color" in the box to display only plug-ins that include the term "color" in the plugin name, description, or group name.

For more information, see "Adding transitions" on page 308.

The Video FX Window

Choose View >Window > Video FX to toggle the display of the Video FX window.

The left pane lists each of the available video effects organized in folders. Click the Expand and Collapse buttons to open and close the folders, and select a plug-in name. The thumbnail images in the right pane represent each of the existing presets for the selected effect. Hover your cursor over a preset to see an animated example.

You can drag a preset thumbnail to a track, event, or to the Video Preview window to apply the effect.

For more information, see "Adding video effects" on page 303.

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The Media Generators Window

Choose View >Window > Media Generators to toggle the display of the Media Generators window. You can use this window to add text, titles, backgrounds, and other generated media.

The left pane lists each of the available media generators organized in folders. Click the Expand and Collapse buttons to open and close the folders, and select a plug-in name. The thumbnail images in the right pane represent each of the existing presets for the selected generator. Hover your cursor over a preset to see an animated example.

You can drag a preset thumbnail to a track to add media.

For more information about using generated media, see "Adding generated media to your project" on page 312.

The Compositors Window

Choose View >Window > Compositors to toggle the display of the Compositors window. You can use this window to add compositing effects.

The left pane lists each of the available compositors organized in folders. Click the Expand and Collapse buttons to open and close the folders, and select a plug-in name. The thumbnail images in the right pane represent each of the existing presets for the selected compositor. Hover your cursor over a preset to see an animated example.

You can drag a preset thumbnail to a track to add media.

For more information, see "Compositing and masks" on page 369.

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The Plug-In Manager Window

Choose View >Window > Plug-In Manager to toggle the display of the Plug-In Manager window.

You can use this window to access effects and effects packages that can be applied to events, tracks, and busses. This window also allows you to rename and reorganize plug-ins. For more information, see "Applying effects" on page 290.

To add effects quickly, you can drag plug-ins and plug-in packages from the Plug-In Manager window to events, tracks, busses, and the Audio Plug-In, Video FX, or Video Preview windows.

The Video Scopes Window

Choose View >Window > Video Scopes to toggle the display of the Video Scopes window in Vegas® Pro.

Broadcast video uses a narrower range of color than the RGB you see on your computer. When you broadcast a project that contains out-of-gamut (out-of-range) colors, you can introduce image problems or even noise into the audio stream.

Use the scopes to analyze your video and adjust accordingly with the Brightness and Contrast, Broadcast Colors, Color Corrector, Color Corrector (Secondary), and Levels plug-ins before rendering.

Choose a setting from the drop-down list to choose which scope you want to display.

For more information, see "Monitoring video with scopes" on page 465.

The Surround Panner Window

Choose View >Window > Surround Panner to toggle the display of the Surround Panner window. Use the Surround Panner window to pan tracks, busses, and assignable effects chains.

For more information, see "5.1 surround projects" on page 415.

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The XDCAM Explorer Window

Choose View >Window > XDCAM Explorer to toggle the display of the XDCAM Explorer window.

You can use this window to import, manage, and export XDCAM clips.

For more information, see "Using the XDCAM Explorer Window" on page 391.

The Mixing Console Window

Choose View >Window > Mixing Console to display the Mixing Console window.

The Mixing Console window provides an integrated view of all tracks and busses in your project using the appearance of a traditional hardware-based mixer.

For more information, see "The Mixing Console" on page 335.

The Device Explorer Window

The Device Explorer allows you to browse and import clips from AVCHD, XDCAM EX, NXCAM, XAVC, XAVC S, Panasonic P2, and RED ONE/EPIC/SCARLET/WEAPON devices; CompactFlash-based memory recording units such as the HVR-MRC1; and hard-disk-based recording units such as the HVR-DR60.

For more information, see "Using the Device Explorer" on page 94.

Loudness meters

Choose View >Window > Loudness Meters to display the Loudness Meters window.

The Loudness Meters provide data about an audio file's momentary loudness, short-term loudness, integrated (overall) loudness, and loudness range. You can use these values when mastering for broadcast to ensure compliance with loudness standards (such as the CALM Act).

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The meters display real-time values for each of the following measurements:

n The M meter represents the momentary loudness — in loudness units (LU) — across all audio channels

based on 400-millisecond integration windows. The Momentary box displays a numeric representation of the momentary loudness.

n The S meter represents the short-term loudness — in loudness units — across all audio channels based on 3-

second integration windows. The Short box displays a numeric representation of the short-term loudness.

n The I meter represents the integrated loudness — in loudness units — across all audio channels over the

duration of the program. The Integrated box displays a numeric representation of the integrated loudness and includes an over-target indicator.

n The LRA meter represents the loudness range — in loudness units — of the momentary and short-term

levels. The Loudness Range measurement provides a standardized method of determining the dynamic range of the signal.

n The True peaks meter represents the peak levels in dB FS. True peaks are calculated using a higher sample rate

than peaks in the Master Bus window for increased accuracy.

The True Peaks indicator shows you whether the target loudness has been exceeded. The indicator is reset when you restart playback, or you can right-click the Loudness Meters window and choose Reset Clip from the shortcut menu.

The statistics on the left side of the window display the last-calculated values and are reset when you restart playback. You can reset the values by right-clicking the Loudness Meters window and choosing Reset Metering Engine from the shortcut menu.

Loudness is recalculated whenever you start, stop, seek, or change playback direction. If you want to force a recalculation, right-click the window and choose Reset Metering Engine from the shortcut menu.

