STUDIO RECORDING PREAMP
with 192kHz FIREWIRE INTERFACE
OWNER’S MANUAL
Important Safety Instructions
instructions in the literature accompanying the appliance.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in accordance with the
ONYX 1200F
manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers,
stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type
plug. A polarized plug has two blades with one wider than the other.
A grounding-type plug has two blades and a third grounding prong.
The wide blade or the third prong are provided for your safety. If the
provided plug does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10.
Protect the power cord from being walked on or pinched particularly at
plugs, convenience receptacles, and the point where they exit from the
apparatus.
11.
Only use attachments/accessories specified by the manufacturer.
12.
Use only with a cart, stand, tripod, bracket, or
PORTABLE CART
table specified by the manufacturer, or sold with
the apparatus. When a cart is used, use caution
when moving the cart/apparatus combination to
avoid injury from tip-over.
13.
Unplug this apparatus during lightning storms or
when unused for long periods of time.
14.
Refer all servicing to qualified service personnel. Servicing is required
when the apparatus has been damaged in any way, such as powersupply cord or plug is damaged, liquid has been spilled or objects have
fallen into the apparatus, the apparatus has been exposed to rain or
moisture, does not operate normally, or has been dropped.
15.
This apparatus shall not be exposed to dripping or splashing, and no
object filled with liquids, such as vases, shall be placed on the apparatus.
16.
This apparatus has been designed with Class-I construction and must
be connected to a mains socket outlet with a protective earthing connection (the third grounding prong).
17.
This apparatus has been equipped with a single-pole, rocker-style AC
mains power switch. This switch is located on the front panel and
should remain readily accessible to the user.
CAUTION
RISK OF ELECTRIC SHOCK. DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK)
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL
The lightning flash with arrowhead symbol within an equilateral triangle is
intended to alert the user to the presence of uninsulated "dangerous
voltage" within the product's enclosure, that may be of sufficient magnitude
to constitute a risk of electric shock to persons.
WARNING
18. NOTE: This equipment has been tested and found to comply with
the limits for a Class B digital device, pursuant to part 15 of the FCC
Rules. These limits are designed to provide reasonable protection
against harmful interference in a residential installation. This
equipment generates, uses, and can radiate radio frequency energy
and, if not installed and used in accordance with the instructions,
may cause harmful interference to radio communications. However,
there is no guarantee that interference will not occur in a particular
installation.
If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the
equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
CAUTION: Changes or modifications to this device not expressly
approved by LOUD Technologies Inc. could void the user’s authority to
operate the equipment under FCC rules.
19. This apparatus does not exceed the Class A/Class B (whichever is
applicable)
set out in the radio interference regulations of the Canadian Department
limits for radio noise emissions from digital apparatus as
of Communications.
ATTENTION — Le présent appareil numérique n’émet pas de bruits
radioélectriques dépassant las limites applicables aux appareils numériques de
class A/de class B (selon le cas) prescrites dans le réglement sur le brouillage
radioélectrique édicté par les ministere des communications du Canada.
20.
Exposure to extremely high noise levels may cause permanent hearing
loss. Individuals vary considerably in susceptibility to noise-induced
hearing loss, but nearly everyone will lose some hearing if exposed to
sufficiently intense noise for a period of time. The U.S. Government’s
Occupational Safety and Health Administration (OSHA) has specified
the permissible noise level exposures shown in the following chart.
According to OSHA, any exposure in excess of these permissible limits
could result in some hearing loss. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all
persons exposed to equipment capable of producing high sound pressure levels use hearing protectors while the equipment is in operation.
Ear plugs or protectors in the ear canals or over the ears must be worn
when operating the equipment in order to prevent permanent hearing
loss if exposure is in excess of the limits set forth here.
Duration, per
day in hours
890Duo in small club
692
495Subway Train
397
2100Veryloudclassicalmusic
1.5102
1105Fooyoung screaming at desTROYer about deadlines
0.5 110
0.25 or less 115Loudest parts at a rock concert
Sound Level dBA,
Slow Response
Typical Example
WARNING — To reduce the risk of fire or electric shock, do not
expose this apparatus to rain or moisture.
