Mackie PPM808M User Manual

PPM 808M
PPM 808M
Eight Channel Monaural Powered Mixer
The PPM™ Series mixers are comprised of three compact powered mixers, designed for portable live sound applications. Each powered mixer in the PPM Series has two graphic equalizers, built-in stereo digital Current
designed for rugged, day-in and day-out road use. Their sturdy composite-molded case houses rugged, double-sided SMT-plated berglass circuit boards. Impact-resistant knobs are mounted so they “ride” just above the steel front panel.
and two stereo mic/line input channels (summed to the main bus), with XLR mic inputs and 1/4" TRS line inputs. All mono channels have 1/4" TRS insert jacks (tip = send, ring = return). Each channel strip has one monitor and one internal/external effects send, plus 3-band EQ and input trim with individual level-set LEDs. A rotary volume control provides output gain for each channel.
noise mic preamps. Trim controls provide 40 dB of microphone gain, 20 dB of line-level gain, and a full 20 dB nel also includes a level-set LED for easy level setting.
quency EQ (±15 dB), 2.5 kHz peaking mid-frequency EQ (±12 dB), and 80 Hz shelving low-frequency EQ (±15 dB).
to pins 2 and 3 of the XLR inputs, and a break switch mutes channels 1-6 while break music is playing. Left and right RCA tape inputs are provided with an adja­cent input level control for connecting a tape deck or CD player.
effects with 16 presets, and two FR Series High-
power ampliers.
Like all Mackie mixers, the PPM Series mixers are
The 808M has six mono mic/line input channels
The inputs include Mackie’s high-headroom, low-
of attenuation to “pad” hot signals. Each chan-
Channel EQs are as follows: 12 kHz shelving high-fre-
A global phantom power switch applies +15 Vdc
MIXER
PPM 808M
Features
Eight microphone/line inputs Two stereo line inputs (on channels 7 and 8) 600 W main output power amplier 600 W monitor output power amplier 9-band graphic EQ on Main and
Monitor outputs
EMACTM custom 32-bit precision digital stereo
effects processor Two auxiliary sends (EFX and MON) 3-band EQ on each channel 1/4" and XLR connectors on each input 1/4" Insert jacks on channels 1-6 Two 1/4" Speaker outputs per side RCA stereo Tape In and Tape Out Compressors (switchable) on both outputs 15 V phantom power Three-year warranty
Both the Monitor Master and Main Master rotary controls have corresponding EFX controls to mix the effects signal with the monitor and main outputs. Eight LEDs indicate the output signal level for each main and monitor output. Outputs include a 1/4" TRS mixer line output, a 1/4" TRS monitor line output, and left and right RCA tape line outputs.
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Related Products
PPM 406M and PPM 808S
Applications
Restaurants and Bars Meeting Rooms Churches/Sanctuaries Outdoor Gatherings
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PPM 808M
Powered Mixer
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PPM 808M
MIXER
PPM 808M Technical Specications
Powered Mixer
Mixer Section
Frequency Response
Mic Input to Main Mixer Output (Trim at 0 dB):
+0, –1 dB, 32 Hz to 20 kHz +0, –3 dB, 16 Hz to 80 kHz
Mic Input to Power Amp Output @ rated power output:
+0, –1 dB, 32 Hz to 20 kHz +0, –3 dB, 16 Hz to 55 kHz
Distortion
PPM 808M
THD and SMPTE IMD; 20 Hz to 20 kHz
Mic Input to Main Mixer Output:
< 0.005% @ +4 dBu output
Mic Input to Power Amp Output:
< 0.15%, 250 mW to rated power
Common Mode Rejection Ration (CMRR)
60 dB @ 1 kHz, Trim @ 0 dB
Noise 20 Hz to 20 kHz BW (150 Ω source impedance)
Equivalent Input Noise (EIN): –127 dBu Residual Output Noise:
Main Mixer, Monitor, & Effects outputs Channel & Master levels off –95 dBu
Main Mixer Output Noise:
Master @ nominal (–10 dB), all channels off –92 dBu Master & 1 input channel @ nominal (–10 dB & –20 dB), Trim @ 0 dB –85 dBu
Crosstalk
Adjacent Inputs or Input to Output: –90 dB @ 1 kHz Fader Off –90 dB @ 1 kHz Break Switch Mute –80 dB @ 1 kHz
Input Level Trim Control Range
0 to –40 dB
Phantom Power
+15 Vdc
Equalization
Rumble Reduction: 75 Hz, –18 dB/octave Channel EQ:
High ±15 dB @ 12 kHz Mid ±12 dB @ 2.5 kHz Low ±15 dB @ 80 Hz
Graphic EQ (9 bands):
Q = 1.414, ISO octave centers ±15 dB @ 63, 125, 250, 500 1 k, 2 k, 4 k, 8 k, 16 kHz
Maximum Input Levels
Mic Input: –20 dBu, Trim @ 0 dB (HI) +20 dBu, Trim @ 40 dB (LOW)
Line Input: 0 dBu, Trim @ 0 dB (HI) +40 dBu, Trim @ 40 dB (LOW)
Insert Input: +20 dBu Stereo Line Input: +20 dBu Tape Input: +20 dBu Effects Return: +20 dBu Power Amp In: +22 dBu
Input Sensitivity
Minimum Input Level to produce +4 dBu @ Main Mixer Output
Mic Input: –68 dBu Insert Input: –28 dBu Line Input: –48 dBu Stereo Line Input: –28 dBu Tape Input: –18 dBu Effects Return: –18 dBu
Maximum Voltage Gain
Mic Input to Insert Output: 40 dB Tape Output: 60 dB Main Mixer Output: 72 dB
Line Input to Insert Output: 20 dB Tape Output: 20 dB Main Mixer Output: 52 dB
Stereo Line Input to Tape Output: 20 dB Main Mixer Output: 32 dB
Tape Input to Tape Output: 10 dB Main Mixer Output: 22 dB
Effects Return to Main Mixer Output: 22 dB Monitor Output: 22 dB
Input Impedance
Mic Input: 3 kΩ, balanced Insert Input: 10 kΩ, unbalanced Line Input: 40 kΩ, balanced Stereo Line Input: 10 kΩ, unbalanced Tape Input: 10 kΩ, unbalanced Effect Return: 10 kΩ, unbalanced Power Amp In: 10 kΩ, unbalanced
Main Mixer Section Rated Output
Main Mixer, Monitor, & Effects: +4 dBu Maximum Main Mixer Section Output: +20 dBu
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