When the Master bus mode drop-down list on the Audio tab of the Project Properties dialog is set to 5.1 Surround, surround processing is applied when measuring loudness (a gain of ~1.5 dB is applied to the left and right surround channels). When the Master bus mode drop-down list is set to Stereo, all channels contribute equally to the loudness measurement.

Choosing a metering mode

To change the mode of the meters, choose Options > Loudness Meters, and then choose EBU R 128 Mode or ATSC

A 85 Mode from the submenu (you can also right-click the meter to set its options).

n When using EBU R 128, the target value of the Integrated meter is -23 LUFS, and the maximum True peak

value is -1.0 dB FS. Use this mode when you're mastering to European Broadcasting Union (EBU) standards.

n When using ATSC A 85, the target value of the Integrated meter is -24 LUFS, and the maximum True peak

value is -2.0 dB FS. Use this mode when you're mastering to North American Advanced Television Systems Committee (ATSC) standards.

The over-target indicators will be triggered if the target values for Integrated and True Peaks meters are exceeded.

Choosing a loudness scale

To change the scale of the meter, choose Options > Loudness Meters >Loudness Scale, and then choose EBU +9 or EBU +18 from the submenu (you can also right-click the meter to set its options).

n When using EBU +9, the meters are displayed with a range of -18 to +9 LU.

n When using EBU +18, the meters are displayed with a range of -36 to +18 LU.

Choosing a wide range allows you to see low-level signals at the expense of precision display at high levels.

Select Absolute (-23 LUFS) if you want to display loudness values as Loudness Units Full Scale (LUFS). When Absolute (-23 LUFS) is not selected, all values are expressed as Loudness Units (LU) relative to the selected mode (EBU R 128 Mode or ATSC A 85 Mode).

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Configuring peak meters

To toggle the True Peaks meters in the Loudness Meters window, choose Options > Loudness Meters >Show True Peak Meter (you can also right-click the meter to set its options).

Please note that true peaks are calculated using a higher sample rate than peaks in the Master Bus window for increased accuracy.

Peak levels may be miscalculated if audio signals are asymmetrical or if a DC offset is present. To enable filtering, choose Options > Loudness Meters > True Peak Blocking Filter. When True Peak Blocking Filter is selected, peaks are calculated as the maximum of the filtered and unfiltered signals.

Choosing a wide range allows you to see low-level signals at the expense of precision display at high levels.

Working with projects

A project (.veg) file saves the relevant information about your source media: file locations, edits, insertion points, transitions, and effects.

A project file is not a multimedia file. It contains pointers to the original source files, so you can edit your project nondestructively — you can be creative without worrying about corrupting your source files.

Creating a new project

The first step in creating your masterpiece is to create a Vegas® Pro project file.

You can quickly create a project by clicking the New button on the toolbar. The project will use the default settings, but you can use the Project Properties dialog to edit the settings later. For more information, see "Setting project properties" on page 45.

1. From the File menu, choose New. The New Project dialog is displayed.

2. Use the New Project dialog to set your project properties.

3. Click OK to create the project.

Setting project properties

Use the Project Properties dialog to control the default settings and store information about the current project.

From the File menu, choose Properties to display the dialog.

Select the Start all new projects with these settings check box to use the current settings whenever a new project is created.

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Working with projects

Video

Use the Video tab to adjust the video format of your project. You can also click the Project Video Properties button

on the Video Preview window to display this tab.

Item Description

Template Allows you to select a preset template to automatically configure the

controls in the dialog.

You may also manually change the settings and save them as a custom template for future use. To create a new template, enter a

name in the text box and click the Save Template button . The new custom template name is added to the drop-down list.

To set your project properties to match the properties of an existing

media file, click the Match Media Settings button and browse to the file you want to use.

Width and Height Determines the frame size of your final movie when rendered. The

maximum frame size for AVI, MPEG, QuickTime, Windows Media, and still-image output is 2048x2048.

The maximum frame size is 4096x4096.

Field order Determines field order of the frames when drawn on the screen.

Consult your capture/video output card's documentation for the proper field order for your specific device.

n None (progressive scan): Select this option when viewing the

video on a computer. This option ignores interlacing.

n Upper field first: Select this option (also called odd or field A)

for video that will be viewed on a television.

n Lower field first: Select this option (also called even or field B)

for DV output or if Upper field first produces jittery or shaky output.

Pixel aspect ratio Choose a setting from the drop-down list to change the pixel aspect

ratio of your project. This setting will depend on your capture/video output card.

Computers display pixels as squares, or a ratio of 1.0. Televisions display pixels as rectangles (ratios other than 1.0).

Using the incorrect setting can result in distortion or stretching. Consult your capture/video output card's manual for the proper settings.

Item Description

Output rotation Choose a setting from the drop-down list to rotate your project's

output. Use output rotation to edit projects for display in portrait (rather than landscape) or inverted orientation:

In this example, the video was shot with the camera tripod rotated 90 degrees. However, with the project output unrotated, the video is pillarboxed within the standard landscape frame.

After choosing 90 clockwise° from the Output rotation drop-down list, the Video Preview window is rotated, and the video fills the frame.

If you want to rotate a media file's orientation, you can use the Rotation drop-down list on the Media Properties dialog.

For more information, see "Creating rotated projects" on page 57.

Frame rate Choose a setting from the drop-down list to change the frame rate of

your project.

