Mackie 1402-VLZ Pro, 1604-VLZ Pro, 1642-VLZ Pro, 1202-VLZ Pro User's Manual

Page 1
MACKIE
HOOK-UP
GUIDE
VLZ-PRO
SERIES
OUR [IN]FAMOUS PRODUCT
HOOKUPS IN BYTE-SIZED MORSELS
Copyright © 2002 Mackie Designs Inc. All Rights Reserved.
Page 2
PRINTING NOTE: These pages were built 21cm wide (8.26in) by 27.94cm (11in) tall to accommodate the printers of both our North American users and our users around the globe. This PDF will print at 100% on both “Letter” sized and “A4” sized paper (with room in the left margin for hole punching).
able web editions of Mackie’s Product Hook-Up Guide. Since 1992, we’ve been including these helpful “connection maps” in our In Your Face product guides, and we’ve been urged to continue doing so because they’re so gosh-darned help­ful. Now, we’ve split our hook-ups into product
famlies, and made them available to you over this new-fangled Internet thingy that everyone is talking about these days.
There will be documents that cover hooking
up our compact VLZ
®
PRO Series, Analog 8•Bus Series consoles, CFX Series effects mixers, DFX Series compact effects mixers, the D8B digital console, the HDR24/96 hard disk recorder, PPM Series powered mixers, the FR Series amplifi ers, SR Series front-of-house mixers, and our Active loudspeakers.
Inside you’ll fi nd lots of useful information — most likely your questions will be answered here. We realize that there’s no possible way to cover every single question or application in so few pages because new ways to use Mackie products are invented every day. You may come up with some ideas on how to do what you want by look­ing at the various diagrams we’ve included here.
Keep in mind that a good half of the battle in hooking up our products is having the proper connections. Check the cables ’n’ plugs that you already have with the diagrams on the next page. We know it may look boring, but one of these drawings could save your life. Well, maybe not your life, but probably a lot of weeping and sorrow. And don’t forget to check out the tech tips/FAQs document also available for download
on the web at www.mackie.com/techsupport
If you don’t fi nd the answers you’re after, then why not give our mighty Tech Support gang a call? These folks have tons of experience in the real world, and they’ve got lots of equipment and mixers at their beck and call. They’re aching to share their knowledge with you. (And calling them would be a very humanitarian thing to do — they’re located in the dank sub-basement of our building and they rarely get visitors. Your call just may be the one that keeps their spirits alive.)
Call Mackie Tech Support toll-free (in the U.S.) at 800-258-6883 (Monday through Friday, 7 AM to 5 PM Pacifi c Time) with any Mackie product­question you can conjure. Put them through the wringer! We encourage it.
Incidentally, the Mackie Product Hook-Up Guide (Web Editions) were put together from within the confi nes of the Mackie Digital Mosh Pit — located on the second fl oor near the Area Of Refuge — by the well-meaning, super-preening Mackie Macin­tosh Department. We used Adobe InDesign
®
, Illustrator®, Photoshop®, and Acrobat® on a number of suped-up big daddy Macs.
Oh yeah: Copyright © 2002 Mackie Designs Inc.
All Rights Reserved. The following are trademarks or registered trade­marks of Mackie Designs Inc.: “MACKIE.”, the Running Man gure, VLZ, XDR, D8B, HUI, CFX Series, FR Series, and HR Series.
Page 3
A VISUAL
GUIDE
COMMON
PRO AUDIO PLUGS AND CONNECTORS
KNOW YOUR
PLUGS
SET IT UP, AND GO!
TS Plug (mono)
Standard mono/unbalanced phone plug used for most mixer connections.
TRS Plug (stereo)
Standard stereo/balanced phone plug used for balanced connections on Mackie mixers.
Insert “Y” Cable
Balanced XLR
Standard XLR microphone connector to be used with mic-level.
RCA/Phono Plug
Tape deck connections on most Mackie mixers.
The “Y” Cable is used for connecting serial effects devices, such as graphic equalizers or compressors, to a Mackie mixers Channel or Bus insert jacks. On one end is a standard Tip-Ring-Sleeve “stereo plug. Its tip and ring are wired to separate mono Tip-Sleeve plugs. Note that the RING of the TRS plug (A) is actually wired to the TIP of one of the mono TS plugs (B). If you insert a TS (mono) 1/4" plug only partially (to the first click) into an insert jack, the plug will not activate the jack switch and will not break the insert connection in the circuit (thereby allowing the channel signal to continue on its merry way through
Insert Points
TS Plug (mono)
Direct out with no signal interruption to master. Insert only to first “click.”
TS Plug (mono)
Direct out with signal interruption to master. Insert all the way in to the second “click.”
TRS Plug (stereo)
For use as an effects loop.
(TIP = SEND to effects RING = RETURN from effects)
the mixer). See (C) in Insert Points below.
Partial insertion allows you to tap out of the channel or bus circuit at that point in the circuit without interrupting normal operation.
If you push the 1/4" TS plug in to the second click, you will open the jack switch and create a direct out, which does interrupt the signal in that channel or bus circuit. See (D) in Insert Points above. Note: Do not overload or short-circuit the signal you are tapping from the mixer. That will affect the internal signal of the mixer.