The exclamation point within an equilateral triangle is intended to alert the
user of the presence of important operating and maintenance (servicing)
Correct Disposal of this product: This symbol indicates that this product should not be disposed of with your household waste, according to the WEEE Directive
(2002/96/EC) and your national law. This product should be handed over to an authorized collection site for recycling waste electrical and electronic equipment (EEE). Improper handling
of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous substances that are generally associated with EEE. At the
same time, your cooperation in the correct disposal of this product will contribute to the effective usage of natural resources. For more information about where you can drop off your waste
equipment for recycling, please contact your local city office, waste authority, or your household waste disposal service.
Getting Started ........................................................................................................................... 7
Zero the Controls ....................................................................................................................................................................7
Set the Levels ...........................................................................................................................................................................7
Record to CD Using the DAW Mixer ..................................................................................................................................7
Record to CD Using the DSP Mixer ................................................................................................................................... 8
Front Panel ..............................................................................................................................................................................14
1. Signal Level Indicators ..................................................................................................................................................14
2. 48V Phantom Power Switch ......................................................................................................................................14
3. LINE Switch......................................................................................................................................................................14
4. Channel GAIN ................................................................................................................................................................14
14. TALK TO PHONES Level Control ..............................................................................................................................16
15. TALK TO PHONES On/Off Switch ..........................................................................................................................16
16. OUTPUTS 1-8 Level Control ......................................................................................................................................16
20. Power Switch ............................................................................................................................................................... 17
23. TALKBACK MIC .............................................................................................................................................................18
Don’t forget to visit our website at www.mackie.com for more
30. EXTERNAL WORD CLOCK IN/OUT.......................................................................................................................20
ONYX 1200F
31. 8 CHANNEL BALANCED LINE LEVEL OUTPUT ......................................................................................................21
34. AC Power Receptacle .................................................................................................................................................21
Installing the Software ........................................................................................................................................................21
A Note about Hard Drive Speed: ...................................................................................................................................21
Installing the Drivers and Onyx 1200F Console ....................................................................................................... 22
Macintosh OS X Audio MIDI Setup ..............................................................................................................................23
Using the Onyx 1200F Console ......................................................................................................................................... 24
Please write your serial number here for future
reference (i.e., insurance claims, tech support,
return authorization, etc.)
Purchased at:
Date of purchase:
4
ONYX 1200F
Introduction
Onyx 1200F Input/Output Chart
Owner’s Manual
Thank you for choosing a Mackie Onyx 1200F professional audio interface for live or studio analog or digital
audio recording. The 1200F is equipped with twelve
of our Onyx Series precision-engineered studio-grade
microphone preamps, designed for the digital era and
offering the newest features and latest technologies for
live sound reinforcement and analog or digital studio
recording in a durable, road-worthy package. Its selection of analog and digital output options provides the
flexibility to connect in almost any application (including an HDR in standalone mode).
Mackie is renowned for the high-quality mic preamps
used in our mixers, and the Onyx mic pre’s are better
than ever, with specifications rivaling other stand-alone
boutique mic preamplifiers at twice the price.
Channels 1 and 2 have balanced send and return insert jacks for connecting to an external signal processor.
Channels 11 and 12 feature an unbalanced instrument
input jack and select switch, which lets you connect an
acoustic, electric, or bass guitar pickup directly to the
preamp, eliminating the need for an external direct box.
Channels 1-12 have Neutrik™ Combo input connectors, which allows you to use either a 1/4” TRS connector or an XLR connector. A 48V switch is provided for
each channel and applies phantom power to pins 2 and
3 of the channel’s XLR input connector.
Two pairs of balanced control room monitor outputs
are provided for connecting to powered monitors (or
power amplifier/monitor combination), and can be
sourced from the audio streams for any adjacent pair
of analog outputs, stereo headphone outputs, or the
S/PDIF or AES/EBU outputs.