The television frame rate in the US, North and Central America, parts of South America, and Japan (NTSC) is 29.97 frames per second (fps). In many parts of the world, including Europe and much of Asia, the television standard is PAL at 25 fps. France, Russia, and most of Eastern Europe use SECAM, which is a variation on PAL and also uses 25 fps.

Stereoscopic 3D mode Choose a setting from the drop-down list to create a stereoscopic 3D

project, or choose Off to create a 2D project.

By default, the project's Stereoscopic 3D mode, Swap Left/Right, and crosstalk cancellation settings will also be used when previewing and rendering your project, but you can override the project settings if necessary.

For more information, see "Setting up your stereoscopic 3D project" on page 201.

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Item Description

Pixel format Choose a setting from the drop-down list to indicate whether you

want to perform video processing (compositing, scaling, previewing, rendering, and most video plug-ins) using 8-bit or 32-bit, floatingpoint arithmetic.

n 8-bit: Performs video processing using 8-bit arithmetic and in

the video (studio RGB, or 16-235) color space.

n 32-bit floating point (video levels): Performs video processing

using 32-bit arithmetic and in the video color space.

n 32-bit floating point (full range): Performs video processing

using 32-bit arithmetic and in the full-range color space.

The 32-bit floating point settings allow greater precision for processing video, but require significantly more processing power than working with 8-bit video.

Tips:

n 32-bit floating point (video levels) is recommended when

working with 10-bit YUV input/output or when using xvYCC/x.v.Color media.

n When using 8-bit input/output, the 32-bit floating point

(video levels) setting can prevent banding from compositing that contains fades, feathered edges, or gradients.

n Video plug-ins and media generators that support floating-

point processing are included in the 32-bit floating point folder in the Transitions, Video FX, Media Generators, Compositors, and Plug-In Manager windows.

n If you're creating a 32-bit project, you can increase

performance during editing and playback by using the 8-bit setting during editing and switching to 32-bit floating point (video levels) before rendering.

Compositing gamma When you choose 32-bit floating point (full range) from the Pixel

format drop-down list, you can choose a compositing gamma value.

n 1.000 (Linear): The default setting when you choose 32-bit

floating point (full range) from the Pixel format drop-down list.

n 2.222 (Video): Processing in 8-bit video is always performed

using a setting of 2.222.

View transform Choose the reference view transform to use for the project. For more

information, see "Enabling color management in your Vegas Pro

project" on page 409.

Item Description

Full-resolution rendering quality

Choose a setting from the drop-down list to set the quality of the rendered video.

Unless you have specific performance problems, choose Good. Choosing Best can dramatically increase rendering times.

Good uses bilinear scaling without integration, while Best uses bicubic scaling with integration. If you're using high-resolution stills (or video) that will be scaled down to the final output size, choosing Best can prevent artifacts.

Some file formats allow you to associate a video rendering quality setting with a custom rendering template. Final rendering template settings override the Full-resolution rendering quality setting in the Project Properties dialog. For more information, see "Custom rendering templates" on page

508.

Motion blur type Choose a setting from the drop-down list to choose the curve that is

used to blur frames when you add a motion blur envelope to the video bus track. For more information, see "Video bus track" on page

244.

Motion blurring creates the illusion of motion on individual frames (much like using a long exposure time) and can make computergenerated animation appear more smooth and natural.

n Gaussian: Gives more weight to the central frame in the blur

and less weight to the outer frames. A bell-shaped curve is used between the central and outer frames. Gaussian blur is the best choice in most situations where blurring is required.

n Pyramid: Gives more weight to the central frame in the blur

and the least weight to the outer frames. A linear slope is used between the central and outer frames.

n Box: Uses an equal weighting for all frames, essentially

averaging the frames in the blur.

The Gaussian (asymmetric), Pyramid (asymmetric), and Box (asymmetric) settings use only the left half of each curve, from the central frame back. Asymmetric settings create a hard leading edge with a trailing blur behind the moving object.

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Item Description

Deinterlace method Choose a setting from this drop-down list to determine the method

used to render effects and deinterlace the two fields that make up a frame.

n None: Performs no deinterlacing.

n Blend fields: Uses contents from both fields and works well

for high-detail, low-motion video.

n Interpolate: Uses a single field at a time and works well for

high-motion, low-detail video.

n Smart adaptive (GPU only): An advanced deinterlacing

method that you can use when upscaling video for 4K/Ultra HD output.

This setting is for use with interlaced clips up to 2048x1080.

No deinterlacing occurs in the Draft and Preview video preview modes. The Good and Best modes apply the selected deinterlacing method.

Resample mode Choose a setting from the drop-down list to determine how video

frames will be resampled when the frame rate of a media file is lower than the project’s frame rate. This can occur either when the event has a velocity envelope or when the frame rate of the original media is different than the Frame rate setting on the Video tab of the Project Properties dialog.

With resampling, the intervening frames are interpolated from the source frames, much like a crossfade effect between the original frames. This may solve some interlacing problems and other jittery output problems.

n Smart resample

Resampling occurs only when an event's calculated frame rate does not match the project frame rate and the project frame rate is 24 fps or greater.

The calculated frame rate takes into account any changes made to event speed with velocity envelope, playback rate, and undersample rate.

n Force resample

Events are always resampled, regardless of frame rate or the output frame rate.

n Disable resample

No resampling will occur

You can override the project Resample mode setting for each event using the event switches. For more information, see "Applying switches to events" on page 179.

Item Description

Adjust source media to better match project or render settings

Select this check box if you want Vegas Pro to scale images or adjust interlacing to allow media files to work better with your project.