Attention !
A
You may notice these effects unit hookups (Figure A) throughout this applications guide. These hookups utilize the Insert "Y" Cable (explained on the facing page).
B
MIXER INSERT
Figure B is a closeup of Figure A. The two colors represent the input and output traveling the length of the "Y" cable. The dotted line represents the two signals travelling alongside one another.
COMPRESSOR
OUT
IN
Page 4
1202/1402 4-TRACK
VLZ PROVLZ PRO
Guitar
Keyboard
Channel Inputs as Tape Returns
Monitoring AFTER
your recorder, not
at your inputs
Mic
4 Track Recorder
CHANNEL INSERTSAUX RETURNS
CHANNEL INPUTS IN-TAPE-OUT
AUX
SEND
OUT
ALT 3/4
TRACKING
Direct Output to Recorder
Insert to first click!
Reverb/Delay
Reverb/Delay
SET IT UP, AND GO!
Stereo Tape Deck
Headphones
HR824 or other
Powered Studio Monitors
MAIN
PHONES
OUT
CNTRL ROOM
OUTPUTS
MAIN
OUT
OUT
Page 5
1202/1402
VLZ PROVLZ PRO
Mic 1 and 2
Keyboard
Video Decks
CHANNEL INSERTSAUX RETURNS
CHANNEL INPUTS IN-TAPE-OUT
OUT
AUX
OUT
ALT 3/4
VIDEO SET UP
Compressor
NOTE: AUX Return 2 (L and R) can be used as an extra stereo input
Reverb/Delay
SET IT UP, AND GO!
Multi-Deck Video Switcher
with time code interface
Headphones
Powered Studio Monitors
Cassette Recorder
HR824 or other
MAIN
PHONES
OUT
CNTRL ROOM
OUTPUTS
MAIN
OUT
Master Video Deck
OUT
Page 6
1202/1402
VLZ PROVLZ PRO
Mic 1 and 2
Keyboard
Sound Module
Sound Card
LINE OUT
LINE
IN
CHANNEL INSERTSAUX RETURNS
CHANNEL INPUTS IN-TAPE-OUT
AUX
SEND
OUT
ALT 3/4
COMPUTER SET UP
Compressor
Reverb/Delay
SET IT UP, AND GO!
MIC
IN
Headphones
HR824 or other
Powered Studio Monitors
MAIN
PHONES
OUT
CNTRL ROOM
OUTPUTS
MAIN
OUT
OUT
Page 7
1202/1402
Turntables
CD Players
VLZ PRO
Mic 1 and 2
RIAA Preamp
CHANNEL INSERTSAUX RETURNS
CHANNEL INPUTS IN-TAPE-OUT
OUT
AUX
OUT
ALT 3/4
DJ SET UP
Compressor
Triggered Lights
Delay/Reverb
SET IT UP, AND GO!
Stereo Tape Deck
Headphones
MAIN
PHONES
OUT
CNTRL ROOM
OUTPUTS
MAIN
OUT
OUT
Active
PA Speaker/
Subwoofer
combination
(Pole-mounted
SRM450s and
SRS1500 active
Subwoofers
pictured)
Page 8
1202/1402 CONFERENCE
VLZ PROVLZ PRO
Guest panel
Mics
Audience Mic
Stereo Tape Deck
VCR Audio out
CD Player (intermission music)
Podium Mic
CHANNEL INSERTSAUX RETURNS
CHANNEL INPUTS IN-TAPE-OUT
OUT
AUX
OUT
ALT 3/4
PA SET UP
2nd Stereo Tape Deck
recording conference audio
SRM450s or other
Active PA Speakers
SET IT UP, AND GO!
Stereo Tape Deck
recording conference audio
Headphones
To Video Camera line level inputs to tape conference
MAIN
PHONES
OUT
CNTRL ROOM
OUTPUTS
MAIN
OUT
OUT
Graphic EQs
Page 9
1604 VIDEO
Keyboard
VLZ PROVLZ PRO
Mic 1-2
Video Decks
CD Player
CHANNEL INSERTS
CHANNEL INPUTS
SET UP
Compressors
SET IT UP, AND GO!
HR824 or
other Powered
Studio Monitors
Sampler
Output Video Deck
Multi-Deck Video Switcher with time code interface
Headphones
MONOSTEREO
MAIN OUT
MAIN
TAPE
TAPE
C/R OUT
SUB OUTS
PHONES
DIRECT OUT
BAL/UNBAL
INSERT
IN
AUX SENDS
OUT
BAL/UNBAL
AUX RETURNS
BAL/UNBAL
OUT
Digital Video Workstation
BAL/UNBAL
BAL/UNBAL
Delay
Reverb
Page 10
1604 8-TRACK
Bass
Guitar
Keyboard
VLZ PRO
Mic 1-2
Processors
Drum Machine
CHANNEL INSERTS
CHANNEL INPUTS
TRACKING
Compressors
Multi-track
Digital Recorder
SET IT UP, AND GO!