Eight channels of analog balanced line outputs are
provided on a DB-25 connector. Two channels of digital
inputs and outputs are provided on two S/PDIF RCAtype connectors and two AES/EBU XLR connectors. Up to
30 input channels and 34 output channels of digital I/O
(at 44.1/48 kHz) are provided on the FireWire connectors (see chart below). There are two FireWire connec-
tors so the Onyx 1200F can be placed in a daisy-chain
FireWire connection. Two pairs of ADAT optical connectors are included, which provide up to 16 channels
of ADAT formatted digital I/O (16 channels at 44.1/48
kHz and 8 channels at 88.2/96 kHz). Two sets of MIDI
IN/OUT connectors are provided for sending and receiving MIDI information.
The Onyx 1200F is designed to be a transparent audio
interface for direct tracking to a DAW recording application on a PC or Mac. All 30 inputs are directly available
to the DAW application over the FireWire connection
(when operating at 44.1/48 kHz). The Console software
application allows you to route any input to any analog
or digital output on the 1200F, along with a pair of outputs from the DAW. This provides you with the choice of
direct monitoring, without going through the FireWire
connection and DAW software (zero latency), or monitoring through the DAW application.
You can provide a separate mix for each of the four
headphone outputs from any of the inputs and from two
of the outputs from the DAW. A talkback mic can be
routed to the four headphone outputs, operated from a
front panel button or a footswitch.
The Onyx 1200F Console Settings tab allows you to
choose the sample rate (44.1, 48, 88.2, 96, 176.4, or
192 kHz
) for the internal A/D and D/A converters. You
can select the clock source from an external clock connected to the external word clock (WordClk) input connector on the rear panel, from the S/PDIF or AES/EBU
input, from the ADAT 1 or ADAT 2 input, or from the
internal clock. You can turn the DSP Mixer on and off,
which allows you to operate the 1200F as a matrix mixer
with digital streams to a computer (DSP ON), or as a
standalone digital audio interface with digital streams
to and from a computer (DSP OFF). You can select
which inputs are routed to the Control Room outputs,
and whether the S/PDIF I/O is formatted for consumer
or professional status. You can adjust the buffer size
(latency), and select which I/O audio streams are active
on the FireWire connection.
Qty Inputs ASIO/Core Audio Stream
12 Mic/Line Inputs 1-12
8 Digital A Inputs 13-20
8 Digital B Inputs 21-28
2 S/PDIF/AES Inputs 29-30
30 Total Inputs
Note: The ASIO/Core Audio Stream assignments shown here apply when 44.1/48 kHz sample rate is selected.
At higher sample rates, the digital outputs are multiplexed using the S/MUX format, which reduces the number of
ASIO/Core Audio channels available for streaming. You can choose the inputs and outputs that are streamed to the DAW
at the higher sample rates in the Console’s Settings window.
Qty Outputs ASIO/Core Audio Stream
8 Analog Outputs 1-8
8 Digital A Outputs 9-16
8 Digital B Outputs 17-24
8 Headphone Outputs (4x2) 25-32
2 S/PDIF/AES Outputs 33-34
34 Total Outputs
We know that many of you can’t wait to get your
new preamp/FireWire interface hooked up, and you’re
probably not going to read the manual first (sigh!). So
the first section after this introduction is a Quick-Start
Guide called “Getting Started” to help you get the Onyx
1200F set up fast so you can start using it right away.
Right after that are the ever popular hook-up diagrams
that show typical setups for recording.
Then, when you have time, read the Features Description section. This describes every knob, button, and connection point on the Onyx 1200F, as well as the software
settings and controls.
Throughout this section you’ll find illustrations with
each feature numbered. If you want to know more about
a feature, simply locate it on the appropriate illustration, notice the number attached to it, and find that
number in the nearby paragraphs.
This icon marks information that is
critically important or unique to the
Onyx 1200F. For your own good, read
them and remember them. They will
be on the final test.
This icon leads you to in-depth
explanations of features and practical tips. While not mandatory, they
usually have some valuable nugget of
information.
•
Includes full version of Tracktion Music Production
Software for digital audio recording
A PLUG FOR THE CONNECTOR SECTION
AppendixBisasectiononconnectors:XLRconnectors, balanced connectors, unbalanced connectors, and
the insert connectors used on the Onyx 1200F.