This setting will correct for the following types of inconsistencies:

n DV media will be cropped for 320x240 Internet renders to

prevent letterboxing.

n DV widescreen media will be cropped in HD projects.

n HD media will be cropped in DV widescreen projects.

n 486-line media will be cropped in 480-line projects.

n 480-line media will be padded in 486-line projects.

When the check box is cleared, source media files are processed with their native settings.

Prerendered files folder Prerendered video files are saved to this folder so that you don't need

to rerender the project every time you view it. For more information, see "Selectively prerender video" on page 458.

If you want to change the location of the folder, click the Browse button and choose a location. Ideally, this location should be on a different hard drive than the one where your operating system is installed.

Free storage space in selected folder

Prerendered files can consume significant drive space. Select a folder on an a/v-capable drive with ample free space: DV requires approximately 228 MB per minute.

Displays the total amount of available space on the selected drive.

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Audio

Use the Audio tab to change the data format of the current project.

Item Description

Master bus mode Choose Stereo from the drop-down list to create a two-channel

stereo project.

Choose 5.1 Surround if you want to perform advanced 5.1-channel mixing. For more information, see "5.1 surround projects" on page

415.

Working with projects

Number of stereo busses

Sample rate Choose a sample rate from the drop-down list or enter a value in the

Bit depth Select a setting from the drop-down list to specify the number of bits

Resample and stretch quality

Enable low-pass filter on LFE

Enter the number of stereo busses for the project. For more information, see "Adding audio busses" on page 322.

edit box.

used to store each sample. Higher values will increase the quality of playback and any recordings that you make.

Choose a setting from the drop-down list to determine the accuracy with which audio files will be resampled to match your project settings.

The Resample and stretch quality setting also determines the quality of processing when time-stretching audio events. For more information, see "Editing event properties" on page 183.

Select this check box if you want to apply a low-pass filter to each track in a 5.1 surround project that is assigned to the LFE channel. For more information, see "5.1 surround panning and mixing" on page

417.

Applying a low-pass filter approximates the bass-management system in a 5.1 decoder and ensures that you're sending only lowfrequency audio to the LFE channel.

Before rendering your surround project, check your surround authoring application's documentation to determine its required audio format. Some encoders require a specific cutoff frequency and rolloff, and your encoder may require that no filter be applied before encoding.

Cutoff frequency for low-pass filter

Low-pass filter quality Choose a setting from the drop-down list to determine the sharpness

Choose a frequency from the drop-down list or type a frequency in the box to set the frequency above which audio will be ignored by the LFE channel.

of filter's rolloff curve. Best produces the sharpest curve.

Item Description

Recorded files folder When you record audio tracks, your recorded files are saved in a

single folder.

If you have not specified a location, you will be prompted for the location where you want to save your recorded audio when you click the Arm for Record button in the track header:

Free storage space in selected folder

Displays the total amount of available space on the selected drive.

Ruler

Use the Ruler tab to change the format used to display the timeline ruler. Vegas Pro also sends tempo information to tempo-aware audio plug-ins.

Item Description

Ruler time format Choose a setting from the drop-down list to choose how you want

the Time Ruler to be displayed. You can change the format at any time after project creation.

For more information about each time format, see "Time ruler" on page 561.

Ruler start time Enter the desired starting time for the project.

For example, the ruler can be offset to start at 1 hour for timecode synchronization purposes.

Beats per minute Enter your project tempo in Beats Per Minute.

This tempo is used to determine the scale of the ruler (if you choose Measures & Beats from the Ruler time format drop-down list) and to specify the tempo used by the metronome.

Select the Import at project tempo check box on the Audio tab of the Preferences dialog if you want ACID loops to be stretched to match the project tempo when you add them to the timeline or preview from the Explorer window. Clear the Import at project tempo check box if you want to ignore tempo information.

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Working with projects

Item Description

Beats per measure Specify the number of beats in each measure.

This tempo is used to determine the scale of the ruler (if you choose Measures & Beats from the Ruler time format drop-down list) and to specify the tempo used by the metronome.

Note that gets one beat Specify the note that receives one beat. For example, if this value is

four, then a quarter note gets one beat.

This tempo is used to determine the scale of the ruler (if you choose Measures & Beats from the Ruler time format drop-down list) and to specify the tempo used by the metronome.

Summary

Item Description

Title Enter a title for the project.

Artist Enter the name of the artist.

Engineer Enter the name of the person who mixed or edited the project.

Comments Enter any comments you want to associate with the project.

Audio CD

Use the Audio CD tab to configure options for burning disc-at-once CDs. For more information, see "Disc-at-once

(DAO or Red Book) CD Burning" on page 478.

Item Description

Universal Product Code/ Media Catalog Number

First track number on disc

Universal Product Codes (UPC) or Media Catalog Numbers (MCN) can be written to a CD as a means of identification. However, not all CD-R drives support this feature. Check your CD-R drive documentation to determine if your drive will write these codes.

Enter the code in this box, and the codes will be written to the CD along with the rest of the project.

Universal product codes are administered by GS1 US:

http://www.gs1us.org/.

Enter a number in the box or to specify the track number of the first track.

Specifying a value other than one will produce a valid Red Book CD, but some audio CD players may be unable to play the disc.

Opening a project or media file

From the File menu, choose Open to open a media file or Vegas Pro project.

You can open multiple Vegas Pro projects by launching another instance of the application (if your computer has enough resources).

n Opening a project closes the current project and displays the opened project in the Vegas Pro window.

n Opening a media file will place the event that contains the media onto a new track in the current project.