HR824s or
other Powered
Studio Monitors
Stereo Compressor
and Stereo EQ
Stereo Tape Deck
Headphones
MONOSTEREO
MAIN OUT
MAIN
TAPE
TAPE
C/R OUT
SUB OUTS
PHONES
DIRECT OUT
BAL/UNBAL
INSERT
IN
AUX SENDS
OUT
BAL/UNBAL
AUX RETURNS
BAL/UNBAL
OUT
BAL/UNBAL
BAL/UNBAL
Cue Mix
(Headphones
and
headphone
amps)
Delay
Reverb
Page 11
1604 STEREO
Guitar
Stereo Processor
Keyboards
VLZ PROVLZ PRO
Mic 1-4
Drum Machine
CHANNEL INSERTS
CHANNEL INPUTS
PA SET UP
Compressors
SET IT UP, AND GO!
SRM450s or other Active
PA Speakers
Stereo Compressor
and Stereo EQ
Cassette Recorder
or DAT
4-Track Recorder
Headphones
MONOSTEREO
MAIN OUT
MAIN
TAPE
TAPE
C/R OUT
SUB OUTS
PHONES
DIRECT OUT
BAL/UNBAL
INSERT
IN
AUX SENDS
OUT
BAL/UNBAL
AUX RETURNS
BAL/UNBAL
OUT
BAL/UNBAL
Mono EQs, M1400i Amps,
and Passive Stage Monitors (C300s)
BAL/UNBAL
Delay
Reverb
Page 12
1642 TRACKING AND
VLZ PROVLZ PRO
From Mics,
Keys,
Drum Machines,
Guitars, etc.
8 Track Recorder
CHANNEL INSERTS
CHANNEL INPUTS
BAL/UNBAL
DIRECT OUT
MIXING SET UP
Stereo Processor
SET IT UP, AND GO!
DAT Recorder
(mastering)
Stereo Processor
Stereo Tape Deck
HR824 or other
Powered Studio Monitors
Headphones 1
Headphones 2
MAIN OUT
MONO L R L R
MAIN
TAPE
TAPE
C/R OUT
SUB OUTS
PHONES
AUX SENDS
BAL/UNBAL
INSERT
AUX RETURNS
IN
OUT
BAL/UNBAL
BAL/UNBAL
OUT
BAL/UNBAL
Reverb/Delay
Reverb/Delay
From Sub Outs Bal/Unbal
Page 13
1642 VIDEO
Keyboard
VLZ PRO
Video Decks
CD Player
Mic 1-2
CHANNEL INSERTS
CHANNEL INPUTS
BAL/UNBAL
DIRECT OUT
SET UP
Compressors
Digital Video Workstation
SET IT UP, AND GO!
Multi-Deck Video Switcher
with time code interface
HR824 or
other Powered
Studio Monitors
Output Video Deck
Headphones
MAIN OUT
MONO L R L R
MAIN
TAPE
TAPE
C/R OUT
SUB OUTS
PHONES
AUX SENDS
BAL/UNBAL
INSERT
AUX RETURNS
IN
OUT
BAL/UNBAL
BAL/UNBAL
OUT
BAL/UNBAL
Delay
Reverb
Page 14
1642 CHURCH
Keyboards
CD Player
VCR
VLZ PRO
Mic 1-5
Guitar
Direct Box
Drum Machine
SET UP
CHANNEL INSERTS
CHANNEL INPUTS
BAL/UNBAL
DIRECT OUT
SET IT UP, AND GO!
Mono EQs,
M1400i Amps,
and (C300) Passive
Stage Monitors
SRM450s
or other
active monitors
HR824s
or other powered monitors
Stereo Processor
Cassette Recorder
Multitrack Recorder
Headphones
MAIN OUT
MONO L R L R
MAIN
TAPE
TAPE
C/R OUT
SUB OUTS
PHONES
AUX SENDS
BAL/UNBAL
INSERT
AUX RETURNS
IN
OUT
BAL/UNBAL
BAL/UNBAL
OUT
BAL/UNBAL
Reverb/Delay
70 Volt Line Amp
Assistive Listening
Transmitter
70V xformer tapped loudspeakers on distributed system throughout building
Page 15
1642 STEREO
Guitar
Machine
Turntable
Drum
Bass
VLZ PRO
Mic 1-4
Guitar
Mono Effects
Additional
stereo source
Stereo Effects
RIAA Preamp
PA SET UP
CHANNEL INSERTS
CHANNEL INPUTS
BAL/UNBAL
DIRECT OUT
Mono EQs, M1400i Amps,
Passive Stage Monitors
SET IT UP, AND GO!
Compressors
Keyboard
and (C300)
Active PA Speaker/Subwoofer
combination (Pole-mounted
SRM450s and SRS1501 active
Subwoofers pictured)
Stereo Processor
CD Player
Headphones
MAIN OUT
MONO L R L R
MAIN
TAPE
TAPE
C/R OUT
SUB OUTS
PHONES
AUX SENDS
BAL/UNBAL
INSERT
AUX RETURNS
IN
OUT
BAL/UNBAL
BAL/UNBAL
OUT
BAL/UNBAL
Reverb/Delay
Reverb/Delay
Digital Multitrack
Recorder
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