More resources on our website at www.mackie.com.
THE GLOSSARY: A Haven of Non-Techiness for
the Neophyte
The “Glossary of Terms” is a fairly comprehensive
dictionary of pro-audio terms. If terms like “clipping,”
“noise floor,” or “unbalanced” leave you blank, refer to
this glossary for a quick explanation.
ARCANE MYSTERIES ILLUMINATED
“Arcane Mysteries” discusses some of the down ‘n’ dirty
practical realities of microphones, fixed installations,
grounding, and balanced versus unbalanced lines. It’s a
goldmine for the neophyte, and even the seasoned pro
might learn a thing or two.
6
ONYX 1200F
Getting Started
Owner’s Manual
READ THIS PAGE!!
Even if you’re one of those people
who never reads manuals, all we ask
is that you read this page now before
you begin using the Onyx 1200F.
You’ll be glad you did!
The Onyx 1200F can be used in standalone mode, or
connected to a computer with the FireWire connection.
Either way, you will want to install the Windows driv-
drivers built into the operating system) and the Onyx
1200F Console software on your computer first to get the
internal routing setup. Refer to page 21 for instructions
on installing the software.
2. Set all push button switches to their “out” or “off”
positions.
5. Open the Onyx 1200F FireWire Console software
application.
6. Connect the S/PDIF output from the Onyx 1200F to
the S/PDIF input on a CD recorder or other S/PDIFcompatible recorder.
Set the Levels
To set the channel GAIN controls (on channels 1-12),
it’s not even necessary to hear what you’re doing at the
outputs of the preamplifier. The following steps must be
performed one channel at a time.
1. Play something into the selected input. This could
be an instrument, a singing or speaking voice, or
a line input such as a CD player or tape recorder
output. Be sure that the volume of the input source
is the same as it would be during normal use. If it
isn’t, you might have to readjust these levels later.
2. Adjust the channel’s GAIN control so that the
“–20” and “–10” LEDs light frequently or continuously, and the “OL” LED doesn’t light at all (or only
flashes occasionally).
3. Repeat for each channel.
3. Turn the POWER switch off.
Connections
This tutorial demonstrates how to mixdown up to
twelve input channels to a 2-track S/PDIF output, using
either the DSP mixer in the Onyx 1200F or your DAW
mixer, which can then be routed to a CD recorder
1. Plug a microphone into channel 1’s MIC input. You
can plug additional microphones or instruments
into channels 2-12.
2.
Connect the FireWire connector from the Onyx
to the FireWire connector on your computer.
1200F
Note: The Onyx 1200F is equipped with two 6-pin
FireWire connectors and comes with a 6-pin to
6-pin FireWire cable. If your computer has a 4-pin
FireWire connector, use the supplied 6-pin to 4-pin
FireWire adapter that came with your 1200F.
3. Plug in the detachable linecord, connect it to an
AC outlet, and turn on the Onyx 1200F’s POWER
switch.
4. If the microphone is a dynamic microphone, leave
the 48V switch out. If it’s a condenser microphone,
push in the 48V phantom power button to turn on
the phantom power for that channel.
:
Record to CD Using the DAW Mixer
This method routes the input signals directly to the
DAW via the FireWire connection, where each audio input signal is recorded on a separate track. Then you can
mixdown the tracks to two tracks that are routed back
to the Onyx 1200F and output on the S/PDIF output,
which is then routed to the CD recorder.
Select the Onyx 1200F as the sound device in your
1.
DAW application. Each DAW application has its own
method of doing this, so refer to your DAW application’s manual if you are not sure. In Tracktion, this
is done in “Audio Devices” under the “Settings” tab.
2. Assign the input signals from the 1200F to the tracks
in your DAW (if this isn’t done automatically). In
Tracktion, right-click on one of the Onyx 1200F
Audio Input icons and select “assign all inputs to
consecutive tracks” in the pop-up menu.
3. You should now see the signals from the Onyx 1200F
appearing on the meters in your DAW (make sure
each track is armed and ready to record). Start recording
clarity.