Opening a Vegas Pro project

1. From the File menu, choose Open. The Open dialog box is displayed.

2. Choose the folder where the project you want to open is stored:

n Choose a drive and folder from the Look in drop-down list.

n Choose a folder from the Recent drop-down list to quickly select a folder from which you have

previously opened files.

3. Select a file in the browse window or type a name in the File name box. Detailed information about the

selected file appears at the bottom of the dialog box.

Tips:

n To limit the files displayed in the dialog, choose a file type from the Files of Type drop-down list

or enter *. and an extension in the File name box. For example, enter *.wav to display all wave files in the current folder, or enter *guitar*.wav to display all wave files that have the word guitar in the file name.

n To open a project quickly, double-click a .veg file in the Explorer window.

4. Click Open. If you have not saved the current project, you will be prompted to save your changes.

Adding a Vegas Pro project to the current project (nesting)

Nesting allows you to add a Vegas Pro project to the timeline of another project. Nesting can help you organize a timeline or create other effects. For more information, see "Nesting projects" on page 59.

Use nested projects to organize a project that uses extensive compositing.

Perform either of the following actions to nest a Vegas Pro project within the current project:

n Drag a Vegas Pro project from the Explorer window (or Windows Explorer) to the timeline.

n From the File menu, choose Import, then choose Media from the submenu, and then browse to the project

you want to use.

The file is added to the Project Media window and an event is created where you drop the project in the timeline or at the cursor position before you opened the Import Media dialog.

Opening a media file

1. From the File menu, choose Open. The Open dialog box is displayed.

2. Choose the folder where the file you want to open is stored:

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Working with projects

n Choose a drive and folder from the Look in drop-down list.

n Choose a folder from the Recent drop-down list to quickly select a folder from which you have

previously opened files.

3. Select a file in the browse window or type a name in the File name box. Detailed information about the

selected file appears at the bottom of the dialog box.

To limit the files displayed in the dialog, choose a file type from the Files of Type drop-down list or enter *. and an extension in the File name box. For example, enter *.wav to display all wave files in the current folder, or enter *guitar*.wav to display all wave files that have the word guitar in the file name.

If you want to use RAW camera files in your project, the Microsoft Camera Codec Pack will allow you to view RAW camera files and add them to the timeline. For more information, see

http://www.microsoft.com/download/en/details.aspx?id=26829.

4. Click Open.

5. The file is added to the Project Media window and an event is created. The event is created at the cursor

position in the selected track, or a new track will be created if no tracks of the appropriate type exist. For example, if your current project contains three audio tracks when you open an AVI file, a video track will be created for the AVI.

Opening a still-image sequence

If you've exported a video clip as a still-image sequence using another application (a 3D-rendering application, for example), you can add the sequence to the Vegas Pro timeline as a single event.

1. From the File menu, choose Open. The Open dialog box is displayed.

2. Choose the folder where the sequence you want to open is stored:

n Choose a drive and folder from the Look in drop-down list.

n Choose a folder from the Recent drop-down list to quickly select a folder from which you have

previously opened files.

3. Select the first image in the sequence (or the image you want to use to start the event). Detailed information

about the selected file appears at the bottom of the dialog box.

4. Select the Open sequence check box.

5. In the Last image box, type the number of the last image you want to open. For example, if you'd selected

AnimationOne_00001.tga in step 3, you could type 120 in this box to create a new event using AnimationOne_

00001.tga to AnimationOne_00120.tga.

6. Click Open to display the Media Properties dialog, where you can view or edit information about the

sequence. For more information, see "Viewing or changing media file properties" on page 99.

7. Click OK. A new event is created at the cursor position in the selected track (a new track will be added if no

track is selected). Each image in the sequence will be displayed for one frame.

Opening a CD Architect version 4 project

If you have existing CD Architect version 4 projects, you can use Vegas Pro to open your project files and create Red Book CDs.

1. From the File menu, choose Open. The Open dialog box is displayed.

2. Choose the folder where your CD Architect project file (.cdp) is stored:

n Choose a drive and folder from the Look in drop-down list.

n Choose a folder from the Recent drop-down list to quickly select a folder from which you have

previously opened files.

3. Select a project file in the browse window or type a name in the File name box.

4. Click Open. If you have not saved the current project, you will be prompted to save your changes.

For more information about creating Red Book CDs, see "Disc-at-once (DAO or Red Book) CD Burning" on page 478.

Creating rotated projects

The use of rotated displays — monitors that display vertical media — has become increasingly popular: you can see them in kiosks, presentations, and even on the nightly news. If you have a project that you'd like to display in a rotated format, Vegas Pro makes it easy.

1. Create a new project.

2. Set your project properties as needed, and then choose a setting from the Output rotation drop-down list to

indicate the orientation of your destination display device. If you want to display your project in portrait (tall) mode, choose 90° clockwise or 90° counterclockwise. For more information, see "Setting project properties" on page 45.

In this example, the video was shot with the camera tripod rotated 90 degrees. However, because neither the project or the media has been rotated, the video is displayed sideways within the standard landscape frame.

After choosing 90° clockwise from the Output rotation drop-down list, the Video Preview window is rotated. Because the media hasn't been rotated yet, it doesn't match the project orientation and is letterboxed within the frame.

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Working with projects

3. Add your media files to your project. For more information, see "Adding media files to your project" on page

123.

4. Edit the properties for each of your media files to set its rotation as needed:

a. Right-click a media file in the Project Media window and choose Properties from the shortcut menu.

The Media Properties dialog is displayed.

b. Choose a setting from the Rotation drop-down list to indicate the direction you want to rotate your

media.

After choosing 90° clockwise from the Rotation drop-down list, the media is rotated, and the video fills the frame.

c. Click OK to close the Media Properties dialog and save your changes.

To rotate multiple files quickly, select them in the Project Media window, right-click a selected file, and then choose Rotate 90° Clockwise or Rotate 90° Counterclockwise from the shortcut menu.

5. Drag your clips from the Project Media window to the timeline to create events.

6. Edit your project as needed. For more information, see "Editing events on the timeline" on page 122.

7. Render your project to any supported rendering format. For more information, see "Rendering projects

(Render As)" on page 497.

In the Render As dialog, click the Render Options button and select the Use project output rotation setting check box if you want to use the Output rotation setting from the Project Properties dialog for your rendered file. When the check box is cleared, the media is rotated according to its Media Properties setting, but the project itself is unrotated—you can use this setting to proof your project on an unrotated display.

To render a portrait-oriented file for viewing on a computer without a rotated display, you can create a rendering template that matches the proportions of your project. For more information, see "Custom

rendering templates" on page 508.

a. Right-click the Video Preview window and ensure Simulate Device Aspect Ratio is selected.

b. Next, adjust the size of the Video Preview window to match the frame size you'd like to render and

note the Display dimensions in the lower-right corner of the Video Preview window.

c. From the File menu, choose Render As, choose the desired rendering format from the Formats box

list, and then choose a rendering template that's close to the frame size you noted in step b. Windows Media Video is a good choice.

d. Click the Custom button, and then use the Video tab in the Custom Template dialog to adjust the

frame size to match the dimensions you noted in step 7b.

e. Save your template for later use.

f. Clear the Use project output rotation setting check box and render your file.

Nesting projects

Nesting allows you to add a Vegas Pro project to the timeline of another project. Nesting can help you organize a timeline or create other effects:

n Create a single element — such as a lower-third graphic or watermark — that you can use in multiple timeline

locations or projects.

n Create a complex composited element that you can use as a single media object in the timeline. For more

information, see "Compositing video" on page 369.

n Create a transition across multiple events by placing the events in a nested project and applying a transition

to the nested project event.

n Create a musical composition with its own tempo and FX bus structure that you can use in another project.

n Create a separate project for each scene in a video and nest those projects in a master video project. You can

apply color correction to each shot within the scene and then apply color correction to the entire scene in the master project.

n Use master projects to deliver a single project in multiple formats without time- and disk-consuming

intermediate renders: for example, you could add your 24p, 16:9 HD (high-definition) project to a master project to reformat the project as widescreen SD (standard definition) for DVD, letterboxed SD for VHS, 4:3 pan-and-scan SD, or 25p.

Perform either of the following actions to nest a Vegas Pro project within the current project:

n Drag a Vegas Pro project from the Explorer window (or Windows Explorer) to the timeline.

n From the File menu, choose Import, then choose Media from the submenu, and then browse to the project

you want to use.

The file is added to the Project Media window and an event is created where you drop the project in the timeline (or at the cursor position if import or use the Explorer to open a project file).

You can edit the nested project's events just like any other event on the timeline: trim, shuffle, stretch, crop, or apply event switches.

For more information, see "Editing events on the timeline" on page 122.

Notes:

n The output from the nested project's master bus is used to create the audio event. If you nest a 5.1 surround

project, the audio event will be a stereo downmix of the surround master bus. For more information, see "5.1

surround projects" on page 415.

n Audio events from nested projects cannot be edited in a sound editor. For more information, see "Opening

events in an audio editor" on page 182.

n The audio from a nested project will require that a proxy file be built. To avoid building proxy files, delete

audio from nested projects and use the master project to create your audio.

From the Tools menu, choose Rebuild Offline Nested Audio to rerender any offline audio proxy files in your project. Audio proxy files can be offline if you cancel rendering when adding a nested project.

n Markers and regions in the nested project are displayed in the timeline as media markers in the event. For

more information, see "Using media markers and regions" on page 217.

n Prerendered video from a project will be used when that project is nested in another project's timeline.

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Working with projects

n You can edit a nested project by right-clicking the event in the timeline and choosing Edit Source Project from

the shortcut menu. A new Vegas Pro window will open to allow you to edit the project. For more information, see "Project references in rendered files" on page 61.

Opening a recent project

A list of recently used project files is maintained at the bottom of the File menu. Choosing a project from this list allows you to quickly return to work on that project.

You can use the General tab in the Preferences dialog to turn the recently used file list on or off and to specify how many files should be displayed. For more information, see "Preferences - General Tab" on page 567

Saving a project

From the File menu, choose Save to save changes to the current Vegas Pro project (.veg). When a Vegas Pro project is saved, all of the layout of tracks, envelope adjustments, effects parameters, etc. are saved in this project file.

The first time you save a project, the Save As dialog is displayed.

If you want to keep the previous version of your project before you made changes, use the Save As command to save the new version of the project with a new name. For more information, see "Saving and renaming a

project (Save As)" on page 60.

Automatic project saving

A backup copy of your project is automatically saved every five minutes. If your system crashes, you will be prompted to open the backup file the next time you start the application.

Backup files are saved in the location specified in the Temporary files folder box on the General tab of the Preferences dialog. Files are saved with the .autosave.veg extension and are deleted when you exit the application. For more information, see "Preferences - General Tab" on page 567.