Note: The signals appearing at the inputs to the
DAW are not affected by the settings in the 1200F
and hear the Onyx 1200F in stunning crystal
Owner’s Manual
7
Console Output tabs. Each input on the Onyx 1200F
appears at its corresponding input in the DAW (see
Figure on the next page).
4. Now you can play back the recorded tracks and mix
them down to 2-track, which is routed back to the
Onyx 1200F S/PDIF outputs (and the CD recorder)
on DAW outputs 33 and 34.
Overdubbing
ONYX 1200F
Standalone Mode
1. Now you can use the Onyx 1200F in Standalone
mode by closing the 1200F Console and disconnecting the FireWire connection from your computer.
It retains the settings you made with the Console
Control Panel and you can take your Onyx 1200F on
location to make a stereo recording with your CD
recorder or other recording device connected to the
S/PDIF output.
You can expand on this method and overdub addition-
al tracks before mixing down to two tracks.
1. After you have recorded your initial tracks, you can
play them back from the DAW and monitor them on
one of the headphone outputs or the Control Room
outputs while recording additional instruments or
voices to the DAW.
2. When you have recorded all the tracks that you
want, mix them down to two tracks and route back
to the Onyx 1200F S/PDIF outputs (on DAW outputs
33 and 34) for recording to the CD recorder.
Record to CD Using the DSP Mixer
This method records directly to the CD recorder from
the S/PDIF output on the Onyx 1200F, without routing
the signals to the DAW.
Set the Console Control Panel
1. Select the “Settings” tab in the Console control
panel. Select 44.1 kHz sample rate, INT (internal)
clock source, and DSP Mixer On.
2. Select the “Headphones” button at the bottom of
the Console screen. Select the “Headphones 1”
tab at the top of the screen. Make sure the MUTE
buttons for Inputs 1-12 and the Master fader are
deselected and the faders are all the way up (0 dB).
Adjust the Pan controls to your preference. Use this
screen to setup your Headphone mix for monitoring.
3. Select the “Digital Outputs A” button at the bottom
of the Console screen and select “SPDIF/AES” at
the top of the screen (this is for the S/PDIF outputs). Set it the same way you did for Headphones
1 in step 2 above. This will give you the same mix in
your headphones that you are recording to CD.
4. Connect a pair of headphones to the Phones 1
output. Slowly turn up the Phones Level control
while music is playing and adjust for a comfortable
listening level.
the “Hookup” section that shows you some typical ways
that you might use the Onyx 1200F in real applications.
After that, you can take the grand tour of the Onyx
1200F, with descriptions of every knob, button, input,
and output. We’ll also take a look at the Console software application in more detail. We encourage you to
take the time to read all of the feature descriptions, but
at least you know it’s there if you have any questions.
You can set up the Onyx 1200F as a
standalone rackmount mixer by adjusting the faders and pan controls for
all the inputs in the “Analog Outputs
1/2” tab in the Console Control Panel
and using the Control Room Monitor
outputs as the stereo output (the Control Room
Monitor Outputs mirror the analog outputs 1/2).
When you disconnect the FireWire connection between the 1200F and the computer, the settings are
retained. When you turn off the 1200F, the settings
are saved to the flash memory in the 1200F and
recalled the next time you turn it on.
panel gain knobs to control the relative volume for
each channel.
line-level source to the line inputs on the Onyx
1200F and use its high-quality analog-to-digital
converters to get your analog signals to your digital
recorder(s).
changing connections.
amplifiers first. When powering up, turn on the
amplifiers last.
Please see the Safety Instructions on page 2 for
information on hearing protection.
and you don’t want to have to pay for another one.