If you prefer not to autosave your project, you can clear the Enable autosave check box on box on the General tab of the Preferences dialog.

When you save a project, .veg.bak files are created in your project folder to allow you to return to the project's last-saved state. Creation of backup files is independent of automatic project saving.

Saving and renaming a project (Save As)

From the File menu, choose Save As to save the current project to a different location or with a new name.

1. From the File menu, choose Save As.

2. Select the drive and folder where you want to store the project.

3. Type a name in the File Name box.

4. From the Save as Type drop-down list, choose the format in which you want to save the project.

Extension Format Name Description

.veg Vegas Pro

project

.txt EDL text file This option creates a text version of event placements in the

.aaf Edit Protocol

Compliant AAF File

.aaf Avid Legacy

AAF File

5. Select the Copy media with project check box if you want to create copies of each of the project's media files

in the same location as the project file. This allows you to collect all of a project's assets in a single location.

6. Click the Save button.

7. If you selected the Copy media with project check box, a dialog is displayed to allow you to specify how you

want to copy media files:

This option saves the references to media files used in the project. Also saved is project information, track effects, envelopes, bus assignments, and output properties. The .veg file does not combine events into a single file.

track view. This text description can then be imported into a database or text application for modification or other purposes.

These options create AAF (Advanced Authoring Format) files that you can use to exchange projects between applications. For example, if your postproduction facility uses a tool other than Vegas Pro software, you could provide your project as an AAF file.

For more information, see "Importing and exporting AAF

files" on page 67.

n Select the Copy source media radio button to copy the entire source media files to your project folder.

Any project media files from folders outside the project folder are copied to the project folder. Media files that are saved in folders below the project folder are not copied.

n Select the Create trimmed copies of source media radio button and enter a value in the Extra head and

tail box to reduce the number and size of media files necessary to represent your project.

Your project will be scanned to determine how much of each media file is being used and those regions will be rendered to new media files. The amount of time specified in the Extra head and tail setting will be added before and after the media file to allow subsequent edits. All events are then updated to point to the new files. Finally, inactive takes are removed from the project, and the project is saved.

The newly rendered files will match the source files' properties as closely as possible:

n Audio/video events are saved in a new AVI file. You can trim DV AVI, uncompressed AVI, and

YUV AVI files. Because of the lossy nature of other video formats, those video files will not be trimmed, but will simply be copied to the project folder.

n Audio-only events will be rendered to the Wave format if under 2 GB (or Wave64 if over 2 GB),

and DV files will be rendered as DV AVI files.

Project references in rendered files

When your Vegas Pro project uses media that was rendered with an embedded project path reference, you can easily open the source project in the associated application if you need to edit the media later. ACID 5.0, Sound Forge 8.0,

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Working with projects

and Vegas Pro 6.0 and later allow you to save the project path reference when you render files.

For example, imagine that you have an audio file on the Vegas Pro timeline that was rendered from an ACID project. In previewing your Vegas Pro project, you discover that you'd accidentally rendered your ACID project with a critical track muted. You could simply right-click the event on the Vegas Pro timeline and choose Edit Source Project from the shortcut menu to reopen your ACID project, unmute the track, and then rerender it.

The project information in the rendered file is a reference to a project file only. If you modify the project file after rendering, the project data will no longer match the rendered file. To edit a project using a path reference, the project file and all media must be available on your computer.

Saving the project path in the rendered file

1. Save your Vegas Pro project. The project must be saved before you can embed the project reference in the

rendered file.

2. Perform the procedure described in the Rendering Projects topic to choose the file type and location for

rendering your files, and select the Save project as path reference in rendered media check box.

For more information, see "Rendering projects (Render As)" on page 497.

The check box will be unavailable if you haven't saved your project or if you're rendering using a thirdparty file-format plug-in.

Editing a referenced project

1. Perform one of the following actions:

n Right-click a media file in the Explorer window.

n Right-click a media file in the Project Media window.

n Right-click an event on the timeline.

2. From the shortcut menu, choose Edit Source Project. An ACID, Vegas Pro, or Sound Forge window will open

with the source project.

To edit a source project using a computer other than the computer where the project was created, the editing computer must meet the following requirements:

n The software that was used to create the project must be installed and the project file extension (.acd,

.acd-zip, .veg, .vf, or .frg) must be registered on the editing computer.

n The editing computer must have the same version (or later) of the software that was used to create

the project.

n The project file must exist on the editing computer using the same file path as on the computer where

the project was created.

n The project's source media must exist on the editing computer. If the media files do not use the same

file path as on the computer where the project was created, you will be prompted to choose a new folder or replacement files.

3. Edit the project as necessary.

4. Render the edited project using the same name as the original media file and close the editing application.

If you're editing an existing track, your project will automatically be updated to use the latest rendered media file.

Sharing a project online

From the File menu, choose Share Online and then follow the on-screen instructions to choose a publishing provider and save your current project to the Web so you can share it with others.

Uploading your movie to YouTube

When you're done with your movie, you're probably going to want to share it with your friends and family as soon as possible.

This feature requires that you have a YouTube account. If you don't already have an account, you can go to

http://www.youtube.com/signup to sign up.

1. From the File menu , choose Share Online > Upload to YouTube. The Upload to YouTube dialog is displayed.

2. Type a title to identify your video in the Title box.

The information from the Title box of on the Summary tab of the Project Properties dialog is used by default.For more information, see "Setting project properties" on page 45.

3. Type a description of your movie in the Description box.

The information from the Comments box on the Summary tab of the Project Properties dialog is used by default.

4. Type keywords you want to associate with your movie in the Tags box. Use words that relate to your movie

and describe its content. These tags will be used when searching YouTube. Use commas to separate multiple keywords.

If you are uploading a stereoscopic 3D project, Vegas Pro automatically adds the tags needed to enable 3D viewing on YouTube. For more information, see "Stereoscopic 3D editing" on page 201.

5. Select the Public or Private radio button to set broadcast options for your movie. Public videos can be seen by

any YouTube user; private videos can be seen only by members you specify.

6. Select the Normal or Higher radio button to set the video quality for your movie. The Higher setting creates

better-looking video for broadband connections but will take longer to render.

The estimated file size is displayed at the bottom of the dialog.

7. Select the Render and upload loop region only check box if you want to save only the portion of the project

that is contained within the loop region. Loop Playback does not need to be selected for this option to work.

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8. Click the Upload button to start uploading your movie to YouTube. If you do this the first time, the Log In to

Google dialog is displayed. Log in to your Google account with your Google Email and Password. Now select the Youtube account that is connected to your Google account and authorize MAGIX AG to manage your Youtube account.

Note that you authorize not only your Vegas Pro program to access your Youtube account but any MAGIX Video Editing Software. That means, once authorized you can use the Youtube upload with any recent MAGIX video program without entering any password again. To revoke the access, go to your

Google connected Apps settings, click on MAGIX AG and click Remove.

9. After the upload has finished your web browser will open on the site to let you edit further settings of the just

uploaded video.

Uploading your movie to Facebook

When you're done with your movie, you can upload it to Facebook to share it with your friends, family, and followers.

This feature requires that you have a Facebook account. If you don't already have an account, you can go to

http://www.facebook.com/ to sign up.

1. From the File menu , choose Share Online > Upload to Facebook. The Upload to Facebook dialog is displayed.

2. Type a title to identify your video in the Title box.

The information from the Title box of on the Summary tab of the Project Properties dialog is used by default.For more information, see "Setting project properties" on page 45.

3. Type a description of your movie in the Description box. This description will be included when your video is

posted.

The information from the Comments box on the Summary tab of the Project Properties dialog is used by default.

4. Add tags in the Tags field to make it easier to find your videos on the site.

5. Select the Normal or Higher radio button to set the video quality for your movie. The Higher setting creates

better-looking video for broadband connections but will take longer to render.

The estimated file size is displayed at the bottom of the dialog.

6. Select the Render and upload loop region only check box if you want to save only the portion of the project

that is contained within the loop region. Loop Playback does not need to be selected for this option to work.

7. Click the Upload button to start uploading your movie to Facebook. If you do this the first time, the Log In to

Facebook dialog is displayed. Log in to your Facebook account with your Email and Password . Now click on Allow to authorize Vegas Pro to access your Facebook account.

Note that you authorize not only your Vegas Pro program to access your Facebook account but any MAGIX Video Editing Software. That means, once authorized you can use the Facebook upload with any recent MAGIX video program without entering any password again.

8. After the upload has finished your web browser will open on the site to let you edit further settings of the just

uploaded video.

Uploading your movie to Vimeo

When you're done with your movie, you can upload it to Vimeo to share it with your friends, family, and followers.

This feature requires that you have a Vimeo account. If you don't already have an account, you can go to

https://vimeo.com to sign up.

1. From the File menu , choose Share Online > Upload to Vimeo. The Upload to Vimeo dialog is displayed.

2. Type a title to identify your video in the Title box.

The information from the Title box of on the Summary tab of the Project Properties dialog is used by default.For more information, see "Setting project properties" on page 45.

3. Type a description of your movie in the Description box. This description will be included when your video is

posted.

The information from the Comments box on the Summary tab of the Project Properties dialog is used by default.

4. Add tags in the Tags field to make it easier to find your videos on the site.

5. Select the Normal or Higher radio button to set the video quality for your movie. The Higher setting creates

better-looking video for broadband connections but will take longer to render.

The estimated file size is displayed at the bottom of the dialog.

6. Select the Render and upload loop region only check box if you want to save only the portion of the project

that is contained within the loop region. Loop Playback does not need to be selected for this option to work.

7. Click the Upload button to start uploading your movie to Vimeo. If you do this the first time, the Log In to

Vimeo dialog is displayed. Log in to your Vimeo account with your Vimeo Email and Password or use your Facebook credentials. Now click on Allow to authorize Vegas Pro to access your Vimeo account.

Note that you authorize not only your Vegas Pro program to access your Vimeo account but any MAGIX Video Editing Software. That means, once authorized you can use the Vimeo upload with any recent MAGIX video program without entering any password again. To revoke the access, go to your Vimeo profile settings and remove the MAGIX Video Editing App under Connected Apps.

8. After the upload has finished your web browser will open on the site to let you edit further settings of the just

uploaded video.

Uploading your movie to YouTube

When you're done with your movie, you're probably going to want to share it with your friends and family as soon as possible.

This feature requires that you have a YouTube account. If you don't already have an account, you can go to

http://www.youtube.com/signup to sign up.

1. From the File menu , choose Share Online > Upload to YouTube. The Upload to YouTube dialog is displayed.

2. Type a title to identify your video in the Title box.

The information from the Title box of on the Summary tab of the Project Properties dialog is used by default.For more information, see "Setting project properties" on page 45.

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