That’s it for the “Getting Started” section. Next comes
8
ONYX 1200F
Owner’s Manual
Onyx 1200F
DSP Mixer ON
Onyx 1200F
Inputs
Onyx 1200F
DSP Mixer OFF
Onyx 1200F
Inputs
Onyx 1200F
Audio Outputs
34
30
DSP Matrix
Mixer
30
30
34
34
FireWire
from DAW
Onyx 1200F
Audio Outputs
FireWire
to DAW
FireWire
to DAW
FireWire
from DAW
Onyx 1200F Signal Flow with DSP Mixer ON and OFF
Owner’s Manual
9
Hookup
Mackie Control
Mackie Control
Diagrams
ONYX 1200F
8 Microphones
to each
Onyx 800R
Onyx 800R
Onyx 800R
8 Inputs
8 Inputs
Headphones
for Talent
(from front panel)
WORD CLOCK
IN
~100-240 VAC
50-60Hz 45W
EXTERNAL
OUT
8 CHANNEL BALANCED
LINE LEVEL OUTPUT
ADAT
IN OUT
1
S/PDIF
IN
2
FOOTSWITCH
MON
A/B
TALK
BACK
C4 Pro
MACKIE CONTROL C4 PRO
FUNCTION MODIFIERSASSIGNMENT
1/3
2/2
MARKER
LOCK
3/1
SPOT ERASE
SPLIT
CHAN STRIP
TRACKSHIFT
OPTION
/ALT
FUNCTION
CONTROL
Universal Pro
MINUTES
HOURS
SECONDS
FRAMES
REC REC REC REC REC REC REC
dB
dB
dB
+
+
+
+
10
10
10
5
5
5
U
U
U
5
5
5
0
0
0
0
10
10
10
20
20
20
30
30
30
40
40
40
50
50
50
60
60
60
–
–
–
–
SMPTE
RUDE
SOLO
BEATS
ASSIGNMENT TICKSSUB DIVISIONBEATSBARS
87654321
VPOT ASSIGN
DISPLAY
NAME
SMPTE
TRACK
SEND
VALUE
BEATS
FUNCTION SELECT
PAN/
IN
PLUG
-
SURROUND
F1 F2 F3 F4 F5 F6 F7 F8
EQ INSTRUMENT
FADER BANKS
GLOBAL VIEW
BANK
MIDI
INPUTSAUDIO
AUDIO
AUXBUSSESOUTPUTS USER
TRACKS
TRACKS
INSTRUMENT
CHANNEL
MODIFIERS AUTOMATION UTILITIES
GLOBAL
FLIP
VIEW
SAVE
SHIFTOPTION READ/OFF
TRIM
UNDO
WRITE
MASTER
dB
dB
dB
dB
dB
+
+
+
10
10
10
10
10
CANCEL
ENTER
CONTROL
TOUCH
LATCH
ALT
/
GROUP
5
5
5
5
5
U
U
U
U
U
5
5
5
5
5
MARKER NUDGE
CYCLEDROP REPLACE CLICK
0
10
20
30
40
50
60
–
SOLO
0
0
10
10
10
10
FAST FWD PLAYSTOP RECORD
REWIND
20
20
20
20
30
30
30
30
FAST FWDPLAYSTOP RECORD
REWIND
40
40
40
40
50
50
50
50
60
60
60
60
–
–
SCRUB
ZOOM
Po wered
Studio Monitors B
Po wered
Studio Monitors A
MACKIE CONTROL UNIVERSAL PRO
87654321
REC
SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL
dB
+
10
5
U
5
0
10
20
30
40
50
60
–
SLOT UP
PARAMETER
BANK
SINGLE
TRACK L
TRACK R
SLOT DOWN
Stereo Digital Reverb
AES/EBU
OUTIN
OUT
12111098765432 1
M
M
I
I
C
C
X
X
Y
Y
Y
P
P
R
R
N
N
O
N
E
E
O
O
X
FIREWIRE
M
I
C
MIDI 1
IN
M
I
C
X
Y
P
P
R
R
N
E
E
O
IN
OUT
M
M
I
I
C
C
X
X
Y
Y
P
P
R
R
N
N
E
O
O
CONTROL RM MONITORS
L21R
MIDI 2
OUT
M
M
I
I
C
C
X
X
Y
Y
P
R
N
N
E
E
O
O
TALKBACK
MIC
(48V)
A
B
M
M
I
C
X
P
R
E
X
Y
Y
P
R
N
N
E
O
O
M
I
I
C
C
X
Y
P
R
N
E
O
Mic 1
Compressor/Limiter
Talkback
Mic
INSERTS
(BALANCED)
SEND
RETURN
M
I
C
X
Y
P
P
R
R
N
E
E
O
Handheld
Switch
for
Talkback
Mics
External FireWire
Hard Drive
The FireWire connector on the Onyx 1200F can
be connected directly to a FireWire equipped
To Desktop
or
Laptop Computer
computer running a DAW application (Digital
Audio Workstation). In this example, there
are twelve microphones connected to the Onyx
1200F and 8 mics connected to each of the Onyx
800R microphone preamps feeding the ADAT inputs on the Onyx 1200F, for a total of 28 microphone feeds to the DAW.
Two different sets of studio monitor speakers are connected for control room monitoring. In addition,
five studio monitors and a subwoofer are connected to the line-level outputs for surround sound monitoring.
A stereo digital reverb is connected to the AES/EBU IN/OUT to add reverb to the vocals, and a compressor/
limiter
is connected to the channel 1 Insert Send/Return.
The four headphone outputs on the front of the 1200F are used for the musician’s monitors. Each headphone output is getting a separate, unique headphone mix from the DAW stereo aux sends. A Mackie
Control Universal and C4 are connected via the MIDI IN/OUTs, which controls the Tracktion software
installed on the computer. An external FireWire hard drive is connected to the second FireWire connection on the Onyx 1200F to serve as a dedicated memory storage device for the audio files.
10
Onyx 1200F Multitrack Recording with a DAW (Tracking)
ONYX 1200F
Owner’s Manual
(to Instrument Input 11
EXTERNAL
WORD CLOCK
IN
~100-240 VAC
50-60Hz 45W
Headphones
For Engineer
(To Monitor Recording)
Bass Guitar
on Front Panel)
ADAT
IN OUT
OUT
1
2
8 CHANNEL BALANCED
LINE LEVEL OUTPUT
IN
FOOTSWITCH
MON
A/B
TALK
BACK
S/PDIF
Electric Guitar
(to Instrument Input 12
on Front Panel)
Mics
AES/EBU
OUT IN
OUT
12 11 10 9 8 7 6 5 4 3 2 1
M
I
C
X
X
Y
Y
P
R
N
N
E
O
O
FIREWIRE
M
M
I
I
C
C
X
Y
P
P
R
R
N
E
E
O
MIDI 1
IN
OUT
M
M
I
I
C
X
Y
N
O
C
X
Y
P
P
R
R
N
E
E
O
MIDI 2
IN
M
I
C
X
Y
P
R
N
E
O
O
OUT
M
I
C
X
Y
P
R
N
E
CONTROL RM MONITORS
L 2 1 R
A
B
M
I
C
X
Y
P
R
N
E
O
TALKBACK
MIC
(48V)
M
M
I
I
C
X
Y
N
O
C
X
Y
P
P
R
R
N
E
E
O
Y
N
O
Mics
M
I
C
X
P
R
INSERTS
(BALANCED)
SEND
RETURN
E
M
I
C
X
Y
P
R
N
E
O
Stereo DAT Recorder
(with S/PDIF Input)
Backup CD Recorder
(with AES/EBU Input)
This illustrates a simple direct to 2-track recording setup. You can
configure the Onyx 1200F beforehand with the desired sampling rate,
with the inputs routed to the S/PDIF output. The AES/EBU output on the
Onyx 1200F carries the same signal as the S/PDIF out, and is connected
to the AES/EBU input on a stereo CD recorder for backup
.
Onyx 1200F 2-Track Recording
Owner’s Manual
11
Bass and Electric Guitars
(to Instrument Inputs 11 and 12
on Front Panel)
Mackie Control
C4 Pro
MACKIE CONTROL C4 PRO
87654321
SLOT UP
PARAMETER
FUNCTION MODIFIERSASSIGNMENT
BANK
1/3
2/2
MARKER
TRACKSHIFT
LOCK
OPTION
3/1
SINGLE
TRACK L
TRACK R
/ALT
FUNCTION
CONTROL
SPOT ERASE
SPLIT
CHAN STRIP
SLOT DOWN
Mackie Control
Universal Pro
MACKIE CONTROL UNIVERSAL PRO
87654321
REC
REC REC REC REC REC REC REC
SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL
dB
dB
dB
dB
dB
dB
dB
dB
+
+
+
+
+
+
+
+
10
10
10
10
10
10
10
10
5
5
5
5
5
5
5
5
U
U
U
U
U
U
U
U
5
5
5
5
5
5
5
5
0
0
0
0
0
0
0
0
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
40
40
40
40
40
40
40
40
50
50
50
50
50
50
50
50
60
60
60
60
60
60
60
60
–
–
–
–
–
–
–
–
ASSIGNMENTTICKSSUB DIVISIONBEATSBARS
VPOT ASSIGN
TRACK
PAN/
SURROUND
EQ INSTRUMENT
FADER BANKS
BANK
CHANNEL
FLIP
MASTER
SEND
PLUG
-
IN
GLOBAL
VIEW
dB
10
5
U
5
10
20
30
40
50
60
MINUTES
HOURS
SMPTE
BEATS
DISPLAY
SMPTE
NAME
BEATS
VALUE
FUNCTION SELECT
F1 F2 F3 F4 F5 F6 F7 F8
GLOBAL VIEW
AUDIO
MIDI
INPUTS AUDIO
TRACKS
TRACKS
INSTRUMENT
MODIFIERS AUTOMATION UTILITIES
SHIFTOPTION READ/OFF
WRITE
CONTROL
TOUCH
LATCH
/ALT
MARKER NUDGE
CYCLEDROP REPLACE CLICK
FAST FWD PLAYSTOP RECORD
REWIND
FAST FWDPLAYSTOP RECORD
REWIND
ZOOM
SECONDS
AUX BUSSES OUTPUTSUSER
FRAMES
RUDE
SOLO
SAVE
TRIM
UNDO
CANCEL
ENTER
GROUP
SOLO
SCRUB
Po wered
Studio Monitors B
ONYX 1200F
EXTERNAL
WORD CLOCK
IN
~100-240 VAC
50-60Hz 45W
OUT
ADAT
IN OUT
1
2
8 CHANNEL BALANCED
LINE LEVEL OUTPUT
Stereo Digital Reverb
AES/EBU
OUTIN
S/PDIF
OUT
IN
FOOTSWITCH
MON
A/B
TALK
BACK
121110987654321
M
I
C
X
Y
P
R
N
E
O
Po wered
Studio Monitors A
Out
FIREWIRE
CONTROL RM MONITORS
MIDI 1
IN
IN
OUT
MIDI 2
OUT
L21R
TALKBACK
A
B
M
M
I
C
X
Y
P
R
N
E
O
M
I
I
C
C
X
X
Y
Y
P
P
R
R
N
N
E
E
O
O
M
M
I
C
X
Y
P
R
N
E
O
M
M
M
I
I
C
C
X
X
Y
Y
P
P
R
R
N
N
E
E
O
O
I
I
C
C
X
X
Y
Y
P
P
R
R
N
N
E
E
O
O
O
INSERTS
(BALANCED)
MIC
(48V)
SEND
RETURN
M
M
M
I
C
X
Y
P
R
N
E
I
I
C
C
X
X
Y
Y
P
P
R
R
N
N
E
E
O
O
Out
In
Stereo Compressor
In
Mics
External FireWire
Hard Drive
To Desktop
Computer
USB
MIDI Keyboard Controller
MIDI
USB MIDI Interface
MIDI
MIDI Drum Controller
This illustrates the potential of the Onyx 1200F to do entire band recordings with a minimum of
physical gear or large recording spaces. Everything except the singers are “virtual!”
A USB MIDI
interface is used to connect an external MIDI keyboard controller and MIDI drum controller to
the computer running the DAW software, and a Mackie Control Universal connected to the MIDI
I/O on the Onyx 1200F to control the DAW
. The DAW is running an amp emulation plugin for the
guitars and virtual instrument plugins for the keyboard and drum controllers.
12
Onyx 1200F with DAW and External Controllers
ONYX 1200F
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